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Korg V2 Electronic Keyboard User Manual

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1. Stereo WAVE file L ch Piano L sample data R ch Piano R sample data 5 You use the Erase Measure command to erase measures 1 through 4 of audio tracks 1 and 2 This actually overwrites zero level sample data updating the stereo WAVE file as shown in the diagram The space occupied by the stereo WAVE file is the same as in steps and Audio Track 1 amp 2 Erase Measure Guitar Solo Stereo WAVE file L ch overwritten zero Guitar Piano L zero Guitar Solo sample data R ch overwritten zero Vocal Piano R zero sample data Sequencer Recording an audio track 1 Preparing to record an audio track The audio track data that you record is saved on the internal hard drive as a WAVE file Before you record you must create a directory folder where you will save the WAVE file and song data SNG that will be created when you record the audio track A When song data that includes an audio track is saved as a SNG file the name of the WAVE file and the location of the WAVE file are added to the SNG file Certain actions re naming a file copying a file to a new location etc can break the link between the song file and the audiotrack data If this happens an error of File path not found will appear when you play back the song and the audio track will not be played Use the examples below as a guide should such
2. eee eee eee ree aene 55 Data compatibility 55 Parameters that are valid in version 2 0 but invalid in Version 150 eiae eosece tea tea eee rec ce E coe dei eius 55 Global modle 56 SCSI Mode SCSI ID eee e eene eene 56 Making connections with an external device 56 Foot Switch Assign e eeee eee eren 57 Sampling mode 58 Auto Sampling Setup 58 AMISIT 58 2 REC Audio Input e Cub ist 58 3 Auto Resample through IFX 59 Automatically set parameters and their values 60 Page menu commands Insert Mix Paste 61 Copying data from a WAVE file and inserting it in a sample ssss 6 Combination modle 63 Auto Sampling Setup 63 a UTR ZO E RR 63 2 Resample Combination Play 63 3 REC Audio Input cede pen eed 64 Automatically set parameters and their values 65 Copy From Program ttes 66 Program modle 67 Auto Sampling Setup 67 T i Thiol lt oce eoo erue mer tre DE Ded Ec CE OC 67 2 Resample Program Play 67 3 REC Audio nplio sce eee hieu AM 68 Automatical
3. Use WAVE to assign a name for the WAVE file This item will appear if the copy source song includes a WAVE file When you execute the command a WAVE file of the name you specified in WAVE will be created in the directory you specified in the page menu command Sel Dir WAVE Audio Track Add the above material to Parameter Guide Sequencer P1 Cue List page menu commands Convert to Song PG p 61 and Copy Song r PG p 62 19 20 Sequencer P5 Track Edit Audio tracks can now be edited in the Sequencer P5 Track Edit page amp PG p 68 Accordingly an audio track display has been added and page menu commands have been added or modified A A WAVE file cannot be edited to a length greater than 80 minutes SEQUENCER P5 Track Edit 001 01 000 Meter 4 4 15000 Acid Jazz gt Audio Track 1 TAKENOG2 uUz3zruH vw J 188 gt Manu Reso Hi L RPPR From Measure 881 To End of Measure 816 Track Track Tonet1 2 Tone1 2 Tone3 d Tone3 d ToneS 6 Tone5 6 Edit Hame 1 8 3 16 1 8 3 16 1 8 3 16 J Track and Map An audio track display has been added If you select Audio Track 1 amp 2 the two tracks will be highlighted in the display If the audio data value at the beginning or end of each mea sure is other than zero a black square will be displayed Audio Track1 Audio Track2 A In some cases the display may indicate a blank even if data actually does exist New
4. Time Stretch Sustaining From Measu re CENE To Measure 881 Beat Tick 81 888 Beat Tick 601 000 3 Specify the region for which you want to execute the Time Stretch command Use From Measure and To Measure to specify the measures and Beat Tick to specify the beat and clock By default From Measure and To Measure are set to the From Measure and To End of Measure setting of the Track Edit page 4 Press the OK button A dialog box will appear allowing you to execute the Time Stretch command Time Stretch Sustaining Quality 7 Beat 884 Source BPM 128 Ratio 120 00 New BPM RET 5 Use Quality to specify the audio quality of the data produced by the Time Stretch command You can set this inarange of 0 7 Although it depends on the data higher settings will usually produce a better result However you should be aware that higher settings will also require a longer processing time You can repeat this operation as many times as you like so start with a lower setting and gradually adjust the set ting as needed 6 Specify the length of the data that will be produced by the Time Stretch operation e f you want to specify the length as a ratio Specify a Ratio in the range of 50 00 200 00 With a setting of 50 00 the sample length will be halved the tempo will be doubled With a setting of 200 0076 the sample length will be doubled the tempo will be halved e
5. suse Tn TO M WA Use only a recommended SCSIKUSB conversion adap tor For a list of recommended models refer to the Korg website or contact your Korg distributor amp Do not operate the TRITON STUDIO while data is being saved loaded on the internal hard drive by the computer WA Changing the SCSI Mode setting requires restarting the TRITON STUDIO Turning the power off and back on for the change to take effect A When the SCSI Mode is set to Target the Disk mode is unavailable you will be unable to save load data on the floppy disk internal hard drive CDRW 1 or any connected external SCSI device In this case be aware that if you begin sampling to RAM or creating a song in Sequencer mode you will be unable to save your data We recommend you normally keep the SCSI Mode set to Initiator and change the setting to Target only when you need to use this function When SCSI Mode is set to Target and a computer is connected do not format the TRITON STUDIO s inter nal hard drive from the computer A The TRITON STUDIO does not support file names longer than 11 characters 8 characters plus an exten sion or file names that contain double byte characters If such files are copied from the computer the TRITON STUDIO will not display the file name correctly SCSI ID 0 7 This sets the TRITON STUDIO s SCSI ID This is used
6. 6 Bounce All Tracks to New Song page menu command p 17 This function takes all sixteen MIDI tracks and both audio tracks of an existing song and combines them into the audio tracks of another song After the bounce polyphony and effects are freed up so you can then add more MIDI tracks or effects 7 Swing parameter for the Quantize page menu command p 43 A Swing parameter has been added to the Quantize page menu command making it easy to for example trans form a square 16 beat rhythm into a subtle shuftle 8 Copy From Program page menu command rs p 43 Now you can easily copy a program including all effect and arpeggiator settings to a song or combination 9 Improved Compare function for In Track Sam pling r p 44 You can now use the Compare function to alternately clear and restore the In Track sample data allowing you to com pare accept or reject your changes Introduction Disk mode 1 Advanced Conversion Load for loading AKAI Programs t p 48 In addition to previously supported keymap related param eters version 2 0 also supports parameters such as key groups key group zones velocity switching oscillators pitch filter amp pan and EG These parameters will be preserved when convert loading an AKAI program into a TRITON STUDIO program or programs and combination This allows AKAI Program files to be reproduced with a more accurately and to be instantly playab
7. Song 000 Track 03 Measure 001 Beat Tick 01 000 Press the OK button Specify the effect that you will use for measure 9 and the measures that follow In the Sequencer P8 Insert Effect Insert FX page set IFX3 to 020 Stereo Flanger SEQUENCER P8 Insert Effect P Tracka3 Elec Piano Insert FX E I B126 Pro Duno EP Chain Insert Effect PantCC 8 gt BUS Sel Sendi Send2 IFX4 b 864 Comp Amp Sim In the Sequencer P8 Insert Effect IFX3 page set the parameters as desired SEQUENCER P8 Insert Effect Stereo Flanger Delay Time msec eo LFO Waveform Triangle LFO Shape 50 LFO Phase degree 90 Sre or LFO Frequency Hz 6 50 BPM MIDI Sync Off BPM MIDI Base Note J Times x1 Ctrl Ch gt cha3 Amt 0 06 Depth Feedback High Damp chicka 5e 58 Sre orf AD A UJV E c In the Sequencer P8 Insert effect Insert FX page choose the page menu command Put Effect Setting to Track to open the dialog box Put Effect Setting MIDI Exclusive to Track Effect gt IFX3 To Song 868 Track 83 Measure HHE Beat Tick 01 000 Specify the effect for which you will insert an exclusive message and specify the location at which it will be inserted Effect IFX3 To Song 000 Track 03 Measure 009 Beat Tick 01 000 di Press the OK button Now you can play back the song to listen to the effects change at the pl
8. r PG p 62 of BTH 4 2ch Mix to Disk 5 HD Audio Track REC 6 Bounce Audio Track Input Input Source Analog S P DIF mLAN Analog S P DIF mLAN BUS Select e 1 l Bee w f o mes 000 ee o te o o o w me Sewexesmarsw CdS NENNEN T a hee Sem o re NEN SENA do g J o w E E s x E NECEM VENE MENNCHEEN MEE I or or cw 9 ww o o o o Sel Dir WAVE Audio Track for Audio Track WAVE File No Assign Page Menu Command Audio Track Audio1 SOLO Audio2 SOLO Not set automatically Settings enclosed in parentheses are set automatically according to the parameters in the dialog box 1 The specified setting for Analog S P DIF or mLAN Input1 or Input2 will be made automatically 2 The input source setting Input1 or Input2 specified in the Source Audio field of the dialog box will be made automat ically 3 If Source Audio is Mono 1 this will be L Mono if Mono 2 it will be R Mono and if Stereo this will be Stereo 4 If Save to is RAM and Convert to Program is On If From is Audio Track 1 Audio 1 will be SOLO On If From is Audio Track 2 Audio 2 will be SOLO On If From is Audio Track 1 amp 2 Audio 1 and Audio 2 will both be SOLO On Other tracks will be SOLO Off 6 If To is Audio Track 1 valid audio tracks in From will be set to Pan L000 If To
9. 2 _ Key Sunc Keyboard Pat b U175 1 A B Dr BD HH SD 1 6ths Turn the front panel ARPEGGIATOR ON OFF key on 4 Lightly press the ENTER key several times at the desired tempo The tempo at which you press the ENTER key is shown in the J display in the upper right of the LCD screen When you play the keyboard the arpeggiator will play a drum pattern at this tempo 5 Lightly press the ENTER key on the beat and then slightly speed up the interval at which you press the key The drum pattern tempo will become slightly faster A You can use tap tempo control whenever the TEMPO knob can be operated For example in Sequencer mode tap tempo control will not be available if you are play ing a song whose Tempo Mode setting PG p 50 is set to Auto WA You can control the tap tempo control function not just by using the ENTER key but also from a foot switch connected to the ASSIGNABLE FOOT SWITCH jack v p 57 Foot Switch Assign Various messages Changed messages The following messages have changed Buffer overrun error occurred Meaning While recording to an audio track or sampling to the hard drive the writing speed could not keep up with the recording or sampling processing Action Execute the Disk mode 0 3 Utility page menu command Optimize Medium before you per form the recording sampling operation If this does not solve the problem execute the Disk mode 0 3 Util
10. 8 REC Audio Input O Auto Resample through IF X Source Audio gt Analog gt Stereo Saveto RAM 2 Use the radio buttons to select REC Audio Input 3 Use Source Audio to select the external audio input source amp PG p 96 Input Analog Selects the analog audio output of an instrument or other audio source connected to the AUDIO INPUT 1 and AUDIO INPUT 2 jacks S P DIF Selects the digital audio output from an instru ment or DAT etc connected to the S P DIF jack mLAN Selects the digital audio output of an instrument or other device connected to the mLAN connector if the optional EXB mLAN is installed WA If you select S P DIF or mLAN for Source Audio you must set System Clock Global PO 0 2a PG p 138 to the appropriate system clock setting 4 Use Mono 1 Mono 2 Stereo to specify whether the input source is mono or stereo PG p 96 Mono 1 Input 1 will be used Mono 2 Input 2 will be used Stereo Input 1 and 2 will be used in stereo 5 Use Save to to select the destination where the sam pled data will be written PG p 90 Save to RAM The data will be written into sample memory RAM DISK The sampled data will be saved as a WAVE file on the internal hard drive or an external SCSI hard drive 6 If you want to apply an insert effect to the external audio input source while it is being sampled use IFX to spec ify the insert effect that you want to us
11. Auto Sampling HD Audio Setup The page menu command Auto Sampling HD Audio Setup has been added to the Sequencer P0 Play REC Sampling HD Audio page p 17 This convenient function automatically sets the relevant parameters to the ideal settings for various operations such as Sequencer mode sampling e g In Track Sampling recording using the HD Audio Track two channel mix down to create an audio CD or bouncing tracks For the automatically set parameters and their values refer to p 32 A When you execute this operation the relevant parame ters will be set automatically You cannot use the COM PARE key to revert to the prior settings ZA The settings are automatically made for the most typi cal applications After executing the auto setup opera tion you can further adjust any of the parameters as described in the f8 paragraphs for each item l Initialize This initializes the parameters related to sampling or audio track recording CD Select Auto Sampling HD Audio Setup to open the dialog box Auto Sampling HD Audio Setup Initialize C 2ch Mix to Disk C Resample SEQ Play C HD Audio Track REC O In Track Sampling O Bounce Audio Track 2 Use the radio buttons to select Initialize 3 To execute Auto Sampling HD Audio Setup press the OK button If you decide to cancel press the Cancel but ton For the automatically set parameters and their val ues refer to p 32 2 Resamp
12. This command deletes the unwanted data that is outside the Edit Range Start Edit Range End region 0 6a This is the same function as the Sampling mode Sampling P1 Sam ple Edit page menu command Truncate here performed on a WAVE file For details on the function and procedure i PG p 101 1 1A Truncate The Overwrite WAV and Name fields in the dialog box are as explained in 0 6A Save WAVE Parameter steps and 38 0 6C Cut This command deletes the data from the Edit Range Start Edit Range End region 0 6a Subsequent data will be moved forward This is the same function as the Sampling mode Sampling P1 Sample Edit page menu command Cut here performed on a WAVE file For details on the function and procedure PG p 102 1 1B Cut The Overwrite WAV and Name fields in the dialog box are as explained in 0 6A Save WAVE Parameter steps and 9 0 6D Clear This command sets all data to zero in the Edit Range Start Edit Range End region 0 6a Data preceding or follow ing the region will be unchanged This is the same function as the Sampling mode Sampling P1 Sample Edit page menu command Clear here performed on a WAVE file For details on the function and procedure PG p 102 1 1C Clear The Overwrite WAV and Name fields in the dialog box are as explained in 0 6A Save WAVE Parameter steps and 3 0 6E Copy This
13. Track to specify the copy destination track if All Tracks and All MIDI Tracks are unchecked and Measure to specify the copy desti nation or move destination starting measure If a WAVE file is assigned to the audio track and All Tracks is checked the dialog box will show Over write WAV and Name If you check Over write WAV the results of executing the command will overwrite the WAVE file assigned to the audio track If this is unchecked execution will create a new WAVE file and the audio track assignment will be changed to the newly created WAVE file If you are creating a new file use Name to specify a name for the file Normally you will execute with Overwrite WAV unchecked WA The page menu command Sel Dir WAV Audio Track specifies the save destination for the newly cre ated WAVE file Press the OK button to execute the command If you decide to cancel press the Cancel button If executing with Track Select set to an audio track Audio Track 1 2 1 amp 2 1 Use Track Select to select an audio track 2 Choose one of the above page menu commands to open the dialog box The dialog box when executing Copy Measure Copy Measure From Song BAA Audio Track 1 From Measure 881 To End of Measure HES All Tracks To Song OGA AudioTrack 1 Measure 881 Overwrite wAY Name T NEwFILE 8 Use From Audio Track to copy the copy source or
14. with Effects setting BUS Select will be set to DKit if the copy source program s Use DKit Setting is checked In conjunction with this the DrumKit IFX Patch setting will be reset to the default setting e If with Effects is checked the Bus Select setting of the copy source program will be copied If the copy destination timbre BUS Select was set to IFX1 IFX5 it will automatically be set to L R e If with Effects is unchecked then the copy source BUS Select setting will be ignored or if the BUS Select of the copy source program and copy destination timbre is set to IFX1 IFX5 it will automatically be set to L R 4 If you check with Arpeggiator the arpeggiator set tings of the copy source program will be copied to the arpeggiator you specify in step In conjunction with this Arpeggiator Run will be set to the checked state for the arpeggiator you specify in step 6 and the copy destination timbre s Arpeggiator Assign will be set to the arpeggiator you specify in step 5 Use To to specify the copy destination timbre The parameters specific to that timbre will be initialized The copy source program will be specified for Program Select 0 1c PG p 51 The MIDI Channel 2 1b PG p 38 setting will not change if with Arpeggiator is checked If with Arpeggiator is unchecked MIDI Channel will be automatically set to Gch Auto
15. Choose Erase Track to open the dialog box If you have set Track Select to either Audio Track 1 or Audio Track 2 the dialog box will show Over write WAV and Name Erase Audio Track 1 O All Tracks L Overwrite WAY Name T NEWFILE RA The page menu command Sel Dir WAV Audio Track specifies the save destination for the newly cre 3 Specify the track s whose data you want to erase If you check All Tracks the data of all tracks including the MIDI tracks will be erased To erase only the track specified by Track Select leave All Tracks unchecked If Track Select is set to Audio Track 1 amp 2 or if you check All Tracks in the dialog box the WAVE file assignment for the audio tracks will be cancelled The WAVE file itself will not be deleted 4 If you have set Track Select to either Audio Track 1 or Audio Track 2 the dialog box will show Over write WAV and Name If you check Over write WAV the results of executing the command will overwrite the WAVE file assigned to the audio track If this is unchecked anew WAVE file will be created when you execute the command and the assignment of the audio track will be changed to this new WAVE file In this case use Name to specify a name for the new WAVE file Normally you will execute without checking Over write WAV WA The page menu command Sel Dir WAVE Audio Track specifies the save dest
16. Put WAVE Normalize Volume Ramp and Time Stretch opera tions that have been added to the page menu commands of the Track Edit page You can also use the Disk mode Edit WAVE page to edit individual WAVE files saved on the internal hard disk In this page you can make precise edits while viewing the waveform just as when editing in Sampling mode HD Audio Track recording can be used in conjunction with the In Track Sampling function to create sequences contain ing both samples and audio tracks This entire sequence can then be recorded as a WAVE file to the internal hard drive With the CDRW 1 installed you can then produce an audio CD without the need to use any equipment other than the TRITON STUDIO 2 Realtime recording and playback of MIDI exclusive messages rs p 34 Realtime recording playback of MIDI exclusive messages is now supported Exclusive messages including XG and GS format data received from an external MIDI device or parameter changes you create by editing track parameters can now be recorded in realtime on any track You can also use the page menu command Put Effect Setting MIDI Exclusive to Track to record effect parameter settings into the desired location During playback you can send this data to an external MIDI device or use it to control song track parameters or effect parameters Standard MIDI Files SMF containing system exclusive messages can be loaded in from disk
17. Sequencer PO Play REC page menu commands tPG p 52 Swing Quantize Parameter A Swing parameter has been added to the Sequencer P5 Track Edit page menu command Quantize v amp PG p 73 5 1N Quantize Quantize in Track 81 From Measure 861 To Measure 661 Beat Tick 81 888 Kind gt All Beat Tick 84 131 Resolution P 2 Offset 000 Intensity 188 Swing Esel Swing 300 300 This adds a feeling of swing to the rhythm For example it can be used to transform a square 16 beat into a subtle shuf fle groove With settings other than 0 the location of even numbered notes will be adjusted by the amount specified in Resolu tion to apply a swing feel to the rhythm With a setting of 100 the notes will be moved 1 3 of the distance of the specified Resolution With a setting of 300 even numbered notes will be moved all the way to the location of the next odd numbered beat When Resolution J beat 1 Swing 0 Swing 100 Swing 100 Swing 200 Swing 300 Add the contents of the Swing parameter to Parameter Guide 5 1N Quantize PG p 73 43 44 Auto Song Setup function This function automatically sets up a song by applying the settings from a program or combination This provides a seamless way for you to transition from playing a program or combination into creating a song
18. insert effect you used to 1 2 You can use manual or auto punch in recording even when recording to an audio track v p 11 18 Use the page menu command Sel Dir WAVE Audio Track p 16 to specify the save destination of the WAVE file that is created by recording 6 Bounce Audio Track Bounce Audio Track makes the appropriate settings for combining audio tracks 1 and 2 into audio track 1 or re recording the audio tracks while applying an effect il Setup CD Select Auto Sampling HD Audio Setup to open the dialog box Auto Sampling HD Audio Setup O Initialize O 2ch Mix to Disk C Resample SEQ Play C HD Audio Track REC O In Track Sampling e Bounce Audio Track gt Audio Track1 amp 2 gt Audio Track 1 2 Use the radio buttons to select Bounce Audio Track 3 Use From to select the bounce source track s and To to select the bounce destination track s 4 Press the OK button to execute Auto Sampling HD Audio Setup If you decide not to execute press the Cancel button For the automatically set parameters and their values refer to p 32 For an example of using the automatically set parameters 1 p 12 Bl Perform bounce recording 5 Press the SEQUENCER REC WRITE key and then the SEQUENCER START STOP key Only the audio track s will play back and bounce recording will begin 6 When the audio track s finish playing back press the SEQUENCER START STOP key B
19. is Audio Track 2 valid audio tracks in From will be set to Pan R127 If To is Audio Track 1 amp 2 this will not be set automatically If Source Audio is Stereo Input 1 and Input 2 will be set to L000 and R127 respectively If Source Audio is Mono 1 or Mono 2 Input 1 and Input 2 will be set automatically to match To If To is Audio Track 1 this will be L000 and if Audio Track 2 this will be R127 ud When you select and execute Bounce Audio Track the Metronome Setup Sound setting 0 8b v PG p 58 will automati cally be turned Off 33 Sequencer 34 Support for exclusive events Recording and playing exclusive events Version 2 0 allows exclusive messages to be recorded and played back and allows you to edit tracks that contain exclusive events Exclusive messages including XG or GS data received from an external MIDI device and parameter changes produced by editing track parameters p 35 can now be recorded in realtime on the desired track You can also use the page menu command Put Effect Setting to Track to place insert effect or master effect parameter settings as exclusive events in the desired location of a track amp Recorded GM XG or GS exclusive messages do not affect the TRITON STUDIO when they are played back Since the recorded data is embedded in the song data as exclusive events it can be saved or loaded to from disk in the same way as before Exclus
20. move source audio track Initially Audio Track will be the track that you selected in Track Select 4 Use From Measure and To End of Measure to spec ify the copy source or move source range of measures Initially From Measure and To End of Measure will be set to the region you specified in the Track Edit page 5 If you check All Tracks the command will apply to the data of all tracks including the MIDI tracks If this is unchecked the command will apply only to the data of the track selected in From Audio Track 6 Use To Song to specify the destination song only for Copy Measure Audio Track to specify the destina tion track if All Tracks is unchecked and Measure to specify the copy destination or move destination starting measure If you check Overwrite WAV the results of executing the command will overwrite the WAVE file assigned to the audio track If this is unchecked execution will create a new WAVE file and the audio track assignment will be changed to the newly created WAVE file If you are creat ing a new file use Name to specify a name for the file Normally you will execute with Overwrite WAV unchecked RA The page menu command Sel Dir WAV Audio Track specifies the save destination for the newly cre ated WAVE file WA The setting you make here will affect how the Compare function operates 1 p 44 Press the OK button to execute the command If
21. switch between MIDI tracks and audio tracks 6 Press the SEQUENCER START STOP key Playback will begin from the measure you specified in Location and recording will occur in the region of measures you specified in M M Then playback will continue to the end of the song 6 Press the SEQUENCER START STOP key to stop recording Bl Check the recorded content 7 Press the SEQUENCER START STOP key to play back the song Specify the output destination of the audio track as described in 2 Record the audio track Check the recorded content p 11 Press the SEQUENCER START STOP key to stop playback ill Compare the recorded content e Press the COMPARE key the COMPARE key LED will light and play back You will hear the audio track as it was prior to punch in recording e Press the COMPARE key once again the COMPARE key LED will go dark and play back You will hear the audio track that resulted from your punch in recording operation 4 Performing bounce recording Bounce recording combines two tracks and records the result onto one track In this example we will bounce record audio tracks 1 and 2 into audio track 1 Before you continue you will need to have something recorded on both audio tracks 1 and 2 WA To record onto audio track 2 perform the steps described in the preceding pages but in 2 Record the audio track Setup r p 9 set the Sequencer PO Play REC Sampling
22. 1 Song Songs whose Program Select Bank Program Sequencer 0 1b 2b PG p 51 uses programs that meet the conditions described above in paragraphs 2 or 3 of Content that will be loaded from the PCG file will be loaded into vacant numbers starting from the number after the last song data in internal memory PG p 158 Select SNG Allocation Cue list data will not be loaded After loading the following numbers will automatically be adjusted so that they correspond correctly to the loaded data e RAM sample numbers used by multisamples e RAM sample numbers used by drum kits e RAM multisample numbers used by programs e Drum kit numbers used by programs Program banks numbers used by combinations Program banks numbers used by songs if there are pattern events in a track the program bank number within the event 4 If you check Load ROM Program in Combi Song too ROM based programs in the PCG file combinations or SNG file songs will be loaded together with the RAM based programs Choose this setting if the combinations or songs being loaded use user programs as well as the preloaded programs WA All ROM based programs used by the loaded combina tions and songs will be loaded A Bank INT F program data will not be loaded If you leave this unchecked only RAM using programs in the PCG file combinations and SNG file songs will be loaded Normally you will not check this if you are using preloaded programs in
23. HD Audio page Input 1 Pan setting to R127 and set the Sequencer P0 Play REC Preference page Track Select setting to Audio Track 2 before you record ill Setup CD In the Sequencer P0 Play REC Sampling HD Audio page set BUS IFX Indiv Select to Off and Ctrl to Audio Track The lower left of the screen shows the audio track output settings SEQUENCER P Play REC Sampling HDAudio e Input P Analog COMBI PROG SEQ S PLAY DISK 3 Input 1 i Level 127 BUSCIFX Indiv Select gt Off Pan LB8B Sendl MFX1 BB8 Send2 MFX2 000 Input2 Level 127 BUSQ IFX Indiv Select gt orf Pan R127 i Send1 MFX1 GGG Send2 MFX2 608 Ctrl p Audio Track x s 7 Dive SI Aaa RIZ iS1 LLL recording Level CdBI NE Pre Mixer Vier dg iur Sampling Prefe 1 8 3 16 1 8 3 16 DRudioll rence In AUDIOT1 and AUDIO2 specify the output to which audio tracks 1 and 2 will be sent Dive aoa 51 000 sz ABE 200 AUDIO 1 Level 127 Pan L000 BUS IFX Indiv Select L R S1 S2 000 SOLO ON OFF ON AUDIO2 Level 127 Pan L000 BUS IFX Indiv Select L R S1 S2 000 SOLO ON OFF ON WA Here you will set the AUDIO1 and AUDIO2 SOLO ON OFF setting ON so that only the audio tracks will be bounce recorded WA If you want to apply an insert effect to an audio track set BUS IFX Indiv Select to IFX1 I
