Yamaha RX-V1300 6.1 Channels Receiver
Contents
1. Speaker switching is accomplished by 1 Anti Resonance Alminum Extruded Heat Sinks with High Efficient Cooling System 2 Extra Large 4 7kg Low Impedance Transformer 3 Extra Large Custom Made Block Electrolytic Capacitors 4 FE Mica Capacitors Polypropylene Film Capacitors Polyethylene Telephthalate Capacitors High Quality Resistors and Twin Direct Signal Path Speaker Relays with Gold Plated Crossover Connection and Shielding relays right in front of the speaker terminals rather than at the switch position This results in a shorter signal path and minimum output impedance High Performance Myca Capacitors and Film Capacitors At this level of sound quality even these small parts make a difference The high precision FE mica and metallic mylar film capacitors use polypropylene material and are the highest performance types on the market Extra Large Low Ilmpedance Transformer The large 4 7kg low impedance transformer is an important factor in the RX V1300 s extremely stable power supply 5 10 R T K RX V1300 NEW PRODUCT BULLETIN CINEMA DSP Processing Board for Optimum Performance The printed circuit board holds both the DSP processing and sound format decoding circuitry thus saving space and is shielded to prevent interference Thick PC Board Wiring with 1 6mm Copper Jumper Cables The audio signal is routed within the amplifier through exceptionally thick top quality wi2. 1 Full frequency response in all channels 8Hz 20kHz 2 discrete surround channels and 3 a separate track for bass only called the Low Frequency Effects channel Dolby Digital EX Dolby s latest surround format this is Dolby Digital with an added center rear channel The rear center channel is actually matrixed into the two rear channels and is extracted upon playback Formerly called Dolby Digital Surround EX or Dolby Digital Matrix 6 1 DTS Digital Surround The basic DTS 5 1 channel sound format Uses 6 10 P T K to measure the sound fields or acoustic characteristics of concert halls jazz clubs and other performance spaces Yamaha engineers invented a technique called Single Point Quad Miking that allowed them to make precise measurements of these spaces and they went to many famous venues around the world gathering data which they stored in custom designed computer chips Utilizing this data in even more powerful processing chips allows Yamaha DSP components with four or more speakers to recreate the original sound fields right in ordinary listening rooms Other manufacturers try to imitate these results with what they call Digital Signal Processing but this is only their audio engineers best guesses as to what the acoustic properties of concert halls or jazz clubs might be Digital Sound Field Processing was one Auto Priority Input Terminal Selection and Auto Decoder Selection Digital input
3. R NEWS RELEASE RX V1300 NEW PRODUCT BULLETIN Digital Home Theater Receiver RX V1300 Versatile high performance receiver designed to serve as the core component of any high quality home theater system Major features include 6 channel discrete amplification 100W x 6 RMS Yamaha s Digital ToP ART design concept Quad Field CINEMA DSP 25 surround programs SILENT CINEMA and learning capable present remote control Compatible with the newest 6 1 channel movie sound formats including Dolby Digital EX DTS ES Matrix 6 1 DTS ES Discrete 6 1 Dolby Pro Logic Il and DTS Neo 6 Black finish available in some areas Everything You Want in a Home Theater Receiver Plus Numerous Yamaha Exclusive Features for Greater Enjoyment 1 10 R T K Advanced Technology and an Extensive Range of Functions Give You Complete Satisfaction m High Power 6 Channel Discrete Amplifier Configuration 100W x 6 RMS Digital ToP ART Total Purity Audio Reproduction Technology m Powerful 32 bit Yamaha LSI YSS 938 for CINEMA DSP processing Compatibility with latest movie sound formats including Dolby Digital EX Dolby Pro Logic Il DTS ES Discrete 6 1 and DTS Neo 6 m 192kHz 24 bit System DAC m 25 surround programs including Quad Field CINEMA DSP programs Accurate touch digitally regulated volume control governs all channels Yamaha YAC 520 LSI RX V1300 Digital Home Theater Receiver Digital ToP ART DIGITAL Dig
