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Rotel RSP-1066 Stereo Receiver User Manual

1. 12 Programming the RR 969 PRELOAD Button 12 Basic Controls 12 POWER Button 12 Remote Sensor 12 Front panel Display 12 Volume Control EB 12 MUTE Button 12 Tone Controls E 13 FILTER Button 13 MENU Button EA 13 ENTER Button ss 13 Input Controls 13 Input Source Buttons 13 REC Button E ZONE Button 22 13 MULTI Input EE EXT UN TS t 13 Overview of Surround Formats 14 Dolby Surround Dolby Pro Logic 14 Dolby Digital 14 EEE EAT EET apay 14 6 1 and 7 1 Surrounl 15 Other Formats 15 DSP Digital Signal Processing 15 Surround Controls 15 Automatic Surround Modes 15 Manually Selecting Surround Modes 16 ACH Button 7
2. Use the UP DOWN keys on remote to select a parameter Use the keys to change the selected parameter as follows PANORAMA The Panorama option extends the front stereo image to include the surround speakers for a dramatic wrap around effect The options are OFF or ON DIMENSION The Dimension option al lows you to gradually adjust the soundfield towards the front or towards the rear There are seven incremental settings from O to 6 A setting of O shifts the soundfield to wards the rear for maximum surround ef fect A setting of 6 shifts the soundfield to the front for minimum surround effect The default setting of 3 provides a neutral balance between the two extremes CENTER WIDTH The Center Width option allows you to send some of the signal in tended for the center speaker to the left and right front speakers thus widening the perceived soundfield There are eight in cremental settings from O to 7 With the default setting of O there is no center width spreading and all of the center channel information is sent to the center speaker The maximum setting of 7 shifts all of the center channel signal to the left and right speakers essentially muting the center speaker and maximizing the soundfield width Other settings provide incremental steps between the two extremes wass When you hove completed all the desired adjustments press the ENTER key to return to the INPUT SETUP
3. 20 TV Monitor Output EE 20 Preamp Outputs HE 20 Power and Miscellaneous Connections 20 AC Input 20 12V TRIGGER Connections EZ 21 EXTERNAL REM IN 21 Computer 1 0 21 Zone 2 Connection and Operation 21 Zone 2 Power 0 0 22 Controlling Zone 2 from the Main Room ZONE Button 22 Controlling Zone 2 from the Remote Location 22 Zone 2 Audio Outputs 22 ZONE REM IN Jack 22 IR OUT Jacks 22 On Screen Display and System Configuration 23 Navigation Buttons Kal E3 IN TJ 23 SYSTEM STATUS Menu 23 MAIN Menu 23 INPUT SETUP 24 DTS Neo 6 Sub Menu DOLBY PRO LOGIC II Sub Menu 24 SPEAKER SETUP Menu 25 TEST TONE Menu 26 DELAY SETUP 2 SUBWOOFER SETUP 2 OTHER OPTI
4. OO rr 1 oepoesoooaedo 1 2 3 WARNING SHOCK HAZARD DO NOT OPEN AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR e E S VIDEO COMPOSITE TAPE TUNER Alternate Video Connections 5 1066 8 5 Zone 2 Connections IR REMOTE IN IR REMOTE IN RSP 1066 o 12V COMPONENT VIDEO otl boratoridil icensing Corporation Dolby Pro Logio and the double D symbol are trademarks of works 1992 1997 Dolby Laboraties Inc All rights reserved 65 1 4 WARNING TO REDUCE THE RISK OF FIRE OR ELECTICAL SHOCK IN DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE 4 ROTEL at SURROUND SOUND PREOUT DIGITAL INPUT R 2 PEE REAR SUB1 CTR1 1 POWER CONSUMPTION Ri d 40 WATTS OPTICAL d 1 E 2 MON Y OOOmmmoom i 0 O COMPOSITE IN 2 3 4 1 2 3 WARNING SHOCK HAZARD DO NOT OPEN AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR AMPLIFIER LEFT RIGHT INPUT ZONE 2 IR 6 On Screen Display Menus SYSTEM STATUS LISTEN Tuner RECORD VIDEO MODE Stere INPUT Analo VOLUME 45 ZONE Off 1 0 4 ENT KEY MAIN MENU OSD KEY EXIT V1 1 MAIN MENU INPUT S DELAY SUB LEVEL Z PEAKER EST TONE ONE 2 OTHER DEFAULT ENT
5. RSP 1066 Surround Sound Processor 16 Manually Selecting Surround Modes Four front panel MODE buttons and the SUR button on the remote provide manual selec tion of surround sound settings when you wish to use a surround mode that is not automati cally detected or in some cases when you wish to override an automatic setting Manual settings available from the front panel and or the remote might be used when you want to play standard 2 channel stereo left right speak ers only press the 2CH button Dolby 3 channel stereo left right center or Pro Logic Il processing of any source material including material that is not Dolby Surround encoded press the Dolby PLII 3ST button to toggle to the desired mode Derived 5 1 6 1 or 7 1 channel surround for music or cinema from 2 channel sources using DTS Neo 6 processing press the DTS Neo 6 button 5 channel or 7 channel stereo from 2 chan nel sources press the DSP button to toggle to the 5CH Stereo or 7CH Stereo setting Four DSP ambience settings simulating concert halls press the DSP button to toggle to the desired MUSIC effect The manual surround sound options are only available for certain source material and sur round modes Some discs may automatically activate one of the following surround modes with override options as follows e DTS DTS ES Matrix 6 1 DTS ES Discrete 6 1 Dolby Digital MP3 HDCD 96kHz and PCM 2 chann
6. e A system with LARGE front speakers SMALL center and surround speakers and a sub woofer The normal bass from the SMALL center and surround speakers is redirected to the LARGE front speakers and the sub woofer The LARGE front speakers play their own normal bass plus the redirected bass from the SMALL speakers The subwoofer plays the LFE bass plus some of the redi rected bass from the SMALL center and surround channels This might be an ap propriate configuration with a pair of very capable front speakers driven by a large separate power amplifier A system with all SMALL speakers and a subwoofer The normal bass from all chan nels is redirected to the subwoofer which also plays the LFE bass The subwoofer handles ALL of the bass in the system while the other speakers benefit from the added dynamic range and reduced strain of not having to play low bass This configura tion realizes the full benefits of bi amping bass is played by the speaker most suited to do so the other speakers play louder with less distortion and the need for am plifier power is reduced This is the most RSP 1066 Surround Sound Processor 26 popular home theater configuration and should be strongly considered even if the speakers are physically large and capable of playing low bass This configuration is particularly advantageous when driving the speakers with moderate power amplifiers NOTE An alternative configuration for setting up a
7. 16 DOLBY PLII 3ST Button 16 DTS Neo 6 Button 16 DSP 17 Setting Surround Modes from the Remote SUR Button El 17 Speaker Level Adjustment Selection Buttons E E UP DOWN Buttons 24 17 DYNAMIC RANGE Button DWN Button _ 7 Connections Overview 17 Video 18 Audio Source Connections 18 D Inputs 27 18 TUNER Inputs ET 18 TAPE Inputs and Outputs 18 Video Source Inputs 18 VIDEO 1 5 Audio Inputs E 19 VIDEO 1 5 Composite Video Inputs 19 VIDEO 1 5 S Video Inputs 19 VIDEO 1 2 Component Video Inputs 19 MULTI Inputs 19 Video Source Outputs 19 VIDEO 1 3 Audio Outputs 19 VIDEO 1 3 Composite Video Outputs 19 VIDEO 1 3 S Video Outputs 19 Digital Source Connections 20 Digital Inputs 20 Digital Outputs 4 20 Output Signal Connections
8. DOWN buttons Use the buttons to change the setting to YES The screen will change to a confirmation screen Press the ENTER but ton to proceed with activating the USER DE FAULT settings To return to the MAIN menu without activating the USER DEFAULT settings change the entry to NO and press the EN TER button ZONE 2 SETUP Menu ZONE2 SETUP SOURCE CD VOLUME SETUP Variable VOLUME 20 ENT KEY MAIN MENU KEY change Ne UP KEY up DWN KEY down The ZONE 2 SETUP menu provides settings and configuration options related to the op eration of Zone 2 This menu is reached by highlighting the ZONE 2 line on the MAIN menu and pressing ENTER SOURCE the source selected for listening in Zone 2 Selecting the OFF option turns Zone 2 off VOLUME SETUP configures the Zone 2 outputs for VARIABLE or FIXED volume levels VARIABLE allows control of the volume settings in Zone 2 from the RSP 1066 frontpanel or from a remote control IR repeater or keypad in Zone 2 FIXED output disables the Zone 2 volume control In this mode the Zone 2 level can be fixed at the level specified on the next English line thus optimizing system performance when sending a fixed level signal to a preamp or amplifier with its own volume adjustment VOLUME In VARIABLE output mode this line shows the current volume setting for Zone 2 In FIXED output mode this volume setting es tablishes a permanent fixed output level for Z
9. Owner s Manual RSP 1066 Surround Sound Processor RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL This symbol is to alert the user to the presence of uninsulated dangerous voltages inside the product s enclosure that may constitute a risk of electric shock This symbol is to alert the user to important operating and maintenance service instructions in this manual and literature accompanying the product APPLICABLE FOR USA CANADA OR WHERE APPROVED FOR THE USAGE CAUTION TO PREVENT ELECTRIC SHOCK MATCH WIDE BLADE OF PLUG TO WIDE SLOT INSERT FULLY ATTENTION POUR EVITER LES CHOCS ELECTRIQUES INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU AU FOND This Class B digital apparatus complies with Canadian ICES 003 Cet appareil num rique de la classe B est conforme a la norme NMB 003 du Canada Notice The COMPUTER I O connection should be handled by authorized person only FCC Information This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radi ate radio frequency energy and i
10. lected mode Use Dolby 3 Stereo for playback on front and center speakers but no rear surround With stereo recordings it derives a center channel signal With 5 1 channel recordings the sur round channels are mixed into the front speak ers for a larger more ambient sound than con ventional stereo Dolby Pro Logic decodes surround sound from any matrix encoded Dolby Surround 2 chan nel recording It also can be used to create ambience in 2 channel musical source mate rial that is not Dolby Surround encoded There are three optional modes for Dolby Pro Logic decoding MUSIC optimized for music CINEMA optimized for movie soundtracks EMULATION emulates the older Dolby Pro Logic decoder with mono frequency limited surround channels When the PRO LOGIC II setting is selected the frontpanel display shows that Pro Logic II decoding is activated along with the current mode setting MUSIC CINEMA EMULATION The mode setting can be changed using the ON SCREEN MENU system You can also switch among the three mode settings MUSIC CIN EMA EMULATION by pressing the but tons on the remote control However this feature works only when the Pro Logic Il sur round mode is active and when the ON SCREEN MENU system is not being displayed note If you have one or more center back speakers the Rotel XS processing automati cally optimizes the surround output for 6 1 and 7 1 systems Rotel XS wo
11. ENT KEY input setup UP KEY up KEY change DWN KEY down S 2 DELAY SETUP Dolby D Dolby DTS Pro LogicII CENTER 1 5 R SURROUND 15ms 25ms L SURROUND 15ms 25ms CNTR BACK 15ms 25ms ENT KEY MAIN MENU KEY change UP KEY up DWN KEY down 9 2 TEST TONE LEFT 1dB CENTER 1dB RIGHT 2dB R SURROUND 5dB CENTER BACK 5dB L SURROUND 4dB SUBWOOFER 9dB ENT KEY MAIN MENU KEY change UP KEY up DWN KEY down NS ZONE2 SETUP SOURCE CD VOLUME SETUP Variable VOLUME 20 ENT KEY MAIN MENU UP KEY up KEY change DWN KEY down M 2 RSP 1066 Surround Sound Processor 10 Contents Boxed numbers refer to RSP 1066 illustration Boxed letters refer fo RR 969 illustration Important Safety Instructions 3 1 Controls and Connections 4 2 RR 969 Remote 5 3 T u 6 4 Inpuls 2e bei 7 5 Zone 2 Connections 8 6 On Screen Display 9 About Rotel 11 Getting Started 11 Key Features 11 E 11 Placement 11 RR 969 Remote Control 11 Using the RR 969 AUDIO Button EX
12. LANGUAGE ENGLISH ENT KEY MAIN MENU UP KEY up KEY change DWN KEY down s E This menu accessed from the MAIN menu provides access to several miscellaneous set tings as follows RECORD Select a signal for the record out puts by choosing one of the input sources DYNAMIC steps through the three dynamic range settings available in digital modes MAX no compression full dynamic range MID moderate compression MIN full compression minimum dynamic range MULTI INPUT determines whether the MULTI channel input is turned ON or OFF CINEMA EQ determines if a special equal ization setting is turned ON or OFF This equal ization may be desirable for playback of movie source material to compensate for the acous tic differences between a commercial cinema and a home theater environment The CIN EMA EQ setting can also be changed using the FILTER button on the remote POWER This setting determines how the RSP 1066 powers up With the default DIRECT setting the unit is fully activated when AC power is applied and the front panel POWER button is pressed in however it may be put in STANDBY mode using the remote POWER button With the STANDBY setting the unit pow ers up in standby mode when AC is applied and the frontpanel POWER button is in the ON position The unit must be activated us ing the remote control POWER button In AL WAYS ON mode the unit remains fully active whenever AC is present and
13. DVD player or other component that supplies a Dolby Digital or DTS signal otherwise the RSP 1066 will not be able to decode these formats Digital Inputs IT RSP 1066 accepts digital input signals from source components such as CD players sat ellite TV receivers and 5 1 channel Dolby Digital DTS or 6 1 channel DTS ES signals from DVD players The builtin D A converter senses and adjusts to the correct sampling rates There are five digital inputs on the rear panel three coaxial and two optical These digital inputs can be assigned to any of the input sources using the INPUT MENU screen de scribed later in this manual For example you can assign the COAXIAL 1 digital input con nector to the VIDEO 1 source and the OPTI CAL 2 digital input to the VIDEO 3 source Connect the appropriate cable optical or 75 ohm coaxial from the digital output of your source component to a digital input on the RSP 1066 and then configure that digital in put for use with the source component using the INPUT MENU note When using digital connections you should also make the analog audio input con nections described previously The analog connection is necessary to record fo an ana log recorder or for ZONE 2 operation Digital Outputs The RSP 1066 has a digital output with a choice of coaxial or optical connectors to send the digital signal from any of the five digital in puts to a digital recorder or outboard