24. If you want to fit the data into a specific BPM tempo Specify the desired Beat the number of quarter notes per minute If you change Beat the Source BPM value will change automatically r Sampling mode Time Stretch PG p 113 A You cannot make settings that would cause Source BPM or New BPM to exceed a range of 40 480 You cannot make settings that would cause Ratio to exceed a range of 50 00 200 00 A Depending on how the data is processed the resulting length may not be exactly as you specified To execute the Time Stretch command press the OK but ton The Time Stretch dialog box will appear Time Stretch Sustaining Audio Track 1 Index S T Lstreten ej Save amp zoom End eBeaeag _ Use Zero Exit S B8 Db Start 6600066 Verify the resulting data created by Time Stretch Index Source Result Selecting Source will display the original waveform prior to Time Stretch Selecting Result will display the waveform after Time Stretch Waveform display Displays the waveform of the WAVE file selected by Index If Track Select is set to Audio Track 1 amp 2 the data of audio track 2 will be displayed below the data of audio track 1 ZOOM Use these buttons to zoom in or zoom out the vertical or horizontal axis of the waveform 1 p 45 ZOOM Start End These fields specify the start address and end address of the currently selected index
25. Name fields in the dialog box are as explained in 0 6A Save WAVE Parameter steps and 3 0 6P Rate Convert This is the same function as the Disk mode 0 3 Utility page menu command Rate Convert here performed on a WAVE file However you will not be able to specify the save destination For details on the function and procedure p 54 PG p 171 The Overwrite WAV and Name fields in the dialog box are as explained in 0 6A Save WAVE Parameter steps and 3 Add the content of 0 6 Edit WAVE following the Param eter Guide 0 5 Play Audio CD page s amp PG p 174 Change the 0 6 Media Info page to 0 7 Media Info Advanced Conversion Load Load AKAI Program File Load AKAI Program File In previous versions of the operating system the Disk 0 1 Load page Load AKAI Program File command r PG p 164 supported only keymap related parameters in the creating of a multisample In version 2 0 parameters such as key group key group zone oscillator pitch filter amp pan and EG are also supported allowing the TRITON STUDIO to create a completely playable final sound Complex AKAI programs that required you to re edit the multisamples after loading in the previous version can now be loaded and reproduced with a higher degree of accuracy 28 Load AKAI Program File CD Select an AKAI Program file in the directory window 2 Select the page menu command Load selected to open the
26. Optimize Media page menu command s p 51 This command creates improves the performance and access time of HD Audio recording by creating large continuous open areas of free space on MS DOS formatted media Global mode 1 SCSI Mode parameter rs p 56 A SCSI Mode parameter has been added You can now assign a SCSI ID to the TRITON STUDIO s internal hard disk so that it can be recognized by an external computer This makes it easy to exchange data with an external computer 2 Foot Switch Assign rs p 57 You can now use a foot switch to control the tap tempo func tion and in Song Play mode to Start and Stop SMF play back Other new functions 1 Tap tempo control p 70 The front panel ENTER key can be used to control tap tempo By lightly pressing the key at the desired tempo you can control the arpeggiator sequencer or SMF playback tempo in realtime You can also use a foot switch connected to the rear panel ASSIGNABLE FOOT SWITCH jack to con trol tap tempo Installing the system You can update your TRITON STUDIO system to Version 2 0 via the internal floppy drive by loading TRITON STU DIO Version 2 0 operating system files from DOS formatted floppy disks If you are using a system is earlier than version 2 0 0 follow the procedure described below to install the TRITON STU DIO Operating System Version 2 0 system files five 2HD MS DOS format floppy disks into your TRITON STUDIO The
27. Overwrite WAV is checked the results of executing the command will overwrite the WAVE file that is assigned to the audio track If this is unchecked execut ing this command will create a new WAVE file and the audio track assignment will automatically change to this newly created WAVE file If this command will create a new file use Name to specify a name for the file Normally you will execute this with Overwrite WAV unchecked RWA The page menu command Sel Dir WAVE Audio Track specifies the save destination of the newly cre ated WAVE file WA The way in which the Compare function operates will depend on the Overwrite WAV setting 9 p 44 6 To execute Erase Punch Noise press the OK button If you decide to cancel press the Cancel button 5 1V Time Stretch Time Stretch is a function that modifies the tempo by length ening or shortening the length of the data without affecting the pitch This lets you change the tempo of a pitched sam ple e g a vocal or a string or wind instrument to match the tempo of other data or the song You can also execute this command on a stereo sample This provides the same functionality as the Sampling mode Sampling P1 Sample Edit page menu command Time Stretch Sustaining for a WAVE file r amp PG p 113 2 1C Time Stretch Sustaining CD Use Track Select to select the audio track that you want to edit 2 Choose Time Stretch to open the dialog box
28. RAM you can mix data that you copied from the specified region in the Sample Edit page By setting this to DISK you can mix data that you copied from the specified region in the Disk mode Edit WAVE page The Overwrite WAV and Name fields in the dialog box are as explained in 0 6A Save WAVE Parameter steps 2 and 3 0 6H Paste This command places the edit buffer data obtained by the Copy command onto the waveform at the Edit Range Start address The data that had been at that location will be replaced by the pasted data p 61 Sampling mode Insert Mix Paste v amp PG p 103 1 1G Paste The From field in the dialog box lets you select the data that will be pasted By setting this to RAM you can paste data that you copied from the specified region in the Sample Edit page By setting this to DISK you can paste data that you copied from the specified region in the Disk mode Edit WAVE page The Overwrite WAV and Name fields in the dialog box are as explained in 0 6A Save WAVE Parameter steps and 3 0 6l Insert Zero Data with zero level values i e silence will be inserted starting at the Edit Range Start address The data that had been at that location will be shifted toward the end of the waveform This is the same function as the Sampling mode Sampling P1 Sample Edit page menu command Insert Zero here performed on a WAVE file For details on the function and procedure P
29. When you change the SCSI Mode setting a dialog box will inform you that you must restart the system in order for the change to take effect The new setting will be stored when you press the OK button If you restart the system while the dialog box is still displayed i e without pressing the OK button the TRITON STUDIO will operate with the previous setting If you do not need to change the currently set SCSI ID proceed to step 6 5 Use SCSI ID to set the ID number of the internal hard drive Make sure that this is set to a different number than the ID of the connected computer and external SCSI devices When you change this setting a dialog box will appear as when you changed the SCSI Mode setting inform ing you that you must restart the system in order for the change to take effect Press the OK button 6 Turn off the power of the TRITON STUDIO As necessary check the ID number of the connected external SCSI devices For details on how to set the SCSI ID number of the connected external SCSI devices refer to their owner s manuals Turn on the power of the TRITON STUDIO After the TRITON STUDIO is powered on and starts up turn on the power of the connected computer and exter nal SCSI devices The computer will detect the TRITON STUDIO s internal hard drive as an external SCSI device A If the TRITON STUDIO s SCSI Mode is set to Target and you have connected it to a computer etc you must firs
30. a a Stereo WAVE file L ch Guitar sample data R ch zero sample data 2 You record a guitar solo in the latter half of audio track 1 ending at measure 16 The stereo WAVE file will be updated as shown in the diagram The stereo WAVE file will now extend the full 16 measure length of the song Unrecorded silent regions also occupy space on the disk HD Audio Track 1 HD Audio Track 2 Guitar Solo Stereo WAVE file L ch Guitar zero Guitar Solo sample data R ch zero sample data 8 You record a vocal from the beginning of audio track 2 The stereo WAVE file will be updated as shown in the diagram The space occupied by the stereo WAVE file has not changed from the state shown in step 2 above HD Audio Track 1 HD Audio Track 2 Vocal Stereo WAVE file L ch Guitar zero Guitar Solo sample data R ch Vocal zero sample data 4 You use the Put WAVE command to place a stereo WAVE file from a sample CD at measure 6 The stereo WAVE file is updated as shown in the diagram The piano waveform data is overwritten as shown The space occupied by the stereo WAVE file has not changed from the state shown in steps 2 and 3 HD Audio Track 1 Piano L HD Audio Track 2 Piano R Stereo WAVE file L ch Guitar overwritten Piano L zero Guitar Solo sample data R ch Vocal overwritten Piano R zero sample data
31. addition to RAM using pro grams 5 Use Append to Combination to specify the loading destination bank and number for the combinations in the PCG file When you execute only the applicable combi nations will be loaded into consecutive numbers starting at the bank and number you specify here A If the loading destination bank and number exceed EXB G127 loading will automatically stop 6 Use Append to Program to specify the loading desti nation bank and number of the programs in the PCG file When you execute only the applicable programs will be loaded into consecutive numbers starting at the bank and number you specify here A If the loading destination bank and number exceed EXB G127 loading will automatically stop 7 Use Append to Drum Kit to specify the loading desti nation number for the drum kits in the PCG file When you execute only the applicable drum kits will be loaded into consecutive numbers starting at the number you specify here A If the loading destination number exceeds 143 User loading will automatically stop A The data in the locations following the specified bank number will be rewritten when you load If you want to keep this data use Save All or Save PCG before you load the new data Press the OK button to load the data If you decide not to load press the Cancel button Add the content of Load PCG RAM and Samples to the Parameter Guide 0 1 Load page menu
32. also use a WAVE file ripped from a CD or a WAVE file created by resampling to the hard drive in Program mode etc p 16 Sel Dir WAVE Audio Track ve p 20 Put WAVE 7 Use the Drive Select Open button and Up button to select the save destination for the WAVE file the AUDIO directory you created in step Select Directory W AYE File for Audio Track SNGGG AUDIOS Drive Select gt HDD INTERNAL HD WAVE File No Assign Press the Done button to close the dialog box The directory that is selected when you press the Done button will be specified as the save destination for the WAVE file created by recording 2 Record the audio track As an example here s how you can record the performance of a guitar connected to the AUDIO INPUT jack onto audio track 1 Use INDIV 1 2 OUT to monitor the audio signal being recorded Connect the AUDIO OUTPUT MAIN L R INDIV1 and 2 jacks to your mixer so that you can mon itor the output ZA When you record or play back a song that includes an audio track several seconds will elapse from the moment you press the SEQUENCER REC WRITE key or the SEQUENCER START STOP key until recording or playback actually begins During this interval a dialog box will appear in the screen and the SEQUENCER REC WRITE key or SEQUENCER START STOP key LED will blink You can record and play back an audio track up to the end of the master track Also it is not possible to re
33. command r amp PG p 157 Load Standard MIDI File An Exclusive check box has been added to the Standard MIDI File SMF load dialog box Disk 0 1 Load Load Standard MIDI File PG p 161 This allows you to load system exclusive messages and universal exclusive mes sages that are a part of the SMF data Load Standard MIDI File NEWSONG HMID to Song gt IE Exclusive Off On Off unchecked System exclusive messages and universal exclusive messages within the SMF data will not be loaded The same operation as in previous versions On checked System exclusive messages and universal exclusive messages within the SMF data will be loaded as exclusive events Exclusive A The TRITON STUDIO does not support all of the GS XG sound maps or messages Depending on the content of the data it may not play back correctly but the data itself will be maintained if Exclusive is On checked Add the contents of Exclusive to the explanation in Parameter Guide 0 1 Load 20 Load Standard MIDI File re PG p 161 Save Song as Standard MIDI File In the 0 2 Save page menu command Save to Std MIDI File Save Song as Standard MIDI File an Exclusive check box has been added to the dialog box This allows you to save system exclusive events and universal exclusive events included in the song data Save Song as Standard MIDI File Song PEZAS Exclusive As T NEW_SONG MID e For
34. data copied from the specified region in the Sam ple Edit page will be inserted mixed pasted into a sample in sample memory RAM This is the same operation as on previous versions DISK The data copied from the specified region in the Disk mode Edit WAVE page will be inserted mixed pasted into a sample in sample memory RAM Copying data from a WAVE file and inserting it in a sample Here s an example of how to copy data from a WAVE file and insert it into a sample that is in sample memory CD Access the Disk mode Load page 2 Select the copy source WAVE file WAVEFILE BPM120 2w V 19K 81 03 1999 12 00 00 Rm TAKEGGO WAY 22K 81 03 1999 12 00 00 AE Rm BPIM128 1 WAV 19K 27 02 2002 19 45 28 AVE Edit WAYE c 2 Edit BPM128 1 wAY ip Edit Range Start EEEETET Edit Range End 8883485 Sampling START plays edit range 4 Use Edit Range Start and Edit Range End to specify the region of data that you want to copy You can press the SAMPLING START STOP key to hear the selected region of data 5 Select the page menu command Copy to open the dia log box Copy BPM126_1 WAY Range Start 6666666 End 6669485 6 The Range Start and End fields will show the region of data that will be copied Press the OK button to execute the copy A The data that is read into the buffer when you execute Copy is actually only the name of the copy source WAVE file and the Edit Ran
35. dialog box Load WW ww WWW WWW WW CAKAL Prog Can use as Wildcard Advanced Conversion Load Append to Combination b AGOG Initial Combi AAAA Program D 1 A amp 88 Initial Progi Agga 3 In Advanced Conversion Load select how the AKAI Program file will be loaded On checked Program file parameters such as key group key group zone oscillator pitch filter amp pan LFO and EG will be converted into a TRITON STUDIO program or programs and combination Off unchecked The operation will be the same as in operating system version 1 0 The selected Program file will be loaded as a multisample Only the keymap related parameters of the Program file will be loaded to create a multisample PG p 164 28 Load AKAI Pro gram File PG p 165 About AKAI Program files WA Multisamples and samples will also be convert loaded at this time For details refer to PG p 164 28 Load AKAI Program File 4 If you checked Advanced Conversion Load use Append to Combination to specify the destination bank and number of the combination that will be created by the convert load operation When you execute the command the combinations that are created will be loaded starting at the bank and number you specify here 5 If you checked Advanced Conversion Load use Append to Program to specify the destination bank and number of the program that will be created by the convert load operation
36. file fe The Rate Convert command will take approximately 47 seconds to execute for a one minute stereo WAVE file saved on the TRITON STUDIO s internal hard drive Add the above content to the explanation in Parameter Guide 0 3 Utility 0 3H Rate Convert amp PG p 171 Loading KARMA Music Workstation or TRITON Le PCG SNG files Version 2 0 is able to load and simultaneously convert PCG SNG files that are in KARMA Music Workstation system version 1 0 and 2 0 format or TRITON Le format However please note the following limitations and cau tions A The combination and program categories may not be appropriate WA Complete compatibility is maintained for the KARMA Music Workstation s MID and EXL files and the TRI TON Le s KSC KMP KSF MID EXL AIF and WAV files These files can be loaded saved via external media KGE files saved by KARMA Music Workstation system version 2 0 are recognized as undefined DOS files and will not be loaded Parameters that are valid on the KARMA Music Workstation but invalid on the TRITON STUDIO 1 KARMA function Since the TRITON STUDIO does not have a KARMA func tion KARMA function parameters included in the pro grams combinations and songs will not be loaded when you load a KARMA Music Workstation PCG file or SNG file After loading the arpeggiator related parameters will be set to their default values 2 Global mode parameters e The KAR
37. have performed a track edit or other editing operation that includes an audio track Comparing the audio tracks is available only if Overwrite WAV in the corresponding dialog box is unchecked If you had simultaneously edited audio tracks and MIDI tracks with Overwrite WAV and All Tracks checked pressing the COMPARE key will return only the MIDI tracks to their state prior to execution Normally you will edit with Overwrite WAV unchecked After in track sampling The Compare operation will also apply to the multisamples and samples that were sampled with the Convert to item Seq Event checked in Select Bank amp Sample No r PG p 56 This means that if you want to re do your sampling you can press the COMPARE key to return the multisam ple and samples to the state prior to sampling and unwanted samples will not remain A The program will not be affected by the Compare and will not return to its prior state Improvements e If the sequencer memory reaches zero during recording the already recorded data is now preserved e f Multi REC is checked it will be reset to the unchecked state if you move to a different mode and then return e When you execute sampling while the song is playing back such as when using in track sampling stopping the song playback will now also automatically stop sampling This means that when sampling a song you can stop the song playback and stop sampling with a single ope
38. of the song and at a specified measure For the insert effect IFX3 used by track 3 we will use 023 Stereo Phaser for measures 1 through 8 as specified by the template song and then switch to 020 Stereo Flanger for measures 9 and following by using the page menu com mand Put Effect Setting to Track to insert MIDI parameter change system exclusive messages CD Enter Sequencer mode and use Song Select to choose song S000 2 Use the page menu command Load Template Song to load Acid Jazz SEQUENCER P Play REC Program 161 68 001 01 000 Meter 474 J 108 gt Manu S000 Acid Jazz Ofira A3 Elec Piano Reso Hi Bau tar eros IAN uu Regs Or nk Progra am E js Es ss D Josz pj d ss iPro Dun Funkin cSt r Tanu poas i E Mizer Mizer TE i Prete 1 8 3 16 1 8 3 16 1 8 3 16 DAudio JL rence 3 Use Track Select to select Track 03 Elec Piano and record a performance as desired BG p 49 Creating the basic song 1 Loading a template song and copying preset patterns drum phrases 4 In Sequencer P8 Insert Effect choose page menu com mand Put Effect Setting to Track to open the dialog box Put Effect Setting MIDI Exclusive to Track Effect gt IDEE To Song 666 Track 83 Measure 881 Beat Tick 01 000 5 Specify the effect for which you will insert an exclusive message and specify the location at which it will be inserted Effect IFX3 To
39. p 47 of the p 33 copy destination track will be set to 6 and the Voice Allocation Reserve setting of the other timbres will be set to 0 Also the MOSS BUS Select Reference r EM p 47 setting will be automatically set to the copy destination timbre e The 1 4 Controller PG p 12 settings of the copy source program will be copied 0 1C 0 1C Copy From Program This command copies the settings of the specified program QE OUIDEEDIGIOE a a ESSO DU Pre to a timbre of the currently selected combination The effect poe settings and arpeggiator settings of the specified program 7 Press the OK button to execute the copy If you decide can be copied as well replacing the Combi s effect and not to execute press the Cancel button arpeggiator settings CD Select Copy From Program to open the dialog box Add the contents of 0 1C Copy From Program to the explanation of Parameter Guide Combination mode 0 1 Copy from Program Prog Select Page Menu Command v amp PG p 35 Program DE v with Effects y with Arpeggiator P Timbre Arpeggiator e m O B 2 Use Program to select the copy source program 3 If you check with Effects the insert effect master effect and master EQ settings will also be copied The Control Channel of each effect will be set to the MIDI channel of the copy destination timbre About the BUS Select 8 1b 8 2a PG p 46 setting Regardless of the
40. parameters and their values refer to p 32 For an example of using the automatically set parameters v p 9 E Recording on the audio track s Set Location to the location that you want to record Press the SEQUENCER REC WRITE key and then the SEQUENCER START STOP key Recording will begin 9 Play the musical instrument etc that is connected to the AUDIO INPUT jack s you selected for Source Audio When you have finished performing press the SEQUENCER START STOP key Recording will stop A If a Buffer overrun error occurred or Buffer under run error occurred error message is displayed refer to What to do if a Buffer overrun error occurred or Buffer underrun error occurred error message appears during recording or playback v p 13 and execute the Disk mode 0 3 Utility page menu com mands Optimize Medium and Collect Audio Track file If the error message Buffer overrun error occurred appeared during recording the data recorded up to the point where the error occurred will have been recorded correctly but the data at beyond the point the error appeared may not play back Check the audio track s that you recorded Press the SEQUENCER START STOP key to play back If you want to apply an insert effect to the input source go to the Sequencer P0 Play REC Sampling HD Audio page and set Input 1 2 BUS IFX Indiv Select to IFX1 5 Set the BUS Select that follows the
41. preserving the exclusive data 3 Tone Adjust parameters rs p 41 Tone Adjust parameters have been added allowing you to adjust the sound of a program after it has been assigned to a track while leaving the original program unchanged Using this feature you can soften the tone of the bass sound or sharpen the attack of the strings without having to return to Program mode and edit the program itself These adjust ments can also be recorded in realtime MIDI exclusive mes sages as part of the song causing the same changes occur during playback 4 Auto song setup function p 44 In either Program or Combination mode the current settings including arpeggiator and effect settings can be transferred instantly and intact to the sequencer This allows you to seamlessly shift from playing a program or combination into producing a song With this new feature phrases or ideas for a song that come to mind while you re playing can be captured immediately in a song 5 Auto Sampling HD Audio Setup page menu command p 28 This function automatically sets up the appropriate parame ter settings for sampling operations such as In Track Sam pling recording with the new HD Audio Track function or creating an audio CD simply specify the operation that you want to perform and all the appropriate settings are made for you Auto Sampling settings can also be made in Sampling Com bination or Program modes r p 58 63 67
42. press the Create Directory button and create the new directory Collect audio track file for NEWFILE SNG Type C Copy Move 4 Select the directory to which you want to copy or move the WAVE file and press the Open button You can select directories that are at the same level or below the SNG file 6 If you want to delete the copy source WAVE file set Type to Move If you want to keep the copy source WAVE file set Type to Copy A If you execute with Move selected the WAVE file will be deleted from its original directory If the deleted WAVE file had been used by another song you will no longer be able to play back the audio track for that song 6 Press the OK button to execute Collect Audio Track file If you decide to cancel press the Cancel button en the operation has been completed the Com D When the operation has b pleted the C pleted dialog box will appear Press the OK button once again A If the copy destination already contains a file of the identical name as the WAVE file that is being copied and if that file is not the identical file the Rename dia log box will appear Note that if you press the Cancel button the copy or move operation for that WAVE file will be cancelled Collecting a song file and WAVE file saved in different directories into a single directory and copying backing up this data to CD Here s how you can copy song data e g NEWSONG SNG and t
43. set Ctrl to Audio Track The audio track output settings will be shown in the lower left of the screen SEQUENCER P Play REC Sampling HD Audio w e Input P Analog COMBI PROG SEQ S PLAY DISK 3 Input 1 Level 127 BUSCIFX Indiv Select gt 1 2 i Pan Log SIC MPATS ye Candi MPA Bgn Input2 Level PET Select Off Pan RIZ7 Send1 MFX1 08 Send2 MFX2 900 7 Q pe soo DE pi7 S1 CECE i32 aaa o mm Pan C064 2 Level 127 3 BUS IFX Indiv Select L R 4 S1 S2 000 5 PLAY MUTE REC PLAY 6 SOLO ON OFF OFF 69 Press the SEQUENCER START STOP key to play back the song If the MIDI tracks already contain recorded perfor mances those MIDI tracks will also play back If you want to play back only the audio track set the SOLO ON OFF to ON If you want to apply an insert effect to the audio track use BUS IFX Indiv Select to select IFX1 IFX5 Then set the BUS Select that follows the insert effect you are using to L R r p 15 W4 If you want to apply a master effect to an audio track use S1 and or S2 to adjust the send level to the master effect s If you are using an insert effect adjust Send 1 and or Send 2 8 3a PG p 84 following the insert effect 3 Using punch in recording In this example we ll use punch in recording to re record a portion of the track you recorded in 2 Record the audio tr
44. sound being sam pled Connect the AUDIO OUTPUT MAIN L R INDIV 1 2jacks to your mixer and monitor the output ill Setup CD Select Auto Sampling Setup to open the dialog box Auto Sampling Setup O Initialize C Resample Program Play 8 REC Audio Input Source Audio gt Analog gt Stereo Savet P RAM j 7 Convert to Program Program D E amp amp 8 InitialProgiEBaa 2 Use the radio buttons to select REC Audio Input 8 Use Source Audio to select the external audio input source Analog Selects the analog audio output of an instrument or other audio source connected to the AUDIO INPUT 1 and AUDIO INPUT 2 jacks S P DIF Selects the digital audio output from an instru ment or DAT etc connected to the S P DIF jack mLAN Selects the digital audio output of an instrument or other device connected to the mLAN connector if the optional EXB mLAN is installed r PG p 4 Input ie If you select S P DIF or mLAN for Source Audio you must set System Clock Global PO 0 2a v PG p 138 to the appropriate system clock setting 4 Use Mono 1 Mono 2 Stereo to specify whether the input source is mono or stereo PG p 4 Mono 1 Input 1 will be used Mono 2 Input 2 will be used Stereo Input 1 and 2 will be used in stereo 5 Use Save to to select the destination to which the sam pled data will be written RAM The resampled data will be written into sample memory RAM If the Co
45. system software version is shown in the lower right of the LCD screen when you turn on the power To obtain the TRITON STUDIO Operating System Version 2 0 system files please contact your local Korg distributor You may also download the files from the Korg website http www korg com downloads Updating to Version 2 0 requires five floppy disks When creating disks from the downloaded files be sure to copy only the contents of the downloaded folders to the disks and not the folders them selves A When you update the system all data in the internal memory will be initialized If the internal memory con tains any data you want to keep use Save All or Save PCG to save your data before you update the system r BG p 60 PG p 166 Updating the TRITON STUDIO operating system You will need five 2HD MS DOS format floppy disks con taining the TRITON STUDIO Operating System Version 2 0 files CD While holding down the TRITON STUDIO s ENTER key and LOCATE key turn on the power 2 The LCD screen will indicate Please insert System 1 disk Insert the O S Version 2 0 Disk 1 disk into the floppy disk drive 3 The system will automatically begin loading and the LCD screen will show the following messages Now loading Now erasing ROM Checking the system s check sum 4 The display will indicate Please change to System 2 disk Remove disk 1 and insert O S Version 2 0 Disk 2