4. 0 R T K Dira Bijes GER PRO LOGICI SURROUND Accurate Touch Volume Control No one expects more from a volume control than up and down except Yamaha We decided that controlling the volume could be made both easier and more accurate and the result is the Accurate Touch Volume Control It lets you make delicate adjustments within a narrow range yet enables you to move to very high or low levels more quickly Its extreme accuracy is due to a high signal resolution analog design in Yamaha s Exclusive Digitally Regulated YSS 938 32 Bit Floating Volume Control Device Point Quantization LSI Yamaha Original YAC 520 LSI DIGITAL ToP ART Total Purity Audio Reproduction Technology From digital input through digital processing to amplification maximum signal quality is maintained every step of the way RX V1300 NEW PRODUCT BULLETIN conjunction with an ultra precise digital control circuit Yamaha original YAC 520 LSI The wide control range extends from 0dB to 99dB with narrow 0 5dB steps throughout the entire range for delicate control even at low volumes Processor Direct Switching The DSP processing and sound format decoding system in on a single The RX V1300 has a board which is shielded to prevent interference Processor Direct Switch that provides a direct signal directly to the outputs for cleaner connection between the processor more efficient operation and higher board a
5. YAMAHA AV IT NEWS RELEASE RX V1 300 Digital Home Theater Receiver Yamaha Targets Mid to High End Customers with the New RX V1300 Home Theater Receiver Featuring Superb Sound Quality and Extensive Facilities for Home Theater Entertainment Yamaha Corporation one of the world s leading manufacturers of audio and home theater systems announces the latest addition to its line of high quality home theater receivers The RX V1300 is designed for 6 1 channel home theater systems and features Yamaha s Digital ToP ART design concept 192kHz 24 bit DACs for all channels a 32 bit CINEMA DSP LSI full surround format compatibility 25 surround programs with Yamaha s exclusive Quad Field CINEMA DSP SILENT CINEMA a wide range power amplifier and extensive inputs and outputs RX V1300 Main Features e High power 6 channel discrete amplifier configuration 100W x 6 RMS e Digital ToP ART Total Purity Audio Reproduction Technology e Powerful 32 bit Yamaha LSI YSS 938 for CINEMA DSP processing e Compatibility with latest movie sound formats including Dolby Digital EX Dolby Pro Logic Il DTS ES Discrete 6 1 and DTS Neo 6 e 25 surround programs 45 variations including Quad Field CINEMA DSP programs e Accurate touch digitally regulated volume control governs all channels Yamaha YAC 520 LSI e SILENT CINEMA for headphone enjoyment e Finest parts used throughout for high sound quality e Extensive inputs and outputs RXV1300
6. at these parts can be much larger than usual for greater power that they can be separated for minimum chance of interference and that circuits can be arranged in straight lines for maximum signal purity Damping Factor Characteristics Speaker Impedance ohms 6 TT 0 y E Dynamic Power per Channel T E o He es aa Min RMS Power per Channel 100 80 8 ol 250 8 ij z Z 2 50 im nese a I pS fj Q gt q tja Linea Damping Mdntional ircuft 20 50 100 200 500 1k 2k 5k 10k 20k Frequency Hz Linear Damping Yamaha s Linear Damping maintains a high stable damping all sounds 4 10 R T K factor even at frequencies from 10 to 20 kHz where it generally tends to fall off The result is superior articulation of Finest Parts Used Throughout In order to realize the goals of massive power and superlative sound quality Yamaha technicians completely re evaluated all the parts used in previous receivers As a result many were replaced with more expensive or custom designed units Extra Large Custom Made Block Electrolytic Capacitors Developed specifically for the RX V1300 the 12 000uF block electrolytic capacitors use low magnification foil and are exceptionally high quality Twin Direct Signal Path Speaker Relays with Gold Plated Crossover Connection and Shielding