14. KEY ENTER UP KEY up DW N KEY down DEFAULT S FACTORY DEFAULT USER DEFAULT USER DEFAULT SET ENT KEY MAIN MENU KEY change ETUP No No No UP KEY up DWN KEY down DEFAULT SETUP FACTORY DEFAULT USER DEFAULT USER DEFAULT SET ENT KEY Exec KEY change Yes No No UP KEY up DWN KEY down 2 INPUT SETUP LISTEN Video 2 INPUT LABEL INPUT Coaxial 2 SURR MODE Dolby 3 Stereo ENT KEY ENTER KEY char _ wa f INPUT SETUP LISTEN Video 2 INPUT LABEL _____ INPUT Coaxial 1 SURR MODE Dolby 3 Stereo ENT MENU KEY change UP KEY up DWN KEY down 4 SPEAKER SETUP FRONT Large CENTER Large SURROUND Large CENTER BACK Large SUBWOOFER Yes CB SPKR SEL 1 SPEAKER ENT KEY MAIN MENU KEY change UP KEY up DWN KEY down r gt SUB SETUP CROSSOVER 100HZ DOLBY 1dB DTS 2dB STEREO 5dB MUSIC 3dB MULTI INPUT MAX ENT KEY MAIN MENU UP KEY up KEY change DWN KEY down 9 2 OTHER OPTIONS RECORD CD DYNAMIC Max MULTI INPUT Off CINEMA EQ Off POWER Direct OSD On LANGUAGE ENGLISH ENT KEY MAIN MENU KEY change UP KEY up DWN KEY down DTS Neo 6 MODE CINEMA ENT KEY input setup KEY change wn V DOLBY PRO LOGIC II MODE Music OPTIONAL PARAMETERS PANORAMA Off DIMENSION 3 CENTER WIDTH O
15. Matrix 6 1 or DTS ES Discrete 6 1 discs and activate DTS ES Extended Surround decoding Likewise a digi tal input from an HDCD encoded compact disc a standard CD or MP3 player will be auto detected and properly decoded to 2CH stereo operation Rotel XS processing is automatically active in all systems configured with center back speaker s and will ensure proper extended surround decoding of all multichannel digital signals even those that might not otherwise trigger the proper extended surround mode In many cases the RSP 1066 will also recog nize a digital signal with Dolby Surround en coding such as the default soundtrack on many DVDs and activate Dolby Pro Logic II de coding Additionally you can configure a de fault surround mode for each input using the ON SCREEN DISPLAY menu system A digital signal coming into the RSP 1066 will be recognized and properly decoded However on a DVD with multiple soundtracks you must tell the DVD player which one to send to the RSP 1066 For ample you may need fo use the DVD s menu system to select the Dolby Digital 5 1 or DTS 5 1 soundtrack rather than the default Dolby Digital 2 0 Dolby Surround soundtrack If in doubt about what type of soundtrack is be ing sent from the DVD check the front panel indicator lights on the RSP 1066 to see which type of decoding is activated Dolby Pro Logic for Dolby Surround matrix soundtracks Dolby Digital or DTS
16. center back channel s Al ways active in any system configured with cen ter back speaker s Rotel XS monitors the sur round channels properly decodes them and distributes the extended surround channels to the center back speaker s Rotel XS works with matrix encoded surround signals such as Dolby Surround EX discs and nonlagged DTS ES as well as non matrix digital source mate rial such as DTS 5 1 Dolby Digital 5 1 and even Dolby Pro Logic decoded Dolby Digi tal 2 0 recordings to derive superb center back channel surround effects i Other Formats Three other digital formats are not surround sound formats at all but rather systems for digital 2 channel recordings The first is PCM 2 channel This is a straight 2 channel digital signal such as that used for standard CD recordings The second is HDCD encoding for compact discs This system uses a variety of enhance ments to improve the sonic performance com pared to standard audio CDs These discs labeled HDCD can be played on standard CD players However when the digital sig nal is decoded using an HDCD decoder like that in the RSP 1066 they will provide excep tional musical reproduction The RSP 1066 also features a decoder for the digital MPEG 1 Audio Layer 3 compres sion format MP3 format recordings are avail able on the Internet and can be played on por table MP3 players or some disc players that can read CD ROM discs
17. digital processor When a digital input source sig nal is selected for listening that signal is au tomatically sent to both digital outputs for re cording or outboard processing note Only digital signals from source com ponents are available at these outputs Ana log signals cannot be converted and are not available at the digital outputs Connect the digital output to the digital input of your recorder or processor You can use either a 75 ohm coaxial video cable or an optical cable Output Signal Connections See Figure 3 This section of the manual describes the au dio and video signal output connections on the RSP 1066 These are used for routing the output signals to television monitors audio am plifiers and recording devices TV Monitor Output EH The video output of the RSP 1066 sends the video signal to your TV monitor Three types of video output connections are provided RCA composite video S Video and Compo nent Video Choose the type of video output connection that matches the type of video input connections you have made Connect the TV MONITOR output from either RCA compos ite or S Video or Component Video connec tor to the corresponding input on your televi sion monitor using appropriate video cables Norte The RCA composite video output only sends signals from RCA composite video source inputs to the TV monitor The S Video output only sends signals from S Video video sourc
18. display DSP Button This button activates digital synthesis of six ambience modes MUSIC 1 MUSIC 2 MU SIC 3 MUSIC 4 5CH Stereo and 7CH Ste reo The four MUSIC settings use digital delay and reverberation effects to simulate pro gressively larger acoustic environments Typically used to add ambience and a sense of space when listening to music sources or other sources that lack surround sound encoding e 5CH Stereo derives surround channels from stereo source material on a 5 channel sys tem FRONT LEFT RIGHT CENTER and SURROUND LEFT RIGHT e 7CH Stereo derives surround channels from stereo source material on a 7 channel sys tem FRONT LEFT RIGHT CENTER SUR ROUND LEFT RIGHT and CENTER BACK 1 2 Press the button to activate the DSP mode Each press of the button will step forward to the next mode in the following order MUSIC 1 gt MUSIC 2 gt MUSIC 3 gt MUSIC 4 gt 5CH Ste reo gt 7CH Stereo An indicator lights in the front panel display when DSP mode has been activated Setting Surround Modes from the Remote SUR Button The SUR button on the remote selects the sur round modes described in the previous sec tion Each time you press the button the sur round mode cycles to the next setting 2 Ste reo Dolby Pro Logic Il Dolby 3 Stereo Music 1 4 gt 5CH Stereo gt 7CH Stereo gt Neo 6 gt 2 Stereo as indicated by the front panel display and an ON SCREEN DISPLAY
19. fewer For example a Dolby Digital 2 0 recording is a 2 channel stereo record ing such as a matrix encoded Dolby Surround soundtrack To play this type of recording use Dolby Pro Logic Il decoding as previously de scribed The most common use of Dolby Digital in both the film industry and in home theater is Dolby Digital 5 1 Instead of encoding multiple sur round channels on a two channel recording Dolby Digital 5 1 records six discrete chan nels front left front center front right surround left surround right and a Low Frequency fects LFE channel containing ultra low bass signals intended for a subwoofer A Dolby Digi tal decoder extracts the channels from the digital bitstream converts them to analog signals and routes them to the appropriate speakers All channels provide full frequency response with total separation between all channels and large dynamic range capability A Dolby Digital 5 1 soundtrack will provide significantly more impressive surround sound than Dolby Pro Logic decoding of matrix Dolby Surround Decoding of Dolby Digital 5 1 soundtracks is automatic When the RSP 1066 detects a Dolby 5 1 signal on one of its digital inputs it acti vates the proper processing Keep in mind that Dolby Digital is only available from digital sources a DVD a LaserDisc or a Digital TV Cable SAT tuner Also you must connect the source with a digital cable coax or optical to an active digital input on the R
20. remote control supplied with the RSP 1066 will operate Zone 2 if used with a repeater system from the remote zone can also be programmed to erate Rotel source components via the RSP 1066 s IR OUT jack Any source component connected to the RSP 1066 s inputs can be sent to the Zone 2 outputs ZONE 2 operates independently of the main room You can select a differ ent source or adjust Zone 2 volume with out affecting the MAIN outputs in any way Avoid sending the same infrared command to the RSP 1066 front panel sensor and a Zone 2 repeater at the same time This means that Zone 2 must be in a different room from the RSP 1066 RSP 1066 Surround Sound Processor 22 Zone 2 Power On Off Once master power is applied to the unit by pressing the frontpanel POWER button the RSP 1066 provides independent power on off operation for both zones Pressing the re mote control POWER button in the main room activates or deactivates the RSP 1066 in the main room only and has no effect on Zone 2 Conversely activating or deactivating Zone 2 has no effect on the main listening room However placing the frontpanel POWER but ton in the OFF position completely shuts off the unit for both zones NOTE For proper power and off opera tion with Zone 2 the RSP 1066 s power mode should be set to the factory default DIRECT setting or to the STANDBY setting using the OTHER OPTIONS menu from the ON SCREEN DISPLAY Contro
21. satellite subwoofer package as the front speakers follow the speaker manufacturer s instructions connecting the high level inputs of the powered subwoofer directly to the speaker outputs of front amplifier and con necting the satellite speakers to the subwoofer s own crossover In this arrange ment the speakers would be classified as LARGE and the subwoofer setting would be OFF for all surround modes No information will be lost during playback because the sys tem knows redirect the bass information to the front LARGE speakers While this configu ration may ensure correct satellite speaker operation by using the speaker manufacturer s own crossovers it has some disadvantages in terms of system calibration The following speaker options are available FRONT SPEAKERS small large This menu setting determines what kind of main front left and right speakers you are using Use the LARGE setting to have the front speakers play low bass Use the SMALL setting to redirect normal bass away from these speakers to a subwoofer CENTER SPEAKER S small large none Use the LARGE position not available with SMALL front speakers to have the cen ter speaker play low bass Use the SMALL po sition if your center channel speaker has more limited low frequency capability or if you prefer that the bass be sent to the subwoofer Select the NONE setting if your system does not have a center channel speaker the surround modes will au
22. the ENTER button changes taking you to a sub menu where you can change the settings and or additional parameters for Dolby Pro Logic ll or DTS Neo 6 decoding See the following section for details To return to the MAIN menu except when Dolby Pro Logic Il or DTS Neo 6 is selected in the SURR MODE field press the ENTER button Press the MENU key on the remote to cancel the menu display and return to normal opera tion NOTE We suggest that you return fo this menu after connecting each source component to properly configure that source DTS Neo 6 Sub Menu DOLBY PRO LOGIC II Sub Menu DTS Neo 6 MODE CINEMA ENT KEY input setup KEY change When Dolby Pro Logic or DTS Neo is selected as the default surround mode on the INPUT SETUP menu see previous section there are additional option settings and parameters available to optimize the surround decoding for various types of recordings music or movie soundtracks These settings are changed using one of the DOLBY PRO LOGIC Il or DTS Neo 6 submenus reached by pressing the ENTER key from the INPUT SETUP menu when either of these sur round modes is selected The sub menu will be similar to the example shown above with the title at the top of the screen indicating either DOLBY PRO LOGIC or DTS Neo 6 depending on the surround mode In DTS Neo 6 surround mode there will only be one choice available on the sub menu selecting CINEMA or MUSI
23. the MENU key on the remote to cancel the menu display and return to nor mal operation Calibration with SPL meter Calibrating the system with an SPL meter rather than by ear provides more precise results and improves the system s performance significantly Inexpensive SPL meters are widely available and the procedure is quick and easy Both Dolby and DTS specify a standard cali bration level for all theaters to ensure that soundtracks can be played at the volume level intended by the director of the film This ref erence level should result in spoken dialog played at about 80 dB a realistic level for nor mal speech with the loudest peaks in any single channel at about 105 dB This calibration can be accurately done in a home theater using a sound pressure level SPI meter and the pink noise test tones described above Set the meter to its SLOW response with C weighting and hold it away from your body at your listening position pointing towards the speaker being adjusted Increase the master volume control on the RSP 1066 until the meter reads 75dB when playing the test tone through one of the front speakers Then use the indi vidual channel adjustments on the TEST TONE menu to adjust each of the individual speak ers including the subwoofer to the same 75dB on the SPL meter Note the setting of the mas ter volume control Whenever you play a Dolby Digital or DTS soundtrack with that master volume setting you wil