46. target of recording and the Recording Setup display will change to show settings for audio tracks When you use Track Select to select an audio track SEQUENCER P Play REC 001 01 000 Meter 44 b S000 NEW SONG P Audio Track 1 TA Preference EEk i J 128 gt Manu Punch In O Manual e Auto Source BUS gt VERI L Bounce L Overwrite WAY Metronome Setup Sound Only REC BUS Output Select gt L R Level 127 Precount Measure 2 Prog Prog Mi Mi PluL PluL Sampli Prefe Lt d scit A ss JL scie IP Je Sie bauo renee In Recording Setup for audio tracks you can specify how the audio track s will be recorded A Audio tracks can be recorded or played back as far as the end of the master track Also it is not possible to record for longer than 80 minutes A When recording if you slow down the tempo after pressing the SEQUENCER REC WRITE key the song playback time will be lengthened but the recordable length of the audio track is fixed at the moment you press the SEQUENCER REC WRITE key this means that recording to the audio track may stop before the end of the song playback Off On Selects the method of realtime recording on the audio track Normally when recording from the specified Location you will leave Punch In unchecked If you want to record a specific region in the middle of the song check Punch In Off unchecked Recording will occur from
47. the In Track Select choose Track 01 and begin recording changes you made in step will be reproduced on the TRITON Rack On the TRITON Rack edit the PROG P1 1 Arp Play Pattern parameters Exclusive messages that can be realtime recorded 6 Stop recording The following exclusive messages can be realtime recorded e Exclusive messages received from an external MIDI device e Parameter changes in Sequencer mode see table below e Master Volume universal exclusive messages assigned to the foot pedal or a knob Parameter change messages that you can realtime record in Sequencer mode T ARPEGGIATOR ON OFF key GATE knob VELOCITY knob ront pane j REALTIME CONTROLS REALTIME CONTROLS key O Prog 1 8 9 16 Category Program Select PLAY MUTE REC SOLO ON OFF PO Play REC Mixer 1 8 9 16 Pan Volume Sampling HDAudio Pan Volume BUS Send1 Send2 PLAY MUTE SOLO ON OFF SC 1 8 9 16 Force OSC Mode OSC Select Portamento P2 Trk Param Pitch 1 8 9 16 Iranspose Detune Bend Range Other 1 8 9 16 Delay Use Program s Scale Type Key Random SW1 SW1 Mode SW2 SW2 Mode Knob 1 B Knob 4 B P4 Zone Ctrl MOSS 1 8 9 16 Voice Allocation Reserve Reference Track Tone1 2 1 8 9 16 Arpeggiator Assign Arpeggiator Run A B P7 Arpeggiator Pa
48. the Cancel button The multisample and sample s will automatically be cre ated in vacant numbers A program will be automatically created in the number you specified for Program and assigned to the song track you specified in Song and Track Then the appropriate note data will be automat ically created in the track amp If a single track exceeds 16 Mbytes the WAVE file will automatically be divided Example of using Transfer WAVE to MIDI Track From Audio Track 1 amp 2 To Track 1 Program I E000 001 01 000 Song 16 measures HD Audio Track 1 Guitar 1 Mono HD Audio Track 2 016 04 191 Stereo WAVE file Example 40 MB 20 MB L 20 MB R 16MB RAMf1 4MB RAM3 Stereo file Sample is automatically created Md Multisample is automatically created 16MB5RAM2 4MB RAMS3 Ld TT C2 C 2 Program is automatically created Appropriate note data is automatically created e MIDI Track 16 23 Changes to the page menu commands Support for audio tracks has been added to the following page menu commands and the dialog boxes have changed accordingly 5 1C Erase Track In the page menu command Erase Track PG p 70 the dialog box now contains All MIDI Tracks Over write WAV and Name items and there is now an execu tion procedure for when you have selected a
49. you created in step 2 and in the dialog box set Type to Move to move the SNG file that you were recording r amp p 52 WA If these errors occur in Sequencer mode while you are recording a new audio track use the Disk mode 0 2 Save page PG p 165 to save the SNG file and then perform the steps described above 13 14 A In some cases such as the hard disk being subjected to physical shock data saved on the hard drive may become unreadable We recommend that important data be saved frequently to CD R RW For details on how to save the recorded data SNG WAV refer to Collecting song files and WAVE files saved on differ ent directories into a single directory and copying backing up the data to CD in Disk mode Collect Audio Track file p 52 Sequencer PO Play REC Due to the addition of the audio tracks the following pages parameters and page menu commands have been added or modified Track Select The Track Select field PG p 50 that appears in various pages now lets you select audio tracks You can choose Audio Track 1 Audio Track 2 or Audio track 1 amp 2 SEQUENCER P Play REC Program 161 68 A 001 01 000 Meter 4 4 J 120 pb Maru E9000 NEW SONG i 2x ferto Past k Program a aa a D Aiel D noool aa zi p Noisy St Noisy St MERE St Noisy StiNoisy StiNoisy St MEE St Noisy Sti Track Select Track01 Track16 Master Track Audio Track 1 Audio Trac
50. 01 16 D Use Track Select to select a MIDI track Track 01 16 2 Choose one of the above page menu commands to open the dialog box The dialog box when executing Copy Measure Copy Measure From Song 8868 Track 01 From Measure ETIN To End of Measure 884 O All Tracks Jan MIDI Tracks Track 81 Measure 881 8 Use From Track to copy the copy source or move source MIDI track Initially Track will be the track that you selected in Track Select 4 Use From Measure and To End of Measure to spec ify the copy source or move source range of measures Initially From Measure and To End of Measure will be set to the region you specified in the Track Edit page 5 If you check All Tracks the data of all tracks including the audio tracks will be copied or moved If a WAVE file is assigned to the audio track the Overwrite WAV item will be displayed If you check All MIDI Tracks all MIDI tracks Track 01 16 and the master track will be copied or moved but not the audio tracks If you execute the command with neither of these check boxes selected only the data of the track selected in Select Track will be copied or moved The dialog box when executing Copy Measure Copy Measure From Song 8868 All Tracks To Song AAA Measure 881 _ Overwrite WAVY Name T NEwFILE 6 Use To Song to specify the copy destination song only for Copy Measure
51. 1 Destination and Value ussusss 41 Copy From Program ccce 43 Swing Quantize Parameter 43 Auto Song Setup function 44 Other updates eessoeesssooessoeesseocessocessooeessoses 44 Compare T ndlioh cosa adir bdcqa sd adit due 44 liriprovetients i ocio restes Cte T 44 Disk mode 45 0 6 Edit WAVE nanasa iia 45 Advanced Conversion Load Load AKAI Program File 48 Load AKAI Program File 48 Load AKAI Volume eere eee eee eene 48 Load PCG RAM and Samples 49 Load Standard MIDI File 50 Save Song as Standard MIDI File 51 Optimize Medium cuncto POM 51 Collect Audio Track file 52 Collecting a song file and WAVE file saved in different directories into a single directory and copying backing up this data to CD 52 Rate Convert cin roe E EE epa eere eres 54 Loading KARMA Music Workstation or TRITON Le PCG SNG files eee e eene e eene 54 Parameters that are valid on the KARMA Music Workstation but invalid on the TRITON STUDIO 54 Parameters that are valid on the TRITON Le but invalid on the TRITON STUDIO
52. 1 2003 12 00 00 t E Specify the location where the WAVE file will be saved Next you must specify the location in which the WAVE file created by recording the audio track will be saved in this example the AUDIO directory Specify a save destina tion that is located inside the directory where you will save the song file 4 Enter Sequencer mode and use Song Select in the Sequencer P0 Play REC Preference page to select the song that you want to record SEQUENCER P Play REC Preference i 001 01 000 Meter 44 J 120 pb Maru S000 NEW SONG Track 1 TRACK 1 Reso b Hi RPPR n BIH C Over Write O Auto Punch In O Over Dub O Loop All Tracks i i31 e Magi O Manual Punch In a NERY Pata O Multi REC Metronome Setup zz Sound Only REC utput Select L Level 127 Precount Measure 2 k 1 8 3 16 1 8 3 16 1 8 3 16 JiHDRudio In the Sequencer P0 Play REC Sampling HD Audio page choose the page menu command Sel Dir WAV Audio Track to open the dialog box Select Directory W AYE File for Audio Track imm NEWFILE PCG 1 2M 22 81 2883 62 09 04 30 61 2663 12 00 00 gt HDD INTERNAL HD WAYE File No Assign 6 Be sure that WAVE File reads No Assign If a file name is displayed for WAVE File then a WAVE file is already assigned to the audio track In this case press the Clear button so that WAVE File reads No Assign For the audio track you can
53. 4x At 1x the display resolution of the LCD is the same as the address resolution For example if you change the location address by one unit the vertical line that indicates the 45 Disk 46 address will move by one pixel In the vertical axis you can zoom in through a range of 1x full range display to 512x in the case of stereo 1024x Zoom in out will start at the most recent address selected for Edit Range Start Edit Range End LoopS or End point If after zooming in out you reselect the Edit Range Start Edit Range End LoopS or End point the displayed area will change so that the selected point is visible amp At low zoom ratios 1x or less the waveform shown in the waveform display may be slightly different before and after editing but this will not affect the playback In this case raising the zoom ratio will cause the wave form to be displayed correctly 0 6b WAVE Parameter Here you can set the Loop On Off Loop S and End setting of the WAVE file If you edit any of these settings you must execute the page menu command Save WAVE Parameter ZA Loop On Off Loop S and End settings are used only when the WAVE file is loaded into sample mem ory RAM in Sampling mode Disk mode 0 1 Load 26 Load WAV PG p 164 These settings are not used when playing an audio track or when playing a WAVE file in the 0 1 Load page In the wave
54. 7 02 2003 12 00 00 MAE Drive Select gt HDD INTERNAL HD WAVE File No Assign 2 Use Drive Select the Open button and the Up button to select the drive and directory and select the WAVE file 44 1 kHz or 48 kHz that you want to play back 3 Press the SAMPLING START STOP key The selected WAVE file will play back 4 Press the SAMPLING START STOP key once again to stop playback A If the WAVE file is mono the same signal will be output to Land R A While the WAVE file is playing back pressing the key board or inputting note data via MIDI will not produce sound Also the arpeggiator will stop 3 Assigning a WAVE file from the internal hard drive to the audio track of a song Here s how to take a WAVE file saved to the internal hard drive one that you ripped from CD or created by resam pling in Program mode etc and assign it to the audio track of the current song CD Choose Sel Dir WAVE Audio Track to open the dia log box Select Directory W AYE File for Audio Track PN AVEFILEZ BPM120 2 w AV 19K 07 02 2003 12 66 06 m TAKEO WAY 22K 07 02 2003 12 00 00 MAE Drive Select 3 Hb0 INTERNAL HD WAVE File No Assign Sampling START plays selected file WAVE File indicates the name of the WAVE file that is assigned to the audio track of the current song If this shows No Assign the audio track is empty If a WAVE file is assigned to the audio track press the Clear but
55. AL 1 2 or 1 2 buses such as external audio signals specified in Input 0 7a PG p 56 or sounds played on the TRITON STUDIO from the keyboard or MIDI input will be recorded You will normally select L R when recording your perfor mance of a program assigned to a MIDI track and played from the keyboard or played via MIDI You will also select L R when you want to combine the per formance of a MIDI track with an external audio signal from AUDIO INPUT or S P DIF or EXB mLAN In this case set Input BUS IFX Indiv Select 0 7a v PG p 56 to L R so that the external audio signal will be sent to the L R bus Select Indiv 1 2 if you want to listen to the MIDI track play back while recording only the external audio signal con nected to the AUDIO INPUT or S P DIF or EXB mLAN Set Input BUS IFX Indiv Select 0 7a PG p 56 to 1 2 or 1 2 so that the external audio signal will be sent to INDI VIDUAL 1 2 or 1 2 buses In this case use INDIV 1 2 OUT to monitor the audio signal that is being recorded You will need to connect a mixer to AUDIO OUTPUT MAIN L R and INDIV 1 2 to monitor all of these outputs Overwrite WAV Off On This specifies how the WAVE file recorded for the audio track will be saved You can make this setting if an audio track has already been recorded On checked The recorded data will overwrite the WAVE file currently assigned to the audio track Off unchecked A new WAVE file will b
56. As described above change the contents of Parameter Guide 9 Appendices Various messages Buffer overrun error occurred amp PG p 272 Buffer underrun error occurred r amp PG p 272 Medium unavailable PG p 274 and Source file is not 48000 Hz Can t convert s PG p 277 Added messages The following messages have been added Audio Track size over limit Meaning Recording or editing an audio track in Sequencer mode has caused the audio track to exceed its maximum length of 80 minutes You cannot record or edit an audio track so that it would exceed 80 minutes Action Can t record Audio Track Change MIDI Clock to Internal Meaning You attempted to record an audio track when MIDI Clock r PG p 143 was set to other than Internal To play back or record an audio track the MIDI Clock must be set to Internal In Global mode set MIDI Clock PG p 143 to Internal Action Exceeded 8 Programs Meaning During execution of Advanced Conversion Load the maximum number of eight programs was exceeded Depending on the structure of the AKAI Program it may be convert loaded as mul tiple programs and one combination In this case the number of TRITON programs resulting from the conversion is limited to the maximum number of programs that can used in a combination i e eight programs Action After loading one AKAI Program edit it on the TRITON Action Instead of using Adva
57. Copy From Song 5 In song 001 make the effect settings that you want to use at measure 9 In the Sequencer P8 Insert Effect Insert FX page select 020 Stereo Flanger for IFX3 SEQUENCER P8 Insert Effect P Tracka3 Elec Piano Chain Insert Effect IFX1 EN b 882 Stereo Compressor IFX2 b 8988St Graphic 7EQ I B126 Pro Duno EP PantCC 8 BUS Sel Sendi Send2 6 In the Sequencer P8 Insert Effect IFX3 page make the desired parameter settings SEQUENCER P8 Insert Effect Stereo Flanger Delay Time msec LFO Waveform Triangle LFO Shape 50 LFO Phase degree 90 LFO Frequency Hz 0 50 Sre ot BPM MIDI Sunc Off BPM MIDI Base Note J Times x1 Ctrl Ch gt chas Amt 0 06 Depth 50 Feedback 50 High Damp 96 Wet Dry 58 se Sre off k 1 8 3 16 FA 1 2 3 Insert FX d 5 j 7 Choose Put Effect Setting to Track to open the dialog box Put Effect Setting MIDI Exclusive to Track Effect gt IFX3 To Song 868 Measu re H Track 83 Beat Tick 01 000 Insert the effect settings from song 001 into song 000 Effect IFX3 To Song 000 Track 03 Measure 009 Beat Tick 01 000 Press the OK button Now you can play back the song to listen to the effects change at the places in the song mea sure 9 in this example where you put an effect to a track Using the COMPARE key you can listen to the previ
58. Direction Chain Signal Chain Level Return 1 Return 2 Low Mid High P9 Master Effect MFX 1 2 All effect parameters low Cutoff Mid Cutoff Q High Cutoff Gain Low Gain Mod Src High Gain Mod Src Ctrl 3 Put Effect Setting to Track The page menu command Put Effect Setting to Track places effect settings into a track as exclusive events As an example we will use the preset template song Acid Jazz to explain how to use the Put Effect Setting to Track page menu command In this example we will switch the insert effect for Track 03 Elec Piano from 023 Stereo Phaser to 020 Stereo Flanger at the beginning of measure 9 We will explain two ways in which you can do this method 1 and method 2 LA This command works by inserting MIDI parameter change system exclusive messages directly into a sequencer track Because this requires a number of mes sages to be read and processed it can take a little time for the effect to change You may find it necessary to anticipate where you want the effect change to take place and insert the change slightly earlier Also notes that are already sounding as the transition takes place may not play smoothly A Only effect type and effect parameter events can be inserted You must use realtime recording to record effect on off settings or bus settings 1 Inserting effect settings at the beginning
59. Directory 0 3D PG p 7 to spec ify the save destination for the WAVE file that will be created by resampling Program Bil Resample 7 Press the SAMPLING REC key and then the SAM PLING START STOP key Play the keyboard etc Sampling will begin at the first note on r PG p 4 When you have finished playing press the SAMPLING START STOP key W If you have selected Save to RAM Convert to Pro gram and continue resampling without changing the settings the successive samples will automatically be assigned to C 2 D2 67 68 Check the resampled data e If you selected Save to RAM Convert to Program select the newly created program and play the C2 note of the keyboard to hear the resampled result e If you selected Save to DISK use the page menu command Select Directory to hear the results rx PG p 7 WA If you also want to simultaneously sample an external audio source from AUDIO INPUT etc while you play the program go to the Program P0 Play Sampling page and set Input 1 2 BUS IFX Indiv Select to L R BG p 46 WA If you did not check Convert to Program use Sam pling mode to select and play the sample to hear the resampled result 3 REC Audio Input This automatically makes the appropriate settings for sam pling an external audio source while you monitor your play ing on a program using the arpeggiator etc WA Use INDIV 1 2 OUT to monitor the
60. E Transfer WAVE To MIDI Track Using this command the WAVE file assigned to the audio track can be re assigned to a MIDI track The WAVE file will be loaded into sample memory RAM and sample multisample and program data will be created automatically The automatically created program will be assigned to a MIDI track and note data will be automati cally created on that MIDI track See diagram below When you play back after executing this command the per formance previously played by the audio track will be played back by the MIDI track You can use Sampling mode commands such as Time Slice to edit the data in sample memory RAM By using this command to transfer an audio track perfor mance to a MIDI track you can free up the audio track s for recording other instruments Use Track Select to select the audio track whose per formance you will transfer to a MIDI track 2 Choose Transfer WAVE to open the dialog box Sequencer Transfer WAYE To MIDI Track From Audio Track 1 To Song 666 Track 81 Program gt GEER errs 3 In the From Audio Track field select the audio track that you want to transfer to a MIDI track 4 Specify the destination song number in the To Song field the destination track in Track and the number of the automatically created program in Program 6 To execute Transfer WAVE press the OK button If you decide to cancel press
61. ER REC WRITE key or foot switch and recording will begin At the point where you want to stop re recording press the REC WRITE key or foot switch once again recording will end and playback will resume note By leaving Overwrite WAV unchecked and setting Take to checked as in the example above you can compare the previous recording with the result of your punch in recording p 12 Compare the recorded content Preference A Reso in Hi E RPPR 77 Take No 01 Sequencer 11 WA If Overwrite WAV is checked you won t have to wait as long for the internal processing to be completed when recording begins and ends but you will not be able to use the COMPARE Key to compare the new recording with the previous recording If Over write WAV is unchecked you ll need to wait for somewhere between several seconds and several tens of seconds for processing to occur at the beginning and end of recording but this option is safer since the previously recorded WAVE file will remain Normally we suggest that you leave this unchecked Bil Record 8 Use Location to specify the point in the song where playback will begin Set this several measures earlier than the region of mea sures you specified in M M 4 Press the SEQUENCER REC WRITE key You will enter record ready mode A When you press the SEQUENCER REC WRITE key you will be prevented from using Track Select to
62. Ek i WAYE File Play Level gt Normal Memory Protect _ Program L Combination __ Song i Input mLAN mLAN Pref JSamplingl Output JL Input L Drum Kit L Arpeggio User Pattern SCSI Mode Initiator Target This sets the SCSI functionality of the TRITON STUDIO Initiator Data can be exchanged with an external SCSI device connected to the TRITON STUDIO This is the same function as in previous versions of the operating system BG p 12 PG p 298 Example connections for SCSI Mode Initiator SCSI Terminate the a oo M a o connection SCSI ID7 Hard Disk CD ROM Drive 7 See AN m guum j Searle aaa So See sae s DR mT Target The TRITON STUDIO s internal hard drive can be detected as an external SCSI hard drive by a connected com puter Data can be transferred between the internal hard drive and the computer If you use a commercially available SCSI lt gt USB conversion adaptor you can detect the TRITON STUDIO from a com puter equipped with a USB port Example connections for SCSI Mode Target SCSI Computer I IDO E TRITON STUDIO ID1 Hard disk etc Terminate the connection Computer Imm TRIN i esas ae e en Soe SOOO am
63. FX5 Then set the BUS Select that follows the insert effect you are using to L R r p 15 WA If you want to apply a master effect to an audio track use S1 and or S2 to adjust the send level to the master effect s If you are using an insert effect set Send 1 and Send 2 83a v PG p 84 that follow the insert effect 3 Press the SEQUENCER START STOP key to play back the song and adjust the output level balance of audio tracks 1 and 2 Use AUDIO 1 Level and AUDIO 2 Level to adjust the output level of each audio track When you have finished setting your levels stop play back 4 In the Sequencer P0 Play REC Preference page set Track Select to Audio Track 1 SEQUENCER P Play REC Preference 001 01 000 Meter 444 J 120 y nam gt 000 NEW SONG Reso b Hi _ RPPR 77 Bounce Source BUS LZR _ overwrite wav T TAKENOG3 Metronome Setup Sound gt Off Level 127 k 1 8 3 16 1 8 3 16 1 8 3 16 JiHDRudio VY Take No 83 Precount Measure 2 5 In Recording Setup specify the recording method Punch In unchecked Bounce checked Source BUS L R Overwrite WAV unchecked Name specify a name for the WAVE file that will be created Take checked These are the same settings as are made automatically when you use the page menu command Auto Sam pling HD Audio Setup to execute Bounce Audio Track p 31 amp Whe
64. G p 103 1 1H Insert Zero The Overwrite WAV and Name fields in the dialog box are as explained in 0 6A Save WAVE Parameter steps and 9 0 6J Normalize Level Adj The volume of the data defined by the Edit Range Start Edit Range End region will be adjusted uniformly Nor malize boosts the values of the region to the maximum level that will not cause clipping distortion If the level of the sampled data is low you can use the Normalize function to increase the dynamic range of the sample data Level raises or lowers the level by the amount you specify This is the same function as the Sampling mode Sampling P1 Sam ple Edit page menu command Normalize Level Adj here performed on a WAVE file For details on the function and procedure PG p 104 1 1I Normalize Level Adj The Overwrite WAV and Name fields in the dialog box are as explained in 0 6A Save WAVE Parameter steps and 38 0 6K Volume Ramp The data values volume of the Edit Range Start Edit Range End region will be adjusted to smoothly raise Fade In or lower Fade Out the volume from Edit Range Start to Edit Range End This is the same function as the Sam pling mode Sampling P1 Sample Edit page menu com mand Volume Ramp here performed on a WAVE file For details on the function and procedure PG p 104 1 1J Volume Ramp The Overwrite WAV and Name fields in the dialog box
65. In the same way as for other types of event you can change the location BT of an exclusive event delete it Cut but ton copy it Copy button or insert it Insert button rx PG p 69 Event Edit LA If you want to delete all exclusive events in a measure choose the page menu command Erase Measure and in the dialog box set Kind to Exclusive and execute the command ZA You cannot change an exclusive event to a different type of event such as a note event or control change Nor can you change another type of event into an exclusive event 5 1F Erase Measure The page menu command Erase Measure now allows you to erase exclusive events in the specified measures Erase Measure of Track 81 From Measure 881 To End of Measure HEJ Kind gt Exclusive O All MIDI Tracks O All Tracks H Pye sev 11 Vege M UVerv iif5 r6nY In the dialog box set Kind to Exclusive if you want to erase only exclusive events If you select All all events including exclusive events will be erased Add the above content to the Parameter Guide Sequencer P5 Track Edit page menu commands Event Edit r PG p 69 and Erase Measure PG p 70 Sequencer P6 Pattern RPPR The Sequencer P6 Pattern Edit page menu command Event Edit PG p 77 now supports patterns that include exclusive events If you want to edit only exclusive events check the Exclu sive box in the Set Event Filters dialog box of E
66. L BT 01 000 EXCL A Exclusive events cannot be changed to a different type of event Nor can other events be changed into exclu sive events D When you access the Sequencer P8 Insert Effect screen and play back the changes you made will be reproduced 2 Recording exclusive messages received On the TRITON STUDIO select the Sequencer P5 Track from the TRITON Rack Edit page menu command Event Edit In the Set Event Filters dialog box check Exclusive and press the OK Here s how you can connect the TRITON STUDIO and a button TRITON Rack via MIDI and use the TRITON STUDIO to record exclusive messages received from the TRITON Rack Event Edit Track 81 Measure EE Index ca000 D Connect the TRITON Rack s MIDI connectors IN OUT Event indication ewe Een to the TRITON STUDIO s MIDI connectors OUT IN T a On each TRITON go to the Global mode MIDI Filter set fos tings and check the Exclusive parameter Moos G91 PTARIS HEL o TRITON Rack GLOBAL 2 1 MIDI MIDI Filter r PG oe oe c 112 L p 112 2 TRITON STUDIO Global P1 MIDI MIDI Filter r PG M 07 001 BT 03 055__ EXCL E p 144 v 2 On the TRITON Rack enter Program mode and select program A000 Noisy Stabber A Each exclusive message is recorded at the location in 3 On the TRITON STUDIO enter Sequencer mode In the song where it began being received Song Select create a new song PG p 50 When you play back on the TRITON STUDIO
67. LAY DISK a Input Level 127 BUSCIFX Indiv Select Off Pan LBBB Sendi1 MFX1 888 Send2 MFX2 00 Input2 Level 12 iBUSCIFX Indiv Select Off Pan PUE T BGG Send2 MFX2 000 blue LOG S1 Ban Recording Level dB NE DNI Bis A du yar Samplina Prefe DRudioJl rence 0 7a Input COMBI PROG SEQ S PLAY DISK Here you can select input sources such as analog digital audio devices and instruments and set the input level pan bus and master effect send amp PG p 139 Global 03a Input COMBI PROG SEQ S PLAY DISK 0 7b Ctrl Control A Ctrl parameter has been added above Recording Level dB 0 7c v PG p 56 Ctrl lets you choose whether to adjust the settings for sampling setup or for audio track out put The screen display will depend on the parameter you select Ctrl Control Sampling Setup Audio Track Selects which parameters will be accessible Sampling Setup Sampling setup parameters This is the same as on previous versions 0 7b PG p 56 Vo n am n 1 n L n E 1 u p TRDELURUETELULMELETUEMEL UENIT EIU ETEIEI Source BUS L R Save to k RAF Mode Stereo sample Time AH min 11 323 sec Audio Track Output settings for the audio tracks Pan rs H L R Level H mu R12 i51 CECS 3 BUS IFX Indiv Select d AAG i52 aan S1 S2 PLAY MUTE REC A HH Ed 2 7T SOLO ON OFF
68. MA Music Workstation system version 2 0 setting S S Out P C is maintained as internal data but will be ignored e The KARMA Music Workstation system version 2 0 setting MIDI Clock Auto setting will be set to External MIDI e Foot Switch Assign settings of KARMA Latch On Off Slider CC 18 KARMA RTC Knob 1 KARMA Chord Trigger 4 only in KARMA system version 2 0 settings will be set to OFF e Foot Pedal Assign settings of Slider CC 18 KARMA RTC Knob 1 KARMA RTC Knob 8 only in KARMA system version 2 0 settings will be set to OFF e The Auto KARMA Program setting will be used as the Auto Arpeggiator Program parameter e The Auto KARMA Combi setting will be used as the Auto Arpeggiator Combination parameter e The various Audio Input parameters will maintain their settings prior to loading 3 Sequencer mode parameters e The KARMA system version 2 0 Tone Adjust setting will be loaded correctly If a KARMA system version 1 0 file is loaded this parameter will be set to the default value e The TRITON STUDIO version 2 0 Audio Track 1 2 setting will be set to the default value and the WAVE file assign WAVE File will be set to No Assign Parameters that are valid on the TRITON Le but invalid on the TRITON STUDIO 1 Insert effects IFX The insert effect IFX parameters of Combination Program and Sequencer modes will be loaded as parameters for IFX1 The
