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2007 Catalog - Microphone

1. LIVE MICROPHONES RE410 RE510 6 7 WONM SENES justerer d ean eu qd 8 14 ENN 15 IO KAS EEEE EEE E E E EEE E E E E 16 17 2001 SEES Gre ee TD 18 19 BROADCAST RE20 SETET oid hie EEE PEPE EE PD 20 21 RESO 635 ENG618 weed rare 22 25 INSTALL PolarChoice Satellite Desktop 26 Pola noice Plus FL cuu doen Ge sa ode se 27 ETE RU ENN 28 31 GENERAL PURPOSE MICROPHONES General Purpose Microphones 32 33 ACCESSORIES TECH INFO Wired Accessories 34 35 Wired Microphones Tech INO varer neon pansis ta 36 37 Wired Microphones Selection Guidelines 38 39 WIRELESS MICROPHONES RE 2 Wireless System 42 43 REV Wireless GYSEN suse ed Kies HEE AEPA ade T RT 44 45 REP desse en en be 46 EV Wireless Accessories 48 51 mudo EET 52 53 EE ae Poa Gee Pa 54 55 ss 0 es 56 57 11 EE ood al hapus T Bas hb oe eae NG 60 61 Telex Wireless Accessories 62 63 Wireless Gu
2. LLI 58 0 dB lt 10 10 AVERAGE RESPONSE 1 20 50 100 500 1K 10K 20K i5 28 RE90 RE90 H Element Back electret condenser Back electret condenser Polar pattern Cardioid Cardioid Impedance Low Z balanced 200 ohms 200 ohms Frequency Response 3 dB 70 15 000 Hz 75 15 000 Hz Power Level 0dB 1 m W Pascal at 1 000 Hz 43 dB 30 dB Open Circuit Voltage at 1 000 Hz 4 5 mV Pascal 27 mV Pascal Equivalent Noise 0 dB 20 micropascal lt 28 dB SPL lt 25 dB SPL A weighted Maximum SPL 196 distortion 1 000 Hz 130 dB 120 dB Power requirement Phantom power 9 52 VDC 9 52 VDC Current Consumption 2 5 mA 2 0 mA Specials transformerless output device external pre amp Case Material Steel Steel Finish Nonreflecting black Low gloss black Included accessories Windscreen double sided tape 760 cm braided cable Connector type 3 pin XLR 3 pin XLR Dimension P 12 281 x 6 4 mm P 18 443 x 6 4 mm 37 Lx 13 D mm Weight net P 12 400 g P 18 528 g 1579 FREQUENCY IN HERTZ T L IL AVERAGE RESPONSE 100 500 1K aM 1 M FREQUENCY IN HERTZ The wide frequency response of the RE92H picks up everything from the bass to the sopranos while the cardioid pattern makes sure that nothing extraneous gets into the p
3. Included accessories Stand adapter soft zippered carrying pouch Connector type 3 pin XLR Dimension Length x max Diameter 181 x 52 mm Weight net 2389 N D267 a as Timm L L ae HIT red DeL CE L a Z FT AVERAGE RESPONSE 20 50 100 500 1K 5K 10K 20K FREQUENCY IN HERTZ N D367s Element Dynamic Polar pattern Cardioid Impedance Low Z balanced 300 ohms Frequency Response 3 dB close response 25 20 000 Hz Frequency Response 3 dB far response 55 20 000 Hz Output Level 0dB 1 m W Pascal at 1 000 Hz 53 dB Open Circuit Voltage at 1 000 Hz 2 2 mV Pascal Equivalent Noise 0 dB 20 micropascal A weighted 17 dB SPL Magnetic Circuit N DYM Case Material Metal Finish Nonreflecting black Included accessories Stand adapter soft zippered carrying pouch Connector type 3 pin XLR Dimension Length x max Diameter 181 x 52 mm Weight net 200 9 TIL I I TITAvERAGE Response 20 50 100 500 1 SK 20K FREQUENCY IN HERTZ The EV N D367s features excellent gain before feedback and smooth controlled frequency response The controlled response of the N D367s allows the performer or speaker to easily work the microphone for optimal performance It also features a cardioid pattern for enhanced front area sensitivity and
4. NW PEN N CARDIN The EV Series Cardinal is a cardioid condenser designed to capture the detail of both voice and instrument in live sound or studio applications Employing Class A discrete ultra low noise amplifier circuitry the Cardinal s smooth and detailed performance is sure to please even the most discerning artists and engineers Cardinal e Pressure gradient cardioid condenser e Class A discrete ultra low noise circuitry Unique double swivel mounted design for ideal positioning e Innovative visual design with cherry finish e Great for voice or instruments The EV Series Raven is a stylish dynamic microphone designed to capture the character of live and studio vocals It is also the perfect microphone for live and studio instruments The Raven incorporates the collaborative design work from the top industry microphone engineers to provide unparalleled performance in a stunning package Raven e Dynamic mic with studio detail and clarity Cardioid pattern with excellent off axis rejection Unique double swivel mounted design for ideal positioning e Great for voice or instrument e Innovative visual design SPECS Cardinal Raven Element Condenser self biased Dynamic Polar pattern Cardioid Cardioid Frequency Response 3 dB 35 20 000 Hz 45 18 000 Hz Open Circuit Voltage at 1 000 Hz 10mV Pascal 3 2 mV Pascal Impedance Low Z balanced 50 o