24. the corresponding speaker In a full home theater system you will need to make six dif ferent connections corresponding to the six speakers left front center front right front left surround right surround and subwoofer Make sure that you have each output connected to the correct amplifier channel front right left rear etc Power and Miscellaneous Connections AC Input Your RSP 1066 is configured at the factory for the proper AC line voltage in the country where you purchased it USA 115 volts 60Hz AC or CE 230 volts 50 Hz AC The AC line configuration is noted on a decal on the back of your unit Plug the supplied cord into the AC INPUT receptacle on the back of the unit See the POWER Button heading in the BASIC CONTROLS section of this manual for infor mation about turning the unit on and off NOTE Memorized settings and video labels will be stored for up to one month if the RSP 1066 is disconnected from AC power 12V TRIGGER Connections ET Several Rotel amplifiers offer the option of turning on and off by sensing a 12 volt trig ger signal from the RSP 1066 This 12 volt trigger capability provides a remote turn on mechanism while allowing power amplifiers with large current demands to be plugged directly into an AC wall outlet When the RSP 1066 is activated a 12 volt DC control signal appears at these tors and will turn on amplifiers whose 12 volt trigger sensor is co
25. them when a digital input signal is available For this reason should always connect your DVD player s digital outputs to the RSP 1066 using either the op tical or coax inputs The RSP 1066 has RCA preamp audio outputs for use with power amplifiers as well as com posite video S Video and Component Video outputs to connect your TV monitor The RSP 1066 also has MULTI input connec tions a remote IR sensor input and two 12V trigger connections for remote turn on of Ro tel amplifiers NOTE Do not plug any system component into an AC source until all connections have been properly made Video cables should have a 75 ohm imped ance rating The S PDIF digital audio inter face standard also specifies a 75 ohm imped ance and all good digital cables adhere to this requirement Because the video and S PDIF standards are so close you can use a video cable for digital audio data transmis sion Do NOT substitute conventional audio interconnect cables for digital or video signals Standard audio interconnects will pass these signals but their limited bandwidth reduce per formance RSP 1066 Surround Sound Processor 18 When making signal connections connect LEFT channels to LEFT channel jacks and RIGHT chan nels to RIGHT channel jacks All connections on the RSP 1066 follow these stan dard color codes Left channel audio white RCA jack Right channel audio red RCA jack Composite video yell
26. you to enjoy music and operate the system from a second room From the remote location you can select a source component even if different from the source playing in the main listening room adjust the volume level in the remote zone and oper ate the source components To use the Zone 2 capability you need addi tional components a pair of speakers installed in the remote zone an amplifier to drive them and a third party IR repeater system Zone 2 can be controlled from the main room using RSP 1066 s front panel ZONE button Operation from the remote zone requires the installation of an infrared repeater system Xantech Niles etc which relays infrared remote control commands from Zone 2 to the ZONE REMOTE IN input on the back of the RSP 1066 Several points to keep in mind about the Zone 2 function An infrared repeater system Xantech Niles etc is required for operation from the re mote zone There are two options for the Zone 2 out put level selectable from the ON SCREEN DISPLAY menu system VARIABLE output gives you full adjustment of the volume level remembering last previous setting when ever Zone 2 is activated FIXED output disables the Zone 2 volume control with the output permanently set to a specified level This might be useful for sending a line level signal to a preamp or integrated amp with its own volume control or to a distribution amplifier with multiple volume controls The RR 969
27. C modes Use the keys on the remote to change the settings Select CINEMA to optimize the DTS Neo 6 decoding for movie soundtracks Select MUSIC to optimize the DTS Neo 6 decoding for musical recordings In Dolby Pro Logic surround mode there will a similar choice available on the sub menu except that there are three options CINEMA MUSIC or EMULATION modes Use the keys on the remote to select a mode Select CINEMA to optimize for Dolby Surround encoded movie soundtracks using the enhanced matrix decoding of Dolby Pro Logic Il including increased surround separation and full bandwidth surround channel frequency response Select EMULATION for Dolby Surround encoded movie soundtracks using decod ing logic that emulates the original Dolby Pro Logic system You may prefer this op tion for older movie soundtracks that are not of optimum audio quality Compared to the CINEMA setting EMULATION mode will reduce the high frequency response and separation of the surround channels and may increase the delay setting to the sur round channels for a more spacious effect Select MUSIC to optimize for musical re cordings When the MUSIC mode is se lected three additional parameter will be available as shown in the following screen DOLBY PRO LOGIC II MODE Music OPTIONAL PARAMETERS PANORAMA Off DIMENSION 3 CENTER WIDTH 0 ENT KEY input setup UP KEY up KEY change DWN KEY down
28. M MONO DIRECT iter IN TUNER Ga Cn GisPLAY 5 1066 6 3 Outputs CENTER SUBWOOFER CENTER SPEAKERS off COMPONENT VIDEO 4 SOFTWARE f ROTEL O O e d IR IN 1 2 S VIDEO OUT 1 2 3 MULTI Wii T REDUCE THE RISK OF OR SHOCK EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE QUT IMERITOR COMPOSITE IN COMPOSITE OUT OOOO RANING 52605605004 OO00 000 COMPONENT VIDEO VIDEO INPUT VIDEO INPUT Alternate Video Connections 4 Inputs DVD COMPONENT VIDEO S VIDEO COMPOSITE DIGITAL OUTPUT m H MULTI INPUT Manufactured under license from Dolby Laboratories Licens trademarks of Diaby Laberacis Lancia Coeperatio Confidential does Q warts 1985 1037 Doky Faberacl coles WARNING To nx oF nae ong PREOUT DIGITA du u 39 prey sire pus a wa FRONT REAR SUB I orn g E of Digtal 3 ste Seto eCopt 1868 A reserved d oec eode eee ooo AUDIO OUTPUT
29. NE button press one of the INPUT SOURCE buttons to select a new source for Zone 2 The name of the selected source appears in the display 3 Following 10 seconds with no commands the RSP 1066 reverts to normal operation To change the Zone 2 volume 1 Press the frontpanel ZONE button The status of Zone 2 appears in the display Make sure that Zone 2 is ON 2 Within 10 seconds after pressing the ZONE button adjust the volume control to change the Zone 2 output level The new setting appears in the display 3 Following 10 seconds with no commands the RSP 1066 reverts to normal operation Controlling Zone 2 from the Remote Location With a properly configured IR repeater sys tem you have full control of Zone 2 using an RR 969 remote from the Zone 2 location You can select and operate a source adjust the volume and turn Zone 2 on or off Whatever commands you send from the RR 969 will change Zone 2 and only Zone 2 just as if you were controlling a totally independent audio system in that room These changes will have no effect on the main listening room To turn Zone 2 on or off press the POWER button E on the remote To adjust the volume in Zone 2 press the VOLUME buttons on the remote To select a different analog input source press one of the INPUT SOURCE but tons on the remote Zone 2 Audio Outputs ET See Figure 5 These line level RCA outputs send the Zone 2 audio signals to a stereo a
30. NING SHOCK HAZARD DO NOT OPEN AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR 2 RR 969 Remote c CLONE REPT TRANSMITTER LOADING RECEIVER wooo lt 9 LLL WAITING a vcr Cen av av2 ava G J iv an z N PIP SWAP POS ANT MODE Ce D TUN PH 1 2 Cv Cv v2 DIRECT Cr TIME ALM J3 CLONE EDIT LEARN CJUCIJCICICI CLEAR LANG PRELOAD RESET PAGE 1 2 CLONE REPT TRANSMITTER LOADING HD RECEIVER EDIT LEARN 2 DISC4 DISCS 7 GAPE2 7 ar PROGRAM RANDOM a REPEAT DISC DISC SETUP AUDIO ANGLE SUBTITLE TITLE iter reset Gur Gut GA Ge srw ZOOM CLEAR MODE CONDITION PIP SWAP 5 MODE Ca 2 GO INPUT1 INPUT2 INPUT3 TVVCR RECORD NARROW Cone reset Gur q F
31. ONS Menu 28 DEFAULT SETUP Menu 28 ZONE 2 SETUP 29 Specifications 29 Ald s 29 aqa 29 aa a usa aa 29 About Rotel A family whose passionate interest in music led them to manufacture high fidelity compo nents of uncompromising quality founded Rotel AO years ago Through the years that passion has remained undiminished and the family goal of providing exceptional value for audiophiles and music lovers regardless of their budget is shared by all Rotel employees The engineers work as a close team listen ing to and fine tuning each new product until it reaches their exacting musical standards They are free to choose components from around the world in order to make that prod uct the best they can You are likely to find capacitors from the United Kingdom and Germany semi conductors from Japan or the United States while toroidal power transformers are manufactured in Rotel s own factory Rotel s reputation for excellence has been earned through hundreds of good reviews and awards from the most respected reviewers in the industry who listen to music every day Their comments keep the company true to its goal the pursuit of equipment that is musi cal reliable and affordable All of us at Rotel thank you for
32. PCM 2 channel HDCD and are digital formats They can only be decoded by the RSP 1066 from digital sources connected to the digital inputs DSP Digital Signal Processing Finally one more related issue to be addressed is DSP modes Unlike all of the formats men tioned above DSP is not a recording play back system Instead it is a digital process ing feature of the RSP 1066 that adds special acoustic effects to any signal DSP process ing can be used with Dolby Surround record ings Dolby Digital recordings CDs radio broadcasts or any other source material however typically DSP settings would be used with source material for which there is no specific surround decoder In general DSP is used to create the ambience of a large listening environment a jazz club a concert hall a stadium etc It uses digital processing to delay the signal to various speak ers and mix in various levels of reverberation use is strictly a matter of personal taste Surround Controls Automatic Surround Modes Decoding of digital sources connected to the digital inputs is generally automatic with detection triggered by a flag embedded in the digital recording telling the RSP 1066 what decoding format is required For example when Dolby Digital 5 1 or DTS 5 1 channel surround is detected the RSP 1066 activates the proper decoding confirmed by a lighted indicator in the front panel display The unit will also detect DTS ES
33. SP 1066 note Many DVDs have a Dolby Digital 2 0 matrix soundtrack as the default which should be decoded with Pro Logic Il The Dolby Digi tal 5 1 soundtrack may have to be selected as an option from the setup menus at the be ginning of the DVD Look for a Dolby Digital 5 1 selection under Audio or Languages or Setup Options when you insert the disc DTS 5 1 DTS Digital Theater Systems is an alterna tive digital format competing with Dolby Digital in both movie theaters and home theater markets The basic features and functions of the DTS system are similar to those of Dolby Digital for example 5 1 discrete channels however the technical details of the compres sion and decoding processes differ somewhat and a DTS decoder is required Like Dolby Digital DTS can only be used on a digital recording and therefore is only available for home use on LaserDiscs DVDs or other digital formats To use the RSP 1066 s DTS decoder you must connect your DVD player to the RSP 1066 s digital inputs As with Dolby Digital 5 1 detection and proper decoding of DTS 5 1 signals is automatic note DVDs with a DTS soundtrack almost always have it configured as an option to the standard matrix Dolby Surround format To use DTS you may have to go the setup menus at the beginning of the DVD and se lect DTS 5 1 instead of Dolby Surround or Dolby Digital 5 1 In addition many DVD play
34. and 3 feature outputs that allow you to send a signal to a VCR or other source com ponent for recording The recording signal avail able at all of these outputs is selected globally using the REC button on the front panel or the ZONE button on the remote and is indepen dent of the source selected for listening Recording signals are available at all source outputs including the source selected for recording As a general rule you should not attempt to record to the component whose signal has been selected for recording The record outputs for VIDEO 1 2 and 3 include a pair of RCA analog audio outputs plus a choice of composite video or S Video output To hook up a video component for re cording you will need to connect it to both analog audio outputs and to your choice of video outputs Keep in mind that composite video input signals will not be available at the S Video record outputs and S Video input sig nals will not be available at the composite video record outputs All connections both input and output from a source component must be made con sistently to the same set of connections For example if you designate a VCR as VIDEO 1 you must connect all of its input and output signals to the VIDEO 1 connectors VIDEO 1 3 Audio Outputs El Using standard audio interconnect cables connect the left and right channel RCA audio outputs from the RSP 1066 to the audio inputs on the source
35. ar attention to the power cord at the plug and where it exits the back of the unit The power cord should be unplugged from the wall outlet if the unit is to be left unused for a long period of time Immediately stop using the component and have it inspected and or ser viced by a qualified service agency if The power supply cord or plug has been damaged Objects have fallen or liquid has been spilled into the unit The unit has been exposed to rain The unit shows signs of improper operation The unit has been dropped or damaged in any way RSP 1066 4 1 Controls and Connections Digital Pro Logic 1 3 Stereo DSP D RANGE ZONE ROTEL SURROUND SOUND PROCESSOR RSP 1066 085 OR Digital 00 Pro Logio ll 00 3 Stereo FSCS DSP DRANGE ZONE Sbi cB S gt J TUNER VIDEO2 VIDEO3 VIDEO4 VIDEOS DOLBY DTS MULT DYNAMIC m 2CH PLI 3ST 6 DSP INPUT RANGE ZONE REC O OOO O OO 0 2V REM O UPGRADABLE WARNING TO REDUCE THE RISK FIRE OR ELECTICAL SHOCK Sat Ss 4 e ROTEL gt E Digital Theatar System Inc US Pat FRONT cB1 REAR SUB1 CTR1 POWER CONSUMPTION EpL pera E a 3 E S VIDEO OUT S Y SUBe CTR2 COMPOSITE IN COMPOSITE OUT D 3 4 5 CAUTION Do NOT OPEN WAR