69. Pan LOOO CO64 R 127 Specifies the panning of the audio track output Level 0 127 Specifies the output level of the audio track BUS IFX Indiv Select L R IFX1 5 1 4 1 2 3 4 Off Selects the bus for the audio track L R The output of the audio track will be sent to the OUT PUT MAIN L MONO R jacks IFXI IFX5 The output of the audio track will be sent to an insert effect To specify the output routing from the insert effect use Sequencer P8 Insert Effect Insert FX page BUS Sel BUS Select PG p 84 1 4 The output of the audio track will be sent to the OUT PUT INDIVIDUAL 1 4 jack 1 2 3 4 The output of the audio track will be sent to the OUTPUT INDIVIDUAL 1 2 jacks or 3 4 jacks Off The output of the audio track will not be sent to a bus Use this setting if you want to send the audio track output only to a master effect To adjust the send level to the master effect use S1 Send 1 to MFX1 or S2 Send 2 to MFX2 S1 Send 1 to MFX1 S2 Send 2 to MFX2 000 127 Adjusts the send level from the audio track output to each of the master effects These settings can be used only if BUS IFX Indiv Select is set to L R or Off If BUS IFX Indiv Select is set to IPX1 5 you can adjust the send level to the master effects by using Send 1 and Send 2 that follow IFX1 5 8 1b PG p 84 PLAY MUTE REC PLAY MUTE REC P R This display lets you set the rec
70. RITON Pro TRITON ProX and TRITON Rack Parameters that are valid in version 2 0 but invalid in version 1 0 1 Sequencer mode parameters added in version 2 0 e Tone Adjust Audio Track WAVE File Version 2 0 version 1 0 Since version 1 0 does not have the Tone Adjust Audio Track and WAVE File WAVE file assignment parame ters these will be ignored Version 1 0 version 2 0 These version 2 0 parameters will be set to their default val ues Exclusive messages within event data Version 2 0 version 1 0 Since version 1 0 does not have this functionality these mes sages will be ignored 2 Global mode parameters added in version 2 0 e Foot Switch Assign Tap Tempo setting Version 2 0 version 1 0 In version 1 0 the setting will be SW2 55 Disk 56 SCSI Mode SCSI ID SCSI Mode and SCSI ID parameters have been added to the Global P0 Basic Setup System Preference page r PG p 137 These parameters allow the TRITON STUDIO s internal hard drive to be detected by a connected computer as an external SCSI disk This allows you to transfer data between the TRITON STUDIO and your computer effi ciently without using external media GLOBAL P Basic Setup System Preference Bank Map P eic 2 _ Beep Enable Power On Mode Reset SCSI Mode Target System Clock gt Internal SCSI ID oje S P DIF Sample Rate P 96kHz Normal System Preference E
71. Sampling Setup An Auto Sampling Setup page menu command has been added to the Program P0 Sampling page 0 3E 0 3E Auto Sampling Setup This convenient command automatically sets sampling related parameters of Program mode to the optimal settings for specific operations For the automatically set parame ters and their values v p 69 A When you execute this command the applicable parameters will be set automatically You cannot use the COMPARE key to recall the previous settings A The settings are automatically made for the most typi cal applications After executing the auto setup opera tion you can further adjust any of the settings to suit your needs as described in the fd paragraphs of each section l Initialize This sets sampling related parameters to their default state CD Select Auto Sampling Setup to open the dialog box Auto Sampling Setup Initialize O Resample Program Play C REC Audio Input 2 Use the radio buttons to select Initialize 3 Press the OK button to execute Auto Sampling Setup If you decide to cancel press the Cancel button For the automatically set parameters and their values p 69 2 Resample Program Play This automatically makes the appropriate settings so you can play a program and resample your performance il Setup CD Select Auto Sampling Setup to open the dialog box Auto Sampling Setup O Initialize e Resample Prog
72. TRITON STUDIO MUSIC WORKSTATION SAMPLER HEE HYPER INTEGRATED SYNTHESIS SYSTEM E TouchView Graphical User Interface GENERAL CD RW Iii Cele Update guide D Table of Contents About this manual eee ee eee neenon iii Introduction e eeeeeeeeeeees I New functions in version 2 0 e Sequencer mode i e cte a ono retain eenns 1 Disk mode i e vetet ees raa N EE UE 2 Global node ded ed Erde 2 Other new functions ecce eere 2 Installing the system 3 Sequencer mode 5 HD Audio Recording 5 About the HD Audio Track function 5 About the audio tracks 6 Recording an audio track 8 1 Preparing to record an audio track 8 2 Record the audio track 9 3 Using punch in recording 1 4 Performing bounce recording 12 Sequencer PO Play REC 14 Sequencer P1 Cue List 19 Sequencer P5 Track Edit 20 Auto Sampling HD Audio Setup 28 Tz Inilieilize sooo Piu e
73. Tracks To Song and Copy From Pro gram r p 43 have been added Auto Sampling HD Audio Setup H 0 7B Sel Dir WAVE Audio Track This command lets you select a save destination directory for the audio track WAVE file or select the WAVE file that will be used by the audio track l Specifying the save destination of the WAVE file created when you record or edit an audio track WA When specifying a WAVE file save destination We rec ommend that you specify a location that is inside one level down from the directory in which the song file is saved If you create a directory when saving the song file and keep all the files in that directory it will be eas ier to back up your data to removable media CD Choose Sel Dir WAVE Audio Track to open the dia log box Select Directory W AYE File for Audio Track Drive Select 2 Use Drive Select to select the save destination drive 8 Use the Open button and Up button to move between directories 4 Select the directory where you wish to save the WAVE file and press the Done button to complete the selection The directory that was selected when you pressed the Done button will be specified as the save destination 2 Auditioning the contents of a WAVE file CD Choose Sel Dir WAVE Audio Track to open the dia log box Select Directory W AYE File for Audio Track WwAVEFILE BPM120 2 WAV 19K 07 02 2003 12 66 00 g TAKEGGO WAY 22K 0
74. Use the radio buttons to select Auto Resample through IFX 8 Use IFX to select the insert effect that you want to use for auto resampling 4 Press the OK button to execute Auto Sampling Setup If you decide not to execute press the Cancel button For the automatically set parameters and their values 1 p 60 For examples of using the automatically set parameters refer to BG p 107 Bil Resample 5 Specify the Key assigned to the sample that you want to resample r PG p 98 6 Make settings for the insert effect To check the sound press the key that you specified in Key 7 Press the SAMPLING REC key and then the SAM PLING START STOP key The sample will automatically play back and resampling will begin When the sample finishes playing resampling will also end Bl Check the resampled data e Play the key you specified in Key A To prevent the insert effect from being applied in duplicate when you listen to the resampled data BUS IFX Select P8 8 1b PG p 122 will automatically be set to L R when resampling ends If you want to apply IFX and resample once again you will need to change this setting back to the same IFX I fd Use Bank 0 1c PG p 90 to specify the sampling destination sample memory RAM Add the contents of 0 1O Auto Sampling Setup to the explanation in Parameter Guide 0 1 Recording Page Menu Command r PG p 92 59 Sampling 60 Automatica
75. When you execute Time Stretch these addresses will be set automatically However in some cases the margin of processing error may cause the playback to be slightly shifted If this occurs you can re specify the address here To hear the sound of the specified region press the SAMPLING START STOP key The region specified by Start and End will play back when you press the SAMPLING START STOP key 9 If you press the Stretch button the Time Stretch dialog box will appear and you can re do the time stretch once again Execute Time Stretch as described in step 5 and 6 Save the time stretched data Press the Save button to display the Save dialog box Save O Overwrite WAY Name T NEWFILE di If you check Overwrite WAV the results of executing the command will overwrite the WAVE file assigned to the audio track If this is not checked executing the com mand will create a new WAVE file and the audio track assignment will be updated and replaced by the newly created WAVE file If a new file will be created use Name to specify a name for the file The page menu command Sel Dir WAVE Audio Track specifies the save destination of the newly cre ated WAVE file 2 To save press the OK button If you decide not to save press the Cancel button By repeating steps 9 12 you can create more samples as desired 3 Press the Exit button to exit the Time Stretch operation 5 1W Transfer WAV
76. When you execute the com mand the programs that are created will be loaded start ing at the bank and number you specify here A Depending on the structure of the AKAI Program the data may be converted into multiple programs and one combination In this case the number of programs resulting from the conversion is limited to the maxi mum number of eight programs usable in a combina tion and a message of Exceeded 8 Programs will appear r p 71 Please be aware of this when loading an AKAI Program that has a complex structure A If the loading destination bank and number exceed EXB G127 loading will automatically stop LA The data in the locations following the specified bank number will be rewritten when you load If you want to keep this data use Save All or Save PCG before you load the AKAI Program data Add the contents of Advanced Conversion Load to the explanation of Parameter Guide 0 1 Load 28 Load AKAI Program File amp PG p 164 Load AKAI Volume Load AKAI Volume has been added to the 0 1 Load page menu command Load selected 0 1C PG p 157 This command allows you to load a set of Program files and Sam ple files in one operation from an AKAI 1000 53000 format sample CD volume This is especially useful in loading cer tain third party CD ROMs which are designed to be loaded in this fashion The Program files and Sample files on an AKAI S1000 53000 format sample CD are organ
77. a situation occur e If you have renamed the WAVE file or renamed the directory in which the WAVE file is saved Use the Sequencer P0 Play REC Sampling HD Audio page menu command Sel Dir WAVE Audio Track to re specify the actual location of the appropriate WAVE file e If you have copied a SNG file to a different direc tory and then loaded that SNG file If the song file and WAVE file are saved in different directories copy the files as described in Collecting a song file and WAVE file saved in different directories into a single directory and copying backing up this data to CD rp 52 Create a directory in which to save the files WA If you create a directory as described below and save the files in the same place it will be easy to back up your data onto removable media after recording CD Use the Disk mode 0 3 Utility page menu command Create Directory PG p 170 to create a directory e g 5NGO00 in which you will save the song data SNG Utility mmi NEWFILE PCG 1 2M 22 81 2003 62 09 04 i SNGSG 36 01 2003 12 06 00 1 gt Ge INTERNAL HD n Save Utilitu EN nudietn audit R WERE i 2 Select the directory SNG00 you created and press the Open button Utility SNGaB 3 Use the page menu command Create Directory to cre ate a directory e g AUDIO in which you will save the WAVE file Utility ae SNGaa AUDIO 30 0
78. a8 BUS Dutput Select gt L R Precount Measure 2 2 Specify the recording method in Recording Setup Punch In unchecked Bounce unchecked Source BUS Indiv 1 2 In the Name field specify a name for the WAVE file that will be created If you intend to record several takes for the same track check Take Routing the input and associated effects to the Indiv 1 2 Bus instead of L R allows just the input signal to berecorded to the audio track and not the entire output of the TRITON STUDIO ie If you had used the Auto Sampling HD Audio Setup page menu command and selected HD Audio Track REC the settings you have made up to this point would have been made automatically This command automatically sets Input Track Select Punch In Bounce and Source BUS amp p 30 ie Leave Punch In unchecked if you want to record from the beginning of the song or from the measure specified by Location WA If Take is unchecked you can enter a file name of up to eight characters If Take is checked you can enter only six characters WA If you want the metronome to sound while you record adjust the settings in Metronome Setup 0 8b vx PG p 58 Bl Set the recording level 3 Open the Sequencer P0 Play REC Sampling HD Audio page SEQUENCER P Play REC Sampling HD Audio i g Input Analog COMBI PROG SEQ S PLAY DISK a Inpu
79. aces in the song mea sure 9 in this example where you put an effect to a track 2 Using the COMPARE key you can listen to the previ ous version before you performed the Put Effect Setting to Track operation Sequencer 37 38 2 Using the effect specified by the song itself from the beginning of the song and inserting the effect settings from another song at the middle of the song For the insert effect IFX3 used by track 3 we will use 023 Stereo Phaser specified by the template song from the beginning of the song and insert MIDI parameter change system exclusive messages at measure 9 to switch to the 020 Stereo Flanger settings from another song CD Enter Sequencer mode and use Song Select to select song S000 2 Use the page menu command Load Template Song to load Acid Jazz SEQUENCER P8 Play REC Program et 001 01 000 Meter 4 4 PS000 Acid Jazz J 188 ar ba Guitar Strings Bank Program NT INT INT Eie D essai D Jae p cSt SiP Funki 3 In Track Select select Track 03 Elec Piano and record a performance as desired BG p 49 Creating the basic song 1 Loading a template song and copying preset patterns drum phrases 4 Make the effect settings for the second half of the song in another copied song a Create song S001 b Use the page menu command Copy From Song to copy Song 000 as the copy source PG p 52
80. ack Leave the Input settings the same as you had set them in the Sequencer P0 Play REC Sampling HD Audio page il Setup CD In the Sequencer P0 Play REC Preference page make sure that Track Select is set to Audio Track 1 SEQUENCER P Play REC 001 01 000 Meter 474 J 120 y Man b S000 NEW SONG gt Audio Track 1 TAKENOGG Punch In C Manual M Auto MaB4 Maas Source Bus gt Indiv 1 2 __ Bounce _ overwrite WAY T TAKENOGI Metronome Setup Sound Only REC BUS Output Select Level 127 Precount Measure 2 EE Prog Mizer Aer du d 1 8 3 16 1 8 DRudio 2 In the Recording Setup area specify the recording method In this example we will use punch in recording Punch In checked Punch In Mode Auto M M Specify the range of measures that you want to re record Bounce unchecked Source BUS Indiv 1 2 Overwrite WAV unchecked Take checked WA If you set Punch In Mode to Auto and specify the desired range of measures in M M playback will occur until you reach that range of measures and recording will occur only in the specified range If you set Punch In Mode to Manual recording will occur in the range you specify by pressing the SEQUENCER REC WRITE key or foot switch If you are using manual punch in press the SEQUENCER START STOP key to start playback At the point where you want to begin re recording press the SEQUENC
81. amples r PG p 164 28 Load AKAI Program File PG p 165 About AKAI PROGRAM files 5 If you checked Advanced Conversion Load use Append to Combination to specify the destination bank and number of the combination that will be created by the convert load operation When you execute the command the combinations that are created will be loaded starting at the bank and number you specify here If you checked Advanced Conversion Load use Append to Program to specify the destination bank and number of the program that will be created by the convert load operation When you execute the com mand the programs that are created will be loaded start ing at the bank and number you specify here A If the loading destination bank and number exceed EXB G127 loading will automatically stop A The data in the locations following the specified bank number will be rewritten when you load If you want to keep this data use Save All or Save PCG before you load the AKAI Volume data Add the contents of Load AKAI Volume following Param eter Guide 0 1 Load 28 Load AKAI Program File r PG p 164 Change 29 Load KCD PG p 165 to 30 Load KCD Load PCG RAM and Samples Load PCG RAM and Samples has been added to the page menu commands of the 0 1 Load page Load PCG RAM and Samples examines a PCG file and loads only the programs drum kits combinations and songs that
82. are as explained in 0 6A Save WAVE Parameter steps and 3 0 6L Erase Punch Noise This is the same function as the Sequencer mode Sequencer P5 Track Edit page menu command Erase Punch Noise For details on the function and procedure p 21 0 6M Time Stretch Sustaining This is the same function as the Sequencer mode Sequencer P5 Track Edit page menu command Time Stretch For details on the function and procedure p 22 0 6N Transfer WAVE to Track This is the same function as the Sequencer mode Sequencer P5 Track Edit page menu command Transfer WAVE For details on the function and procedure v p 23 Transfer BPM126_1 WA To MIDI Track To Song EEE Track 81 Meter 4 4 Tempo 240 Program p 4 amp 88 Initial Prog Aga The Transfer WAVE To Track command of the Edit WAVE page transfers the selected WAVE file to a track of the song Song specifies the destination song number Track spec ifies the destination track Meter specifies the destination 47 Disk 48 time signature Tempo specifies the destination tempo and Program specifies the program number that will be automatically created 0 60 Mono to Stereo This is the same function as the Sampling mode Sampling P0 Recording page menu command Sample Mono To Ste reo here performed on a WAVE file For details on the function and procedure v PG p 94 The Overwrite WAV and
83. as the SNG file and you copy the SNG file and WAVE file to CD without executing Collect Audio Track file you will be unable to play the audio track from that song data If you load a SNG file that includes a previously saved audio track and then save the SNG file to another directory and drive the assignment of the WAVE file used for the audio track will remain the same If you edit the audio track the original WAVE file may be edited in some cases If you do not want to edit the orig inal WAVE file execute Collect Audio Track file to copy the WAVE file and then edit that WAVE file Add the contents of Collect Audio Track file to the Param eter Guide 0 3 Utility page menu commands PG p 169 53 Disk 54 Rate Convert A function that converts a 44 1 kHz WAVE file to a 48 kHz WAVE file has been added to the 0 3 Utility page menu command Rate Convert 0 3H PG p 171 Select a 44 1 kHz WAVE file in the directory window and access the Rate Convert page menu command dialog box The rest of the procedure is the same as on previous ver sions amp PG p 171 Rate Convert 44188 48888Hz BPM120 1 WAY Select destination directory PN AVEFILEZ j BPM120 2 wAV 19K 28 02 2002 19 46 26 MAE WA Before using the Sequencer mode page menu command Put WAVE to place a 44 1 KHz WAVE file in an audio track we recommend that you first use the Rate Con vert command to convert the
84. asure that was specified in From Measure of the Track Edit page Put WAYE WAYFILE BPM120_2 WAY 19K 07 02 2003 12 00 00 gm TAKEGG sw AV M AVE 22K 07 02 2003 12 06 06 gt HDD INTERNAL HD To Audio Track 1 Measure TERM Best Tick 01 000 Overwrite wAY Name T NEWFILE Sampling START plaus selected If the WAVE file you are placing is stereo you will not be able to set Audio Track The left channel of the file will be automatically placed in audio track 1 and the right channel will be placed in audio track 2 6 If a WAVE file already exists in the audio track use Overwrite WAV to specify how the file will be saved after this operation If this is checked the data you put will overwrite the WAVE file assigned to the audio track If this is unchecked a new WAVE file will be created when the data is placed in the audio track If the audio track does not have a WAVE file or if this command will create a new WAVE file use the Name field to specify a name for the file i Use the page menu command Sel Dir WAVE Audio Track to specify the save destination of the newly cre ated WAVE file To execute Put WAVE press the OK button If you decide to cancel press the Cancel button If you select a 44 1 KHz WAVE file and execute this com mand the file will automatically be converted into 48 kHz data before it is placed in the audio track WA The conversion will require approximatel
85. ated as EM Other conventions are as explained in the Parameter Guide and Basic Guide Customers who purchased a new TRITON STUDIO with system version 2 0 If you purchased a new TRITON STUDIO with system version 2 0 already installed first read the Basic Guide and Parameter Guide to understand basic operation and functionality Then read this Version 2 0 Update Guide Since this update guide also describes improvements made since system version 1 0 Sequencer mode other updates rz p 44 as well as the new functions added in version 2 0 you will need to read it in conjunction with the Basic Guide and Parameter Guide Company names product names and names of formats etc are the trademarks or registered trademarks of their respective owners New functions in version 2 0 Sequencer mode 1 HD Audio Track function p 5 Two audio tracks 1 and 2 have been added to the existing sixteen MIDI tracks and the sequencer master track The new audio tracks can be synchronized to the MIDI tracks and master track allowing you to record up to 80 minutes of external audio such as a guitar or vocals You can use punch in recording on a previously recorded track or bounce two recorded tracks down to one track with no loss of fidelity During playback you can adjust the volume pan insert effects and master effect routing for each of the two audio tracks Audio track data can be edited using the new
86. bounce destination audio track If you are using a master effect set the audio track Send 1 2 back to 0 This will prevent the same effect from being applied twice WA Use the page menu command Sel Dir WAVE Audio Track to specify the save destination for the WAVE file created by bounce recording r p 16 Sequencer 31 32 Automatically set parameters and their values Input Input Source Analog S P DIF mLAN Analog S P DIF mLAN BUS Select e 5 w Bee o f o f Bee p om emm a Sane Tine asus SanpeTine Di mss 00700 p M Recording Setup Audio Track Sel Dir WAVE Audio Track for Audio Track WAVE File Page Menu Command Audio Track Audio1 SOLO Audio2 SOLO Not set automatically Settings enclosed in parentheses are set automatically according to the parameters in the dialog box 1 The specified setting for Analog S P DIF or mLAN Inputl or Input2 will be made automatically The input source setting Input1 or Input2 specified in the Source Audio field of the dialog box will be made automat ically 3 If Source Audio is Mono 1 this will be L Mono if Mono 2 it will be R Mono and if Stereo this will be Stereo 4 Tf Save to is RAM and Convert to Program is On 12 RA When you select and execute In Track Sampling the track selected in To will automatically be set to a Status
87. cify the mea sures and Beat Tick to specify the beat and clock By default From Measure and To Measure are set to the From Measure and To End of Measure setting of the Track Edit page Overwrite WAV specifies whether the data that results from executing the command will overwrite the original file or saved as a new file If a new file will be created use Name to specify a name for it Use the page menu command Sel Dir WAVE Audio Track to specify the save destination for the new WAVE file that will be created The way in which the Compare function operates will depend on the Overwrite WAV setting p 44 5 1T Volume Ramp This command applies the same processing as the Sampling mode Sampling P1 Sample Edit page menu command Vol ume Ramp to a WAVE file r PG p 104 1 1J Volume Ramp The data values volume in the From Measure To Mea sure region will be modified Depending on the setting you select the volume will gradually increase Fade In or decrease Fade Out from From Measure to To Measure Yolume Ramp Audio Track 1 From Measu re CEN Beat Tick 81 888 Fade In Fade Out To Measure 648 Sequencer Beat Tick 84 131 Curve e Linear O Power Name T NEwF ILE L Overwrite WAY The From Measure To Measure Beat Tick and Overwrite WAV fields in this dialog box are the same as described in 5 1S Normalize Level 5 1U E
88. command copies the data from the Edit Range Start Edit Range End region 0 6a into an edit buffer This data can then be used by executing Insert Mix or Paste This is the same function as the Sampling mode Sampling P1 Sample Edit page menu command Copy here performed on a WAVE file For details on the function and procedure PG p 102 1 1D Copy 0 6F Insert This command inserts the data in the edit buffer obtained by the Copy command into the waveform at the Edit Range Start address The data that had been at this location will be shifted toward the end of the waveform rs p 61 Sampling mode Insert Mix Paste vx PG p 102 1 1E Insert The From field in the dialog box lets you select the data that will be inserted By setting this to RAM you can insert data that you copied from the specified region in the Sample Edit page By setting this to DISK you can insert data that you copied from the specified region in the Disk mode Edit WAVE page The Overwrite WAV and Name fields in the dialog box are as explained in 0 6A Save WAVE Parameter steps and 3 0 6G Mix This command combines the edit buffer data obtained by the Copy command with the existing waveform data beginning at the Edit Range Start address p 61 Sam pling mode Insert Mix Paste PG p 103 1 1F Mix The From field in the dialog box lets you select the data that will be mixed By setting this to
89. command has been added to the Sampling P0 Recording page and P4 Selector Setup page 0 10 Auto Sampling Setup This command automatically sets sampling related parame ters to the optimal settings for specific Sampling mode oper ations For the automatically set parameters and their values v p 60 A When you execute this command the applicable parameters will be set automatically You cannot use the COMPARE key to recall the previous settings A The settings are automatically made for the most typi cal applications After executing the auto setup opera tion you can further adjust any of the settings to suit your needs as described in the yg paragraphs of each section l Initialize This sets sampling related parameters to their default state CD Select Auto Sampling Setup to open the dialog box Auto Sampling Setup Initialize C REC Audio Input O Auto Resample through IFx 2 Use the radio buttons to select Initialize 3 Press the OK button to execute Auto Sampling Setup If you decide to cancel press the Cancel button Sampling related parameters will automatically be set to their default settings For the automatically set parame ters and their values p 60 2 REC Audio Input This automatically makes the appropriate settings for sam pling an external audio source ill Setup CD Select Auto Sampling Setup to open the dialog box Auto Sampling Setup O Initialize
90. cord longer than 80 minutes If a Buffer overrun error occurred or Buffer under run error occurred error message is displayed refer to What to do if a Buffer overrun error occurred or Buffer underrun error occurred error message appears during recording or playback v p 13 and execute the Disk mode 0 3 Utility page menu com mands Optimize Medium and Collect Audio Track file If the error message Buffer overrun error occurred appeared during recording the data recorded up to the point where the error occurred will have been recorded correctly but the data at the point the error appeared may not play back ill Connect your guitar 9 Connect a guitar to the rear panel AUDIO INPUT 1 jack Set the AUDIO INPUT MIC LINE switch to the LINE position and turn the LEVEL knob to a position near the center Effect unit MAX MIN OX LINE te Sequencer A If you connect a guitar that has passive pickups i e a guitar without a built in preamp the impedance will be mismatched and you may be unable to sample at an appropriate level Route your guitar through a preamp or effect unit il Setup In the Sequencer P0 Play REC Sampling HD Audio page set Input so that the signal from the AUDIO INPUT 1 jack will be recorded on audio track 1 Also set Ctrl to Audio Track to indicate the audio track output Input Analog Input 1 Level 127 Input 1 Pan L000 Input 1 BUS IFX Indiv S
91. disk 5 The same messages as in step 8 will be displayed and then the display will indicate Please change to System 3 disk Remove disk 2 and insert O S Version 2 0 Disk 83 Repeat this until O S Version 2 0 Disk 5 6 After loading the final disk the following messages will appear in the LCD screen Checking system s check sum System load was completed After the update has been successfully completed the TRITON STUDIO will re start using the new operating system A If a disk error occurs during this process remove the disk and turn off the power Then try the update pro cess once again starting from step 1 A While the system is being updated do not touch any switches or controls on the TRITON STUDIO and never turn off the power Introduction HD Audio Recording About the HD Audio Track function TRITON STUDIO System Version 2 0 adds two audio tracks to the sixteen MIDI tracks and master track of previous ver sions You can use these audio tracks to record up to 80 minutes of external audio sources such as guitar or vocals in synchroni zation with the MIDI tracks and master track You can also use punch in recording p 11 to selectively replace por tions of a previously recorded track or bounce recording to combine two recorded tracks into one track r p 12 As input sources you can record not only analog sources from the rear panel AUDIO INPUT jacks but also digital input from
