Home

Nady Systems PMX-420 Music Mixer User Manual

1. BLOCK DIAGRAM E m CH L La SPECIFICATIONS CHANNEL 1 2 onne D VER XLR BALANCED 10KO 60 dBm 0 7mV O dBm 0 775V CHANNEL 1 2 1 4 UNBALANCED 5KQ 54 dBm 1 4mV 4 dBm 1 2V CHANNEL 3 4 Mono 1 4 UNBALANCED 4KQ 32 dBm 20mV 2 dBm 1V CHANNEL 3 6 STEREO 1 4 amp RCA UNBALANCED 8KQ 32 dBm 20mV 2 dBm 1V EFFECTS RETURN 1 4 UNBALANCED 22KQ 27 dBm 33mV 2 dBm 1V SUB INSERT RETURNS 1 4 UNBALANCED RING 7KQ 10 dBm 240mV 5 dBm 1 4V MAIN INSERT RETURNS 1 4 UNBALANCED RING 5KQ 0 dBm 0 775mV 5 dBm 1 4V Sensitivity measured for max power with all volumes at max EQ s at mid Maximum Input Level measured with Gain set to min 2 MIXER SECTION Channel High e Re TEE 12KHz Rotary control Channel Mid ECO ae T KaTo ere a SEENEN 1KHz Rotary control Channel LOWE 4 51 5d EE EE 100Hz Rotary control Channel Gain Effects Send Pan Volume Rotary controls STEE EE Push button switches Echo Effect lime Delay 0 F tee ie IH iD a GYNT Y Ryd YNYR EEN 6 presets 20 350mS Master and Submix dual faders oo eeeccccccceesssneeeeeeescseneeeeeeeeeeeeseaeeeeeeeeseeeeeeeeeeeeseeesaeeeeeesceeseaseeeeeseeseaaeeeeeseeseeaaaeeeeeeseeeetaaeeeeess 09 to 10dB 50mm sliders 3 MASTER OUTPUT SECTION Channel Input to Main Output LS Une 20Hz 25KHz 3dB THD 4 EEN 0 08 S N Ratio 80dB gain controls mid fad
2. Caution Make sure that the speaker connectors and wiring can handle the rated output power to avoid damage Note that prolonged use at levels above clipping can drive the amplifier into thermal runaway and damage the internal amplifier and speaker so care must be taken to not overload the amplifier Never use less than 4 ohms total impedance for either channel as this can also cause the amplifier to overheat and create thermal runaway 37 POWER CONNECTOR The IEC jack is used to connect the power cord to the AC Power Source Caution Never remove the center grounding pin as this can cause a serious safety hazard and will immediately void your warranty 38 FUSE COMPARTMENT Replace with only the same type fuse If the fuse blows continuously have the unit serviced by qualified personnel The PMX 420 powered mixer uses 20mm glass tube Fast Blow fuses 5A 250V for 115VAC 2 5A 250V for 230VAC 39 AC VOLTAGE SELECTOR SWITCH Before plugging in the power cord check to see that the unit is set for the proper voltage for your area 115V 60Hz or 230V 50Hz CONNECTIONS MONITOR 1 SPEAKERS A POWER AMP REVERB EFX RE e A k3 REVERB EFX tege PA or RECORDING DEVICE POWERED SUB PA or RECORDING DEVICE LINN Gg ais EI IR DC S2SR L R oo ro COMPRESSOR BE Ss 6 Chann Powered Mixer
3. PEAK Y PEAK 5 CY PEAK 25 Y PEAK x OFO le ys i i GAR Co am Lo E fe HGH E mi o eo i E a j O Ap O y Nats Y ll O ee o i i O 44 O i O AtdB O ag Gw ag Mis LEVEL SET PHONESET Le LOW o 9 H mm Ki E e Ap rap RI am a7 IS Sw I Gas en i mega HE RAD a Wd ee oS OZ Se PAN Ce a w a L7 An L 7 An LZ vn t7 Lr i La li sefa sun A safa sim A se fal Si It Bin li i AR AA S si Hal ba B al ogesetess wee PR i EFF AG PMX 420 PMK 420 N UJ DLO ICO Congratulations on your choice of the NADY AUDIO PMX 420 powered console mixer you have purchased one of the finest powered mixing units on the market today This unit was developed using the expertise of professional sound engineers and working musicians You will find that your new PMX 420 powered mixer has superior performance and greater flexibility than any other powered mixer in its price range Please read this manual carefully to get the most out of your new unit Thanks for selecting NADY AUDIO as your choice in powered mixers FEATURES This amazingly compact 6 channel powered mixer can pump out 420W RMS complete with Echo Effects and Submixes while capable of handling 11 total inputs simultaneously 2 Mono channels each with balanced XLR Mic and 1 4 TRS line inputs and 2 Stereo chan
4. 12 3 114 x 290 x 312mm 18 8 lbs 8 5 Kg CONTENTS FEAT W RES geesde er eege eege eer 2 WARNING ee Ad a DAE ddo Dy YG A I Td dM Ml 3 INSTALLATION iiisesseereerreerrerrrerterrrerrerrrrrrhreenrehreerrrnrrresnrrnrens 4 LE late es ceu To TEC neve el neice ieee 4 2 Setup and Operation 4 CONTROLS AND CONNECTIONS oseese 5 1 Channel Section iun eii aneas aa a HH gh insa FYD DF Ton IR 5 2 Master and Effects Section ccceeeceeeeeeseeeeeeeeneeeeneeeeeereaes 6 3 Master Input Output Section cece eeeeeteteetteeeneeenees 7 4 Rear Panel 8 elle EE 9 BLOCK DIAGRAM ua iu y id Fd e aen 10 SPECIFICATIONS AAA 11 Date of Purchase Dealer s Name City State Zip Model Serial AA Kg SE De GH bn WR me DID Le VE FL UD AF PE CANTOR TO BSCE THE Fj IE ELECT PACK DRET REMOVE COVER FOR RACE ROUSER Se Eee PETE KREE BEIER BEEM HO TO TALTE D SEINE PRS IMPORTANT SAFETY INSTRUCTIONS When using this electronic device basic precautions should always be taken including the following 1 2 10 11 Read all instructions before using the product Do not use this product near water e g near a bathtub washbowl kitchen sink in a wet basement or near a swimming pool etc This product should be used only with a cart or stand that will Keep it level and stable and prevent wobbling This product in combination with headphones or speakers may be capab
