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Casio CTK900 Musical Instrument User Manual

1. CC DE E Minor chords m To play a minor chord keep the major chord key depressed and press any other accompaniment keyboard key located to the right of the major chord key C minor Cm Seventh chords 7 To play a seventh chord keep the major chord key depressed and press any other two accompaniment keyboard keys located to the right of the major chord key Minor seventh chords m7 To play a minor seventh chord keep the major chord key EE eee depressed and press any other three accompaniment keyboard keys located to the right of the elelele major chord key C seventh C7 minor seventh Cm7 707A E 032A tmakes no difference whether you press black or white keys to the right of a major chord key when playing minor and seventh chords FINGERED provides you with a total of 15 different chord types The following describes the FINGERED accompaniment keyboard and melody keyboard and tells you how to play a C root chord using FINGERED B FINGERED Accompaniment Keyboard and Melody Keyboard Accompaniment keyboard l Melody keyboard 31 NOTE The accompaniment keyboard can be used for playing chords only No sound will be produced if you try playing single melody notes on
2. oo Ha E N O A N Ha O A N N N S9 N Ha c E N al c 1125 DRAWBAR SOULORGAN3 5 126 USER DRAWBAR PERC ORGAN3 712 127 USER DRAWBAR DRAWBARORGANA 27 128 USER DRAWBAR PERC ORGAN 71 129 USER DRAWBAR ODDORGAN 9 130 USER DRAWBAR REEDORGANT 30 131 USER DRAWBAR BLOCK ORGANS fa 132 USER DRAWBAR OVERDRIVE ORGANS 32 133 USER DRAWBAR DRAWBARORGANS 33 134 USER DRAWBAR GOSPEL ORGANS S 4 ORGAN EA 1 USER DRAWBAR BLOCKORGAN4 fa 137 USER DRAWBAR_ REEDORGAN2 f7 U U N o o Bp Oo COIN NIN COIN co N O E 4 Q gt NO C2 O E E M N M N E 6 N c Q oO c E q 4 amp m oO N N 4 w Y o c SER DRAWBAR PURE ORGAN 1 38 SER DRAWBAR DRAWBAR ORGAN 6 39 USER DRAWBAR DELAY ORGAN 1 104 Q o Ha Oo c A 707 187 USER DRAWBAR SER DRAWBAR USERDRAWBAR RINGORGAN 71 SER DRAWBAR MAD ROTARYORGAN 4 SERDRAWBAR OLD ORGAN Ja SERDRAWBAR DISL RINGORGAN 49 SER DRAWBAR DRAWBAR ORGANT 50 SERDRAWBAR AZZORGANi Jor
3. E 16 PIANO SETTING Button E 18 Using the Drawbar Organ Mode E 19 To select a drawbar organ tone E 20 To edit a drawbar organ tone E 20 Parameter Details E 21 To save an edited drawbar organ Torte add E 22 Applying Effects to TONOS inicias E 23 EIIGCEBIOOKS srta E 23 Selecting a DSP Type E 23 DSP BUHO ess 25 Selecting 25 Selecting CHORUS E 26 Using the Equalizer E 27 Auto Accompaniment E 28 About the MODE button E 28 Selecting a Rhythm E 29 Playing a Rhythm E 29 Adjusting the Tempo E 29 Using Auto Accompaniment E 30 Using an Intro Pattern E 32 Using a Fill in Pattern E 32 Using a Rhythm Variation E 32 Synchro Starting Accompaniment with Rhythm Play E 33 Finishing with an Ending Pattern E 33 Using One touch Preset E 34 Using Auto Harmonize E 34 Adjusting the Accompaniment VOLUME E 35 Mixer Function E 36 What yo
4. al ON al c c o o c c E N N N W N 65 gt Ha N al DE N 00 N N NO NO c N oo c oo A oo Cic P O Appendix Apendice BLOCK ORGAN 4 786 104 0 0 189 USERDRAWBAR DRAWBARORGANG 89 104 190 USERDRAWBAR DELAYORGANT 1901104 191 USER DRAWBAR DEEPCHORUSORGAN A 10 192 USER DRAWBAR TREMOLOORGAN _______ 92 10 193 USER DRAWBAR DELAYORGAN2 194 USERDRAWBAR LFOWAHORGAN o4 104 195 USERDRAWBAR DIST ORGANTEAD 95 10 I99 USERDRAWBAR RINGORGAN 96 10 USER DRAWBAR 196 USER DRAWBAR OLDORGAN f io 199 USER DRAWBAR DIST RINGORGAN 99 10 NOTE Range The above list shows the initial factory default configuration The tone group tone numbers indicated below will change from those shown in this list if you save original tones to keyboard memory page E 42 User Tones Tone Numbers 700 through 799 1 User Tones with Waves Tone Numbers 800 through 819 2 User Drum Sets with Waves Tone Numbers 900 through 903 3 Drawbar Organ User Tones Tone Numbers 100 through 199 4 1 The initial factory default is Advanced Tones 000 through 099 System reset page E 70
5. USER S GUIDE GU A DEL USUARIO es V CTK900 ES 1 CAS GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U S A not applicable to other areas NOTICE This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected Consult the dealer or an experienced radio TV technician for help FCC WARNING Changes or modifications not expressly approved by the party responsible for compliance could void the user s authority to operate the equipment Important Please note th
6. SO ALAS Qo Qo Q Oo Ol N Phaser t Delay E WN egal 2 2 cje SIT 515 5 Uu a J 9 St p 5 lt N R S lt 5 gt N 5 haAPan2 Equalize Cho Flan DsChoDly AWhChDly RgChoDly FO Wah RevHall2 Flanger hoDly 3 ist Cho RgChoDly ChoDly 3 RgChoDly A GM HARP GM STRINGS 1 GM SYNTH STRINGS1 GM TROMBONE GM MUTE TRUMPET 460 GM GMFRENCH HORN T 64 16 GM SOPRANO SAX GM TENOR SAX 66 ot 32 GM OBOE ot 32 169 GMENGLUSHHORN _____ 69 64 32 480 _________ ______ 80 66 16 GM CALLIOPE 707 184 Appendix Ap ndice Fe le N 86 GM______ GMFIFTHLEAD 86 64 16 om OMWARMPAD 61 32 90 GMPOLYSYNTH 99 61 16 GM SPACE CHOIR GM METAL PAD GMRAINDROP 96 amp 16 GMCRYSTAL ofal 499 cM OM ATMOSPHERE 99 64 16 GM SITAR Ee eee ee 52 VARIOUS CHURCHORGAN3 9 66 6 N 544 VARIOU NYLON GUITAR RELEASE 16 45 VARIOU ACOUSTIC GUITAR VAR 32 46 VARIOU PEDAL STEEL 26 16 547 VARIOU DETUNE CLEAN GT 16 48 VARIOUS PLAIN ELEC GUITAR REAR 32 549 VARIOUS PLAIN ELEC GUITAR FRONT 6
7. 15 F 0 18 AO 20 22 C 1 25 27 GHQ CRATCH PUSH PULL TICKS QUARE CLICK ETRONOME CLICK ETRONOME BELL F 1 30 AM 32 1_34 TANDARD1 KICK 1 DE STICK TANDARD1 SNARE 1 CLAP 1 TANDARD1 SNARE 2 LOW TOM 2 CLOSED HI HAT LOW TOM 1 PEDAL HI HAT MID TOM 2 OPEN HI HAT MID TOM 1 HIGH TOM 2 CRASH CYMBAL 1 HIGH TOM 1 RIDE CYMBAL 1 CHINESE CYMBAL RIDE BELL TAMBOURINE SPLASH CYMBAL COWBELL CRASH CYMBAL 2 VIBRA SLAP RIDE CYMBAL 2 HIGH BONGO LOW BONGO MUTE HIGH CONGA OPEN HIGH CONGA LOW CONGA HIGH TIMBALE LOW TIMBALE HIGH AGOGO LOW AGOGO CABASA MARACAS SHORT WHISTLE LONG LOW WHISTLE SHORT GUIRO LONG GUIRO CLAVES HIGH WOOD BLOCK LOW WOOD BLOCK MUTE CUICA OPEN CUICA MUTE TRIANGLE OPEN TRIANGLE SHAKER JINGLE BELL BELL TREE CASTANETS MUTE SURDO OPEN SURDO APPLAUSE APPLAUSE 2 C 2 37 7 MES F 2 42 2 4 B 2 46 C 3 49 51 3 54 A3 5 NEST C 4 6 6 F 4 6 Uu E 4 6 4 69 70 C 5 73 Eb 75 F 5 78 5 8 5 8 5 83 C6 84 e E 5i E6 8 E6 88 F6 89 o D 6 9 T 9 6 95 C 7 9 3 E 21 F 7 10 i 10 B 10 TANDA TANDA TANDA STANDA TANDA TANDA STANDA STANDA STANDA D KICK 1a D
8. ________ 18 16 N Rotary2 60 ORGAN OVD ROTARY ORGAN 16 54 32 N 6 ORGAN ROTARY ELECORGAN _ 16 53 32 N Rotary 2 RvbHiall ROCKPICKEDBASS 34 49 32 1 OdChorus 125 56 FLANFRETLESS BASS 35 49 16 1 Cho Flan 124 BASS FUNKYSLAPBASS 37 49 32 1 AWRCrDIy SOR SYNTH BASS 1 32 Od Rot 1 Ha Oo oo Ha 2 gt Q2 N Z gt Q2 N 2 Zo DIa W O WY AO m S gt m a m AO a oO wy ALO ZEE els S SIS IS S late 8 SE 32 als 3 Dla 518 gt ass 5 PR s et 5 Sz 5 5 5 01012 sme SIN N NIN N 4 ojo do 25 Ala M 2 2 1 707 182 Appendix Ap ndice HE 2 1 o0 5 MA 8e CmpEnDIy GateRvb2 GateRvb2 ateRvb2 RvbHalll RvbHall2 RvbHall2 eflect 202 BRASS OCTAVE FRENCH HORN 60 50 16 1 RvbHall N E 217 REED_ BREATHY TENORSAX _ 66 50 16 i 220 REED PURETENORSAX __ 66 51 16 1 GateRvb2__ 222 REED oo _______ 2 GateRvb2 BRIGHT ALTO SAX TENOR SAX 66 48 52 1 Equalize BARITONE SAX TREMOLO ALTO SAX TREMOLO TENOR SAX 66 49 16 1
9. ON 596 VARIOUS NO NO al 604 DRUMSET ROOMSET 120 606 DRUMSET ELECTRONICSET 24 120 GI4 DRUMSET ______ _______________66 12 616 DRUMSET DANCESETI o e 69 DRUM SET 2 DANCE SET2 707A E 185A A 4 Appendix Ap ndice User Tones Sonidos de usuario 700 USERTONE 9 95 706 USERTONE DANCEPIANO 6 9 708 USERTONE BRIGHTPIANO 8 9 709 USERTONE SYNTHSIRPIANO Joja 760 OVD ROTARY ORGAN _ 60 94 766 USERTONE HARMONICA Jeja 768 DRAWBARORGAN2 68 94 769 USERTONE ELECORGAN o 69 94 730 USERTONE PUREACOUSTICGUITAR 80 94 786 USER TONE CRUNCHELECGUITAR 86 94 789 USERTONE MUTEDISTGUITAR 89 94 790 MELLOW NYLON GUTAR 99 94 796 OCTAVEJAZZGUHAR o 94 798 CLEAN GUITAR Jaja 799 USER TONE ELEC GUITAR FRONT o User Tones with Waves Sonidos de usuario con ondas 7500 USER TONE with WAVE 9 801
10. 5 65 52 16 TENOR SAXYS 66 52 16 STACK BARITONE SAX _ 67 49 16 WAH BARITONE SAX 67 50 16 MELLOW CLARINET 71 48 32 SYNTH OBOE 68 49 16 URE FLUTE 73 49 16 FLUTE 73 48 32 MELLOW FLUTE 73 50 16 PICCOLO 72 48 32 PAN FLUTE 75 48 32 BOTTLE BLOW 76 48 32 RECORDER 74 48 32 WHISTLE 78 48 32 PICCOLO ENSEMBLE 72 49 16 BREATHY FLUTE 73 53 16 OCTAVE FLUTE 73 51 16 LUTE REED 73 52 16 YNTH PAN FLUTE 75 49 16 SYNTH RECORDER 74 49 16 WHISTLES 78 49 16 NTH LEAD SAWTOOTH LEAD 81 48 16 NTH LEAD MELLOW SAW LEAD 81 53 16 YNTH LEAD GR LEAD 1 81 54 16 NTH LEAD SQUARE LEAD 1 30 48 16 YNTH LEAD SQUARE LEAD 2 80 51 16 NTH LEAD VOX SQR LEAD 80 52 16 YNTH LEAD CALLIOPE LEAD 82 48 16 NTH LEAD CHIFF LEAD 1 83 48 16 NTH LEAD CHARANG LEAD 84 48 16 NTH LEAD GT SYNTH LEAD 1 84 49 16 NTH LEAD SOLO VOX 85 48 16 YNTH LEAD FIFTH LEAD 86 48 16 86 NTH LEAD HUSKY SAW 49 16 YNTH LEAD BASS LEAD 1 87 48 16 NTH LEAD BASS LEAD 2 87 50 16 YNTH LEAD VOX SAW LEAD 81 57 16 NTH LEAD SQUARE LEAD 3 80 53 16 NTH LEAD MELLOW SQR LEAD 80 54 16 NTH LEAD ADVANCED CALLIOPE 82 49 16 NTH LEAD SEQ SAW 1 81 55 16 YNTH LEAD REED SAW
11. gt Qo Hua ON 2 z 2 z 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 wJ 92 Y O oo al 50 16 SYNTH PAD 48 16 SYNTH PAD BRIGHTER pofa SYNTH PAD 03 48 16 SYNTH PAD NEWFANTASY ______ 88 49 16 SYNTH PAD WARMVOX__ 89 50 16 ISYNTH PAD FLUTEPAD afarie ISYNTH PAD ATTACKPOLYSYNTH __ 90 50 16 ISYNTH PAD CHIFFCHOIR _____ 1 51 16 ISYNTH PAD STARVOICET _____ 91 52 16 SYNTH PAD STAR VOICE 2 91 53 32 ISYNTH PAD SPACEVOICE2 19114916 SYNTH PAD SPACECHOIR _____ 91 54 32 SYNTH PAD ______ 92 49 16 SYNTH PAD DEEPBLUE _______ 97 49 32 SYNTH PAD GOBLINTAD ______ 101 48 16 ISYNTH PAD POLYSAW _______ 90 51 16 ISYNTH PAD BOUNCEPAD ______ 94 4916 SYNTH PAD SLOWSWEEP 95 49 16 SYNTH PAD STEEL PAD 99 49 16 SYNTH PAD WONDER BELL 98 51 16 ISYNTH PAD SAVANNA 98 52 32 A gt Ha 6 m N 69 69 Ha oo gt Ha 6 al O1 O1 WY GW GI C2 a Oo N o AJ gij 01 O1 HD NI oO E N O2 N N Ha al EN 6 N gt Ha N Qo wal o F3 F3 cof NP A Gay SIN 65
12. Main Tone GM BRASS Layered Tone GM FRENCH HORN 707A E 063A VU V 1141 1 CURSOR 9 6 SPLIT Number buttons To layer tones 1 First select the main tone Example To select 461 GM BRASS as the main tone press the TONE button and then use the number buttons to input 4 6 and then 1 muh iBrass 2 Press the LAYER button LAYER e SPLIT 448 St r n g al 1 Selected layer tone 2 Pointer 3 Select the layered tone Example To select 460 GM FRENCH HORN as the layered tone use the number buttons to input 4 6 and then 0 wu FrHorn G 4 Now try playing something on the keyboard Both tones are played at the same time E 61 Keyboard Settings 5 Press the LAYER button again to unlayer the tones and return the keyboard to normal NOTE Turning on layering switches the currently selected part from Part 1 to Part 2 and displays the layered tone At that time you can use the 4 and CURSOR buttons to switch between parts Turning off layering returns to Part 1 The main tone sounds over Channel 1 while the layered tone sounds over Channel 2 You can also use the Mixer to change the tone and volume settings for these channels Note that layering is not possible during record standby recording in the Song Memory Mode or while you are using the SMF Player Mode With split you can assign two different tones a main
13. 2 45 32 N 15 PIANO HARPSICHORD e S1 32 Ny PIANO GRAND PIANO WIDE 9 49 32 N Reflect 0 3 92 Q2 N Z Z Ha 2 2 Ol N 2 Z Ol Oo 2 2 92 Q2 N 2 2 al m N Z Z Oi o onm Z Z Z Z 5 55 16 N StDelay 3 51 16 Ha 2 2 3 2 717 PIANO___ 2OCTAVEPIANO___ 3 50 16 N PIANO MODERNEGPIANO ___ 2 50 16 PIANO ______ 9 562 PIANO HONKYTONKi 5 48 16 N PIANO BRIGHT HARPSICHORD 6 52 32 N 722 PIANO COUPLED HARPSICHORD 6 49 16 N 25 EPIANO ELECPIANO1 4 48 2 N O1 o Ha 2 Ha GI w 99 gi on Q2 N Z O1 92 gt 2 N gt N Q2 N Z es gt Ha 2 N al 00 Q2 N Z N gt Ha Z gt 24 EPIANO ELECPIANO2 s 19 16 25 EMANO FMELECPIANO s 48 16 O1 Ha 2 o O1 N N 2 C N Ss N 00 25 EFIANO DYNOELECPIANO 4 49 32 NJ gt N Q2 N Z 1 CrnDelay OVD FRONT GUITAR ___ 29 49 32 CmpOdDly ITAR FEEDBACK DISTGT 3052 MUTE DIS
14. 5 gg og 5 C q cr CS ct POWER button Power indicator SONG MEMORY button SYNTH button TRANSPOSE FUNCTION button MIXER button EFFECT button SMF PLAYER button MAIN VOLUME knob MODE button ONE TOUCH PRESET button ACCOMP VOLUME button DATA ACCESS indicator RHYTHM button TONE button DRAWBAR ORGAN button DSP button PIANO SETTING button EXIT button AUTO HARMONIZE button SPLIT button LAYER button 41 1 gt W JCURSOR buttons DEMO button 3 Speaker Rhythm list Tone list Display CHORD root names E 10 d k BA Q E ds Percussion instrument list Chord types name INTRO ENDING 1 2 buttons VARIATION FILL IN 1 2 buttons SYNCHRO FILL IN NEXT button START STOP button TEMPO buttons REGISTRATION buttons a BANK button b STORE button SONG MEMORY TRACK buttons 707A E 012A General Guide Attaching the Score stand 1 Insert the score stand into the slot at the top of the keyboard as shown in the illustration 707A E 013A E 1 1 General Guide dt Number buttons e For input of numbers to change displayed settings buttons YES NO k Negative values can be changed only by using and to increment and decrement the displayed value B Playing a Demo Tune 3 Pressing the DEMO button starts demo tune play There are 3 demo tunes which continuously pl
15. E E puo 1 177 1 Program Change No Drum Set Name N mero de cambio programa Nombre de ajuste de bater a 79 J 4 m m 79 o gt m 79 gt m o m e CRASH CYMBAL 2a CRASH CYMBAL 2b CRASH CYMBAL 2c RIDE CYMBAL 2 RIDE CYMBAL 2b RIDE CYMBAL 2c e CRASH CYMBAL 2a CRASH CYMBAL 2b CRASH CYMBAL 2c RIDE CYMBAL 2a RIDE CYMBAL 2b RIDE CYMBAL 2c CRASH CYMBAL 2a CRASH CYMBAL 2b CRASH CYMBAL 2c RIDE CYMBAL 2a RIDE CYMBAL 2b RIDE CYMBAL 2c lt lt WHITE NOISE HITE NOISE WHITE NOISE OOPED BD OOPED BD LOOPED BD B m E iss t Emm 17 T T T T T T T lt lt lt Hi Hi DANCE DANCE KICK SYNTH1 RIM SHOT DANCE SNARE 3 HAND CLAP 3 DANCE SNARE SYNTH 2 LOW TOM 2 HIP HOP CHH SYNTH 2LOW TOM HIP HOP PHH SYNTH 2 MID HIP HOP OHH SYNTH 2 MID TOM PSYNTHTHiTOM2 SYNTH2HITOM2 SYNTH2 HITOM 1 Cap E P HOP SCRATCH 1 P HOP SCRATCH 2 P HOP SCRATCH 1 P HOP SCRATCH 2 lt lt YNTH 1 HIGH CONGA NTH 1 HIGH CONGA 1 MID CONGA NTH 1 MID CONGA SYNTH 1 LOW CONGA NTH 1 LOW CONGA SYNTH 1 HIGH CONGA lt lt e SYNTH 1 LOW CONGA lt T T t t 1 4 o gt SYNTH 1 MARACAS NTH 1 MARACAS NTH
16. SYNCHRO FILL IN NEXT button one more time 707A E 035A Pattern You can end your performances with an ending pattern that brings the rhythm pattern you are using to a natural sounding conclusion The following procedure describes how to insert an ending pattern Note that the actual ending pattern played depends on the rhythm pattern you are using To finish with an ending pattern 1 While the rhythm is playing press INTRO ENDING button 1 or 2 e The timing when the ending pattern starts depends on when you press the INTRO ENDING button 1 or 2 If you press the button before the second beat of the current measure the ending pattern starts playing immediately NOTE Pressing the INTRO ENDING button prior to the first half beat at the beginning of a measure plays the ending immediately Pressing the button after the first half beat of a measure causes the ending to be played from the beginning of the following measure E 33 Auto Accompaniment Using One touch Preset One touch preset automatically makes the main settings listed below in accordance with the rhythm pattern you are using Keyboard tone e Layer on off Split on off Auto Harmonize on off Auto Harmonize type Accompaniment volume level Tempo Effect settings To use one touch preset 1 Select the rhythm you want to use 2 Use the MODE button to select the accompaniment mode you want to use 3 Press the ONE TOUCH PRESET
17. a gt ORS LEC KICK 1 LEC KICK 1 1 KICK 1 SYNTH 1 KICK 2 DANCE KICK 3 TECHNO KICK 1 HIP HOP BD 5 HIP HOP BD 6 TECHNO KICK 4 DANCE KICK 2 DANCE KICK 1 DANCE KICK 5 DANCE KICK 6 POWER SNARE 2 SYNTH 1 SNARE 1 SYNTH 1 SNARE 2 SYNTH 2 SNARE 1 SYNTH 2 SNARE 2 HIP HOP SNARE 5 HIP HOP SNARE 6 TECHNO SNARE 3 TECHNO SNARE 5 TECHNO SNARE 6 DANCE SNARE 4 DANCE SNARE 5 LEC KICK 1 SYNTH 1 KICK 1 SYNTH 1 KICK 2 DANCE KICK 3 TECHNO KICK 1 HIP HOP BD 5 HIP HOP BD 6 TECHNO KICK 4 DANCE KICK 2 DANCE KICK 1 DANCE KICK 5 DANCE KICK 6 POWER SNARE 2 SYNTH 1 SNARE 1 SYNTH 1 SNARE 2 SYNTH 2 SNARE 1 SYNTH 2 SNARE 2 HIP HOP SNARE 5 HIP HOP SNARE 6 TECHNO SNARE 3 TECHNO SNARE 5 TECHNO SNARE 6 DANCE SNARE 4 DANCE SNARE 5 DANCE KICK 3 TECHNO KICK 1 HIP HOP BD 5 HIP HOP BD 6 TECHNO KICK 4 DANCE KICK 2 DANCE KICK 1 DANCE KICK 5 DANCE KICK 6 POWER SNARE 2 SYNTH 1 SNARE 1 SYNTH 1 SNARE 2 SYNTH 2 SNARE 1 SYNTH 2 SNARE 2 HIP HOP SNARE 5 HIP HOP SNARE 6 TECHNO SNARE 3 TECHNO SNARE 5 TECHNO SNARE 6 DANCE SNARE 4 DANCE SNARE 5 4 w E 9 o B3 G O ES rj 3 ES Lg ES 7 JAZZ KICK LUNES AZZ SNARET HAND aP JAZZ SNARE N E 80220 E e pe E EA E gt EA E E EU EA E po EA E
18. DRAWBAR FULL DRAWBAR 32 ISERDRAWBAR J5 SERDRAWBAR 161 ORGAN ISERDRAWBAR SOULORGANi fs SERDRAWBAR OVERDRIVE ORGANI 56 DRAWBAR DRAWBARORGAN2 5 SERDRAWBAR BLOCKORGANi Js SERDRAWBAR THEATERORGANi 59 SERDRAWBAR AZZORGAN2 Jo DRAWBAR SERDRAWBAR GOSPEL ORGANT o DRAWBAR CHORUSORGANi 65 SERDRAWBAR OVERDRIVEORGAN2 a SERDRAWBAR BLOCKORGAN2 Je SERDRAWBAR DRAWBAR ORGANS 66 SER DRAWBAR ISERDRAWBAR THEATERORGAN2 68 SERDRAWBAR GOSPELORGAN2 Jo SERDRAWBAR EVENORGAN 70 FLUTEORGANT 7 SERDRAWBAR CHORUSORGAN2 72 ISERDRAWBAR OVERDRIVEORGAN3 75 SERDRAWBAR I amp ORGAN 714 DRAWBAR SOULORGAN3 gt 7SERDRAWBAR PERC ORGAN3 7 SERDRAWBAR DRAWBARORGANi 7 SERDRAWBAR PERC ORGANA 78 SERDRAWBAR ODDORGAN gt SERDRAWBAR REED ORGANT Ja DRAWBAR 104 m ec O1 N z A oo Ha oo gt ere Ol 4 m o o Ol N c Ol Oo E N cic Ol Oo c Ha al al E al al A O1 SI O1 SI A OIc m O1 EE al oO Ha al 00 A o E 162 62 104 6 c 4 ON GIG c
19. HH This keyboard automatically plays bass and chord parts in accordance with the chords you finger The bass and chord parts are played using sounds and tones that are automatically selected to select the rhythm you are using All of this means that you get full realistic accompaniments for the melody notes you play with your right hand creating the mood of a one person ensemble E 28 SYNCHRO FILL IN NEXT TEMPO AUTO HARMONIZE ACCOMP VOLUME INTRO ENDING 1 2 0 START STOP bm Number buttons About the MODE button Use the MODE button to select the accompaniment mode you want to use Each press of the MODE button cycles through the available accompaniment modes as shown in the illustration below NORMAL Auto Accompaniment off FULL RANGE CHORD FULL RANGE CHORD FINGERED O casio CHORD MODE ON L e Only rhythm sounds are produced when all accompaniment mode lamps are off e The currently selected accompaniment mode is shown by the mode lamps above the MODE button Information on using each of these modes starts from page E 30 CASIO CHORD 707A E 030A Auto Accompaniment Selecting a Rhythm This keyboard provides you with 160 exciting rhythms that you can select using the following procedure You can also transfer accompaniment data from your computer and store up to 16 of them as user rhythms in keyboard memory See Using the Music Data Management Software on the Bundled CD
20. Lista de algoritmos DSP en la p gina S 83 Estructura de generador de efectos y tipo de operaci n Algorithm Display Name Nombre de DSP Name Nombre DSP display Identificaci n ID de algoritmo Equalizer Compressor 1 Compressor 2 Limiter Enhancer 707 194 Appendix Apendice Algorithm DSP ID Display No Name Identificaci n Nombre de DSP ID EE display algoritmo Phaser 05 Phaser Phaser 06 StPhaser Stereo Phaser a DSP Name Nombre DSP Chorus 1 Chorus 1 Chorus 2 Chorus 2 Chorus Chorus Chorus 4 4 Enha Cho Enhancer Chorus a 12 Flanger Flanger 13 v EnhaFlan Enhancer Flanger Stereo Delay Stereo Cross Delay Enhancer Delay Reflection Phaser Chorus 1 Phaser Chorus 2 Phaser Delay 1 Phaser Delay 2 Chorus Delay 1 Chorus Delay 2 Chorus Delay 3 Chorus Delay 4 Compressor Delay Compressor Enhancer Delay Compressor Chorus Reflection Chorus Flanger Flanger Delay 1 Flanger Delay 2 RvbRoom 1 Reverb Room 1 RvbRoom 2 Reverb Room 2 RvbRoom 3 Reverb Room 3 RvbHall1 Reverb Hall 1 RvbHall2 Reverb Hall 2 RvbPlate Reverb Plate GateRvb 1 Gate Reverb 1 GateRvb 2 Gate Reverb 2 GateRvb 3 Gate Reverb 3 GateRvb 4 Gate Reverb 4 Tremolo Tremolo Cho Trem Chorus Tremolo Auto Auto Pan PhaAPan 1 Phaser Auto Pan 1 PhaAPan 2 Phaser Auto Pa
21. There is a problem with the Use different SMF data you are trying to data play or the data is corrupted E 74 707 076 MIDI What is MIDI MIDI is a standard for digital signals and connectors that allows musical instruments computers and other devices regardless of manufacturer to exchange data with each other MIDI Connections To use a computer or other MIDI device to record and playback the MIDI data produced by this keyboard you must connect the MIDI IN and MIDI OUT terminals of both devices in order to send and receive data Rear Panel MIDI cable MK 5 MIDI OUT 9 6 OUT MIDI IN T PHONES aceso ASSIGNABLE JACK OUTPUT DC 9V MIDI IN Computer etc If a MIDI THRU function provided by the software is being run on a connected computer or other MIDI device be sure to turn this keyboard s Local Control Setting off page E 70 General MIDI This keyboard supports General MIDI so it can be used to play commercially available pre recorded General MIDI data and General MIDI data send to it from a personal computer See the Tone List on page A 1 for details about the tones that are available with GM tones numbered 000 to 127 707A E 077A MIDI Settings You can change the settings of a number of parameters that control how MIDI messages are sent and received MIDI Parameters You can use the parameter setting procedure page E 67 to c
22. 69 N NI aij ai O1 Aif O1f Jij OT Ol Ee Co BY NITED Z Z Z Z Z Z N NIN CO OO Of CO OTN Ol O1 S CO Co o N NX gt 69 N Z o O1 Ha 1 O1 Ha O2 N Z o oo Q2 N 2 00 oo N 2 Q2 o 00 O2 N Ha al Qo Qo N N 2 N N Q2 N Z 49 CHROMPERC VIBRAPHONE _______ 1 50 2 50 CHROMPERC PHASER MARIMBA 12 50 32 N 51 CHROMPERC DELAYGLOCKENSPIEL 9 49 32 1 ChoDly 2 52 CHROMPERC ROTARY CELESTA 8 49 32 RotRef 2 55 ORGAN ROTARYDRAWBAR 16 52 16 N 54 ORGAN ROTARYPERCORGANi 17 52 16 N 55 ORGAN ROTARYPERCORGAN2 17 54116 N RotRcf 1 56 ORGAN USORGAN ________ 17 49 32 N Rotary 57 ORGAN TREMOLO ORGAN 16 49 32 N Cho Trem Q2 N Q2 B Q o Oo N Z N al o Q2 N Ha Q Q2 gt E E O N 2 O1 NIN DIO 212 WY Q2 00 EN Ha 2 gt Ha NIN QW C2 NIN 212 amp Oo 11 al Oo Z 755 ORGAN JAzZDRAWBAR 17 53 16 N 759 ORGAN ___
23. in caen pests peon REG 8 Block 0 Adds block chord notes 9 BigBand Adds harmony suitable for big band play Other Settings Contrast Assigns the sustain pedal effect to a pedal Assignable Jack sos Assigns the sostenuto pedal effect to a pedal Jack EE Assigns the soft pedal effect to a pedal rh Assigns the START STOP button function to a pedal y 8 1 On SEE OFF When Mixer Hold is turned on the parameters of accompaniment parts MixHold Part 6 through Part 10 cannot be modified by accompaniment data Current DSP line setting is maintained even when the tone is changed DSP Hold on oFF DSP Hold id RA the tone switches to the DSP line setting of the new id RA 707A E 071A E 69 Keyboard Settings MIDI eem Settingmenu menu 0000000 Keyboard Channel Keybd Ch 01 to 16 EX Specifies the send channel for main tone play MIDI In Chord Judge 5pecifies whether accompaniment range MIDI Note On messages Chord on oFF OFF received from an external device should be interpreted as auto accompaniment chords Accomp Song MIDI Out Specifies whether this keyboard s auto accompaniment or song on OFF OFF Ac sg Out memory is sent as MIDI messages 22 Specifies whether the keyboard should sound the parts played on it ll Delete Initialize Settings we ECC ECT ETC O E ECT Mixer Reset Initializes pa
24. on page E 54 for details Chord CLOCK MEASURE BEAT mr 1 LILI 1 1 1 Chord 2 Measure beat and clock at current location 96 clocks 1 beat 707A E 055A 6 Input the length of the chord how long it should be played until the next chord is played Use the number buttons to specify the length of the chord See Specifying the Length of a Note on page E 54 for details e The specified chord and its length are stored in memory and the keyboard stands by for input of the next chord Repeat steps 5 and 6 to input more chords After you are finished recording press the START STOP button e This enters playback standby for the song you have just recorded To play back the song at this time press the START STOP button NOTE Use the procedure under Correcting Mistakes While Step Recording on page E 57 to correct input mistakes you make during step recording You can add on to a track that already contains recorded data by selecting that track in step 3 of the above procedure Doing so automatically locates the step recording start point at the first beat immediately following the previously recorded data Inputting 0 as the chord length in steps 5 and 6 of the above procedure specifies a rest but the rest is not reflected in the accompaniment contents when the accompaniment is played In addition to c
25. 0 to 127 Adjusts the output level of the overdrive Speed Range Slow Fast Switches the speed mode between fast and slow Break Range Rotate Stop Stops speaker rotation Fall Accel Range 0 to 127 Adjusts acceleration when the speed mode is switched from fast to slow E 84 5 Rise Accel Range 0 to 127 Adjusts acceleration when the speed mode is switched from slow to fast 6 Slow Rate Range 0 to 127 Adjusts speaker rotation speed of the slow speed mode 7 Fast Rate Range 0 to 127 Adjusts speaker rotation speed of the fast speed mode 13 Enhancer Function Enhances the outlines of the low range and high range of the input signal Parameters 0 Low Frequency Range 0 to 127 Adjusts the low range enhancer frequency 1 Low Gain Range 0 to 127 Adjusts the low range enhancer gain 2 High Frequency Range 0 to 127 Adjusts the high range enhancer frequency 3 High Gain Range 0 to 127 Adjusts the high range enhancer gain 14 Ring Modulator Function This is a ring modulator AM modulator that makes it possible to modulate the frequency of internal oscillator OSC in accordance with an internal LFO Parameters 0 OSC Frequency Range 0 to 127 Sets the reference frequency of the internal OSC 1 Rate Range 0 to 127 Adjusts the rate of the LFO 2 Depth Range 0 to 127 Adjusts the depth of the LFO 3 Wet Level Range 0 to 127 Adjusts the level o
26. 81 56 16 NTH LEAD PIPE LEAD 82 50 16 YNTH LEAD ATTACK SOR 1 80 55 16 80 NTH LEAD ATTACK SQR 2 56 16 YNTH LEAD PLUCK LEAD 1 84 50 16 omp 2 RvbHall2 nha Dly Comp 2 Delay hoDly 4 Delay zs pal Z zzz SH aa 213 E 5 S an N lt 2 RRR ole BS 5 e zi 2 2 2 2 2 2 2 2 2 2 gt zz 146 ORCHESTRA HARPS 46 49 16 NJ 147 ENSEMBLE NI S Z E Ha 2 00 2 65 2 5 N N al 2 226 2 2 2 3 3 3 3 3 ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSE N al al al Cole e e i i i e i el ole 92 2 N N al Z N 00 2 N 2 N REED REED REED REED REED REED PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE 44 PIPE 45 PIPE 46 PIPE 47 PIPE 48 PIPE 49 PIPE 50 PIPE ON al al N EE fH Eri cic gio NIN o gt 2 O1 N Ha gt oo 2 gt Ha Comp 2 Auto Wah GateRvb2 ChoDly 4 GateRvb2 Reflect Reflect Equalize ateRvb2 Equalize GateRvb2 gt 2 o Ha SYNTH VOICE 2
27. BRASS TRUMPET 1616116 VARIOUS OCTAVESYNTH BRASS 62 66 16 550 VARIOUS BREATHY ALTO SAX VAR 65 69 16 SSE VARIOUS BREATHY TENOR SAX VAR 66 69 16 VARIOUS 532 VARIOUS 0S ELECPIANOVAR __ 4 32 553 VARIOUS ELECPIANOS 71416116 554 VARIOUS MODERNEP E GPIANO_ _5 66 16 535 VARIOUS MODERN EP VAR 5 68 16 VARIOUS HARPSICHORD VAR 6 66 32 VARIOUS VARIOU MELLOW ALTO SAX 65 65 16 VARIOU MELLOW TENOR SAX 65 16 VARIOU TRIANGLE WAVE he 585 VARIOU SQUARE WAVE 3 80 74 32 VARIOU AW WAVE 81 65 32 587 VARIOUS AW SOR 81 66 16 EQ SAW 2 81 68 16 589 85 67 16 54 68 16 591 VARIOU e 65 167 592 VARIOU 87 65 16 593 VARIOU 89 65 16 594 VARIOU 89 68 16 VARIOUS GLASS PAD 92 66 16 METAL PAD 2 93 65 16 VARIOUS FAST SWEEP 95 66 16 540 VARIOUS 598 VARIOUS WOODPAD 96 66 16 599 VARIOUS SYNTH MALLET 98 65 16 Drum Sets Ajustes de bater a 3 600 DRUMSET STANDARDSETI 0 m0 W9 DRUMSET AZZSET 3x 8 Qo N Oo N oo oo m PERC CHIFF 2 GT SYNTH LEAD 2 VOX LEAD 2 BASS LEAD 3 SINE SYNTH OPRANO PAD CO CO CO OV ON OD Ol O1 N