5. LEAD mi FRONT PANEL ER 9 6 9 OFF ON BATTERY TOP VIEW CONTROL VIEW SPECS HT 1000 Transmitter SPECS FMR 1000 Receiver Controls Power on off Controls Audio gain adjustment with 26 dB range Front Panel On Off menu set up down buttons parametric EO Transmit power switch level 12 dB to 12 dB O 3 0 0 1 Menu set up down buttons frequency 100 2 kHz Rear Panel 1 4 inch output level XLR Line Level Displays LCD display channel and group frequency Indicators battery level red LED battery low indicator LCD Backlit Display Group channel diversity label squelch set up screen transmitter battery level audio signal amplitude RF signal strength Battery Life 8 hours with 9V alkaline typical Antenna Internal 1 2 wave Microphone Elements EV N D 767a Dynamic or RE 510 Condenser Connectors RF Output Back Panel 1 4 inch unbalanced adjustable output Normal 5 mW typical XLR balanced output High 50 mW typical USB programming port HP Special Order 10 mW and 100mW typical 5 pin strip connector Pin 1 Transmitter On TTL signal Pin 2 Battery low TTL signal Pin 3 Logic ground Pin 4 Unbalanced line level audio output SPECS WT 1000 Pin 5 Audio common ground Antennas Detachable 1 4 wave H
6. gt 8 hours with 9 Volt Alkaline Typical Bodypack Antenna Flexible external 1 4 wave Handheld Antenna Internal 1 2 wave Dimensions Handheld 9 4 in 24 0 cm Long Dimensions Bodypack 3 8 in H x 2 6 in W x 0 92 in D 96 5 mm H x 66 mm W x 23 4 mm D RECEIVER Back HANDHELD Front SERE EO D EE 4 2 7 REV Professional Wireless Microphones Uu V l TT x Ja 3 Electro Voice has been at the forefront of wireless microphone technology since the 80s In the 90s EV invented the first scanning wireless EV NRU and in 2002 EV reinvented wireless REV concert handheld A rugged fully machined aluminum handle about the size and shape of a wired microphone encourages proper microphone technique for better performances Interchangeable microphone RC2 head allows a choice of elements to fit the vocalist s style and environment Microphone choices include N DYM 767a N DYM 967 RE 410 RE 510 Backlit LCD display controlled by three buttons mounted out of harm s way inside the battery compartment Battery level gauge always visible on the LCD display RF transmit power 5 or 50mW and audio gain are controlled from the LCD screen controls no tools required 9 Two AA batteries power the REV H for over ten hours of continuous use REV B
7. 0 5 uV typical 1 0 maximum 12 dB SINAD Image Rejection gt 65 dB Signal To Noise Ratio gt 77 dB with E D R Distortion lt 2 T H D Audio Output 10 distortion into 8 Ohms 2 0V 15mW 3 0V 80mV into 32 Ohms 2 0V 10mW 3 0V 50mW Antenna Type 1 4 wave omnidirectional in earphone cord Audio Controls Volume On Off High frequency boost control E D R Earphone Connector Type 3 5 mini stereo or mono Dimensions H 4 101 mm x W 2 3 4 70 mm x D 1 25 mm Visual Indicators Backlit LCD Channel Hi Freq E D R External Jack Audio Output Charger SPECS SR 50 Receiver Power Requirements 2 AA batteries Alkaline or NICAD 30 hours Alkaline 10 hours NICAD Audio Frequency Response 3 dB Variation 100 Hz 10 KHz Sensitivity 0 5 uV typical 1 0 UV maximum 12 dB SINAD Signal To Noise 1 mV Input gt 60 dB Distortion lt 2 T H D Audio Output 10 distortion into 8 Ohms 2 0V 15mW 3 0V 80mV into 32 Ohms 2 0V 10mW 3 0V 50mW Controls Volume On Off Switch Dimensions H 4 101 mm x W 2 3 4 70 mm x D 1 25 mm Visual Indicators Backlit On Tuning indicator External Jack 3 5mm Audio Output Charger FCC ID B5DE401 59 TELEX ACCESSORIES Wireless PH23 ELM 22S 1 335 Uu V l TT x WP 1000 WP 23 TELEX Wireless Microph
8. 2 dB Microphone 30 15 kHz 2 dB Instrument Audio Output Level Balanced Line Level 10mV 1V RMS Agjustable Unbalanced Output Adjustable 8 mV to 0 755V RMS 100k ohm load Distortion Less than 0 5 1kHz 40 kHz deviation Signal to Noise Ratio gt 110 dB Dynamic Range gt 100 dB REV D Antenna Output TNC Powered Antenna Inputs 12Vdc 15mA Internal Switching Power Supply Universal Cord 90 240 VAC 50 60 Hz CAN Bus Monitoring amp Control REV Link Software Size 172 H x 16 Wx 12 D 43 7 mm H x 406 4 mm W x 304 8 mm D REV H CONCERT HANDHELD Controls Power On Off Set Up Down Buttons Displays Backlit LCD display showing Battery Level Channel Group or Frequency Battery Life 10 hours with two AA alkaline typical Antenna Internal Proprietary Microphone Elements EV N D 767a or N D 967 Dynamic EV RE510 or RE410 Condenser Case Material Machined Aluminum RF Output Normal 5 mW typical High 50 mW typical Size 24 8cm 9 75 in x 52mm 2 04 in Length x max diameter REV BP BODYPACK TRANSMITTER Controls Power On Off Set Up Down Buttons Indicators Red LED Low Battery Indicator Back lit LCD display showing Battery Level Channel Group or Frequency Battery Life 8 hours with 9V alkaline typical Antenna External 1 4 wave detachable Connec
