DigiTech RP300A Portable Speaker User Manual
Contents
1. Speed SENSTY Sensitivity LF G51R LFO Start Tremolo SPEE J Speed DEPTH Depth Vibrato SPEE J Speed DEPTH Depth Rotary Speaker 5PEET Speed DEPTH Depth BGPLER Doppler Panner SPEEF Speed BERTH Depth YaYa PEDAL Pedal BEPTH Depth RANGE Range Auto Ya SPEED Speed DEPTH Depth RANGE Range SynthTalk ATTACK Attack RELERS Release 0X Vox SENSTY Sensitivity Envelope Filter MOUNT Amount SENS TY Sensitivity Detune AMOUNT Amount Pitch Shift AMOUNT Amount Whammy AMOUNT Amount YAYA YaYa Expression Pedal acts as a Ya Ya Effect when YaYa is engaged WHAMMY Whammy Expression Pedal acts as a Whammy Pedal when Whammy is engaged EFFLVL Effect Level Expression Pedal controls the Mix Level of the selected Modulation Effect Type F BACK Feedback Expression Pedal controls the amount of Delay Feedback ILYLVL Delay Level Expression Pedal controls the Mix Level of the selected Delay Type TECAY Decay Expression Pedal controls the length of Reverbs Decay time REVLVL Reverb Level Expression Pedal controls the Reverbs Mix Level VOLPRE Volume Pre Expression Pedal controls the Volume after the Amp Modeling but before the Effects VGLPST Volume Post Expression Pedal controls the Volume at the end of the Effects chain 3 Rotate the Number 3 Knob to select the minimum value the assigned parameter will reach with the Expression Peda2. The Number 4 Knob adjusts the amount of effected signal returned to the input of the Phaser Regeneration Ranges from to 99 Mod Level The Number 5 Knob controls the mix of wet and dry signal Ranges from 5 all dry to 99 all wet Triggered Phaser 78 GPHA A Triggered Phaser is the same sound as a regular Phaser but allows you to choose the starting point of the Phaser sweep In a regular Phaser the low frequency oscillator LFO is continually changing the phase of the signal This means that when you begin to play the phaser may be at the any random point of the phase With a Triggered Phaser every time the signal exceeds the Sensitivity level setting the Phaser will begin at the point of phasing that you designate with the value of the LFO Start Parameter Parameter The Number 2 Knob adjusts the rate Speed of the modulating phase Ranges from to 99 Parameter 2 The Number 3 Knob adjusts the strength the signal must be Sensitivity in order to trigger the Phaser Ranges from requiring strong signals to trigger to 99 triggers with weak signals Parameter 3 The Number 4 Knob selects the point at where the Phaser will begin it s sweep LFO Start Ranges from amp to 99 Mod Level The Number 5 Knob controls the mix of wet and dry signal Ranges from 5 all dry to 99 all wet Tremolo TREMLO A Tremolo effect modulates the volume of the signal at an even rate Parameter The Number 2 Knob adjusts
3. 94 Damping The Number 4 Knob controls the amount of sound which is absorbed in the simulated environment Ranges from 8 to 99 Reverb Level The Number 5 Knob adjusts the volume of the Reverb Ranges from 3 to gg Section Four Other Functions Expression Pedal The Expression Pedal on the RP300A can be assigned to control the RP300A s Volume Whammy Ya Ya or just about any other parameter in real time with your foot When a parameter has been assigned to the Expression Pedal a programmable minimum and maximum value can also be assigned The procedure for assigning a parameter to the Expression Pedal is as follows Press the Select button until the Expression row has been selected indicated by the LED lighting on the Expression row 2 Rotate the Number Knob until the word PE DAL appears in the Display 3 Rotate the Number 2 Knob until the desired Parameter appears in the Display Your choices include A GAIN Amp Gain Expression Pedal controls the Amp Gain or amount of distortion for the selected Amp Type FIMPLIL Amp Level Expression Pedal controls the Volume of the selected Amp Type Modulation Effects Parameters Active Effect Available Parameters Chorus SPEE J Speed DEPTH Depth Flanger SPEE J Speed BERTH Depth REGEN Regeneration Triggered Flanger 5PEEJ Speed SENSTY Sensitivity LF G51R LFO Start Phaser SPEE J Speed BERTH Depth REGEN Regeneration Triggered Phaser SFEET
4. Output Connect from this jack to the input of a single amplifier for mono applications For stereo applications connect this output to the input of the left amp left channel of a power amp or left channel of a mixing console 4 Right Output Connect from this jack to the input of the right amp right channel of a power amp or right channel of a mixing console 5 Headphones Connect a pair of stereo headphones to this 1 8 jack 6 Power Input Connect only the DigiTech PS0913B power supply to this jack 4 Getting Started Making Connections There are several different connection options available with the RP300A Before connecting the RP300A make sure that the power to your amplifier and the RP300A is turned off There is no power switch on the RP300A To turn the RP300A on or off simply connect or disconnect the included PS0913B power supply from the Power Jack to an AC outlet Mono Operation Connect your guitar to the Input of the RP300A Connect a single mono instrument cable from the Left Output of the RP300A to the instrument input or effect return on your amplifier to a channel input of a mixer or to the line input of a power amp If connecting to a mixing console be sure to selecton one of the RP300A s Speaker Cabinet models See page 2 for more on using the Speaker Cabinet modeling Guitar Amp Input Effect Return Output Input Stereo Operation For stereo
5. display will briefly read LAL ICK 4 When the Display reads REH BY release the pause button on your playback device and press the Amp A B Record Footswitch The display will read ROCF ING and the right two Display digits will provide a time elapsed reference while recording When record ing is completed the phrase will be set to an auto loop playback mode indicated by PLAY in the Display Press stop or pause on the CD or Tape player 5 Use the Select button to choose the playback speed Successive presses of the Select button will advance through all playback speeds up to 1 4th of the original speed Your interval choices include 4 3 5 I 2 5 8 3 4 1 G and FULL speeds Pressing the Up Footswitch steps back through the E at second intervals The Expression Pedal will control output level of the recorded phrase To stop or restart the playback press the Down Stop Play Footswitch To record a new passage press the Amp A B Record Footswitch again 0 To exit the Learn A Lick mode press and hold the Up and Amp A B Footswitches simultaneously SVANS Jam A Long The Jam A Long feature allows you to connect a Tape or CD player to the RP300A and Jam with your favorite artists To use the Jam A Long feature connect the headphone output of your tape or CD player to the Jam A Long input on the rear panel of the RP300A using an 1 8 stereo cable Then press play on your tape or CD player The signal from your tape or CD pl
6. open once the Threshold has been exceeded before the signal becomes audible Ranges from immediate signal to 9 Selects the Auto Swell volume swell effect This setting will gradually ramp up the volume n GN and off GF CR Silencer or PLUCK Gate Threshold The Number 4 Knob sets the signal strength required to open or close the Noise Gate The Gate Threshold parameter ranges from opens easily to 44 requires strong signals to open Pluck Sensitivity The Number 5 Knob controls the point where the Gate re triggers when using the Pluck type Noise Gate This Parameter is only available when Pluck is the selected type of Noise Gate Ranges from requires strong signals to re trigger to 99 re triggers with weak signals Mod Effects The Modulation Effects row in the RP300A is a multi function module allowing you to select effects such as Chorus Flanger Triggered Flanger Phaser Triggered Phaser Tremolo Panner Vibrato Rotary Speaker YaYa AutoYa SynthTalk Envelope Filter auto wah Detune Pitch Shift and Whammy effects When the Effects row is selected the Number I Knob is used to turn the Effect module EFFECT GF and select the type of Modulation Effect to be used Only one of the effects in this row can be used at a time After selecting the type of effect in this module the Number 2 Number 3 Number 4 and Number 5 Knobs can then be used to adjust the individual Parameters associated with th