7. d Outputs Analog Digital Video Coaxial Optical Composite SVideo Compo W OCOC PHONO m 7 m cD m E EH CD R e m u E MD TAPE e 8 a E E DVD n H a D TV LD m E n m C CBL SAT a a VCR 1 8 n e E E VCR 2 DVR e es u e a BEBBE VIDEO AUX n n n MONITOR OUT Comp V Component Video Video Aux Terminals are on Front Panel m Fixed Terminals W Fixed and Assignable Terminals m Assinable Terminals Oil Damped Hidden Control Panel Front Panel Aux Input Terminals with Optical Digital and S Video Terminals Auxiliary terminals with optical digital input make it convenient to connect a digital game machine so you can enjoy DVD games and movies And Composite terminals are gold plated for high quality sound reproduction RX V1300 NEW PRODUCT BULLETIN and with each one the tuning mode auto or mono is also memorized Auto FM Station Memory will automatically preset the 40 strongest stations on the dial The Preset Editing function can then provide 6dB boost to the main control codes for TV DVD VCR CDR be used to speakers low end centered at 60Hz and other components It also provides rearrange them Frequencies under 50Hz will be cut by control of subwoofer level into groups 12dB oct to prevent overdrive Tuner Section Features High Quality Learning Capable and Preset Remote Ea
8. d assignable 6 Channel External Decoder Input for Enjoying DVD Audio Video or SACD 2 Component Video Inputs fixed and assignable and 1 HDTV compatible Component Video Output 40 Station Preset Tuning adjusted from the menus Speaker Set Functions Center Main Rear Rear Center LFE and Main Level Low Frequency Test L R Balance Headphone Tone Control Center Graphic Equalizer Input Rename I O Assign Input Mode Parameter Initialize LFE Level Dynamic Range Speaker Delay Time Center and Rear Center Display Set Memory Guard 6 Channel Input Center and LFE channels output tmixed down to Main for music sources 2 Way Binding Post Speaker Terminals Banana Plug Compatible Main L R Center Rear L R and Rear Center Preout and Subwoofer Output Terminals 8 10 P T K HDTV Compatible Component Video Out The frequency response of the Component Video Monitor Out signal is DC 60MHz making it compatible with HDTV monitors Fixed and Assignable Terminals Yamaha offers terminals that can be either independently assigned to sources or defaulted to fixed settings Bass Extension Turn the bass extension switch on to Bass Extension Characteristics 10 8 6 4 42 4 t fP T P 5 Gain dB 1 o 2 4 6 8 o 21 8 50 100 200 500 1000 Frequency Hz RX V1300 Inputs an
9. damping factor for superior articulation of all sounds and better frequency response Anti Resonance ToP ART Base Supporting the heavy heat sinks transformer and circuit board is Yamaha s ToP ART base which has exceptional anti resonance and damping characteristics Beneath this base is the bottom of power amplifier part of the heavy chassis which is also designed for maximum vibration damping Anti Resonance Alminum Extruded Heat Sinks with High Efficient Cooling System The large anti resonance aluminum extruded heat sink is located on the base frame with the power amplifier circuit boards to prevent interference with the preamplifier and digital processing sections The power block is equipped with a fan but it is only used for extreme heat build up and is not activated during normal operation preventing the occurrence of even the slightest unwanted noise Wide Range Frequency Response for DVD Audio and SACD With an extremely wide frequency range of 10 to 100 000HZ this receiver is capable of delivering the full potential of the new digital audio sources DVD Audio and SACD Optimum Space Utilization The use of highly integrated LSls allows an interior design that maximizes power and sound quality by positioning all the digital processors and related circuitry in one small area This leaves most of the space open for the power amplifier components transformers capacitors heat sink and so on This means th
