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MX602 User`s Manual

1. no EQ MID Adjusts mid frequencies up or down Set to 0 center detent for no EQ LOW EQ Adjusts low frequencies up or down Set to 0 center detent for no EQ AUX n Adjusts the signal level sent to the AUX 1 bus This control is post LEVEL This means LEVEL adjustments will also change the signal level being sent to the AUX 1 bus PAN Adjusts the relative position of the sound across the stage left center right PEAK LED This red LED lights when the input signal is too high Lower input MIC 10 LINE 10 40dBu GAIN or source level when this occurs LEVEL This is a compact mixing console To reduce the console size rotary knobs are used in place of the familiar slider The function of the LEVEL control is the same as a linear FADER Use the LEVEL control to fade the channel in or out during the performance Normally this control should be at the 12 00 position This is not a volume control INPUT OUTPUT CONNECTIONS MAIN OUTPUTS Podium 14 phone jacks unbalanced TS MAIN MIX signals MODEL MX602 available here CONTROL ROOM OUTPUTS L and R 4 phone jacks unbalanced TS Normally used to provide line level signal to the monitor speakers in the control room PHONES phone jack unbalanced stereo TRS You can connect monitoring headphones here This output is the same signal
2. polarizing or safety ground on the AC cord Be certain all equipment is OFF before making or breaking connections Clean console only with a damp not wet cloth e Refer all service needs to qualified personnel There are no user serviceable components inside USING THIS MANUAL A basic understanding of what a mixing console does is very important On the next page the console is filtered down to logical function blocks and their use is summarized Following the summaries you will find detailed descriptions of all controls and connections ABOUT THE MX602 BLOCK DIAGRAM A block diagram is a simplified schematic which illustrates signal flow from input to output and shows the numerous routing variations possible It is highly recommended that you make frequent use of the block diagram to get the most out of your MX602 mixer You will find the MX602 block diagram on pages 6 and 7 Throughout this manual you will frequently see the opamp symbol h This indicates that understanding the current topic will be much easier if you review the block diagram SPECIFICATIONS MICROPHONE INPUTS Balanced XLR PIN 1 ground PIN 2 PIN 3 Frequency Response 2dB lt 20Hz to 2 Distortion THD N 0 01 at 4dBu 1kHz Gain Adjustable 10dB to 60dB Signal to Noise ratio 114dB Equivalent Input Noise 20Hz to 20kHz Source impedance 0Q 132dB Source impedance 150Q 129dB Distortion THD N 0 005 0 004 A
3. weighted MONO LINE INPUTS Balanced 4 phone jack TIP RING SLEEVE ground Frequency Response 2dB lt 20Hz to 2 Distortion THD N 0 01 at 4dBu 1kHz Gain Range 10dBu 40dBu STEREO INPUTS Balanced 14 phone jacks TIP RING SLEEVE ground Frequency Response 2dB lt 20Hz to 2 Distortion THD N 0 01 at 4dBu 1kHz ALL EQUALIZERS LOW 15dB 80Hz shelving MID 15dB 2 5kHz 15dB 12kHz shelving AUX SENDS Unbalanced 74 phone jacks SLEEVE ground Output impedance 1200 Maximum output level 22dBu MAIN OUTPUTS Unbalanced 7 phone jack TIP SLEEVE ground Maximum output level 22dBu Signal to noise ratio 112dB Equivalent input noise 90dBu all channels open unity gain CONTROL ROOM OUTPUTS Unbalanced 74 phone jacks SLEEVE ground Maximum output level 22dBu Signal to noise ratio 112dB Equivalent input noise 90dBu all channels open unity gain POWER CONSUMPTION 120 18W DIMENSIONS H 50mm 2 W 170mm 6 5 8 D 215mm 8 5 Weight 1 2kg 2 5 8los With power supply 1 9kg 2 1 4lbs INSTALLATION e 602 is designed for indoor use Never use a location where the unit may get wet NEVER defeat the safety ground provision of the IEC power cord NEVER USE A BALANCED TO UNBALANCED ADAPTER IN EITHER MICROPHONE INPUT THE MICROPHONE AND OR THE 48V PHANTOM SUPPLY M