9. MICROPHONES WIRED m lt N INTRODUCTION n 2007 Electro Voice celebrates 80 years of unmatched innovation in microphone design and manufacturing Back in 1927 company founders Al Kahn and Lou Burroughs started out as true pioneers establishing the industry standard for audio excellence and reliability while continuously upping the ante with breakthrough technologies like Variable DTM and noise cancellation From day one Electro Voice built all its microphones to be bulletproof and sound beautiful It s not unusual to see a classic Electro Voice microphones like the 635A the broadcast industry standard fondly known as the Buchanan Hammer after Electro Voice s former home in Michigan still going strong after 30 years on the job Eight decades on Electro Voice microphones continue to deliver the sound of history s most significant events We ve helped the world hear everything from the very first radio broadcasts to John Glenn s first orbit of the Earth from Elvis and the Beatles to world tours with today s biggest artists from Knut Rockne using his Electric Voice at Notre Dame to the state of the art mics at this year s Superbowl from Presidential inaugurations to tonight s evening news from Dr Martin Luther King s Have A Dream speech to the Next Big Thing rehearsing in the garage next door Electro Voice stays true to its roots as a great American brand while advancing to new heights in the 21st Cent
10. The FMR 1000 UHF wireless microphone system is a breakthrough frequency agile system that mixes the power of full programmable channels with the simplicity of Advanced ClearScan With a push of two buttons Advanced ClearScan finds the clearest group of channels and you can set up 16 system installations in minutes with confidence you have the clearest channels in the clearest group A unique sound check screen allows one person to walk test a transmitter with tangible results For clear vocals the HT 1000 handheld microphone features a choice between two Electro Voice microphone elements the N DYM 767a dynamic with VOB Vocally Optimized Bass technology and the new RE510 professional condenser element System Features e Up to 16 systems can operate simultaneously from the preset channels For groups of up to 44 systems Telex can help you with the coordination and channel selection e Advanced ClearScan automatic group and channel selections for quick and simple system setup Over 950 possible channels Front panel parametric equalizer with Level O and frequency controls for sound shaping without a mixing board e Backlit LCD display shows the Group Channel transmitter battery status diversity operation RF and Audio level meters and space for a custom label e Cast magnesium bodypack transmitter and over molded Warm Grip handheld transmitter with detachable microphone elements Unique ba
11. Audio GmbH Hirschberger Ring 45 D 94315 Straubing Germany Phone 49 9421 706 0 Fax 49 9421 706 265 France EVI Audio France S A Parc de Courcerin All e Lech Walesa F 77185 Lognes France Phone 33 1 6480 0090 Fax 33 1 6006 5103 UK Shuttlesound 4 The Willows Centre Willow Lane Mitcham Surrey CR4 4NX UK Phone 44 208 646 7114 Fax 44 208 254 5666 Asia amp Pacific Rim Headquarter Asia Singapore Telex Communications SEA Pte Ltd 38C Jalan Pemimpin Singapore 577180 Tel 65 6319 0621 Fax 65 6319 0620 Japan EVI Audio Japan Ltd 5 3 8 Funabashi Setagaya Ku Tokyo Japan 156 0055 Phone 81 3 5316 5020 Fax 81 3 5316 5031 Hong Kong Telex EVI Audio HK Ltd Unit 5 1 F Topsail Plaza 11 On Shum Street Shek Mun Shatin HK Phone 852 2351 3628 Fax 852 2351 3329 Bosch Communications Systems Telex EVI Audio Shanghai Co Ltd Room 3105 3109 No 1 Building No 218 Tian Mu West Road Shanghai China Postal Code 200070 Tel 86 21 63172155 Fax 86 21 63173023