10. eamps and refusing to make any compromises on quality we ve endowed the RX V1300 with awesome capabilities It incorporates a powerful 6 channel amplifier with high dynamic power and sophisticated circuitry like linear damping Total Low Impedance Design All current signal paths from the power supply to the power amplifier to the speaker drive circuits utilize a low impedance design This improves the separation characteristics among multi channels and allows the use of a wider variety of low impedance speakers 6 Channel High Power Discrete Amplifier Configuration The RX V1300 will deliver as much as 100W RMS of power to each of six channels two main two rear one center and one rear center This is more than enough to fill even the largest rooms with vibrant music and Richter scale sound effects Output Power vs Speaker Impedance Output Power Watts 50 100 150 200 High Dynamic Power Capability The RX V1300 is capable of delivering large amounts of reserve power for accurate reproduction of the high energy peaks that are especially prevalent in digital audio sources This emphasizes the music s dynamic qualities and provides a sharper sound image Linear Damping Main L R Channels Level variations due to high amp impedance tend to reduce an amplifier s damping factor and frequency variations cause it to fluctuate This circuit cancels the effect of these variations maintaining a high stable
11. hono MM 2 5 mV 47 k ohms cD 150 mV 47 k ohms GENERAL Frequency Response 10 100 000 Hz 0 3 dB Dimensions WxHxD 435 x 171 x 434 mm Total Harmonic Distortion 20 20 000 Hz Weight 15 kg CD Main Sp Out 0 04 Signa to Noise Ratio CD 250 mV 100 dB Tone Control Characteristics Bass Boost Cut 10 dB 50 Hz Turnover Frequency 350 Hz Treble Boost Cut 10 dB 20 kHz Turnover Frequency 3 5 kHz Bass Extension Characteristics 60 Hz 6 dB 9 10 R T K RX V1300 Notable Features DIGITAL ToP ART High Performance Digital Circuitry e 192 kHz 24 Bit System DAC e Accurate Touch Digitally Regulated Volume Control Governs All Channels Yamaha YAC 520 LSI e Processor Direct Switch e High Sound Quality Multi Function Processing Board with Fully Shielded Cabinet for Reduced Digital Interference amp High Density CINEMA DSP Circuitry e Powerful Original 32 Bit Floating Point Quantization System LSI YSS 938 for and CINEMA DSP Processing e Compatibility with Latest Movie Sound Formats including Dolby Digital EX Dolby Pro Logic Il DTS ES Discrete 6 1 and DTS Neo 6 e 25 Surround Programs 45 Variations including New Music Video Program Quad Field CINEMA DSP for 6 1 Channel Digital Surround SILENT CINEMA for Headphone Enjoyment e Virtual CINEMA DSP for Versatile Surround Enjoyment gt High Quality Power Amplifier Section e 6 Channel High Power Discrete Amplifier Configuration 100W x 6 RMS Total Low Impedance Design High Dynamic Powe
12. in an unmatched surround sound experience With dialogue music and effects from the presence front and rear sound fields plus rear center with 6 1 channel Quad Field CINEMA DSP it will seem as if the walls of your room have disappeared and you are in the middle of your own immense theater 7 10 RIT K DIGITAL Presence Front Sound Field Dialogue Effect Music a Rear Right Surround Effect Sound Field All the A V Connections Needed for the Present and Into the Future Plus a Host of Convenient Features Extensive Inputs and Outputs In addition to the wide range of inputs and outputs provided on previous Yamaha receivers the RX V1300 also includes a Video Conversion connection S Video to Composite Monitor Out Total Convenience A comprehensive On Screen Display with a convenient Set Menu allows selection and adjustment of a wide variety of functions It even includes a speaker display that makes it easier to balance speaker output in the Speaker Test Mode DSP programs can be selected with the remote control so the listening position A rotary encoder Input Selector makes source selection quick and easy Convenient Set Menu with Parameter Control Functions The following audio parameters can be RX V1300 Extensive Connections 5 Optical and 2 6 A V with S Video Coaxial Digital and Audio Inputs Inputs and 2 and 2 A V with S Optical Digital Video and 2 Audio Outputs fixed Outputs an