36. ation To go to the rest of the menus press the ENTER button to go to the MAIN menv Press the MENU key on the remote to cancel the display and return to normal operation note The SYSTEM STATUS screen appears for ten seconds when the unit is turned on and automatically turns off MAIN Menu f N MAIN MENU INPUT SPEAKER DELAY TEST TONE SUB LEVEL ZONE 2 OTHER DEFAULT ENT KEY ENTER UP KEY up DWN KEY down The MAIN menu provides access to eight other screens and menus and is reached by press ing the ENTER button from the SYSTEM STA TUS menu described above or from most other menus To go to another menu move the high light to the desired line using the UP DOWN buttons on the remote and press the ENTER button Press the MENU key on the remote to cancel the display and return to normal op eration RSP 1066 Surround Sound Processor 24 INPUT SETUP Menu INPUT SETUP LISTEN Video 2 INPUT LABEL 020 INPUT Coaxial 1 SURR MODE Dolby 3 Stereo ENT KEY MAIN MENU KEY change UP KEY up DWN KEY down The INPUT SETUP menu configures the source inputs and is reached from the MAIN menu The screen provides the following options se lected by placing the highlight on the desired line using the UP DOWN buttons LISTEN changes the current listening input source CD TUNER TAPE VIDEO1 VIDEO2 VIDEO3 VIDEO4 VIDEOS INPUT LABEL The labels for the five VIDEO inputs can customi
37. buying this product and hope it will bring you many years of enjoyment Getting Started Thank you for purchasing the Rotel RSP 1066 Surround Sound Processor The RSP 1066 is full featured audio video control center for analog and digital source components It fea tures digital processing for a wide range of formats including Dolby Surround Dolby Digital DTS and HDCD source material DTS DTS ES Extended Surround DTS ES Matrix 6 1 DTS ES Discrete 6 1 and DTS 6 are trademarks of Digital Theater Systems Inc Manufactured under license from Dolby Laboratories Dolby Pro Logic Dolby Digital Surround EX and the double D symbol are trademarks of Dolby Laboratories Ee HDCD High Definition Compatible Digital and Pacific Microsonics are either registered trademarks or trademarks of Pacific Microsonics Inc in the United States and or other countries HDCD system manufactured under license from Pacific Microsonics Inc This product is covered by one or more of the following In the USA 5 479 168 5 638 074 5 640 161 5 808 574 5 838 274 5 854 600 5 864 311 5 872 531 and in Australia 669114 Other patents pending Key Features Rotel s Balanced Design Concept combines advanced circuit board layout comprehen sive parts evaluation and extensive listening tests for superior sound and long term re liability Dolby Pro Logic II decoding with im proved se
38. component Make sure that you are consistent If you hook up a VCR to the VIDEO 1 inputs hook up the VIDEO 1 out puts to the same VCR Also make sure that the left channel is connected to the LEFT connec tors and the right channel to the RIGHT con nectors VIDEO 1 3 Composite Video Outputs If you choose to use the RCA composite video connections for a source component use a 75 ohm video interconnect cable to connect the RSP 1066 s RCA video output labeled COMPOSITE OUT to the RCA video input on your VCR VIDEO 1 3 S Video Outputs EZ If you choose to use S Video connections for a source component use an S Video cable to connect the RSP 1066 s S Video output la beled S VIDEO OUT to the S Video input on your source component RSP 1066 Surround Sound Processor 20 Digital Source Connections See Figure 4 The RSP 1066 provides digital connections which may be used in place of or in addi tion to the analog audio input and output con nections described in the previous sections These connections include five digital inputs and two digital outputs for recording These digital connections can be used with any source component that supplies a digital signal such as a DVD player or CD player NOTE A digital connection means that the digi tal processors in the RSP 1066 will be used to decode the signal rather than the source component s internal decoders In general you must use digital connections for a
39. control Do not block this sensor Front panel Display El The fluorescent FL display in the upper por tion of the RSP 1066 provides information about the status of the unit and activation of special features The main portion of the display typi cally shows the current input source selected for listening at the left and the current input source selected for recording at the right Icons along the left side of the display show the currently selected digital input Icons at the right of the display show individual surround channels and are used in configuring the sys tem Icons across the bottom of the display show the current surround mode and other special features The FL display can be turned off if desired See the MENU button section for instructions Volume Control EN The VOLUME control adjusts the output level of all channels Rotate the frontpanel control clockwise to increase the volume counterclock wise to decrease The control is duplicated by RR 969 remote s VOLUME UP and DOWN buttons When you adjust the volume a digital read out appears in the front panel display and the new setting appears on your TV monitor note The VOLUME control can also used to change the volume in Zone 2 Press the frontpanel ZONE button and adjust the vol ume After 10 seconds the VOLUME control reverts to normal operation See the section on Zone 2 Operation for details MUTE Button The MUTE butt
40. dB DTS 2dB STEREO 5dB MUSIC 3dB MULTI INPUT MAX ENT KEY MAIN MENU UP KEY up KEY change DWN KEY down M The SUBWOOFER SETUP menu allows selec tion ofthe subwoofer crossover frequency and independent adjustment of subwoofer level for each surround mode These settings are memo rized and engaged automatically each time a music or theater surround mode is selected When going to the SUBWOOFER SETUP menu from the MAIN menu the current surround mode is automatically highlighted Use the buttons to adjust the subwoofer level 1OdB to 10dB for the current surround mode NOTE Only the current surround mode can be adjusted on this menu You will need to change surround modes using the front panel or remote buttons to adjust a different mode We recommend starting with the level settings for all surround modes at the default O dB setting during the test tone calibration of the system and for a period of familiarization after that As you listen to a variety of source material over time you may notice that certain surround modes consistently produce too much or too little bass from the subwoofer Use these sub woofer level settings to adjust the relative bass output of various surround modes NOTE In Dolby Digital and DTS recordings the LFE channel is used to produce spectacu lar low bass effects This LFE channel can generate output 10 dB louder than the other channels placing considerabl
41. deo output from your DVD player and select its input on the RSP 1066 The OSD will be dis played as an overlay to the video signal from the DVD player Composite and S Video With certain ex ceptions a system should be connected with either all Composite or all S Video cables S Video signals from sources cannot be sent to a TV set from the RSP 1066 TV MONITOR outputs with a Composite video cable Con versely Composite video signals from sources cannot be sent to a TV set from the RSP 1066 TV MONITOR outputs with an S Video cable Therefore Composite and S Video connections cannot be mixed in a system However both Composite and S Video cables may be connected from the RSP 1066 TV MONI TOR outputs to both Composite and S Video in puts on a TV or projector This dual connection from the RSP 1066 will provide limited S Video capability in a system that is predominantly con nected with Composite video cables When both Composite and S Video cables are connected from the same source both Com posite and S Video signals are available at the RSP 1066 s TV MONITOR outputs allowing the selection of the desired signal with the TV input selector The Composite video signal is available at the REC Out for recording This dual connection can be used to provide video taping in a system that is predominantly con nected with S Video cables but also includes a VCR with Composite video Component Video Component Video connecti
42. dio only sources omit ting the video signal connections VIDEO 1 5 Audio Inputs Using standard audio interconnect cables connect the left and right channel analog au dio outputs of VCRs or other source compo nents to the VIDEO 1 2 3 4 or 5 inputs using standard RCA audio cables VIDEO 1 5 Composite Video Inputs Ei If you use the RCA composite video connec tions for a source component connect the RCA video output of the source component to one of the video inputs labeled COMPOSITE IN Use a standard 75 ohm video cable VIDEO 1 5 S Video Inputs S Video signals use a special cable which di vides the video signal into several elements carried by separate conductors providing higher quality than the standard RCA composite cables If you choose to use an S Video input connection from a source component connect the S Video output of that component to one of the inputs on the RSP 1066 labeled S VIDEO IN using a standard S Video interconnect cable NOTE Signals from S Video inputs will only be available at the S Video outputs to the TV i r VIDEO 1 2 Component Video Inputs Component Video connections split the video into three signals luminance Y and sepa rate chrominance CB and CR elements al lowing delivery of a reference quality picture Each of these signals is carried by a separate 75 ohm video cable with RCA connectors The VIDEO 1 and VIDEO 2 source inputs pro vide an opt
43. e Input etc are changed These status displays are self explanatory A more comprehensive ON SCREEN DISPLAY menu system is available at any time by pressing the MENU button on the remote control These menus guide you through the setup and op eration of the RSP 1066 System Set Up System setup should be done while using a Composite video or S Video cable connecting the RSP 1066 MONITOR out puts to the video input of the TV or projector No other video connections should be made at this time Select OSD ON SCREEN MENU from the RR 969 remote control to complete system setup NOTE On a PAL standard monitor the OSD cannot be displayed until a video signal is present irrespective of the type of video cables in use For setup connect the Com posite video output from your DVD player and select its input on the RSP 1066 The OSD will be displayed as an overlay to the video signal from the DVD player The ON SCREEN MENU system can be con figured to display one of two languages En glish or German If you would like to change from the default English language see the in structions for the OTHER OPTIONS menu later in this manual w Navigation Buttons The following remote control buttons are used to navigate the ON SCREEN DISPLAY menu system GUIDE MENU 09 13 OSD lt 2 gt SEARCH MENU Button 3 To display the MAIN screen All other menus are reach
44. e demands on your subwoofer system If you hear distortion or other signs of distress from your subwoofer at loud listening levels you may consider re ducing the subwoofer level for the Dolby Digi RSP 1066 Surround Sound Processor 28 tal and or DTS surround modes In other sur round modes there is no LFE channel and the subwoofer will only reproduce redirected bass from the other channels which is not as likely to tax the subwoofer The CROSSOVER setting activates a low pass filter for the subwoofer and a corresponding high pass filter for all SMALL speakers in the system at the selected frequency To adjust the crossover frequency highlight the CROSSOVER line using the UP DOWN buttons Then use the buttons to chose one of the following options OFF 40Hz 60Hz 80Hz 100Hz or 120Hz The 80Hz or 100Hz crossover points are the most common in home theater systems However your best setting depends on the specific speakers in your system note The OFF setting sends a full range sig nal to your subwoofer so that you can use its builtin low pass filter With the OFF setting a 100 Hz high pass filter is activated for all SMALL speakers in the system To return to the MAIN menu press the EN TER button Press the MENU key on the remote to cancel the display and return to normal operation OTHER OPTIONS Menu OTHER OPTIONS RECORD CD DYNAMIC Max MULTI INPUT Off CINEMA EQ Off POWER Direct OSD On
45. e inputs fo the TV The Component Video output only sends signals from Component Video source inputs to the TV If you have connected all of your source components with the same type of connection then you only need to make one connection from the RSP 1066 to the TV monitor However in a mixed system with for example some S Video and some RCA composite inputs you will need to make two connections to the TV moni and use its input selector to switch be tween the two when changing sources note The ON SCREEN DISPLAY system is not available when using Component Video con nections to the TV monitor Preamp Outputs There are ten RCA preamp audio outputs FRONT LEFT RIGHT CENTER 1 2 SUR ROUND REAR LEFT RIGHT CENTER BACK CB1 CB2 and SUBWOOFER 1 2 Use these outputs to send the RSP 1066 s output signals to powered speakers or external am plifiers note Depending on your system configura tion you may use some or all of these con nections For example if you only have one center channel you would connect it to the CTR 1 output If you only have one center back channel you would connect it to the output To hook up a powered subwoofer connect a standard RCA audio cable from the SUBWOOFER OUTPUT jack to the input on the subwoofer s power amp To hook up the RCA main audio out puts connect an audio cable from each output to the input of the amplifier channel that will power