12. Input Balanced XLR 3F plus unbalanced 1 4 Antenna 1 4 wave omnidirectional whip Audio Controls Audio input level monitor jack volume E D R Power Requirements 15 24 Vdc or 13 Vac 115Vac 60 Hz 300 mA plug in wallpack power supply Dimensions H 1 3 4 4 5 cm x W 7 1 2 19 2 cm x D 5 9 15 cm FCC ID B5DM522 Backlit LCD Display Ch Freq Audio Meter Input setup RF level and E D R RF Power Switch 80K uV m Q 3 m in hi 25K uV m Q 3 m in low SPECS PST 170 17 channel Transmitter Audio Input Characteristics Mic TA4M connector 7 75 mV RMS input for x25 KHz deviation Impedance 10K Ohms nominal Aux Input Female 1 8 100 mV Unbalanced 10K Ohms nominal Antenna Permanently attached trailing wire Modulation FM x25 KHz deviation Frequency Response System 100 Hz to 10 000 Hz Automatic Gain Control Range 30 dB System Signal To Noise 58 dB 77 dB with E D R Pre emphasis 100 u seconds Maximum RF Power 80K V m Power Requirements 2 AA batteries Alkaline or NICAD 8 hours Alkaline 4 hours NICAD FCC ID B5DM521 SPECS SR 400 17 channel Receiver Power Requirements 2 AA batteries Alkaline or NICAD 30 hours Alkaline 10 hours NICAD Audio Frequency Response lt 3 dB Variation 100 Hz 10 KHz Modulation FM 25 KHz deviation Sensitivity
13. RE410 Condenser Microphone Element for RE 1 RE2PRO RC767a NDYM 767a Dynamic Microphone Element for RE 1 RE2PRO RC510 RE510 Condenser Microphone Element for RE 1 RE2PRO AN Flex Replacement Antenna for RE 1 RE2PRO bodypack transmitter AN Sflex Optional super flexible antenna for RE 1 RE2PRO bodypack transmitter MSA Microphone Stand Clip for RE 2 use MSA 1000 for RE 1 RE2PRO BC 1000 Swivel Beltclip and mounting stud for RE 1 RE2PRO BC2 Clip not shown Swivel Replacement beltclip and mounting stud for RE 2 Bodypack WP 1000 Leather bodypack pouch for use with WT 1000 HHCK Handheld Color Kit for RE 1 RE 2 REV PH handheld transmitters 6 colors 379 1 Windsceen for all handheld microphone elements MAC 2 XLR to TA4F adapter cord MAC G3 to 1 4 plug George Ls Guitar cord for RE 2 straight plug only MAC G2 to 1 4 plug George 5 Guitar Cord for RE 1 REV also includes right angle plug RC2 2 767 NDYM 767a Dynamic Microphone Element for REV H and PH RC2 967 NDYM 967 Dyanmic Microphone Element for REV H and PH RC2 410 RE410 Cardioid Condenser Mic Element for REV H and PH RC2 510 RE510 Supercardioid Condenser Mic Element for REV H and PH TELEX FMR 500 Power Performance Flexibility The FMR 500 brings professional features and performance to the small and medium sized wireless microphone installs that are so popular today One touch Auto ClearScan selects the clearest channel in the clearest group of
14. Usage SNARE DRUM Place mic 1 3 above the heads 1 2 in from the rim aim each mic at the top head angled down 45 degrees If the drum rings tape deadening material to the head or use damping rings for more snare sound place a second mic under the drum aimed up a the bottom head Suggested mics N D478 N D468 Co4 ELECTRIC GUITAR Place microphone approximately 1 2 from and at a 90 degree angle to the speaker cone To reduce boominess move the bass microphone off axis to the cone from 90 degrees to 45 degrees or move mic from center of cone to the edge Suggested Guitar Amplifier Mics RE20 N D868 N D468 Co4 Raven TOM TOMS On double headed toms place mic 1 3 over the top of the drum head at a 45 degree angle to the drum surface and 1 2 from the drum edge On single headed toms use above method or place mic inside tom from underneath at a 90 degree angle from the center of head 3 5 away Suggested mics N D468 for floor tom RE20 N D868 CYMBALS Place microphone one to two feet above the top of cymbals Suggest mcs RE200 Cardinal HIGH HAT Place 5 above outside edge at a 45 degree down angle Suggested mics RE200 BRASS 6 24 away and on axis with the bell of the instrument Suggested mics RE20 Co4 N D468 Raven ACOUSTIC GUITAR Place mic 6 12 from where finger board joins the body Suggested mics N D468 N D478 Co4 RE20 RE200 Cardinal EV MICROPHONE 1 Application Table 310
15. audio path as soon as a preset level of RF energy is reached When the signal is below the preset level the audio path is closed or grounded to be very quiet The obvious problem with a simple gate squelch is that any RF energy including distortion hiss harmonics from such sources as lighting dimmers CD or DVD players computers digital effects and electric motors are indistinguishable from the desired signal This extraneous RF energy will open the squelch gate just as easily as the intended transmitter So often times the user must crank up the squelch level all the way up to limit the sensitivity to noise which reduces range and performance of the system What is a Combination Squelch Circuit Advanced products like the FMR 1000 RE 1 and ENG 100 use a combination of tone code and amplitude squelch to provide maximum protection against errant signals In this case the tone squelch works as described in the previous section and when the tone is present the amplitude squelch remains active If in the unlikely event random noise fools the tone detector the signal at the intended frequency still needs to be high enough to register on the amplitude squelch The back up amplitude squelch further reduces the chances that an errant signal will cause audio noise while the transmitter is turned off What other considerations should think about When selecting a wireless system consider the long term use for the system and a