28. E 60 5 Press the YES button to delete the song and return to playback standby To delete a specific track 7 Press the SONG MEMORY button once to enter playback standby 2 Use the and buttons to select the number of the song that contains the track you want to delete 3 Press the W CURSOR button If there is no song number on the display press the yw CURSOR button three times e This displays the song delete screen 52 1Tr Del 1 Number of the song that contains the track cannot be changed 2 Track delete standby 4 Use the SONG MEMORY TRACK buttons to select the recorded track or tracks whose data you want to delete Track delete standby Ves ree 1 Recorded track 2 being deleted Multiple tracks can be specified e You can specify more than one track for deletion by pressing more than one track select button To deselect a track simply press its track select button again 5 Press the YES button e This causes the message Sure to appear confirming whether you really want to delete the track 6 Press the YES button to delete the track NOTE You cannot change the song number while in track delete standby Pressing the SONG MEMORY button while in track delete standby returns to record standby 707A E 062A Song Memory Function rewrite song header data Panel Record You can use a procedure called Panel Re
29. MERENGUE 1 1 1 14 115 11 117 WN eio goi pa SSeS Lao O N e R o oo E NX un z ml eziwiwiwlel ni iziv ARE 2 SE Ee z SEBE 3 OOS gt N CHA CHA CHA ALSA BEGUINE 1 N Nombre de Ritmo 137 ADANI 38 BALADI 139 SYMPHONY OR PIANO 40 PIANO BALLAD 1 41 PIANO BALLAD 2 42 PIANO BALLAD 3 43 EP BALLAD 1 44 EP BALLAD 2 145 BLUES BALLAD MELLOW JAZZ 47 JAZZ COMBO 3 148 RAGTIME 49 BOOGIE WOOGIE 150 ARPEGGIO 1 51 ARPEGGIO 2 152 ARPEGGIO 3 53 PIANO BALLAD 4 54 6 8 MARCH 155 MARCH 3 159 WALTZ6 EE Ti o gt m Ra NO User Rhythms Ritmos de usuario Ne Nombre de Ritmo METRONOME 4 BEAT METRONOME 3 BEAT METRONOME 2 BEAT Nombre de Ritmo UNPLUGGED NOTE This list shows the initial factory default configuration in which the user area 160 through 175 contains default rhythm data System reset page E 70 clears all data stored in the user area The CD ROM that comes bundled with the keyboard can be used to return all rhythms to the initial factory defaults shown in this list See Returning the keyboard to its initial factory defaults on page E 77 for details 191 e Esta lista muestra la configuraci n predeterminada de f brica segun la cual el rea de usuario 1
30. O1 WN N Ha al O1 Q2 gt Ha Comp 1 gt oo 2 Qo R gt oo Ha gi 2 z EJE ala gt 3 5 d z 2 212 212 5 212 215 2121 T giai mic S ngjle isc csc eojelje sissjiejiieleilsoici ci2 zn 3 ES e 2 amp S 6 2 9 9 51 1 1 1 9 SO 2 5 2 lt Pax NISMS S hs PIS 2 5 2 2 lt lt lt lt lt 4 5 2 7 RE N m N gt PIS 5 58 la BL 8 8 5 W R gt Ha GateRvb2 N Enhancer N nha Dly N ON BeN KON KON aJa aan KIKIKI O1 N Z O1 gt Ha al N N WN Ha oo Ha oo 2 gt Ha D E YN ES al 2 N gt WN 00 Ha 2 al N YN lt 2 N WN oo O1 N LN nha Dly LN nha Dly 2 al Q2 oo 2 al Ha al GateRvb2 N RvbHalll RvbHalli RvbHall1 RvbHalli RvbHall1 GateRvb1 2 gt Ha NY DL ALD KIKIKI al 2 oo m al al Ha A N N WN O1
31. OoneuJojne o ep seuoiounj sej Jeique ouis opejoa ep uorionoefe ep sej ua epend es ou ejse 8Jqog suonoun J oway Jo i Aq juas siy uo suomnejedo eued Jo q juas aq 1 1 sebessel 330 S91ON IIV 44O NO 12201 any 2019 ueis g aun les UOWWOD Sog 3 OOK OK OK OK OK OK 3 OK XK OK OK OK 26 0 O 201 0 O H9 Punos y Oct H8SIN 951 001 GSW 9571 pues 51045 pues 9J9 ouleJeg GJojeuieJed dSq CO dSd 08 8 uidep 9 9 8J OAIN LE vl xoenv EZ 707A E 203A e This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany Esta marca de reciclaje indica que el empaquetado se ajusta a la legislaci n de protecci n ambiental en Alemania CASIO CASIO COMPUTER
32. USER TONE with WAVE USER TONE with WAVE USER TONE with WAVE USER TONE with WAVE NODATA 807 USER TONE with WAVE NODATA f7 USERTONE with WAVE NODATA 809 USER TONE with WAVE 9 88 900 USER DRUM SET with WAVE POWER ROOM SET 0 1235 USER DRUM SET with WAVE NO DATA USER TONE with WAVE NODATA 5 88 816 USER TONE with WAVE 16 88 517 with WAVE NODATA 18 88 8 18 JSER TONE with WAVE NO DATA 186 Appendix Ap ndice Drawbar Organ Preset Tones Sonidos de rgano con Drawbar A IAS 1 L0 DRAWBAK DRAWBARORGANT 0 96 I0 N 1 DRAWBAR JAZZORGAN1 1 96 10 2 DRAWBAR FULLDRAWBAR 2 96 16 3 DRAWBAR PERC ORGANI 3 96 16 DRAWBAR 16 TORGAN 4 5 DRAWBAR SOULORGANi 5 9119 6 DRAWBAR OVERDRIVE ORGANT 6 96 16 7 DRAWBAR DRAWBARORGAN2 7 9116 DRAWBAR BLOCKORGAN1 8 19116 9 DRAWBAR THEATER ORGANT 9 96 16 10 DRAWBAR JAZZORGAN2 10 96 10 PH DRAWBAR SOULORGAN2 1i 96 16 12 DRAWBAR GOSPEL ORGANT 12 96 16 15 DRAWBAR CHORUSORGANi 13 96 16 14 DRAWBAR OVERDRIVE ORGAN 14 96 10 15 DRAWBAR BLOCKORGAN2 15 56 16 16 DRAWBAR DRAWBARORGAN3 16 96 16 17 DRAWBAR PERC ORGAN 17 96 16 18 DRAWBAR THEATERORGANZ 18 96 16 i9 DRAWBAR GOSPEL ORGA
33. 1 through 16 on and off regardless of whether file playback is in progress or stopped For more information see Turning Channels On and Off on page E 36 4 To stop file playback press the START STOP button again Adjusting SMF Playback Volume The following procedure explains how to control the overall volume of SMF data playback You can adjust volume while playback is stopped or ongoing 1 Press the ACCOMP VOLUME button This causes the SMF Vol indicator to appear on the display along with a value that indicates the current SMF volume setting 707A E 075A Using the SMF Player 2 Use the and buttons or the number buttons to adjust the SMF volume You can specify a setting in the range of 000 minimum to 127 maximum e Pressing and at the same time returns the SMF volume setting to 100 Note that this setting does not affect the volume of the notes you play on the keyboard Configuring Other Settings 1 While playback is stopped select the file you want to play back e Perform steps 1 through 2 under To play back an SMF to select a file 2 Press the W CURSOR button to display screen for selecting the part you want to play on the keyboard play along part Use the 4 and CURSOR buttons the and buttons to select the play along part e Press the MIXER button to enter the Mixer Mode e Turn off the channel that corresponds to
34. 2 SYNTH 2 OHH SYNTH 2 MID TOM 1 SYNTH 2 HI TOM 2 SYNTH 2 CYMBAL 1 SYNTH 2 HI TOM 1 SYNTH 2 RIDE 1 lt 2 CYMBAL 2 lt NTH 2 RIDE 2 Appendix Ap ndice Key Note number Clave N mero denota PC32 JAZZ SET PC40 BRUSH SET 48 ORCHESTRA PC64 HIP HOP SET 1 PC65 HIP o 79 e m 79 e o 4 m e m 1 1 Eb 1 3 F 1 6 1 8 B 1 1 CRASH CYMBAL 2a CRASH CYMBAL 2b CRASH CYMBAL 2c RIDE CYMBAL 2a RIDE CYMBAL 2b RIDE CYMBAL 2c CRASH CYMBAL 2a CRASH CYMBAL 2b CRASH CYMBAL 2c RIDE CYMBAL 2a RIDE CYMBAL 2b RIDE CYMBAL 2 CRASH CYMBAL 2a CRASH CYMBAL 2b CRASH CYMBAL 2c RIDE CYMBAL 2a RIDE CYMBAL 2b RIDE CYMBAL 2c 0 13 1 F 0 1 WHITE NOISE LOOPED BD EEP 1 BEEP 2 H H gt N WHITE NOISE LOOPED BD BEEP 1 EEP 2 WHITE NOISE LOOPED BD BEEP 1 N a N 2 Ebi 2 CLOSED HI HAT PEDAL OPEN HI HAT RIDE CYMBAL 1 ml lt E HIP HOP SCRATCH 1 HIP HOP SCRATCH 2 P HOP SCRATCH 1 P HOP SCRATCH 2 P HOP SCRATCH 1 P HOP SCRATCH 2 FH 3 1 AM 3 TA JAZZ KICK 2 JAZZ KICK 1 Pa JAZZ SNARE 1 HAND CLAP 2 JAZZ SNARE 2 lt lt H UJ RUSH KICK 2 JAZZ KICK 1 RUSH KICK 1 CONCERT BASS DRU RUSH RUSH SLAP RUSH SWIRL P HOP KICK 2 HIP HOP KICK 1 4 HIP HOP
35. 35 49 PICKEDBASS afas PRETLESSBASS 35 48 SLAP BASS 37 48 32 1 Comp 2 SAWSYNTH BASS1 38 48 Chorus 1 ANALOG SYNTH BASS _ 38 52 32 1 PhaCho 1 F al al ON 2 al o RvbRoom3 41 gt O2 N 2 al Ha 94 GUITAR UKULELE N CmpChoRf 94 UKULELE 24 49 32 N Cmp Sr EPIANO av 7 48 32 Disti 35 EPIANO AUTOWAHEPIANO 4 57 32 N 36 EPIANO PHASEREPIANO 4 37 EPIANO MODERNEPIANO 5 50 16 N Enha Diy 38 EPIANO WARMELECPIANO 4 59 32 N Cho Trem 39 EPIANO ELECPIANOPAD 4 54 16 N StPhaser 40 EPIANO SYNTH SIREPIANO2 5 53 16 N Equalizo Par EPIANO SIRINGSEPIANO 5 16 N ChoDly 1 42 EPIANO RESONANCECLAVI 7 50 52 N Auto Wah 45 EPIANO PULSECLAVI 7 19 4r EPIANO LACLAVI 71532 N Che Divt 45 VIBRAPHONE 11 48 32 N Cho Trem 46 CHROMPERC MARIMBA 47 CHROMPERC GLOCKENSPIEL 9 48 32 1 Reflect 48 CHROMPERC CELESTA 8 OdChorus Equalize Equalize EE CmpDelay Ovrdrive DistDly2 DistDly2 AWhCrDly CmpDelay CmpCrDly CmpCrDly imi RvbRoom1 imi imi CmpEnDly ChoDly 1 O1 Q2 N Z N 92 Q2 B E E O zr amp USELECPIANO 4 9232 N Auto Pan gt O1 O2 N Z N N Ha
36. 5 This keyboard provides you with a selection of effects that you can apply to tones The built in effects include a wide variety of variations that give you access to a selection of general digital effects Effect Blocks The following shows how the effects of this keyboard are organized Sound Source DSP button 1 gt o DSP Line EQUALIZER Output 5 DSP effects are applied to the connection between the sound source and output You can select distortion and modulation effects You can create DSP effect setups and also transfer downloaded DSP data from your computer The keyboard has memory that lets you store up to 100 DSP effect setups See Using the Music Data Management Software on the Bundled CD ROM on page E 76 and Saving the Settings of DSP Parameters on page E 25 for more information REVERB Reverb simulates the acoustics of specific types of environments You can choose from among 16 different reverb effects including Room and Hall 707A E 025A Number buttons 3 6 Mt B CHORUS The chorus effect gives sound greater depth by causing it to vibrate You can choose from among 16 different chorus effects including Chorus and Flanger The equalizer is another type of effect that you can use to make adjustments in tone quality Frequencies are divided among number of bands and raising and lowering the level of each frequency band alters th
37. 550 VARIOU FEEDBACK GUITAR VAR 6 551 VARIOU GUITAR FEEDBACK 552 VARIOU ACOUSTIC BASS 1 VAR 32 553 VARIOU FINGERED BASS 1 VAR 54 VARIOUS SAW SYNTH BASS 3 16 55 VARIOU SAW SYNTH BASS 4 38 16 56 VARIOU RESO SAW BASS3 38 16 57 VARIOU ORGAN BASS 2 38 164 558 VARIOU SOR SYNTH BASS 2 739 7 16 59 VARIOU SOR SYNTH BASS 3 39 16 560 VARIOU ATTACK SQR BASS 39 16 61 VARIOU OCTAVE STRINGS 48 16 562 VARIOU SYNTH STRINGS 2 50 16 63 VARIOUS CHOIR UUH 16 64 VARIOUS SCAT VOICE 4 53 16 65 VARIOUS SCAT VOICE 5 53 16 66 VARIOUS SYNTH VOICE 3 54 16 567 VARIOUS EQ VOX 54 32 568 VARIOUS BASS HIT VAR 55 16 569 VARIOUS POP HIT 3 691 N OD Ol QM N 3 N al HIN Qo NIN N Q 00 Q ON Ol lt O eA OQ al Oo gt Ha O1 al Ha Ol N ON Ol Oo ON Ol a1 O1 OV He 99 2 No al al Q OY D NSP NIP ON ON ON ON ON GM SHANAI GM AGOGO SYNTH DRUM GM SEASHORE VARIOUS 574 VARIOUS MELLOW FRENCH HORN 60 65 16 575 VARIOUS
38. 707A E 081A 1 One or more of the melody channels 2 through 4 is turned off The volume setting of one or more of the melody channels 2 through 4 is too low The keyboard is in record standby The SMF Player Mode is currently being use MIDI cables are not connected properly Channel is turned off or volume setting is too low The computer s MIDI Thru function is turned on Accomp Song MIDI Out is turned off 1 Flash memory is corrupted 2 The keyboard detected abnormal flash memory data and is automatically resetting the keyboard system Someone may have turned off the keyboard while data was being stored in Flash memory or something else has caused Flash memory contents to become corrupted for some reason 1 Use the Mixer to turn on Channels 2 through 4 Use the Mixer to raise the volume setting of Channels 2 through 4 The LAYER and SPLIT buttons are disabled during recording and record standby Turn off the SMF Player Mode LAYER and SPLIT are not available while the SMF Player Mode is in use Connect MIDI cables properly Use the Mixer to turn the channel on or raise the volume setting Turn off the MIDI Thru function on the computer or turn off Local Control on the keyboard Turn on Accomp Song MIDI Out 1 a Remove the batteries from the keyboard and disconnect the AC adaptor and press the POWER button Reload the batteries
39. 87 51 16 278 SYNTH LEAD FOURTHLEAD 86 51 16 Auto Pan 80 57 3211 SYNTH LEAD PERC CHIFFT _______ 83 49 16 N Compt SYNTH LEAD CHIFFLEAD2 50 16 N Comp1 58 16 N Phaser se 32 N F2 N _ 49 37 Auto Pan 57 37 N AWRCRDIy Ri 54 32 N Ref SYNTH LEAD FRETLEAD 87 52 16 N nha Dly SYNTH LEAD SEVENTHSEQ 55 16 N SYNTH LEAD WAHSEQ 56 16 un hoDly 2 FlanDly2 haser L 55 16 N nha Diy E AWRCRDIy NTHPAD FANTASY PAD 88 48 16 N PhaDly2 D 70 lt NTH PA NTH PAD NTH PAD NTH PAD SYNTH PAD un POLYSYNTH PAD un un lt 52 16 N Ring WARMPAD ______ 89 32 N Equalize 90 48 16 N Cho Trem SPACEVOICEi or 8 16 N Romei COSMICVOICE _____ 91 50 16 Rotay2 BOWEDPAD 16 Sap Dly N a m maano otaa 106 GM GMHARPICHORD 6 64 32 s epa 409 GM GMGLOCKENSPEL 9 64 32 Handy 1305 SYNTHPAD NOIYSAW 90 39 I6 N 306 SYNTHPAD SINEPAD 89 49 16 1307 SYNTE PAD VIBEPAD 96 49 16 08 SYNTHPAD RAINTAD 96 48 16 SYNTHTAD CRYSTAL 98 48 16 El EJ 92
40. Adjusts the cutoff frequency of the low pass filter A smaller value cuts the high range HPF Range 0 to 127 Adjusts the cutoff frequency of the high pass filter A larger value cuts the low range 85 DSP Algorithm List 2 Feedback Range 0 to 127 Adjusts the repeat of the reverb 3 High Damp Range 0 to 127 Adjusts damping of the high range reverb sound The smaller the value the greater the damping of high range reverb sound 4 Diffusion Range 0 to 127 Provides fine adjustment of the reverb 5 Wet Level Range 0 to 127 Adjusts the level of the effect sound 6 Dry Level Range 0 to 127 Adjusts the level of the original sound 25 Reflection Function This is an effector that extracts the first reflected sound from a reverb sound Parameters 0 Type Range 0 to 7 Selects from among the eight available reflection patterns 1 Wet Level Range 0 to 127 Adjusts the level of the effect sound 2 Feedback Range 0 to 127 Adjusts the repeat of the reflected sound 3 Tone Range 0 to 127 Adjusts the tone of the reflected sound 26 Flanger e Function This is a flanger in accordance with a sine wave LFO e Parameters 0 LFO Rate Range 0 to 127 Adjusts the rate of the LFO 1 LFO Depth Range 0 to 127 Adjusts the depth of the LFO 2 Feedback Range 64 to 0 to 63 Adjusts the feedback of the sound 3 Wet Level Range 0 to 127 Adjusts the level of the effe
41. CD ROM on your computer and double click wk3 30 exe Next follow the instructions that appear on your computer screen An English language manual with detailed explanations about Music Data Management Software operations is located in the English folder on the CD ROM You can access the manual by opening its HTML named index html using one of the following types of web browser applications Other language versions of this manual are available for free download from the CASIO MUSIC SITE Internet Explorer 4 or higher Netscape Navigator 4 04 or higher Supported Computer Operating Systems The Music Data Management Software will run under the following operating systems Windows 98SE Windows Me Windows 2000 Windows XP IMPORTANT Though Music Data Management Software is designed to run under the standard configurations of the above operating systems note that it may not be able to run correctly under certain software and hardware environments Music Data Management Software does not support operation on a Macintosh Downloading Data Visit the CASIO MUSIC SITE for information about downloading data When you arrive at the CASIO MUSIC SITE select a geographic area or country Next select an Internet Data Expansion System data download service Note that the services that are available at the CASIO MUSIC SITE depend on the area or country you select Bundled CD ROM Data The CD ROM that comes b
42. CO LTD 6 2 Hon machi 1 chome MA0503 A Printed in China Shibuya ku Tokyo 151 8543 Japan CTK900 ES 1
43. KICK 1b D KICK 1c D KICK 1d D KICK 2a D KICK 2b D KICK 2c D KICK 2d D 1 SNARE D 1 SNARE STANDARD 1 SNARE TANDARD 1 SNARE CLOSED HI HAT a CLOSED b CLOSED HI HAT c CLOSED HI HAT d PEDAL HI HAT a PEDAL HI HAT b OPEN HI HAT a OPEN HLHAT b 8 108 8 as gt co AIT Q 21a 2 2 2 2 2 BD 20 20 D 0 2 2 z gt gt gt 0 0 0 2 A Tit yt jt yt yt ft yt IS Tt it yt yt yt T 1 t t t t T T T 0 T f 1 0 T O T T T f f f 1 0 T T 0 f f T T T O o UA ads gt gt 20 20 O 4445 gt gt pel 20 m m 2 o 8 111 20 20 pel F 8 114 20 20 8 116 f a gt gt o B 8 118 B8 119 9 12 Ej9 12 F 9 12 707 189 Program Change Set Name N mero de cambio programa Nombre de ajuste de bater a TANDARD2 KICK 2 STANDARD3 KICK2 STANDARD4 KICK 2 TANDARD2 KICK 1 STANDARDS KICK 1 TANDARDA KICK 1 S e e S fe e J Je TANDARD2 SNARE 1 STANDARD3 SNARE 1 STANDARD4 SNARE 1 STANDARDS SNARE 1 ROOM SNARE 1 POWER SNARE 1 SYNTHHANDCLAP e TANDARD2 SNARE 2 STANDARD3 SNARE 2 STANDARD4 SNARE 2 STANDARDS SNARE 2 ROOM SNARE 2 POWER
44. Mode parameter screen This setting specifies DSP parameters See DSP Parameters on page E 24 Effect List on page A 13 and DSP Algorithm List on page E 83 for more information NOTE e f you store an original tone with the DSP line turned on see next page simply recalling the tone automatically changes the DSP line DSP type and DSP parameter settings This simplifies the recall of original tones that include a DSP effect e An indicator appears next to DSP on the display while you are making DSP type or DSP parameter settings 707A E 046A Synthesizer Mode User Tone Creation Hints The following hints provide helpful advice on making user tone creation a bit quicker and easier Use a preset tone that is similar to the one you are trying to create Whenever you already have a rough idea of the tone you are trying to create it is always a good idea to start with a preset tone that is similar Experiment with various different settings There are no real rules about what a tone should sound like Let your imagination run free and experiment with different combinations You may be surprised at what you can achieve Storing a User Tone In Memory The following procedure shows how to store a user tone in memory Once a tone is stored you can call it up just as you do with a preset tone To name a user tone and store it in memory 1 Select a preset tone to use as the basis for the user tone press the S
45. N Q e ON NIN SIS w un lt al al al Q WN lt NX W Hu ON z 2 2 2 2 2 2 222 2 2 2 2 2 222 2 2 2 2 2 2 221 2 4 99 mij Eri d J J Er tri mij tri WM mij 12 a ke O SF 51 55105 5 5 EIEB IOQ 1 elo 5 9 SS Al 5 5 5 lt WIN x N NIS M 5 9 6 g 0 N N al WN c 01 1 oi DN DV OD DY Ot OT OT OT Or OT Or OT Or He HY OT Aa HY RY 01 OT OT OT OT GT OT Hey BY e COP NINE S OT OT OT OT OT RY Go NO CO WO SO CO CO GO GO BY BY GO r2 CO CO CO CO CO al 707A E 183A A 2 Appendix Ap ndice 277 SYNTHCLEAD FIFTH MELLOW 86 50 16 N StXDelay SYNTH LEAD RESO SAW LEAD WN lt SYNTH LEAD SQUARE WAVE 1 SYNTH LEAD SQUARE WAVE 2 SYNTH LEAD TECH POLYSYNTH 1 SYNTH LEAD TECH POLYSYNTH 2 SYNTH LEAD RESONANCE LEAD NTH LEAD SYNTRHLEAD GRLEADX SYNTH LEAD VOXLEADI_______ 85 80 I6 N SYNTE LEAD REEDLEAD
46. Parameter settings depend upon the associated type BR bT No 0 to 5 8 to 13 everb Type No 0 to 942 e See the list on page A 13 for information about the e Reverb Level Range 000 to 127 types of CHORUS effects that are available Controls the reverb size A larger number produces e Here you could also change the parameters of the larger reverb effect you selected if you want See Changing the Reverb Time Range 000 to 127 Settings of CHORUS Parameters for more Controls how long reverb continues A larger information number produces longer reverb ER Level Initial Echo Sound Range 000 to 127 This parameter controls the initial reverb volume Changing the Settings of CHORUS from the walls and ceiling when a sound is output Parameters The initial echo sound is the first sound reflected by this keyboard A larger value specifies a larger You can control the relative strength of an effect and how it is echo sound applied The parameters you can control depend on the effect e High Damp Range 000 to 127 See the following section titled CHORUS Parameters for inf ion Adjusts the damping of high frequency pore Quen reverberation high sound A smaller value damps high sounds creating a dark reverb A larger value does not damp high sounds for a brighter reverb B Delay Type No 6 7 14 15 e Delay Level Range 000 to 127 2 Use the and buttons or the number buttons to input th
47. ROM on page E 76 Track 1 Real time Recording Variations The following describes a number of different variations you can use when recording to Track 1 using real time recording All of these variations are based upon the procedure described under To record with real time recording on page E 50 To start recording with synchro start In place of step 4 press the SYNCHRO FILL IN NEXT button Auto accompaniment and recording will both start when you play a chord on the accompaniment keyboard To record using an intro ending or fill in During recording the INTRO ENDING 1 2 SYNCHRO FILL IN NEXT and VARIATION FILL IN 1 2 buttons pages E 32 to E 33 can all be used as they normally are synchro start Auto Accompaniment with an intro pattern In place of step 4 press the SYNCHRO FILL IN NEXT button and then INTRO ENDING 1 or INTRO ENDING 2 button Auto accompaniment will start with the intro pattern when you play a chord on the accompaniment keyboard E 51 Song Memory Function To start Auto Accompaniment part way into recording In place of step 4 press the SYNCHRO FILL IN NEXT button and then play something on the melody keyboard to start recording without Auto Accompaniment When you reach the point where you want accompaniment to start play a chord on the accompaniment keyboard to start Auto Accompaniment Playing Back from Song Memory Once you record tracks to song mem
48. ROM on page E 76 for more information Note that the number of files you can store in memory also depends on the size of each file If your files are very large you may be able to store fewer than 200 Initially your keyboard comes with three sample SMF tunes in memory IMPORTANT Note that CASIO COMPUTER CO LTD shall not be held liable for any loss of data stored in this keyboard s Flash Memory 707A E 073A E 1 Using the SMF Player SMF Player Mode Operational Flow Tone Rhythm Selection Screen Display Screen Number Area Text Area SMF PLAYER button SMF PLAYER button mem Se Select file File Number File Name gt gt A lt H START STOP button gt 4 Direct input using number buttons is also possible Select play along part Part Number gt 4 EXIT button 04 Key Ch START STOP button gt lt 36 Key Ch gt Direct input using number buttons is also possible Select play back mode Playback Mode st PlayMode gt 4 SL PlayMode gt 4 H _ 1 PlayMode gt lt AL PlayMode gt START STOP button Direct input using number buttons is also possible Select output mode Output Mode E gt out Output gt During SMF playback START STO
49. Range 64 to 00 to 63 Depth of the vibrato effect ic VibDepth Octave Shift Range 2 to 0 to 2 Up down octave shift IOctShif Level Range 000 to 127 This parameter controls the overall volume of the tone The greater the value the greater the volume Setting a level of zero means that the tone does not sound at all u9bLevel Touch Sensitivity Range 64 to 00 to 63 This parameter controls changes in the volume of the tone in accordance with the pressure applied to the keyboard keys A greater positive value increases the volume of the output as pressure increases while a negative value decreases volume with increased keyboard pressure A setting of zero specifies no change in output volume in accordance with keyboard pressure TchSense E 44 O Reverb Send Range 000 to 127 This parameter adjusts reverb i iRvb Send Chorus Send Range 000 to 127 This parameter adjusts chorus Send DSP Line Settings on oFF This parameter controls whether or not the DSP effect is used onDSP Line DSP Settings Use the DSP editing screen to select the DSP type and to edit parameters 1 Select a tone press the SYNTH button and then configure parameter settings 2 After everything is the way you want press the Ww CURSOR button once This advances to the DSP parameter editing screen Pressing the A CURSOR button returns to the Synthesizer
50. Type Reflection Wet Level Reflection Feedback Reflection Tone hy B M15 Multi15 Distortion Lo Fi Function This is a multi effector related to Distortion Lo Fi Parameters Distortion Gain Distortion Low Distortion High Distortion Level Lo Fi Noisel Lo Fi Noise2 Lo Fi Tone Lo Fi Resonance IS B M16 Multi16 Drive Rotary Reflection e Function E 87 DSP Algorithm List This is a multi effector related to Drive Rotary Reflection 3 Chorus Rate Parameters 4 Chorus LFO Depth 5 Delay Time 0 Drive Rotary Gain 6 Delay Wet Level 1 Drive Rotary Level 7 Delay Feedback 2 Drive Rotary Speed 3 Drive Rotary Slow Rate 4 Drive Rot Fast Rate 22 Multi22 LFO Wah Tri 2 Phase Chorus gt 2 5 Reflection Wet Level Delay 6 Reflection Feedback 7 Reflection Tone M17 Multi17 Rotary Reflection Function This is a multi effector that is related to LFO Wah Tri 2 Phase Chorus 2 Tap Delay Parameters 2 1 0 Wah Resonance This is a multi effector related to Rotary Reflection E Wah Manual Parameters 2 Wah LFO Rate 0 Rotary Speed 3 Wah LFO Depth 1 Rotary Break 4 Chorus LFO Depth 2 Rotary Slow Rate 5 Delay Time 3 Rotary Fast Rate 6 Delay Wet Level 4 Reflection Wet Level 7 Delay Feedback 5 Reflection Feedback 6 Reflection Tone M23 Multi23 Compressor Sin 2 Phase Chorus Reflection F
51. button to input rests e At this time the display shows the keyboard pressure velocity Use the increase and decrease buttons to change the velocity e You can also input a chord 5 Use the number buttons to input the length of the note or rest page E 54 6 Repeat steps 4 and 5 to input more notes 7 Press the START STOP button to end recording when you are finished NOTE e Use the procedure under Correcting Mistakes While Step Recording on page E 57 to correct input mistakes you make during step recording You can add on to a track that already contains recorded data by selecting that track in step 2 of the above procedure Doing so automatically locates the step recording start point at the first beat immediately following the previously recorded data Whenever you are recording to Tracks 2 through 6 the entire keyboard functions as a melody keyboard regardless of the current MODE button setting e When playing back data recorded with Advanced Tones at the beginning of multiple tracks the keyboard uses the DSP type of the Advanced Tone that is recorded in the track with the largest track number When playing back a track that was recorded with an Advanced Tone selected they may be a slight delay before the first note of the track sounds If this happens try to insert a very short rest at the beginning of the track Track Contents After Step Recording In addition to notes and re
52. explode creating the risk of fire and personal injury Always make sure you observe the following precautions Use only batteries that are specified for use with this G product Remove batteries from the product if you do not plan to use it for a long time 707A E 014A Power Supply Using the AC Adaptor Make sure that you use only the AC adaptor specified for this keyboard Specified AC Adaptor AD 5 Rear Panel C PHONES OUT MIDI IN SUSTAIN ASSIGNABLE JACK OUTPUT DC 9V 1 DC 9V jack 2 AC adaptor AD 5 3 AC outlet Note the following important precautions to avoid damage to the power cord During Use Never pull on the cord with excessive force Never repeatedly pull on the cord Never twist the cord at the base of the plug or connector e The power cord should not be stretched tight while it is in use During Movement Before moving the keyboard be sure to unplug the AC adaptor from the power outlet During Storage e Loop and bundle the power cord but never wind it around the AC adaptor IMPORTANT Make sure that the keyboard is turned off before connecting or disconnecting the AC adaptor e Using the AC adaptor for a long time can cause it to become warm to the touch This is normal and does not indicate malfunction 707A E 015A Auto Power Off When you are using battery power keyboard power turns off automatically whenev
53. from alkaline batteries ever gets into your eyes 1 Do not rub your eyes Rinse them with water 2 Contact your physician immediately Leaving alkaline battery fluid in your eyes can lead to loss of sight Perform the following steps immediately if fluid o N WARNING mm Smoke Strange Odor Overheating Continued use of the product while it is emitting smoke a strange odor or heat creates the risk of fire and electric shock Take the following steps immediately 1 Turn off power 2 If you are using the AC adaptor for power unplug it from the wall outlet 3 Contact your original retailer or an authorized CASIO Service Provider AC Adaptor O Misuse of the AC adaptor creates the risk of fire and electric shock Always make sure you observe the following precautions Be sure to use only the AC adaptor that is specified for this product e Use only a power source whose voltage is within the rating marked on the AC adaptor Do not overload electrical outlets and extension cords O Misuse of the AC adaptor s electric cord can damage or break it creating the risk of fire and electric shock Always make sure you observe the following precautions Never place heavy objects on the cord or subject it to heat e Never try to modify the cord or subject it to excessive bending e Never twist or stretch the cord Should the electric cord or plug become damaged contact your original retailer