92. displayed A You cannot assign a WAVE file longer than 80 minutes to the audio track 5 Press the Done button to complete the command The directory that was selected when you pressed the Done button will be assigned as the save destination for the WAVE file created when you record or edit 6 Press the SEQUENCER START STOP key to play back the audio track A When you record or play back a song that includes an audio track several seconds will elapse from the moment you press the SEQUENCER REC WRITE key or the SEQUENCER START STOP key until recording or playback actually begins During this interval a dialog box will appear in the screen and the SEQUENCER REC WRITE key or SEQUENCER START STOP key LED will blink If you set Ctrl to Audio Track you can make audio track output settings during playback You can also apply insert effects or master effects to the audio track p 15 0 7 Sampling HD Audio 0 7C Auto Sampling HD Audio Setup This command automatically sets the appropriate parame ters to the optimal settings for use with various Sequencer mode sampling and audio operations CD Choose Auto Sampling HD Audio Setup to open the dialog box Auto Sampling HD Audio Setup Initialize C 2ch Mix to Disk C Resample SEQ Play C HD Audio Track REC O In Track Sampling O Bounce Audio Track Sequencer 2 Use the radio buttons to select one of the following six operations Init
93. e If you don t want to use an insert effect set this Off 7 Press the OK button to execute Auto Sampling Setup If you decide not to execute press the Cancel button For the automatically set parameters and their values t p 60 For examples of using the automatically set parameters refer to BG p 37 BG p 39 BG p 42 WO If Save to is set to RAM and you want to change the RAM bank set Bank 0 1c PG p 90 to the desired sampling destination memory RAM If Save to is set to DISK you can use the page menu command Select Directory 0 1N PG p 96 to spec ify the save destination for the WAVE file that will be created by sampling Bl Sampling Press the SAMPLING REC key and then the SAM PLING START STOP key 9 Play the instrument etc that is connected to the AUDIO INPUT jack you specified in Source Audio When you are finished playing press the SAMPLING START STOP key Bil Listen to the sampled data e Ifyou selected Save to RAM play the C2 key to hear the sample e f you selected Save to DISK use the page menu command Select Directory 0 1N PG p 96 to hear the sample 3 Auto Resample through IFX This automatically makes the appropriate settings for auto resampling through the insert effects IFX ill Setup CD Select Auto Sampling Setup to open the dialog box Auto Sampling Setup O Initialize C REC Audio Input e Auto Resample through IF X 2
94. e created for the recorded data The WAVE file used by the audio track will be changed to the newly recorded WAVE file Normally you will execute this operation with Overwrite WAV unchecked The page menu command Sel Dir WAVE Audio Track specifies the save destination of the newly cre ated WAVE file This setting will change the way in which the Compare function operates r p 44 Name text edit button Specify a name for the new WAVE file that will be created if Overwrite WAV is unchecked If Take at the right is checked a two digit take number will be added at the end of the file name when saving Take Off On On checked A two digit number starting with the speci fied No will be added to the filename when it is saved The number will automatically increment after recording If you are recording repeatedly you can use the take numbers to manage the separate recordings If Take is unchecked you can input up to eight char acters as the file name If it is checked you can input up to six characters No 00 99 This specifies the take number that will be used if Take is checked After each recording this number will automati cally increase by one from the previous take Je Add the above material to Parameter Guide Sequencer PO Play REC PG p 49 58 Sequencer P1 Cue List The Cue List function supports songs that contain an audio track A song containing an audio
95. el button A If the data copied into the buffer by Copy is empty a message of Source sample is empty will be displayed WA For the Mix and Paste operations you can use From to specify the source data in the same way Add the contents of From to the explanation in Parameter Guide Sampling mode 1 1 Sample Edit Page Menu Com mand Insert Mix and Paste s amp PG p 102 103 Auto Sampling Setup An Auto Sampling Setup page menu command has been added to the Combination P0 Sampling page 0 5E Auto Sampling Setup This convenient command automatically sets sampling related parameters of Combination mode to the optimal set tings for specific operations For the automatically set parameters and their values v p 65 A When you execute this command the applicable parameters will be set automatically You cannot use the COMPARE key to recall the previous settings A The settings are automatically made for the most typi cal applications After executing the auto setup opera tion you can further adjust any of the settings to suit your needs as described in the fd paragraphs of each section l Initialize This sets sampling related parameters to their default state CD Select Auto Sampling Setup to open the dialog box Auto Sampling Setup Initialize O Resample Combination Play C REC Audio Input 2 Use the radio buttons to select Initialize 3 Pre
96. elect 1 2 SEQUENCER P8 Play REC Sampling HD Audio Mili z Input Analog COMBI PROG SEQ S PLAY DISK a Input i Level 127 jBust IFX Indiv Select omm Pan Loge Ki BGR Tend MERT Bee Input2 Level 127 BUSCIFX Infiv Select por Pan R127 i Send 1 MFX1 Ban eae aan Um DEJ W If you want to record Input 1 to audio track 2 set Input 1 Pan to R127 eS If you want to apply an insert effect to the input source set BUS IFX Indiv Select to IFX1 IFX5 SEQUENCER P Play REC Sampling HD Audio Aa z Input P Analog COMBI PROG SEQ S PLAY DISK 3 Input 1 i Level 127 BUSCIFX Indiv Select Dh Input2 Level 127 BUSCIFX Indiv eet POF Pan R127 i Send1 MFX1 Ban n aan Then set the BUS Select that follows the insert effect you are using to 1 2 SEQUENCER P8 Insert Effect insert FX P Track t TRACK 81 I A OG Noisy Stabber Chain Insert Effect PantCC S gt BUS Sel Sendi Send2 IFX1 o4 1 ECHO 1 x IFX5 ACD 1 8 J 3 16 Jl Fx 1 2 3 d 5 4 In the Sequencer P0 Play REC Preference page set Track Select to Audio Track 1 SEQUENCER P Play REC Preference Mik i 001 01 000 Meter 444 J 120 y Manu S000 NEW SONG Audio Track1 No Assign Reso b Hi O RPPR L Punch In ide Mar O Bounce Source BUS Pbseserrte WAY T TAKENOGO Metronome Setup Sound Only REC Level 127 L 1 8 3 16 1 8 3 16 1 8 3 16 JiHDRudio 7 Take No
97. en the dialog box The dialog box when executing Erase Measure Erase Measure of Audio Track 1 From Measu re CENE To End of Measure 884 O All Tracks O Overwrite WAV Name T NEWFILE 3 Specify the region of measures for which you want to execute the command 4 If you check All Tracks the command will be executed for all tracks including the MIDI tracks 5 If you check Overwrite WAV the results of executing the command will overwrite the WAVE file assigned to the audio track If this is unchecked execution will create a new WAVE file and the audio track assignment will be changed to the newly created WAVE file If you are creat ing a new file use Name to specify a name for the file Normally you will execute with Overwrite WAV unchecked WA The page menu command Sel Dir WAV Audio Track specifies the save destination for the newly cre ated WAVE file WA The way in which the Compare function operates will depend on this setting p 44 6 To execute the command press the OK button If you decide to cancel press the Cancel button Sequencer 25 26 5 1J Copy Measure 5 1K Move Measure The items All MIDI Tracks Overwrite WAV and Name have been added to the dialog box of Copy Mea sure and Move Measure PG p 72 and you can now apply these commands to the audio tracks If executing with Track Select set to a MIDI track Track
98. en added to the Sequencer P9 Master Effect page This command places master effect settings in a track as exclusive events 9 1C Put Effect Setting to Track The procedure is the same as described for Sequencer P8 Insert Effect Put Effect Setting to Track In the dialog box set Effect to MFX1 or MFX2 and execute the command Sequencer P8 Insert Effect Put Effect Setting to Track v p 34 Recording and playing exclusive events 3 Put Effect Setting to Track Add the contents of page menu command Put Effect Setting to Track to Parameter Guide Sequencer P8 Insert Effect e PG p 83 and Sequencer P9 Master Effect r amp PG p 85 Tone Adjust Parameters Tone Adjust pages have been added to Sequencer P5 Track Edit PG p 68 5 3 Tone1 2 1 8 Tone1 2 TO1 08 5 4 Tone1 2 9 16 Tone1 2 TO9 16 5 5 Tone3 4 1 8 Tone3 A TO1 08 5 6 Tone3 4 9 16 Tone3 4 TO9 16 5 7 Tone5 6 1 8 Tone5 6 TO1 08 5 8 Tone5 6 9 16 Tone5 6 TO9 16 In the Tone Adjust pages you can make adjustments to the sound of the program assigned to each track While creating a song you can make adjustments to the sounds without having to return to Program mode For example you might make the bass slightly mellower or sharpen the attack of the strings to better suit the song The sound is changed only in the song the original program memory remains unchanged You can also record and play back exclusive events p 34 using th
99. equencer START SW so that resampling will begin the moment the sequencer starts dd If you also want to sample an external audio signal from AUDIO INPUT etc at the same time go to the Sequencer P0 Play REC Sampling HD Audio page and set Input 1 2 BUS IFX Indiv Select to L R BG p 46 If Convert to Program is not checked you can listen to the sample by selecting and playing it in Sampling mode 3 In Track Sampling The In Track Sampling function samples an external audio signal from AUDIO INPUT etc into sample memory RAM in synchronization with song playback and also automati cally creates note data in a MIDI track The sampled audio data can easily be played from the MIDI track or edited BG p 115 The In Track Sampling radio button automatically makes the appropriate settings for this function Use INDIV 1 2 OUT to monitor the audio signal being recorded Connect the AUDIO OUTPUT MAIN L R INDIV1 and 2 jacks to your mixer so that you can mon itor the output il Setup CD Select Auto Sampling HD Audio Setup to open the dialog box Auto Sampling HD Audio Setup O Initialize O 2ch Mix to Disk C Resample SEQ Play C HD Audio Track REC O Bounce Audio Track j Source Audio Analog P Stereo To P Track t TRACK 81 In Track Sampling Program D 1 E amp amp 8 Initial Prog EGaa 2 Use the radio buttons to select In Track Sampling 3 In Source Audio select t
100. ese parameters to modify sounds in realtime as the song plays A total of 25 parameters are available and up to six e g fil ter cutoff resonance filter EQ amp EG may be assigned to each track SEQUENCER P5 Track Edit Tone1 2 161 68 EEk 001 01 000 Meter 444 J 120 y Manu 58000 NEW SONG P Tracke t TRACK 81 Reso Hi L RPPR 1 1 El 1 a 1 E H 5 1 a 1 1 unFastSun FastSun FastSunFastSunFastSun FastSun FastSun i i i i Tone Adjust Reso Reso Reso Reso Resol Reso HPF 3 HPF LSHP 3 HPF HPF 3 HPF 3 HPF 00 00 00 00 1a i Tone Adjust 2 Reso Resol Reso Reso Resol Reso HPF HPF HPF HPF HPF HPF HPF HPF i 00 00 00 00 00 00 00 00 k Edit Hame 1 8 3 16 1 8 3 16 1 8 3 16 J 5 1 2 3 4 5 6 a Tone Adjust 1 Tone Adjust 6 LPF Cutoff Reverse Assigns a parameter to each of the Tone Adjust controls 99 99 199 199 12 00 12 00 1200 1200 Off On Specifies the value of the parameter selected in Destina tion If this is set to 00 or PRG the value specified by the program will be used Destination Value Normally you would not select the same parameter for more than one Destination in the same track How ever if you do the results will be as follows For parameters other than Hold and Reverse If the same parameter is selected for more than one Destination on an single track
101. etup Initialize C 2ch Mix to Disk C Resample SEQ Play 8 HD Audio Track REC O In Track Sampling O Bounce Audio Track Source udio gt ETT gt Mono 1 To P Audio Track 2 Use the radio buttons to select HD Audio Track REC 3 In Source Audio select the external audio input source Analog Selects the analog audio signal from a musical instrument or other device connected to the AUDIO INPUT 1 and AUDIO INPUT 2 jacks S P DIF Selects the digital audio signal from an instru ment or DAT deck etc connected to the S P DIF jack mLAN Selects the digital audio signal from an instru ment etc connected to the mLAN connector if the optional EXB mLAN is installed PG p 4 PG p 56 Input ee If Source Audio is set to S P DIF or mLAN set Sys tem Clock Global P0 0 2a PG p 138 to the appro priate system clock setting 4 Use Mono 1 Mono 2 Stereo to specify the mono ste reo status of the input source PG p 4 PG p 56 Mono 1 Use Input 1 Mono 2 Use Input 2 Stereo Use Input 1 and 2 in stereo 5 Use To to specify the track s that will be recorded You can set this if the Mono 1 Mono 2 Stereo field is set to Mono 1 or Mono 2 If Mono 1 Mono 2 Stereo is set to Stereo audio tracks 1 and 2 will be recorded 6 Press the OK button to execute Auto Sampling HD Audio Setup If you decide not to execute press the Cancel button For the automatically set
102. ey WA If you selected Save to RAM Convert to Program and continue resampling without changing the settings the newly created samples will be automatically assigned to C 2 D2 Bil Listen to the sampled data e f you selected Save to RAM Convert to Program select the newly created program and play the C2 key to hear the sample e f you selected Save to DISK use the page menu command Select Directory PG p 7 to hear the sample W If you want to apply an insert effect to the input source go to the Program P0 Play Sampling page and set Input 1 2 BUS IFX Indiv Select to IFX1 IFX5 Set the BUS Select that follows the insert effect you used to 1 2 W9 If you did not check Convert to Program select and play the sample in Sampling mode to hear it Add the contents of 0 3E Auto Sampling Setup to the explanation in Parameter Guide Program mode 0 3 Sam pling Page Menu Command amp PG p 6 Automatically set parameters and their values BUS Select eb cm Ee f w meron ean a J Bee mw ww Sw ae 1 memeo memes o a eemm Fem T T C w w ww Be f om f o created created Not set automatically Values enclosed in parentheses are automatically set according to the settings you make in the dialog box 1 Settings for Analog S P DIF and mLAN Input 1 and In
103. form display of the Edit WAVE page you can only view the Loop On Off Loop S and End addresses v p 45 WAVE file waveform display Loop On Off Off On Specifies whether the WAVE file waveform will be looped On checked The waveform will play repeatedly from LoopS to the end i e sample start sample end gt LoopS sample end LoopS Off unchecked The waveform will play once from sam ple start sample end i e one shot playback If you change Loop On Off from Off to On the sample start and sample end addresses will be set as the initial values of LoopS and End LoopS 0000000 End 0000000 These parameters specify the loop start address and end address that will be used when playing the WAVE file These points are valid only if Loop is on The numerical val ues are sample addresses The addresses you specify here are shown as vertical lines in the WAVE file waveform dis play WA If Loop On Off is On the LoopS and End values will be the initial values of Edit Range Start and Edit Range End when you press the SAMPLING START STOP key only the region between LoopS and End will play back If you want to check the looping load the WAVE file into sample memory RAM and check it in Sampling mode If the size of the WAVE file exceeds the capacity of sample memory RAM so that you are unable to load it use t
104. from when the LFO begins to apply until it reaches the maximum effect 5 1a PG p 25 note For an INT F bank program this adjusts the LFO1 2 3 4 Fade parameter 5 1 2 3 4 a EM p 44 If LFO1 4 is selected for Pitch Modulation AMS1 or AMS2 2 1 2 b EM p 36 or Common P Mod AMS 2 4b EM p 37 then this adjustment applies to that LFO LFO1 Dly LFO1 Delay 99 00 99 Adjusts the program OSC1 2 pitch LFO1 delay the time from note on until the LFO effect begins to apply This con trols the same parameter as when CC 778 is received r PG p 257 INT F bank EM p 10 Ptch Str Pitch Stretch 12 00 12 Simultaneously adjusts the program OSC1 2 Transpose and Tune parameters This can produce a wide range of tonal variety without destroying the character of the original sound This controls the same parameter as the Performance Editor Pitch Stretch 0 1c PG p 2 A This will have no effect on programs in the INT F bank Dtun 1 Detune 1 1200 0000 1200 Adjusts the tuning of program OSC1 This controls the OSC1 Multisample Tune parameter 1 2a PG p 10 For an INT F bank program this controls the OSC Basic Transpose and Tune parameters r EM p 14 Dtun 2 Detune 2 1200 0000 1200 Adjusts the tuning of program OSC2 This controls the OSC2 Multisample Tune parameter 1 2a PG p 10 Id For an INT F bank program this controls the OSC Basic Tra
105. g Setup to the explanation in Parameter Guide Combination mode 0 5 Sampling Page Menu Command PG p 37 Automatically set parameters and their values Input Input Source Analog S P DIF mLAN Source Audio 2 Source Audio 2 BUS Select e Eee f m eee n L mes mw Se GxeE uum i 1 1 semper E Recording Level dB mem Pegg NEN SEEN E me 3 9 00 se o a o o created created Not set automatically Values enclosed in parentheses are automatically set according to the settings you make in the dialog box 1 Settings for analog S P DIF and mLAN Input 1 and Input 2 are made automatically The input source setting Input 1 and Input 2 you specified for Source Audio in the dialog box will be set automati cally 3 If Source Audio is Mono 1 this will be L Mono if Mono 2 this will be R Mono and if Stereo this will be Stereo 4 When Save to RAM and Convert to Program is checked 65 Combination 66 e The Bank Select When Status EX2 2 1b PG Copy From Prog ram p 38 setting will not change e The Status 2 1b PG p 38 setting will automatically be set to INT Copy From Program has been added to the page menu e Ifthe copy source is a program from the INT F bank commands of pages such as Combination PO 0 1 v PG the Voice Allocation Reserve EM
106. ge Start and Edit Range End locations After executing the copy do not delete the copy source WAVE file until you have actually exe cuted the insert mix paste command 7 Access the Sampling mode Edit Sample page SAMPLING P1 LL Edit Edit Range Start 666666 Edit Range End 8660606 Sampling START plays edit range i Use Sample Select 1 1b PG p 100 to select the sam ple into which you want to insert the data Use Edit Range Start to specify the starting address at which the data will be inserted The Edit Range End setting will be ignored Select the page menu command Insert to open the dia log box Insert Sample 8888 DISK To Start 6660066 From D RAM Save to No joogi L Overwrite In From select DISK If you select DISK the data copied from the WAVE file on the hard drive will be inserted into the sample data di The To Start field will indicate the starting address at which the data will be inserted 2 Use Save to No to specify the save destination sample number An unused sample number will be selected here by default You cannot select this if Overwrite is checked PG p 101 Sampling 61 62 If the insert source is a stereo WAVE file use Save to No L and R to specify the save destinations of the L and R channels 3 Press the OK button to execute the Insert command If you decide to cancel press the Canc
107. gram s Scale Type Key Random MIDI 1 1 8 9 16 Enable Program Change Enable After Touch Enable Damper Enable Portamento SW SEER MIDI 2 1 8 9 16 Enable JS X as AMS Enable JS Y Enable JS Y Enable Ribbon ilter MIDI 3 1 8 9 16 Enable Realtime Control Knob1 Enable Realtime Control Knob4 MIDI 4 1 8 9 16 Enable SW1 Enable SW2 Enable Foot Pedal Switch Other Control Change Key Z 1 8 9 16 Top Key Top Slope Bottom Slope Bottom Key Vel Z 1 8 9 16 Top Velocity Top Slope Bottom Slope Bottom Velocity P4 Zone Ctrl MOSS 1 8 9 16 Voice Allocation Reserve Reference Track SW1 SW1 Mode SW2 SW2 Mode Knob 1 B Knob 4 B Tone1 2 1 8 9 16 P5 Track Edit Tone3 4 1 8 9 16 Destination Value Arpeggiator Assign Arpeggiator Run A B P7 Arpeggiator Pattern Octave Resolution Gate Velocity Swing Sort Latch Key Sync Keyboard Top Key Bottom Key Top Velocity Bottom Velocity BUS Select Send1 Send2 P8 Insert Effect IEX1 IFX5 IFX1 On Off IFX5 On Off Chain Pan BUS Sel Send1 Send IFX 1 2 3 4 5 All effect parameters Master FX MFX 1 MFX 2 MFX1 On Off MFX2 On Off Chain Chain
108. h the filter EG is applied This controls the same parameter as when CC 79 is received amp PG p 257 INT F bank EM p 10 Amp Vel I Amp Velocity Intensity 99 00 99 Adjusts the program OSC 1 2 amp velocity intensity the depth to which velocity will affect the amp This controls the Amp Modulation Velocity Intensity 4 2b v PG p 22 lf For an INT F bank program this controls the Amp EG Level Modulation Velocity Control EM p 42 F A EG A Filter Amp EG Attack 99 00 99 Adjusts the program OSC 1 2 filter EG and amp EG attack times In order to maximize the effect of the adjustment the amp EG start level attack level start level modulation and attack time modulation will also be adjusted simultaneously This controls the same parameter as when CC 73 is received PG p 256 INT F bank EM p 10 F A EG D Filter Amp EG Decay _ 99 00 99 Adjusts the program OSC 1 2 filter EG and amp EG decay times This controls the same parameter as when CC 275 is received PG p 256 INT F bank EM p 10 F A EG S Filter Amp EG Sustain 99 00 99 Adjusts the program OSC 1 2 filter EG and amp EG sustain levels This controls the same parameter as when CC 70 is received PG p 256 INT F bank EM p 10 F A EG R Filter Amp EG Release 99 00 99 Adjusts the program OSC 1 2 filter EG and amp EG release times This controls the same parameter as when CC 72 is received PG p 256 INT F ban
109. he WAVE file used by that song data into a single direc tory and copy back up this data to CD ll Create a directory on the copy destination media CD Insert the copy destination CD into the drive e g CDRW 1 and use 0 3 Utility page Drive Select to select that drive If you need to format the media refer to PG p 170 2 Use the 0 3 Utility page menu command Create Direc tory to create an appropriately named directory e g NSBKUP Create Directory PG p 170 Utility Drive Select gt CDD BACKUP1 oad Ls Collect the song file and WAVE file into a single directory 3 Use Drive Select and the Open and Up buttons to move to the directory in which the NEWSONG SNG file is saved Then select the NEWSONG SNG file The vit SONG NEWFILE SNG 16K 31 61 2063 64 09 36 t 4 Select the page menu command Collect Audio Track file to open the dialog box Collect audio track file for NEWFILE SNG NE wFILE SNG Twe os O rove Press the Create Directory button and create an appro priately named directory e g AUDIO Collect audio track file for NEWFILE SNG rw NEWFILE SNG AUDIO O Type Copy C Move 6 Select the AUDIO directory you created in step 5 and press the Open button Collect audio track file for NEWFILE SNG ASONG AUDIO Selecting the AUDIO directory and pressing the Open Tupe e Copy O Move but
110. he change to take effect The new setting will be stored when you press the OK button If you restart the system while the dialog box is still displayed i e without pressing the OK button the TRITON STUDIO will operate with the previous setting Add the contents of SCSI Mode SCSI ID to the explanation of Parameter Guide 0 2a System Preference 1 PG p 137 Foot Switch Assign The following settings have been added to the Global P2 Controller page Foot Switch Assign parameter PG p 146 Tap Tempo You can use a foot switch to input a tap tempo for the arpeggiator song playback or SMF playback in Pro gram Combination Sequencer or Song Play modes Control the tempo in realtime by pressing the connected foot switch on the beat of the desired tempo rx p 70 Tap tempo con trol A Tap tempo control can be used whenever the TEMPO knob can be operated For example in Sequencer mode if the song is playing back with Tempo Mode r PG p 50 set to Auto you cannot use tap tempo control Song Start Stop You can use the foot switch to start stop SMF playback in Song Play mode When you operate the foot switch MIDI Start Stop messages will be transmitted Add this content to the Foot Switch Assign List r amp PG p 251 in Parameter Guide 9 Appendix Foot Switch Assign 57 Global 58 B n T T Fn j B es Auto Sampling Setup An Auto Sampling Setup page menu
111. he external audio input source Analog Selects the analog audio signal from a musical instrument or other device connected to the AUDIO INPUT 1 and AUDIO INPUT 2 jacks S P DIF Selects the digital audio signal from an instru ment or DAT deck etc connected to the S P DIF jack mLAN Selects the digital audio signal from an instru ment etc connected to the mLAN connector if the optional EXB mLAN is installed PG p 4 PG p 56 Input If Source Audio is set to S P DIF or mLAN set Sys tem Clock Global P0 0 2a v amp PG p 138 to the appro priate system clock setting 4 Use Mono 1 Mono 2 Stereo to specify the mono ste reo status of the input source PG p 4 PG p 56 Mono 1 Use Input 1 Mono 2 Use Input 2 Stereo Use Input 1 and 2 in stereo 5 Use To to select the MIDI track that will be used for in track sampling Note data will automatically be created in the MIDI track you select 6 Use Program to specify the program that will be cre ated After sampling a new multisample will automati cally be created and the sampled data will be converted into a program 7 Press the OK button to execute Auto Sampling HD Audio Setup If you decide to cancel press the Cancel button For the automatically set parameters and their values refer to p 32 For an example of using the auto matically set parameters BG p 115 Bl Performing in track sampling Use Location to specify the playback location
112. he page menu command Truncate or Cut to extract the LoopS and End region and create a new WAVE file that is small enough to load WO0 6 Page menu command 1l 0 6A i Save WAVE Parameter 0 6A Save WAVE Parameter This command saves the state of the WAVE parameters 0 6b WAVE Parameter to the WAVE file Execute this func tion after you have edited the WAVE parameters A The only WAVE parameters that are saved are Loop On Off LoopS and End These settings are valid only when the WAVE file is loaded into a device e g application that uses these parameters CD After editing the WAVE parameters select Save WAVE Parameter to open the dialog box Save BPM128 1 wWA Y Parameter O Overwrite wAY Name T NEWFILE 2 If you want to overwrite the original WAVE file check Overwrite WAV If you want to create a new WAVE file don t check this If this is not checked a new WAVE file will be created in the same directory as the original file Normally you will execute this without checking Overwrite WAV 3 If you are creating a new WAVE file use Name to spec ify a name for the new WAVE 4 To save the file press the OK button If you decide not to save press the Cancel button 0 6B Truncate
113. he page menu command Bounce Track v p 24 PG p 70 to bounce the audio tracks However you will not be able to adjust the level and make effect settings for each track dd If you want to create a WAVE file on the hard drive from a song that includes audio tracks refer to BG p 116 Resampling the song playback to create a WAVE file on the hard drive What to do if a Buffer overrun error occurred or Buffer underrun error occurred error message appears during recording or playback In some cases an error message of Buffer overrun error occurred or Buffer underrun error occurred may be dis played during recording or playback This occurs because the WAVE file being recorded or played back has been stored at discontinuous fragmented loca tions on the hard disk so that the read write head of the hard drive is having to move a greater distance to access the data and has therefore been unable to read write data in time If these errors occur while using the internal hard drive per form the following steps CD Execute the Disk mode Utility page menu command Optimize Medium to create contiguous free space p 51 2 Use the Disk mode 0 3 Utility page menu command Create Directory to create an appropriately named directory in the same level as the SNG file you were recording PG p 170 3 In the Disk mode 0 3 Utility page use the page menu command Collect Audio Track file to specify the direc tory
114. ialize Reset parameters related to sampling or audio track recording to their default state Resampling SEQ Play Automatically make the neces sary settings for resampling your keyboard performance in Sequencer mode In Track Sampling Automatically make the necessary settings for using the In Track Sampling function to sam ple only external audio signals 2ch Mix to Disk Automatically make the necessary set tings for resampling an existing song to a stereo WAVE file on the hard drive HD Audio Track REC Automatically make the neces sary settings for recording to the audio track 2 ch Bounce Audio Track Automatically make the necessary settings for bounce recording the audio tracks 3 Press the OK button If you decide to cancel press the Cancel button The sampling and or HD Audio Track parameters for the operation you selected will be set automatically A Once you execute this command the corresponding parameters will be set automatically You cannot use the COMPARE key to revert to the previous settings For the procedure and details on each setup refer to Auto Sampling HD Audio Setup rp 28 0 7D Bounce All Tracks To Song This command bounce records all tracks MIDI and audio of the current song to the audio track of a new song When using this command simply specify the bounce recording destination song in the dialog box and press the OK button All of the necessary settings and the bounce rec