16. compatible channels in just seconds with the push of just one button The new HT 500 programmable handheld microphone transmitter is the smallest Telex has ever built It features an LCD display and has a screw on battery cover that also hides a controls Choose the EV N D767a dynamic microphone or the EV RE410 condenser microphone for high quality vocal performance The WT 500 bodypack transmitter features a cell phone style beltclip dual latching battery door and a TA4 connector with a wide variety of lapel and headworn microphone options The combination of twice the price FMR 500 A D V ANE ED ClearScan Up to 10 systems can operate simultaneously from the preset groups of channels in one operating band Groups of 20 coordinated channels between the three bands are also present e Advanced ClearScan and one touch Auto ClearScan automatic group and channel selections for quick and easy system setup e Completely programmable in 25kHz steps across 28MHz for 1112 possible frequencies e Backlit receiver LCD display shows the Group Channel Frequency transmitter battery status diversity operation and RF and Audio level meters sound and RF features are hard to beat at Telex UKF WIRELESS e Balanced XLR audio output for Microphone or Line level signals and a 1 4 inch line level jack to match any application e Fourth generation Posi Phase diversity and advanced audio circuits prov
17. group frequency battery level red LED battery low indicator Battery Life 7 hours with 9V alkaline typical Antenna Internal 1 2 wave Microphone Elements a Dynamic or RE 510 Condenser EV N D 767 Available separately RF Output Normal 5 mW typical High 50 mW typical Size 10 5 in long 26 8 cm SPECS SAFE WT Controls Power on off switch Audio gain adjustment with 40 dB range Transmit power switch Menu set up down buttons Indicators Red LED low battery indicator LCD display channel group frequency battery level Battery Life 7 hours with 9V alkaline typical Antenna External 1 4 wave detachable Connector TAAM input for microphone Pin 1 ground pin 2 mic input Pin 3 5V bias pin 4 5V through 3k ohm RF Output Normal 5 mW typical High 50 mW typical Case Material Cast magnesium Size 3 75 in x 2 6 in x 9 in 96 mm x 66 mm x 23 mm AJ S9INOHdO wil Mote Telex SoundMate personal listening systems help overcome background noise and poor building acoustics that can make listening difficult for the hearing impaired listener A Telex base station portable belt pack transmitter your choice of receivers and a wide assortment of accessories allow you to meet the needs of individuals who require hearing assistance The ST 300 Base Transmitter features 17 user
18. microphone to mouth positioning 450D Same as NC450D except without noise cancellation Molded Cycolac housing in pebble grain black finish and unterminated black neoprene coil cord relieved at the housing by spring type strain relief WP300 amp WP300S Wall Plate Mics A dynamic omnidirectional wall plate microphone Ideal fro security monitoring fast food and retail outlets warehouses and public usage applications WP 300S mounts on standard electrical single gang wall boxes The housing of each unit is an aluminum assembly on a steel outlet plate with a brushed satin chrome finish The assembly is complete with rubber shock mount Includes a double pole double throw switch for push to talk and line shorting capabilities WP300 Same as WP 300S except without the double pole double throw switch S g Ey 33 ACCESSORIES 379 1 black 376 grey 379 2 red TxA 422A 309A 3235 311 MSA COI 320 376 379 CPSM 368 314E 326 x The Electro Voice model TXA is a microphone accessory designed to enable the use of lavalier head worn and other TA4F terminated Electro Voice professional microphones in a wired configuration Powering microphones using standard phantom power through the TXA ensures the same high quality audio performance that you expect using Electro Voice microphones over wireless systems See page 48 amp 49 for all EV lavalier and headworn mics which can be worn with t