54. how much reverb is applied to a part A setting of 000 turns reverb off while a setting of 127 applies maximum reverb e Reverb Send does not work with some drum sounds Send 707A E 040A Mixer Function Chorus Send Range 000 to 127 This parameter controls how much chorus send is applied to a part A setting 000 turns chorus send off while a setting of 127 applies maximum chorus send Chorus Send does not work with drum sounds Send DSP Line Settings on oFF You can use this parameter to turn DSP line off for a particular channel or to turn it on of F DSP Line DSP Part Parameters DSP Level Range 0 to 127 Sets the post DSP volume ic iDSPLevel DSP Pan Range 64 to 0 to 63 Sets the post DSP stereo pan Pan DSP System Reverb Send Range 000 to 127 This parameter adjusts how much reverb is applied to all parts 0000 DSP System Chorus Send Range 000 to 127 This parameter adjusts chorus uuuD ChoSnd 707A E 041A NOTE Changing the tone volume pan pot coarse tune fine tune reverb send or chorus send setting causes the corresponding MIDI message to be output from the MIDI terminal Changing the tone settings changes the tone octave shift reverb send chorus send and DSP line parameter settings When DSP is off See the note on page E 24 Turning on the
55. onto your skin rinse with clear water for at least 15 minutes and then contact a physician Sound Volume Do not listen to music at very loud volumes for long periods Particular care concerning this precaution is required when using headphones High volume settings can damage your hearing Heavy Objects Never place heavy object on top of the product Doing so can make the product top heavy causing the product to tip over or the object to fall from it creating the risk of personal injury Safety Precautions DN CAUTION m Correct Stand Assembly An incorrectly assembled stand can tip over causing the product to fall and creating the risk o of personal injury Make sure you assemble the stand correctly following the assembly instructions that come with it Make sure you mount the product on the stand correctly Stand is available as an option IMPORTANT When using batteries be sure to replace them or shift to one of the alternate power sources whenever you notice any of the following symptoms Dim power indicator e Instrument does not turn on Display that is flickering dim or difficult to read e Abnormally low speaker headphone volume Distortion of sound output Occasional interruption of sound when playing at high volumes Sudden power failure when playing at high volumes e Flickering or dimming of the display when playing at high volume Continue
56. specified while recording to Tracks 1 through 6 is in progress E 59 Song Memory Function You can only change tone numbers that were originally set for Tracks 2 through 6 using step recording To change a rhythm number Use the number buttons and buttons to change a rhythm number D e n the case of real time recording you later can change rhythm numbers you specified while recording to Track 1 is in progress e You can only change rhythm numbers that were originally set for Track 1 using step recording To change a rhythm controller operation INTRO ENDING 1 button INTRO ENDING 2 button VARIATION FILL IN 1 button VARIATION FILL IN 2 button SYNCHRO FILL IN NEXT button operations Press the rhythm controller button you want to change to Int End You can perform the following operations in the song editing mode Delete song e Delete a track e Song header data rewrite Panel Record To delete a song 1 Press the SONG MEMORY button once to enter playback standby 2 Use the and buttons to select the number of the song you want to delete 3 Press the CURSOR button If there is no song number on the display press the W CURSOR button twice This displays the song delete screen 4 Press the YES button e This causes the message Sure to appear confirming whether you really want to delete the song
57. the play along part you selected above See Turning Channels On and Off on page E 36 for more information Performing this step turns off the applicable part so you can play it on the keyboard along with the rest of the SMF playback NOTE Entering the SMF Player Mode initializes all parts by turning on all Mixer Mode channels After configuring Mixer Mode settings press the MIXER button or EXIT button to return to the SMF Player Mode 3 Press the w CURSOR button to display the playback mode selection screen e Usethe 4 and gt CURSOR buttons or the and buttons to select the playback mode e You can select from among the following four playback modes 51 One file one time SL One file repeat 1 All files one time AL All files repeat E 73 Using the SMF Player 4 Press the CURSOR button to display the output mode selection screen e Use the 4 CURSOR buttons or the and buttons to select the output mode You can select from among the following two output types int Keyboard s built in speakers out MIDI OUT NOTE ayer split and Auto Harmonize are automatically turned off in the SMF Player Mode SMF Player Error Messages The following explains what you should do when an error message appears in the SMF Player Mode Message You are attempting to play Use only Format SMFO SMF data that is not 0 0 SMF data
58. types Equalizer 10 types 4 bands Auto Accompaniment Rhythm Patterns Tempo Chords Rhythm Controller Accomp Volume One touch Presets Auto Harmonize Memory Function e Songs Recording Tracks Recording Methods Memory Capacity e Edit Function Demo Tunes Synthesizer Function Parameters Registration Memory Number of Setups Memory Contents Mixer Function e Channels e Parameters 176 internal 16 user areas Variable 226 steps J 30 to 255 3 fingering methods CASIO CHORD FINGERED FULL RANGE CHORD START STOP INTRO ENDING 1 and 2 VARIATION FILL IN 1 and 2 SYNCHRO FILL IN NEXT 0 to 127 128 steps Recalls settings for tone tempo layer on off and harmonize on off in accordance with rhythm 10types Automatic addition of notes that harmonize with melody note in accordance with specified Auto Accompaniment chords 5 6 2 through 6 are melody tracks Real time step Approximately 10 000 notes total for 5 songs Equipped o 7 Street Beatz teve Tamer o Attack time release time resonance cutoff frequency vibrato type vibrato delay vibrato depth vibrato rate octave shift level touch sense reverb send chorus send DSP line DSP type and DSP parameter DSP level 32 4 setups x 8 banks Tone Rhythm Tempo Layer on off Split on off Split point Harmonize on off Mixer settings Channels 1 to 10 Effect settings Touch R
59. with that parts setting Pressing the DSP button toggles the tone of the part you are currently playing on the keyboard between enabled DSP line ON and disabled DSP line OFF 707A E 027A To turn DSP line on and off 1 Press the DSP button to toggle DSP line for the currently selected part on and off Selecting REVERB Perform the following steps to select REVERB 1 Press the EFFECT button so the pointer appears next to EFFECT on the display screen TRANSPOSE FUNCTION MIXER e SYNTH EFFECT m O 1 Pointer 2 Press the W CURSOR button once e This displays the reverb editing screen The reverb type setting screen step 4 will appear automatically about fives seconds after you press the button 3 Press the CURSOR button Use the and buttons or the number buttons to scroll through the reverb types until the one you want is displayed or use the number buttons to input the reverb number you want to select e See the list on page A 13 for information about the types of REVERB effects that are available Here you could also change the parameters of the effect you selected if you want See Changing the Settings of REVERB Parameters on page E 26 for more information Applying Effects to Tones ERLevel Changing the Settings of REVERB Same as Reverb Type Parameters High Damp You can control the relative strength of a reverb and how it i
60. you can use to adjust the DSP level DSP pan and other DSP parameters Channel Assignments The following shows the parts that are assigned to each of the 16 channels Number E 36 See pages E 61 to E 63 for information on layered split and layered split tones See page E 49 for information on the song memory NOTE Normally keyboard play is assigned to Channel 1 When Auto Accompaniment is being used each part of the accompaniment is assigned to Channels 6 through 10 e When this keyboard is being used as the sound source for an externally connected computer or other MIDI device all 16 channels are assigned musical instrument parts The notes played over the channel selected by steps 1 and 2 under Turning Channels On and Off on page E 36 are shown on the displayed keyboard and staff Turning Channels On and Off Turning a channel off mutes any instrument recorded in the channel To turn channels on and off 1 Press the MIXER button e This causes a pointer to appear on the display next to MIXER 2 Use the 4 gt CURSOR buttons to select a channel Example To select Channel 1 TEE 0 _ 21 2 3 Flash e This causes the upper three segments of the selected channel s level meter to flash 707A E 038A Mixer Function 3 Press the A W CURSOR buttons to display the on off selection screen on Channel 4 Use the buttons to select on or off Exam
61. 1 MARACAS 5 lt NTH 1 CLAVES o YNTH 1 CLAVES NTH 1 CLAVES e eS e e E LEC KICK 1 SYNTH 1 KICK 1 SYNTH 1 KICK 2 LEC KICK 1 SYNTH 1 KICK 1 SYNTH 1 KICK 2 DANCE KICK 3 TECHNO KICK 1 HIP HOP BD 5 HIP HOP BD 6 TECHNO KICK 4 DANCE KICK 2 DANCE KICK 1 DANCE KICK 5 DANCE KICK 6 POWER SNARE 2 SYNTH 1 SNARE 1 SYNTH 1 SNARE 2 SYNTH 2 SNARE 1 SYNTH 2 SNARE 2 HIP HOP SNARE 5 HIP HOP SNARE 6 TECHNO SNARE 3 TECHNO SNARE 5 TECHNO SNARE 6 DANCE SNARE 4 DANCE SNARE 5 LEC KICK 1 SYNTH 1 KICK 1 SYNTH 1 KICK 2 DANCE KICK 3 TECHNO KICK 1 HIP HOP BD 5 HIP HOP BD 6 TECHNO KICK 4 DANCE KICK 2 DANCE KICK 1 DANCE KICK 5 DANCE KICK 6 POWER SNARE 2 SYNTH 1 SNARE 1 SYNTH 1 SNARE 2 SYNTH 2 SNARE 1 SYNTH 2 SNARE 2 HIP HOP SNARE 5 HIP HOP SNARE 6 TECHNO SNARE 3 TECHNO SNARE 5 TECHNO SNARE 6 DANCE SNARE 4 DANCE SNARE 5 TECHNO KICK 1 HIP HOP BD 5 HIP HOP BD 6 TECHNO KICK 4 DANCE KICK 2 DANCE KICK 1 DANCE KICK 5 DANCE KICK 6 POWER SNARE 2 SYNTH 1 SNARE 1 SYNTH 1 SNARE 2 SYNTH 2 SNARE 1 SYNTH 2 SNARE 2 HIP HOP SNARE 5 HIP HOP SNARE 6 TECHNO SNARE 3 TECHNO SNARE 5 TECHNO SNARE 6 DANCE SNARE 4 DANCE SNARE 5 190 Rhythm List Lista de Ritmo Nombre de Ritmo EBEATI 006 RBEATPOP2 fosson 010 8 BEAT DANCE 011 POP ROCK 1 012 POP ROCK 2 gt 1 6 BEAT 1 014 16 BEAT 2 1 6 BE
62. 1 is played back Tone number e Rhythm number INTRO ENDING 1 button INTRO ENDING 2 button VARIATION FILL IN 1 button VARIATION FILL IN 2 button SYNCHRO FILL IN NEXT button operations Pedal operations option The following data is recorded in the header whenever you start a recording of a track e Mixer settings of other tracks e Effect type e Accompaniment volume e Reverb Level Chorus Level DSP Hold On Off Mixer Hold On Off 707A E 053A Song Memory Function Mixer Mode Settings Channel 1 Mixer parameters page E 36 are automatically recorded to Track 1 You can use the Mixer to change each of the parameters Memory Capacity The keyboard has memory for approximately 10 000 notes e The measure number and note number flash on the display whenever remaining memory is less than 100 notes Recording automatically stops and auto accompaniment and rhythm stops playing if they are being used whenever memory becomes full Initially nothing is stored in song memory Memory Data Storage e Whenever you make a new recording anything previously stored in memory is replaced Turning off the keyboard while a record operation is in progress causes the contents of the track your are currently recording to be lost Remember that you can dump memory contents to another MIDI device using the procedure described under Using the Music Data Management Software on the Bundled CD
63. 60 a 175 contiene datos de ritmo por omisi n Lareinicializaci n del sistema de la p gina 5 70 borra todos los datos del rea de usuario e El CD ROM que viene con el teclado se puede usar para reposicionar todos los ritmos a los ajustes predeterminados de f brica indicados en esta lista Para los detalles ve Reposicionando el teclado a los valores predeterminados de f brica en la p gina S 77 A 10 TRI PR TI PE dul a WN fundam di O LO N B xh E 3 50 gy gt 50 A e 3 Q E eg Eh 0 g 177 us EM t E a ER N uv o o O o 2 5 8 TD an So N PE B 2 5 55 99 c Bp O amp Ar RS yn v 3 Soo 2 5 o 9 v m lt 5855 on res E a c S 2 2 2s 2 f 2 BREE lt t 5 C O TA amp Appendix Ap ndice Effect List Lista de efecto REVERB Effect List Lista de efectos de reverberaci n REVERB N Nombr
64. AT 3 01 6 BEAT 4 SLOW 16 BEAT 018 16 BEAT SHUFFLE 1 1 6 BEAT SHUFFLE 2 2 6 BEAT SHUFFLE 3 2 6 BEAT SHUFFLE 4 2 1 23 FUNK 2 24 FUSION 025 LATIN FUSION al NN rR Or oO O rg H olo lt 26 POP 1 027 2 28 CUITAR POP SOUL 30 POP SHUFFLE 1 031 POP SHUFFLE 2 32 SOUL POP 3 34 MELLOW R amp B 3 0 5 POP 036 80 5 POP 037 LDIES POP 00 N Ol H ola Gg zi z Fd N Rhythm Name Ne Nombre de Ritmo 048 POP BALLAD 049 OLDIES BALLAD 50 SERENADE BEE a Q O b 5 ROCK 1 ROCK 2 ROCK 3 R amp B 55 SHUFFLE ROCK 56 HEAVY METAL 057 60 5 ROCK 58 SHUFFLE BOOGIE 59 BLUES TWIST 611 O1 J tri 061 TRANCE 1 62 TRANCE 2 63 AMBIENT 1 64 AMBIENT 2 65 AMBIENT 3 RAVE 67 TECHNO 068 DIGITAL ROCK HOUSE 070 LATIN HOUSE 71 DANCE 1 72 DANCE 2 73 MODERN R amp B 074 HIP HOP 078 DANCE POP 2 N e WI N Appendix Apendice Nombre de Ritmo 091 QUICKSTEP 092 URO 9 94 POLKA FOX 095 POP POLKA MARCH 1 097 MARCH 2 98 GERMAN MARCH WALTZ 1 WALTZ 2 01 WALTZ 3 102 VIENNESE WALTZ 03 FRENCH WALTZ 1 104 FRENCH WALTZ 2 ATIN VARIOUS 105 BOSSA NOVA 1 106 BOSSA NOVA 2 07 BOSSA NOVA 3 108 SAMBA 1 0 AMBA 2 110
65. DE button to select the chord play method you want to use NORMAL CASIO CHORD FINGERED FULL RANGE CHORD To insert an intro 1 Press INTRO ENDING button 1 or 2 e With the above setup the intro pattern is played and the auto accompaniment with intro pattern starts as soon as you play chords on the accompaniment keyboard NOTE The standard rhythm pattern starts to play after the intro pattern is complete E 32 Using a Fill in Pattern Fill in patterns let you momentarily change the rhythm pattern to add some interesting variation to your performances The following procedure describes how to use the Fill in feature To insert a fill in 1 Press the START STOP button to start rhythm play 2 Select the fill in variation you want To insert Fill in 1 press the VARIATION FILL IN 1 button while Variation 1 of the rhythm is playing To insert Fill in 2 press the VARIATION FILL IN 2 button while Variation 2 of the rhythm is playing NOTE Only the SYNCHRO FILL IN NEXT button is operational while an intro is playing Holding down SYNCHRO FILL IN NEXT or VARIATION FILL IN 1 2 buttons causes the fill in pattern to repeat Using a Rhythm Variation In addition to the standard rhythm pattern you can also switch to a secondary variation rhythm pattern for a bit of variety To insert the variation rhythm pattern 1 Press START STOP button to start rhythm play 2 P
66. Distortion Gain Distortion Low Distortion High Distortion Level Delay Time Delay Wet Level Delay Feedback Delay High Damp 22 M29 Multi29 Distortion Phaser Function This is a multi effector related to Distortion Phaser e Parameters Distortion Gain Distortion Low Distortion High Distortion Level Phaser Resonance Phaser Manual Phaser Rate Phaser Depth M30 Multi30 Distortion Sin 2 Phase Chorus Function This is a multi effector that is related to Distortion Sin 2 Phase Chorus Parameters Distortion Gain Distortion Low Distortion High Distortion Level Chorus LFO Rate Chorus LFO Depth Chorus Feedbac Chorus Wet Level iU Mp p O M31 Multi31 Distortion Flanger Function This is a multi effector related to Distortion Flanger Parameters Distortion Gain Distortion Low Distortion High Distortion Level Flanger LFO Rate Flanger LFO Depth Flanger Feedback Flanger Wet Level ie WI ae 707A E 091A E 89 707 196 707 197 707 198 707 199 707 200 707 201 Appendix Apendice Tone List Lista de sonidos No N 2 Tone Group Grupo de Sonido 3 Tone Name Nombre de sonido 4 Program Change Cambio de programa 5 Bank Select MSB MSB de selecci n de banco 6 Maximum Polyphony Polifon a m xima 7 Range Type Tipo de gama 8 DSP Type Tipo DSP Advanced Tones Sonidos avanza
67. EAT n 11 1 e 1 AUTO HARMONIZE SYNTH H IL h j o AE a SONG MEMORY e n SMF PLAYER 1234567 910023 14 18 16 Measure 126 Beat 3 Clock 48 Normal input point a gt Measure 126 Beat 3 Clock 0 Previous data EUM A Me Press 4 CURSOR button Use 4 and gt CURSOR buttons to move left and right E 57 Song Memory Function 2 Monitoring the data on the display use the 4 and CURSOR buttons to move the input point to the data you want to change Example To re record all note data following the note A3 located at Measure 120 Beat 1 Clock 0 TRANSPOSE FUNCTION 0 2 lo LAYER MIXER e MWMuiNViILiv no S 5 SPLIT 2 BEAT SYNTH 7 AUTO HARMONIZE SONG MEMORY lt SMF PLAYER e 1 2 3 4 5 6 7 8 9 10 11 12 3 a 5 ie Measure 120 Beat 1 Clock 0 Input point moved to using 4 and gt CURSOR buttons Data flow C 4 3 Press the y CURSOR button Rewrite 4 Press the YES button e This deletes all data from the location you specified and enters step record standby e Pressing the A CURSOR button or the NO button cancels deleting the data Measure 120 Beat 1 Clock 0 Step re recording begins from here Data flow dir All data to the right is deleted NOTE e When you reach the end of the recording by pressing the gt CURSO
68. ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE NOISY SYNTH VOICE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE 187 191 NINININ 2 oo N O1 N Z N O1 gt Ha es 2 3 3 3 23 4 4 4 4 N al Ha N N gt N gt 2 41 o Ha N Z N N 92 Q2 N Z N ol 92 Q2 N al Ha Z N gt 6 N O1 N 2 oo N h2 69 2 N 00 N gt 2 N m N Ha N tXDelay N N N Ol Oo 2 N Ol Oo remolo N O1 Ol c 2 N 41 C2 gt 2 N 65 Ol N ON N tXDelay AWhChDly ChoDly 4 ChoDly 4 nha Dly nha Dly PhaDly 2 ChoDly 2 ChoDly 2 2 N un O1 gt Ha al 2 lt N gt Ha 2 N Ha al OQ 2 m A REED REED REED REED REED 238 PIPE O1 CO 2 al OQ N N FlanDly1 RvbHall1 etalDly al 2 N O1 WN al Ha O1 N 2 gt Ha N E 70 lt OQ 2 N al al WN al gt 2 O1 N Ha N gl E U lt al NN Z N
69. KICK 3 TECHNO KICK 2 TECHNO KICK 1 TH 1 RIM SHOT TECHNO SNARE 1 HAND CLAP 3 TECHNO SNARE 2 SYNTH 1 LOW TOM 2 TECHNO 1 SYNTH 1 LOW 1 TECHNO 1 PHH SYNTH 2 MID TOM 2 SYNTH 1 MID 2 HIP HOP OHH TECHNO 1 OHH SYNTH 1 MID TOM 1 SYNTH 2 HI TOM 2 SYNTH 1 HI TOM2 SYNTH 1 CYMBAL SYNTH 2 HI TOM 1 SYNTH 1 HI TOM 1 SYNTH 1 RIDE lt lt wW 2 3 CONCERT SNARE CASTANETS CONCERT SNARE MPANI F MPANI F G MPANI MPANI A B MPANI MPANI d MPANI e f P HOP SNARE 1 HAND CLAP 2 HIP HOP SNARE 2 HIP HOP SNARE 3 HAND CLAP 2 HIP HOP SNARE 4 SYNTH 2 LOW TOM 2 HIP HOP CHH SYNTH 2 LOW 1 HIP HOP PHH E2 39 F 2 4 HIP HOP CHH Z 2 4 HIP HOP PHH T LEETE E E 4 2 4 HIP HOP OHH T Tm eem 0 0 2 1 t t T T 315 TI AA AJA 74 2 lt HIP HOP CLASH CH3 4 5 RIDE F 3 5 SYNTH 1 TAMBOURINE eee SYNTH 1 COWBELL 2 CYMBAL 2 lt 1 A3 5 ONCERT CYMBAL 2 YNTH 2 CYMBAL 2 NES ONCERT CYMBAL 1 YNTH 2 RIDE 2 NTH 2 RIDE 2 C 4 6 NTH 1 HIGH CONGA NTH 1 MID CONGA NTH 1 LOW CONGA lt lt eo 1 MARACAS EX 7 SYNTH 1 CLAVES o o
70. List Multi05 Enhancer 1 Phase Chorus Function This is a multi effector related to Enhancer 1 Phase Chorus e Parameters Enhancer Low Frequency Enhancer Low Gain Enhancer High Frequency Enhancer High Gain Chorus LFO Rate Chorus LFO Depth Chorus Feedback Chorus Wet Level NI Multi06 Enhancer 2 Tap Delay Function This is a multi effector that is related to Enhancer 2 Tap Delay Parameters Enhancer Low Frequency Enhancer Low Gain Enhancer High Frequency Enhancer High Gain Delay Time Delay Wet Level Delay Feedback Delay High Damp OS Se SS Enhancer Flanger Function This is a multi effector related to Enhancer Flanger Parameters Enhancer Low Frequency Enhancer Low Gain Enhancer High Frequency Enhancer High Gain Flanger LFO Rate Flanger LFO Depth Flanger Feedback Flanger Wet Level ee a B Multi08 Sin 2 Phase Chorus Flanger Function This is a multi effector that is related to Sin 2 Phase Chorus Flanger Parameters Chorus LFO Rate Chorus LFO Depth Chorus Feedback Chorus Wet Level Flanger LFO Rate Flanger LFO Depth Flanger Feedback Flanger Wet Level O E Mo9 MultiO9 Sin 2 Phase Chorus Tremolo e Function This is a multi effector that is related to Sin 2 Phase Chorus Tremolo e Parameters Chorus LFO Rate Chorus LFO Depth Chorus Fe
71. Mixer s DSP line parameter page E 24 causes the settings of the DSP Pan DSP System Reverb Send and DSP System Chorus parameters to be used in place of the Pan Pot Reverb Send and Chorus Send parameter s settings E 39 Synthesizer Mode POWER CJL START SYNCHRO INTRO ENDING WARIATION FILL IN FILL IN NEXT STOP REGISTRATION AUTO HARMONIZE SPLIT LAYER PIANO SETTING cursor minim TRG SONG MEMORY TRACK 1 SYNTH 2 EXIT 3 4 Number buttons 17 The Synthesizer Mode of this keyboard provides the tools for creating your own original tones Simply select one of the built in tones and change its parameters to create your own original sound You can even store your sounds in memory and select it using the same procedure as that used to select a preset tone Synthesizer Mode Functions The following describes how to use each of the functions available in the Synthesizer Mode Tone Characteristic Waveform Synthesizer Mode Parameters The preset tones that are built into this keyboard consist of a number of parameters To create a user tone you first recall an advanced tone 000 to 331 or a preset tone 400 to 599 and then change its parameters to change it to your own tone Note that drum set tones 600 through 617 cannot be used as the basis of a user tone The illustration nearby shows the parameters that make up the preset
72. Modulator Chorus Delay RingDist Modulator Distortion Lo Fi Lo Fi CompLoFi Compressor Lo Fi LoFi Ref Lo Fi Reflection LoFi Crunch Lo Fi DistLoFi _ Distortion Lo Fi A 14 oul eseej eH ol LZ yos 99 Ex 49 LPIOH O Ex v9 dSd O O 6L dSd O O 8l J9 9UJEJEd 5 O O LL 0J919UJEJEd 5 O O 91 uoissaJdx3 O X 01 Z eq O O 8 9 UOng npo N O X 1 yueg ce 0 N x gt lt X O AHU6 X AAO PION NO 201 AHU6O ct L A HU6 O OUO 1 Lx 221 0 99IOA 101 0 E uo spuedeg t AN AN X 9polN 9L L pabuey 91 01 006 313 I9POoIN lt 1 Jepueg JequinN SION 5 9ISBg 707A E 202A ON X ONOW 340 INNO PON SSO INNO SPOIN 59 O ONOW NO ININO 2 PON 4 NO ININO PON Ulejsns ep jeped ajsnfe uoo opeuorooeJeg Bumes eped ureisns eouepJoooe pajoajaes
73. N 19 96 16 20 DRAWBAR EVENORGAN 20 96 16 21 DRAWBAR FLUTEORGANT 71 foefie CHORUS ORGAN 72 9116 25 DRAWBAR OVERDRIVE ORGANS 23 96 16 24 DRAWBAR IS ORGAN _________24 96 16 Rotary 212 2 2 2 2 2 2 2 2 22 2 2 2 2 2 2 2 2 2 2 2 2 pe 725 DRAWBAR SOULORGANS 25 26 DRAWBAR 26 9616 27 DRAWBAR DRAWBARORGAN E 27 9616 28 DRAWBAR 28 56 10 29 DRAWBAR ODDORGAN 29 96 16 30 DRAWBAR REEDORGANT 30 96 16 DRAWBAR BLOCK ORGANS 3i 19610 32 DRAWBAR OVERDRIVE ORGANS 32 96 10 35 DRAWBAR DRAWBARORGANS 33 96 10 734 DRAWBAR GOSPEL ORGAN3 34 96 16 35 DRAWBAR 5 4 ORGAN 3 96 32 36 DRAWBAR BLOCKORGAN4 36 96 32 37 DRAWBAR REEDORGAN2 37 9616 38 DRAWBAR 38 96 32 39 DRAWBAR DRAWBARORGANG 39 96 10 40 DRAWBAR DELAYORGAN 1 40 56 10 41 DRAWBAR DEEP CHORUSORGAN 41 96 37 47 DRAWBAR 42 96 16 45 DRAWBAR DELAYORGAN2 43 96 16 4r DRAWBAR LFOWAHORGAN 44 96 16 45 DRAWBAR DIST ORGANLEAD 45 96 16 RING ORGAN 46 47 DRAWBAR MAD ROTARY ORGAN 47 96 10 OLD ORGAN 18 9616 19 DRAWBAR DIST RING ORGAN 779 96 10 2 z 2 2 2 2 2 2 2 2 22 2 2 z 2 2 2 2 2 2 2 2 2 2 z Rotary Rotary Rotary Rotary Rotary Rotary Rot
74. P button Playback complete File Number File Name You can use the 4 and gt CURSOR buttons or and buttons to change the SMF Direct input using number buttons is also possible Y Playback stopped Error Other errors may also occur A A CURSOR button Data is not an SMF 0 format T utton W w CURSOR button Er Not 4 4 CURSOR button Data is not correct SMF gt gt CURSOR button Em WrongDat E 72 707 074 Playing Back an SMF To play back an SMF 7 Press the SMF PLAYER button to display the file selection screen e This causes the SMF player pointer to appear on the display e SMF are those whose file names with the extension MID An error message appears at this time if there are no SMF files currently in Flash Memory 2 Use the number buttons to input the three digit file number of the file you want to play e The name of the currently selected file will appear in the text area of the display The file number is shown in the number area of the display The Tempo Measure area of the display shows the size of the file in kilobytes You can also use the 4 and CURSOR buttons or and buttons to change the file 3 Press the START STOP button This starts playback of the selected file e You can use the TEMPO buttons to adjust the tempo within the range of 30 to 255 You can turn channels
75. R button the REC indicator appears and the STEP indicator flashes on the display indicating that you can add more data using step recording E 58 To delete specific note data 1 Perform steps 1 and 2 under correct mistakes while step recording above to display the note you want to delete 2 Press the w CURSOR button twice 3 In response to the Delete message that appears on the screen press the YES button to delete the displayed note Editing Memory Contents After you record to keyboard memory you can recall individual notes and parameter settings such as tone number and make any changes you want This means you can correct misplayed notes make changes in tone selections etc The following types of data can be edited Note intensity Notes Chords Tone numbers Rhythm number INTRO ENDING 1 button INTRO ENDING 2 button VARIATION FILL IN 1 button VARIATION FILL IN 2 button S YNCHRO FILL IN NEXT button operations To edit memory contents 7 Press the SONG MEMORY button three times to enter step recording standby and then use the and buttons to select a song number 0 to 4 5 Rec En MEASURE BEAT ziv _ Ray HA 1711 IL LI l 1 O 1 Flash 2 Use the SONG MEMORY TRACK buttons to select the recorded track that you want to edit 3 Press the CURSOR button to enter the editing mode e The REC indicator disappears from the
76. ROM on page E 76 for more information To select a rhythm 1 Find the rhythm you want to use in the rhythm list and note its rhythm number Not all of the available rhythms are shown on the rhythm list printed on the keyboard console For a complete list see the Rhythm List on page A 10 2 Press the RHYTHM button Appears when RHYTHM button is pressed 2 Number and name of selected rhythm 3 Use the number buttons to input the three digit rhythm number for the rhythm you want to select Example To select 052 ROCK 2 input 0 5 and then 2 wwo Rock 2 NOTE e You can also increment the displayed rhythm number by pressing and decrement it by pressing 707A E 031A Playing a Rhythm To play a rhythm 7 Press VARIATION FILL IN button 1 or 2 e This starts the play of the selected rhythm To stop rhythm play press the START STOP button NOTE Chords will sound along with the rhythm if any of the three accompaniment mode lamps above the MODE button is lit if you want to play the rhythm pattern without chords press the MODE button until all of the lamps are off Adjusting the Tempo You can adjust the tempo of rhythm play within a range of 30 to 255 beats per minute The tempo setting is used for Auto Accompaniment chord play and song memory operations To adjust the tempo Press one of the TEMPO buttons W or A A Increments displayed value increases t
77. SNARE 2 LOW TOM 2 OWER LOW TOM 2 Pd OOM LOW TOM 1 STANDARDS KICK 2 OOM KICK 2 1 1 24 o t z 921 n 2 2 2 OWER LOW TOM 1 at alt 1 OM MID TOM 1 OM HI 2 am o WER MID TOM 1 WER HI TOM 2 OM HI TOM 1 WER HI TOM 1 lt STANDARD 2 SNARE STANDARD 2 SNARE STANDARD 2 SNARE STANDARD 2 SNARE STANDARD 3 SNARE b STANDARD 3 SNARE c UAI ALL OE ELEC SNARE 1 m SYNTH 1 RIM SHOT SYNTH 1 SNARE 1 SYNTH HAND CLAP PCO STANDARD SET 1 PC1 STANDARD SET 2 PC2 STANDARD SET 3 PC3 STANDARD SET 4 PC4 STANDARD SET 5 PC8 ROOM SET PC16 POWER SET PC24 ELECTRONIC PC25 SYNTH SET 1 SYNTH SET 2 lt lt lt lt POWER KICK 2 ELEC KICK 2 SYNTH 1 KICK 2 SYNTH 2 KICK 2 TANDARDS KICK 1 OOM KICK 1 POWER KICK 1 ELEC KICK 1 SYNTH 1 KICK 1 SYNTH 2 KICK 1 SYNTH 2 SNARE 1 go Po _ ELEC SNARE 2 SYNTH 1 SNARE 2 SYNTH 2 SNARE 2 ELEC LOW 2 ELEC LOW TOM 1 ELEC MID TOM 1 ELEC HI TOM 2 LEC HI TOM 1 VERSE CYMBAL 1 m SYNTH 1 LOW TOM 2 SYNTH 1 CHH SYNTH 1 LOW TOM 1 ___ __ SYNTH PH OOM MID TOM 2 OWER MID TOM 2 LEC MID TOM 2 SYNTH 1 MID TOM 2 pe SYNTH On ES NTH 1 COWBELL NTH 1 HIGH CONGA NTH 1 MID CONGA NTH 1 LOW CONGA n x NTH 1 MARACAS NTH 1 CLAVES SYNTH 2 LOW TOM 2 SYNTH 2 CHH SYNTH 2 LOW TOM 1 SYNTH 2 PHH SYNTH 2 MID TOM