115. ination of the newly cre ated WAVE file WA The operation of the compare function will depend on this setting r p 44 5 Press the OK button to execute Track Erase If you decide to cancel press the Cancel button 5 1D Copy Track 5 1E Bounce Track You can now select audio tracks when using the page menu commands Copy Track and Bounce Track amp PG p 70 If you are executing these commands on MIDI tracks Track 01 16 the procedure is the same as on previous versions r amp PG p 70 If executing with Track Select set to an audio track Audio Track 1 2 1 amp 2 1 Use Track Select to select an audio track 2 Choose the Copy Track or Bounce Track page menu command to open the dialog box The dialog box when executing Bounce Track Bounce Audio Track From Audio Track 1_ To Audio Track ERI L Overwrite WAY Name T NEWFILE 3 Use From Audio Track to specify the bounce source or copy source audio track and To Audio Track to specify the bounce destination or copy destination audio track By default From Audio Track will be set to the track selected in Track Select 4 If you check Overwrite WAV the results of executing the command will overwrite the WAVE file assigned to the audio track If this is unchecked execution will create anew WAVE file and the audio track assignment will be changed to the newly created WAVE file If yo
116. ints i e addresses at which the waveform level is at the center zero line When you operate the VALUE slider VALUE dial or A V keys to move to the previous or next zero cross address If you use the numeric keys 0 9 to input a value you will move to the zero cross point that is nearest that value Off unchecked You can adjust the Edit Range Start and Edit Range End address in units of 1 This is the normal mode of operation Grid Off On BPM 040 BPM 480 BPM Resolution J A If Grid is On checked vertical dotted lines will appear in the waveform display showing where the beats fall based on the Grid tempo BPM and resolution Resolution settings Use this when you want to cut or copy data or edit a location in units of BPM values or beats WA The grid will start at the beginning of the waveform if Loop is off or at the Loop Start address if Loop is On A This has no connection with the setting of the TEMPO knob ZOOM These buttons let you zoom in or zoom out on the horizon tal axis address or vertical axis level of the waveform dis play Vertical zoom in Horizontal zoom out fom e UD sb Horizontal zoom in Maximum horizontal HE E Horizontal zoom in x1 zoom out il Vertical zoom out As you zoom in horizontally from viewing the entire wave form the point at which the waveform is first shown as a solid line is 1x you can continue zooming in to 2x or
117. io Track 2 HD Audio Track function WAVE Stereo Hard disk Make Audio CD WAVE Stereo Resampling L R 2ch Mix Sequencer About the audio tracks The audio tracks used by a song Audio Track 1 2 are a single stereo WAVE file that is created by recording in synchronization with the MIDI tracks master track Audio track 1 is the L channel of the stereo WAVE file and audio track 2 is the R channel When you record or edit one track or any portion of a track this entire stereo WAVE file is modified it is not the case that sepa rate WAVE files exist This means that an unrecorded track or region of a track will contain data with a waveform level of zero In other words the size occupied by the stereo WAVE file is the same whether or not recorded data exists Some examples are shown below to illustrate this These examples will help you use the HD Audio Track function and your hard disk space most effectively CD For this example we will assume that the song is 16 measures in length From the initial state of the song suppose that you record guitar on audio track 1 A stereo WAVE file will be created The length of the stereo WAVE file will be the length from the beginning of the song to the location at which you stopped recording The unrecorded audio track 2 will also occupy space on the disk Song 16 measures 001 01 000 016 04 191 HD Audio Track 1 Guitar HD Audio Track 2 i a
118. ity page menu command Check Medium r2 p 13 What to do if a Buffer over run error occurred or Buffer underrun error occurred error message appears during record ing or playback Buffer underrun error occurred Meaning While playing back an audio track or WAVE file from the hard drive the reading speed could not keep up with the playback processing Action Execute the Disk mode 0 3 Utility page menu command Optimize Medium then copy the file to a different name and try the playback opera tion once again In the case of an audio track reas sign the file after copying it and then play back p 13 What to do if a Buffer overrun error occurred or Buffer underrun error occurred error message appears during recording or play back Medium unavailable Meaning You attempted to play back or record a WAVE file that is saved on a medium other than hard drive WAVE files saved on a medium other than hard drive cannot be recorded or played back as an audio track You must copy the corresponding WAVE file to a hard drive and then reassign it to the audio track Action Source file is not 44100 Hz or 48000 Hz Can t convert Meaning When executing the Disk mode page menu com mand Rate Convert or the Edit WAVE page menu command Rate Convert you selected a WAVE file whose sampling rate was other than 44 1 KHz or 48 kHz WAVE files other than 44 1 KHz or 48 KHz cannot be converted Action
119. ive messages can also be saved and loaded as SMF Standard MIDI File data Load Standard MIDI File Save Song as Standard MIDI File This means that you can save recorded exclusive events as SMF data or convert exclusive messages from an SMF file into song data During playback this data can be transmitted to an external MIDI device or can be used to control song track parame ters or effect parameters 1 Recording internal parameter changes As an example here s how to record internal parameter changes using the preset template song Acid Jazz In this example we ll use an empty track to record parame ter changes for the insert effects IFX1 IFX2 assigned to track 1 drums CD Use the page menu command Load Template Song to load Acid Jazz In the dialog box check Copy Pattern to Track too and create a song of about 16 measures rx BG p 49 Creating the basic song 1 Loading a tem plate song and copying preset patterns drum phrases SEQUENCER P Play REC Program 161 63 001 01 000 Meter 444 J 108 gt Manu S000 Acid Jazz OEE Drums Bz Standard Kit 2 a1 oAssign E P ogra i ml SEN SEN Dil SER ZEN SEN P press I Pros Mixer ia ET Prete 3 16 1 8 3 16 i W DAudio JL rence 2 Move to Global mode and in Global P1 MIDI MIDI Fil ter check the Enable Exclusive check box GLOBAL P1 MIDI MIDI Setup MIDI Channel Dji Local Control On Conver
120. ized into partitions and volumes Version 2 0 supports loading from a volume All of the Program files and Sample files in the volume will be loaded at once C O Partition Volume AKAI format program file AKAI format sample file E Up Open 29 Load AKAI Volume This command loads the Program files and Sample files from a volume of an AKAI S1000 3000 format sample CD CD In the 0 1 Load page use Drive Select to select the AKAI 1000 53000 format media In the directory window select the desired AKAI S1000 3000 format volume 3 Select the page menu command Load selected to open the dialog box Load AKAI olume Advanced Conversion Load Append to Combination b AGGG Initial Combi AAAA Program p 1 amp amp 88 Initial Prog Aga 4 If you check Advanced Conversion Load all Sample files in the selected volume will be loaded as samples The key group key group zone oscillator pitch filter amp pan and EG parameters of the Program files will be converted into TRITON STUDIO programs or pro grams and combinations Multisamples will also be con vert loaded at this time If you do not check Advanced Conversion Load all Sample files in the selected volume will be loaded as samples and Program files will be loaded as multisam ples Only the keymap related parameters of the Pro gram files will be loaded to create the multis
121. k EM p 10 Sequencer 41 42 Filtr EG A Filter EG Attack Filtr EG D Filter EG Decay Filtr EG S Filter EG Sustain 99 00 99 Filtr EG R Filter EG Release 99 00 99 These respectively adjust only the filter EG parameters of F A EGA F A EG D F AEGS and F A EG R 99 00 99 99 00 99 Amp EG A Amp EG Attack 99 00 99 Amp EG D Amp EG Decay 99 00 99 Amp EG S Amp EG Sustain 99 00 99 Amp EG R Amp EG Release 99 00 99 These respectively adjust only the amp EG parameters of F A EG A F A EG D F A EGS and F A EG R LFO1 Spd LFO1 Speed 199 00 199 Adjusts the program OSC 1 2 LFO1 speed This controls the same parameter as when CC 76 is received amp PG p 256 INT F bank EM p 10 LFO1 P Int LFOT Pitch Intensity 12 00 00 00 12 00 Adjusts the program OSC 1 2 pitch LFOI intensity the depth to which LFO1 modulates the pitch This controls the same parameter as when CC 77 is received amp PG p 257 INT F bank EM p 10 8 For an INT F bank program the range of values will be 99 00 99 which is different than for other pro gram banks The adjustment you specify in the range of 12 00 00 00 12 00 will be valid but the pitch may not be accurate due to differences in the resolution LFO1 Fade 99 00 4 99 Adjusts the program OSC 1 2 LFO1 Fade the time
122. k 2 Audio Track 1 amp 2 Track01 Track16 Master Track These are the MIDI tracks and master track provided on previous versions PG p 50 Audio Track 1 Select this when you want to record mono on audio track 1 or to edit audio track 1 Audio Track 2 Select this when you want to record mono on audio track 2 or to edit audio track 2 Audio Track 1 amp 2 Select this when you want to record in stereo on audio tracks 1 and 2 or to edit audio tracks 1 and 2 Page menu commands The page menu commands Delete Song and Copy From Song now support songs that contain audio tracks 0 1D Delete Song Deletes the currently selected song PG p 52 If you execute this command on a song that contains audio tracks the song will be deleted but the WAVE file used by the audio tracks will not be deleted 0 1E Copy From Song Copies all settings and performance data from a specified song to the currently selected song PG p 52 Even if you execute this command with a song containing audio tracks selected as the copy source the WAVE file used by the audio tracks will not be copied The copy destination song audio tracks will use the same WAVE file 0 7 Sampling HD Audio The 0 7 Sampling page has changed to the 0 7 Sampling HD Audio page the tab has changed from Sampling to Sampling HD Audio and audio track playback parameters and page menu commands have been added z Input Analog COMBI PROG SEQ S P
123. le 2 Edit WAVE function rs p 45 WAVE files saved on the internal hard drive or an external drive can now be edited on the TRITON STUDIO WAVE files copied from a sample CD ripped from an audio CD or sampled on the TRITON STUDIO can be edited directly without the need for loading into RAM In addition to basic editing commands such as Cut you can use a variety of operations such as Time Stretch and Transfer WAVE To Track placing the data on one of the sequencer s audio tracks 3 KARMA Music Workstation and TRITON Le PCG SNG files compatibility p 54 Sound data PCG files and song data SNG files from the KARMA Music Workstation versions 1 0 and 2 0 and TRI TON Le can now be loaded into the TRITON STUDIO 4 Load PCG RAM and Samples page menu command p 49 This new command loads only the programs and drum kits that use RAM samples and the songs and combinations that use those programs This allows you to merge sample based sounds from various PCG files to a single bank This also provides an efficient way to load KORG TRITON format sample data from CD libraries available from third party vendors 5 Collect Audio Track File page menu command p 52 This command moves or copies the WAVE file created by the HD Audio Track function to the same folder level as the SNG file song data This makes it easy to manage data when backing up to external media such as CD 6
124. le SEQ Play This automatically makes the necessary settings for resam pling your keyboard performance in Sequencer mode il Setup CD Select Auto Sampling HD Audio Setup to open the dialog box Auto Sampling HD Audio Setup C Initialize C 2ch Mix to Disk Resample SEQ Play C HD Audio Track REC O In Track Sampling O Bounce Audio Track Save to 7 Convert to Program Program 1 E amp amp 8 Initial Prog Eaaa j 2 Use the radio buttons to select Resample SEQ Play 3 Use Save to to select the location to which the resam pled data will be written PG p 5 Save to RAM The resampled data will be written into sample memory RAM If the Convert to Program option in step 4 is checked a new multisample will automatically be created after resampling DISK The resampled data will be saved as a WAVE file on the internal hard drive or a hard drive etc connected to the SCSI connector 4 If you set Save to to RAM checking Convert to Pro gram will convert the resampled data into a program of the number you specify in Program After resampling you can switch to Program mode and try out the data immediately 5 Use Program to specify the conversion destination program 6 Press the OK button to execute Auto Sampling HD Audio Setup If you decide to cancel press the Cancel button For the automatically set parameters and their values refer to p 32 WA If Save to is set t
125. lled r PG p 4 Input WA If you select S P DIF or mLAN for Source Audio you must set System Clock Global PO 0 2a v PG p 138 to the appropriate system clock setting 4 Use Mono 1 Mono 2 Stereo to specify whether the input source is mono or stereo r PG p 4 Mono 1 Input 1 will be used Mono 2 Input 2 will be used Stereo Input 1 and 2 will be used in stereo 5 Use Save to to select the destination where the sam pled data will be written PG p 5 Save to RAM The resampled data will be written into sample memory RAM If the Convert to Program option in step 6 is checked a new multisample will automatically be created after resampling DISK The sampled data will be saved as a WAVE file on the internal hard drive or an external SCSI hard drive 6 If you selected Save to RAM checking Convert to Program will convert the resampled data into a pro gram using the number you specify in Program You can then move to Program mode after resampling and play the data immediately 7 Use Program to specify the program where the con verted data will be saved Press the OK button to execute Auto Sampling Setup If you decide not to execute press the Cancel button For the automatically set parameters and their values p 65 WA If you selected Save to RAM and want to change the RAM bank use the page menu command Select Bank amp Smpl No Program 0 3C PG p 6 to specif
126. lly set parameters and their values Input Input Source Analog S P DIF mLAN Source Audio Analog S P DIF mLAN Pan BUS Select IFX Send1 Send2 Input2 Level R UR UR Recording Setup Source BUS Trigger Bs START SW sampling START SW sampling START SW Metronome Precount Not set amies Values enclosed in parentheses are automatically set according to the settings you make in the dialog box 1 Settings for analog S P DIF and mLAN Input 1 and Input 2 are made automatically The input source setting Input 1 and Input 2 you specified for Source Audio in the dialog box will be set automati cally 5 If IFX is Off this will be L R If IFX1 5 is selected this will be IFX1 5 4 If Source Audio is Mono 1 this will be L Mono if Mono 2 this will be R Mono and if Stereo this will be Stereo Page menu commands Insert Mix Paste You can now use the Insert Mix and Paste page menu commands of the Sampling P1 Sample Edit page PG p 102 103 to insert mix paste data from a WAVE file stored on the hard drive into a sample in sample memory RAM A From field has been added to the dialog box of each page menu command Dialog box of the Insert page menu command Insert Sample 8888 DISK To Start aananag From RAM Save to No LING L Overwrite Use From to select the copy source of the data RAM The
127. ly set parameters and their values 69 Other functionality 70 Tap tempo tonirol oor n en terat ees 70 Various messages eeeee eee eee eee eee enun 70 Changed messages eere 70 Added messages sssssscssssssssscssssssscssssessseceees 71 About this manual How this manual is organized This manual explains the new features and functions that have been added in the TRITON Studio operating system version 2 0 and the improvements that have been made over earlier versions of the operating system Sequencer mode Disk mode Global mode Sampling mode Combination mode and Program mode are each covered in separate chapters and functions that apply to more than one mode are described in the chapter entitled Other new func tions The information in this manual supercedes the original Basic guide and Parameter guide included with the TRITON STUDIO Using the conventions listed below annotations have been made to show where additions and changes need to be made to the Basic and Parameter guides Conventions in this manual Indicates an addition or change to the Parameter Guide and the corresponding page Indicates an addition or change to the Basic Guide and the corresponding page PG Parameter Guide is abbreviated as PG BG Basic Guide is abbreviated as BG EM EXB MOSS Owner s Manual is abbrevi
128. mat Format 1 Off On Off unchecked System exclusive events and universal exclusive events within the song data will not be saved The same operation as in previous versions On checked System exclusive events and universal exclu sive events within the song data will be saved as exclusive messages Exclusive Add the contents of Exclusive to the explanation in Parameter Guide 0 2 Save 0 2F Save to Std MIDI File Save Song as Standard MIDI File amp PG p 167 Optimize Medium The Optimize Medium page menu command has been added to the 0 3 Utility page Convert to 1509660 Format 0 3J 0 3J Optimize Medium Optimize Medium creates large continuous areas of free space on the selected MS DOS format media so that you can create files that can be accessed efficiently If Buffer overrun error occurred or Buffer underrun error occurred messages are frequently displayed when you sample to the hard drive or play WAVE files from the hard drive or when you record playback an audio track in Sequencer mode you may be able to solve the problem by executing this command and then using the Copy com mand to copy the corresponding file ZA As a safeguard against accidental data loss while exe cuting this command we recommend that you back up important data on an external SCSI device etc before hand CD Make sure that the media that you want to Optimize is in place 2 U
129. minutes at a sampling rate of 48 kHz Add these messages to Parameter Guide 9 Appendices Various messages amp PG p 272 Other functionali 7 KORG INC 15 12 Shimotakaido 1 chome Suginami ku Tokyo Japan j B Mr Q Z z O N epinB ppd 0 7 uoisJoA LWU9 SAS DUON 2003 KORG INC 1505 CGH Printed in Japan
130. n audio track If executing with Track Select set to a MIDI track Track 01 16 D Use Track Select to select a MIDI track Track 01 16 2 Choose Erase Track to open the dialog box Erase Track 81 L All Tracks jan MIDI Tracks 3 Specify the track s whose data you want to erase If you check All Tracks the data of all tracks including the audio tracks will be erased In the case of the audio tracks the WAVE file assignment will be cancelled The WAVE file itself will not be deleted If you check All MIDI Tracks the data of all MIDI tracks Track 01 16 will be erased The audio tracks will not be erased If no WAVE file is assigned to the audio tracks the master track will also be erased If you execute without checking either of these option boxes only the data of the track selected in Select Track will be erased 4 Press the OK button to execute Erase Track If you decide not to execute press the Cancel button I 2d If you begin recording on the audio track of a song from which all tracks including the audio tracks and master track have been erased the Set Song Length dialog box will appear Once you have specified the desired length of the song you will be able to start recording on the audio track If executing with Track Select set to an audio track Audio Track 1 1 amp 2 D Use Track Select to select an audio track Audio Track 1 Audio Track 1 amp 2 2
131. n bounce recording audio tracks turn the metro nome off Metronome Setup Sound Off E Record 6 Set Location to the beginning of the song 001 01 000 SEQUENCER P Play REC Preference ail 51 01 000 Meter 44 J 120 Mau S000 NEW SONG gt Audio Track 1 TAKENOG2 Reso Hi O RPPR 16 N i L Punch In di M Bounce Source Bus L R poboverwenre way T euirraRes Metronome Setup Sound gt Off Level 127 Precount Measure 2 Kk 1 8 3 16 1 8 3 16 1 8 3 16 JiHDRudio 7 Press the SEQUENCER REC WRITE key You will enter record ready mode In the Sequencer P0 Play REC Sampling HD Audio page AUDIO 1 PLAY MUTE REC will indicate P R Play Rec and AUDIO 2 PLAY MUTE REC will indicate PLAY AUDIO P L R BEBO pg 21398 A When you press the SEQUENCER REC WRITE key you will be prevented from using Track Select to switch between MIDI tracks and audio tracks Press the SEQUENCER START STOP key Playback and bounce recording will begin simulta neously When the audio tracks finish playing back recording and playback will stop automatically Bl Check the recorded content 9 Press the SEQUENCER START STOP key to play back the song Assign the output settings for the audio tracks as described in 2 Record the audio track Check the recorded content rp 11 Press the SEQUENCER START STOP key to stop playback Sequencer WA You can also use t
132. n to execute Auto Sampling Setup If you decide not to execute press the Cancel button For the automatically set parameters and their values 1 p 65 For examples of using the automatically set parameters refer to amp BG p 45 W9 Ifyou selected Save to RAM and want to change the RAM bank use Select Bank amp Smpl No Program 0 3C v PG p 6 to specify the resampling destination sample memory RAM WA If you selected Save to DISK use the page menu command Select Directory Program 0 3D PG p 7 to specify the save destination for the WAVE file that will be created by resampling Bil Resample 7 Press the SAMPLING REC key and then the SAM PLING START STOP key Use the keyboard etc to play the combination Sampling will begin at the first note on PG p 4 When you have finished performing press the SAM PLING START STOP key W If you have selected Save to RAM Convert to Pro gram and continue resampling without changing the settings the successive samples will automatically be assigned to C 2 D2 63 Combination 64 Check the resampled data e If you selected Save to RAM Convert to Program move to Program mode select the newly created program and play the C2 on the keyboard to hear the resampled result e If you selected Save to DISK use the page menu command Select Directory to hear the results rx PG p 7 WA Ifyou want to simultaneou
133. nced Conversion Load load the data as multisamples or samples and then edit it on the TRITON File path not found Meaning When you attempted to play or record an audio track the WAVE file assigned to the audio track of the song did not exist in the save destination directory Use the Sequencer P0 Play REC Sampling HD Audio page menu command Sel Dir WAVE Audio Track to reassign the appropriate WAVE file Meaning When you attempted to execute the Disk mode page menu command Collect Audio Track file the WAVE file assigned to the audio track of the song file did not exist in the save destination directory Use the Sequencer P0 Play REC Sampling HD Audio page menu command Sel Dir WAVE Audio Track to reassign the appropriate WAVE file and then use the Disk 0 2 Save page menu command Save SEQ to save Action Action Source file is not 44100 Hz or 48000 Hz Can t put Meaning When executing the Sequencer mode P5 Track Edit page menu command Put WAVE you had selected a WAVE file that was other than 44 1 KHz or 48 kHz WAVE files other than 44 1 KHz or 48 kHz cannot be placed in an audio track Action Source file is not 44100 Hz or 48000 Hz Can t set Meaning When executing the Sequencer mode P0 Play Action REC Sampling HD Audio page menu command Sel Dir WAVE Audio Track you had selected a WAVE file that was other than 44 1 kHz or 48 kHz WAVE files othe
134. nd Select Bank amp Smpl No 0 7A v PG p 56 to select the sampling destina tion sample memory RAM 29 Sequencer 30 A 2ch Mix to Disk As a preparatory step to creating an audio CD from your completed song you must resample your song to create a two channel stereo WAVE file on the internal hard drive rx BG p 116 The 2ch Mix to Disk radio button automatically makes the necessary settings for creating this WAVE file il Setup CD Select Auto Sampling HD Audio Setup to open the dialog box Auto Sampling HD Audio Setup O Initialize e 2ch Mix to Disk C Resample SEQ Play HD Audio Track REC O Bounce Audio Track O In Track Sampling 2 Use radio buttons to select 2ch Mix to Disk 3 Press the OK button to execute Auto Sampling HD Audio Setup If you decide to cancel press the Cancel button For the automatically set parameters and their values refer to p 32 For an example of using the auto matically set parameters BG p 116 Bl Resampling a completed song to create a WAVE file 4 Select the song that you want to resample 5 Press the SAMPLING REC key 6 Press the SAMPLING START STOP key Standby 7 Press the SEQUENCER START STOP key Song playback and resampling will begin Press the SEQUENCER START STOP key Song playback and resampling will end and a WAVE file will be created amp If a Buffer overrun error occurred or Buffer under run erro
135. nspose and Tune parameters r EM p 14 A This is valid only if the program s Oscillator Mode 1 1a v PG p 7 is set to Double Hold Off PRG On Controls the program s Voice Assign Hold setting 1 1b 1 PG p 8 If this is Off the Ampl EG Amp2 EG Release Release Time parameter is set to 0 in order to maximize the effect WA For an INT F bank program this sets the Release Time to 0 for the EG that is being used for Amp Normally you will be able to use this most effectively on a drum program If this is turned Off the key off timing will affect the sound allowing you to use key on off to control the gate time You may be able to obtain interesting results by turning this Off for an existing drum track Rev Reverse Off PRG On Controls the Rev parameter Program 1 2a v PG p 9 Glo bal 5 1b PG p 149 for each Multisample of program OSC1 2 or for each Drumsample If this is turned On all multisamples and drum samples will play in reverse If this is turned Off all multisamples and drum samples will play normally If this is set to PRG the setting of the program or the drum kit used by the program will be used Normally you can make effective use of this on a drum program A This will have no effect on programs in the INT F bank Add the contents of Tone Adjust Parameters to the Param eter Guide Sequencer P5 Track Edit page v PG p 68 Copy From Program Cop
136. nvert to Program option in step 6 is checked a new multisample will automatically be created after resampling DISK The sampled data will be saved as a WAVE file on the internal hard drive or an external SCSI hard drive PG p 5 Save to 6 If you selected Save to RAM checking Convert to Program will convert the resampled data into a pro gram using the number you specify in Program You can then move to Program mode after resampling and play the data immediately 7 Use Program to specify the program where the con verted data will be saved Press the OK button to execute Auto Sampling Setup If you decide not to execute press the Cancel button For the automatically set parameters and their values p 69 WA If you selected Save to RAM and want to change the RAM bank use the page menu command Select Bank amp Smpl No 0 3C PG p 6 to specify the sampling destination sample memory RAM WA If you selected Save to DISK you can use the page menu command Select Directory 0 3D v PG p 7 to specify the save destination for the WAVE file that will be created by sampling Bl Sampling Start playing the program that uses the arpeggiator etc Press the SAMPLING REC key and then the SAM PLING START STOP key di Play the instrument etc that is connected to the AUDIO INPUT jack you specified in Source Audio 2 When you are finished playing press the SAMPLING START STOP k
137. o RAM and you want to change the RAM bank use the page menu command Select Bank amp Smpl No Sequencer 0 7A PG p 56 to specify the sampling destination sample memory RAM WA If Save to is set to DISK use the Program mode page menu command Select Directory Program 0 3D t PG p 7 to specify the save destination for the WAVE file that is created by resampling Bil Resample D Press SAMPLING REC and then SAMPLING START STOP Start the sequencer playback or play live on the key board You can play along with the sequencer during res ampling If you are only playing live and not using the sequencer sampling will begin with the first note on PG p 4 When you are finished performing press the SAM PLING START STOP key dd If Save to is set to RAM Convert to Program and you continue resampling without changing the settings the successive samples will automatically be assigned to C 2 D2 Bil Listen to the resampled data e If Save to was set to RAM Convert to Program switch to Program mode select the program that was created and play the C2 key to hear the program e If Save to was set to DISK go to Program mode and use the page menu command Select Directory to hear the WAVE file that was created Program 0 3D v PG p 7 WA If you want to simultaneously resample the song play back and your keyboard performance change Trig ger 0 7b PG p 56 to S
138. of all tracks including the audio tracks If you check All MIDI Tracks the command will be executed on all MIDI tracks Track 01 16 and the master track but not the audio tracks If you execute the com mand with neither of these check boxes selected execu tion will apply only to the data of the track selected in Select Track The dialog box when executing Erase Measure Erase Measure of Track 61 From Measure EER Kind All To End of Measure 664 All Tracks L Overwrite WAY Name T NEWFILE If an audio track exists and All Tracks is checked the Overwrite WAV item will be displayed 5 If you check Overwrite WAV the results of executing the command will overwrite the WAVE file assigned to the audio track If this is unchecked execution will create a new WAVE file and the audio track assignment will be changed to the newly created WAVE file If you are creat ing a new file use Name to specify a name for the file Normally you will execute with Overwrite WAV unchecked ld The page menu command Sel Dir WAV Audio Track specifies the save destination for the newly cre ated WAVE file 6 Press the OK button to execute the command If you decide to cancel press the Cancel button If executing with Track Select set to an audio track Audio Track 1 1 amp 2 1 Use Track Select to select an audio track 2 Choose one of the above page menu commands to op