5. attempt to service the product beyond what is described in the user maintenance instructions All other servicing should be referred to gualified service personnel mgom INSTALLATION To ensure years of enjoyment from your NADY AUDIO PMX 420 please read and understand this manual thoroughly before using the unit INSPECTION Your NADY AUDIO PMX 420 powered mixer was carefully packed at the factory in packaging designed to protect the units in shipment Before installing and using your unit carefully examine the packaging and all contents for any signs of physical damage that may have occurred in transit Please note Nady Systems is not responsible for shipping damage If your unit is damaged do not return to Nady but notify your dealer and the shipping company if shipped to you immediately to make a claim Such claims must be made by the consignee in a timely manner SETUP AND OPERATION Parts of the unit can become very warm during use This is normal during operation Care should be taken to ensure that there is enough space around the unit for cooling Also do not place the PMX 420 powered mixer on high temperature devices such as power amplifiers etc or the unit may overheat in operation Although the unit s chassis is shielded against radio frequency RF and electromagnetic interference EMI extremely high fields of RF and EMI should be avoided Please make sure that the power unit supplied is marked for the correc
6. 9 the Sub signal can be sent out to an external effects processor and then returned into the mixer and mixed onto the Main Left and Right bus allowing these more sensitive faders to adjust the returned signal level 11 10 CHANNEL PFL BUTTON This button sends the pre volume channel signal to the PFL bus for monitoring the input signal with headphones before increasing the channel volume into the mix 11 CHANNEL VOLUME CONTROL This adjusts the volume level of each channel signal sent to the Effects Submix and Main Left amp Right 2 MASTER AND EFFECTS SECTION 13 23 24 21 20 22 18 17 16 19 12 EFFECTS SEND LEVEL CONTROL This control adjusts the final mixed level of the channel Effects Send signals This signal is then sent to either the internal Echo Effects DSP or the Effects Send Output 27 Plugging into either the Effects Send Output 27 or Effects Return Input 28 jack will automatically disable the internal Echo Effects The Effects Send signal can be output to an effects processor multi track recorder or used for any other line level auxiliary purpose such as monitor feeds 13 ECHO EFFECTS DELAY TIME This rotary wheel can be used to select one of 16 preset time intervals of the built in Echo Effects DSP between settings 0 F as shown on the Echo Effects Display 14 Setting 0 2 selects the shortest echo time to emulate plate and doubling effects wher
7. Select switch They can be used to maintain proper levels When set to Main Left amp Right the top red Peak LED will light when the powered output signal is just below clipping It is acceptable if the red LED lights occasionally If the red LED lights more than occasionally you should turn down the Main Left amp Right Volume Faders 19 to avoid audible distortion and clipping which can cause damage to your speakers and even the internal amplifier Caution Prolonged use at levels above clipping can cause damage to your speakers and even the internal amplifier Carefully monitor the bargraph meter to avoid prolonged clipping 22 HEADPHONE SELECT SWITCH This switch is used to set which signal will be sent to the Headphones Output 26 Main Stereo Left amp Right signals are sent when set to L R When set to S1 S2 Submix 1 is heard on the left and Submix 2 on the right The signal of any channel with its PFL Button depressed is heard when the switch is set to PFL 23 POWER LED This LED will illuminate when the unit is switched on 24 PFL LED This LED will illuminate when any one of the Channel PFL BUNSEN INPUTS UTPUT SECTION 30 33 34 32 35 25 HEADPHONE CONTROL The volume control adjusts the level of the Headphone Output 26 The Headphone Select Switch 22 determines which signal is heard 26 HEADPHONE OUTPUT The Headphone 1 4 stereo output can be used to monitor the Main Su