78. Split Tone GM STRINGS 1 Split point To split the keyboard and then layer tones 1 Press the TONE button and then input the tone number of the main tone Example To set 461 GM BRASS as the main tone 5 G 707A E 065A 2 Press the SPLIT button and then input the number of the split tone Example To set 445 GM PIZZICATO as the split tone PizzcatG After specifying the split tone press the SPLIT button to unsplit the keyboard 3 Press the LAYER button and then input the number of the layered tone Example To set 460 GM FRENCH HORN as the layered tone wuBFrHorn G 4 Press the SPLIT button or the LAYER button so both of the SPLIT and LAYER indicators are displayed 5 Input the number of the layered split tone Example To specify the 448 GM STRINGS 1 tone enter 4 4 8 UUSt ring1G 6 while holding down the SPLIT button press the keyboard key where you want the lowest note the leftmost key of the upper range right side range to be f Play something on the keyboard Press the LAYER button to unlayer the keyboard and the SPLIT button to unsplit it NOTE Turning on layer split switches the currently selected part to Part 4 and displays the layered tone At that time you can use the and gt CURSOR buttons to switch between parts Turning off layer returns to Part 3 while turning off split returns to Part 2 Turni
79. TGUITAR 28 9 90 GUITAR GUITAR I2STRINGGUITAR 25 50 CUITAR GUITAR CHORUS STEEL GUITAR 25 51 16 1 ChoDIy 4 gt Ha 2 28 EPIANO__ MELLOWEPIANO 53 16 gt o Ha 2 729 EPIANO POPELECPIANO 4 50 16 N Equalize gt O1 O2 N Z O1 al 2 51 SOFTEPIANO 5 51 16 NJ 732 GLASSEFIANO 4 51 16 NJ 35 JEPIANO SYNTH STREPIANOT 4 155116151 30 EPIANO TREMOLOEPIANO 4 56 32N A Ha 2 O1 Ha 795 GUITAR 0548 32 N Equalize 796 GUITAR OCTAVEJAZZ GUITAR 26 50 797 GUITAR CHORUS JAZZ GUITAR 26151 GUITAR CLEANGUITAR ______ 27 48 799 GUITAR ELECGUITARFRONT 27 51 1100 GUITAR ELECGUITARREAR 27 50 101 GUITAR TREMOLOGUITAR 29 55 1102 MUTEGUITAR 28 48 105 GUITAR OVERDRIVEGUITAR 29 8 104 GUITAR OVDREARGUITAR 29 50 105 GUITAR DISTORTION FRONTCT 30 50 106 GUITAR MOREDISTORTION GT 30 51 107 GUITAR TOUCH WAH OVD 30154 108 GUITAR DISTORTION GUITAR __ 30 48 1109 GUITAR FEEDBACK GUITAR ____ 30 29 710 GUITAR DISTORTION CLEAN GT 30 53 BASS ACOUSTICBASS1 ____ 52 48 ACOUSTICBASS2 32 49 H3 BASS RIDEBASS fafao FINGEREDBASSi 33 48 FINGERED BASS2
80. TO tone while every key from G3 and above is assigned the GM STRINGS 1 tone 6 Press the SPLIT button again to unsplit the keyboard and return it to normal 707A E 064A Keyboard Settings NOTE Turning on split switches the currently selected part to Part 3 and displays the split tone At that time you can use the lt and gt CURSOR buttons to switch between parts Turning off split returns to Part 1 The main tone sounds over Channel 1 while the split tone sounds over Channel 3 You can also use the Mixer to change the tone and volume settings for these channels Note that split is not possible during record standby recording in the Song Memory Mode or while you are using the SMF Player Mode When the accompaniment mode is set to CASIO CHORD or FINGERED the accompaniment keyboard range is in accordance with the split point you specify with the above procedure Using Layer and Split Together You can use layer and split together to create a layered split keyboard It makes no difference whether you layer tones first and then split the keyboard or split the keyboard and then layer tones When you use layer and split in combination the high range of the keyboard is assigned two tones main tone layered tone and the low range two tones split tone layered split tone l LAYER SPLIT Main Tone GM BRASS Layered Tone GM FRENCH HORN Split Tone GM PIZZICATO Layered
81. YNTH button to enter the Synthesizer Mode and make the parameter settings you want 2 After making parameter settings to create the user tone press the W CURSOR button twice de Use and 7 to change the user area tone number on the display until the one where you want to store the tone is shown You can select any tone number from 700 to 799 Ee Li 1 1 ap yt r Ja ry 4 After the tone name is the way you want press the gt CURSOR button to store the tone Use the and buttons to scroll through letters at the current cursor location e Use the and gt CURSOR buttons to move the cursor left and right e See Inputting Characters for information about inputting text 707A E 047A 5 Press the w CURSOR button to save the user tone e This will display a confirmation message asking whether you really want to save the data Press the YES button to save the data The message Complete appears momentarily on the display followed by the tone or rhythm selection screen To abort the save operation at any time press the SYNTH button or the EXIT button to exit the Synthesizer Mode Pressing the SYNTH button again before selecting another tone returns to the Synthesizer Mode with all of your parameter settings still in place Inputting Characters The following are the types of characters you can input when saving data
82. ado de f brica es datos de sonido con onda predeterminados para los n meros de sonido 800 a 804 La reinicializaci n del sistema borra todos los datos almacenados 3 El ajuste predeterminado de f brica es datos de ajuste de bater a predeterminados para el n mero de sonido 900 La reinicializaci n del sistema borra todos los datos almacenados 4 El ajuste predeterminado de f brica es dos ajustes de los mismos sonidos que los asignados a los sonidos de rgano con Drawbar n meros 000 a 049 La reinicializaci n del sistema restablece los ajustes de f brica e El CD ROM que viene con el teclado puede usarse para reposicionar todos los sonidos a los ajustes predeterminados de f brica indicados en esta lista Para los detalles vea Reposicionando el teclado a los valores predeterminados de f brica en la p gina S 77 188 Appendix Ap ndice Drum Assignment List Lista de asignaci n de bater a e indicates the same sound as STANDARD SET 1 indica el mismo sonido que STANDARD SET 1 Key Note number Clave N mero de nota LOW TOM 2a LOW TOM 2b LOW TOM 1 LOW TOM 1b D TOM 2a D TOM 2b D TOM 1 D TOM 1b GH TOM 2a GH TOM 2b GH TOM 1a GH TOM 1b RASH CYMBAL 1a RASH CYMBAL 1b RASH CYMBAL 1c RASH CYMBAL 2a RASH CYMBAL 2b RASH CYMBAL 2c DE CYMBAL 1a DE CYMBAL 1b DE CYMBAL 1 DE CYMBAL 2a DE CYMBAL 2b DE CYMBAL 2c 1 1 324 3 F 1 6 1 8 B 1 10 C 0 13
83. agement Software on the Bundled CD ROM on page E 76 Transfer only is allowed and no parameter editing is allowed 4 User tones created by modifying parameters of one of the preset tones 000 to 049 User drawbar organ tone areas initially contain two sets of the same data as drawbar organ tones types 000 through 049 NOTE e You can create an original tone using a user tone that includes a waveform tone number 800 to 819 In this case the storage area is the same as the source tone area For example an original tone created using tone number 800 as a source tone is stored in user area number 800 E 42 707 044 Synthesizer Mode Creating a User Tone Use the following procedure to select a preset tone and change its parameters to create a user tone 1 First select the preset tone you want to use as a basis for your user tone 2 Press the SYNTH button e This enters the Synthesizer Mode which is indicated by the pointer next to SYNTH on the display screen UGA tk Time 1 Parameter setting value 2 Currently selected parameter 3 Use the lt and p gt CURSOR buttons to display the parameter whose setting you want to change uVibDelay e Each press of the 4 p CURSOR buttons changes to the next parameter See Parameters and Their Settings on page E 43 for information on setting range for each parameter 4 Use and 7 to change the setting of the currently selected
84. an tone setting for one of the channels causes the same setting to be applied to all of the other channels as well See To save an edited drawbar organ tone on E 22 for information about saving your edits Editing Synthesizer Mode Parameters and DSP Parameters of Drawbar Organ Tones As with standard non drawbar tones you can edit the Synthesizer Mode parameters and DSP parameters of drawbar organ tones See Drawbar Organ Mode Operational Flow on page E 19 1 Use the lt and gt CURSOR buttons to display and then press the W CURSOR button This enters the Synthesizer Mode which is indicated by the pointer next to SYNTH on the display screen For the remainder of this procedure perform the steps starting from step 3 under Creating a User Tone on page E 43 707A E 022A Using the Drawbar Organ Mode Parameter Details The following provides details about the parameters you can configure using the drawbar organ tone editing screen Drawbar Position This parameter defines the position of each drawbar and the volume of each overtone The larger the value the greater the corresponding overtone s volume ter Displ Parameter Name 52 Settings Indication Drawbar 2 0 to 3 Drawbar 1 3 5 0 to 3 Drawbar 1 1 3 0 to 3 Drawbar 1 0 to 3 Ft Feet The parameter determines whether or not a key click is added when a sustained tone confi
85. and or reconnect the AC adaptor and then press the POWER button again to turn on power Use the TRANSPOSE FUNCTION button to perform the system reset operation e If this does not solve the problem contact your nearest authorized CASIO Service Provider to request repair Wait about 40 seconds until the Pls Wait message disappears from the display Use the TRANSPOSE FUNCTION button to perform the system reset operation If this does not correct the problem contact your nearest authorized CASIO Service Provider to request maintenance This is an unavoidable result of the digital sampling process and does not indicate malfunction Multiple digital samples are taken for the low range middle range and high range of the original musical instrument Because of this there may be a very slight difference in tonal quality and volume between sample ranges 75 36 38 70 70 70 79 Specifications Model CTK 900 Keyboard 61 standard size keys 5 octaves with touch response Off 1 2 3 Tones 332 Advanced Tones 200 Preset Tones 18 Drum Sets 100 standard user tones 20 user tones with waves 4 user drum sets with waves 50 drawbar organ tones 100 user drawbar organ tones 824 tones total layer split Polyphony 32 notes maximum 10 for certain tones Effects DSP 200 types internal 100 user areas Reverb 16 types Chorus 16
86. animent part Channels 6 through 10 are turned off 3 Auto Accompaniment part Channels 6 through 10 volume setting is too low e Flickering or dimming of the display 1 Correctly attach the AC adaptor make sure that batteries poles are facing correctly and check to make sure that batteries are not dead Press the POWER button to turn on power Use the MAIN VOLUME knob to increase volume None of the accompaniment mode indicators are lit which means Auto Accompaniment is turned off Turn on Local Control Use the Mixer to turn channel 1 on Use the Mixer to raise the volume setting for channel 1 e A tone that is totally different from the one that is selected Abnormal rhythm pattern and demo tune play Loss of power sound distortion or low volume when playing from a connected computer or MIDI device Use the ACCOMP VOLUME button to increase the volume Use the Mixer to turn the channels on Use the Mixer to raise the volume setting for the applicable channel Sound output does not change Touch response is turned off Press the TRANSPOSE E 64 when Key pressure is varied FUNCTION button to turn it on Playing the keyboard sounds two tones Different tones sound when keys in different keyboard ranges are pressed The key or tuning does not match when playing along with another MIDI machine Parts suddenly drop out during song memory playback Some parts do
87. ary OvdRotry Rotary tXDly 2 ho Dly4 ho Trem ho Dly6 WhChD12 etalDly RingMod2 cio oo zia 09 E E E 2 lt IM lt lt lt N LoFiRef2 Drawbar Organ User Tones Sonidos de usuario de organo con Drawbar 100 USER DRAWBAR DRAWBARORGANT 10114 USER DRAWBAR 104 1 USER DRAWBAR 6 108 USER BLOCKORGANi 8 109 USER DRAWBAR THEATER ORGANT f9 USER DRAWBAR_ SOULORGAN2 1 12 USER DRAWBAR GOSPELORGANi fr 13 USER DRAWBAR CHORUSORGANi 12 14 USER DRAWBAR OVERDRIVE ORGAN 14 its USER DRAWBAR BLOCK ORGAN2 2 fe 116 USER DRAWBAR DRAWBARORGAN3 16 7117 USER DRAWBAR PERC ORGAN 17 7118 USER DRAWBAR THEATERORGAN2 fr 119 USER DRAWBAR GOSPELORGAN2 19 1120 USER DRAWBAR EVENORGAN 29 1121 USER FLUTEORGANT fa 1122 USER DRAWBAR CHORUSORGAN2 2 125 USER DRAWBAR OVERDRIVE ORGANS 3 124 USER DRAWBAR 16 ORGAN fa U E pa A o oO air Ol 4 oO o c en Ha O A O1 N C2 Ha al O A pai O1 E O1 A m
88. at of the delay High Damp Range 0 to 127 Adjusts damping of the high range delay sound The smaller the value the greater the damping of high range delay sound Ratio L Range 0 to 127 Adjusts the delay time of the left channel Proportional to the value set for Delay Time Ratio C Range 0 to 127 Adjusts the delay time of the center channel Proportional to the value set for Delay Time Ratio R Range 0 to 127 Adjusts the delay time of the right channel Proportional to the value set for Delay Time 23 Gate Reverb Function This is a fader that creates artificial reverb that sounds like it is being cut with a gate Parameters 0 LPF Range 0 to 127 Adjusts the cutoff frequency of the low pass filter A smaller value cuts the high range HPF Range 0 to 127 Adjusts the cutoff frequency of the high pass filter A larger value cuts the low range Feedback Range 0 to 127 Adjusts the repeat of the reverb High Damp Range 0 to 127 Adjusts damping of the high range delay sound The smaller the value the greater the damping of high range delay sound Diffusion Range 0 to 127 Provides fine adjustment of the reverb Wet Level Range 0 to 127 Adjusts the level of the effect sound Dry Level Range 0 to 127 Adjusts the level of the original sound la 24 Reverse Gate Reverb Function This is gate reverb with a reverse rotation effect Parameters 0 LPF Range 0 to 127
89. ation software make sure that the tone setting screen the screen that appears after turning on power is on the keyboard s display screen Performing a keyboard operation while transferring data between it and a computer may interrupt the data transfer Do not perform any keyboard operations while data transfer is in progress DATA ACCESS Lamp The DATA ACCESS lamp lights whenever the keyboard is exchanging data with a connected computer over a MIDI cable connection Never disconnect the MIDI cable while the DATA ACCESS lamp is lit E 77 Troubleshooting No keyboard Sound Any of the following symptoms while using battery power e Dim power indicator e Instrument does not turn on e Display that is flickering dim or difficult to read Abnormally low speaker headphone volume Distortion of sound output Auto Accompaniment does not sound 1 Power supply problem Power is not turned on Volume setting is too low Playing in the accompaniment keyboard area while the MODE button setting is CASIO CHORD or FINGERED Local Control is off Mixer channel 1 is turned off Mixer channel 1 volume setting is too low Occasional interruption of sound when playing at high volumes Sudden power failure when playing at high volumes when playing at high volume Continued sound output even after you release a key 1 Accompaniment volume is set to 000 2 Auto Accomp
90. attern is being played by the keyboard the number of notes polyphony available for keyboard play is reduced Also note that some of the tones offer only 10 note polyphony E 17 Basic Operations Changing Tones and Configuring DSP Effect Settings This keyboard has only a single DSP sound source Because of this selecting tones for which DSP is enabled for multiple parts when layering or splitting tones page E 61 E 62 can cause conflicts To avoid conflicts DSP is allocated to the last DSP enabled tone and DSP is disabled DSP line OFF for all other parts DSP line is a parameter that controls whether or not the currently selected DSP effect is applied to a part Each tone has a DSP line parameter Selecting a tone for a part applies the tone s DSP line parameter setting to all parts The DSP line parameter is turned on DSP effect is applied for the 332 Advanced Tones numbered 000 through 331 and turned off DSP effect not applied for the 200 preset tones from 400 to 599 For information about other tones see Tone Types on page E 16 PIANO SETTING Button Pressing this button changes the setup of the keyboard to optimize it for piano play Settings Tone number 000 Rhythm number 140 Accompaniment Mode Normal Layer Off Split Off Auto Harmonize Off Transpose 0 Off Returns to initial default On No change Touch Response Assignable Jack SUS Local Control On Mixe
91. ay in sequence To stop demo tune play press either the DEMO button or the START STOP button NOTE Pressing the buttons skips to the next demo tune The PIANO SETTING button Layer and Split are disabled while a demo tune is playing Rear Panel MIDI OUT terminal MIDI IN terminal SUSTAIN ASSIGNABLE JACK terminal OUT MIDI IN SUSTAIN PHONES ASSIGNABLE JACK OUTPUT PHONES OUTPUT terminal e DC 9V jack NOTE Display examples shown in this User s Guide are intended for illustrative purposes only The actual text and values that appear on the display may differ from the examples shown in this User s Guide e Dueto LCD element characteristics display contrast changes depending on the angle from which you view it The initial default contrast setting is one that allows easy viewing for a musician seated directly in front of the display You can also adjust the contrast to the level that suits your particular needs For more information see page E 69 E 12 Power Supply This keyboard can be powered by current from a standard household wall outlet using the specified AC adaptor or by batteries Always make sure you turn the keyboard off whenever you are not using it Using batteries Always make sure you turn off the keyboard before loading or replacing batteries To load batteries 1 Remove the battery compartment cover 2 Load six D size batteries int
92. button e This automatically makes the one touch preset settings in accordance with the rhythm you selected The keyboard automatically enters synchro standby at this time 4 Start rhythm and Auto Accompaniment and play something on the keyboard e Accompaniment is played using the one touch preset settings E 34 Using Auto Harmonize When you are using Auto Accompaniment Auto Harmonize automatically adds additional notes to your melody in accordance with the chord that is being played The result is a harmony effect that makes your melody line richer and fuller To use Auto Harmonize 1 Use the MODE button to select FINGERED CASIO CHORD as the accompaniment mode e The currently selected accompaniment mode is the one whose lamp is lit See About the MODE button on page E 28 for details NORMAL Auto Accompaniment off FULL RANGE CHORD FULL RANGE CHORD FINGERED SS CASIO CHORD N MODE 2 Press AUTO HARMONIZE to turn on Auto Harmonize CASIO CHORD e This causes a pointer to appear next to AUTO HARMONIZE on the display LAYER SPLIT AUTO HARMONIZE 3 Start Auto Accompaniment play and play something on the keyboard 4 To turn off Auto Harmonize press AUTO HARMONIZE once e This causes the pointer next to AUTO HARMONIZE to disappear NOTE Auto Harmonize turns off temporarily whenever you start demo tune play It turns back on as soon as
93. ced Tones are variations of standard tones which are created by programming in effects DSP and other settings For details about drawbar organ tones see Using the Drawbar Organ Mode on page E 19 Tone Types Standard Tones 550 Preset Tones 124 User Tones CN NC C A NEC UN 700 799 10 User Tones 2 On Off 3 800 819 ay Tones with Waves On Off 3 User Drum Sets with 900 903 Waves 4 On Off 5 707A E 018A Basic Operations Drawbar Organ Tones 50 Preset Tones 100 User Tones Number of DSP Off 100 199 DA User Tones 6 EL Off 3 See Changing Tones and Configuring DSP Effect Settings on page E 18 2 Memory area for tones created by you See Synthesizer Mode on page E 40 User tone areas 700 through 799 initially contain the same data as DSP types 000 through 099 3 Depends on source tone or user setting See Synthesizer Mode on page E 40 for more information 4 Area for data transferred from a computer See Using the Music Data Management Software on the Bundled CD ROM on page E 76 for more information For information about waveforms see Creating a User Tone on page E 43 77 5 Depends on tone This status can be checked by viewing the DSP button See DSP Button on page E 25 for more information 6 Memory area for tones created by you See To edit a drawbar organ tone on page E 20 User drawbar organ tone areas initially contai
94. ck volume 13 Power Supply Turning Off the Keyboard Be sure to press the POWER button to turn off power and make sure that the LCD backlight is off before disconnecting the AC adaptor or doing anything else Never disconnect the AC adaptor while the keyboard is turned on or try to turn off power using any other technique besides pressing the POWER button Doing so can cause the contents of the keyboard s Flash memory to become corrupted Strange keyboard operation and abnormal startup when power is turned on are symptoms of corrupted Flash memory contents See Troubleshooting on page E 78 for more information IMPORTANT While the following message is on the display never turn off the keyboard by pressing the POWER button disconnecting the AC adaptor etc message Pls Wait or Bulk In Turning off the keyboard while the above message is on the display can cause user data user tones song memory data etc currently stored in keyboard memory to become corrupted Once corrupted you may not be able to recall the data again E 14 Memory Contents In addition to the above settings data stored in the Registration Mode and Song Memory Mode is also retained when keyboard power is turned off Saving Setups and Memory Contents About Flash memory Your keyboard comes with built in Flash memory which can continue to hold data even when electrical power is totally cut off This means that eve
95. cord to change the initial Mixer tempo and other settings stored in the song header 1 Press the SONG MEMORY button once to enter playback standby 2 Use the and buttons to select the number of the song that contains the header data you want to rewrite 3 Make the changes you want to the header data 4 Press the W CURSOR button three times e This displays the song delete screen e This causes the message Pnel Rec to appear on the display 5 Press the YES button to rewrite the header data E 61 POWER MAIN VOLUME C DATA ACCESS SYNCHRO 5 INTRO ENDING WARIATION FILL IN FILL IN NEXT STOP REGISTRATION Keyboard Settings PIANO SETTING cursor mimin AUTO HARMONIZE SPLIT LAYER 2 TRANSPOSE FUNCTION 3 TONE EXIT 5 DSP LAYER 8 YES NO Up to four parts numbered 1 through 4 can be used simultaneously during keyboard play These parts can be used by the layer and split functions explained below Part 1 Main tone part Part 2 Layered tone part Part 3 Split tone part Part 4 Layered and split tone part Using Layer Layer lets you assign two different tones a main tone and a layered tone to the keyboard both of which play whenever you press a key For example you could layer the GM FRENCH HORN tone on the GM BRASS tone to produce a rich and brassy sound B LAYER
96. ct sound 27 Reverb e Function This is an effector that preserves the breadth of a sound by adding a reverb sound Parameters 0 Tone Range 0 to 127 Adjusts the tone of the reverb sound 1 Time Range 0 to 127 Adjusts the reverb time 2 High Damp Range 0 to 127 Adjusts damping of the high range reverb sound The smaller the value the greater the damping of high range reverb sound 3 ER Level Range 0 to 127 Adjusts the level of the initial reflection 4 Wet Level Range 0 to 127 Adjusts the level of the effect sound 28 2 Tap Delay Function This is left right 2 tap delay Parameters 0 Delay Time Range 0 to 127 Adjusts the delay time 1 Wet Level Range 0 to 127 Adjusts the level of the effect sound 2 Feedback Range 0 to 127 Adjusts the repeat of the delay 3 High Damp Range 0 to 127 Adjusts damping of the high range delay sound The smaller the value the greater the damping of high range delay sound 4 Ratio L Range 0 to 127 Adjusts the delay time of the left channel Proportional to the value set for Delay Time 86 5 Ratio R Range 0 to 127 Adjusts the delay time of the right channel Proportional to the value set for Delay Time The following Multi algorithms are used in combination with the algorithms described above Parameters are shared by both types of algorithms Moo MultiOO Sin 2 Phase Chorus 2 Tap Delay Func
97. d Chord type input keyboard Major Minor Augmented Diminished Suspended four Seventh Minor seventh Major seventh NA BPW NY Minor major seventh bk Seventh flat five bl Minor seventh flat five b Seventh suspended four m bn Diminished seventh bo Minor add ninth bp Add ninth bq Minor sixth br Sixth bs Six ninth To specify a chord hold down the key on the root input keyboard that specifies the root and press the key in the chord type input keyboard to specify the chord type When inputting a chord with a specified bass note pressing two keys of the root input keyboard causes the lower note to be specified as a bass note Example 1 To input Gm7 hold down G on the root input keyboard and press the m7 key on the chord type input keyboard E a 54 707A E 056A Song Memory Function Example 2 To input Gm C hold down C and G on the root input keyboard and press the m key on the chord type input keyboard 92828988 7 gt HES 9 Maen P f te HIH 4 CY Gr Hold down key to specify on bass and chord root m gt Press key to specify chord Specifying the Length of a Note During step recording the number buttons are used to specify the length of each note Note lengths Use number buttons 1 through 6 to specify whole note
98. d sound output even after you release a key A tone that is totally different from the one that is selected Abnormal rhythm pattern and demo tune play Loss of power sound distortion or low volume when playing from a connected computer or MIDI device E 4 707A E 006A Introduction Congratulations upon your selection of this CASIO musical instrument This keyboard provides you with the following features and functions 550 Tones Include Rich Advanced Tones A total of 332 Advanced Tones are programmed with DSP tones to make them richer and more powerful Advanced tones like Stereo Piano and Tremolo Electric Piano enhance the Piano and Electric Piano tones to create a totally new sound 50 Drawbar Organ Tones In addition to the 550 standards tones the keyboard also includes 50 realistic drawbar organ tones Drawbar organ tones can be controlled using nine digital drawbars You can also select percussion or key click and even edit the parameters of preset tone and save up to 100 original tones in user tone memory B Flash Memory Built in Flash memory lets you expand your selection of tones and rhythms by downloading data from the CASIO MUSIC SITE or by the CD ROM that comes bundled with the keyboard You can also store up to 200 SMF format music files for playback PIANO SETTING Button The press of a button optimizes the keyboard setup for piano play 160 Preset Rhythms 16 User Rhythms A select
99. display and the STEP indicator flashes 707A E 060A Song Memory Function 4 Use the 4 and p CURSOR buttons to move to the location in track where the note or parameter you want to change is located Note editing example TRANSPOSE FUNCTION 790 0 t cr LAYER MIXER e SPLIT m SE SYNTH AUTO HARMONIZE A 12345 7 9 1 1 1271214 18 10 1 Velocity 2 Pitch 5 Make any changes in the value that you want e The actual procedures you use to change a parameter depend on the type of data it contains See Editing Techniques and Display Contents on page E 59 for details Repeat steps 4 and 5 to edit other parameters 6 Press the START STOP button to end editing when you are finished NOTE The only parameters that can be editted for Tracks 2 through 6 are notes and tone numbers e Inthe case of real time recording you later can change tone numbers you specified while recording to Tracks 1 through 6 is in progress You can only change tone numbers that were originally set for Tracks 2 through 6 using step recording e n the case of real time recording you later can change rhythm numbers you specified while recording to Track 1 is in progress Youcanonly change rhythm numbers that were originally set for Track 1 using step recording You cannot use the edit procedure to add more data to a recording You cannot move port