7. the rate Speed at which the volume modulates Ranges from to 99 Parameter 2 The Number 3 Knob adjusts the intensity Depth of the modulating volume Ranges from to 99 The Number 4 and 5 knobs have no function when the Tremolo is selected Panner FANNER An Auto Panner modulates the sound from left to right at an even rate Parameter The Number 2 Knob adjusts the rate Speed at which the signal pans from side to side Ranges from to 99 Parameter 2 The Number 3 Knob adjusts the intensity Depth of the changing pan Ranges from amp to 99 The Number 4 and 5 knobs have no function when the Panner is selected 14 Vibrato TBR TD A Vibrato effect modulates the pitch of the incoming signal at an even rate Parameter The Number 2 Knob adjusts the rate Speed at which the pitch modulates Ranges from to 99 Parameter 2 The Number 3 Knob adjusts the intensity Depth of the modulating pitch Ranges from to 99 The Number 4 and 5 knobs have no function when the Vibrato is selected Rotary Speaker ROTARY Rotary Speaker is an emulation of a device that included a spinning horn and rotor woofer The rotation of these two speakers produced an interesting combination of the sound panning from side to side as well as a slight pitch change due to speed of the sound coming towards and then going away from the listener Parameter The Number 2 Knob adjusts the rate Speed of the spinning speakers R
8. 2 Digitech The Power to Create PROCE Tech User s eiT IMPORTANT SAFETY INFORMATION CAUTION DO NOT OPEN ATTENTION RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE The symbols shown above are internationally accepted symbols that warn of potential hazards with electrical products The lightning flash with arrowpoint in an equilat eral triangle means that there are dangerous voltages pre sent within the unit The exclamation point in an equilat eral triangle indicates that it is necessary for the user to refer to the owner s manual These symbols warn that there are no user serviceable parts inside the unit Do not open the unit Do not attempt to service the unit yourself Refer all servicing to qualified personnel Opening the chassis for any reason will void the manufacturer s warranty Do not get the unit wet If liquid is spilled on the unit shut it off immediately and take it to a dealer for service Disconnect the unit during storms to prevent damage SAFETY INSTRUCTIONS NOTICE FOR CUSTOMERS IF YOUR UNIT IS EQUIPPED WITH A POWER CORD WARNING THIS APPLIANCE MUST BE EARTHED The cores in the mains lead are coloured in accordance with the following code GREEN andYELLOW Earth BLUE Neutral BROWN Live As colours of the cores in the mains lead of this appli ance may no
9. 5 Knob adjusts the Output Gain from the Compressor Ranges from 1 tob dB Amp Modeling Cab Amp Modeling is a technology which applies the tone of one of several vintage or modern amps to your guitar signal The RP300A s Amp Modeling also provides an acoustic guitar simulation The Amp Modeling section includes an A and a B channel Each channel can be individually programmed to include different settings for Amp Gain Amp Level Cabinet Type Mic Position and EQ This allows you to switch from a clean to a distorted setting while retaining all other Effects settings Switching Amp channels is accomplished instantly with the Amp A B Footswitch The Cabinet Modeling simulates different types of miked speaker cabinets You have your choice of 6 Cabinet Types and 4 Mic Placements in relationship to each speaker cabinet Amp Channel The Number Knob selects the A or 3 channel You may also use the AIB Footswitch to select the amp channel during the editing process Amp Type The Number 2 Knob selects one of the Amp Models or Acoustic Simulator Choices include DIRECT Turns the modeling off BLKFAC Based on a 65 Fender Twin Reverb CLEANE A clean tube combo setting RGUTIG Based on a Matchless DC30 STACK Based on a Marshall JCM900 RECTIF Based on a Mesa Dual Rectifier CRUNCH A nice crunchy combo HOTROJ Based on a Mesa Boogie Mark II C HIGHIN Based on a Johnson JMI50 High Gain TWEET Based on a 57 Fender Tweed Deluxe FUZZ A
10. Crook CREWHY U A 18 Glen Drover ROVER U A 38 Acey Slade ACE Y VIA 19 Jody Payne JODY UIA 39 Glenn Tipton TIPTON U A 20 Evil D RLGAT U A 40 Glenn Tipton TIPTNE Number Preset Name Display Name Number Preset Name Display Name Fl SOLO 50L0 F21 TWEEDY TWEEDY 24 CLASSIC CLEAN CLSCLN F 22 MATCH THIS MATCE F3 CHUNKY CHUNK Y F 23 VOX PHASE VOXPHS F4 PEDAL YA PEDLYA F24 STACKED 5TRCKI F5 SCOOP SCOOP F25 JAZZY CLEAN JAZCLN F6 OCTA SUB OCTSUB F 26 FUSION FUSION F7 WAHS UP WAHSUP F 27 ROTARY CLUB ROTARY F8 LIMPY LIMPY F28 CLEAN 5THS STHS F9 COWPIE COWPIE F 29 PEDAL BEND PILINI F 10 VIBRO THANG VIBRO F30 MUDDY ACOUSTIC RCGUST Fill 3RDS SRDS F 31 SLIDER SLIDER F 12 WHAM ME WHAMME F 32 TEXAS BLUES TEX BLU F 13 BOOGIE BOOGIE F 33 CLEAN FUNK FUNK F 14 RECTIFY RECTF Y F 34 GAIN UP GAINUP Fis TUBE TU BE F 35 DYNA PHASE JYNPHA F l6 SYNTH TALK SNTHTK F 36 AUTO WAH A WAH FI7 CRUNCH CRUNCH F 37 SURFIN SURF IN F 18 AUTO SWELL SWELL F 38 FOXY MAMA FOXY FIg9 STUDIO CLEAN STCLEN F 39 ANGUS ANGUS F 20 TRIGGERED FLANGE TRGOFLG F 40 TRIPLETS TRIPLT 22 Specifications Input 1 4 TS Jam A Long 1 8 Stereo TRS Outputs 2 1 4 TS Headphone 8 Stereo TRS AIDIA 24 bit Delta Sigma Power Supply 9 VAC 3A PS0913B Power Consumption 0 Watts Memory 40 User 40 Factory Artist 40 Factory Effects Pickup Simulator Wah Compressor Amp and Acoustic Guitar Models 3 band EQ Noise Gate Auto Swell Pluck Gate Cabinet Modeling M
11. S HEED ALL WARNINGS FOLLOW ALL INSTRUCTIONS DO NOT USE THIS APPARATUS NEAR WATER CLEAN ONLY WITH A DRY CLOTH DO NOT BLOCK ANY OF THEVENTILATION OPENINGS INSTALL_IN ACCORDANCE WITH THE MANUFACTUR ER S INSTRUCTIONS DO NOT INSTALL NEAR ANY HEAT SOURCES SUCH AS RADIATORS HEAT REGISTERS STOVES OR OTHER APPA RATUS INCLUDING AMPLIFIERS THAT PRODUCE HEAT ONLY USE ATTACHMENTS ACCESSORIES SPECIFIED BY THE MANUFACTURER UNPLUG THIS APPARATUS DURING LIGHTNING STORMS OR WHEN UNUSED FOR LONG PERIODS OF TIME Do not defeat the safety purpose of the polarized or ground ing type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or third prong are pro vided for your safety If the provided plug does not fit your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched par ticularly at plugs convenience receptacles and the point where they exit from the apparatus Use only with the cart stand tripod bracket or table specified by the manufacture or sold with the apparatus When a cart is used use caution when moving the cart apparatus combi nation to avoid injury from tip over Refer all servicing to to qualified service personnel Servicing is required when the apparatus has been