8. They are pre Main Left amp Right Volume fader and allow for routing the signal through external devices such as equalizers compressors or effects units Insert cables must be used for these connections The wiring for the insert jacks is Tip Send Ring Return 32 MAIN LEFT amp RIGHT OUTPUTS These 1 4 jacks output unbalanced line level signals from the Main Left and Right volume faders 33 LOW PASS LEFT amp RIGHT OUTPUTS These 1 4 jacks output unbalanced line level signals that have been filtered through a Low Pass filter This output is perfect for feeding directly to an amplifier that powers a subwoofer speaker or to a powered subwoofer with no crossover necessary The frequency response is 30Hz 150Hz 6dB with a 12dB roll off point at 250Hz These signals are post Main Left amp Right faders 34 RECORD LEFT amp RIGHT OUTPUTS These 1 4 jacks output unbalanced line level signals from the Left and Right bus These signals are pre Main Left amp Right faders AN FISK OF ELECTRIC SHOCK WARNING TO REOUCE THE RIBK OF FIRE O 7 SHOCK DO NOT EXPOSE THIS Pi FUSE 250V SA 115VAC reshma bs 250V 2 54 O 230VAC 37 38 35 POWER ON OFF SWITCH Use this rocker switch to turn the unit on and off 39 36 STEREO SPEAKER OUTPUTS These Left amp Right 1 4 speaker outputs can each deliver up to 210W RMS to 4 ohms loads or 150W RMS to 8 ohms loads with both channels driven simultaneously
9. al outputs of microphones The best balance of S N and dynamic range will be achieved if you adjust the Gain control on each channel separately so that the Channel Peak LED 5 almost lights 5 CHANNEL PEAK LED The Peak LED illuminates when a channel input is overloading It detects the peak level after 5 the Equalizer Controls 6 and 4 will light just before clipping to warn that the signal is approaching overload You do not want the Peak LED to light except very intermittently If it lights persistently reduce the Gain Control 4 If the Gain control is set to minimum the output level of the preceding 6 equipment should be lowered 6 EQUALIZER CONTROLS All channels are fitted with a three band EQ High Mid and Low controls All three bands have up to 15 dB of cut and boost with a center detent for 7 OFF The frequency response is flat when all three EQ knobs are in the center detent position The High and Low 8 shelving controls have their frequencies fixed at 12 KHz and 100Hz respectively and the Mid 9 control is fixed for peak response at 1KHz The channel EQ is a valuable 11 feature of the mixer as it allows the user to control the tonal characteristics of each channel 10 separately For example boosting the Low can fatten the sound add bass to vocals or extra punch to bass drums and synths The Mid control can be used to increase midrange fatten guitars or bring wa
10. bmix or PFL signals Capable of powering headphones with impedances of 8 ohms or greater 27 EFFECTS SEND OUTPUT CONTROLS AND CONNECTIONS 4 REAR PANEL 36 This mono unbalanced 1 4 jack outputs the channel signals which can be adjusted by the Effects Send Controls 7 amp 12 28 EFFECTS RETURN INPUT This mono unbalanced 1 4 jack enables convenient inputs to the Effects Channel If you connect a signal to the return jacks the signal will be routed to the effects Channel Volume Control 11 Plugging into either the Effects Send Output 27 or Effects Return Input 28 jacks will automatically disable the internal Echo Effects 29 SUBMIX 1 amp 2 SEND RETURN INSERTS These 1 4 TRS insert jacks can be used to send out the Submix signals to an external device and return the signals back via the same jack They are pre Sub 1 amp 2 fader and allow for routing the signal through external devices such as equalizers compressors or effects units Insert cables must be used for these connections The wiring for the insert jacks is Tip Send Ring Return Insert Cable Send Ring Return Return 30 SUBMIX 1 amp 2 OUTPUTS These 1 4 jacks output the Submix 1 amp 2 unbalanced line level signals 31 MAIN LEFT amp RIGHT SEND RETURN INSERTS These 1 4 TRS insert jacks can be used to send out the Main Left amp Right signals to an external device and return the signals via the same jack