19. selectable frequencies digitally controlled from the front panel control buttons a headphone jack with adjustable level for input signal monitoring and a backlit LCD display that shows Channel Frequency and Audio Input Level On the back of the unit is a balanced XLR 3F as well as an unbalanced 1 4 inch input Front panel controls and LCD display allow the user to select mic line and 70 volt input options attenuate the input levels and change hi low RF transmit power A new feature called Enhanced Dynamic Range E D R works with the SR 400 receiver to provide clearer more dynamic audio SR 50 Receiver The SR 50 single channel receiver provides clear reception and the simplicity of a fixed channel This economical receiver operates on one of 17 fixed narrow band frequencies in the 72 76 MHz band An ergonomic raised volume control knob makes level adjustments easily accessible by feel recessed headphone jack provides extra protection for earphone connections Two AA batteries give up to 30 hours of continuous battery life PST 170 Transmitter The PST 170 belt pack transmitter may be set to any one of the 17 channels displayed on the backlit LCD and operates on frequencies in the 72 76 MHz It is lightweight battery operated and includes a small lapel microphone for convenient portable use The PST 170 has two audio input jacks The auxiliary input is designed to allow audio devices
20. that also acts as a mute great for pauses in presentations and worship services On off button can be disabled to prevent accidental turnoffs during a performance One 9V battery powers the REV PH for over eight hours of continuous use and the Smart Battery feature means there is no way to put the battery in wrong REV Single amp Dual Receiver Optimized analog audio path developed to provide the truest representation of a wired microphone sound possible in a wireless system e REV Link PC software for remote monitoring control and programming over a CAN bus connection through a UCC 1 converter or Netmax N8000 e Factory set channel groups allow up to 16 systems to operate simultaneously in one frequency band For groups up to 44 systems EV can help with the coordination and custom groups are easily programmed Advanced ClearScan automatic group and channel selections for quick simple setup Backlit LCD Display shows the Sound Engineer the Group Channel transmitter battery status diversity operation RF and Audio level meters and space for a custom name REV D Dual Receiver includes antenna pass through jacks so up to six receivers can be connected to just two antennas All required cables are included Specially designed Sound Check mode provides the ability for one person to walk test the microphone in the performance space with tangible results Patented DSP Posi Phase Diversity System for maxi
21. with each other and cause deterioration in the quality of signal at the receiver When the distance and geometry are just right the signals are 180 degrees out of phase and can cancel each other completely often referred to as a dropout A very common example of phase cancellation or multipath dropout has occurred to most people at one time or another If you have ever driven your car listening to your favorite FM radio station and pulled up to a stop light and noticed your radio station become fuzzy and faded away as you pull slowly forward you have experienced phase cancellation Did you notice that when you pulled your car up just a few feet the station came back to perfect reception Because multipath problems are related to the geometry of the set up it is possible to walk test the transmitters and correct potential dropouts using tools like the Sound Check Screen in the RE 1 and adjusting your antenna placements But be wary each time you change the scenery arena or even add people the mix changes What is a Squelch Circuit Good receiver design begins with the RF and IF filtering but another important part of the receiver circuitry is the squelch system or RF detection circuitry This circuitry is the gate that allows the audio to turn on or off based on the RF signals entering the receiver Simple gate squelch circuits that are commonly used in most competitive wireless receivers have a detector circuit that opens the