12. anges from to 99 Parameter 2 The Number 3 Knob controls the intensity of the Effect Ranges from to gg Parameter 3 The Number 4 Knob controls the doppler effect which is the ratio between the horn and the rotor positions Ranges from to 99 Mod Level The Number 5 Knob controls the mix of wet and dry signal Ranges from all dry to 99 all wet YaYa YAYA The YaYa is an effect exclusive to DigiTech products The YaYa is controlled by the Expression Pedal and combines the characteristics of a wah and a flanger together providing a unique talk box type of effect As the Expression Pedal is rocked back and forth the guitar appears to say Yah The YaYa effect must be linked to the Expression Pedal in order to function See page 18 for more information on linking the Expression Pedal Parameter The Number 2 Knob adjusts the Pedal Parameter 2 The Number 3 Knob adjusts the intensity of the YaYa effect Ranges from i to 99 Parameter 3 The Number 4 Knob adjusts the throaty quality of the YaYa effect Ranges from to 55 Mod Level The Number 5 Knob controls the mix of wet and dry signal Ranges from all dry to 99 all wet AutoYa AUTOYA Like the YaYa an AutoYa combines the characteristics of a Wah and a Flanger together creating an almost human vowel sound as if the guitar were saying Yah The AutoYa automatically provides this animation by modulating the sound a
13. ate a Preset Use the Up or Down Footswitches to select a Preset which will be your starting point 2 Once you have found a Preset that you wish to edit press the Select button once This will take you into the Editing mode 3 Use the Select button in conjunction with the Matrix LEDs to choose the effect you wish to edit Successive presses of the Select button will advance to the next Effect in the Matrix 4 Use the 5 Knobs to change parameter values 5 Store your edited Preset See page 9 for more on the Store procedure The Matrix The Matrix is where all Effects and Parameters are selected for editing In Edit mode succes sive presses of the Select button will advance to the next Effect row The LED will light to indicate which Effect group has been selected Each Effect group will have up to 5 Parameters which can be modified The Knob directly below each column is used to change the Parameter value of the selected Effect As a Knob is rotated the corresponding Parameter s name and value or status will be shown in the Display Use Select Button to Select Effect Each Knob Adjusts the Parameter Column Listed Directly Above the Knob When the stored value of a Parameter is changed the Store LED will light indicating that you need to store the changes Changing Presets or turning the power off before storing will erase any changes made and the RP300A will r
14. ayer is routed to the left right and headphone outputs of the RP300A Drum Machine The RP300A includes several sampled drum patterns which are useful for developing a good sense of timing Pressing the Drums button will enable the built in drum machine except when in Store or Bypass mode When the drum machine is active The Number Knob is used to select the drum Pattern Choices include OCK HROCK 3 FUNK 3 TANCE SWING OCK POP I BLUES ue BARI SWINGE OCK 3 POPE JAZZ URBANE REGGAE OCK 4 PGP3 DANCE CNTRY CHACHA HROCK FUNK TANCE CNIRYe 055A HROCKe FUNK TANCES CNTRYJ O55Ae The Number 2 Knob adjusts the drum Tempo and ranges from JPM HO 40 beats per minute to BFMC4Y 240 beats per minute The Number 3 Knob adjusts the volume Level of the drum loop and ranges from to 99 Press the Drums button again to stop playback of the drum loop Section Two Editing Functions Editing Creating Presets Creating your own signature sound with the RP300A is easy and intuitive The RP300A lets you create your own Presets or fine tune existing Presets to suit your needs When creating or editing a sound you must first start with one of the User Artist Factory or Factory Presets It is not possible to start with a completely empty Preset The Preset number does not necessarily need to be the location which you intend to have it reside as you can save your creation to any User Preset location during the store process To edit or cre
15. d to select Presets access the Tuner or bypass the RP300A The Footswitch on the left will decrease and the middle Footswitch will increase the Preset number Pressing both Footswitches together will bypass the currently selected Preset Pressing and holding both Footswitches will access the Tuner 2 Amp AIB Footswitch This Footswitch is used to switch between two amp channels for the selected preset This switch is also used in conjunction with the Up Footswitch to access the Learn A Lick mode 3 Knobs These knobs perform various functions depending on which mode is currently active in the RP300A In performance mode the knobs control the Amp Gain Bass EQ Mid EQ Treble EQ and Master Level In Edit mode these knobs adjust the Parameter values listed directly above each knob for the selected effect When the Drum Machine is on these knobs control the Pattern Tempo and Level In Tuner mode these knobs are used to select the desired tuning reference 4 Select Button This button is used to enter the Edit mode and to select individual effects to be edited Successive presses of this button will advance through all available Effects It is also used to change playback speed in Learn A Lick mode 5 Drums The Drums button is used to turn on and off the built in drum machine When the drum machine is active the Drums LED lights and the selected drum pattern plays continuously 6 Matrix The matrix provides information re
16. dal BEPTH Depth RANGE Range Auto Ya SPEED Speed SEP TH Depth RANGE Range SynthTalk ATTACK Attack RELERS Release 0X Vox SENSTH Sensitivity Envelope Filter AMOUNT Amount SENST Sensitivity Detune AMOUNT Amount Pitch Shift AMOUNT Amount Whammy AMOUNT Amount yRYA YaYa The LFO controls the Ya Ya Effect when YaYa is engaged WHAMMY Whammy The LFO controls the Whammy effect when Whammy is engaged VL Effect Level The LFO controls the Mix Level of the selected Effect Type K Feedback The LFO controls the amount of Delay Feedback L Delay Level The LFO controls the Mix Level of the selected Delay Type EFF F BA SLi TE Decay The LFO controls the length of Reverbs Decay time FI L Ar US LVL Lee CAY the Effects 4ST Volume Post The LFO controls the Volume at the end of the Effects chain 4 Rotate the Number 3 Knob to select the minimum value the assigned parameter will reach at the bottom turn around point for the LFO not available when volume is the assigned parameter 5 Rotate the Number 4 Knob to select the maximum value the assigned parameter will reach at the top turn around point for the LFO not available when volume is the assigned parameter 6 Rotate the Number 5 Knob to select the speed at which the LFO will oscillate from the minimum to the maximum value 7 Store your LFO assignment to your Preset See page 9 for more in
17. damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate nor mally or has been dropped POWER ON OFF SWITCH For products provided with a power switch the power switch DOES NOT break the con nection from the mains MAINS DISCONNECT The plug shall remain readily opera ble For rack mount or installation where plug is not accessi ble an all pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated into the elec trical installation of the rack or building FOR UNITS EQUIPPED WITH EXTERNALLY ACCESSIBLE FUSE RECEPTACLE Replace fuse with same type and rating only MULTIPLE INPUT VOLTAGE This equipment may require the use of a different line cord attachment plug or both depend ing on the available power source at installation Connect this equipment only to the power source indicated on the equip ment rear panel To reduce the risk of fire or electric shock refer servicing to qualified service personnel or equivalent This Equipment is intended for rack mount use only U K MAINS PLUG WARNING A molded mains plug that has been cut off from the cord is unsafe Discard the mains plug at a suitable disposal facility NEVER UNDER ANY CIRCUMSTANCES SHOULD YOU INSERT A DAMAGED OR CUT MAINS PLUG INTO A 13 AMP POWER SOCKET Do not