11. eas settings 7 F enables the longest echo time for stadium reverbs and delay sounds Settings around 3 6 emulate room and hall reverbs by adjusting the Repeat Control 15 to approx ten o clock CONTROLS AND CONNECTIONS 14 ECHO EFFECTS DISPLAY This numeric LED display will indicate which of the 16 echo presets has been selected 0 F 15 ECHO EFFECTS REPEAT CONTROL This control adjusts the number of repeats and feedback depth of the echo effect Turning the control clockwise sets the repeats to maximum for lengthy stadium echoes or plate effects Turning the control counter clockwise sets less repeats for doubling effects The Effects Channel Pan Control 8 Submix 1 amp 2 Select Button 9 PFL Button 10 and Channel Volume Control 11 all operate same as the other channels on the internal Echo Effects signal or the Effects Return signal 16 SUBMIX 1 amp 2 VOLUME FADERS These faders adjust the level of the Submix 1 amp 2 signals that are sent to the Submix 1 amp 2 Outputs 30 These faders are post Submix 1 amp 2 Send Return Inserts 29 and will control any signal returning to the PMX 420 via those jacks The Submix signal can also be selected for the Headphone Output 26 for easy monitoring The Submix can be a very useful feature if used effectively The Submix can be used as a mixing aid both live and in the studio for example to combine certain signals to send to a monitor feed external power amp
12. ers at OdB Noise FIOOI EE 550uV gain controls mid faders at OdB 1 4 UNBALANCED 16dBm 5V SUBMIX INSERT SEND 1 4 UNBALANCED TIP 10dBm 2 4V SUBMIX 1 2 1 4 UNBALANCED 12Bm 3V MAIN L R INSERT SEND 1 4 UNBALANCED TIP 12Bm 3V 1 4 UNBALANCED 16dBm 5V 1 4 UNBALANCED 12Bm 3V HEADPHONE w 329 load 1 4 TRS STEREO 32Q 2 x 20mW 4 POWER OUTPUT SECTION Power Output 89 Both Channels Driven 1 THD uc acne avi atlanta tea a A a ene tae eel eine sh web evened 150W RMS per side 49 Both Channels Driven 1 THD aisee Safe deasa ao elteren eei 210W RMS per side Channel Input to Speaker Output RE Tele 20Hz 22KHz 3dB I NF HR A NN HR DF EF EU Y FE RH Y RA Y Y Y HYR 0 07 S N Ratio 74dB gain controls mid faders at O NOISE Tee 6 2mV gain controls mid faders at 0 Total Gainea Y Y Gu crete repre yH Yy rere reece eer 94dB Amplifier Protection 0 00 cece eeeeeseeeseeeeeeees Fan cooling short circuit protection DC protection circuits clip LED indicators Power ON OFF relays 5 GENERAL Power Requirements Voltage selectable 115VAC 60Hz or 230VAC 50Hz FUSE RgquiremeNtS ek ire aar eee paradan E aa an NA daa inebedestcacedadnesindiuuantanzes 5x20mm glass tube F B 5A 250V 115VAC 2 5A 250V 230VAC UV Le EE 18 8 Ibs 8 5 Kg NIE ele TEE 4 5 x 11 4 x 12 3 114 x 290 x 312mm The specifications above are correct at the time of printing of this
13. le of producing sound levels that could cause permanent hearing loss Do not operate for a long period of time at a high volume level or at a level that is uncomfortable If you experience any hearing loss or ringing in the ears you should consult an audiologist The product should be positioned so that proper ventilation is maintained The product should be located away from heat sources such as radiators heat vents or other devices including amplifiers that produce heat The product should be connected to a power supply only of the type described in the operating instructions or as marked on the product Replace the fuse only with one of the specified type size and correct rating The power supply cord should 1 be undamaged 2 never share an outlet or extension cord with other devices so that the outlet s or extension cord s power rating is exceeded and 3 never be left plugged into the outlet when not being used for a long period of time Care should be taken so that objects do not fall into and liguids are not spilled through the enclosure s openings The product should be serviced by qualified service personnel if The power supply cord or the plug has been damaged Objects have fallen into or liguid has been spilled onto the product The product has been exposed to rain The product does not appear to operate normally or exhibits a marked change in performance The product has been dropped or the enclosure damaged Do not