46. e power cord from the wall Take the unit to a qualified service person for inspection and necessary repairs Read all the instructions before connecting or operating the component Keep this manual so you can refer to these safety instructions Heed all warnings and safety information in these instructions and on the product itself Follow all operating instructions Clean the enclosure only with a dry cloth or a vacuum cleaner You must allow 10 cm or 4 inches of unobstructed clearance around the unit Do not place the unit on a bed sofa rug or similar surface that could block the ventilation openings If the unit is placed in a bookcase or cabi net there must be ventilation of the cabinet to allow proper cooling Keep the component away from radiators heat registers stoves or any other appliance that produces heat The unit must be connected to a power supply only of the type and voltage specified on the rear panel USA 115 V 60Hz EC 230 50 2 Connect the component to the power outlet only with the supplied power supply cable or an exact equivalent Do not modify the supplied cable Do not defeat grounding and or polarization provisions The cable should be connected to a 2 pin polarized wall outlet matching the wide blade of the plug to the wide slot of the receptacle Do not use extension cords Do not route the power cord where it will be crushed pinched bent ex posed to heat or damaged in any way Pay particul
47. ed from this menu If a menu is already visible push this button to cancel the display DOWN UP Buttons To move up and down in the lists that appear on the ON SCREEN DISPLAY menu system Buttons T To change the current set tings for a selected menu choice on some menus in the ON SCREEN DISPLAY menu system ENTER Button To confirm a setting and return to the MAIN menu note help system at the bottom of each ON SCREEN DISPLAY menu reminds you which buttons to press SYSTEM STATUS Menu SYSTEM STATUS LISTEN Tuner RECORD VIDEO 1 MODE Stereo INPUT Analog VOLUME 45 ZONE Off ENT KEY MAIN MENU 050 KEY EXIT V1 1 The SYSTEM STATUS menu provides a snap shot of the current system settings and a start ing point for reaching all other screens and menus This screen appears when you press the MENU button on the remote control and displays the following information LISTEN the source selected for listening RECORD the source selected for the VIDEO and AUDIO outputs MODE the current surround sound mode INPUT the input selected for the current source Optical Coaxial Analog etc VOLUME the current volume setting ZONE the current status of ZONE 2 ON or OFF VERSION the version of the operating soft ware currently installed in the RSP 1066 Your unit may have a different version than shown here No changes can be made using this screen it only provides inform
48. el 96kHz digital signals are auto detected and cannot be overrid den e HDCD 96kHZ and PCM 2 channel non 96kHZ digital signals can be over ridden to Dolby Pro Logic Dolby 3 Ste reo DTS Neo 6 Music 1 4 5CH Ste reo 7CH Stereo and Stereo Dolby Digital 2 channel Stereo can be over ridden to Dolby Pro Logic Il Dolby 3 Ste reo and Stereo The following topics describe the use of each of the surround mode buttons in greater detail 2CH Button Press this button to activate conventional 2 speaker stereo mode with no surround sound or other processing This is pure stereo us ing the front left and front right speakers with or without subwoofer with no surround chan nels and no center channel When used with Dolby Digital or DTS source material the 2CH button engages a downmix feature combining all ofthe channels and sending them to the front speakers The spatial effects of surround sound are lost but all of the informa tion on the original recording are preserved Norte 2CH mode allows you to hear 2 chan nel stereo recordings in their original format using the analog inputs DOLBY PLII 3ST Button El This button offers two settings for Dolby pro cessing Dolby Pro Logic Il and Dolby 3 Ste reo Press the button once to activate Dolby Pro Logic Il with the last used settings Press again to toggle to the Dolby 3 Stereo setting A front panel display indicator shows the se
49. elect NO Select the MAX setting to redirect all low fre quency information from all speakers includ ing LARGE speakers to the subwoofer This will give you maximum bass performance with normal bass information being played by both the subwoofer and any LARGE speakers in the system CB SPKR SELECT 1 speaker 2 speak ers Use the 1 SPEAKER setting if your sys tem has a single center back surround speaker Use the 2 SPEAKERS setting if your system has 2 center back surround speakers If your sys tem does not have any center back speakers select NONE on the previously described CENTER SPEAKER setting on this menu note Speaker configuration is a global set ting for all surround modes and need only be done once To change a setting place the highlight on the desired line using the UP DOWN buttons and use the buttons to toggle through the available settings To return to the MAIN menu press the ENTER button Press the MENU key on the remote to cancel the display and re turn to normal operation TEST TONE Menu N 5 LEFT 1dB CENTER 1dB RIGHT 2dB R SURROUND 5dB CENTER BACK 5dB L SURROUND 4dB SUBWOOFER 9dB ENT KEY MAIN MENU UP KEY up KEY change DWN KEY down This menu uses pink noise test tones to set equal volume levels for all speakers left front cen ter right front right surround center back left surround and subwoofer to ensure proper surround sou
50. ents for multi zone custom installations along with IR repeater capability for operation from the remote zone MUITI Input for outboard adaptor and fu ture upgradeabilty User friendly ON SCREEN DISPLAY with programmable labels for video components Choice of English or German languages Universal learning remote control to oper ate the RSP 1066 and nine other compo nents Upgradeable microprocessor software to accommodate future upgrades Unpacking Remove the unit carefully from its packing Find the remote control and other accessories Save the box as it will protect the RSP 1066 if you move or need to return it for maintenance Placement Place the RSP 1066 on a solid level surface away from sunlight heat moisture or vibra tion Make sure that the shelf can support the weight of the unit Place the RSP 1066 close to the other com ponents in your system and if possible on its own shelf This will make initial hookup and subsequent system changes easier The RSP 1066 can generate heat during nor mal operation Do not block ventilation open ings Allow a minimum of 10 cm 4 inches of unobstructed space around the unit If in stalled in a cabinet make sure that there is adequate ventilation Don t stack other components or objects on top of the RSP 1066 Don t let any liquid fall into the unit RR 969 Remote Control The RSP 1066 includes a full function learning remote control that ca
51. ers have the DTS digital bitstream turned off by default and cannot output a DTS soundtrack even if selected on the disc s menu until you activate the player s DTS out put If you here no sound the first time you attempt to play a DTS disc you may have to go to the DVD player s configuration menus and turn on the DTS bitstream This is a one time setting and need only be done once See your DVD owners manual for details The RSP 1066 features a second type of DTS surround sound decoding DTS Neo 6 This decoding system is similar to Dolby Pro Logic Il in that it is designed for playback of any 2 channel stereo recording either matrix encoded or not The Neo 6 decoder can by used with any conventional 2 channel source such a stereo TV or FM broadcast or a CD It can also be used as an alternative method of decod ing matrix encoded Dolby Surround record ings or TV broadcasts Activate the DTS Neo 6 decoding with the DTS Neo 6 button as de tailed later in this section DTS Neo 6 is not used with DTS 5 1 digital sources and the button need not be pressed for those recordings 6 1 and 7 1 Surround In 1999 the first Dolby Digital soundtrack was released to theaters with an additional cen ter back surround channel intended to increase the directional effects from behind the audi ence This additional surround channel is en coded into the two existing surround channels in Dolby Digital 5 1 using a matrix encod ing process s
52. eserve settings When the unit has AC power applied and the frontpanel POWER button is pressed IN the frontpanel POWER LED lights regard less of whether the unit is in standby mode or fully activated in the main room There are three available power mode options for the RSP 1066 selected during setup from an ON SCREEN DISPLAY menu These options can be selected to best suit your particular system configuration The normal DIRECT mode fully activates the unit whenever AC power is sup plied and the front panel POWER button is pressed IN however the remote POWER switch can still be used to activate or deactivate the unit With the STANDBY power option the unit powers up in standby mode when AC is first applied and the frontpanel POWER button is pressed IN The unit must be manually activated with the remote control POWER button With the ALWAYS ON power option the unit is fully operational whenever AC is applied and the frontpanel POWER button is pressed IN The remote POWER button is disabled When using Zone 2 the standby operation is completely independent for the main room Zone 2 The remote control POWER but ton will not affect Zone 2 Pressing the POWER button on a remote located in Zone 2 will only affect that zone and not the main room When the unit is activated in ZONE 2 the ZONE indicator in the front panel FL DIS PLAY is lit Remote Sensor This sensor receives IR control signals from the remote
53. f not installed and used in accordance with the instruction may cause harmful interference to radio communica tions However there is no guarantee that interference will not occur in a particu lar installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna TV radio etc Increase the separation between the equipment and receiver Connect the equipment to an outlet on circuit different from that to which the receiver is connected Consult the dealer or an experienced radio TV technician for additional help Caution This device complies with part 15 of the FCC Rules operation is subject to the following to conditions 1 This device may not cause harmful interfer ence and 2 this device must accept any interference received including interference that may cause undesired operation Important Safety Instructions WARNING There are no user serviceable parts inside Refer all servicing to qualified service personnel WARNING To reduce the risk of fire or electric shock do not expose the unit to moisture or water Do not allow foreign objects to get into the enclosure If the unit is exposed to moisture or a foreign object gets into the enclosure immediately dis connect th
54. figuration the RSP 1066 checks for the presence of a digital signal at that in put If a digital signal is present when the source is selected it is automatically activated and the proper surround mode enabled If no digital signal is present the analog inputs for that source are activated This auto sensing is the preferred configuration for digital source in puts such as DVD players When an ANALOG input is assigned the unit will not access a digital signal even though one may be avail able at the digital input By default the source input buttons are fac tory configured to select the following inputs CD Analog input Tuner Analog input Tape Analog input Video 1 Digital Coaxial 1 Video 2 Digital Coaxial 2 Video 3 Digital Coaxial 3 Video 4 Digital Optical 1 Video 5 Digital Optical 2 NOTE See the INPUT MENU topic in the On Screen Display Configuration section of this manual for details about configuring inputs The input source buttons can also be used with the REC button E described in the next sec tion to select an analog input source signal to be available at the outputs for recording Additionally the input source buttons can be used with the ZONE button El to select an analog input source for ZONE 2 REC Button ZONE Button The RSP 1066 can record from any analog source to a VCR or other recorder connected to the VIDEO 1 2 or 3 outputs or the TAPE outputs even while you are listening
55. imilar to that used previously in Dolby Surround This new extended surround capability is called Dolby Digital Surround EX DTS has added a similar capability for record ing this extended surround information called DTS ES 6 1 Matrix They have also taken it one step further and developed the capabil ity to record this extended surround informa tion as a fully discrete channel in a system called DTS ES 6 1 Discrete All of these systems are extensions of the ex isting Dolby Digital 5 1 and DTS 5 1 digital surround sound formats Users with one cen ter back speaker a 6 1 configuration or two center back speakers a 7 1 configuration can take advantage of this extended surround in formation Users with traditional 5 1 channel systems can play Dolby Digital Surround EX or DTS ES 6 1 discs and they will sound ex actly the same as 5 1 channel discs in each respective format The extended surround recordings are 100 backwards compatible If you have configured your system with one or two center back speakers decoding of DTS ES discs is automatic just as it is with stan dard DTS soundtracks The RSP 1066 also features Rotel XS eXtended Surround processing that automatically ensures optimum extended surround performance on 6 1 and 7 1 channel systems The key ben efit of Rotel XS is that it works at all times with all multichannel digital signals even those that might not otherwise activate proper surround decoding for the
56. indicator Repeatedly press the button until you reach the desired setting note The following type of source material are generally detected automatically and the proper decoding activated with no action required DTS DTS ES Matrix 6 1 DTS ES Dis crete 6 1 Dolby Digital MP3 HDCD and PCM 2 channel Some surround modes may not be available for all source material english Speaker Level Adjustment Selection Buttons O O El UP DOWN Buttons El The levels of all channels should be calibrated using test tones with an ON SCREEN DISPLAY menu during the initial setup of the RSP 1066 You can also make a temporary change in the relative volume of the center rear or subwoofer channels using buttons on the remote control 1 Press one of the selection buttons on the remote to select a channel or pair of chan nels for adjustment Press the C button to adjust the CENTER channel Press the S button to adjust the SUBWOOFER channel Press the R button 1 to adjust the rear SURROUND or CENTER BACK channels each press of the button toggles between the SURROUND channels and the CENTER BACK channels The selected speaker and its current setting appear briefly in the display 2 Use the UP or DOWN buttons K on the remote to adjust the output level of the se lected channel s 3 Repeat the procedure for each channel If no level adjustment is made for 5 seconds after pressing one of the selection buttons the le