100. dos gt gt EA O PIANO STEREO GRAND PIANO 0 51 16 N R bHali 1 PIANO STEREO MELLOW PIANO 0 92 16 N GateRvb2 Equalize EOI N Reflect Reflect 2 2 3 MANO GRANDPIANO o 32 N RvbHalli 4 MANO ROCKPIANO 1 49 32 N Equalize 66 ORGAN HARMONICA 22 48 32 N Reflect 767 ORGAN DRAWBARORGANI 16 48 32 N Reflect 68 ORGAN DRAWBARORGAN2 16 50 52 N Rotary 1 6 ORGAN ELECORGAN 16 51 32 N Reflect 70 ORGAN PERCORGANi 17 28 16 Reflect Rotary 2 Reflect ho Diy4 75 ORGAN GateRvb2 76 ORGAN mpChoR ORGAN ChoDly 4 78 ORGAN RvbRoom 779 WhDsDly 8 GUITAR PURE ACOUSTIC GUITAR 25 49 qualize GUITAR 1 Equalize GUITAR STEEL STRGUITAR 25 48 32 1 Equalize ITAR JAZZGUITAR ________ 26 48 32 1 CmpChoRI ITAR CHORUS CLEAN GUITAR 27 53 32 1 CmpEnDly ___ ______ 27 54 ITAR CRUNCHELECGUITAR 27 52 z 2 2 2 5 MANO MODERN PANO i 51 16 N Equalize Ol Oo Z Z 6 PIANO DANCEPIANO 1 53 16 PIANO SYNTH STR PIANO S Q2 N Z Z 50 132 Equalize 1 48 32 Enhancer 54 16 N ho Flan PIANO SIRINGSPANO 1 52 16 NJ PIANO VOICEPIANO 0 59 l6 N PIANO ELECGRANDPIANO
101. e You can adjust the volume of the accompaniment parts as a value in the range of 000 minimum to 127 maximum 1 Press the ACCOMP VOLUME button iy ACOMP VO Current accompaniment volume setting 2 Use the number buttons or the buttons to change the current volume setting value Example 110 WuAcompVo 1 NOTE Pressing the ACCOMP VOLUME button or EXIT button returns to the tone or rhythm setting screen Any channel balance settings you make with the Mixer are maintained when you change the accompaniment volume setting Pressing and buttons at the same time automatically sets an accompaniment volume of 100 E 35 POWER DATA ACCESS SYNCHRO 5 INTRO ENDING WARIATION FILL IN FILL IN NEXT STOP Mixer Function REGISTRATION PIANO SETTING cursor minin conu AUTO HARMONIZE SPLIT LAYER ONO 2 DRAWBAR ORGAN 3 TONE 5 41 17 11 CURSOR 6 Number buttons What you can do with the Mixer This keyboard lets you play multiple different musical instrument parts at the same time during auto accompaniment play song memory playback receipt of data through the MIDI terminal etc The Mixer assigns each part to a separate channel 1 through 16 and lets you control the channel on off volume and pan pot parameters of each channel In addition to channels 1 through 16 the Mixer also has a DSP channel that
102. e W CURSOR button three times e This displays the equalizer editing screen e The equalizer type setting step 4 screen will appear automatically about fives seconds after you press the button 3 Press the CURSOR button 4 Use the and buttons or the number buttons to select the equalizer type you want See the list on page A 13 for information about the equalizer types that are available Example To select Jazz BJazz e Pressing the EXIT or EFFECT button exits the equalizer setting screen 707A E 029A To adjust the gain volume of a band 1 After selecting the equalizer type you want use the lt and CURSOR buttons to select the band whose gain you want to adjust Example To adjust the HIGH band uuMEa High 2 Use the and buttons or the number buttons to adjust the band gain Example To adjust the gain to 10 iuMEG High e Pressing the EXIT or EFFECT button exits the equalizer setting screen NOTE Changing to another equalizer type causes the band gain settings to change to the initial settings for the newly selected equalizer type automatically 27 POWER MAIN VOLUME MIN Auto Accompaniment PIANO SETTING 2 vemo REGISTRATION AUTO HARMONIZE LAYER INTRO ENDING VARIATION FILI IN ILL IN NEXT STOP MODE ONE TOUCH PRESET RHYTHM 5 EXIT VARIATION FILL IN 1 2
103. e R Release time Cutoff Frequency The cutoff frequency is a parameter for adjusting timbre by cutting any frequency that is higher than a specific frequency A larger cutoff frequency produces a brighter harder timbre while a smaller frequency produces a darker softer timbre Level Frequency A Cutoff frequency 707A E 043A O Resonance Resonance enhances the harmonic components in the vicinity of the cutoff frequency which creates a distinctive sound A larger resonance value enhances the sound as shown in the figure Level Cut off frequency requency Small Value Large Value Resonance NOTE e With some tones a large resonance value can cause distortion or noise during the attack part of the tone Tone Pitch Parameters Vibrato Type Vibrato Delay Vibrato Rate Vibrato Depth These parameters adjust the vibrato effect which causes periodic changes in the tone Octave Shift This parameter controls the octave of all tones Tone Characteristic Setting Parameters O Level This parameter controls the overall volume of the tone e Touch Sense This parameter controls changes in volume and timbre in accordance with the relative amount of pressure applied to the keyboard keys You can specify more volume for stronger pressure and less volume or a lighter pressure or you can specify the same volume regardless of how much pressure is applied to
104. e Use this parameter to correct for such changes 07 Limiter e Function This is an effector that you can use to set an upper limit value on the level of the input signal Parameters 0 Limit Range 0 to 127 Adjusts the volume level from which the limit is applied 1 Attack Range 0 to 127 Adjusts the attack amount of the input signal 2 Release Range 0 to 127 Adjusts the time from when the input signal drops below a certain level until the limit operation stops 3 Level Range 0 to 127 Adjusts the level being output The output volume changes in accordance with the Limit setting and the characteristics of the input tone Use this parameter to correct for such changes 08 Distortion Function This effect provides Distortion AmpSimulator Parameters 0 Gain Range 0 to 127 Adjusts the input gain E 83 DSP Algorithm List 1 Low Range 0 to 127 Adjusts the low band gain The cutoff frequency differs according to the preset DSP 2 High Range 0 to 127 Adjusts the high band gain The cutoff frequency differs according to the preset DSP 3 Level Range 0 to 127 Adjusts the output level lg 09 Stereo Phaser Function This is a stereo phaser that modulates the phase in accordance with a sine wave LFO Parameters 0 Resonance Range 0 to 127 Adjusts the resonance of the sound 1 Manual Range 64 to 0 to 63 Adjusts the phaser shift volume which is used for refe
105. e SMF Player E 71 Playing Back an 5 E 73 Configuring Other Settings E 73 MID Bits 75 Whats MIDI iia E 75 General MIDI E 75 MIDI 65 E 75 Using the Music Data Management Software on the Bundled CD ROM E 76 Troubleshooting E 78 Specifications E 80 Care of your Instrument E 82 DSP Algorithm List E 83 Appendix A 1 Tone EIS rni ceras In tos A 1 Drum Assignment List A 8 Bhythrm EISE ui ooh A 10 Fingered Chord A 11 zia A 13 MIDI Implementation Chart 707A E 010A General Guide POWER PIANO SETTING FULL RANGE CHORD CURSOR FINGERED MAIN VOLUME CASIO CHORD ONE TOUCH ACCOMP MODE PRESET VOLUME MIN MAX AUTO HARMONIZE SPLIT LAYER PIANO SETTING cursor C nmo SYNCHRO START INTRO ENDING VARIATION FILI IN FILL IN NEXT STOP REGISTRATION AUTO HARMONIZE SPLIT LAYER SYNCHRO START WARIATION FILL IN FILLINNEXT STOP PF REGISTRATION cr at oHe He Ne Hey CHORD TR1 TR2 TR3 TR4 TR5 TR6 sonememonvtaack 707A E 011A E 9 General Guide 1 HO 0
106. e You can use different Mixer settings for each track page E 36 E 49 Song Memory Function Selecting a Track Use the SONG MEMORY TRACK buttons marked CHORD TR1 through TR6 to select the track you want SONG MEMORY TRACK Buttons D EGISTRATIO TR6 CHORD TR1 SONG MEMORY TRACK 1 Track 1 2 Track2 3 Track3 4 Track 4 5 Track 5 6 Track6 Basic Song Memory operations The status of the Song Memory changes each time you press the SONG MEMORY button gt Playback cou Play aud Record Flash 6 nu i S t ep Rec ic 1 1 50 Using Real time Recording With real time recording the notes you play on the keyboard are recorded as you play them To record with real time recording 1 Press the SONG MEMORY button twice to enter real time record standby Perform step 2 below within five seconds after entering record standby eee 123 4 5 6 7 8 9 10 47 12 13 14 15 16 The level meters for tracks 11 through 16 are shown on the display while the keyboard is in record standby so you can easily check which tracks are already recorded See Level Meter Contents During Record Edit Standby on page E 57 for details 2 Use the number buttons to select a song number to 4 ob Record 1 Song number O e The above song number screen remains on the d
107. e de display Nombre de tipo Room 1 Room 1 Room 2 Room 2 Room 3 Room 3 Hall 1 Hall 1 Hall 2 Hall 2 Plate 1 Plate 1 Delay Delay PanDelay Plate 2 Plate 2 Plate 3 Plate 3 LrgRoom 1 PanDelay LargeRoom 1 LrgRoom 2 Stadium 1 Stadium 2 LongDly 1 LongDly 2 LargeRoom 2 Stadium 1 Stadium 2 LongDelay 1 LongDelay 2 CHORUS Effect List Lista de efectos de chorus CHORUS 2 Nombre de display Nombre de tipo Chorus 1 Chorus 1 Chorus 2 Chorus 2 Chorus 3 Chorus 3 Chorus 4 Chorus 4 FBChorus Feedback Chorus Flanger1 Flanger 1 SDelay 1 Short Delay 1 SDelay 2 Short Delay 2 SFChorus Soft Chorus BRChorus Bright Chorus DPChorus Flanger 2 Deep Chorus Flanger 2 A 13 Display Name Type Name Nombre de display Nombre de tipo Flanger 3 Flanger 4 Short Delay 3 Short Delay 4 Equalizer List Lista de ecualizador No Display Name Type Name Nombre de display Nombre de tipo Standen RK o e jese CEN DSP Effect List Lista de efectos DSP Settable parameters depend on the DSP type Also the parameters for each DSP type depend on the algorithm associated with the DSP type See the DSP Algorithm List on page E 83 for more information Effector structure and operation type Los par metros que pueden ajustarse dependen en el tipo DSP Tambi n los par metros para cada tipo DSP depende el algoritmo asociado con el tipo DSP Para mayor infor maci n vea la
108. e following important information before using this product Before using the optional AD 5 Adaptor to power the unit be sure to check the AC Adaptor for any damage first Carefully check the power cord for breakage cuts exposed wire and other serious damage Never let children use an AC adaptor that is seriously damaged Never attempt to recharge batteries Do not use rechargeable batteries Never mix old batteries with new ones Use recommended batteries or equivalent types Always make sure that positive and negative poles are facing correctly as indicated near the battery compartment Replace batteries as soon as possible after any sign they are getting weak Do not short circuit the battery terminals The product is not intended for children under 3 years Use only CASIO AD 5 adaptor The AC adaptor is not a toy Be sure to disconnect the AC adaptor before cleaning the product This mark applies EU countries only C CASIO Europe GmbH Bornbarch 10 22848 Norderstedt Germany 707A E 002A Safety Precautions Congratulations on your selection of the CASIO electronic musical instrument Before using the instrument be sure to carefully read through the instructions contained in this manual e Please keep all information for future reference Symbols Various symbols are used in this user s guide and on the product itself to ensure that th
109. e parameter setting you want 1 After selecting the chorus type you want use the 4 and CURSOR buttons to display the parameter whose setting you want to change Specifies the size of the delay sound A higher value produces a larger delay sound 3 Press the EFFECT or EXIT button Delay Feedback Range 000 to 127 e This returns to the tone or rhythm selection screen Adjusts delay repeat A higher value produces a greater number of repeats 2 6 707A E 028A Applying Effects to Tones CHORUS Parameters Chorus Level Range 000 to 127 Specifies the size of the chorus sound Chorus Rate Range 000 to 127 Specifies the undulation speed of the chorus sound A higher value produces faster undulation Chorus Depth Range 000 to 127 Specifies the undulation depth of the chorus sound A higher value produces deeper undulation NOTE Whether or not an effect is applied to the parts that are sounding also depends on Mixer Mode Reverb Send Chorus Send and DSP on off settings See Mixer Function on page E 36 for more information Using the Equalizer This keyboard has a built in four band equalizer and 10 different settings from which you can choose You can adjust the gain volume of all four equalizer bands within the range of 12 to 0 to 12 To select the equalizer type 1 Press the EFFECT button so the pointer appears next to EFFECT on the display screen 2 Press th
110. e product is used safely and correctly and to prevent injury to the user and other persons as well as damage to property Those symbols along with their meanings are shown below ZN DANGER This symbol indicates information that ifignored or applied incorrectly creates the danger of death or serious personal injury ZN WARNING This indication stipulates matters that have the risk of causing death or serious injury if the product is operated incorrectly while ignoring this indication ZN CAUTION This indication stipulates matters that have the risk of causing injury as well as matters for which there is the likelihood of occurrence of physical damage only if the product is operated incorrectly while ignoring this indication Symbol Examples This triangle symbol means that the user should be careful The example at left indicates electrical shock caution This circle with a line through it O means that the indicated action must not be performed Y Indications within or nearby this symbol are specifically prohibited The example at left indicates that disassembly is prohibited The black dot 0 means that the indicated action must be performed Indications within this symbol are actions that are specifically instructed performed example at left indicates that the power plug must be unplugged from the electrical socket 707A E 003A N DANGER mmm Alkaline Batteries leaking
111. e sound You can reproduce the optimal acoustics for the type of music you are playing classics for example by selecting the applicable equalizer setting Selecting a DSP Type In addition to the 100 built in effect types you can also edit effect types to create your own and store them in user memory You can have up to 100 effect types in user memory at one time You can also select the DSP type of the last DSP enabled tone that you used This means you always have access to the DSP type of Advanced Tones and tones you download over the Internet To select the DSP type of the last DSP enabled tone that you used select ton in step 3 of the procedure below Perform the following steps to select a DSP type Getting Ready e When using a DSP effect you should use the Mixer to confirm that the DSP lines of the required parts are turned on See Mixer Function on page E 36 for more information 1 Press the EFFECT button so the pointer appears next to EFFECT on the display The DSP type setting screen step 3 will appear automatically about fives seconds after you press the button E 23 Applying Effects to Tones 2 Press the gt CURSOR button 3 Use the and buttons or the number buttons to select the type of DSP you want See the Effect List on page A 13 for information about the DSP types that can be selected Here you could also change the parameters of the effect you selec
112. ease the STORE and REGISTRATION buttons NOTE e The setup is saved as soon as you press a REGISTRATION button in step 3 above E 47 Registration Memory To Recall a Setup from Registration Memory 7 Use the BANK button or the number buttons to select the bank If you do not perform any operation for about seconds after pressing the BANK button the keyboard automatically clears the registration memory recall screen i Bank 2 Press the REGISTRATION button 1 to 4 for the area whose setup you want to recall i Recal e The setup name along with the message Recall appears on the display NOTE e f you press a REGISTRATION button without using the BANK button to select a bank first the last bank number selected is used E 4 8 707 050 POWER MAIN VOLUME DATA ACCESS SYNCHRO START VARIATION FILL IN RILL IN NEXT STOP Song Memory Function C nemo minim AUTO HARMONIZE SPLIT LAYER CHORD TR1 TR2 TRI O MODE SONG MEMORY DRAWBAR ORGAN VARIATION FILL IN 1 2 YES NO This keyboard lets you record up to five separate songs in song memory for later playback There are two methods you can use to record a song real time recording where you record the notes as you play them on the keyboard and step recording where you input chords and notes one by one NOTE Layer and split cannot be us
113. ected track during real time recording This data is applied whenever the track is played back Tone number Optional pedal operations The following data is recorded in the header whenever you start a recording of a track Mixer settings of other tracks Effect type Accompaniment volume Reverb Level Chorus Level DSP Hold On Off Mixer Hold On Off To record to Tracks 2 through 6 using step recording This procedure describes how to input notes one by one specifying each note s pitch and length 1 Press the SONG MEMORY button three times to enter real time record standby and then use the number buttons to select a song number to 4 e The song number you select should be the one where you previously input Track 1 50 iStep Rec 2 Use the SONG MEMORY TRACK buttons to select the track you want to record to 2 through 6 Example Select Track 2 A A 4 1 2 5 7 8 9 10 11 i2 13 14 15 16 1 Flash 707A E 058A Song Memory Function 3 Specify a tone number e Pressing a TONE button or the DRAWBAR ORGAN button displays the tone number and name on the display You can then use the number buttons or the increase and decrease buttons to change the tone After changing the tone number press any keyboard key to clear the tone number and name screen and return to the note input screen 4 Use the keyboard keys to input notes or the 0
114. ed on their own original chord progressions The following shows the type of data that can be recorded in Tracks 1 through 6 Track 1 Chords and Auto Accompaniment Tracks 2 through 6 Keyboard play With step recording first record the chords and Auto Accompaniment in Track 1 Next record the melody in Tracks 2 through 6 NOTE Use the procedure under To record to Tracks 2 through 6 using real time recording on page E 55 for details on how to record to Tracks 2 through 6 707A E 054A Song Memory Function To record chords with step recording 7 Press the SONG MEMORY button three times to enter step recording standby and then use the number buttons to select the song number 0 to 4 Juu S t ep Rec MEASURE BEAT Va 4 RECE Sapo i 1 Flash 2 Make the following settings Rhythm number MODE button 3 Press the CHORD TR1 button which is one of the SONG MEMORY TRACK buttons to select Track1 When recording starts the REC indicator flashes on the display After a few moments the indicator stops flashing and remains on the display 4 Press the SYNCHRO FILL IN NEXT button 5 Play a chord Use the chord play method that is specified by the current MODE setting FINGERED CASIO CHORD etc e When the accompaniment mode is set to NORMAL specify the chord using the root input keyboard and chord type input keyboard See Specifying Chords in the Normal Mode
115. ed while standing by for recording or while recording is being performed in the Song Memory Mode Also layer and split are automatically turned off whenever the keyboard goes into record standby or starts recording Keyboard song memory records and plays back much like a standard tape recorder There are a total of six tracks each of which can be recorded separately Besides notes each track can have its own tone number Then when you play back the tracks together it sounds like an entire six piece band During playback you can adjust the tempo to change the speed of playback 707A E 051A TRS TRE TONE A Y V 1 4 l CURSOR 6 INTRO ENDING 1 2 SYNCHRO FILL IN NEXT 0 START STOP TEMPO SONG MEMORY TRACK bm Number buttons Start End Track 1 Auto accompaniment Rhythm Bass Chord 1 2 3 Keyboard play Track 2 Keyboard play Track 3 Keyboard play Track 4 Keyboard play Track 5 Keyboard play Track 6 Keyboard play Melody data recorded in track NOTE With this keyboard Track 1 is the basic track which can be used to record keyboard play along with Auto Accompaniment Tracks 2 through 6 can be used for keyboard play so they are called melody tracks Tracks 2 through 6 are used to add other parts to what is recorded in Track 1 Note that each track is independent of the others This means that even if you make a mistake while recording you only need to re record the track where the mistake was made
116. edback Chorus Wet Level Tremolo Rate Tremolo Depth See IIS B M10 Multi10 Stereo Phaser Auto Pan Function This is a multi effector that is related to Stereo Phaser Auto Pan e Parameters 0 Phaser Resonance 1 Phaser Manual 2 Phaser Rate 3 Phaser Depth 089 4 Phaser Wet Level 5 Auto Pan Rate 6 Auto Pan Depth B M11 Multi11 Compressor Lo Fi Function This is a multi effector related to Compressor Lo Fi Parameters Compressor Depth Compressor Attack Compressor Level Lo Fi Noise 1 Lo Fi Noise 2 Lo Fi Tone Lo Fi Resonance Lo Fi Bass B M12 Multi12 Ring Modulator Sin 2 Phase Chorus 2 Tap Delay Function This is a multi effector that is related to Ring Modulator Sin 2 Phase Chorus Parameters Ring OSC Frequency Ring LFO Rate Ring LFO Depth Ring Wet Level Ring Dry Level Chorus LFO Depth Delay Time Delay Wet Level EC M13 Multi13 Ring Modulator Distortion Function This is a multi effector related to Ring Modulator Distortion Parameters Ring OSC Frequency Ring LFO Rate Ring LFO Depth Ring Wet Level Ring Dry Level Distortion Gain Distortion Tone Distortion Level M14 Multi14 Lo Fi Reflection Function This is a multi effector related to Lo Fi Reflection Parameters Lo Fi Noisel Lo Fi Noise2 Lo Fi Tone Lo Fi Resonance Reflection
117. empo W Decrements displayed value decreases tempo tn eJ TEMPO 14 NOTE Pressing both TEMPO buttons W and A atthe same time resets the tempo to the default value of the currently selected rhythm Auto Accompaniment Using Auto Accompaniment The following procedure describes how to use the keyboard s Auto Accompaniment feature Before starting you should first select the rhythm you want to use and set the tempo of the rhythm to the value you want To use Auto Accompaniment 1 Use the MODE button to select FULL RANGE CHORD FINGERED or CASIO CHORD as the accompaniment mode 2 Press the START STOP button to start play of the currently selected rhythm 3 Play a chord e The actual procedure you should use to play a chord depends on the currently selected accompaniment mode Refer to the following pages for details on chord play CASIO CHORD Page E 30 FINGERED Page E 31 FULL RANGE CHORD Page E 31 TRANSPOSE FUNCTION LAYER SPLIT AUTO HARMONIZE MIXER SYNTH EFFECT SONG MEMORY SMF PLAYER 1 Chord name Current measure number and beat number 3 Basic fingering of current chord May be different from chord actually being played on the keyboard 4 To stop Auto Accompaniment play press the START STOP button again NOTE e f you press SYNCHRO FILL IN NEXT button and then the VARIATION FILL IN 1 2 buttons in place of the START STOP button i
118. er you leave it on without performing any operation for about 6 minutes When this happens press the POWER button to turn power back on NOTE Auto Power Off is disabled it does not function when you are using the AC adaptor to power the keyboard To disable Auto Power Off Hold down the TONE button while turning on the keyboard to disable Auto Power Off e When Auto Power Off is disabled the keyboard does not turn off automatically no matter how long it is left with no operation being performed e Auto Power Off is automatically enabled whenever you turn on keyboard power Settings Tone rhythm and other main keyboard settings in effect when you turn off the keyboard manually by pressing POWER button or when Auto Power Off turns off power are still in effect the next time you turn power back on Main Keyboard Settings Tone number layer split split point drawbar organ tone settings transpose tuning contrast settings touch response reverb chorus DSP equalizer rhythm number tempo keyboard channel MIDI In Chord Judge on off accomp MIDI out on off assignable jack setting accompaniment volume user area tones Synthesizer Mode user area accompaniments user DSP area Auto Harmonize on off Auto Harmonize type Mixer hold DSP hold Auto Accompaniment mode all Mixer parameters all Synthesizer Mode parameters Song Memory song numbers SMF player settings play mode manual play part SMF playba
119. ersonal injury Always make sure you observe the following precautions Use only batteries that are specified for use with this product Remove batteries from the product if you do not plan to use it for a long time 707A E 005A Safety Precautions CAUTION m Connectors Connect only the specified devices and equipment to the product s connectors Connection of a non specified device or equipment creates the risk of fire and electric shock Location Avoid the following locations for this product Such locations create the risk of fire and electric shock e Areas subject to high humidity or large amounts of dust In food preparation areas or other areas subject to oil smoke Near air conditioning equipment on a heated carpet in areas exposed to direct sunlight inside of a vehicle parked in the sun or any other area that subjects the product to high temperatures Display Screen Never push on the display screen s LCD panel or subject it to strong impact Doing so can cause the LCD panel s glass to crack creating the risk of personal injury Should the LCD panel ever crack or break never touch the liquid inside of the panel LCD panel liquid can cause skin irritation Should LCD panel liquid ever inside your mouth immediately wash out your mouth with water and contact your physician Should LCD panel liquid ever get into your eyes or
120. ersonal injury 707A E 004A A N CAUTION m AC Adaptor Misuse of the AC adaptor creates the risk of fire and electric shock Always make sure you observe the following precautions Do not locate the electric cord near a stove or other sources of heat Never pull on the cord when unplugging from the electrical outlet Always grasp the AC adaptor when unplugging Misuse of the AC adaptor creates the risk of fire and electric shock Always make sure you observe the following precautions Insert the AC adaptor into the wall outlet as far as it will go Unplug the AC adaptor from the wall outlet during lightening storms or before leaving on a trip or other long term absence e At least once a year unplug the AC adaptor from the wall outlet and wipe away any dust that is built up in the area around the prongs of the plug Relocating the Product Before relocating the product always unplug the AC adaptor from the wall outlet and disconnect all other cables and connecting cords Leaving cords connected creates the risk of damage to the cords fire and electric shock Cleaning Before cleaning the product always unplug the AC adaptor from the wall outlet first Leaving the AC adaptor plugged in creates the risk of damage to the AC adaptor fire and electric shock Batteries Misuse of batteries can cause them to leak resulting in damage to nearby objects or to explode creating the risk of fire and p
121. esponse settings Assignable jack setting Transpose Tuning Accompaniment volume setting Auto Harmonize type MODE button setting Synchro standby state Mixer Hold DSP Hold Synthesizer Mode parameters 16 Tone part on off volume pan pot octave shift coarse tune fine tune reverb send chorus send DSP line DSP level DSP pan DSP system reverb send DSP system chorus send MIDI 16 multi timbre receive GM Level 1 standard E 80 707A E 082A Specifications Other Functions e Transpose 49 steps 24 semitones to 24 semitones Tuning Variable A4 approximately 440Hz 100 cents LCD Adjustable contrast SMF Player Flash memory storage for up to 200 files Supported Format SMFO Flash Memory Capacity 4MB Shared Area Approximately 3 5MB waveform data accompaniment data SMF data Further storage of waveform accompaniment and SMF data becomes impossible after the total of such data reaches approximately 3 5MB Terminals e MIDI Terminals IN OUT e Sustain Assignable Terminal Standard jack sustain sostenuto soft rhythm start stop Headphone Output Terminal Stereo standard jack Output Impedance 1400 Output Voltage 4 5V RMS MAX Power Supply Terminal 9V DC Power Supply Dual power supply system e Batteries 6 D size batteries e Battery Life Approximately 4 hours continuous operation on manganese batteries e AC Adaptor AD 5 e Auto Power Off Turns power off approximate