13. ital ToP ART DAP Total Purity Audio ToP ART Reproduction Technology is the name Yamaha has given to a design philosophy whose goal is to maximize digital quality while minimizing analog circuitry The culmination of the best digital engineering and design possible today it brings together several key elements to create the best sounding easiest to use A V components available Advanced Decoding Circuitry Including Yamaha s Exclusive YSS 938 32 Bit Floating Point Quantization LSI The decoding circuitry performs Dolby Pro Logic II Dolby Digital Dolby Digital EX DTS Digital Surround DTS ES DTS ES Matrix 6 1 and DTS ES Discrete 6 1 and DTS Neo 6 decoding with extreme accuracy as well as all digital sound field processing It also outperforms other systems in the precise synchronization of images and sound Its low 3V power consumption minimizes digital noise 192kHz 24 Bit Digital to Analog Converter System The RX V1300 s vitally important digital to analog converters use an extremely high performance 192kHz 24 bit type They perform accurate sound field reproduction for high quality multi channel sources and for two channel stereo provide outstanding separation and precise musical delineation They deliver superior low level linearity with excellent full scale performance under varying operation conditions Black finish available in some areas silent CINEMA DIGITAL DIGITAL ToP ART 2 1
14. ld Plated Front Panel Composite Input Terminals 6 Channel External Decoder Input Terminals for Future Sound Formats Preout Terminals for Main Center Rear and Rear Center Channels Subwoofer Output Terminal Video Conversion S Video to Composite Monitor Out 2 Way Binding Post Speaker Terminals banana plug compatible all terminals Convenient Operating Features Auto Priority Input Selection and Auto Decoder Selection Rotary Encode Input Selector Convenient Set Menu with Parameter Control Functions Speaker Set Functions Center Main Rear Rear Center LFE and Main Level Low Frequency Test L R Balance Headphone Tone Control Center Graphic Equalizer Input Rename I O Assign Input Mode Parameter Initialize LFE Level Dynamic Range Speaker Delay Time Center and Rear Center Display Set Memory Guard 6 Channel Input Center and LFE channels output mixed down to Main for music sources On Screen Display Bass Extension Speaker A B Selector Sleep Timer Learning Capable and Preset Remote Control Unit with LCD Display Learning Capability Preset Remote Capability with Control Code for TV DVD VCR CDR etc Subwoofer Level Controllable High Quality Stable Reception Tuner 40 Station AM FM Random Access Preset Tuning Auto Preset Tuning Dolby Digital EX and Double D are trademarks of Dolby Laboratories Corporation DTS ES Neo 6 and DTS Digital Surround are
15. nd the power amplifier quality sound section This shortens the signal path feeding the pure robust signal High Quality Wide Range Power Amplifier H i P Advanc r 6 Ch High Digital Decoding input ae i Output Power Input Circuitr 1 192 kHz Ai try aor 6 Ch 0 99dB Processor Main L j incest System gt O Dosa gt Direct D e Main R 32 Bit DSP Step for Switch Center 1 LSI DAG 6 Channels 1e Rear L YSS 938 te RearR r z e Rear Center 6 Ch Input Yo vV 7 eye Minimal Analog Processing In addition to the six channels Main L R Center Rear L R Rear Center there is a subwoofer output hence 6 1 channel format compatibility and two front effect channels a total of 9 DACs The front effect channel signals unique to Yamaha CINEMA DSP are mixed with the main channel signals to achieve more precise separation of dialogue music and effects on the front sound stage and a superior sense of presence as compared to other systems 3 10 R T K Behind the Outstanding High Sound Quality The RX V1300 is designed to deliver the full impact and dynamism of movies by supplying generous amounts of power including bass power That s why despite all the digital processing magic it is first and foremost a powerful receiver By drawing on our long years of amplifier expertise we ve created some of the world s legendary power amps and pr