18. e selected effect The following list describes each Effect and their Parameters in more detail Chorus CHORUS A Chorus adds a short delay to your signal The delayed signal is modulated in and out of tune and then mixed back with the original signal to create a thicker sound Parameter The Number 2 Knob adjusts the rate Speed of the modulation Ranges from to 99 Parameter 2 The Number 3 Knob adjusts the intensity Depth of the modulation Ranges from to 99 Mod Level The Number 5 Knob controls the volume of the Chorus Ranges from to 39 The Number 4 Knob has no function when the Chorus is selected Flange FLANGE A Flanger uses the same principle as a Chorus but uses a shorter delay time and adds regeneration or repeats to the modulating delay This results in an exaggerated up and down sweeping motion to the effect Parameter The Number 2 Knob adjusts the rate Speed of the modulation Ranges from to 99 Parameter 2 The Number 3 Knob adjusts the intensity Depth of the Modulation Ranges from to 99 Parameter 3 The Number 4 Knob adjusts the amount of regeneration repeats added to the Flanger delay Ranges from to 99 Mod Level The Number 5 Knob controls the mix of wet and dry signal Ranges from all dry to 99 all wet Triggered Flanger TROF LG A Triggered Flanger is the same sound as a regular Flanger but allows you to choose the starting point of the Flanger sweep In a r
19. egular Flanger the low frequency oscillator LFO is continually sweeping up and down This means that when you begin to play the flanger may be at the top bottom or any random point of the sweep With a Triggered Flanger every time the signal exceeds the Sensitivity level setting the Flanger will begin at the point of the sweep that you designate with the value of the LFO Start Parameter Parameter The Number 2 Knob adjusts the rate Speed of the modulation Ranges from to 99 13 Parameter 2 The Number 3 Knob adjusts the strength the signal must be Sensitivity in order to trigger the Flanger Ranges from requiring strong signals to trigger to 99 triggers with weak signals Parameter 3 The Number 4 Knob selects the point at where the Flanger will begin it s sweep LFO Start Ranges from amp to 99 Mod Level The Number 5 Knob controls the mix of wet and dry signal Ranges from all dry to 99 all wet Phaser PHASER A Phaser splits the incoming signal and then changes the phasing of the signal This signal is then taken in and out of phase and mixed back in with the original signal As the phasing changes different frequencies get canceled resulting in a warm sort of twisting sound Parameter The Number 2 Knob adjusts the rate Speed of the modulating phase Ranges from to 99 Parameter 2 The Number 3 Knob adjusts the intensity Depth of the modulation Ranges from to 99 Parameter 3
20. et O Boms O m o pen S a n A In Tuner mode you can change your tuning reference The default factory setting is A 440 Hz displayed as A 4H6 Rotating the Number I Knob will select alternate dropped tunings Alternate tunings are A Ab A G and A Gb The display window will briefly flash the currently selected tuning preference The output is muted in Tuner mode The Expression Pedal will unmute the output allowing signal to be heard while tuning Exit tuner mode by pressing any of the 3 Footswitches Learn A Lick Mode Learn A Lick allows you to record a 10 second passage of music and play it back as slow as 1 4 speed with no change in pitch This is useful for picking out the notes of a fast solo passage There are 6 functions for Learn A Lick including e Stop Controlled by the Down Footswitch e Rewind Controlled by the Up Footswitch e Play Controlled by the Down Footswitch e Record Controlled by the Amp A B Footswitch e Playback Speed Controlled with Select Button e Sampled Phrase Volume Controlled by the Expression Pedal Using Learn A Lick Connect your CD or tape player headphone output to the Jam A Long input jack on the rear panel using an 1 8 stereo plug Set the level of the CD tape player to a desired listening level 2 Cue up to the passage you want to record and hit pause on the CD or tape player 3 Press and hold the Up and Amp A B Footswitches to enter Learn A Lick mode The
21. evert to the stored values for the Preset Storing Copying Naming a Preset Once the Preset has been modified to your liking you may store your settings to any of the 40 User Preset locations Presets UI U40 The following steps outline the procedure for storing changes to a Preset or copying a Preset to a different location Press the Store button once The Store button LED will blink and the first character in the Display will Flash indicating that you can now name your custom creation 2 Use the Number I Knob or Up Down Footswitches to select the desired alpha numeric character 3 Rotate the Number 2 Knob clockwise to select the next character location and counterclockwise to select the previous character location Then repeat step 2 to select the desired alpha numeric character 1 Press Store and Characters in Display Flash Individually l l 2 Number 1 Knob 3 Number 2 Knob Selects Alpha Numeric Selects Next or Previous Characters Characters in Display 4 Once the desired name is shown in the display press the Store button again to enter the second stage of the storing process The Display will alternate between showing the new name and the name of the Preset about to be overwritten 5 Select the User Preset location your new sound will reside in using the Number 5 Knob or the Up Down Footswitches The Display will continue to alternate between showing the new Prese
22. formation on the storing procedure Factory Reset This function resets the RP300A to its original factory settings This procedure will erase all custom user Presets and recalibrate the Expression Pedal ATTENTION Performing this function will erase all user programmed data All such data will be lost forever Be sure you want to erase the memory and start fresh before continuing with this procedure The procedure for performing a Factory Reset is as follows Disconnect the power supply from the RP300A 2 Press and hold the Select button while re connecting the power to the RP300A 3 When the display shows P57 release the Select button and press the Store button The display will read RESET indicating that the RP300A has reset the original factory set tings At this point the RP300A will automatically advance to the Expression Pedal calibra tion menu Follow steps 4 through 7 of the Expression Pedal calibration section Expression Pedal Calibration The Expression Pedal on the RP300A needs to be recalibrated for use after a factory reset has been performed This calibration procedure is automatically entered after a factory reset pro cedure In the event the Pedal s calibration fails or if the Pedal does not function properly it can be re calibrated using the Pedal Calibration procedure This will not erase the User Presets The procedure for Calibrating the Expression Pedal is as follows Disconnect the PS0913B power
23. garding the current Preset and Parameter edit functions In performance mode the LEDs running down the left side of the Matrix will provide a visual indication of which effects are in use for the currently selected Preset In Edit mode the LEDs indicate the Effect currently selected for editing 7 Display The Display provides information for different functions depending on the mode that is active In Performance mode the Display will show the currently selected Preset name and numeric location In Edit mode the Display will show the name and value of the selected parameter In Tuner mode the Display will show the note being played and whether the note is sharp flat or in tune 8 Store The Store button is used to save your custom edits to the user Presets 9 Expression Pedal The Expression Pedal adjusts the RP300A s assigned Effect Parameter in real time Almost every Parameter is available for Expression Pedal control Rear Panel INPUT JAM ALOWG LEFTOUT RIGHT OUT 223 DIGI E UAC 1300mA I Input Connect your instrument to this jack 2 Jam A Long Learn A Lick Jack Connect this jack to the headphone output of a tape or CD player in order to jam along with the music or to record a musical passage into the Learn A Lick phrase recorder Use an 1 8 stereo plug for this connection See page 7 for more on using the Jam A Long and Learn A Lick functions 3 Left