122. f the effect sound 4 Dry Level Range 0 to 127 Adjusts the level of the original sound 15 Lo Fi Function This is an effector that reproduces a retro type Lo Fi sound using Noise Generator 1 phonograph record player type scratch noise generator and Noise Generator 2 FM radio type white noise and pink noise continuous noise generator and by noise modulation amplitude modulation AM and distortion of frequency characteristics Parameters 0 Noise Level 1 Range 0 to 127 Adjusts the level of Noise Generator 1 1 Noise Density 1 Range 0 to 127 Adjusts the noise density of Noise Generator 1 2 Noise Level 2 Range 0 to 127 Adjusts the level of Noise Generator 2 Noise Density 2 Range 0 to 127 Adjusts the noise density of Noise Generator 2 Tone Range 0 to 127 Adjusts the tone Resonance Range 0 to 127 Adjusts the resonance of the sound Bass Range 64 to 0 to 63 Adjusts the volume of low sounds 7 Level Range 0 to 127 Adjusts the output level 16 1 Phase Chorus Function This is monaural chorus in accordance with a sine wave LFO Parameters 0 LFO Rate Range 0 to 127 Adjusts the rate of the LFO 1 LFO Depth Range 0 to 127 Adjusts the depth of the LFO 707A E 086A DSP Algorithm List Feedback Range 64 to 0 to 63 Adjusts the feedback of the sound Wet Level Range 0 to 127 Adjusts the level of the effect sound 17 Sin 2 Phase Chorus Functio
123. ftware supports transfer of the following type of data SMF Rhythm Patterns Registrations e User songs created in the Song Memory Mode e Drum sounds with waveform e Drawbar organ tones e Tone Tones with waveforms e DSP Package file e All user data CASIO MUSIC SITE http music casio com Music Data Management Software Music Data Management Software makes it possible for your computer to transfer data you downloaded from the CASIO Music Site to keyboard memory and to transfer keyboard memory data to your computer s hard disk for storage After starting up the Music Data Management Software you can access the following three converter applications Wave Converter Wave Converter creates keyboard Tone With Wave data from tone data files wav stored on your computer s hard disk Rhythm Converter Rhythm Converter creates keyboard Rhythm data from SMF format rhythm data stored on your computer s hard disk Parameter Editor Parameter Editor makes it possible to use your computer to edit keyboard parameters To install the Music Data Management Software Before installing the Music Data Management Software be sure to read the contents of the applicable readme txt file You can find the readme txt file inside the same language folder where the Music Data Management Software you are installing is located E 76 1 To install the Music Data Management Software navigate to the
124. g With a sostenuto pedal you press the keys and then depress the pedal before you release the keys Only the notes that are sounding when the pedal is depressed are sustained Soft Pedal Depressing the pedal softens the sound of the notes being played Rhythm Start Stop Pedal In this case the pedal performs the same functions as the START STOP button Accessories and Options Use only the accessories and options specified for this keyboard Use of non authorized items creates the danger of fire electrical shock and personal injury E 15 SYNCHRO 5 INTRO ENDING WARIATION FILL IN FILL IN NEXT STOP REGISTRATION Basic Operations 5 Om PIANO SETTING cursor __ ____ DEMO CO ar AUTO HARMONIZE SPLIT LAYER MAIN VOLUME 2 POWER DSP 5 7 Number buttons 8 This section provides information on performing basic keyboard operations To play the keyboard 1 Press the POWER button to turn the keyboard on e This causes the power indicator to light 2 Use the MAIN VOLUME knob to set the volume to a relatively low level 3 Play something on the keyboard E 16 PIANO SETTING 3 TONE 6 START STOP Selecting a Tone This keyboard comes with tones built in as shown below A partial list of the available tone names is printed on the keyboard console See the Tone List on page A 1 of this manual for a complete list Advan
125. gnal in accordance with an LFO Parameters 0 Rate Range 0 to 127 Adjusts the panning rate 1 Depth Range 0 to 127 Adjusts the panning depth 01 Tremolo Function Adjusts volume of input signal in accordance with an LFO Parameters 0 Rate Range 0 to 127 Adjusts the tremolo rate 1 Depth Range 0 to 127 Adjusts the tremolo depth 02 2BandEQ Function This is a two band equalizer Parameters 0 Low Frequency Range 0 200 2 1 400Hz 2 800Hz Adjusts the cutoff frequency of the low band equalizer 1 Low Gain Range 12 11 10 to 0 to 10 11 12 Adjusts the gain of the low band equalizer 2 High Frequency Range 0 6 0KHz 1 8 0KHz 2 10KHz Adjusts the cutoff frequency of the high band equalizer 3 High Gain Range 12 11 10 to 0 to 10 11 12 Adjusts the gain of the high band equalizer 8 03 3BandEQ Function This is a three band equalizer Parameters 0 Low Frequency Range 0 200 2 1 400Hz 2 800Hz Adjusts the cutoff frequency of the low band equalizer 1 Low Gain Range 12 11 10 to 0 to 10 11 12 Adjusts the gain of the low band equalizer 2 Mid Frequency Range 0 1 0KHz 1 1 3KH2 2 1 6 2 3 2 0KH2 4 3 0KHZ 5 4 0KHz 6 6 0KHz 7 8 0KHz Adjusts the center frequency of the mid band equalizer 3 Mid Gain Range 12 11 10 to 0 to 10 11 12 Adjusts the gain of the mid band equalizer 4 High Frequency Ra
126. gured using the drawbars is played ter Displ Parameter Name ic rdi dd Settings Indication OFF Click Off This parameter lets you add percussion sound which provides modulation to sustained tones that you create When you hold down a key on the keyboard the sound produced decays until it is no longer audible Pressing the key again sounds the note again at a louder volume Percussion has 2nd Percussion 2nd overtone pitch and 3rd Percussion 3rd overtone pitch settings each of which can be turned on or off You can also specify the percussion decay time which controls how long it takes for the percussion sound to decay 707A E 023A Indication on On on On Percussion Decay Time 000 to 127 ll Display Contents in the Drawbar Organ Mode In the Drawbar Organ Mode the current status of the drawbar positions key click and percussion parameters are indicated on the display s bar graph as shown in the illustrations below There is one line for each parameter and the bottom segment of the selected parameter line flashes The bottom segment of the bar graph column that represents the currently selected parameter flashes to indicate that it is selected None of the channel numbers 1 to 16 are displayed in the drawbar organ tone selection mode and editing mode Drawbar Position Graph Setting Vale o 1 2 5 Display Click and Percussion On Off Graph Setting Value Displa
127. hange the settings of the MIDI parameters described below See page E 70 for details about the setting menu and procedure MIDI In Chord Judge This parameter determines whether note data received from an external device should be interpreted as an auto accompaniment chord fingering Turn on this parameter when you want to control auto accompaniment chords from a computer or other external device e on Causes note data input through MIDI IN to be interpreted as auto accompaniment chord fingerings The channel specified by the keyboard channel is used for specifying chords oFF Turns off MIDI In Chord Judge Accomp Song MIDI Out Accompaniment Song MIDI Out Turn on this parameter when you want sound auto accompaniment or Song Memory on an external devices sound source on Outputs auto accompaniment or Song Memory as MIDI messages through the keyboard s MIDI OUT terminal oFF Does not output auto accompaniment or Song Memory NOTE For details about MIDI specifications visit the CASIO Website http world casio com E 75 MIDI Using the Music Data Management Software on the Bundled CD ROM The Music Data Management Software application on the CD ROM that comes bundled with the keyboard lets you transfer data you downloaded from the CASIO MUSIC SITE from your computer to keyboard memory You can also use it to save keyboard data to your computer s hard disk Music Data Management So
128. he lt and CURSOR buttons to display the tuning screen uu Tune 3 Use and to change the tuning setting of the keyboard Example To lower the tuning by 20 Pressing the TRANSPOSE FUNCTION button exits the transpose screen NOTE The keyboard can be tuned within a range of 99 cents to 99 cents 100 cents is equivalent to one semitone The tuning setting also affects playback from song memory and Auto Accompaniment 707A E 067A E x 65 Keyboard Settings Changing Other Settings Setting Types The table below shows the parameters whose settings you can change Setting menu Description Page Transpose E 64 Trans Adjusts overall keyboard tuning by semitone units 6 Auto Harmonize TUS EPA Selects the Auto Harmonize Type E 69 Touch Response m Specifies how sound should change with keyboard pressure 64 Touch UC Fine adjustment of overall keyboard tuning E 65 Tune Adjusts display brightness E 69 Contrast J a Assignable Jack Jack Assigns effects to pedals E 69 Mixer Hold MixHold Turns mixer hold on or off E 69 DSP Hold DSP Hold Turns DSP hold on or off E 69 MIDI MIDI MIDI settings E 70 Delete Initialize Initialization can be used to return keyboard parameters to their initial factory default settings E 70 Del Init or to delete all data currently in keyboard memory NOTE The above setti
129. hords the following data is also recorded to Track 1 during step recording This data is applied whenever Track 1 is played back e Rhythm number e INTRO ENDING 1 button INTRO ENDING 2 button VARIATION FILL IN 1 button VARIATION FILL IN 2 button SYNCHRO FILL IN NEXT button operations NOTE You can also use number buttons 1 through 7 and button 9 to specify the button release timing for the VARIATION FILL IN 1 VARIATION FILL IN 2 and SYNCHRO FILL IN NEXT buttons For more information see Specifying the Length of a Note on page E 54 Specifying release timing specifies that the applicable button remains depressed for a particular amount of time If you do not specify the release timing it is assumed that the button is pressed and then immediately released E 53 Song Memory Function Specifying Chords in the Normal Mode When the accompaniment mode is set to NORMAL during step recording you can specify chords using a method that is m7 different from CASIO CHORD and FINGERED fingerings This chord specification method be used to input 18 ay different chord types using only two keyboard keys so Hold down key to specify gt Press key to specify chord chords can be specified even if you don t know how to actually play them 26 090 GG Root input keyboar
130. instruments for your recordings The procedure you use for recording to Tracks 2 through 6 is identical to the one you use when recording to Track 1 To record to Tracks 2 through 6 using real time recording You can record to Tracks 2 through 6 while playing back what you originally recorded on Track 1 and any other tracks that are already recorded 1 Press the SONG MEMORY buiton twice to enter record standby and then use the number buttons to select a song number 0 to 4 e The song number you select should be the one where you previously input Track 1 2 Use the SONG MEMORY TRACK buttons to select the track you want to record to 2 through 6 While the keyboard is in record standby the display shows the level meters for channels 11 through 16 so you can check which tracks have already been recorded See Level Meter Contents During Record Edit Standby on page E 57 for details 3 Make the following settings Tone number Tempo 4 Press the START STOP button to start recording e At this time the contents of any tracks that are already recorded start to play back Optional pedal operation you perform is also recorded 5 Use the keyboard to play what you want to record the track you selected 6 Press the START STOP button to end recording when you are finished E 56 Track Contents After Real time Recording In addition to keyboard notes the following data is also recorded to the sel
131. ion of 160 rhythms includes accompaniments for everything from rock to pops and jazz You can also transfer accompaniment data from your computer and store up to 16 of them as user rhythms in keyboard memory Auto Accompaniment Simply play a chord and the corresponding rhythm bass and chord parts play automatically One touch Preset instantly recalls the most suitable tone and tempo settings to match the rhythm you are using Big Information packed Display A big built in display shows chord names tempo setting keyboard information staff notation of notes played and more for full support of all your keyboard play A built in backlight keeps the display easy to read even in total darkness Bg Song Memory Record up to six parts in memory along with their tone volume pan position and other parameters for later playback Realistic ensemble play can also be created using the Auto Accompaniment function Bg Synthesizer Mode Edit built in sounds to produce your own original creations Up to 120 of your own sounds can be stored in memory for recall just like the built in tones General MIDI compatibility The General MIDI tones of this keyboard let you connect to a personal computer to enjoy desktop music capabilities This keyboard can be used as a desktop music input device or sound source and it s just the thing for playback of commercially available pre recorded General MIDI music software 707A E 007A E 5 Introd
132. ions of a recording to a different location within the recording Note lengths cannot be changed 707A E 061A Editing Techniques and Display Contents The following describes the editing techniques you can use to change the various parameters stored in memory To change the key pressure velocity of a note Use the number buttons or and to adjust the key pressure Note G4 To change the pitch of a note Input a new note on the keyboard to change the pitch of a note The pitch you specify here is reflected in the keyboard and the notes shown in the staff on the display Note G4 IMPORTANT Whenever editing memory contents never change a note so it is identical to the note before or after it Doing so may alter the length of the changed note and the note before or after it Should this happen you will have to re record the entire track l To change a chord Use the chord fingering method selected by the MODE button FINGERED CASIO CHORD etc to input a chord TRANSPOSE FUNCTION e C h 0 r 0 le LAYER MIXER SPLIT r 7 MEASURE BEAT AUT HARMONIZE SYNTH 11 n e L m7 SONG MEMORY e SMF PLAYER 1 2 3 4 5 6 7 8 9 10731 17 a 115 To change a tone number Use the number buttons and buttons to change a tone number 51 e Inthe case of real time recording you later can change tone numbers you
133. isplay for about five seconds If it disappears before you have a chance to select a song number use the W CURSOR button to re display it 3 Make the following settings e Tone number Rhythm number Tempo MODE button 4 Press the START STOP button to start recording Real time recording without a rhythm starts If you want to record with a rhythm press the INTRO ENDING 1 2 or VARIATION FILL IN 1 2 When recording starts the REC indicator flashes on the display After a few moments the indicator stops flashing and remains on the display 707A E 052A 5 Play something on the keyboard You can also record Auto Accompaniment chords by selecting the applicable mode with the MODE button Optional pedal operation is also recorded See Track 1 Contents After Real time Recording 6 Press the START STOP button to end recording when you are finish playing If you make a mistake while recording you can stop the record operation and begin over again from step 1 or you can use the editing function page E 58 to make corrections NOTE Using real time recording to record to a track that already contains recorded data replaces the previous recording with the new one Track 1 Contents After Real time Recording In addition to keyboard notes and accompaniment chords the following data is also recorded to Track 1 during real time recording This data is applied whenever Track
134. justs the level of the effect sound Feedback Range 0 to 127 Adjusts the repeat of the delay High Damp Range 0 to 127 Adjusts damping of the high range delay sound The smaller the value the greater the damping of high range delay sound Ratio L Range 0 to 127 Adjusts the delay time of the left channel Proportional to the value set for Delay Time Ratio R Range 0 to 127 Adjusts the delay time of the right channel Proportional to the value set for Delay Time 21 Stereo Delay 2 Function This is cross feedback delay of stereo input and output Parameters 707A E 087A Delay Time Range 0 to 127 Adjusts the delay time Wet Level Range 0 to 127 Adjusts the level of the effect sound Feedback Range 0 to 127 Adjusts the repeat of the delay High Damp Range 0 to 127 Adjusts damping of the high range delay sound The smaller the value the greater the damping of high range delay sound Ratio L Range 0 to 127 Adjusts the delay time of the left channel Proportional to the value set for Delay Time Ratio R Range 0 to 127 Adjusts the delay time of the right channel Proportional to the value set for Delay Time la 22 3 Tap Delay Function This is left center right 3 tap delay Parameters 0 1 2 Delay Time Range 0 to 127 Adjusts the delay time Wet Level Range 0 to 127 Adjusts the level of the effect sound Feedback Range 0 to 127 Adjusts the repe
135. l in In step 5 press VARIATION FILL IN 1 or VARIATION FILL IN 2 button at the measure or beat immediately before the chord or beat where you want to insert the fill in To insert an ending In step 5 press INTRO ENDING 1 or INTRO ENDING 2 button at the measure or beat immediately before the chord where you want to insert the ending IMPORTANT The length of the ending depends on the rhythm you are using Check the length of the pattern you are using and set the length of the chord accordingly in step 6 Making the chord too short in step 6 can result in the ending pattern being cut off To step record chords without rhythm Skip step 4 The specified chord of the length specified by the number buttons is recorded A rest can be specified here so an original chord pattern can be created To add chord accompaniment part way through rhythm play In place of step 4 at the start of the recording press VARIATION FILL IN 1 or VARIATION FILL IN 2 button and input rests Then in step 5 input the chords Only rhythm is played where you input the rests and then chord play starts after the rests E 55 Song Memory Function Recording Multiple Tracks Track 1 of the keyboard s song memory records Auto Accompaniment and keyboard play In addition there are five other melody tracks that you can use to record melody parts only You can record different tones to the melody tracks and build a full ensemble of
136. ly six minutes after last key operation Enabled under battery power only can be disabled manually The same memory area is used to store waveform data accompaniment data and SMF data 707A E 083A 8 1 Care of your Instrument ll Avoid heat humidity or direct sunlight Do not overexpose the instrument to direct sunlight or place it near an air conditioner or in any extremely hot place Do not use near TV or radio This instrument can cause video or audio interference with TV and radio reception If this happens move the instrument away from the TV or radio ll Do not use lacquer thinner or similar chemicals for cleaning Clean the instrument with a soft cloth dampened in a weak solution of water and a neutral detergent Soak the cloth in the solution and squeeze until it is almost dry Bl Avoid use in areas subjected to temperature extremes Extremely high or low temperature can cause figures on the LCD screen to become dim and difficult to read This condition should correct itself when the instrument is brought back to normal temperature NOTE You may notice lines in the finish of the case of this instrument These lines are a result of the molding process used to shape the plastic of the case They are not cracks or breaks in the plastic and are no cause for concern E 82 707A E 084A DSP Algorithm List B 00 Auto Pan Function Continually performs left right panning of the input si
137. n This is stereo chorus in accordance with a sine wave LFO Parameters 0 2 3 LFO Rate Range 0 to 127 Adjusts the rate of the LFO LFO Depth Range 0 to 127 Adjusts the depth of the LFO Feedback Range 64 to 0 to 63 Adjusts the feedback of the sound Wet Level Range 0 to 127 Adjusts the level of the effect sound 18 3 Phase Chorus Function This is 3 phase chorus in accordance with two LFOs of with different sine wave rates Parameters 0 1 2 3 4 Ratel Fast LFO Rate Range 0 to 127 Adjusts the rate of LFO1 Depth1 Fast LFO Depth Range 0 to 127 Adjusts the depth of LFO1 Rate2 Slow LFO Rate Range 0 to 127 Adjusts the rate of LFO2 Depth2 Slow LFO Depth Range 0 to 127 Adjusts the depth of LFO2 Wet Level Range 0 to 127 Adjusts the level of the effect sound 19 Tri 2 Phase Chorus Function This is stereo chorus in accordance with triangular wave LFO Parameters 0 1 2 3 LFO Rate Range 0 to 127 Adjusts the rate of the LFO LFO Depth Range 0 to 127 Adjusts the depth of the LFO Feedback Range 64 to 0 to 63 Adjusts the feedback of the sound Wet Level Range 0 to 127 Adjusts the level of the effect sound 20 Stereo Delay 1 Function This is delay of stereo input and output Parameters 0 1 2 Delay Time Range 0 to 127 Adjusts the delay time Wet Level Range 0 to 127 Ad
138. n 2 PhaChoAP Phaser Chorus Auto Pan 707A E 195A Algorithm ID Identificaci n ID de algoritmo Display Name Nombre de display DSP Name Nombre DSP Rotary 1 Rotary 1 Rotary 2 Rotary 2 Rot1 Rotary 1 Od Rot2 Overdrive Rotary 2 RotRef1 Rotary Reflection 1 RotRef2 Rotary Reflection 2 RotRef3 Rotary Reflection 3 OdRtRef 1 Overdrive Rotary Reflection 1 OdRtRef 2 Overdrive Rotary Reflection 2 OdRtRef 3 Overdrive Rotary Reflection 3 Wah LFO Wah Auto Wah Auto Wah AWHCHDly Auto Wah Chorus Delay LWhChDly LFO Wah Chorus Delay Crunch Crunch Ovrdrive Overdrive Dist 1 Distortion 1 Dist 2 Distortion 2 Metal Metal Fuzz Fuzz CrnPhase Crunch Phaser Od Phase Overdrive Phaser Crn Cho Crunch Chorus OdChorus Overdrive Chorus Dist Cho Distortion Chorus MetalCho Metal Chorus DistFlan Distortion Flanger Met Fan Metal Flanger CrnDelay Crunch Delay Od Delay Overdrive Delay DistDly 1 Distortion Delay 1 DistDly 2 Distortion Delay 2 MetelDly Metal Delay Fuzz Dly Fuzz Delay CrChoDly Crunch Chorus Delay Distortion Chorus Delay Compressor Crunch Delay Auto Wah Crunch Delay AWhOdDly Auto Wah Overdrive Delay AWHhDsDly Auto Wah Distortion Delay LWhOdDly LFO Wah Overdrive Delay LWhDsDly LFO Wah Distortion Delay Ring Mod Ring Modulator RgChoDly Ring
139. n after batteries go completely dead you can attach the AC adaptor turn on power and still recall data stored in memory IMPORTANT When running under battery power be sure to replace batteries as soon as possible after the first signs of low battery power dim power indicator lamp dim display characters etc Though the keyboard s Flash memory is non volatile which means that data is not lost when power is interrupted data can be lost if power suddenly fails while data is being written to flash memory While storing or deleting user data while recording with the synthesizer while transferring data from a computer etc Backing Up Data to a Computer You can use a MIDI connection to back up keyboard settings and memory contents on a computer s hard disk See MIDI on page E 75 for more information Initializing the Keyboard Initialization can be used to return keyboard parameters to their initial factory default settings or to delete all data currently in keyboard memory See page E 70 for more information about initialization B Returning the keyboard to its initial factory defaults You can use the CD ROM that comes with the keyboard and your computer to return the keyboard s flash memory and all of its parameters to their initial factory default settings See Bundled CD ROM Data on page E 76 for details 707A E 016A Connections Phones Output Terminal Before connecting phones or other e
140. n step 2 accompaniment will start with an intro pattern when you perform the operation in step 3 For details about these buttons see pages E 32 and E 33 If you press VARIATION FILL IN 1 2 buttons in place of the START STOP button in step 4 an ending pattern will play before accompaniment play is ended For details about this button see page E 33 You can adjust the accompaniment part volume level independently of the main volume For details see Adjusting the Accompaniment Volume on page E 35 E 30 CASIO CHORD This method of chord play makes it possible for anyone to easily play chords regardless of previous musical knowledge and experience The following describes the CASIO CHORD accompaniment keyboard and melody keyboard and tells you how to play CASIO CHORDs CASIO CHORD Accompaniment Keyboard and Melody Keyboard Accompaniment keyboard T Melody keyboard gt NOTE The accompaniment keyboard can be used for playing chords only No sound will be produced if you try playing single melody notes on the accompaniment keyboard Chord Types CASIO CHORD accompaniment lets you play four types of chords with minimal fingering Major chords Major chord names are marked above the keys of the accompaniment keyboard Note that the chord produced when you press an accompaniment keyboard does not change octave regardless of which key you use to play it C Major C
141. n two sets of the same data as drawbar organ tones types 000 through 049 NOTE You cannot select tone numbers not included in the above ranges standard tones 332 through 399 618 through 699 and 820 through 899 and drawbar organ tones from 050 to 099 When you use the and buttons to scroll through tone numbers scrolling jumps across the unused numbers Pressing when 617 is selected for example jumps to 700 707A E 019A To select a tone 1 Find the tone you want to use in the tone list and note its tone number 2 Press the TONE button TONE 3 Use the number buttons to input the three digit tone number for the tone you want to select Example To select 432 GM ACOUSTIC BASS input 4 3 and then 2 5856 e Always input three digits for the tone number including leading zeros if any You can also increment the displayed tone number by pressing and decrement it by pressing e When one of the drum sets is selected tone numbers 600 through 617 each keyboard key is assigned a different percussion sound See page 8 for details Polyphony The term polyphony refers to the maximum number of notes you can play at the same time The keyboard has 32 note polyphony which includes the notes you play as well as the rhythms and auto accompaniment patterns that are played by the keyboard This means that when a rhythm or auto accompaniment p
142. nction Parameter This is a multi effector that is related to Compressor Distortion 2 Tap Delay 0 Phaser Resonance P 1 Phaser Manual 2 Phaser Rate 0 Compressor Depth 3 Phaser Depth 1 Distortion Gain 4 Chorus LFO Rate 2 Distortion Low 5 Chorus LFO Depth 3 Distortion High 6 Auto Pan Rate 4 Distortion Level 7 Auto Pan Depth 5 Delay Time 6 Delay Wet Level 7 Delay Feedback B M21 Multi21 Auto Wah Tri 2 Phase Chorus 2 Tap Delay Function This is a multi effector that is related to Auto Wah Tri 2 Phase Chorus 2 Tap Delay Parameters M26 Multi26 Auto Wah Distortion 2 Tap Delay Function This is a multi effector that is related to Auto Wah Distortion 2 Tap Delay e Parameters 0 Wah Resonance 1 Wah Manual 0 Wah Manual 1 Wah Depth 2 Wah Depth 2 Distortion Gain E 88 090 DSP Algorithm List Distortion Tone Distortion Level Delay Time Delay Wet Level Delay Feedback M27 Multi27 LFO Wah Distortion 2 Tap Delay Function This is a multi effector that is related to LFO Wah Distortion 2 Tap Delay Parameters 0 Wah Manual 1 Wah LFO Rate 2 Wah LFO Depth 3 Distortion Gain 4 Distortion Level 5 Delay Time 6 Delay Wet Level 7 Delay Feedback M28 Distortion 3 Tap Delay Function This is a multi effector that is related to Distortion 3 Tap Delay Parameters