16. r Low Impedance Drive Capability Linear Damping Circuit Prevents Unwanted Speaker Cone Movement e Wide Range Frequency Response 10 100 000 Hz 0 3 dB for DVD Audio SACD Compatibility Finest Parts Used Throughout Extra Large 4 7kg Low Impedance Transformers Extra Large Custom Made Block Electrolytic Capacitors Anti Resonance Aluminum Extruded Heat Sink with High Efficient Cooling System Twin Direct Signal Path Speaker Relays with Gold Plated Crossover Connection and Shielding for Stable Signal Path and Speaker Protection ToP ART Base for reduced external resonance CINEMA DSP Processing Board for optimum performance with multi channel audio sources and fully shielded cabinet to prevent interference High Performance Myca Capacitors and Film Capacitors Thick PC Board Wiring with 1 6mm Copper Jumper Cables Extruded Aluminum Volume Knob For details please contact Visit us at our website http www yamaha co jp APB603R RXV1300 709 Versatile Extensive Connections 5 Optical and 2 Coaxial Digital Input Terminals fixed and assignable Video Aux fixed 2 Optical Output Terminals fixed and assignable 2 Component Video Input Terminals fixed and assignable and 1 Monitor Output Terminal with HDTV Compatibility 6 A V with S Video and 4 Audio Input Terminals 2 A V and 2 Audio Output Terminals Front Panel Video Aux Input Terminals with Optical Digital and S Video Terminals Go
17. re ensuring that signal purity is maintained Yamaha CINEMA DSP for Home Theater Dramatically Different Than Other Systems CINEMA DSP Puts You Inside the Scene With Dolby Digital and DTS Digital Surround CINEMA DSP projects three sound fields into the home theater a Presence sound field in the front and two Surround sound fields in the left rear and right rear The Presence field supplies the dialogue music and effects while the Surround fields are independent stereo sound fields that create a large scale surround environment resulting in a powerfully realistic three dimensional soundscape And our newest Quad Field system adds a rear center field for 6 1 Channel Digital Surround formats The success of CINEMA DSP is due as much to Yamaha s outstanding sound field software as to the hardware microprocessors etc The overwhelming sense of realism is due to the fact that data from real sound fields is used in this case the actual dubbing theaters that movie sound technicians use This is why even though other systems may sound good you still have the sense of watching listening to the scene whereas with Tri Field Quad Field CINEMA DSP you feel as though you are actually INSIDE the scene This results in sound with highly accurate localization smooth movement exceptional clarity and richness and startlingly realistic presence Yamaha DSP Digital Sound Field Processing Digital Sound Field Processing i
18. s a technology developed by Yamaha in 1986 RX V1300 Surround Programs 25 Surround Programs 45 Variations CONCERT HALL Concert Hall CHURCH Church 1 JAZZ CLUB Jazz Club ROCK CONCERT Rock Concert 1 Disco ENTERTAINMENT 6 Ch Stereo Program Subtotal 6 6 ENTERTAINMENT Game MUSIC VIDEO Pop Rock 1 TV THEATER 1 Mono Movie Variety Sports Spectacle 5 MOVIE THEATER 1 e Sci Fi 5 Adventure 5 MOVIE THEATER 2 General 5 ENHANCED Enhanced 5 Program Subtotal 9 29 Dolby Digital Dolby Digital EX DTS Digital Surround DTS ES Matrix 6 1 DTS ES Discrete 6 1 Dolby Pro Logic Dolby Pro Logic II Music Dolby Pro Logic II Movie DTS Neo 6 Music DTS Neo 6 Cinema Program Subtotal 10 10 Program Total 25 45 Remarks HiFi DSP Programs A V Programs CINEMA DSP Tri Field CINEMA DSP Capable Quad Field CINEMA DSP Capable Brief Guide to Movie Sound Formats Dolby Pro Logic Dolby Lab s basic 4 channel format widely used in ordinary theaters and for home videos Dolby Pro Logic II Improved version of Dolby Pro Logic for music and movies With a more intelligent matrix decoder it is suitable for both stereo and surround encoded sources It offers bass management as well as the option of incorporating width dimension and panorama controls Dolby Digital The most popular 5 1 channel home theater sound system An improvement over Dolby Pro Logic in that it offers