24. hese Effects will alter the sound and how each Parameter will alter the Effect will help you achieve the sound you are looking for The following overview of the RP300A s Effects outlines what each Effect and Parameter does Pickup Wah The Pickup Simulator provides the thick tone of a humbucker pickup to a guitar with single coil pickups or the bright edgy sound of a single coil pickup to a guitar with a humbucker This allows you to have the best of both worlds without having to change guitars during a performance Wah is an effect controlled by the Expression Pedal As the Expression Pedal is rocked back and forth it makes the guitar sound as if it is saying Wah The Wah is engaged and disengaged by applying pressure to the V Switch located under the toe of the Expression Pedal See Page 19 for more information regarding the V Switch Pickup On Off The Number Knob turns the Pickup simulator on GN and off GF Pickup Type The Number 2 Knob selects the type of Pick Up to be be simulated Values include 5C HUM Gives a single coil pick up the warm tone of a humbucker and HUM 5C Gives a humbucker the unique sound of a single coil Wah Type The Number 3 Knob selects the type of Wah Values include CRY Cry Wah is a traditional sounding Wah BOUT ID Boutique Wah is a wide sweeping Wah with a more modern sound and F ULRNG Full Range Wah sweeps the entire spectrum of audible frequencies Wah Minimum The Numbe
25. ic Placement Chorus Flange Triggered Flange Phaser Triggered Phaser Tremolo Panner Vibrato Rotary Speaker AutoYa YaYa SynthTalk Envelope Filter Pitch Shift Detune Whammy Delay and Reverb Drum Machine 30 Patterns Simultaneous Effects up to Dimensions 8 5 L x 13 W x 2 25 H Weight 3 76 Ibs 23 DigiTech 8760 S Sandy Parkway Sandy Utah 84070 PH 801 566 8800 FAX 801 566 7005 International Distribution 8760 S Sandy Parkway Sandy Utah 84070 USA PH 801 566 8800 FAX 801 566 7005 DigiTech and RP300A are trade marks of the Harman Music Group Inc Copyright the Harman Music Group Printed in the USA 02 2003 Manufactured in the USA RP300A Owners Manual 8 6406 A Please visit DigiTech on the World Wide Web at http www digitech com H A Harman International Company
26. is moved the note will bend either up or down When Whammy is selected it is automatically placed before the Amp Modeling as shown in the block diagram at the beginning of the Effects section The Whammy effect must be linked to the Expression Pedal in order to function See page 18 for more information on linking the Expression Pedal Parameter The Number 2 Knob selects the interval and direction of the pitch bend Choices are as follows 16 l octave above 2 octaves above a second below a second below reversed pedal action ea m ce kay 2Z 00 m an octave below 2 octaves below Dive Bomb Harmony Bends Dry Signal Added M3 MAJ a minor third to a Major third 2NIMAJ a second above to a Major third above AR DYTH a third above to a fourth above 4YTHSTH a fourth above to a fifth above STHOCT a fifth above to an octave above HOC TUP one octave above HOCTIN one octave down Mod Level The Number 5 Knob adjusts the volume of the Whammy Ranges from amp to 93 The Number 3 and 4 knobs have no function when the Whammy is selected Delay Delay is an effect that will record a portion of the incoming signal and then play it back a short time later The recording can repeat just once several times or infinitely which turns off the input to the Delay and allows you to play over the top of a passage in the Delay loop Delay On Off The Number Knob turns the Delay
27. l in the toe up position not available when volume is the assigned parameter Rotate the Number 4 Knob to select the maximum value the assigned parameter will reach with the Expression Pedal in the toe down position not available when volume is the assigned parameter Store your Expression Pedal assignment to your Preset See page 9 for more information on the storing procedure V Switch The RP300A s Expression Pedal includes DigiTech s exclusive V Switch The V Switch allows the Expression Pedal assignment to be switched on the fly Applying extra pressure to the toe of the Expression Pedal will engage the V Switch and the function of the Expression Pedal will switch between the assigned parameter and Wah The sensitivity or amount of pressure required to engage the V Switch can be adjusted to suit your personal taste or weight of your foot See page 21 for the V Switch Sensitivity adjustment procedure LFO The RP300A includes two assignable low frequency oscillators LFO TR and LFO SQ which can be assigned to any of the same parameters available for assignment to the Expression Pedal A low frequency oscillator will automatically vary the value of the assigned parameter at a steady rate A minimum and maximum value each LFO will reach may be also be assigned For instance if the Amp Gain was assigned to LFO TR and the minimum value was set at and the maximum value was set at 99 the RP300A would automatically sweep the amo
28. lume 4 Turn Amp Volume Up 41 Turn Amp Volume Down 2 Connect PSO913B to Power Jack 3 Connect PS0913B to AC Outlet 5 Turn RP300 Volume Up About the RP300A The Presets Presets are named and numbered locations of programmed sounds which reside in the RP300A Presets are recalled with the Footswitches The active effects in each Preset will be indicated by the lighted LEDs in the Effect Matrix The RP300A comes with 40 User Presets Presets UI U40 40 Factory Artist Presets Presets Al A40 and 40 DigiTech factory presets Fl F40 The User Presets are locations where your creations may be stored The Artist Factory Presets will not allow you to store any changes to them From the factory the 40 User Presets are exact duplicates of the 40 Factory Artist Presets This allows you to create your own Presets without the worry of losing the sounds that came with the RP300A Performance Mode When you first apply power to the RP300A it will power up in Performance mode Performance mode provides access to all of the Presets within the RP300A via the Up and Down Footswitches The Number Knob left will adjust the Gain for the selected Amp Type the Number 2 Knob second from the left will adjust the amount of Bass enhancement the Number 3 Knob
29. middle will adjust the amount of Mid range enhancement the Number 4 Knob second from the right will adjust the amount of Treble high frequency enhancement and the Number 5 Knob right will adjust the Master Level volume Bypass Mode The RP300A Presets can be bypassed for a clean unprocessed guitar tone To bypass the RP300A press both the Up and Down Footswitches simultaneously The Display will read 2 PA55 indicating the Preset is bypassed Pressing any of the 3 Footswitches will exit Bypass and return the RP300A to the previously selected Preset Tuner Mode The Tuner in the RP300A allows you to quickly tune or check the tuning on your guitar Enter Tuner mode by pressing and holding the Up and Down Footswitches simultaneously The Display will briefly show TUNER indicating that you are in Tuner mode To begin tuning play a note on your guitar a harmonic at the 2th fret usually works best The right 2 characters in the Display will show the note being played The left characters in the Display indicate whether you are sharp or flat Arrows pointing to the left lt indicate the note is sharp and should be tuned down Arrows pointing to the right indicate the note is flat and should be tuned up When the note is in tune the Display will show TUNET Indicates Indicates Display Shows Note is Flat Note is Sharp Note Played Tev