139. of the song Press the SAMPLING REC key Sampling standby Press the SEQUENCER START STOP key di At the moment you want to start sampling press the SAMPLING START STOP key 2 Play the instrument or other source you connected to the AUDIO INPUT jack selected in Source Audio 3 When you are finished playing press the SAMPLING START STOP key Only sampling will stop Alterna tively press the SEQUENCER START STOP key Song playback and sampling will both stop WA If you want to continue sampling while the song plays turn the Global PO Input Sampling Auto Optimize RAM setting Off PG p 140 dd If you set Save to to RAM Convert to Program and continue sampling without changing the settings the samples will be automatically assigned to C 2 D2 Bi Listen to the sampled data e Move the Location back and press the SEQUENCER START STOP key to play back the song e Use Track Select 0 1a v PG p 50 to select the track specified in To step 5 and play the C2 note of the keyboard eS If you want to apply an insert effect to the input source go to the Sequencer P0 Play REC Sampling HD Audio page and set Input 1 2 Bus IFX Indiv Select to IFX1 IFX5 Set the BUS Select following that insert effect to 1 2 WA If you set Trigger 0 7b PG p 56 to Threshold sampling will begin when the input level exceeds the specified value x BG p 115 WA Use the page menu comma
140. ord and play back status of each audio track This setting will change each time you press the PLAY MUTE REC button The status of each track may be set independently PLAY The track will play back MUTE The track will be muted REC This will be displayed when you record It cannot be selected P R This will be displayed when you perform bounce recording p 12 18 It cannot be selected SOLO ON OFF Switches the solo function on off Only tracks whose SOLO is ON will play back Other tracks including MIDI tracks will be muted The setting will alternate each time you press the SOLO ON OFF button Off On fd If the page menu command Solo Selected Track 0 1B is on that solo setting will take priority If you press SOLO ON OFF or a parameter of another track only that track will be soloed and will play back note The Pan Level S1 and S2 parameters of Audio Tracks 1 and 2 cannot be controlled by transmit ting receiving or recording MIDI control change mes sages However these parameters can be controlled by recording playing exclusive events p 34 0 7c Recording Level dB This adjusts the signal level at the final stage of recording PG p 92 Sampling 0 1d Recording Level dB Sequencer 15 16 0 7 Page Menu Command In the 0 7 Sampling page the page menu commands Sel Dir WAVE Audio Track Auto Sampling HD Audio Setup Bounce All
141. ording operation will be performed automatically CD In the Sequencer P0 Play REC Sampling HD Audio page choose the page menu command Bounce All Tracks To Song to open the dialog box 17 18 Bounce All Tracks to New Song To Song gt WAVE T NEWFILE 2 Use To Song to select the bounce recording destination song 8 Use WAVE to specify a name for the WAVE file that will be created by the bounce recording operation RA The save destination of the WAVE file created by bounce recording is specified by the page menu com mand Sel Dir WAVE Audio Track v p 16 4 Press the OK button to execute the Bounce All Tracks To Song operation If you decide not to execute press the Cancel button The bounce source song will begin playing and record ing will also begin When the song finishes playing back the bounce recording will be completed RA Recording Level is automatically set to a level 12 0 dB lower than the level that would cause the CLIP indicator to come on when the song is being played back at the maximum level You can use the WAVE File Play Level Global PO 0 2a PG p 138 to select the playback level of the audio track created by bounce recording in a song 0 8 Preference Parameters related to recording the audio tracks have been added to the Sequencer P0 Play REC Preference page When you use Track Select to select an audio track the audio track s will be the
142. ounce recording will stop amp If a Buffer overrun error occurred or Buffer under run error occurred error message is displayed refer to What to do if a Buffer overrun error occurred or Buffer underrun error occurred error message appears during recording or playback p 13 and execute the Disk mode 0 3 Utility page menu com mands Optimize Medium and Collect Audio Track file If the error message Buffer overrun error occurred appeared during recording the data recorded up to the point where the error occurred will have been recorded correctly but the data at beyond the point the error appeared may not play back Bill Listen to the recorded result Adjust the Pan of the audio track you selected in the To field of the dialog box If you selected audio track 1 in the To field adjust the audio track 1 Pan If you selected audio track 2 adjust the audio track 2 Pan If you selected audio track 1 amp 2 adjust Pan for both audio tracks 1 and 2 Turn SOLO OFF for the audio track for the audio track you did not select in the To field If To is set to audio track 1 turn the audio track 2 SOLO OFF If To is set to audio track 2 turn the audio track 1 SOLO OFF If you selected Audio Track 1 amp 2 turn SOLO ON for both audio tracks 1 and 2 9 Press the SEQUENCER START STOP key to play back W9 Ifyou are using an insert effect set BUS Select to L R for the
143. ous version before you performed the Put Effect Setting to Track operation SE Processing the data placed in a track by the Put Effect Setting to Track command may take a little bit of time As your song becomes filled with more and more data it may take longer to complete the effect change When listening to the playback in step 9 if you notice the effect change does not take place smoothly at the desired location use the COMPARE key lit to return to the previous state and try the operation again This time change the Beat Tick settings so that the change takes place a little bit 40 100 Ticks earlier or later in the song Sequencer P5 Track Edit The Sequencer P5 Track Edit page menu commands Event Edit PG p 69 and Erase Measure PG p 70 now allow you to view and edit exclusive events If you want to edit only exclusive events in Event Edit open the Set Event Filters dialog box and check the Exclu sive box To erase exclusive events in the Erase Measure dialog box set Kind to Exclusive Changes to the page menu commands 5 1 B Event Edit Tracks containing exclusive events are now supported If you check Exclusive in the Set Event Filters dialog box the display will be as shown below Event Edit Track 89 Measure TEM index gana Meter 4 4 Event indication BT 81 000 EXCL Location BT 81 008 EXCL BT 81 008 EXCL BT 81 008 EXCL BT 81 008 EXCL BT 01 000 EXCL
144. page menu commands The page menu commands Put WAVE Normalize Level Volume Ramp Erase Punch Noise Time Stretch Sustaining and Transfer WAVE To MIDI Track have been added Delete Measure Normalize Level 5 18 Insert Measure exe Note 5 1T Repeat Measure j 5 1U 5 1V 5 1W 5 1R 5 1R Put WAVE This command places the selected file into an audio track Using this command a WAVE file ripped from CD or cre ated by resampling in Program mode can be placed in an audio track p 16 CD Use Track Select to select the audio track in which you want to place a WAVE file 2 Choose Put WAVE to open the dialog box Put WAYE Drive Select gt HDD INTERNAL HD To Audio Track 1 Measure 868 1 Beat Tick 01 000 a Overwrite WAY Name T NEWFILE 3 Use Drive Select to select the drive that contains the WAVE file 4 Select the WAVE file that you want to place in the audio track Use the Open button and Up button to move between directories If you press the SAMPLING START STOP key the selected WAVE file will begin to play back allowing you to audition the contents 6 In the To area use the Audio Track field to specify the audio track into which the WAVE file will be placed set Measure to the measure and Beat Tick to the beat and clock at which the WAVE file will be placed Initially the Measure field will be set to the me
145. parameters of IPX2 IFX5 will be set to the default val ues 2 Drum kits Drum kits 00 15 INT will be loaded into 00 15 A B and drum kits 16 23 User will be loaded into 16 23 E A 3 Arpeggio patterns Arpeggio patterns U000 119 INT will be loaded into U000 199 A B and arpeggio patterns U200 215 User will be loaded into U200 215 E A 4 Program mode Audition Riff and Transpose settings Since the TRITON STUDIO does not have an Audition Riff function these parameters will be maintained as internal data but will be ignored 5 Sequencer mode parameters Tone Adjust Audio Track 1 and Audio Track 2 parameters will be set to their default values The WAVE file assignment WAVE File will be set to No Assign Data compatibility TRITON STUDIO operating system version 2 0 subse quently referred to as version 2 0 maintains compatibility in its various data formats with the earlier TRITON STUDIO operating system version 1 x subsequently referred to as version 1 0 However you should be aware of the following points ld The TRITON STUDIO s various data formats are com patible with the TRITON TRITON Pro TRITON Prox and the TRITON Rack Data can be saved loaded via external media such as floppy disk or via MIDI exclu sive data dump or parameter changes However you should be aware of differences in bank structure or parameter structure For details refer to the owner s manuals of the TRITON T
146. put 2 are made automatically The input source setting Input 1 and Input 2 you specified for Source Audio in the dialog box will be set automati cally 3 If Source Audio is Mono 1 this will be L Mono if Mono 2 this will be R Mono and if Stereo this will be Stereo 4 When Save to RAM and Convert to Program is checked Program 69 70 Tap tempo control A tap tempo control function has been added to Program Combination Sequencer and Song Play modes While SMF data is playing in these modes you can control the playback tempo in realtime just by lightly pressing the ENTER key several times at the beat of the desired tempo This function is a convenient way to set the tempo of the arpeggiator sequencer or SMF playback to the desired beat in realtime As an example here s an example of the procedure in Pro gram mode CD In Program mode select INT A004 Tricky Kit PROGRAM P Play Performance Edit A Category X b 15 Drums J 108 Bank INT P3004 Tricky Kit iSW1 Octave Down iSwW2 JS X amp Ribbon Lock SIFX1882 Stereo Compressor Knob 1B Attack Performance Editor Octave Pitch Osc Amp Attack Decay IFX MF Stretch Balance Level Time Time m Balance Edit ggio 2 In Program PO Play select the Arpeggio tab and check the Latch check box PROGRAM P Play sud Aa Bank INT A j 13 004 Tricky Kit fRirpeggiator verserer paanan aaeain 1 j Reso
147. r occurred error message is displayed refer to What to do if a Buffer overrun error occurred or Buffer underrun error occurred error message appears during recording or playback p 13 and execute the Disk mode 0 3 Utility page menu com mands Optimize Medium and Collect Audio Track file If the error message Buffer overrun error occurred appeared during recording the data recorded up to the point where the error occurred will have been recorded correctly but the data at beyond the point the error appeared may not play back Bl Listen to the WAVE file that you created Use the Program mode page menu command Select Directory to play back the WAVE file Program 0 3D ts PG p 7 IZ You can create an audio CD from the WAVE file you created BG p 118 RA The Program mode page menu command Select Directory Program 0 3D PG p 7 specifies the save destination of the WAVE file created by resampling 5 HD Audio Track REC HD Audio Track REC automatically adjusts the settings so that you can play back MIDI tracks while you record only an external two channel audio source on the audio tracks rs p 9 WA Use INDIV 1 2 OUT to monitor the audio signal being recorded Connect the AUDIO OUTPUT MAIN L R INDIV1 and 2 jacks to your mixer so that you can mon itor the output il Setup CD Select Auto Sampling HD Audio Setup to open the dialog box Auto Sampling HD Audio S
148. r than 44 1 kHz or 48 kHz cannot be assigned to an audio track There is no WAVE file to copy Meaning When executing the page menu command Col Action lect Audio Track file the WAVE file to be copied for that song file did not exist All WAVE files used by the audio track were found in the speci fied directory Verify that a WAVE file has been assigned to the audio track of the song and once again use the Sequencer mode PO Play REC Sampling HD Audio page menu command Sel Dir WAV Audio Track to reassign the WAVE file to the audio track A Do not move the WAVE file used by the audio track to a different directory The audio track cannot be played if you do so If you do move the WAVE file you must once again use the Sequencer mode PO Play REC Sampling HD Audio page menu command Sel Dir WAVE Audio Track to reassign the WAVE file to the audio track This file does not have an Audio Tracks Meaning An audio track does not exist for the song file on Action which you attempted to execute the page menu command Collect Audio Track Make sure that the song file was created by the TRITON STUDIO version 2 0 WAVE file size over limit Meaning When using Disk mode Edit WAVE to edit you Action exceeded the maximum allowable length of 230 400 000 samples 80 minutes at a sampling rate of 48 KHz for a WAVE file You cannot use Edit WAVE to edit a WAVE file that exceeds 230 400 000 samples 80
149. rack BUS Select are was set to IFX1 IFX5 it will automatically be set to L R 4 If with Arpeggiator is checked the arpeggiator set tings of the copy source program will be copied to the arpeggiator you specify in step 6 In conjunction with this check Arpeggiator Run for the arpeggiator you specify in step 6 and set Arpeggiator Assign of the copy destination track to the arpeggiator you specify in step 6 5 In the To field specify the copy destination track The parameters of each track will be initialized Pro gram Select 0 1 2 c will be set to the copy source pro gram e MIDI Channel and Bank Select When Status EX2 2 1 2 a PG p 63 settings will not change e Status 2 1 2 a PG p 62 will automatically be set to INT e If the copy source is an INT F bank program the Voice Allocation Reserve EM p 47 setting of the copy destination track will be automatically set to 6 and the Voice Allocation Reserve of other tracks will be set to 0 MOSS BUS Select Reference r EM p 47 will be automatically set to the copy destination track e The 1 4 Controller PG p 12 settings of the copy source program will be copied 6 Use the Arpeggiator field to specify the copy destina tion arpeggiator Sequencer 7 Press the OK button to execute the copy If you decide not to execute press the Cancel button Add the contents of Copy From Program to the Parameter Guide
150. ram Play C REC Audio Input j 7 Convert to Program Program D 1 E amp amp 8 Initial Progi EGA j 2 Use the radio buttons to select Resample Program Play 8 Use Save to to specify the destination to which the res ampled data will be written rx PG p 5 Save to RAM The resampled data will be written into sample memory RAM If the Convert to Program option in step 4 is checked a new multisample will automatically be created after resampling DISK A WAVE file will be created for the resampled data and saved on the internal hard drive or an external SCSI hard drive 4 If you select Save to RAM and check Convert to Pro gram the resampled data will be converted into a pro gram using the number you specify in Program You can then move to Program mode after resampling and play the data immediately 5 Use Program to specify the program where the con verted data will be saved 6 Press the OK button to execute Auto Sampling Setup If you decide not to execute press the Cancel button For the automatically set parameters and their values p 69 For examples of using the automatically set parameters refer to BG p 45 If you selected Save to RAM and want to change the RAM bank use the page menu command Select Bank amp Smpl No 0 3C PG p 6 to specify the resam pling destination sample memory RAM W9 If you selected Save to DISK use the page menu command Select
151. rase Punch Noise This command erases the noise that can occur at transitions caused by punch in recording or editing This command will automatically detect locations that cause noise and apply a fade to smooth the transition To Measure Beat Tick From Measure Beat Tick Before execution A AAA RP Run After execution D Use Track Select to select the audio track that you want to edit 2 Choose Erase Punch Noise to open the dialog box Erase Punch Noise Audio Track 1 To Measure ISP Beat Tick 84 131 From Measure 861 Beat Tick 01 000 Sensitivity 81 Overwrite WAY Name T NEWF ILE 3 Specify the region for which you want to execute the command Use From Measure and To Measure to specify the measures and Beat Tick to specify the beat and clock By default From Measure and To Measure are set to the From Measure and To End of Measure setting of the Track Edit page To avoid needlessly applying this process to data that does not contain unwanted noise you should set the region narrowly specifying a region that you know contains punch noise 21 22 4 Use Sensitivity to set the sensitivity at which noise will be detected Higher settings will cause even slight noises to be detected Normally you should execute the command with a setting of 1 and increase the setting if the noise has not been removed 6 If
152. ration 0 6 Edit WAVE The 0 6 Edit WAVE page has been added to Disk mode Here you can edit WAVE files that are saved on the internal hard drive or other media In previous operating systems large long WAVE files could be edited only on a computer or other external system but now in version 2 0 these files can be edited on the TRITON STUDIO You can also edit large WAVE files that exceed the internal sample memory RAM and use them in Sampling mode You can access the Edit WAVE page once you have selected a WAVE file in Load Save Utility or Make Audio CD The Edit WAVE page displays the waveform and parame ters of the selected WAVE file amp You cannot edit a WAVE file that exceeds 230 400 000 samples 80 minutes at a sampling rate of 48 kHz amp The sample rates of the WAVE files you can edit are the same as the frequencies supported for KSF files PG p 285 Edit WAYE c A 0 6 Edit NEWFILE WAY Edit Range Start GG66666 Edit Range End EEEEREE use zero Sampling START plays edit range Grid 128 BPM Resolution gt J 0 6b LoopS aaaaaag a RudioCD JL RudioCDJL WAVE 0 6a WAVE file waveform display Edit Range Start Edit Range End User Zero Grid ZOOM WAVE file waveform display This area shows the waveform of the selected WAVE file The horizontal axis is the address time axis and the vertical axis is the level The heavy line at the top of
153. reference page set Location to the point in the song where you want to begin recording If you want to record from the beginning of the song set this to 001 01 000 SEQUENCER P8 Play REC Preference ow 71 01 000 Meter 44 J 120 Db Manu S000 NEW SONG P Audio Track No Assign Metronome Setup z Sound gt Only REC Level 127 Press the SEQUENCER REC WRITE key The TRITON STUDIO will enter the record ready state If you have set the metronome to be on it will begin sound ing A When you record or play back a song that contains audio tracks there will be a lag of several seconds from the time you press the SEQUENCER REC WRITE key or the SEQUENCER START STOP key until recording or playback actually begins A dialog box will appear during this time and the SEQUENCER REC WRITE key or the SEQUENCER START STOP key LED will blink Press the SEQUENCER START STOP key Recording will begin from the location you specified in Location If you have specified a metronome precount Precount Measure recording will begin after the precount Press the SEQUENCER START STOP key to stop recording If you have already recorded performance data on the MIDI tracks these tracks can playback while only the external audio signal coming from the AUDIO INPUT jack will be recorded onto the audio track Check the recorded content 6 In the Sequencer P0 Play REC Sampling HD Audio page
154. rogram in Combi Song too Append to Combination b E AGGB InitialCombEAGaG Program p 1 E amp 88 Initial Prog lEGaa Drum Kit gt B16 E Drumkit 16 8 If you also want to load the SNG file of the identical name as the PCG file check the Load SNG too check box The identically named SNG file will also be loaded 49 Disk 50 ie KSC files with a name identical to the PCG file will always be loaded together with the PCG file If this file is not found in the current directory or below it load the file as described in If a file to be loaded cannot be found or when loading a file that was saved across media PG p 157 Content that will be loaded from the PCG file 1 Drum Kit Drum kits in which RAM is selected for the High Low Drumsample Bank Global 5 1b 1c PG p 148 of at least one key 2 Program Programs whose Oscillator Mode Program 1 1a PG p 7 is set to Drums and whose Drum Kit Program 1 2d r PG p 10 meets the conditions described above in 1 3 Program Programs whose Oscillator Mode Program 1 1a v PG p 7 is set to Single or Double and whose OSC 1 2 Multisample High Low Bank Program 1 2a 2b PG p 9 is set to RAM in at least one location 4 Combination Combinations whose Bank Program Combination 0 1c 1 1b ve PG p 34 37 is set toa program that meets the conditions described above in 1 2 or 3 Content loaded from the SNG file
155. se Drive Select to select the media to be optimized 3 Select Optimize Medium to open the dialog box Optimize Medium Are you sure 4 Press the OK button to execute the Optimize Medium command If you decide not to execute press the Cancel button 6 When optimization has been completed the dialog box will show the amount of continuous free space that was created Optimize Medium Got the free space of 800M Bytes Completed 6 Press the OK button to close the dialog box amp In some cases the command may not be executed because there is insufficient free space on the media A Depending on the number and size of the files that need to be moved it may take several hours for this command to be executed If you want to abort the com mand press the Abort button in the dialog box A If a volume of media on which you executed Optimize Media is then used by a device other than the TRITON STUDIO the benefit of having executed this command may be lost so that when it is once again used with the TRITON STUDIO the media cannot be accessed effi ciently In this case execute Optimize Medium once again A When executing Optimize Medium it may not be possible to create the appropriate amount of free space if the path name of the file directory being checked is too long in general greater than 136 characters In this case it will not be possible to access the media effi ciently Add the con
156. sessseesseosseseesesesesesesseesesessseosseseseessesesesesesseeed 8 1D Put Effect Setting to Track Insert effect settings can now be placed in a track as exclu sive events This is convenient when you want to change the effect settings during a song CD Select Put Effect Setting to Track to open the dialog box Put Effect Setting MIDI Exclusive to Track Effect gt IFX3 To Song AAA Track 83 Measure HHE Beat Tick 01 000 2 Use Effect to select the effect whose settings will be inserted into the track 8 Use To Song to specify the song into which the set tings will be inserted Track to specify the insert desti nation track Measure to specify the measure and Beat Tick to specify the beat and clock at which the set tings will be inserted 4 Press the OK button to execute Put Effect Setting to Track If you decide not to enter press the Cancel but ton ie If a pattern has been previously inserted at the same location the pattern will be expanded into the track as note data A The inserted events are only the effect type and effect parameters Settings such as effect on off and bypass must be realtime recorded For an example of using Put Effect Setting to Track refer to Recording and playing exclusive events 3 Put Effect Setting to Track rs p 37 Sequencer P9 Master Effect Added page menu command The page menu command Put Effect Setting to Track has be
157. sly sample an external audio source from AUDIO INPUT etc while you play the combination go to the Combination P0 Play Sampling page and set Input 1 2 BUS IFX Indiv Select to L R WA If you did not check Convert to Program use Sam pling mode to select and play the sample to hear the resampled result 3 REC Audio Input This automatically makes the appropriate settings for sam pling an external audio source while you monitor your play ing on a combination using the arpeggiator etc WA Use INDIV 1 2 OUT to monitor the sound being sam pled Connect the AUDIO OUTPUT MAIN L R INDIV 1 2jacks to your mixer and monitor the output il Setup CD Select Auto Sampling Setup to open the dialog box Auto Sampling Setup O Initialize O Resample Combination Play REC Audio Input j Source Audio gt Analog gt Stereo Savet RB RAM j Convert to Program Program D E amp amp 8 Initia lProgiEBaa 2 Use the radio buttons to select REC Audio Input 8 Use Source Audio to select the external audio input source Analog Selects the analog audio output of an instrument or other audio source connected to the AUDIO INPUT 1 and AUDIO INPUT 2 jacks S P DIF Selects the digital audio output from an instru ment or DAT etc connected to the S P DIF jack mLAN Selects the digital audio output of an instrument or other device connected to the mLAN connector if the optional EXB mLAN is insta
158. so that if you suddenly have ideas for a phrase or song while you are playing you can immediately turn your inspiration into a song The explanation of the Auto Song Setup function given here follows the procedure from Combination mode D Enter Combination mode COMBINATION P Play Category _ b G0 Keyboard J 864 Bank INT 000 Stereo Piano a E d Category i i astsy Pasteur i nk Progra E iia mi p Pi TA TA Daan t Grand Naze Bru Standart Noisy St Noisy St Noisy St Noisy St Noisy 3 Miser firpegg firpegg cere Select 2 If you change any of the settings in the combination such as volume panning effect routings and arpeggiator set ting including Arpeggiator On Off you must first save the edited settings using Update Combination or Write Combination A The combination or program must be saved with the Arpeggiator On Off set to On in order for the Auto Adjust Arp settings for Multi REC see step to work properly 3 Hold down the ENTER key and press the REC WRITE key The Setup to Record dialog box will appear Setup to Record Are you sure 4 Press the OK button to perform the Auto Song Setup The TRITON STUDIO will automatically switch to Sequencer mode and the combination s settings will be applied to a new song The new song will be the first unused song Settings that are automatically copied from the combi nation The settings that will be a
159. ss the OK button to execute Auto Sampling Setup If you decide to cancel press the Cancel button For the automatically set parameters and their values p 65 2 Resample Combination Play This automatically makes the appropriate settings so you can play a combination and resample your performance m m ee eee d ae 2 LLBSM m umm m ad cp mu gm ua A il Setup CD Select Auto Sampling Setup to open the dialog box Auto Sampling Setup O Initialize e Resample Combination Play C REC Audio Input j Save to 7 Convert to Program Program D 1 E amp amp 8 InitialProgIEG Ba j 2 Use the radio buttons to select Resample Combination Play 8 Use Save to to specify the destination to which the res ampled data will be written PG p 5 Save to RAM The resampled data will be written into sample memory RAM If the Convert to Program option in step 4 is checked a new multisample will automatically be created after resampling DISK A WAVE file will be created for the resampled data and saved on the internal hard drive or an external SCSI hard drive 4 If you selected Save to RAM checking Convert to Program will convert the resampled data into a pro gram using the number you specify in Program You can then move to Program mode after resampling and play the data immediately 5 Use Program to specify the program where the con verted data will be saved 6 Press the OK butto
160. t Level 127 BUS IFX Indiv Select P E Pan LOGO GeiL MERI BGS Tad MERT Bee Input2 Level 12 BUSCIFX Indiv Select Off Pan R127 Sendl MFX1 00G Send2 MFX2 000 AUDIO 1 AL Ctrl gt Audio Track P LR Loop 51 800 k 1 8 3 16 1 8 3 16 1 8 3 16 AHD Play your guitar at the volume you intend to record If the display indicates ADC OVERLOAD AD con verter input has overloaded turn the rear panel LEVEL knob to an appropriate level toward the MIN position You will obtain the highest quality sound at a point slightly below where the ADC OVERLOAD indica tion appears i e the highest level that does not cause an overload 5 Press the SEQUENCER REC WRITE key When you play your guitar the level meter will indicate the volume at which the guitar will be recorded If CLIP appears use the VALUE controller to lower the Recording Level slider shown in the right of the display from 40 0 to an appropriate level This will not change the volume that is being output but will affect the data that is recorded WA Use WAVE File Play Level Global P0 0 2a v PG p 138 to adjust the playback level When you have finished making your adjustments press the SEQUENCER REC WRITE key A When you press the SEQUENCER REC WRITE key you will be prevented from using Track Select to switch between MIDI tracks and audio tracks Bil Record 2 In the Sequencer PO Play REC P