22. 100 for use with remote mount antennas AB 2 Universal mounting bracket for 1 2 wave antennas with 10 foot coax cable gt 29 m re m N 61 WIRELESS GUIDELINES Information Choose the wireless system wisely It s important to note that all wireless systems are not created equal Only a very few of the products on the market today are actually designed and built by the people selling them Many of the most popular systems are built by microphone companies that only recently began to manufacture wireless devices Telex EV is unique in the world of wireless Electro Voice has been leading the way in microphone technology for 75 years and Telex practically invented professional wireless microphones 30 years ago All Telex and EV wireless products are the result of this vast experience and technological know how As more and more wireless products get into the market more problems in installation and performance are being encountered Often times these problems are unique to the situation and require a trained professional with considerable RF experience to solve Telex maintains a staff of highly trained RF engineers and designers to help our dealers and customers get systems to work in the most critical and demanding applications Wherever possible we build features into our new products to take care of problems before they start The key for the selling dealer is that they have a large
23. 4 pin TA4F 4 pin TA4F 259 709 ULM 21 ERR TUN e Extremely lightweight earworn microphone e Almost invisible Available in beige brown and black Wear on left or right ear e Omnidirectional for smooth natural sound Two sided band for stability e Same mic element as RE97 Available in beige black and brown e Can be worn on left or right side e Unidirectional horn mic e High SPL handling Custom clip for mounting lt O 3 gt yy 2 m m Uu SINOH Wireless Microphones LPA 500 UAA 500 EV Wireless Accessories Antennas etc APD 4 UHF Antenna power distribution system provides power and RF signals for 4 units for use with RE 2 RE 1 and REV RM S Rack mount kit works with RE 2 Receivers RM D Rack mount kit double for two receivers works with RE 2 UAA 500 Wideband RF Antenna Amplifier for use with REV APD 4 and CDR 1000 AB 2 Universal mounting bracket for 1 2 wave antennas with 10 foot coax cable LPA 500 Directional log periodic antenna with mounting hardware and 10 foot coax 500 1 2 wave UHF antenna TP 2 50 ohm TNC termination plug for use with APD 4 CXU X Low loss coax cable X designates length 25ft 2 8 m 50ft 2 16 m RC410 RC510 MSA AN FLEX fi WP1000 RC767A AN SFLEX RC967 BC1000 379 1 RC967 NDYM 967 Dynamic Microphone Element for RE 1 RE2PRO 410
24. 50 18 000 Hz 50 18 000 Hz Open Circuit Voltage at 1 000 Hz 3 2 mV Pascal 2 8 mV Pascal 2 2 mV Pascal Magnetic Circuit N DYM N DYM N DYM Specials Low noise On off Switch Case Material Die cast zinc Die cast zinc Die cast zinc Finish cobalt cobalt cobalt Included accessories Stand adapter zippered vinyl carrying pouch Stand adapter zippered vinyl carrying pouch Stand adapter zippered vinyl carrying pouch Connector type 3 pin XLR 3 pin XLR 3 pin XLR Dimension Length x max Diameter 170 x 53 mm 170 x 53 mm 148 x 23 mm Weight net 332 g 306 g 340 g RE POE s 16 FREGAENGT HERTZ TT AVERAGE RESPONSE gum m 50 Bod 1 ri 20 FREQUENCY IN HERATI L RRA PCE i TH TOR Jum P IRED MICROPHONES E 20 The RE20 and RE27N D are the first choice of microphones for smooth and accurate sound reproduction Their unique and famous performance makes them a favorite in the broadcast recording studio and live sound business RE20 and RE27N D microphones were developed with EV s Variable D design to ensure true and accurate response across all frequencies without the up close boominess associated with proximity effect As a result these microphones have become the industry standard for radio studios worldwid
25. 7 Dynamic Condenser Supercardioid Cardioid Omni Shotgun Stage Lead Vox female Lead Vox male Backing Vox Speech Kickdrum Snare Toms HiHat Overhead Percussion Guitar Amp Bass Amp Acoustic Guitar Upright Bass Strings Piano Accordion Woodwinds Brass Studio Boardrooms Podiums Boundary Speech Broadcast Interview Speech Lav Head Set Vocals Kickdrum Snare Toms HiHat Overhead Percussion Guitar Amp Bass Amp Acoustic Guitar Upright Bass Strings Piano Accordion Woodwinds Brass x gt 38 Cobalt Co11 Cobalt Co09 N D 367S N D 267A S N D 868 N D 478 7 Cobalt Co07 Cobalt Co05 Cobalt Co04 WIRELESS MICROPHONES i WIRELESS MICROPHONES m lt Ja INTRODUCTION Key Strengths e Designed built and supported in the USA e Part of Bosch Communications Systems Solutions EV Speakers amp Amps KT Processing Midas Mixing Telex Intercom e ClearScan the original and best scanning technology on the planet e Patented Posi Phase true di