14. machines or samplers It will be necessary to adjust the input Gain Control 4 to achieve a nominal operating level with no clipping The Gain Control should be set closer to minimum when using Line level input signals All four inputs can be used simultaneously to accommodate the use of four audio sources 2 CHANNEL 3 4 amp 5 6 STEREO INPUTS These 1 4 and RCA unbalanced inputs are designed to accept line level signals max 1V 2 3dBm such as those common to CD tape players keyboards direct outputs and home stereo or DJ equipment Channel 3 4 1 4 inputs can also be used as standard mono line inputs by plugging into the L input only This signal will be routed equally to the Pan control and the left and right outputs in the same way as the standard line input channels For each channel there are separate A and B stereo inputs Either A or B inputs can be selected using the Input Selector Switch This allows the user to switch to a different input source instantaneously This is very helpful for DJ when switching to different source material or for musicians who change instruments 3 INPUT SELECTOR BUTTONS These select either A or B input sources for channels 3 4 and 5 6 4 GAIN CONTROL The Gain control adjusts the input sensitivity channel gain of the inputs This control can be adjusted to accommodate input signals from a wide variety of sources from the high outputs of keyboards and drum machines to the small sign
15. manual For improvement purposes all specifications for this unit including design and appearance are subject to change without prior notice 11 SERVICE FOR YOUR NADY AUDIO PRODUCT U S Should your NADY AUDIO product require service please contact the Nady Service Department via telephone at 510 652 2411 or e mail at service nady com International For service please contact the NADY AUDIO distributor in your country through the dealer from whom you purchased this product DO NOT ATTEMPT TO SERVICE THIS UNIT YOURSELF AS IT CAN BE DANGEROUS AND WILL ALSO VOID THE WARRANTY ALJ DLO IC NADY SYSTEMS INC 6701 SHELLMOUND STREET EMERYVILLE CA 94608 Tel 510 652 2411 Fax 510 652 5075 nady com
16. nels with input A or B selector switch for each channel Effects Return and Submix 1 amp 2 Return with dedicated Volume Pan for a total of 11 simultaneous inputs Power Output 2 x 210W RMS 4 ohms 1 THD with both channels driven Advanced amplifier design features include fan cooling short circuit protection speaker DC protection circuits clip indicators for utmost safety and reliability and power ON OFF anti thump circuit for quietest operation Stereo L R Master Mix and S1 2 Group Submix buses with 4 master faders and submix to main enable switch and Pan controls Built in Echo Effects 32 bit DSP emulates plate gate room hall and stadium reverb Full complement of input controls connections and indicators Channel Trim controls Peak LED s High Mid and Low EO s Channel Submix assign and PFL buttons EFF Send controls Pan and Volume controls Effects Send and Return with level control 2 X 5 segment LED display bargraph meters with L R S1 2 EFF and PFL selector and Power Amp peak indicator Output insert jacks on all L R and Submix outputs for adding effects or compression before the amplifier Stereo headphone output with L R G1 2 PFL selector and separate volume adjust Outputs include Line Level Left and Right Submix 1 2 Low Freguency output and 1 4 Speaker outputs for Left and Right Internal shielded AC supply with 115V 60Hz 230V 50Hz select switch Dimension amp Weight 4 5 x 11 4 x
17. or to an external effects processor This submix can also be added to the Main Master mix by depressing the Submix to L R Enable Buttons 17 17 SUBMIX TO L R ENABLE BUTTONS When these push button switches are depressed the Submix signal is added to the Main Master bus via the Pan controls 18 SUBMIX TO L R PAN CONTROLS With the Submix to L R Buttons 17 enabled the Submix can be panned on to the Main Left amp Right bus using these controls 19 MAIN LEFT amp RIGHT VOLUME FADERS These adjust the final level of the Master Left amp Right signals that are sent to the Main Left amp Right 32 Record 34 Low Pass 33 Headphone 26 and Speaker Stereo Outputs 36 These faders are post Main Left amp Right Send Return Inserts 31 and will affect any signal returning to the PMX 420 via those jacks 20 LED LEVEL SELECT SWITCH This switch is used to select which signals will illuminate the Dual LED Bargraph Meter 21 Main Stereo Left amp Right signals are displayed when set to L R When set to S1 S2 Submix 1 is displayed on the left and Submix 2 is displayed on the right When set to Effects PFL the effects level is displayed on the left bargraph and the PFL level is displayed on the right bargraph 21 DUAL LED BARGRAPH METER These 5 stage dual LED meters will display the relative output level of either the Main Left and Right Submix 1 amp 2 or Effects and PFL signals depending on the LED Level