143. ng by displaying Volume e Each press of the A lor W CURSOR buttons cycles through the parameters e You can use the and CURSOR buttons to change to another channel at any time during this procedure ic iVolume 1 Indicates channel volume of 127 4 Use the number buttons or and to change the parameter setting Example Change the setting to 060 uVolume Pressing the MIXER or EXIT button exits the parameter edit mode E 37 Mixer Function Editing DSP Channel Parameters 1 While Channel 16 is selected press the p CURSOR button e This selects the DSP channel e Pressing the lt CURSOR button while the DSP channel is selected returns to Channel 16 How Parameters Work The following are the parameters whose settings can be changed in the Parameter Edit Mode Tone Parameters Tone Range 000 to 903 Drawbar organ tones 000 to 199 This parameter controls the tones assigned to each part Anytime the tone is on the display you can use the TONE button or DRAWBAR ORGAN button and then select a different tone if you want uuot GrPno Part On Off Settings oFF This parameter can be used to turn each part on sounds and off does not sound The current on off status of each part is indicated on the display as described below on Channel Volume Range 000 to 127 This is the parameter that controls the volume of the
144. ng off both layer and split returns to Part 1 The main tone sounds over Channel 1 the layer tone over Channel 2 the split tone over Channel 3 and the layer split tone over Channel 4 You can also use the Mixer to change the tone and volume settings for these channels E 63 Keyboard Settings Transposing the Keyboard Transpose lets you raise and lower the overall key of the keyboard in semitone units If you want to play an accompaniment for a vocalist who sings in a key that s different from the keyboard for example simply use transpose to change the key of the keyboard To transpose the keyboard 1 Press the TRANSPOSE FUNCTION button e This causes a pointer to appear on the display next to TRANSPOSE FUNCTION and displays the transpose setting screen uu Trans 2 Use and to change the transpose setting of the keyboard Example To transpose the keyboard five semitones upwards 5 Pressing the TRANSPOSE FUNCTION button exits the transpose screen NOTE The keyboard can be transposed within a range of 24 two octave downwards to 24 two octave upwards The transpose setting also affects playback from song memory and Auto Accompaniment The allowable pitch range you can transpose within depends on the tone you are using If a transpose operation causes a note to be outside of the pitch range for the tone being used the keyboard automatically play
145. nge 0 6 0KHz 1 8 0KHz 2 10KHz Adjusts the cutoff frequency of the high band equalizer 5 High Gain Range 12 11 10 to 0 to 10 11 12 Adjusts the gain of the high band equalizer B 04 LFO Wah Function This is a wah effect that can automatically affect the frequency in accordance with an LFO Parameters 0 Input Level Range 0 to 127 Adjusts the input level The input signal can become distorted when the level of the sound being input the number of chords or the Resonance value is large Adjust this parameter to eliminate such distortion 1 Resonance Range 0 to 127 Adjusts the resonance of the sound 2 Manual Range 0 to 127 Adjusts the frequency used as the basis for the wah filter LFO Rate Range 0 to 127 Adjusts the rate of the LFO LFO Depth Range 0 to 127 Adjusts the depth of the LFO B 05 Auto Wah Function 707A E 085A This is a wah effect that can automatically affect the frequency in accordance with the level of the input signal Parameters 0 Input Level Range 0 to 127 Adjusts the input level The input signal can become distorted when the level of the sound being input the number of chords or the Resonance value is large Adjust this parameter to eliminate such distortion 1 Resonance Range 0 to 127 Adjusts the resonance of the sound 2 Manual Range 0 to 127 Adjusts the frequency used as the basis for the wah filter 3 Depth Range 64
146. ngs are all saved whenever you turn off the keyboard For details see Memory Contents on page E 14 MIDI settings and Delete Initialize settings are disabled while you are using the SMF Player or Song Memory function E x 66 707A E 068A Keyboard Settings use the keyboard settings menu 1 Press the TRANSPOSE FUNCTION button e This causes a pointer to appear on the display next to TRANSPOSE FUNCTION 2 Use the lt and CURSOR buttons and the A and w CURSOR buttons to recall the items whose settings you want to change Tone selection screen TRANSPOSE FUNCTION button TRANSPOSE FUNCTION button EXIT button gt gt gt gt 00 Trans 07 Contrast 4 4 4 MIDI setting gt gt gt _01 Keybd Chla oFF Chord on 5 on Local 4 4 4 V Delete setting gt gt ___pelSME 2 Delrhy 4 pel Tone 4 4 v Initialize setting gt gt lt lt CURSOR button 4 4 CURSOR button V V CURSOR button gt gt CURSOR button 707A E 069A E 67 Keyboard Settings 3 Use the and buttons or the number buttons to change the values Settings you make are applied even if you do not press the EXIT button See the following section titled Setting Menu Items for details on each setting e After making the settings you want
147. not play at all during song memory playback E 78 Layer is turned on Split is turned on 1 The tuning or transpose parameter is set to a value other than 00 2 Mixer coarse tune fine tune and or octave shift settings are values other than 00 The number of tones being played at the same time exceeds the keyboard s limitation 1 Channels are turned off 2 Volume setting is too low Press the LAYER button to turn off E 61 layering Press the SPLIT button to turn off E 62 split 1 Change the transpose or tuning parameter value to 00 2 Use the Mixer to change the coarse tune fine tune and or octave shift settings to 00 Use the Mixer to turn unneeded E 36 channels off and decrease the number of parts being played 1 Use the Mixer to turn channels E 36 on 2 Use the Mixer to check the E 37 38 volume setting 707A E 080A Troubleshooting Nothing happens when the LAYER or SPLIT button is pressed No sound is produced when playing MIDI data from a computer Playing on the keyboard produces an unnatural sound when connected to a computer Cannot record chord accompaniment data on a computer The keyboard starts up abnormally when it is turned on A downloaded tone with waveform contains noise or keyboard operations become abnormal when user data is selected A tone s quality and volume sounds slightly different depending where it is played on the keyboard
148. nplug it from the wall outlet 3 Contact your original retailer or an authorized CASIO Service Provider Disassembly and Modification in any way Doing so creates the risk of electric shock burn injury or other personal injury Leave all internal inspection adjustment and maintenance up to your original retailer or authorized CASIO Service Provider Never try to take this product apart or modify it Y pp N WARNING mm Dropping and Impact Continued use of this product after it has been damaged by dropping or subjecting it to strong S impact creates the risk of fire and electric shock Take the following steps immediately 1 Turn off power 2 If you are using the AC adaptor for power unplug it from the wall outlet 3 Contact your original retailer or an authorized CASIO Service Provider Plastic Bags over your head or in your mouth Doing so creates the risk of suffocation Particular care concerning this precaution is required where small children are present Never place the plastic bag the product comes in S Keep off of the product and stand Climbing onto the product or stand can cause it to tip over or become damaged Particular care S concerning this precaution is required where small children are present Location Avoid locating the product on an unstable stand on an uneven surface or any other unstable location An unstable location can cause the product to fall over creating the risk of p
149. o the battery compartment Make sure that the positive and negative ends are facing correctly 3 Insert the tabs on the battery compartment cover into the holes provided and close the cover O NOTE The keyboard may not function correctly if you load or replace batteries with power turned on lf this happens turning the keyboard off and then back on again should return functions back to normal E 12 Important Battery Information B The following shows the approximate battery life Manganese batteries Approximately 4 hours The above value is standard battery life at normal temperature with the keyboard volume at a medium setting Temperature extremes or playing at very loud volume settings can shorten battery life N WARNING Misuse of batteries can cause them to leak resulting in damage to nearby objects or to explode creating the risk of fire and personal injury Always make sure you observe the following precautions Never try to take batteries apart or allow them to S become shorted e Never expose batteries to heat or dispose of them by incineration e Never mix old batteries with new ones e Never mix batteries of different types Do not charge the batteries e Make sure the positive and negative ends of the batteries are facing correctly N CAUTION Misuse of batteries can cause them to leak resulting in damage to nearby objects or to
150. oard Melody keyboard A Chords Recognized by This Keyboard The following table identifies patterns that are recognized as chords by FULL RANGE CHORD Pattern Type Number of Variations The 15 chord patterns shown under FINGERED on page E 31 See the Fingered Chord Chart on page A 11 for details on playing chords with other roots FINGERED 23 standard chord fingerings The following are examples of the 23 chords available with C as the bass note Ce Ceo Standard Fingeri C D E F G Ingerings Dm Fm C A F Fmz Gm7 999 31 Auto Accompaniment Example To play the chord C major Any of the fingerings shown in the illustration below will produce C major G F G C 2 e Chord E NOTE e As with the FINGERED mode page E 31 you can play the notes that form a chord in any combination 1 When the lowest note of a chord is separated from its neighboring note by six or more semitones the lowest note becomes the bass note 2 Using an Intro Pattern This keyboard lets you insert a short intro into a rhythm pattern to make startup smoother and more natural The following procedure describes how to use the Intro feature Before starting you should first select the rhythm you want to use set the tempo and use the MO
151. or authorized CASIO Service Provider eo oe Safety Precautions p N WARNING O Never touch the AC adaptor while your hands Use the AC adaptor where it will not be splashed with water Water creates the risk of fire and electric shock Do not place a vase or any other container filled with liquid on top of the AC adaptor Water creates the risk of fire and electric shock are wet W Doing so creates the risk of electric shock Batteries Misuse of batteries can cause them to leak resulting in damage to nearby objects or to explode creating the risk of fire and personal injury Always make sure you observe the following precautions Never try to take batteries apart or allow them to become shorted S Never expose batteries to heat or dispose of them by incineration Never mix old batteries with new ones Never mix batteries of different types Do not charge the batteries Make sure the positive and negative ends of the batteries are facing correctly Do not incinerate the product Never throw the product into fire Doing so can cause it to explode creating the risk S of fire and personal injury Water and Foreign Matter Water other liquids and foreign matter such as pieces of metal getting into the product create NO the risk of fire and electric shock Take the following steps immediately 1 Turn off power 2 If you are using the AC adaptor for power u
152. or not an effect is applied to the parts that are sounding also depends on Mixer Mode Reverb Send Chorus Send and DSP on off settings See Mixer Function on page E 36 for more information Playing a demo tune E 11 automatically changes the effect to the one that is assigned to the tune You cannot change or cancel a demo tune effect Changing the effect setting while sound is being output by the keyboard causes a slight break in the sound when the effect changes A number of tones called Advanced Tones automatically turn on the DSP line for richer higher quality sound If you assign an Advanced Tone to a keyboard part Channels 1 through 4 the DSP line turns on automatically and the DSP selection changes in accordance with the settings of the Advanced Tone Also the Mixer Mode DSP line on off setting for the keyboard part to which the Advanced Tone is assigned is turned on The Mixer DSP line setting is automatically turned off for each part that does not have an Advanced Tone assigned Because of this DSP effects previously applied to these parts are cancelled which can make their tone sound different In this case display the Mixer screen and turn DSP back on 707A E 026A Applying Effects to Tones Saving the Settings of DSP Parameters You can save up to 100 modified DSPs in the user area for later recall when you need them NOTE e User DSP areas 100 through 199 initially contain
153. ory you can play them back to see what they sound like To play back from song memory 1 Use the SONG MEMORY button to enter playback standby and then use the number buttons to select a song number 0 to 4 ___ 1 Song number 2 Playback standby e The above song number screen remains on the display for about five seconds If it disappears before you have a chance to select a song number use the W CURSOR button to re display it 2 Press the START STOP button to playback the song you selected You can use the TEMPO buttons to adjust the playback tempo e Press the START STOP button again to stop playback E 52 NOTE e You can play along on the keyboard using layer page E 61 and split page E 62 during playback Pressing the START STOP button to start playback from song memory always starts from the beginning of the song The entire keyboard functions as a melody keyboard regardless of the accompaniment mode setting To turn off a specific track Press the SONG MEMORY TRACK button of the track you want to turn off or use the Mixer Page E 36 to turn off the channel of the track Recording Melody and Chords with Step Recording With step recording you can record Auto Accompaniment chords and notes and even specify note lengths one by one Even those who find it difficult to play along on the keyboard with an Auto Accompaniment can create Auto Accompaniments bas
154. parameter You can also use the number buttons to input a value to change a parameter setting See Parameters and TheirSettings on page E 43 for information on setting range for each parameter 5 After you are finished editing the sound press the SYNTH button to exit the Synthesizer Mode NOTE See Storing a User Tone In Memory on page E 45 for details on saving user tone data to memory so it is not deleted 707A E 045A Parameters and Their Settings The following describes the function of each parameter and provides its setting range Attack Time Range 64 to 00 to 63 Time it takes before the tone sounds after a key is pressed HiAtk Time Release Time Range 64 to 00 to 63 Time the tone continues to sound after a key is released BiiRel Time Cutoff Frequency Range 64 to 00 to 63 High band cutoff for the harmonic components of the tone iibC offFra Resonance Range 64 to 00 to 63 Resonance of the tone Hesonan Vibrato Waveform Range See below Specifies the vibrato waveform SinVib Type gem wee Du nnn Waveform SAU Sqr E 43 Synthesizer Mode Vibrato Delay Range 64 to 00 to 63 Specifies the amount of time before vibrato starts uu VibDelay Vibrato Rate Range 64 to 00 to 63 Rate speed of the vibrato effect cVib Rate Vibrato Depth
155. ple To turn the channel off oFF Channel e Press the A CURSOR button to return to the channel selection screen Pressing the MIXER button returns to the Tone Screen NOTE The MIDI data display shows only the data for the channels selected with the Mixer How Channel On Off Works The following describes what happens and what appears on the display when you turn a channel on or off On This setting turns on the currently selected channel which is indicated by a bar appearing at the bottom of the level meter for that channel This is also the default setting for all channels when the keyboard is turned on Off oFF This setting turns off the currently selected channel which is indicated by the absence of the bar at the bottom of the level meter for that channel xGssrsspsususs 1 On 2 Off 707A E 039A Using the Parameter Edit Mode Editing the Parameters for Channels 1 through 16 In the Parameter Edit Mode you can change the settings of ten different parameters including tone volume and pan pot for the channel you selected on the Mixer screen To change parameters 1 Press the MIXER button e This causes a pointer to appear on the display next to MIXER 2 Use the lt and CURSOR buttons to select the channel you want 3 Use the A and W CURSOR buttons to select the parameter whose setting you want to change Example Select volume setti
156. press the TRANSPOSE FUNCTION button or EXIT button to return to the tone or rhythm selection screen O n case of a delete or initialize procedure 2 Press the YES button e This displays the user area number and data name of the data to be deleted The data size value represents kilobyte units Now use the number buttons or the increase and decrease buttons to select the data you want Press the W CURSOR button e This causes the message Sure to appear confirming whether you really want to perform the delete or initialize operation NOS Press the YES button to complete the operation e This performs the delete or initialize operation and returns to the step 5 screen Co After making the settings you want press the TRANSPOSE FUNCTION button or EXIT button to return to the tone or rhythm selection screen IMPORTANT tcantake about 40 seconds to perform a delete or initialize procedure after you pressing the YES button in step 7 above The message Pls Wait will remain on the display to indicate that a procedure is being performed Never try to perform any operation while Pls Wait is displayed Performing any operation can damage the keyboard s memory and cause it to malfunction E zd 68 707A E 070A Keyboard Settings Setting Menu Items Auto Harmonize Types You can select from among the 10 different types of auto harmonize listed below TT Le sinc
157. r Channel 1 Parameter Setup Depends on tone To optimize keyboard settings for piano play 7 Press the PIANO SETTING button 2 Now try playing something on the keyboard The notes you play will sound with a piano tone 3 If you want to play with rhythm accompaniment press the START STOP button This causes a rhythm that is optimized for piano will start to play e To stop rhythm play press the START STOP button again E 18 NOTE Pressing the PIANO SETTING button while a rhythm is playing stops rhythm play and then changes the keyboard setup Pressing the PIANO SETTING button while the keyboard is in the Synthesizer Mode or other mode exits the current mode and then changes the keyboard setup The setup of the keyboard does not change if you press the PIANO SETTING button when any one of the following exists During real time recording step recording or while using the editing function of the Song Memory While the data save or overwrite message is on the display During demo tune play 707A E 020A Using the Drawbar Organ Mode POWER PIANO SETTING C nemo ng Ec DATA ACCESS E E a SYNCHRO 5 INTRO ENDING WARIATION FILL IN FILL IN NEXT STOP REGISTRATION AUTO HARMONIZE SPLIT LAYER TRI TRE SONG MEMORY TRACK 1 DRAWBAR ORGAN 2 174 11 CURSOR 4 Number buttons 5 Mr Your keyboard has built in dra
158. rameters assigned by the Mixer or by input from an InitMix external sequencer Parameter Reset InitPar Ss Initializes all parameters except for the display contrast setting System Reset Initializes the keyboard s parameters and registration data and deletes InitSys all data stored in the keyboard s user area E 70 707 072 Using the SMF Player POWER PIANO SETTING cursor __ ____ DEMO minim SYNCHRO INTRO ENDING WARIATION FILL IN FILL IN NEXT STOP REGISTRATION AUTO HARMONIZE SPLIT LAYER 1 SMF PLAYER 2 3 EXIT 4 ACCOMP VOLUME 5 START STOP A VI 1 CURSOR 7 Number buttons HEC The letters SMF stand for Standard MIDI File which is a file format that allows MIDI data to be shared between different software and sequencers There are actually three SMF formats named SMF 0 SMF 1 and SMF 2 This keyboard supports the SMF 0 format which is the one that is most widely used today and so all mentions of SMF data in this manual refer to SMF 0 format data The Flash Memory built into your keyboard lets you store SMF format music data for playback whenever you want You can have up to 200 music files in Flash Memory at one time You can use your computer to transfer SMFs from the bundled CD ROM to keyboard flash memory or SMFs you have downloaded from the CASIO MUSIC SITE See Using the Music Data Management Software on the Bundled CD
159. ree digits for the tone number including leading zeros if any You can also increment the displayed tone number by pressing and decrement it by pressing edit drawbar organ tone 1 Select the drawbar organ tone 000 to 049 100 to 199 you want to edit 2 Use the lt q and CURSOR buttons to display the drawbar organ tone editing screen Select the parameter whose setting you want to change Example Selecting the Ft16 parameter O JFt16 mee Parameter Setting 2 Parameter Name e There are a total of 13 parameters You can use the 14 and CURSOR buttons to cycle through them See Parameter Details on page E 21 for more information E 20 While the More screen is on the display you can advance to the synthesizer and DSP effect editing screens by pressing the W CURSOR button or the button 3 Use the A and W CURSOR buttons or the and buttons to change the setting of the currently displayed parameter e You can also change a parameter setting by entering a value with the number buttons You can monitor the changes in a tone by playing notes on the keyboard as you adjust parameter settings NOTE Selecting a different tone after you edit parameters replaces parameter settings with those of the newly selected tone If you have drawbar organ tones assigned to more than one channel changing the drawbar org
160. rence 2 Rate Range 0 to 127 Adjusts the rate of the LFO 3 Depth Range 0 to 127 Adjusts the depth of the LFO 4 Wet Level Range 0 to 127 Adjusts the volume level of the effect 10 Phaser Function This is a monaural phaser that modulates the phase in accordance with a sine wave LFO Parameters 0 Resonance Range 0 to 127 Adjusts the resonance of the sound 1 Manual Range 64 to 0 to 63 Adjusts the phaser shift volume which is used for reference 2 Rate Range 0 to 127 Adjusts the rate of the LFO 3 Depth Range 0 to 127 Adjusts the depth of the LFO 4 Wet Level Range 0 to 127 Adjusts the level of the effect sound a 11 Rotary Function This is a rotary speaker simulator Parameters 0 Speed Range Slow Fast Switches the speed mode between fast and slow 1 Break Range Rotate Stop Stops speaker rotation 2 Fall Accel Range 0 to 127 Adjusts acceleration when the speed mode is switched from fast to slow 3 Rise Accel Range 0 to 127 Adjusts acceleration when the speed mode is switched from slow to fast 4 Slow Rate Range 0 to 127 Adjusts speaker rotation speed of the slow speed mode 5 Fast Rate Range 0 to 127 Adjusts speaker rotation speed of the fast speed mode la 12 Drive Rotary Function This is an overdrive rotary speaker simulator Parameters 0 Overdrive Gain Range 0 to 127 Adjusts overdrive gain 1 Overdrive Level Range
161. ress the SYNCHRO FILL IN NEXT button e Ifa Variation 1 rhythm is currently playing this plays Fill in 1 followed by Fill in 2 and then switches to the Variation 2 rhythm e Ifa Variation 2 rhythm is currently playing this plays Fill in 2 followed by Fill in 1 and then switches to the Variation 1 rhythm Holding down the SYNCHRO FILL IN NEXT button causes the fill in pattern to repeat 707A E 034A Synchro Starting Accompaniment Auto Accompaniment Finishing with an Ending with Rhythm Play You can set up the keyboard to start rhythm play at the same time you play the accompaniment on the keyboard The following procedure describes how to use synchro start Before starting you should first select the rhythm you want to use set the tempo and use the MODE button to select the chord play method you want to use NORMAL CASIO CHORD FINGERED FULL RANGE CHORD To use synchro start 1 Press the SYNCHRO FILL IN NEXT button to put the keyboard into synchro start standby 2 Play a chord and the rhythm pattern starts to play automatically NOTE fthe MODE button is set to NORMAL only the rhythm plays without a chord when you play on the accompaniment keyboard f you press the INTRO ENDING button 1 or 2 before playing anything on the keyboard the rhythm starts automatically with an intro pattern when you play something on the accompaniment keyboard Tocancel synchro start standby press
162. returns to initial factory defaults 2 The initial factory default is preset Tone with Wave data for tone numbers 800 through 804 System reset clears all stored data 3 The initial factory default is preset Drum Set with Wave data for tone number 900 System reset clears all stored data 4 The initial factory default is two sets of the same tones assigned to drawbar organ tone numbers 000 through 049 System reset returns to initial factory defaults The CD ROM that comes bundled with the keyboard can be used to return all tones to the initial factory defaults shown in this list See Returning the keyboard to its initial factory defaults on page E 77 for details 7 e lista de arriba muestra la configuraci n predeterminada de fabrica Los numeros de sonido del grupo de sonidos indicados mas abajo seran diferentes de los indicados en esta lista si se han almacenado sonidos originales en la memoria del teclado pagina S 42 Sonidos de usuario n meros de sonidos 700 a 799 1 Sonidos de usuario con ondas n meros de sonido 800 a 819 2 e Ajustes de bater a de usuario con ondas n meros de sonido 900 a 903 3 Sonidos de usuario de rgano con Drawbar n meros de sonido 100 a 199 4 1 El ajuste predeterminado de f brica es sonidos avanzados 000 a 099 La reinicializaci n del sistema p gina S 70 hace que se restablezcan los ajustes de f brica 2 El ajuste predetermin
163. s half notes J quarter notes J eighth notes 5 16th notes J and 32nd notes 3 Example To specify a quarter note J press 3 Dots and triplicates 3 While holding down the 7 dot or 9 triplicate use buttons 1 through 6 to input the lengths of the notes Example To input a dotted eighth notes hold down 7 and press 4 aries Input the first and then the second note Example Toinput 2 press 4 and then 8 Next press 5 This note will be tied to the next note you input 16th note in this example Rest Hold down 0 and then use number buttons 1 through 9 to specify the length of the rest Example To input an eighth note rest hold down 0 and press 4 e Pressing the Pp CURSOR button inputs rests up to the beginning of the next measure 707A E 057A Track 1 Step Recording Variations The following describes a number of different variations you can use when recording to Track 1 using step recording All of these variations are based upon the procedure described under To record chords with step recording on page E 53 To start accompaniment with an intro pattern In step 4 press INTRO ENDING 1 or INTRO ENDING 2 button after the SYNCHRO FILL IN NEXT button To switch to a rhythm variation In step 5 press VARIATION FILL IN 1 or VARIATION FILL IN 2 button immediately before inputting the chord To insert a fil
164. s Same as Reverb Type applied See the following section titled REVERB Parameters for more information NOTE Whether or not an effect is applied to the parts that are 1 After selecting the reverb type you want use the sounding also depends on Mixer Mode Reverb Send d and gt CURSOR buttons to display the Chorus Send and DSP on off settings See Mixer Function parameter whose setting you want to change on page E 36 for more information e This displays the parameter setting screen To set the Reverb Time parameter n g C H R U 5 n3 Perform the following steps to select CHORUS 5 R V 1 e 1 Press the EFFECT button so the pointer appears next to EFFECT on the display screen Press the W CURSOR button twice e This displays the chorus editing screen 2 Use the and buttons or the number buttons 2 to input the parameter setting you want 5 3 Press the EFFECT or EXIT button The chorus type setting screen step 4 will appear This returns to the tone or rhythm selection screen automatically about fives seconds after you press the button REVERB Parameters Press the CURSOR button Use the and buttons or the number buttons to scroll through the chorus types until the one you want is displayed or use the number buttons to input the chorus number you want to select Reverb effects are associated with either a reverb type or delay type