4. AY BE DAMAGED CONNECTOR WIRING You will need many cables to complete the installation Many more will be required for signal patching during sessions Pre fabricated cables may not always fit your needs and sometimes onsite repairs are necessary The following illustrations show the correct connector wiring Balanced Mono Unbalanced 1 4 TRS Phone Plug 1 4 Phone Plug Tip Tip Ring Sleeve ground Sleeve Ground Tip Tip Ring Sleeve Sleeve Wire Clamp Wire Clamp Balanced XLR Cable Headphone Stereo 1 4 TRS Phone Plug Tip LEFT Signal Ring RIGHT signal Sleeve Ground Pin 1 Ground OUTPUT MONO LINE INPUT CHANNELS 1 2 DETAILS ON PG 4 There are two identical MONO input channels located on the left of the console These channels are organized vertically At the top is an XLR microphone MIC input jack 48V phantom power is available for condenser MICs Next is a 7 Tip Ring Sleeve TRS line level LINE input phone jack Each MONO channel can be used as either a MIC or LINE input The other controls provide a wide variety of sound shaping signal routing external processing and gain adjustments STEREO INPUTS 3 4 5 6 DETAILS ON PG 5 There are two STEREO inputs 4 mono channels The line level inputs are balanced 2 TRS phone jacks These channels are organized just like the MONO MIC LINE channels and have the same controls and capabili
5. BUS AUX LEVEL _ BUS L i MAIN MIX LEFT STEREO INPUT CHANNELS 3 6 LO MID HI RIGHT BUS 7 MAIN MIX RIGHT a TAPE IN LEFT 2 TRACK TO MIX pa gt TRACK RIGHT OUT LEFT 2 TRACK TO CONTROL TAPE OUT RIGHT E STEREO AUX RETURN AUX RETURN CONTROL ROOM amp PHONES gt LEFT BUS gt LEFT A p Ce je PHONES b T RIGHT Ni CONTROL 44 CONTROL ROOM na amp PHONES 19 R CONTROL ROOM RIGHT gt Podium Pro Audio MX602 BLOCK DIAGRAM
6. LS LINE IN 4 5 5 6 L Balanced line level input phone jack Tip Ring Sleeve TRS LEFT channel NOTE When only the L input jack is used the signal is routed to both left and right channels MONO LINE IN 4 5 5 6 R Balanced line level input 7 phone jack TRS RIGHT channel HIEQ Adjusts high frequencies up or down Set to 0 center detent for no EQ MID EQ Adjusts mid frequencies up or down Set to 0 center detent for no EQ LOW EQ Adjusts low frequencies up or down Set to 0 center detent for no EQ AUX n Adjusts the signal level sent to the AUX bus This control AUX is after or POST LEVEL This means LEVEL adjustments will also change the signal level being sent to the AUX bus BAL Adjusts the relative LEFT RIGHT signal level BALANCE applied to the LEFT RIGHT MAIN bus LEVEL This is a compact mixing console To reduce the console size rotary knobs are used in place of the familiar slider The function of the LEVEL control is the same as a linear FADER Use the LEVEL control to fade the channel or out during the performance Normally this control should be at the 12 00 position This is not a volume control MONO INPUT CHANNELS 1 2 PHANTOM 448v LO MID l E GAIN wg gt lt lt gt RIGHT BUS AUX SEND LINE IN gt S03 MAIN OUT GAIN LEFT BUS LEFT BUS RIGHT
7. Podium Pro Audio Model 602 6 Channel 2 Bus Mixing Console User s Manual INTRODUCTION MX602 FEATURES BEFORE YOU BEGIN USING THIS MANUAL ABOUT THE MX602 BLOCK DIAGRAM MONO MIC LINE INPUT CHANNELS 1 2 STEREO INPUTS 3 4 5 6 MAIN SECTION _ Pod Au d INPUT OUTPUT CONNECTIONS MONO LINE CONNECTIONS AND CONTROLS Audio at its highest level STEREO INPUT CONNECTIONS AND CONTROLS 602 BLOCK DIAGRAM http www podiumproaudio com INSTALLATION 2010 CONNECTOR WIRING SPECIFICATIONS DOA HMM O SOON INTRODUCTION The Podium Pro Audio MX602 audio mixing console brings premium quality audio processing circuitry into the compact desktop class of mixers Carefully designed signal routing phantom microphone power fully balanced design and versatile effects loops allow this console to provide class leading performance and flexibility Used in accordance with the information provided in this manual this product will give years of trouble free use MX602 FEATURES e Two studio grade Invisible ultra low noise microphone MIC preamps Two balanced line inputs e Two balanced stereo inputs four mono Direct coupled signal processing e Rugged steel construction provides superior noise shielding BEFORE YOU BEGIN Read and follow these instructions Heed all warnings Do not use where the mixer may get wet Never defeat the AC