57. ion for using Component Video con nections If you choose to use Component Video input connection from a source component connect the three Component Video outputs of that component to the corresponding inputs on the RSP 1066 labeled COMPONENT VIDEO IN Make sure that you connect each ofthe three cables to the proper connector Y to Y CB to CB and CR to CR and that you use standard 75 ohm video interconnect cables NOTE Signals from Component Video inputs will only be available at the Component Video outputs to the TV monitor The ON SCREEN DISPLAY system is not available when using Component Video connections MULTI Inputs E These RCA inputs accept seven channels of analog signals from a 5 1 or 6 1 channel pro cessor or source component When selected with the front panel MULTI INPUT button or re mote EXT IN button this input overrides any other audio input signal Use audio interconnect cables to connect the outputs of the source component to the RCA jacks labeled MULTI INPUT making sure that you observe proper channel consistency i e connectthe right front channel to the R FRONT input etc Depending on your system configu ration you will make six connections FRONT RIGHT FRONT LEFT REAR RIGHT REAR LEFT CENTER SUBWOOFER seven connections FRONT RIGHT FRONT LEFT REAR RIGHT REAR LEFT CENTER CENTER BACK SUB WOOFER Video Source Outputs See Figure 4 Three of the available video sources VIDEO 1 2
58. kyo 150 0045 Japan Phone 81 3 5458 5325 Fax 81 3 5458 5310 Rotel of America 54 Concord Street North Reading MA 01864 2699 USA Phone 1 978 664 3820 Fax 1 978 664 4109 Rotel Europe Meadow Road Worthing West Sussex BN11 2RX England Phone 44 0 1903 524 813 Fax 44 0 1903 221525 Rotel Deutschland Kleine Heide 12 D 33790 Halle Westf Germany Phone 49 05201 87170 Fax 49 05201 73370 www rotel com 082 OMRSP 1066 032402 English Francais Espa ol
59. l be playing it at the reference volume level The idea of a reference volume setting to be used in every theater has its merits However many home theater listeners find this setting to be excessively loud It s worthwhile cali brating your system to a known standard but let your own ears be the judge for deciding how loud to playback movie soundtracks Re gardless of your listening levels using an SPL meter to calibrate equal levels for all speak ers in the system is well worth the effort English DELAY SETUP Menu DELAY SETUP Dolby D Dolby DTS Pro LogicII CENTER lms R SURROUND 15ms 25ms L SURROUND 15ms 25ms CNTR BACK 15ms 25ms ENT KEY MAIN MENU KEY change UP KEY up DWN KEY down M This menu which is reached from the MAIN menu allows you to set the delay for individual speakers This ensures that the sound from each speaker arrives simultaneously at the listening position even when the speakers are not all placed at equal distances from the listener Although personal preference is the ultimate guide you typically increase the delay to speak ers located closer to the seating area and de crease the delay to speakers located farther from the seating area Start by measuring the distance from your seating position to each speaker The speaker farthest away should receive no additional delay Each of the other speakers will receive one millisecond of delay for each foot 30 c
60. lling Zone 2 from the Main Room ZONE Button You can control Zone 2 from the front panel ofthe RSP 1066 activate or deactivate Zone 2 change input sources and adjust the vol ume Controlling Zone 2 from the front panel is accomplished by pressing the ZONE but ton which temporarily puts the RSP 1066 in Zone 2 control mode even if the unit is in standby mode When the ZONE button is pressed the FL DISPLAY shows the current status of ZONE 2 for ten seconds during which time you can use the VOLUME control and INPUT SOURCE buttons to change the ZONE 2 set tings When ZONE 2 is active the ZONE indicator in the FL DISPLAY lights NOTE Zone 2 cannot be controlled from the remote in the main room To turn Zone 2 on or off 1 Press the frontpanel ZONE button The status of Zone 2 appears in the display If Zone 2 is in standby ZONE OFF ap pears If Zone 2 is active ZONE showing the current input source appears 2 If Zone 2 is ON pressing the ZONE but ton a second time within 10 seconds turns it OFF If Zone 2 is OFF the second press of the ZONE button turns it ON with the last used input source and volume setting 3 Following 10 seconds with no commands the RSP 1066 reverts to normal operation To change the Zone 2 input source 1 Press the frontpanel ZONE button The status of Zone 2 appears in the display Make sure that Zone 2 is ON 2 Within 10 seconds after pressing the ZO
61. m closer to you than the farthest speaker For ex ample if the left front speaker is farthest away at 13 feet and the left rear speaker is 8 feet away you should add 5 milliseconds of de lay to the left rear speaker Continue setting delays for each speaker until you have com pensated for each speaker that is closer to you than the farthest speaker The delay times for the surround speakers are set longer for Dolby Pro Logic Il mode than in Dolby Digital DTS mode When you change delay setting for Dolby Digital DTS the de lay time for Dolby Pro Logic II will automati cally be set for MUSIC or CINEMA EMULA TION modes The available settings for the CENTER chan nel Dolby Digital DTS only are Oms 1ms 2ms 3ms 4ms and 5ms For SURROUND and CENTER BACK Dolby Digital DTS the settings Oms 5ms 10 5 and 15ms For SURROUND and CENTER BACK Dolby Pro Logic Il the MUSIC mode settings are the same as the Dolby Digital DTS settings For SUR ROUND and CENTER BACK Dolby Pro Logic Il the CINEMA EMULATION mode settings are 10ms 15 5 20 5 25ms To change a setting place the highlight on the desired line using the UP DOWN buttons and use the buttons to increase or decrease the delay setting To return to the MAIN menu press the ENTER button Press the MENU key on the remote to cancel the display and re turn to normal operation SUBWOOFER SETUP Menu SUB SETUP CROSSOVER 100HZ DOLBY 1
62. m used in configuring the RSP 1066 Push the MENU button on the remote to turn on the ON SCREEN DISPLAY menu system If the menu system is already visible push this button to cancel the display The front panel FL display can be turned off by pressing and holding the MENU button on the remote for three seconds Briefly press the MENU button again to turn the display back on The display also turns back on whenever the POWER button on the front panel or re mote is pressed ENTER Button The ENTER button is used to confirm and memorize various settings in the setup and operation of the RSP 1066 Its use is described in detail in the relevant sections nck Input Controls Input Source Buttons O The RSP 1066 can be used with up to eight source components Press any of the eight front panel buttons to select an audio or video in put source TUNER CD VCR etc for listen ing You will hear this source and if you have selected a video source see its picture on your TV monitor The front panel display and the ON SCREEN DISPLAY on the TV will show the name of the current listening source selection The labels for VIDEO sources can be customized to match your components All of the inputs the five video inputs the CD input the TUNER input and the TAPE input can accept either analog signals or digital sig nals from one of the five assignable digital inputs When a digital input is assigned dur ing system con
63. menu SPEAKER SETUP Menu N SPEAKER SETUP FRONT Large CENTER Large SURROUND Large CENTER BACK Large SUBWOOFER Yes CB SPKR SEL 1 SPEAKER ENT KEY MAIN MENU UP KEY up KEY change DWN KEY down The SPEAKER SETUP menu is used to config ure the RSP 1066 for use with your specific loudspeakers The menu is accessed from the MAIN menu Home theater systems vary in the number of speakers and the bass capabilities of those speakers The RSP 1066 offers surround modes tailored to systems with various numbers of speakers and bass management features which send bass information to the speaker s best able to handle it subwoofers and or large speakers For optimum performance you must tell the RSP 1066 the number of speakers in your system and how bass should be distrib uted among them NOTE There are two types of bass sur round sound system The first is normal bass recorded in each of the main channels front center and surround This bass is present in all recordings and soundtracks In addition Dolby Digital 5 1 and DTS 5 1 recordings have a Low Frequency Effects channel the 1 channel This bass channel typically played by a subwoofer is used for effects such as explosions or rumble The use of the LFE channel will vary from soundtrack to soundtrack Recordings that are not encoded in Dolby Digital or DTS do not have the LFE channel The following configuration instructio
64. ming may have been inadvertently changed To restore the RSP 1066 programming press the recessed PRELOAD button EJ on the remote with the tip of a ballpoint pen NOTE Pushing the PRELOAD button will erase all custom programming and learned com mands restoring the RR 969 to its factory condition Basic Controls We suggest you look over the RSP 1066 s front and rear panels before you start connecting other components The following explanations will help you get familiar with the unit s con nections features and controls Most functions are duplicated on the frontpanel and on the remote A few are found only on one or the other Throughout this manual numbers in gray boxes refer to the RSP 1066 illustration at the front of this manual Letters refer to the RR 969 remote illustration When both appear the function is found on both the RSP 1066 and the re mote When only one appears that function is found only on the RSP 1066 or the remote POWER Button The frontpanel POWER switch on the RSP 1066 is a master power control allowing you to turn the unit on and off The button must be pressed IN for the unit to operate When it is in the OUT position the unit is fully off and cannot be activated from the remote control The POWER button on the remote functions as a standby switch activating or deactivat ing the unit In standby mode minimal power is still supplied to memory circuits to pr
65. mplifier driving a pair of speakers in the remote zone Only analog input signals are avail able at the Zone 2 outputs Source compo nents connected to only the digital inputs are not available in Zone 2 Although you have the option of using an in tegrated amplifier or a receiver to power the remote speakers we suggest using a fixed gain power amplifier This simplifies system installation and operation Your authorized Rotel dealer may make another recommendation based on specific system requirements To configure your system for Zone 2 opera tion connect the left and right Zone 2 outputs on the RSP 1066 to the left and right channel inputs of the amplifier powering the remote speakers using standard RCA audio cables By default the Zone 2 outputs provide a VARIABLE level signal with control of the volume from the RSP 1066 frontpanel and or remote control from Zone 2 Alternatively you can configure these outputs for FIXED level which disables the volume control and sends a fixed line level signal to an amplifier with its own volume control See the ON SCREEN DIS PLAY Configuration section for details ZONE REM IN Jack Fil See Figure 5 This 3 5 mm mini jack accepts signals from a infrared repeater located in Zone 2 This IR repeater system is required for operation of the RSP 1066 s ZONE 2 functions from the remote zone There are many available IR repeater systems from third party su
66. n operate the RSP 1066 plus nine other audio video components A separate manual included with the remote gives detailed instructions on programming and using the RR 969 to replace all of the remote controls in your system The RR 969 manual covers many extra features such as custom labeling of remote buttons that appear in its LCD display and we recommend that you review the manual to maximize the benefits from the RR 969 To avoid duplication we pro vide only basic information about using the RR 969 to operate the RSP 1066 in this manual RSP 1066 Surround Sound Processor 12 Many of the RR 969 functions duplicate the frontpanel controls For that reason we cover the controls on the remote under appropriate topics throughout this manual Letters in gray boxes next to the name of a function refers to the labeled illustration of the remote at the front of this manual Using the RR 969 AUDIO Button To operate the RSP 1066 with the remote make sure that the AUDIO mode is active by press ing the AUD button on the remote before you start If one of the other buttons CD TAPE etc is pressed the remote will control another component not the RSP 1066 The AUDIO mode will stay active until another DEVICE button is pressed Programming the RR 969 PRELOAD Button 3 The RR 969 is programmed at the factory to operate the RSP 1066 Should the AUDIO command set on your RR 969 not operate the RSP 1066 the program
67. nal IR sen sor outside of the cabinet so that signals from remote control can reach it This external sensor is then attached to the EXT REM IN jacks of the RSP 1066 There are many available infrared receivers which may use different wiring standards Please consult your authorized Rotel dealer for information on external infrared receivers and the proper wiring of a jack to fit the mini jack receptacle note The IR signals from the EXTERNAL RE MOTE IN jack as well as those from the ZONE REMOTE IN jack can be relayed to source components using external IR emitters or hard wired connections from the IR OUT jacks See the ZONE 2 section of this manual for additional information Computer The RSP 1066 can be operated with a per sonal computer running audio system control software from third party developers This con trol is accomplished by sending operating codes normally sent by the RR 969 remote con trol from the computer via a hard wired net work connection The COMPUTER I O input provides the nec essary network connections on the back panel It accepts standard RJ 45 8 pin modular plugs such as those commonly used in 10 BaseT UTP Ethernet cabling For additional information on the connections software and operating codes for computer control of the RSP 1066 contact your autho rized Rotel dealer Zone 2 Connection and Operation The RSP 1066 provides Zone 2 multi room capability allowing