165. s the same note in the nearest octave that falls within the pitch range of the tone you are using E 64 Using Touch Response When touch response is turned on the relative volume of sound output by the keyboard is varied in accordance with the amount of pressure applied just like an acoustic piano To turn touch response on and off 7 Press the TRANSPOSE FUNCTION button e This causes a pointer to appear on the display next to TRANSPOSE FUNCTION 2 Use the lt and CURSOR buttons to display the touch response setting screen Touch 3 Use the buttons to select the touch response sensitivity level e 1 outputs powerful sound even with light key pressure while 3 requires very heavy key pressure to output powerful sound Pressing and at the same time returns sensitivity to the 2 setting e When you select oFF the tone does not change regardless of how much pressure you apply to the keyboard NOTE Touch response not only affects the keyboard s internal sound source it also is output as MIDI data Song Memory playback accompaniment and external MIDI note data do not affect the touch response setting 707A E 066A Keyboard Settings Tuning the Keyboard The tuning feature lets you fine tune the keyboard to match the tuning of another musical instrument To tune the keyboard 7 Press the TRANSPOSE FUNCTION button 2 Use t
166. selected channel Pan Pot Range 64 to 00 to 63 This parameter controls the pan pot which is the center point of the left and right stereo channels Setting 00 specifies center a value less than 00 moves the point left and a value greater than 00 moves it right biPan E 38 Octave Shift Range 2 to 0 to 2 You can use octave shift to shift the range of the tone up or down When using the piccolo tone there may be cases when very high notes you want to play are not included within the range of the keyboard When this happens you can use octave shift to shift the keyboard range one octave up dOctShift 2 Range shifted two octaves down 1 Range shifted one octave down 0 No shift 1 Range shifted one octave up 2 Range shifted two octaves up Tuning Parameters You can use these parameters to tune each of the parts individually Coarse Tune Range 24 to 00 to 24 This parameter controls the coarse tuning of the selected channel s pitch in semitone units Tune Fine Tune Range 99 to 00 to 99 This parameter controls the fine tuning of the selected channel s pitch in cent units uuFineTune Effect Parameters The Mixer lets you control the effects applied to each individual part making it different from the Effect Mode whose settings are applied to all parts in general Reverb Send Range 000 to 127 This parameter controls
167. sing BANK buttons 1 through 4 and the four REGISTRATION buttons Area names range from 1 1 through 8 4 as shown below REGISTRATION CHORD TR1 TR5 Sone MEMORY TRACK 1 Use the BANK button to select the bank Each press of BANK cycles through the bank numbers from 1 to 8 2 Pressing one of the REGISTRATION buttons 1 to 4 selects the corresponding area in the currently selected bank NOTE Whenever you save a setup and assign it a setup name any setup data previously assigned to that name is replaced with the new data You can use the keyboard s MIDI capabilities to save your setup data to a computer or other external storage device See Using the Music Data Management Software on the Bundled CD ROM on page E 76 for details 707A E 049A To Save a Setup in Registration Memory 1 3 4 Select a tone and rhythm and otherwise set up the keyboard the way you want it See Registration Memory Features on page E 46 for details on what data is stored in the registration memory Use the BANK button or the number buttons to select the bank you want e If you do not perform any operation for about five seconds after pressing the BANK button the display returns to the contents in step 1 above e Bank 1 selected i Bank While holding down the STORE button press a REGISTRATION button 1 to 4 The following display appears when you press the 2 button eStore Rel
168. sts the following data is also recorded to the track during step recording This data is applied whenever the track is played back e Tone number 707A E 059A Level Meter Contents During Record Edit Standby Channels 11 through 16 correspond to Tracks 1 through 6 Whenever the keyboard is in record or edit page E 58 standby the level meter display shows which tracks already contain recorded data and which are still empty Tracks with four lit segments already contained recorded data while tracks with one lit segment are not yet recorded 1 2 3 4 5 6 7 8 9 10 11 1 1 Q mb m O 1 Recording track 2 Not recording track Correcting Mistakes While Step Recording Memory data can be thought of as a musical score that progresses from left to right with the input point normally at the far right of the recorded data The procedure described here lets you move the input point to the left in order to make changes in data you have already input Note however that moving the input point to the left and changing data automatically deletes all of the data recorded to the right of the input point To correct mistakes while step recording 1 Without exiting step recording use the 4 CURSOR button to move the input point to the left The REC indicator disappears from the display and the STEP indicator flashes TRANSPOSE TEL WONote 4 MIXER e e SPLIT E MEASURE B
169. ted if you want See Changing the Settings of DSP Parameters for more information NOTE The DSP type display area shows the DSP number 000 to 199 or ton user tone created using DSP Changing the Settings of DSP Parameters You can control the relative strength of a DSP and how it is applied See the following section titled DSP Parameters for more information 1 After selecting the DSP type you want use the 4 and gt CURSOR buttons to display the parameter whose setting you want to change e This displays the parameter setting screen 2 Use the and buttons or the number buttons to make the parameter setting you want e Pressing the and buttons at the same time returns the parameter to its recommended setting Press the EFFECT or EXIT button e This exits the tone or ryhthm setting screen DSP Parameters The following describes the parameters for each DSP NM DsP Parameter 0 to 7 These parameters differ in accordance with the algorithm of the selected DSP type See the Effect List on page A 13 and the DSP Algorithm List on page E 83 for more information Effector structure and operation type 24 DSP Reverb Send Range 000 to 127 Specifies how much of the post DSP sound should be sent to reverb DSP Chorus Send Range 000 to 127 Specifies how much of the post DSP sound should be sent to chorus NOTE Whether
170. the accompaniment keyboard C Cm Cdim Caug Csus4 2 Cmaj7 2 Cm7 1 Cadd9 CmM7 2 Cdim7 Mr war War See the Fingered Chord Chart on page A 11 for details on playing chords with other roots C75 C7sus4 7 0 1 Inverted fingerings cannot be used The lowest note is the root 2 The same chord can be played without pressing the 5th G 707A E 033A Auto Accompaniment Except for the chords specified in note labove inverted fingerings i e playing E G C or G C E instead of C E G will produce the same chords as the standard fingering Except for the exception specified in note above all of the keys that make up a chord must be pressed Failure to press even a single key will not play the desired FINGERED chord FULL RANGE CHORD This accompaniment method provides a total of 38 different chord types the 15 chord types available with FINGERED plus 23 additional types The keyboard interprets any input of three or more keys that matches a FULL RANGE CHORD pattern to be a chord Any other input that is not a FULL RANGE CHORD pattern is interpreted as melody play Because of this there is no need for a separate accompaniment keyboard so the entire keyboard from end to end functions as a melody keyboard that can be used for both melody and chords B FULL RANGE CHORD Accompaniment Keyboard and Melody Keyboard Accompaniment keyb
171. the keys O Reverb Send Chorus Send DSP Line DSP Type DSP Parameter These parameters control the effects applied to tones 41 Synthesizer Mode Saving User Tones The group of tone numbers from 700 through 799 User 001 through User 100 is called the user area because they are reserved for storage of user tones After you recall a preset tone and change its parameters to create your own user tone you can store it in the user area for later recall You can recall your tones using the same procedure that you use when selecting a preset tone Number Tone Type Standard Tones 000 331 Advanced Tones 400 599 Preset Tones 600 617 Drum Sets Source Tone Select 700 799 User Tones 1 Save As Original Tone 700 799 User Area 800 819 User Tones with Waves 2 900 903 User Drum Sets with Waves 3 Drawbar Organ Tones 000 049 Preset Tones 100 199 User Tones 4 1 You can select any Advanced Tone preset tone or user tone User tone areas 700 through 799 initially contain the same data as advanced tones 000 through 099 2 Area where data transferred from computer is stored see Using the Music Data Management Software on the Bundled CD ROM on page E 76 After transfer you can use the keyboard to edit parameters but you can only overwrite existing parameters You cannot save the data to another number 3 Area where data transferred from computer is stored see Using the Music Data Man
172. the operation or function that caused it to turn off is finished Auto Harmonize is enabled only when the Auto Accompaniment mode is FINGERED or CASIO CHORD 707A E 036A Auto Accompaniment Auto Harmonize Types Auto Harmonize lets you select from among the 10 Auto Harmonize types Type changing is performed by the setting item using the TRANSPOSE FUNCTION button See Changing Other Settings on page E 66 for more information About Auto Harmonize notes and tones The notes you play on the keyboard are called melody notes while the notes added to the melody by Auto Harmonize is called the harmonize notes Auto Harmonize normally uses the tone you selected for the melody notes as the tone for the harmonize notes but you can use the Mixer page E 36 to specify a different tone for the harmonize notes The harmonize note tone is assigned to Mixer Channel 5 so change Channel 5 to the tone you want to use for the harmonize notes In addition to the tone you can also use the Mixer to change a number of other parameters such as volume balance See Using the Parameter Edit Mode on page E 37 for details on these procedures NOTE III The default harmonize note tone when you first turn on Auto Harmonize is the same tone as the melody note tone Changing the melody tone setting automatically changes the harmonize note tone to the same setting 707A E 037A Adjusting the Accompaniment Volum
173. the same data as DSP types 000 through 099 1 After making the DSP parameter settings you want press the W CURSOR button e This causes the DSP number of the user area where the DSP will be saved to flash on the display 2 Use the and buttons to select the user DSP area number where you want to save the new DSP e You can select a user DSP area number in the range of 100 to 199 only 3 After the user DSP area number you want is selected press the CURSOR button Use the and buttons to scroll through letters at the current cursor location Use the 4 and CURSOR buttons to move the cursor left and right e See the page E 45 for information about inputting text 4 After everything is the way you want press the W CURSOR button to store the effect This will display a confirmation message asking whether you really want to save the data Press the YES button to save the data e The message Complete appears momentarily on the display followed by the tone or rhythm selection screen DSP Button Checking the DSP button will tell you whether or not DSP is enabled for the tone that is currently selected for a part The DSP button will be lit for a tone that is DSP enabled DSP line ON and unlit for a tone that is DSP disabled DSP line OFF For example when you move each part while using the split layer function the DSP button lights or goes out in accordance
174. tion This is a multi effector that is related to Sin 2 Phase Chorus 2 Tap Delay Parameters Chorus LFO Rate Chorus LFO Depth Chorus Feedbac Chorus Wet Level Delay Time Delay Wet Level Delay Feedback Delay High Damp e MO Multi01 3 Phase Chorus 3 Tap Delay Function This is a multi effector that is related to 3 Phase Chorus 3 Tap Delay Parameters Chorus Rate 1 Chorus Depth 1 Chorus Rate 2 Chorus Depth 2 Chorus Wet Level Delay Time Delay Wet Level Delay Feedback ag MUI B MultiO2 Phaser 3 Phase Chorus Function This is a multi effector that is related to Phaser 3 Phase Chorus Parameters Phaser Resonance Phaser Manual Phaser Rate Phaser Depth Chorus Rate 1 Chorus Depth 1 Chorus Rate 2 Chorus Depth 2 Sig dae iS MOS Flanger 2 Tap Delay Function This is a multi effector that is related to Flanger 2 Tap Delay Parameters Flanger LFO Rate Flanger LFO Depth Flanger Feedbac Flanger Wet Level Delay Time Delay Wet Level Delay Feedback Delay High Damp IE P Bl Vos Multio4 Stereo Phaser Stereo Delay 1 Function This is a multi effector that is related to Stereo Phaser Stereo Delay 1 e Parameters Phaser Resonance Phaser Manual Phaser Rate Phaser Depth Phaser Wet Level Delay Time Delay Wet Level Delay Feedback Pe ve Da Rr 707A E 088A DSP Algorithm
175. to 0 to 63 Adjusts the depth of the wah in accordance with the level of the input signal Setting a positive value causes the wah filter to open in direct proportion with the size of the input signal producing a bright sound Setting a negative value causes the Wah filter to close in accordance with the size of the input signal which produces a dark tone quality However large input re opens the Wah filter even if it is closed 06 Compressor e Function Compresses the input signal which can have the effect of suppressing level variation and making it possible to sustain dampened sounds longer e Parameters 0 Depth Range 0 to 127 Adjusts compression of the audio signal 1 Attack Range 0 to 127 Adjusts the attack amount of the input signal A smaller value causes prompt compressor operation which suppresses the attack of the input signal A larger values delays compressor operation which causes attack to be output as is 2 Release Range 0 to 127 Adjusts the time from the point when the input signal drops below a certain level until the compression operation is stopped When an attack feeling is desired no compression at the onset of the souna set this parameter to as low a value as possible To have compression applied at all times set a high value 3 Level Range 0 to 127 Adjusts the output level The output volume changes in accordance with the Depth setting and the characteristics of the input ton
176. to the user area leah elene 45 Registration Memory POWER PIANO SETTING MAIN VOLUME esor __ 5 CIO Cs a SYNCHRO START INTRO ENDING WARIATION FILL IN FILL IN NEXT STOP AUTO HARMONIZE SPLIT LAYER BANK REGISTRATION Number buttons ooo istration Memory Features Each bank of registration memory initially contains data when you first use the keyboard Simple replace the existing Registration memory lets you store up to 32 keyboard setups data with your own data 4 sets x 8 banks for instant recall whenever you need them e Registration memory functions are disabled while you are The following is a list of settings that are saved in registration using the SMF Player Song Memory or demo tune function memory Registration Memory Settings e Tone Rhythm Tempo Layer on off Split on off Split point Auto Harmonize on off Mixer settings Channels 1 to 10 Effect settings Touch Response settings Assignable jack setting Transpose e Tuning e Accompaniment volume setting Auto Harmonize type MODE button setting Synchro standby state e Mixer Hold DSP Hold e Synthesizer Mode parameters Vibrato Waveform Vibrato Delay Vibrato Rate and Vibrato Depth only E 46 707A E 048A Registration Memory Setup Names You can assign setups into one of 32 areas which you can select u
177. tone and a split tone to either end of the keyboard which lets you play one tone with your left hand and another tone with your right hand For example you could select GM STRINGS 1 as the main high range tone and GM PIZZICATO as the split low range tone putting an entire string ensemble at your fingertips Split also lets you specify the split point which is the location on the keyboard where the changeover between the two tones occurs NOTE e Leave the MODE button in the NORMAL or FULL RANGE CHORD position SPLIT Split Tone GM PIZZICATO Main Tone GM STRINGS 1 Split point 62 split the keyboard 1 First select the main tone Example To select 448 GM STRINGS 1 as the main tone press the TONE button and then use the number buttons to input 4 4 and then 8 61 1 2 Press the SPLIT button LAYER SPLIT 94130 Acc ousB 560 1 Selected split tone 2 Pointer 3 Select the split tone Example select 445 GM PIZZICATO as the split tone use the number buttons to input 4 4 and then 5 Di z77catG 4 Specify the split point While holding down the SPLIT button press the keyboard key where you want the leftmost key of the high end range to be Example To specify G3 as the split point press the G3 key G3 5 Now try playing something on the keyboard e Every key from F 3 and below is assigned the GM PIZZICA
178. tones and what each parameter does As can be seen in the illustration parameters can be divided into four groups each of which is described in detail below NOTE AM V 1 4 CURSOR Volume Characteristic Parameters O Attack Time Release Time O Cutoff Frequency Resonance Tone Pitch Parameters Vibrato Type Vibrato Delay Vibrato Rate Vibrato Depth gt Output Octave Shift Tone Characteristic Setting Parameters Level Touch Sense Reverb Send Chorus Send DSP Line DSP Type DSP Parameter Note that the tone whose parameter you can edit is the one assigned to the channel 1 through 4 that is currently selected with the Synthesizer Mode E 40 707A E 042A Synthesizer Mode Tone Characteristic Waveform Tone Setting Specifies which of the preset tones should be used as the original tone Volume Characteristic Parameters These parameters control how the tone changes over time from when the keyboard key is pressed until the tone decays You can specify changes in volume and sound characteristics Attack time This is the rate or time it takes for the tone to reach its highest volume level You can specify a fast rate where the tone reaches its highest volume level immediately a slow rate where it gradually rises or something in between Release time Envelope Note ends Time R Key pressed Key released A Attack tim
179. u can do with the Mixer E 36 Turning Channels On and Off E 36 Using the Parameter Edit Mode E 37 How Parameters Work E 38 Contents Synthesizer Mode E 40 Synthesizer Mode Functions E 40 Creating a User E 43 Storing a User Tone In Memory E 45 Registration Memory E 46 Registration Memory Features E 46 To Save a Setup in Registration MEMO da 47 To Recall a Setup from Registration A A E 48 Song Memory Function E 49 49 Basic Song Memory operations E 50 Using Real time Recording E 50 Mixer Mode Settings E 51 Playing Back from Song E 52 Recording Melody and Chords with Step Recording E 52 Recording Multiple Tracks E 55 Correcting Mistakes While Step 127509 D 57 Editing Memory Contents E 58 Editing a Song E 59 Keyboard Settings E 61 61 62 Using Layer and Split Together E 63 Transposing the Keyboard E 64 Using Touch Response E 64 Tuning the Keyboard E 65 Changing Other Settings E 66 Using th
180. uction Powerful effects A collection of powerful effects such as DSP reverb chorus and more give you total control over the type of sound you want You can even change the parameters of an effect to create your own original effects A 4 band equalizer is also included B Mixer You can specify tone volume pan position and other parameters for each built in Auto Accompaniment part You can also control the same parameters for each channel during MIDI input B Registration Memory Keyboard setups can be stored in memory for later recall and instant set up whenever you need them Up to 32 setups 4 setups x 8 banks can be stored in registration memory Data download from your computer You can use your computer to download data from the CASIO MUSIC SITE E 6 707A E 008A Contents Safety Precautions 1 Introduction E 5 General Guide E 9 Attaching the Score stand E 10 Playing a Demo E 11 Power Supply E 12 Using batteries E 12 Using the AC Adaptor E 13 Auto aia E 13 Turning Off the E 14 Memory Contents E 14 Connections E 15 Basic Operations E 16 To play the keyboard E 16 Selecting a Tone
181. unction B M18 Multi18 Compressor Enhancer 2 Tap Delay Function This is a multi effector that is related to Compressor Enhancer 2 Tap Delay Parameters Compressor Depth Compressor Attack Compressor Level Enhancer Low Gain Enhancer High Gain Delay Time Delay Wet Level Delay Feedback D EMIT S This is a multi effector that is related to Compressor Sin 2 Phase Chorus Reflection Parameters Compressor Depth Compressor Attack Compressor Level Chorus LFO Rate Chorus LFO Depth Reflection Wet Level Reflection Feedback Reflection Tone M19 Multi19 Compressor Stereo Delay 1 M24 Multi24 Distortion 1 Phase Chorus 2 Tap Function Delay This is a multi effector related to Compressor Stereo Delay 1 Function Parame This is a multi effector that is related to Distortion 1 Phase Chorus 2 Tap Delay 0 Compressor Depth t 1 Compressor Attack 2 Compressor Release 0 Distortion Gain 3 Compressor Level 1 Distortion Low 4 Delay Time 2 Distortion High 5 Delay Wet Level 3 Distortion Level 6 Delay Feedback 4 Chorus LFO Depth 7 Delay High Damp 5 Delay Time 6 Delay Wet Level M20 Multi20 Phaser 1 Phase Chorus Auto Pan DE iS Function This is a multi effector that is related to Phaser 1 Phase Chorus M25 Multi25 Compressor Distortion 2 Tap Delay Auto Pan Fu
182. undled with the keyboard has a folder named Data which contains various data folders For details about the data contained in the data folders see the list txt file inside of each folder 707A E 078A Returning the keyboard to its initial factory defaults The Data folder on the CD ROM that comes bundled with the keyboard includes a file named alldata ckf which contains factory default setup data Transferring the alldata ckf data to the keyboard s flash memory will return all settings to their initial factory defaults e For information about transferring data to the keyboard s flash memory see the application software manual To connect to a computer Be sure to turn off the keyboard and your computer before connecting them You should also set the volume controller of the keyboard to a relatively low volume 1 Connect the keyboard s MIDI interface to your computer s MIDI interface CASIO MUSIC SITE Netscape CASIO Heme Pape with the DIGITAL GROOVE EE Flow w 8 2 2 5 9 gt Quae b run x Internet AVE Service qum Provider MIDI IN MIDI OUT CTK 900 2 Turn on the keyboard and then turn on your computer or other connected device 3 Start up the software you want to use on your computer 707A E 079A NOTE When using the applic
183. wbar organ tones that can be altered using nine digital drawbars whose operations are similar to the controls on a drawbar organ You can also select percussion or key click There is room in memory for storage of up to 100 user created drawbar tone variations Drawbar Organ Mode Operational Flow Tone Rhythm Selection Screeen DRAWBAR ORGAN button EXIT button Drawbar Organ Tone Selection Screen gt CURSOR button DRAWBAR ORGAN button Drawbar Organ Tone Editing Screen 4 gt CURSOR buttons 4 gt CURSOR buttons More Screen CURSOR button CURSOR button Synthesizer Editing Screen CURSOR button CURSOR button DSP Effect Editing Screen V CURSOR button CURSOR button Name Save Setting Screen You can also display the drawbar organ tone selection screen from the Song Memory Mode or SMF Playback Mode screen In this case however the Drawbar Organ Tone Editing Screen does not appear 707A E 021A E 19 Using the Drawbar Organ Mode To select a drawbar organ tone 1 Find the drawbar organ tone you want to use in the tone list and note its tone number 2 Press the DRAWBAR ORGAN button e This causes the drawbar organ tone selection screen to appear 50000 rawbarils Tone Number 2 Tone Name 3 Use the number buttons to input the three digit tone number for the tone you want to select NOTE Always input all th
184. wrong type of connector at either end can cause one of the stereo channels to be lost When connected to a musical instrument amplifier set the volume of the keyboard to a relatively low level and make output volume adjustments using the amplifier s controls Connection Example PIN plug red PIN jack To keyboard s PHONES OUTPUT 43 terminal Stereo standard plug PIN plug white Standard plug O INPUT 1 O input 2 Keyboard or guitar amp 707A E 017A NOTE e You can also connect the keyboard to a computer or sequencer See MID on page E 75 for details Sustain Assignable jack Terminal You can connect an optional sustain pedal SP 3 or SP 20 to the SUSTAIN ASSIGNABLE JACK terminal to enable the capabilities described below For details on how to select the pedal function you want see Changing Other Settings on page E 66 OUT MIDI IN SUSTAIN PHONES ASSIGNABLE JACK OUTPUT p o DC 9V 1 SUSTAIN ASSIGNABLE JACK Terminal Sustain Pedal e With piano tones depressing the pedal causes notes to linger much like a piano s damper pedal e With organ tones depressing the pedal causes notes to continue to sound until the pedal is released Sostenuto Pedal e As with the sustain pedal function described above depressing the sostenuto pedal causes notes to be sustained This difference between a sostenuto pedal and sustain pedal is the timin
185. xternal equipment be sure to first turn down the volume settings of the keyboard and the connected equipment You can then adjust volume to the desired level after connections are complete Rear Panel Red PIN plug e LEFT RIGHT AUX IN or similar terminal of audio amplifier Keyboard li guitar amp etc Connecting Phones 1 Connecting phones cuts off output from the keyboard s built in speakers so you can play even late at night without disturbing anyone ll Audio Equipment 2 Connect the keyboard to a audio equipment using a commercially available connecting cord with a standard plug on one end and two PIN plugs on the other end Note that the standard plug you connect to the keyboard must be a stereo plug otherwise you will be able to output only one of stereo channels In this configuration you normally set the input selector of the audio equipment to the terminal usually marked AUX IN or something similar where the cord from the keyboard is connected See the user documentation that comes with your audio equipment for full details Musical Instrument Amplifier 3 Use a commercially available connecting cord to connect the keyboard to a musical instrument amplifier NOTE Be sure to use a connecting cord that has a stereo standard plug on the end you connect to the keyboard and a connector that provides dual channel left and right input to the amplifier to which you are connecting The
186. y E 21 Using the Drawbar Organ Mode To save an edited drawbar organ tone 1 After editing parameters use the 4 and gt CURSOR buttons to display More 2 Press the W CURSOR button three times to display the screen for inputting a tone name and assigning a tone number 3 Use the and buttons to select a tone number e You select a tone number in the range of 100 to 199 z After the tone is the way you want press the gt CURSOR button to store the tone Use the and buttons to scroll through letters at the current cursor location Use the 4 and CURSOR buttons to move the cursor left and right See the page E 45 for information about inputting text 5 After everything is the way you want press the W CURSOR button to store the tone This will display a confirmation message asking whether you really want to save the data Press the YES button to save the data e After the save operation is complete the message Complete appears and then the display returns to the tone selection screen To cancel save press the EXIT button E 22 707A E 024A POWER DATA ACCESS SYNCHRO 5 INTRO ENDING WARIATION FILL IN FILL IN NEXT STOP REGISTRATION Applying Effects to Tones PIANO SETTING cursor mimi AUTO HARMONIZE SPLIT LAYER 1 EFFECT 2 4 AMV Y 4 CURSOR

Casio CTK900 Musical Instrument User Manual

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