30. nge at any time without notification Some information contained in this manual may also be inaccurate due to undocumented changes in the product or operating system since this version of the manual was completed The information contained in this version of the owner s manual supersedes all previous versions Table of Contents Safety MPORMMALI OM ss sic sssessescsscheadeseadsasasinpasuassnedqacedasscnessons l Declaration of Conformity Warranty seeesseees Table of Contents Section One Introduction Getting Acquainted Cabinet Gate EfPECES siii Chorus Flanger Included Items Jam A Long Drum Machine cecal sal A Guided Tour ved Triggered Phaser Front Panel snd Tremolo Rear Panel and Panner Getting Started 4 Vibrato Making Connections 4 Rotary Mono Operation 4 Ya Ya Stereo Operation 4 Applying Power 5 SynthTalk About the RP300 6 Envelope The Presets 6 Detune Performance Mode 6 Pitch Shift Bypass Mode oe Whammy Tuner Mode nb Learn A Lick 7 7 see Section Two Editing Functions Editing Creating Presets sssini 8 The Matrix Storing Copyin Section Three Effects and Parameters About the Effects sscssssssssiassasssnsssassinsescestscesssoussosessoses 10 Effect Definitions Pickup Wah ISOMPPESSOP trini tare Eae E II Section Four Other Functions Ex
31. ollowing diagram shows the difference between the Mic through Mic 4 selections 4321 S l EQ Equalization is an extremely useful tool used to further shape the tonal response of your guitar signal The EQ in the RP300A is similar to the tone knobs on an amplifier All three EQ parameters range from 12dB to 12 dB EQ On Off The Number I Knob turns the EQ on GN and off GF Bass The Number 2 Knob adjusts the amount of low end enhancement Mid Frequency The Number 3 Knob selects the frequency to which the boost will be applied by the mid level knob Ranges from SYGHZ 500 Hz to SUBBHZ 3000 Hz Mid Level The Number 4 Knob adjusts the amount of mid range enhancement Treble The Number 5 Knob adjusts the amount of high end enhancement Noise Gate A Noise Gate is designed to eliminate hiss and ambient noise while you are not playing A Noise Gate can also be used to create an automatic swell in volume The RP300A includes two different types of Noise Gates Silencer and Pluck The Silencer operates as a standard Noise Gate The Pluck Noise Gate is designed to close after every note depending on the Pluck Sensitivity This allows automatic volume swells to occur on a note for note basis Gate On Off The Number I Knob turns the Noise Gate o Gate Type The Number 2 Knob selects between the 5ILN Pluck type of Noise Gates Gate Attack The Number 3 Knob adjusts the length of time it takes the gate to
32. on GN and off GF Delay Type The Number 2 Knob selects one of the 3 different types of Delay Values include BIGTAL Digital Delay ANALOG Analog Delay P PONG Ping Pong Delay Delay Time The Number 3 Knob adjusts the amount of Delay time Ranges from 15 M5 through 994 MS 10 through 990 ms in 10 ms increments and 1 5 SEC through 3 SEC I second through 2 seconds in 100 ms increments Feedback The Number 4 Knob adjusts the number of times the delayed signal will repeat Ranges from to 99 and RHULS infinite repeat Delay Level The Number 5 Knob adjusts the volume of the Delay signal Ranges from to 99 Reverb Reverb can give the listener a sense that the material is being performed in various acoustical environments It can provide the tight acoustics of a small room or the ambience of huge arena Reverb Type The Number Knob selects the Type of Reverb or acoustic environment The RP300A provides your choice of ten different environments including REV OF Reverb Off PLATE Plate GARAGE Parking Garage STUBIG Studio HALL Hall ARENA Arena ROOM Wood Room MPTHE Amplitheater SPRING Spring CLUB Club CHURCH Church PreDelay The Number 2 Knob adjusts the amount of time it takes for the initial sound to reach the first reflective surface in the simulated environment Ranges from U to 15 Decay The Number 3 Knob adjusts the length of time the Reverb is audible Ranges from i to
33. operation connect the guitar to the Input of the RP300A Connect the Left Output to the input of one amplifier channel of a mixer or power amp Connect the Right Output to a second amplifier second channel of a mixer or power amp If connecting to a mixing console set the pan controls of the mixer hard left and right in order to retain stereo separation and be sure to selecton one of the RP300A s Speaker Cabinet models See page 2 for more on using the Speaker Cabinet modeling Guitar Amp Input Effect Return Stereo Outputs EE NOTE When using a guitar amp it may be best to connect the guitar to the Input of the RP300A and the Output of the RP300A to the effect return of the amplifier Applying Power Before applying power to anything set your amp s to a clean tone and set the tone controls to a flat EQ response on most amps this would be 0 or 5 on the tone controls Then follow the steps listed below Turn the amp volume all the way down 2 Connect the plug of the PS0913B power supply to the Power Jack on the rear panel of the RP300A 3 Connect the other end of the PS0913B power supply to an AC outlet and turn the Master Level knob until the display reads MLEVEL D 4 Turn the power of your amplifier s to the on position and adjust the volume s to a normal playing level 5 Gradually increase the RP300A s Master Level to achieve the desired vo
34. pression Pedal V Switch Factory Reset Expression Pedal Calibration V Switch Sensitivity Section Five Appendix Preset List Specifications Section Introduction Getting Acquainted Congratulations and thank you for your purchase of the RP300A Modeling Guitar Processor DigiTech commissioned today s top players to contribute their own presets to the RP300A giving you the latest sounds available from our award winning amp modeling and effects processing We recommend that you take a few minutes to become better acquainted with what the RP300A has to offer by going through this User s Guide with your RP300A in front of you It is your key to unlocking the full potential within the RP300A Included Items Before you get started please make sure that the following items have been included e RP300A e PS0913B Power Supply e Warranty Card The utmost care was taken while your RP300A was being manufactured Everything should be included and in perfect working order If anything is missing contact the factory at once Please help us become acquainted with you and your needs by completing your warranty card It is your safeguard should a problem arise with your RP300A A Guided Tour of the RP300A The Front Panel w AGI O I Up Down Footswitches These 2 Footswitches are use
35. r 4 Knob is used to select the minimum point the Wah will reach in the toe up position of the Expression Pedal Ranges from to 99 Wah Maximum The Number 5 Knob is used to select the maximum point the Wah will reach in the toe down position of the Expression Pedal Ranges from to 99 Compressor A Compressor is used to increase sustain tighten up the guitar signal and prevent the signal from clipping the input of other effects It sets a maximum boundary Threshold for the strength of a signal If a signal exceeds the Threshold it is squeezed back into compliance based upon the compression Ratio setting Comp On Off The Number Knob turns the Compressor on GN and off GF Attack The Number 2 Knob adjusts the length of time it takes for the Compressor to respond to a signal exceeding the Threshold Values include F AST MEDIUM and EERI JLUW Ratio The Number 3 Knob adjusts the input to output ratio once the Threshold has been exceeded For instance a Ratio of 4 tol means that a signal exceeding the Threshold by 4 dB will only be ee dB of increased output Ranges include 1 2 to bed 5 to l i 1 8 to 1 B 2to l e S 2 5 to 1 3 Be 3 to 1 8 1 4tol 5 i 5to 1 5 5 i 8to 1 15 1 10 to 1 28 i 20 to 1 and 9 1 infinity to 1 Threshold The Number 4 Knob adjusts the maximum strength the signal is allowed to reach before the compressor begins to work Ranges from to 99 Gain The Number