68. nd reproduction Setting the output levels using the test procedure provides the most accurate adjustment so that digital sur round sound material will be reproduced as it was intended and is a critical step in coli brating the system note If you have configured your system to use two center back speakers there will be an additional line in the menu giving you the ability to independently adjust the CENTER BACK 1 and CENTER BACK 2 speakers To access this menu and perform the test tone calibration you must be in one of the surround modes To do this press any of the MODE buttons except 2CH Then enter the ON SCREEN DIS PLAY menu system and select TEST TONE from the MAIN menu to reach this screen When you enter the TEST TONE menu you will hear a test tone coming from the highlighted speaker Highlight different speakers by moving the cursor to the desired line using the UP DOWN buttons The test tone will shift accord ingly to the selected speaker While seated in the normal listening location switch the test tone to the various speakers Using the loudest speaker as a fixed reference listen to hear if any other speakers are notice ably louder or quieter If so adjust that speaker s volume levels up or down in 1dB increments to match using the buttons Continue switch ing among the speakers and adjusting until all speakers are the same volume To return to the MAIN menu press the EN TER button Press
69. ng the FACTORY DEFAULT settings The unit will power off and then on with the factory settings restored To return to the MAIN menu without resetting the FACTORY DEFAULT settings change the entry to NO and press the ENTER button NOTE Resetting to factory default settings will erase all stored settings including delay set tings speaker settings balance settings in put settings and more You will lose ALL system configuration settings Be certain that you wish to do so before resetting the factory defaults To save USER DEFAULT settings Many of the current configuration settings can be stored as a USER DEFAULT which can be activated at any time from this menu screen To save the current settings as a USER DEFAULT Place the highlight on the USER DEFAULT SET line using the UP DOWN buttons and use the buttons to change the setting to YES The screen will change to a confirmation screen Press the ENTER button to store the new USER DEFAULT settings To return to the MAIN menu without saving any changes change all en tries on the screen to NO and press the EN TER button NOTE If there is insufficient memory to store USER DEFAULT configuration file the USER DEFAULT SET option will not be available To activate memorized USER DEFAULT settings After you have stored a USER DE FAULT configuration file you can activate those settings at any time by placing the highlight on the USER DEFAULT line using the UP
70. nnected to them When the RSP 1066 is put in STANDBY mode the trig ger signal is interrupted and the amplifiers will turn off To use 12 volt trigger system either of these two output connections must be connected to the 12 volt trigger input on your Rotel ampli fier using a custom cable The proper cable consists of mono 3 5 mm male mini plugs at tached to both ends of a small single conduc tor insulated wire One end of the cable is plugged into the 12V TRIGGER output of the RSP 1066 The other end is plugged into the 12V TRIGGER input of the amplifier Consult your amplifier s instruction manual for infor mation about configuring the unit for remote turn on using the 12 volt trigger system Audio Video systems vary in their com plexity There are many approaches to turn ing on and off the components in a system and it is impractical to cover every possible configuration in this manual Please consult your authorized Rotel dealer for advice on configuring your system and using the 12 volt trigger connections if appropriate EXTERNAL REM IN EE This 3 5 mm mini jack labeled EXT REM receives command codes from an industry stan dard infrared receivers Xantech etc located in the main listening room This feature pro vides a method for remote control operation when the unit is installed in a cabinet where waww its frontpanel IR sensor is blocked This fea ture allows you to mount an exter
71. nput is selected that signal will automatically be sent to both digital outputs for recording SURR MODE selects the default surround sound mode for the input shown at the top of the menu The default setting will be used unless the source material triggers automatic decoding of a particular type or unless the default set ting is overridden by the front panel or remote surround buttons Options are Stereo Dolby Pro Logic Il Dolby 3 Stereo Music 1 4 5CH Stereo 7CH Stereo and DTS Neo This is a default setting for each input and in some cases can be manually overridden by the front panel MODE buttons or the SUR button on the remote See the SURROUND SOUND CONTROLS section of this manual for more information on which settings can be overridden note The following types of discs or source material are generally detected automatically and the proper decoding activated with no action or setting required DTS DTS ES Ma trix 6 1 DTS ES Discrete 6 1 Dolby Digital Dolby Digital 2 channel PCM 2 Channel MP3 and HDCD Two of the default surround mode settings available on this menu offer additional choices Dolby Pro Logic Il decoding offers a choice of CINEMA MUSIC or EMULATION settings DTS Neo 6 decoding offers a choice of CIN EMA or MUSIC settings When either Dolby Pro Logic ll or DTS Neo is selected with this menu item the current setting choice will also be displayed In addition the function of
72. ns refer to LARGE and SMALL speakers referring more to their desired bass configuration than their physical size Specifically use the LARGE setting for speakers that you want to play deep bass signals Use the SMALL designation for speakers that would benefit from having their bass sent to more capable speakers The bass management system redirects bass informa tion away from all SMALL speakers and sends it to the LARGE speakers and or the SUB WOOFER Four examples illustrate the principles behind bass management A system with five LARGE speakers and a subwoofer This system requires no bass redirection All five speakers play the nor mal bass recorded in their respective chan nels The subwoofer plays only the LFE channel bass This may not be the most ef ficient use of system resources Depend ing on the soundtrack there may be mini mal use of the LFE channel so the subwoofer would be underutilized Meanwhile the normal bass places higher demands on the capobilities of the other speakers and the amplifiers driving them system with LARGE front center and surround speakers but no subwoofer The normal bass from the front center and surround channels is played in its respec tive speakers With no subwoofer the LFE bass is redirected to all five LARGE speak ers This places significant demands on these speakers and their amplifiers as they must play their own normal bass plus the very demanding LFE bass
73. on allows you to temporarily reduce the volume of the system and later re store it to the original volume for example when answering the phone Push the MUTE button once to turn the sound off An indica tion appears in the frontpanel and on screen displays Press the button again to restore previous volume levels Tone Controls H 8 The frontpanel BASS and TREBLE controls Ell increase or decrease the audio signal s low and high frequency content respectively and allow you to tailor the sound to your own preferences Rotate clockwise to increase the bass or treble and counterclockwise to reduce The frontpanel display and ON SCREEN DISPLAY show tone control settings as you adjust them Bass an treble adjustments can also be made from the remote control 1 Press the SHIFT button E to select BASS or TREBLE mode pressing it again to toggle between the two 2 Press the UP DOWN buttons to ad just the bass or treble FILTER Button The FILTER button remote only activates or deactivates a special CINEMA EG setting This equalization may be desirable for playback of movie source material to compensate for the acoustic differences between a commer cial cinema and a home theater environment The FILTER setting is independent for each source input Using the button only changes the set ting for the currently active source input MENU Button 3 The MENU button is used to access the ON SCREEN DISPLAY syste
74. one 2 Move the highlight to the desired line using the UP DOWN buttons and use the but tons to adjust the volume level To return to the MAIN menu press the ENTER button Press the MENU key on the remote to cancel the display and return to normal operation Specifications Audio Total Harmonic Distortion lt 0 05 Intermodulation Distortion 60 Hz 7 kHz lt 0 05 Frequency Response 10 Hz 95 kHz 1 dB line level 10 Hz 20 kHz 0 3 dB digital level Signal to Noise Ratio IHF A weighted 95 dB Stereo Analog 92 dB Dolby Digital dts OdBFs Input Sensitivity Impedance Line Level 200 mV 47 kohms Tone Controls Bass Treble 8 dB at 100 Hz 10 kHz Preamp Output Level 1 2 V 200 mV Input Video Frequency Response 3 Hz 10 MHz x 3 dB Signal to Noise Ratio 45 dB Input Impedance 75 ohms Output Impedance 75 ohms Output Level 1 volt General Power Consumption AO watts Power Requirements AC 115 volts 60Hz USA version 230 volts 50Hz CE version Weight 7 6 Kg 16 7 lb Dimensions W x H x D 432 x 122 x 341 mm 17 x 47 8 x 131 2 Front Panel Height feet removed for rack mount 109 mm 45 16 All specifications are accurate at the time of printing Rotel reserves the right to make improvements without notice Rotel and the Rotel HiFi logo are registered trademarks of The Rotel Co Ltd Tokyo Japan The Rotel Co Ltd 10 10 Shinsen Cho Shibuya Ku To
75. ons can significantly improve the pic ture quality when using a digital high defini tion television monitor and a DVD player s progressive scanning feature They provide little benefit with standard analog TV monitors Their use will almost certainly require running mul tiple outputs to the TV and switching between the TV s various inputs when changing sources Audio Source Connections See Figure 4 Connect your audio only source components to these RCA inputs and outputs CD Inputs Connect the left and right analog outputs from your CD player to the input jacks labeled CD TUNER Inputs Connect the left and right analog outputs from your tuner to the input jacks labeled TUNER TAPE Inputs and Outputs EH The RSP 1066 provides a pair of inputs and a pair of record outputs for connecting an ana log audio tape deck The analog source signal available for record ing atthe TAPE outputs is selected with the REC button on the frontpanel or the ZONE but ton on the remote and its label appears in the display If the TAPE input signal is selected as the recording source its signal will not be available at the TAPE output but will be avail able at the VIDEO outputs for recording Connect the left and right analog outputs from an audio tape deck to the TAPE IN jacks Connect the TAPE OUT jacks to the inputs on the audio tape deck Video Source Inputs See Figure 4 There are input connections for five video so
76. ow RCA jack note Each source input must be properly configured using the INPUT MENU of the ON SCREEN DISPLAY system We recom mend going to this menu after connecting each source to configure it as desired See the INPUT MENU topic of the On Screen Dis play Configuration section for information Video Connections The RSP 1066 provides S Video and Compo nent Video connections for those who wish to use them However standard Composite video cables provide excellent picture quality in most systems and their use for alll input and output connections will simplify installation and con figuration of the unit If you choose to use S Video or Component Video connections be aware of the follow ing implications for the configuration of your system On Screen Menu Display The RSP 1066 ON SCREEN MENU system is available for all inputs when using a Composite or S Video cable from the MONITOR outputs to the TV set The ON SCREEN MENU is not avail able when using Component video cables System Set Up System setup should be done while using a Composite video or S Video cable connecting the RSP 1066 MONITOR out puts to the video inputs of the TV or projec tor Select OSD ON SCREEN MENU from the RR 969 remote control to complete system setup NOTE On a PAL standard monitor the OSD cannot be displayed until a video signal is present irrespective of the type of video cables in use For setup connect the vi
77. paration and frequency response for Dolby Surround matrix encoded re cordings Can be optimized for Music or Cinema sources plus an emulation mode for the original Dolby Pro Logic decoding Automatic decoding for Dolby Digital recordings Automatic decoding for DTS9 5 1 chan nel DTS ES Matrix 6 1 channel and DTS ES Discrete 6 1 channel digital record ings Rotel XS eXtended Surround automatically ensures proper decoding and optimum performance from any multichannel digi tal signal on 6 1 and 7 1 channel systems Always active in any system with center back speaker s Rotel XS even works with signals that would not otherwise activate the proper decoding such as non flagged DTS ES and Dolby Surround EX discs or for which there is no extended surround decoder such as DTS 5 1 Dolby Digital 5 1 and even Dolby Pro Logic Il decoded Dolby Digital 2 0 recordings DTS Neo 6 Surround modes for deriv ing surround channels for 5 1 6 1 or 7 1 channel systems from 2 channel stereo or matrix surround recordings Can be opti mized for Music or Cinema sources Automatic HDCD decoding for signals from High Definition Compatible Digital com pact discs Automatic decoding of digital signals from MP3 MPEG 1 Audio Layer 3 players Surround modes for playback of surround sound material on 2 channel and 3 chan nel systems for total compatibility Zone 2 output with independent input se lection and volume adjustm