19. so offers Quad Field CINEMA DSP It adds an additional rear center sound field to the Tri Field system in order to enjoy the new 6 1 channel formats Dolby Conventional 6 1 Channel Systems a s ie e Digital EX and DTS ES SILENT CINEMA and Virtual CINEMA DSP r The SILENT CINEMA aiiu mode gives you private listening enjoyment of multi channel music or movie sound including Dolby Digital and DTS surround through ordinary headphones Its automatically selected when the headphones are plugged in Virtual CINEMA DSP lets you enjoy the effects of CINEMA DSP surround sound without using rear speakers handy for use in custom installations where some rooms don t have rear speakers It can be used with the main center front effect speakers or even with just the two main left and right speakers RX V1300 NEW PRODUCT BULLETIN me SILENT CINEMA Sound Field Imaging Virtual CINEMA DSP Sound Field Imaging Quad Field CINEMA DSP CINEMASE TY i Rear Left Surround Effect Sound Fi m Rear Center Surround Effect Sound Field Conventional 5 1 Channel 6 1 Channel System vs CINEMA DSP Conventional 5 1 channel 6 1 channel audio reproduction systems base their sound on Dolby Digital and DTS decoding using matrix and steering technologies to create surround sound effects Yamaha CINEMA DSP is much more advanced actually creating richly realized independent sound fields that merge to envelop you
20. sy Operation Control Unit In addition to utilizing a Direct PLL IF The remote control can learn the Count Synthesizer Tuning system the functions of other components so you RX V1300 also makes station selection can use it as a single remote for the easy Users can preset as many as 40 entire system It can be preset with stations for instant one touch tuning RX V1300 Main Specifications AUDIO SECTION VIDEO SECTION Minimum RMS Output Power 8 ohms 20 20 000 Hz 0 04 THD Video Signal Level 1 Vp p 75 ohms Main Channels 100 W 100 W S Video Signal Level Y 1 Vp p 75 ohms Center Channel 100 W Cc 0 286 Vp p 75 ohms Rear Channels 100 W 100 W Component Video Signal Level Y 1 Vp p 75 ohms Rear Center Channel 100 W Pb Cb Pr Cr 0 7 Vp p 75 ohms Max Power Signal to Noise Ratio 50 dB Main Channels 150 W 150 W Monitor Out Frequency Response Center Channel 150 W Composite S Video Signal 5 Hz 10MHz 3 dB Rear Channels 150 W 150 W Component Video Signal DC 60MHz 3 dB Rear Center Channel 150 W High Dynamic Power Low Impedance Drive Capability Yes TUNER SECTION Dynamic Power Channel 8 ohms 140 W FM 50dB Quieting Sensitivity 1 kHz 100 Modulation 6 ohms 170 W Mono 2 uV 17 3 dBf 4 ohms 205 W Stereo 25 uV 39 2 dBf 2 ohms 245 W FM Selectivity 400 kHz 70 dB Linear Damping Yes FM Signal to Noise Ratio Mono Stereo 76 dB 70 dB Damping Factor 8 ohms 20 20 000 Hz 80 speaker A FM Frequency Response 20 15 000 hz 0 5 2 dB Input Sensitivity Impedance P
21. terminals are provided to handle any kind of digital input Functions are programed to select priority in order of coaxial digital optical digital and analog when different digital formats are input from the same source The sound decoder is also automatically selected and processed according to the combination of the format of input signals and the selected sound field programs while DSP sound field processing is optimized at the same time a higher data rate than Dolby Digital DTS ES Matrix 6 1 Very similar to Dolby Digital EX Uses a different rear center channel decoding method DTS ES Discrete 6 1 DTS ES uses its large bandwidth to provide a fully discrete rear center channel as opposed to a matrixed one DTS Neo 6 Provides 5 1 or 6 1 channels of matrix decoding from stereo matrix material Also decodes Extended Surround matrix soundtracks and has a Music mode to expand stereo non matrix recordings to 5 1 or 6 1 channels important step in Yamaha s quest to bring listeners Natural Sound They could hear how their favorite singer or group would actually sound in New York s Bottom Line for example or even in a cathedral Quad Field and Tri Field CINEMA DSP Tri Field CINEMA DSP projects three sound fields into the home theater a Presence sound field in the front and two Surround sound fields in the left rear and right rear resulting in a powerfully realistic three dimensional soundscape And now Yamaha al
22. trademarks of Digital Theater Systems Inc Product designs and specifications are subject to change without notice YAMAHA CREATING KANDO TOGETHER YAMAHA CORPORATION P O Box 1 Hamamatsu Japan 10 10 R T K
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