36. rvice w Digitech liability under this warranty is limited to repairing or replacin defective materials that show evidence of defect provided the product is returned to Digitech WITH RETURN AUTHORIZATION where all parts and labor will be covered up to a period of one year A Return Authorization number may be obtained from Digitech by telephone The company shall not be liable for any consequential damage as a result of the product s use in any circuit or assembly Dan Proof of purchase is considered to be the burden of the consumer a Digitech reserves the right to make changes in design or make additions to or improvements upon this product without incurring any obligation to install the same on products previously manufactured 6 The consumer forfeits the benefits of this warranty if the product s main assembly is opened and tampered with by anyone other than a certified Digitech technician or if the product is used with AC voltages outside of the range suggested by the manufacturer 7 The foregoing is in lieu of all other warranties expressed or implied and Digitech neither assumes nor authorizes any person to assume any obligation or liability in connection with the sale of this roduct In no event shall Digitech or its dealers be liable for special or consequential damages or rom any delay in the performance of this warranty due to causes beyond their control NOTE The information contained in this manual is subject to cha
37. supply from the power jack on the RP300A 2 Press and hold the Down Footswitch while re connecting the power 3 Continue to hold the Down Footswitch until the Display briefly reads CALI calibra tion 4 When the Display reads TOE JN rock the Expression Pedal forward to the toe down position 5 Press any Footswitch and the Display now shows TUE UP 6 Rock the Expression Pedal back to the toe up position 7 Press any Footswitch The RP300A will then enter the V Switch Sensitivity adjustment menu and the Display will read V SWITCH 8 If you do not wish to adjust the V Switch sensitivity press any Footswitch and the RP300A will return to Performance Mode and the Expression Pedal is now calibrated Note If the Display shows ERRUR an error has occurred and steps 4 through 8 should be repeated 20 V Switch Sensitivity If you wish to adjust the sensitivity setting of the V Switch follow steps through 7 for Calibrating the Expression Pedal and then follow the steps listed below When the Display reads V SWILH rock the Expression Pedal forward toe down and apply extra pressure on the toe of the Pedal until the Display reads JONE The Display now alternates between showing JUNE with the V Switch sensitivity value in the numeric Display and V 5WTCHOn or V SWICHOF depending on whether the V Switch is on or off You can audition the V Switch sensitivity by applying pressure to the toe of the Expression Pedal Rotate
38. t an even rate Parameter The Number 2 Knob adjusts the rate Speed of the modulation Ranges from to 99 Parameter 2 The Number 3 Knob adjusts the intensity of the AutoYa effect Ranges from to 99 Parameter 3 The Number 4 Knob adjusts the throaty quality of the AutoYa effect Ranges from to 55 Mod Level The Number 5 Knob controls the mix of wet and dry signal Ranges from all dry to 99 all wet SynthTalk SYNTLK SynthTalk is another effect exclusive to DigiTech It makes your guitar seem to speak based upon the dynamics of your playing style Parameter The Number 2 Knob adjusts the Attack of the synthesized voice Ranges from to 99 Parameter 2 The Number 3 Knob adjusts the Release of the synthesized voice Ranges from to 99 Parameter 3 The Number 4 Knob changes the characteristics of the various synth voices Ranges from to 99 Mod Level The Number 5 Knob adjusts the sensitivity or the input signal required to trigger the SynthTalk effect Ranges from to 99 Net M Envelope Filter ENV LOP The Envelope Filter is an automatic Wah effect that alters your sound based upon how hard the strings are struck Parameter The Number 2 Knob adjusts amount of Wah sweep once the Wah is triggered Ranges from to 99 Parameter 2 The Number 3 Knob adjusts the sensitivity or the input signal required to trigger the Wah effect Ranges from to 99 Mod Level The N
39. t correspond with the coloured markings identifying the terminals in your plug proceed as follows e The core which is coloured green and yellow must be connected to the terminal in the plug marked with the letter E or with the earth symbol or coloured green or green and yellow e The core which is coloured blue must be connected to the terminal marked N or coloured black e The core which is coloured brown must be connected to the terminal marked L or coloured red This equipment may require the use of a different line cord attachment plug or both depending on the avail able power source at installation If the attachment plug needs to be changed refer servicing to qualified service personnel who should refer to the table below The green yellow wire shall be connected directly to the units chassis WIRE COLOR Normal BROWN N NEUTRAL BLUE E EARTH GND GREEN YEL WARNING If the ground is defeated certain fault con ditions in the unit or in the system to which it is con nected can result in full line voltage between chassis and earth ground Severe injury or death can then result if the chassis and earth ground are touched simultaneously CONDUCTOR LITHIUM BATTERY WARNING CAUTION This product may contain a lithium battery There is danger of explosion if the battery is incorrectly replaced Replace only with an Eveready CR 2032 or equivalent Make sure the battery is installed with the correc
40. t name and name of the Preset about to be overwritten 4 Press Store Again Preset Name and Numeric Location Flash in Display 5 Select Numeric Destination with Footswitches or Number 5 Knob 6 Press the Store button again to save the changes Press the Select or Drums buttons at any time to abort the Store procedure The procedure for copying one Preset to another Preset location is the same Simply use the Footswitches to select the Preset that you want to copy then follow the steps listed above Section Three Effects and Parameters About the Effects The RP300A can be thought of as several different virtual amplifiers and individual hi tech stomp boxes in a single programmable package With stomp boxes the order in which they are connected can drastically affect the overall sound quality The RP300A has placed the Effects in an order for optimum sound quality The following diagram shows the order of the effects contained in the RP300A o o Pickup Amp Compressor gt Wah p Whammy Modeling t a Simulator Cabinet Mic Volume Volume gt Noise Gate gt gt eee Dela gt Reverb i Emulator Pedal Pre Effects y Pedal Post Effect Definitions Each Effect within the RP300A can be programmed to suit your personal taste and application Understanding how t