78. ppliers and it is impractical to cover the wiring of each type in this manual Please consult your au thorized Rotel dealer for information on con figuring an IR repeater system for your appli cation note ZONE 2 and its IR repeater must be in a different location than RSP 1066 to prevent IR commands intended to control Zone 2 from inadvertently controlling the main room op erations IR OUT Jacks See Figure 5 The IR OUT 1 amp 2 jacks send IR signals re ceived at the ZONE REM IN jack or the EX TERNAL REM jack to an infrared emitter placed in front of a source component or to Rotel CD players DVD players or tuners with a compatible rear panel IR connector This output is used to allow IR signals from Zone 2 to be sent to the source components or to pass along IR signals from a remote in the main room when the sensors on the source compo nents are blocked by installation in a cabinet See your authorized Rotel dealer for information on IR repeater systems note The EXT REM IN jack located to the right of these jacks is for use with an external IR sensor duplicating the frontpanel IR sen sor and located in the primary zone It should not be used for ZONE 2 IR connections On Screen Display and System Configuration The RSP 1066 features two on screen systems to help operate the system The first consists of simple status displays that appear on the TV screen whenever primary settings Volum
79. rks with all mul tichannel digital signals including Dolby Digi tal Surround EX discs as well as sources that would not otherwise activate an extended surround decoder DTS Neo 6 Button EJ The DTS Neo 6 mode provides advanced matrix processing to generate 5 1 and 6 1 surround channels from two channel source material much like Dolby Pro Logic Il DTS Neo 6 can process analog 2 channel sources digital 2 channel sources and matrix encoded digital 2 channel sources DTS Neo 6 features two different decoding settings one optimized for music sources and the other optimized for cinema sources Press the DTS Neo 6 button to activate Neo 6 pro cessing in the last previously used mode The DTS icon lights and the label Neo 6 scrolls in the FL display followed by CINEMA or MUSIC depending on the currently active mode Press the Neo 6 button again to toggle to the Neo 6 CINEMA mode You can also change the Neo 6 mode using the ON SCREEN MENU system Or you can press the buttons on the remote after Neo 6 is activated to change between cinema to music modes however this feature only works when Neo processing is active and the ON SCREEN MENU system is not being displayed NOTE lf is not necessary to press this button when playing a DTS or DTS ES encoded digi tal disc Activation of the correct decoding for these discs is automatic as indicated by the illumination of the DTS indicator in the frontpanel
80. s each channel and distributes it to the appropriate speakers Dolby Pro Logic decoding delivers a mono sig nal with reduced high frequency content to the surround speakers The more advanced de coder in the RSP 1066 Dolby Pro Logic Il in creases the separation and frequency response of the surround channels for significantly im proved performance with Dolby Surround en coded recordings Dolby Pro Logic decoding is used for any analog soundtrack or recording labeled Dolby Surround or any Dolby Digital 2 0 soundtrack While it is specifically designed to decode Dolby Surround recordings Dolby Pro Logic can derive surround sound from conventional 2 channel stereo recordings using phase re lationships to extract front right center and surround channels Activate Dolby Pro Logic Il decoding with the Dolby PLII 3ST button described in the next section of the manual Dolby Digital In 1992 an entirely new digital recording system called Dolby Digital was first used in the film industry Dolby Digital is a recording playback system that uses compression tech niques to store large amounts of audio data efficiently much like the JPEG format stores large photographs in small files on a computer Dolby Digital is the standard audio format for DVDs and for digital television broadcasting in the United States The Dolby Digital system can be used to record up to six discrete audio channels but can con be used for
81. the front panel POWER button is pressed in the remote POWER button is disabled and the unit can not be put in standby mode OSD Determines whether the ON SCREEN DISPLAYS are shown on your TV monitor dur ing operation LANGUAGE Selects one of the several lan guages for all of the ON SCREEN MENUS Change settings on the OTHER OPTIONS menu by highlighting the desired line using the UP DOWN buttons and using the buttons to step through the available settings To return to the MAIN menu press the ENTER button Press the MENU key on the remote to cancel the display and return to normal operation DEFAULT SETUP Menu DEFAULT SETUP FACTORY DEFAULT No USER DEFAULT No USER DEFAULT SET No ENT KEY MAIN MENU KEY change UP KEY up DWN KEY down Y DEFAULT SETUP FACTORY DEFAULT Yes USER DEFAULT No USER DEFAULT SET No ENT KEY Exec KEY change UP KEY up DWN KEY down The DEFAULT SETUP menu provides access to three functions Restoring all features and settings to the original FACTORY DEFAULT settings Memorizing a custom group of settings as a USER DEFAULT Activating the USER DEFAULT settings To restore the FACTORY DEFAULT set tings Place the highlight on the FACTORY DEFAULT line using the UP DOWN buttons and use the buttons to change the setting to YES The screen will change to a confirma tion screen Press the ENTER button to proceed with resetti
82. to a dif ferent input source To select an input source for recording press the REC button on the front panel or the equivalent ZONE button on the remote Then press one ofthe INPUT SOURCE buttons within 5 seconds to select the signal you wish to record After making your selec tion or if more than five seconds passes the input source buttons return to their normal function selecting a listening source Remember this selection is independent of the listening source While recording you may still select a different source for listening The record selection appears in the display to the right of the listening selection note The RECORD function requires analog signals If you use a digital connection from a CD player or DVD for listening you should also connect an analog signal for recording MULTI Input EXT IN O The RSP 1066 can accept 6 1 channel discrete analog signals from an outboard digital pro cessor thus allowing compatibility with future surround sound formats Press the MULTI button or the EXT IN button on the remote to override any other audio input both analog and digital and select the audio signal from an external digital adaptor Temporary adjustments in the levels for all channels of the MULTI Input can be made with the remote control See the Speaker Level Adjustment instructions in the following Sur round Sound Controls section In addition the subwoofer defa
83. tomatically divide all center channel information equally between the two front speakers creating a phantom center channel SURROUND SPEAKERS small large none Select the LARGE setting not avail able with SMALL front speakers to have the surround speakers play low bass If your rear speakers have limited bass capability or if you would prefer that the bass go to a subwoofer use the SMALL setting If your system has no rear surround speakers select the NONE setting surround channels are added to the front speakers so none of the recording is lost CENTER BACK SPEAKER S small large none Some systems have one or two additional center back surround speakers for use with 6 1 channel surround signals or 7CH stereo processing With the RSP 1066 such a configuration is available using the preamp outputs and external amplifiers Select the LARGE setting not available with SMALL front speakers to have your center back speakers play low bass If your side speakers have limited bass capability or if you would prefer that the bass go to a subwoofer use the SMALL set ting If your system has no center back speakers select the NONE setting With center back speakers the Rotel XS extended surround and or other decoders will provide the optimum center back signals for any surround mode and any type of recording SUBWOOFER yes no max Use the YES setting if your system has a subwoofer If your system does not have a subwoofer s
84. ult level for the MULTI Input can be set using the SUBWOOFER SETUP menu of the ON SCREEN DISPLAY system This input only changes the audio signal the video signal from the currently selected input remains in use When activated the RSP 1066 s digital processing is bypassed An indicator appears in the frontpanel display note When the MULTI CH input is selected the CB output is available only at the PREOUT connector No signal is available at the CB2 PREOUT connector RSP 1066 Surround Sound Processor 14 Overview of Surround Formats To get best performance from your RSP 1066 ithelps to understand the many surround sound formats available today to know which de coding process to use for a particular record ing and how to select it This section provides basic background information about surround sound formats The next sections provide de tailed operating instructions Dolby Surround Dolby Pro Logic The most widely available surround sound format for consumer audio video is Dolby Surround available on nearly all commer cial VHS tapes many television broadcasts and most DVDs Dolby Surround is the con sumer version of the analog Dolby Stereo system first introduced in the film industry in 1972 It is a matrix encoding system that records front left front center front right and a mono sur round channel into a 2 channel stereo record ing During playback a Dolby Pro Logic de coder extract
85. urce components Each of the five provides a pair of RCA inputs for analog audio signals Each of the five also provides a choice of an RCA composite video input or S Video input for the video signal from the source component In addition two of the video source inputs Video 1 and Video 2 also feature Component Video input connections as an alternative to the com posite video or S Video connections There is no need to use more than one type of video connection from a source com ponent We recommend selecting one type of video connection and using it for all video inputs and outputs As a general rule using RCA composite video connections will sim plify system setup and operation There are also video record outputs described in a following section which correspond to three of the video source inputs Video 1 2 and 3 For this reason you should plan ahead and designate each source component as Video 1 Video 2 etc All connections both input and output from a source component must be made consistently to the same set of connections For example all input and out put connections to a particular VCR could be made to Video 1 connectors Also be sure that the channels are connected consistently i e left channel signals connected to left channel inputs outputs and right chan nel signals connected to right channel inputs outputs These video source inputs can also be used for additional au
86. vels revert to the default calibrated settings NOTE This adjustment is temporary Selecting a different input or turning the unit off reverts to the default levels DYNAMIC RANGE Button DWN Button Digital sources are capable of wide dynamic range the difference between the softest and loudest sounds In some cases this may tax amplifiers and or speakers In other cases you may want fo reduce the dynamic range when listening at low volume levels Pressing the frontpanel DYNAMIC RANGE button or the DWN button on the remote steps through the three dynamic range settings MAX no compression full dynamic range MID moderate compression MIN full compression minimum dynamic range A D RANGE indicator in the frontpanel dis play lights when the dynamic range is not set to the MAX setting The new dynamic range setting appears briefly in the alphanumeric display when the setting is changed note The DYNAMIC RANGE feature is only available in Dolby Digital mode It is designed keep dialog intelligible while adjusting the loudest and softest sounds Connections Overview The RSP 1066 connections include standard RCA audio inputs and outputs composite video inputs and outputs S Video inputs and outputs Component Video inputs plus coaxial and op tical digital inputs and outputs NOTE Surround formats like Dolby Digital and DTS are digital formats and the RSP 1066 can only decode
87. zed not available for the TUNER CD and TAPE inputs Place the high light on this line to call up a sub menu that al lows you to change the five character label for the current VIDEO source To change the label 1 Press the keys to begin labeling 2 Press the keys to change the first let ter scrolling through the list of available characters 3 Press the ENT key to confirm that letter and move to the next position 4 Repeat steps 2 and 3 until all five charac ters have been completed The final press of the ENT button will save the new label and exit the sub menu INPUT selects which physical input connec tion to use as the default for the source dis played in the first line of the menu The op tions are ANALOG inputs two OPTICAL digital inputs OPTICAL 1 amp 2 and three COAXIAL digital inputs COAXIAL 1 3 When a digi tal input is selected the unit will check for a digital signal when the INPUT SOURCE but ton is pressed If no digital signal is present the unit will automatically revert to the ana log input When an ANALOG input is selected the unit will not access a digital signal even though one may be present at the digital in put thus the ANALOG setting forces the unit to use accept only an analog signal Assign ing a digital input with its auto sensing is the preferred configuration for digital source in puts such as DVD players NOTE If a source connected to a digital i

Rotel RSP-1066 Stereo Receiver User Manual

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