8. as the CONTROL ROOM outputs TAPE OUTPUT Unbalanced phono jacks RCA Wired in parallel with the MAIN OUTPUTS Normally connected to the inputs of a 2 track recording device TAFE OUT TAPE INPUT Unbalanced phono jacks RCA Normally used for a 2 track recording device input TAPE INPUT can also be used as an additional stereo line level input For example additional sound elements can be added to the mix from a CD player iPod MP3 player or computer STEREO AUX RETURN N Balanced line level input 44 phone jack TRS The STEREO AUX RETURN signal is added to the LEFT RIGHT bus If only the LEFT input jack is used the signal is sent to both LEFT and RIGHT channels MONO AUX SEND n 4 phone jack unbalanced TS The sum of all signals applied to the AUX bus are output here NOTE All feeds to the AUX bus PosT LEVEL also known as wet MAIN MIX LEVEL n All signals sent to the LEFT and RIGHT MAIN bus are combined and sent to the MAIN OUTPUTS This control adjusts POWER 48V the LEFT RIGHT MAIN OUTPUT level 80 AUX RETURN LEVEL The STEREO AUX RETURN is added to the LEFT RIGHT bus This control adjusts the level of the STEREO AUX RETURN signal added to the L LEFT RIGHT bus PHONES CONTROL ROOM LEVEL STK TO Adjusts the level of the signal applied to MAIN MIX the control room and hea
9. dphone outputs 2TK TO MAIN MIX 2 Track to Main Mix Press to send the TAPE input directly to the LEFT RIGHT bus MAIN MIX Typically used for playback monitoring or adding pre recorded elements to the mix CTRL ROOM 5 PHONES CONTROL MAIN SECTION 2TK CTRL ROOM 2 Track to Control Room Press to send the TAPE input directly to the CONTROL ROOM AND HEADPHONE outputs Typically used for real time tape monitoring without disturbing the ongoing performance 48V Condenser microphones require an external power supply to operate Depressing this switch activates an industry standard 48V phantom supply e When the phantom supply is on 48V is applied to both of the microphone connectors You may use either dynamic or condenser microphones while the phantom power is on NEVER use balanced to unbalanced 2 phone adapter when the phantom power is on 7 48V LED This blue LED lights whenever the 48 volt microphone phantom power is on POWER LED This red LED lights whenever the console is on The MX602 is on whenever the external power supply is connected to the console and plugged into a wall outlet LED VU METER These LEDs indicate the signal level of the MAIN MIX For best results avoid operation above OdB Occasional flashing of the 6dB LED may be allowable but operation with the CLIP LEDs flashing must be avoided 8 STEREO INPUT CONNECTIONS AND CONTRO
10. ties However no MIC inputs are provided DETAILS ON PG 8 After all sources have been selected equalization set and effects loops created all signals are summed onto the LEFT RIGHT MAIN bus and or the AUX bus There are numerous routing options from this point forward Here you will find controls for the MAIN MIX level AUX return level and PHONES CONTROL ROOM level OUTPUT CONNECTIONS DETAILS ON PG 9 Here you will find all remaining input and output connections This is where the MX602 interfaces with the rest of the studio MONO LINE INPUT CONNECTIONS AND CONTROLS 1 MIC INPUTS 1 2 Microphone input jack balanced XLR PIN 1 ground PIN 2 signal PIN 3 signal Phantom 48VDC supply PINS 2 and 3 when activated Ribbon condenser dynamic microphones accommodated NEVER USE A BALANCED TO UNBALANCED ADAPTER EITHER MICROPHONE INPUT THE MICROPHONE AND OR THE 48V PHANTOM SUPPLY MAY BE DAMAGED 2 LINE INPUTS 1 2 Balanced line level input 4 phone jack TRS TIP signal RING signal SLEEVE ground Any line level source balanced or unbalanced can be inserted here GAIN Rotary microphone or LINE input sensitivity control Use to set the level of this channel relative to other inputs Thus creating the desired mix Do not use as a fader HI EQ Adjusts high frequencies up or down Set to 0 center detent for

MX602 User`s Manual

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