41. t polarity Discard used batteries according to manufactur er s instructions ADVARSEL Lithiumbatteri Eksplosjonsfare Ved utskifting benyttes kun batteri som anbefalt av apparatfab rikanten Brukt batteri returneres appa ratleverand ren ADVARSEL Lithiumbatteri Eksplosionsfare ved fejlagtig h ndtering Udskiftning m kun ske med batteri av samme fabrikat og type Lev r det brugte bat teri tilbage til leverand ren VAROITUS Paristo voi r j ht jos se on virheellisesti asen nettu Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppin H vit k ytetty paristo valmistajan ohjeiden mukaisesti VARNING Explosionsfara vid felaktigt batteribyte Anv nd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren Kassera anv nt batteri enligt fabrikantens instruktion ELECTROMAGNETIC COMPATIBILITY This unit conforms to the Product Specifications noted on the Declaration of Conformity Operation is subject to the following two conditions e this device may not cause harmful interference and e this device must accept any inter ference received including interfer ence that may cause undesired operation Operation of this unit within significant electromagnetic fields should be avoided e use only shielded interconnecting cables IMPORTANT SAFETY INFORMATION WARNING FOR YOUR PROTECTION PLEASE READ THE FOLLOWING KEEP THESE INSTRUCTION
42. the Number 5 Knob to change the value of the V Switch sensitivity You can audi tion the new value again by applying pressure to the toe of the Expression Pedal Once the desired sensitivity value is selected press any Footswitch The RP300A will return to Performance Mode and your settings are automatically saved 2l Section Five Appendix Factory Preset List Number Artist Name Preset Name Number Preset Name Preset Name V A James Fukai JFUKAL U A 21 Evil D LUSH U A 2 Dan Donegan JAN UIA 22 Joey Z JOEYZ UIA 3 Dan Donegan TAN e UIA 23 Joey Z WHIPIT U A 4 Jennifer Batten LOGLED UIA 24 Metal Mike Chlasciak MTLMKE U A 5 Jennifer Batten BUKPND U A 25 Metal Mike Chlasciak WARCRY UIA 6 Mike Einziger INCUBS UIA 26 Metal Mike Chlasciak RIP UIA 7 Mike Einziger INCUBE U A 27 Michael Wilton CRHLED U A 8 Clint Lowery JUSTI U A 28 Michael Wilton CHUNK UJA 9 Clint Lowery WUSTe UIA 29 Marc Rizzo ILLRIZ U A 10 Clint Lowery WUSTS U A 30 Andy LaRocque RHYTHM V A II Chad Kroeger CHAINI V A 31 Andy LaRocque 50LG UIA 12 Chad Kroeger CHAINE U A 32 Dave Murray CLNSRM V A 13 Carlos Cavaso CAVASG UIA 33 Dave Murray DABLUZ UIA 14 CJ Pierce CJUTXFL U A 34 Dave Murray IR STB V A I5 CJ Pierce CUTXTN U A 35 Dave Murray POL ORV UIA 16 CJ Pierce CUTXML UIA 36 Paul Crook CRKFLG UIA 17 Dominic Cifarelli CIFRLI UIA 37 Paul
43. umber 5 Knob controls the mix of wet and dry signal Ranges from all dry to 99 all wet The Number 4 Knob has no function when the Envelope Filter is selected Detune JE TUNE A Detuner will make a copy of your incoming signal take the copied signal slightly out of tune from the original and mix the two signals together The result is a doubling type of effect as if two guitars were playing the same part together Parameter The Number 2 Knob adjusts the amount of pitch difference applied to the copied signal Ranges from 6 to IB Mod Level The Number 5 Knob controls the volume of the detuned note Ranges from to 99 The Number 3 and 4 knobs have no function when the Detune effect is selected Pitch Shift PITCH A Pitch Shifter copies the incoming signal then shifts the pitch of the copied note to a different note The shifted note is then mixed back with the original signal sounding as if two guitars were playing in harmony Parameter The Number 2 Knob selects the interval of the shifted pitch Ranges from ig 12 semitones below to c H 24 semitones above Mod Level The Number 5 Knob controls the volume of the shifted pitch Ranges from 2 to 99 The Number 3 and 4 knobs have no function when the Pitch Shift effect is selected Whammy WHAMMY Whammy is an effect that uses an Expression Pedal to bend the pitch of the incoming signal or add a bendable harmony with the original signal As the Pedal
44. unt of distortion from a clean sound to a distorted sound Individual LFO speeds are also available for assignment In the previous example the LFO speed would determine the length of time it took the LFO to sweep from the clean to the distorted sound LFO TR oscillates using a triangle waveform and LFO SQ uses a square waveform The procedure for assigning the LFOs in the RP300A is as follows Press the Select button until the Expression row has been selected indicated by the LED lighting on the Expression row 2 Rotate the Number I Knob to select whether you want to assign LFO TR LFO TR or LFO SQ LFO SQ 3 Rotate the Number 2 Knob until the desired Parameter appears in the Display Your choices include A GAIN Amp Gain The LFO controls the Amp Gain or amount of distortion for the selected Amp Type MPLVL Amp Level The LFO controls the Volume of the selected Amp Type Modulation Effects Parameters Active Effect Available Parameters Chorus SPEE J Speed DEPTH Depth Flanger SPEE J Speed DEPTH Depth REGEN Regeneration Triggered Flanger SPEED Speed SENSTH Sensitivity LF G51R LFO Start Phaser SPEE J Speed JEP TH Depth REGEN Regeneration Triggered Phaser SPEED Speed SENST Sensitivity LF G5TR LFO Start Tremolo SPEE J Speed DEPTH Depth Vibrato SPEE T Speed DEPTH Depth Rotary Speaker SPEED Speed JEPTH Depth DOPLER Doppler Panner SPEED Speed BERTH Depth YaYa PEDAL Pe
45. use the mains plug with out the fuse cover in place Replacement fuse covers can be obtained from your local retailer Replacement fuses are 13 amps and MUST be ASTA approved to BS1 362 DECLARATION OF CONFORMITY Manufacturer s Name DigiTech Manufacturer s Address 8760 S Sandy Parkway Sandy Utah 84070 USA declares that the product RP300A all requires Class II power adapter that conforms to the requirements of EN60065 EN60742 or equivalent Product name Product option conforms to the following Product Specifications Safety IEC 60065 1998 EMC EN 55013 1990 EN 55020 1991 Supplementary Information The product herewith complies with the requirements of the Low Voltage Directive 73 23 EEC and the EMC Directive 89 336 EEC as amended by Directive 93 68 EEC Vice President of Engineering 8760 S Sandy Parkway Sandy Utah 84070 USA Date February 21 2003 Your local DigiTech Sales and Service Office or Harman Music Group 8760 South Sandy Parkway Sandy Utah 84070 USA Ph 801 566 8800 Fax 801 568 7583 Warranty We at DigiTech are very proud of our products and back up each one we sell with the following warranty The warranty registration card must be mailed within ten days after purchase date to validate this warranty 2 Digitech warrants this product when used solely within the U S to be free from defects in materials and workmanship under normal use and se
46. vintage fuzz distortion CLEAN Based on a Vox AC30 top boost ACGUST A flat top acoustic guitar Marshall is a registered trademark of Marshall Amplification Plc Vox is a registered trademark of Korg UK Fender Matchless and Mesa Boogie are trademarks of their respective companies and are in no way associated with DigiTech Amp Gain The Number 3 Knob adjusts the Gain distortion for the selected Amp Model not available for Acoustic The Gain parameter ranges from Y to 99 Amp Level The Number 4 Knob adjusts the Level volume of the selected Amp Model The Level parameter ranges from to 99 Cabinet Mic The Number 5 Knob selects the type of simulated Speaker cabinet as well as mic placement in relation to the speaker Your choices include TIRECT Cabinet Off iXig i Ix12 Mic UxXtev i 4x12Vintage Mic iXig g Ixl2 Mic 2 HXi g 4x12Vintage Mic 2 iXte J Ixl2 Mic 3 UXtev J 4x12 Vintage Mic 3 iXig H Ixl2 Mic 4 UXtev 4 4x12 Vintage Mic 4 exteG 2x12 Open Back Mic UX teH 4x12 British Mic exteG e 2x12 Open Back Mic 2 4XigJ e 4x12 British Mic 2 exteG 3 2x12 Open Back Mic 3 YX teH 3 4x12 British Mic 3 exteG 4 2x12 Open Back Mic 4 YX te 4 4x12 British Mic 4 extel 2x12 Closed Back Mic 4Xigb 4x12 Green Mic extel e 2x12 Closed Back Mic 2 4X 1eG 4x12 Green Mic 2 extel J 2x12 Closed Back Mic 3 YX 1eG J 4x12 Green Mic 3 extel 4 2x12 Closed Back Mic 4 YX 1eG 4 4x12 Green Mic 4 The f
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