161. t Position gt PreMIDI Note Receive D All MIDI Clock e Internal O External MIDI O External mLAN MIDI Filter Enable Program Change Bank Change Combination Change Enable After Touch Enable Control Change Enable Exclusive Move to Sequencer mode use Track Select to select Track 09 and begin recording For this example select an empty track Id if you want to record onto a track that already contains data set the Recording Setup parameter Recording Mode to Over Dub PG p 57 4 During recording use the Sequencer P8 Insert Effect Insert FX page to edit the parameters of IFX1 and IFX2 at the appropriate time SEQUENCER P Insert Effect Insert Fx Chain Insert Effect PantCC 8 BUS Sel Sendi Send IFX1 ALD 889 5t Wah Auto Wah s b 823 Stereo Phaser E hac ie A ES 6 Stop recording WA Exclusive messages are always recorded on the current track selected by Track Select In this example they are recorded on track 9 6 In the Sequencer P5 Track Edit page select the page menu command Event Edit In the Set Event Filters dialog box check Exclusive and then press the OK but ton The event edit screen will show the recorded exclusive events and their locations Exclusive events are displayed as EXCL Event Edit Track 89 Measure TERM Index gage Event indication BT G1 000 EXCL Location BT G1 000 EXCL BT G1 000 EXCL BT G1 000 EXCL BT 01 000 EXC
162. t turn on the TRITON STUDIO wait for its system to start up and then turn on the power of your com puter etc 2 SCSI Mode Initiator Here s how to make connections and settings so that the TRITON STUDIO can exchange data with external SCSI devices CD Connect the TRITON STUDIO with your external SCSI devices For details on connections refer to the diagram in SCSI Mode Initiator amp The power of the TRITON STUDIO and the connected devices must be off when you make connections 2 Turn on the power of the TRITON STUDIO At this point leave the external SCSI devices powered off 3 In the Global P0 Basic Setup System Preference page set SCSI Mode to Initiator A dialog box will inform you that you must restart the system in order for the change to take effect Press the OK button At this time SCSI ID will be set fixed at 7 4 Turn off the power of the TRITON STUDIO As necessary check the ID number of the connected external SCSI devices For details on how to set the SCSI ID number of the connected external SCSI devices refer to their owner s manuals 5 Turn on the power of the external SCSI devices 6 After the external SCSI devices have started up turn on the power of the TRITON STUDIO The TRITON STU DIO will detect the external SCSI devices WA When you change the SCSI Mode setting a dialog box will inform you that you must restart the system in order for t
163. tents of Optimize Media to the Parameter Guide 0 3 Utility page menu commands v amp PG p 169 51 Disk 52 Collect Audio Track file Collect Audio Track file has been added to the 0 3 Utility page menu commands MM Hide unknown file APPS MMC ale UCONSTPU E EMO NEN RENE 3 UMEN Seas ap O HIE T PME ESTEE A eese sessseo see esee esses esee esse se esses esos sses esses sesesssesessesseses 0 3K Collect Audio Track file This command copies moves the WAVE file created by the HD Audio Track function into the same directory as the SNG file song file or a directory inside that file It also con verts the WAVE file assignment within the SNG file to the copy or move destination directory This is a convenient way to move the WAVE file to the same directory so that you can back up your data to CD or other external media RA There is no need to execute this command if the WAVE file is already located in the directory that contains the SNG file or is in a directory inside that directory below CD In the 0 3 Utility page select the SNG file for which you want to execute the command 2 Select Collect Audio Track file to open the dialog box Collect audio track file for NEWFILE SNG NE WFILE SNG Tupe C Copy Move Cancel A You cannot move to a directory that is in a level above the selected SNG file 3 If you want to create a new directory
164. the Value will be summed However the Value of the Destination parameter can not exceed the range of possible values For example if you have made three assignments for Detune 1 on the same track and the settings of these three are 1000 1000 and 1000 the Detune 1 param eter will actually be at 1200 The total is 3000 but the result is limited to the Detune 1 parameter s maximum value of 1200 If the three settings are 1000 1000 and 1000 the Detune 1 parameter will have an actual value of 1000 Hold and Reverse The most recently made settings will apply Destination and Value You can choose any of the following parameters as a Desti nation and the value can be set within the ranges listed below LPF Fc LPF Cutoff 99 00 99 Adjusts the OSC 1 2 low pass filter cutoff frequency Adjust ing this will vary the brightness of the sound This controls the same parameter as when CC 74 is received amp PG p 256 INT F bank EM p 10 Reso HPF Resonance HPF Cutoff 99 00 99 Adjusts the OSC 1 2 low pass filter resonance level or high pass filter cutoff frequency The setting that will actually be controlled will depend on the filter type specified by the program This controls the same parameter as when CC 71 is received r PG p 256 INT F bank EM p 10 F EG Int Filter EG Intensity 99 00 99 Adjusts the program OSC 1 2 filter EG intensity the depth to whic
165. the S P DIF jack or EXB mLAN separately sold option You can also apply insert effects or master effects as you record The recorded data is saved as a 48 kHz stereo WAVE file on the internal or external hard drive You can also select which of the stereo WAVE files saved on disk will be used as audio tracks 1 and 2 When playing back the audio tracks you can adjust the vol ume and pan of each track In the same way as for MIDI tracks you can apply insert effects or master effects to the playback of an audio track v p 15 0 7 Sampling HD Audio You can apply various editing operations such as Normalize or Time Stretch to the recorded data stereo WAVE file p 20 Sequencer P5 Track Edit Audio tracks you record using the new HD Audio Track function and the audio MIDI sequences you create using the In Track Sampling function from previous versions can be mixed down to a two channel WAVE file on the internal hard drive and then burned to an audio CD using the optional CDRW 1 all without using any other equipment than the TRITON STUDIO A You cannot play back or record the audio tracks if MIDI Clock r PG p 143 MIDI Clock is set to other than Internal Conceptual diagram of Sequencer mode including the HD Audio Track function Sampling memory RAM In Track Sampling function Track 01 MIDI Track Effects HD Audio Track Aud
166. the frame indicates which por tion of the entire waveform is being displayed As you zoom in on the time axis this line will indicate the portion of the waveform that you zoomed in on If you have selected a stereo WAVE file the L channel is displayed on top and the R channel below If you have selected Edit Range Start or Edit Range End the region between these two points will be highlighted Under WAVE Parameter 0 6b if Loop On Off is On checked then you can select either LoopS or End these parameters will be indicated by vertical lines Edit Range Start 0000000 230399998 Edit Range End 0000001 230399999 These parameters define the region start address and end address that you are editing The units are sample addresses Initially Edit Range Start and Edit Range End are set to the values of LoopS and End if Loop On Off 0 6b is On If Loop On Off is Off the edit range will be the entire waveform The region you specify here will be highlighted in the WAVE file waveform display To hear the sound of the selected region press the SAMPLING START STOP key This will play the data of the region specified by Edit Range Start and Edit Range End A Only 44 1 kHz or 48 KHz WAVE files can be played back using the SAMPLING START STOP key Use Zero Off On On checked When you set Edit Range Start or Edit Range End you will only be able to select zero cross po
167. the specified Location Press keys in the order of SEQUENCER REC WRITE gt SEQUENCER START STOP to begin record ing Recording will stop when you press the START STOP key once again On checked Check this when you want to record only a specific region in the middle of the song or to re record a region of a previously recorded track If this is checked use the Punch In Mode buttons at the right to select the punch in method Punch In Mode Manual Auto If Punch In is checked these buttons select the punch in method Manual Use the SEQUENCER REC WRITE key or a foot switch to record at the desired measure Press the SEQUENCER START STOP key to play back the song At the point that you want to start recording press the SEQUENCER REC WRITE key or foot switch When you have finished recording press the REC WRITE key or foot switch once again Recording will stop Auto Recording will occur automatically in the range of measures you specify If you select Auto M Auto Punch In Start Measure M Auto Punch In End Measure will appear at the right allowing you to specify the region that will be recorded When you press keys in the order of SEQUENCER REC WRITE gt SEQUENCER START STOP playback will occur up to the specified measure and then recording will occur only in the region you specified Auto Punch In Start Measure Auto Punch In End Measure Punch In M M Auto P
168. to cl b o Posada 28 2 Resample SEQ Play ssesssse 28 3 In Track Samiplirig iu vis Ur dt yas 29 4 2ch Mix to Disks bas HER Re iode iud 30 5 HD Audio Track REC ssese 30 6 Bounce Audio Track sites Horde 31 Automatically set parameters and their values 32 Support for exclusive events 34 Recording and playing exclusive events 34 1 Recording internal parameter changes 34 2 Recording exclusive messages received from the TIRTONE ROCK secu iE 35 3 Put Effect Setting to Track ssssse 37 1 Inserting effect settings at the beginning of the song and at a specified measure 37 2 Using the effect specified by the song itself from the beginning of the song and inserting the effect settings from another song at the middle of the Sequencer P5 Track Edit 39 Sequencer P Pattern RPPR eeeeeeee 39 Sequencer P8 Insert Effect 40 Sequencer P9 Master Effect 40 Tone Adjust Parameters 41 5 3 Tonel 2 1 8 Tone1 2 TO1 08 5 4 Tone1 2 9 16 Tone1 2 TO9 16 5 5 Tone3 4 1 8 Tone3 4 TO1 08 5 6 Tone3 4 9 16 Tone3 4 TO9 16 5 7 Tone5 6 1 8 Tone5 6 T01 08 5 8 Tone5 6 9 16 Tone5 6 TO9 16 4
169. ton to cancel the assignment the WAVE File field will now appear as No Assign 2 Use Drive Select the Open button and the Up button to select the drive and directory 3 Select the WAVE file that you want to use as the audio track Press the SAMPLING START STOP key to play back and audition the selected file 4 Press the Set button to assign the selected WAVE file to the audio track Only a 48 kHz stereo WAVE file can be assigned to the audio track If you select a 44 1 kHz WAVE file or a 48 kHz monaural WAVE file the following dialog box will appear allowing you to convert the file to a 48 kHz stereo WAVE file Convert BPM126_1 WA Rate 44100 gt 4800AHz Mono gt Stereo O Overwrite WAY Name T NEWFILE If you want to replace the existing file with the converted WAVE check Overwrite WAV If this box is not checked a new 48 kHz stereo WAVE file will be created and the original WAVE file will be preserved If you want to create a new file use the Name field at the right to specify a name for the file Press the OK button and the WAVE file will be con verted to 48 KHz stereo and assigned to the audio track This conversion will require approximately 47 seconds for each minute of a stereo WAVE file that is saved on the TRITON STUDIO s internal hard drive A If you select a WAVE file whose sampling frequency is other than 44 1 kHz or 48 kHz an error message of Can t convert will be
170. ton will specify the destination directory to which the Collect Audio Track file command will copy or move the WAVE file If the WAVE file used by NEWSONG SNCG is also used by another SNG file set Type to Copy If the WAVE file is used only by NEWSONG SNG set Type to Move Press the OK button to execute the command When execution has been completed successfully select NEWSONG SNG choose the page menu command Copy and copy it to the NSBKUP directory you cre ated in step Copy vv PG p 169 Copy T NEWFILE SNG Select destination directory NSBKUP Can use as Wildcard Using the same method as in the step above select the page menu command Copy to copy the AUDIO directory into the NSBKUP directory This completes copying of the SNG file and WAVE file to the CD media LA LA If you want to use the data you copied backed up on a different TRITON STUDIO V2 insert that media into the other TRITON STUDIO V2 and in the Utility page select the NSBKUP directory and execute the Copy page menu command to copy it to the internal hard drive or other storage We recommend that you keep the SNG file and WAVE file in the same directory If this data is not kept in the same directory create an appropriate directory before backing up to CD and copy the SNG and WAVE file into it If the WAVE file is not in the same directory
171. track can be played or edited in a cue list A When a song containing an audio track is played back in a cue list there may be an additional wait for the song to change in addition to the time that was required to switch effect settings in previous versions In such cases you can use Convert to Song to convert the cue list to a single song so that it will play back without a break PG p 61 Sequencer Changes to the page menu commands The page menu commands Convert to Song r PG p 61 and Copy Song r PG p 62 now support songs that con tain an audio track In each dialog box a WAVE text edit button item has been added 1 1D Convert to Song A WAVE text edit button item has been added to the Convert to Song dialog box Convert Cue List C88 to Song To Song PIENAS WAVE T NEWFILE Use WAVE to assign a name for the WAVE file This item will appear if the songs in the cue list use a WAVE file When you execute the command a WAVE file of the name you specified in WAVE will be created in the directory you specified in the page menu command Sel Dir WAVE Audio Track A The WAVE file cannot be longer than 80 minutes 1 1E Copy Song A WAVE text edit button item has been added to the Copy Song dialog box Copy Song of S888 From Measure ETIN To End of Measure 881 To Song gt S888 NEW SONG WAVE T NEWFILE L Replace to original Song in Cue List
172. ttern Octave Resolution Gate Velocity Swing Sort Latch Key Sync Keyboard Top Key Bottom Key Top Velocity Bottom Velocity BUS Select Send1 Send2 P8 Insert Effect IEX1 IFX5 IFX1 On Off IFX5 On Off Chain Pan BUS Sel Send1 Send IFX 1 2 3 4 5 All effect parameters Master FX MFX 1 MFX 2 MFX1 On Off MFX2 On Off Chain Chain Direction Chain Signal Chain Level Return 1 Return 2 Low Mid High P9 Master Effect MFX 1 2 All effect parameters Low Cutoft Mid Cutoff Q High Cutoff Gain Low Gain Mod Sro High Gain Mod Sro Cir SOLO ON OFF is always controlled by events in the track regardless of the play mute status of that track P5 Track Edit Tone3 4 1 8 9 16 Destination Value 35 36 A The maximum amount of exclusive message that can be MIDI system exclusive parameter changes recorded at once is approximately 320 Kbytes This size will decrease if other events exist within the same mea sure Sequencer mode track parameters and effect parameters can be controlled by MIDI system exclusive parameter change messages When an external sequencer is connected and you use the TRITON STUDIO in Sequencer mode as a 16 track You cannot simultaneously record exclusive messages dd multi timbral sound module
173. u are creat ing a new file use Name to specify a name for the file Normally you will execute with Overwrite WAV unchecked ated WAVE file The way in which the Compare function operates will depend on this setting p 44 5 Press the OK button to execute the command In the case of Bounce Track the bounce source track data will be set to zero If you decide not to execute press the Can cel button 5 F Erase Measure 5 1G Delete Measure 5 1H Insert Measure 5 11 Repeat Measure The items All MIDI Tracks Overwrite WAV and Name have been added to the dialog box of Erase Mea sure r PG p 70 Delete Measure Insert Measure PG p 71 and Repeat Measure PG p 72 and you can now apply these commands to the audio tracks If executing with Track Select set to a MIDI track Track 01 16 D Use Track Select to select a MIDI track Track 01 16 2 Choose one of the above page menu commands to open the dialog box The dialog box when executing Erase Measure Erase Measure of Track 81 From Measure EE Kind All To End of Measure 664 All Tracks Jan MIDI Tracks UVa Pw Pits yy se Cancel 3 Specify the measure or range of measures for which you want to execute the command 4 Specify the track s for which you want to execute the command If you check All Tracks the command will be executed on the data
174. unch In Start Measure Auto Punch In End Measure MO01 M999 M001 M999 These fields specify the starting and ending measure of the region in which recording will occur if Punch In Mode is set to Auto Bounce Off On Check this box if you want to combine two tracks into one track bounce recording or if you want to re record an audio track with effects applied p 12 4 Performing bounce recording If this is checked the PLAY MUTE REC setting t p 15 of the audio track s you select in Track Select will be dis played as P R When you perform realtime recording this track or tracks will be simultaneously played back and recorded In this case set the audio track output destination BUS IFX Indiv Select p 15 and Source BUS to the same bus If you want to bounce record only the audio track s set the audio track output SOLO ON OFF setting to ON Source BUS L R Indiv 1 2 This selects the recording source The signal being sent to this bus will be recorded The SOLO ON OFF settings of each track will be used L R Signals sent to the L R bus will be recorded Any signals being sent to the L R bus such as external audio signals specified in Input 0 7a v PG p 56 or sounds played on the TRITON STUDIO from the keyboard or MIDI input will be recorded Indiv 1 2 Signals sent to the INDIVIDUAL 1 2 or 1 2 buses will be recorded Any signals being sent to the INDIVIDU
175. use RAM samples This function is a useful way to manage programs or combinations that use RAM sam ples Sample based sounds from various PCG files can now be merged into a single bank and resaved if needed This also provides an efficient way to load Korg TRITON format sample CD library data that is available from other manufacturers 0 1D eee eene sees es eese tese tees es soto esses see e notes esee s sess sees sess ses ss esses sse sssesessesed 0 1D Load PCG RAM and Samples This command loads from a PCG file only the programs drum kits combinations and songs that use RAM samples You can select this when loading a PCG file In the loading dialog box specify the first bank and number the applicable data will be loaded into consecutive numbers that follow the specified number Samples and programs will also be renumbered automatically while being loaded so that they will correspond correctly CD In the directory window select a PCG file 9K 81 02 1999 12 66 06 48 61 63 1999 12 06 06 41 03 1999 12 06 06 2 Select this command to open the dialog box This command will be visible and can be selected only if you have selected a PCG file Load NEWFILE PCG RAM and Samples L LoadNEWFILE SNG too L LoadROM P
176. utomatically copied will be the same settings as if you had executed the page menu com mand Copy From Combi 0 1F PG p 52 and had made the following settings in the dialog box e with Effects checked e To set to Track 1 to 8 e Auto Adjust Arp setting for Multi REC checked Settings that are automatically copied from the pro gram The settings that will be automatically copied will be the same settings as if you had executed the page menu com mand Copy From Program 0 1L v p 43 and had made the following settings in the dialog box e with Effects checked e with Arpeggiator checked e To set to Track 01 e Arpeggiator set to A Program Select B AN 5 The TRITON STUDIO will automatically enter record standby mode and the metronome will sound according to the Sequencer mode 0 8 Preference setting 1 0 8b Metronome Setup PG p 58 6 Press the START STOP key to begin realtime record ing When you are finished recording press the START STOP key once again BG p 83 Realtime recording on a track Other updates Compare function The Compare function will operate as specified in the fol lowing applications After audio track recording After you perform audio track recording Compare is possi ble only if Overwrite WAV PO Preference Recording Setup is unchecked Normally you will record with Over write WAV unchecked After audio track editing If you
177. vent Edit When using other commands as well exclusive events in a pattern can be edited in the same way as other types of events Changes to the page menu commands 6 1B Event Edit When executing a command on a pattern that contains exclusive events and you check Exclusive in the Set Event Filters dialog box the following type of display will appear Event Edit Pattern UGG Measure 881 Index 88a Meter 4 4 BT 01 000 D2 126 L 666 044 BT 01 000 F 3 127 L 666 017 HEP BT 01 000 CZ V 127 L 8880 124 Event indication BT 01 000 Location BT 01 000 EXCL BT 01 000 EXCL When event editing in a pattern you can change the location BT of an exclusive event delete it Cut but ton copy it Copy button or insert it Insert button in the same way as other types of event PG p 69 Event Edit A You cannot change an exclusive event to a different type of event such as a note event or control change Nor can you change another type of event into an exclusive event Add the above content to the Parameter Guide Sequencer P6 Pattern RPPR page menu command Event Edit x PG p 77 39 Sequencer 40 Sequencer P8 Insert Effect The Put Effect Setting to Track page menu command has been added to Sequencer P8 Insert Effect Added page menu command A ee eeesesesesesseeseses
178. when SCSI Mode is set to Target amp Do not set the SCSI ID to an ID number that is used by the connected computer or an external SCSI device Making connections with an external device A For more about handling an external SCSI device refer to the external SCSI device connections explained on PG p 298 For details on the SCSI ID settings etc of your connected external SCSI device refer to the manual of your device 1 SCSI Mode Target Here s how to make connections and settings so that a con nected computer can exchange data with the TRITON STU DIO and connected SCSI devices A If you are using a SCSICSUSB conversion adaptor to connect the TRITON STUDIO to your computer refer to the owner s manual of the conversion adaptor CD Connect the TRITON STUDIO to your external SCSI device s and computer Make connections as shown in Example connections for SCSI Mode Target above A The power of the TRITON STUDIO and the connected devices must be off when you make connections 2 Turn on the power of the TRITON STUDIO At this point leave your computer and the external SCSI device s powered off 3 In the Global P0 Basic Setup System Preference page set SCSI Mode to Target A dialog box will inform you that you must restart the system in order for the change to take effect The new SCSI mode setting will take effect after you restart the system 4 Press the OK button
179. y 47 seconds for each minute of a stereo WAVE file saved on the TRI TON STUDIO s internal hard drive WA If you want to use the page menu command Put WAVE more efficiently we suggest that you first use the Disk mode 0 3 Utility page menu command Rate Convert r p 54 PG p 171 to convert the data amp If you select a WAVE file that is other than 44 1 kHz or 48 kHz an error message of Can t Put will appear A You cannot put a WAVE file that is longer than 80 minutes 5 1S Normalize Level Normalize Level Adjust This command applies the same processing as the Sampling mode Sampling P1 Sample Edit page menu command Normalize Level Adjust to a WAVE file PG p 104 1 11 Normalize Level Adj The data values volume in the From Measure To Mea sure region will be adjusted uniformly Using Normalize will boost the level of the data as high as possible without allowing it to clip Normalizing data that was recorded at a low level will increase the dynamic range of the data Level lets you raise or lower the level by a specific amount Normalize Level Adjust Audio Track 1 To Measure pas Beat Tick 601 000 From Measure 005 Beat Tick 61 000 Normalize L Overwrite WAV Name T NEWF ILE In the dialog box use the From Measure To Measure and Beat Tick fields to specify the region to which the command will apply Use From Measure and To Measure to spe
180. y From Program has been added to the page menu commands of the Sequencer P0 Play REC page and related pages 0 1L Copy From Program Copies the settings from a specific program to a track or effect in the currently selected song CD Select Copy From Program to open the dialog box Copy from Program Program b ABG8 Noisy Stabber 7 with Effects 7 with Arpeggiator P Tracka 1 TRACK 81 Arpeggiator A CIB 2 Use Program to select the copy source program 3 If you check with Effects the insert effect master effect and master EQ settings will also be copied The Control Channel of each effect will be set to the MIDI channel of the copy destination track About the BUS Select IFX Indiv Out BUS Select 8 1 2 b PG p 83 setting Regardless of the with Effects setting BUS Select will be set to DKit if the Use DKit Setting of the copy source program is checked In conjunction with this the DrumKit IFX Patch r PG p 46 setting will be reset to the default state e f with Effects is checked the BUS Select setting of the copy source program will be copied If the BUS Select of any track other than the copy destination track is set to IFX1 IFX5 the BUS Select setting for that track will automatically be set to L R e If with Effects is unchecked then the copy source BUS Select setting will be ignored If the copy destination t
181. y the sampling destination sample memory RAM WA If you selected Save to DISK you can use the page menu command Select Directory Program 0 3D 1 PG p 7 to specify the save destination for the WAVE file that will be created by sampling Bl Sampling Start playing the combination that uses the arpeggiator etc Press the SAMPLING REC key and then the SAM PLING START STOP key di Play the instrument etc that is connected to the AUDIO INPUT jack you specified in Source Audio 2 When you are finished playing press the SAMPLING START STOP key WA If you selected Save to RAM Convert to Program and continue sampling without changing the settings the newly created samples will be automatically assigned to C 2 D2 Bil Listen to the sampled data e f you selected Save to RAM Convert to Program move to Program mode select the newly created program and play the C2 key to hear the sample e f you selected Save to DISK use the page menu command Select Directory PG p 7 to hear the sample W If you want to apply an insert effect to the input source go to the Combination P0 Play Sampling page and set Input 1 2 BUS IFX Indiv Select to IFX1 IFX5 Set the BUS Select that follows the insert effect you used to 1 2 eS If you did not check Convert to Program select and play the sample in Sampling mode to hear it Add the contents of 0 5E Auto Samplin
182. you decide to cancel press the Cancel button 5 1Q Set Song Length The items Overwrite WAV and Name have been added to the page menu command Set Song Length r PG p 75 If the song contains an audio track and you execute this command to shorten the length of the song the Length field the audio track will also be shortened to the same length as the song Set Song Length Length EZ O Overwrite WAY Name T NEWFILE If you check Overwrite WAV the results of executing the command will overwrite the WAVE file assigned to the audio track If this is unchecked execution will create a new WAVE file and the audio track assignment will be changed to the newly created WAVE file If you are creating a new file use Name to specify a name for the file The page menu command Sel Dir WAV Audio Track specifies the save destination for the newly cre ated WAVE file If you use the page menu command Erase Track to erase all tracks including the audio tracks and master track from a song and then begin recording on the audio track the Set Song Length dialog box will appear Specify the desired length of the song in the Set Song Length and you will be able to start record ing on the audio track amp You cannot make a WAVE file that is longer than 80 minutes Add the above content to Parameter Guide Sequencer P5 Track Edit PG p 68 75 27 Sequencer
183. you can control these parame received from an external MIDI device and parameter changes produced by editing ters via MIDI The parameters in the table below can be edited individu If you record a parameter assigned to a control change ally using system exclusive parameter change messages such as Pan with the Global mode Global P1 MIDI MIDI Filter settings Enable Control Change and Enable Exclusive both checked edits you make dur ing recording will be recorded both as control change data and parameter change data These recorded events may not be reproduced correctly if you rewind or fast forward during playback If you want to record such events check only one of these two Enable settings in Global mode MIDI Filter Parameters that can be edited using system exclusive parameter change messages in Sequencer mode E ARPEGGIATOR ON OFF key GATE knob VELOCITY knob ront pane p REALTIME CONTROLS REALTIME CONTROLS key Prog 1 8 9 16 Category Program Select PLAY MUTE REC SOLO ON OFF PO Play REC Mixer 1 8 9 16 Pan Volume Sampling HDAudio Pan Volume BUS Send1 Send2 PLAY MUTE SOLO ON OFF MIDI Ch 1 8 9 16 Status MIDI Channel Bank Select OSC 1 8 9 16 Force OSC Mode OSC Select Portamento P2 Trk Param Pitch 1 8 9 16 Transpose Detune Bend Range Other 1 8 9 16 Delay Use Pro

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