18. rmth to vocals Adjusting the High control can provide a crisp sounding high end Another very important yet often overlooked technigue is to use the EO to subtract from the mix Cutting the High control can reduce unwanted sibilance hiss cymbals or high freguency feedback while attenuating the Mid or Low can also eliminate feedback or clear up a muddy sounding mix The Mid Freg control can also be used to reduce any feedback Cutting the High and Low then pushing up the Channel Volume Control 11 is eguivalent to mid range boost Note Always reset a channel s input Gain Control 4 after altering the amount of egualization to avoid input overload The key to successful egualization is to avoid excess Too much equalization on the input channels will result in a mix that is smeared together with nothing specifically defined During rehearsals experiment with the egualizer controls on various instruments vocals and combinations of these mixed together to become familiar with various egualizer settings 7 EFFECTS SEND CONTROL This control adjusts the level of signal sent to the Effects Send CONTROLS AND CONNECTIONS bus or the internal DSP Echo Effects The channel Effects Send control is mono post EO and post Ch Volume meaning the signal level sent to the Effects Send bus will be affected by the Channel Volume Control 11 setting For almost all effects send purposes post volume is desirable SE so that when a Ch Vol
19. t voltage in your area 120VAC 60 Hz or 230VAC 50 Hz Power requirements for electrical equipment differ from area to area In new installations and portable sound systems or any situation in which the AC power is in question it is wise to confirm the voltage and use the appropriate power supply unit before connecting it to power sources Europe except UK 230V 50Hz UK and Australia 240V 50Hz USA and Canada 120V 60 Hz For other areas please check with local authorities When ready to operate plug the AC cord into the power source Make sure that the unit is turned off before connecting to the AC power source to avoid possible loud transients which can damage your speakers or your ears Set the Channel 11 Submix 16 and Master Stereo Volume Faders 19 to minimum to further reduce the chance of undesired noise when first powering up Turn on your PMX 420 powered mixer by pressing on the rear panel Power On Off Switch 35 CONTROLS AND CONNECTIONS 2 I 1 CHANNEL 1 amp 2 INPUTS These electronically balanced XLR inputs are designed to accept signals from any balanced or unbalanced low impedance Low 2 microphone They can also be used to accept line level signals when the Gain is turned close to minimum The XLR jack is configured Pin1 ground Pin 2 positive Pin 3 negative The 1 4 unbalanced inputs are designed to accept unbalanced Mic or Line level signals such as those from keyboards drum
20. ume level is adjusted any reverb send from that channel follows the volume Otherwise when the volume is turned down the reverb from that channel would still be audible You can also use this effect send to feed inputs of a multi track recorder or any other unbalanced line level application 14 8 PAN The channel Pan positions the output of the channel in the left right stereo field of the Master mix and also pans between 12 H S1 and S2 in the Submix Its constant 097 ag power design ensures there are no level discrepancies whether a signal is hard panned center stage or somewhere in between 15 9 SUBMIX 1 amp 2 SELECT BUTTON When the Channel S1 S2 button is selected button depressed the 8 channel signal is fed to the Submix 1 amp 2 bus controlled by the Submix 1 amp 2 Volume Faders 16 as well as the 9 Main Left and Right bus This signal is post channel Volume and the placement between Sub 1 and Sub 2 is adjusted by the Pan control The Submix bus offers you a second stereo submix with its own stereo Sub 1 and Sub 2 master faders and Sub outputs The Submix can be used as a mixing aid both live and in the studio for example to combine certain signals to send to a monitor feed external power amp or to an external effects processor It can also be used as a stereo headphone mix if faders are desired for controlling headphone volume Using the Submix 1 amp 2 Send Return Inserts 2

Nady Systems PMX-420 Music Mixer User Manual

Contents

Download Pdf Manuals

Related Search

Related Contents