26. P Bodypack Transmitter e Cast magnesium case is extremely light and durable with a cell phone style beltclip or flat metal clip for comfortable wearing options e Backlit LCD display and three control buttons mounted inside the battery housing make programming a channel or frequency is quick and easy e Software controlled Guitar mode switches in a 20dB pad moves the low end response down to 30Hz and changes the audio circuit to optimized guitar mode One on off switch that also acts as a mute great for pauses in presentations and worship services but it can be disabled to prevent accidental turnoffs during a performance Unique Smart Battery circuit means there is no way to put the 9V battery in wrong Battery level gauge always visible on the LCD display Low battery LED will light when the battery needs a replacement e RF transmit power 5 or 50mW and audio gain are controlled from the LCD screen controls no tools required with the professional RE 1 currently on tour with Zakk Wylde Gretchen Wilson the Reverend Al Green Parliment Static X and Megadeth to name just a few Now Electro Voice establishes a whole new paradigm in professional wireless with the REV REV PH Presentation Handheld e A tough high impact ABS shell using the new RC2 interchangeable microphone elements provides an excellent alternative handheld for rental houses and other users at a lower price point Accessible on off switch
27. Type XLR PolarChoice Plus The first podium microphone with the flexibility to be installed into any environment It can be mounted via a standard 3 pin XLR connector or permanently flush mounted to the podium or tabletop Available in 5 12 and 18 gooseneck lengths The PolarChoice Plus also features an easy to use and programmable microphone mute switch The switch is oriented so that anyone can use it e Mic status LED above the mute switch so the user can see if the mic is on or off e Configure the switch via easy to set switches to be either push on off or push to mute PolarChoice Satellite For wireless applications Integrated desk stand amp configurable switch for use with EV amp Telex wireless beltpacks PolarChoice Desktop For wired use Integrated desk stand amp configurable switch with standard 10 XLR cable Both Feature e Free standing weighted base for reliable stability e Exceptional sound quality with EV s proven PolarChoice design e Easy to use programmable on off mic switch with mic status LED see PC Plus for details Available in three gooseneck lengths 18 12 or 5 PC SATELLITE amp BOUNDARY SATELLITE Element Back electret condenser Polar patterns Satellite Omni Cardioid Super Card Hyper Card Polar patterns Boundary Omni Cardioid Super Card Figure 8 Impedance Low Z balanced 200 ohms Frequency R
28. acoustic rejection directly behind the microphone reducing feedback under live performance conditions Additionally the N D367s s polar patterns are unusually uniform with frequency ensuring superior gain before feedback in live applications and superior isolation when used in the studio Although this is a popular choice for both genders it has become recognized as the perfect complement to a woman s voice e Classic N DYM sound Smooth controlled frequency response e High N DYM sensitivity Superior multistage shock mount for unmatched low handling noise Warm Grip handle for more comfortable feel e Noiseless on off switch e Also sounds great when used on a podium e Cardioid pattern for excellent feedback rejection and acoustic isolation Live Performance Microphones Designed specifically for horns drums acoustical and electric guitars the N D468 provides a smooth natural sound capturing the excitement of the instrument The supercardioid pattern provides superior off axis rejection and acoustic isolation in any application An innovative EV design harnesses the increased power of a neodymium based magnet design allowing a large diameter voice coil up to 50 larger than other mics for dynamic efficient microphone performance N DYM offers the power and clarity to cut through the mix Whatever your instrument application the N D468 is sure to be a top performer Designed spe
29. andheld Transmitter RF Specifications Controls Frequency Range A Band 680 704 MHz TV Channels 49 50 51 52 Power on off switch B Band 722 746 MHz TV Channels 56 57 58 59 Audio gain adjustment with 40 dB range Number of Channels 950 possible programmable in 25kHz steps Transmit power switch Diversity DSP PosiPhase true diversity Microphone Instrument switch 0 20 dB Receiver Type synthesized PLL agile UHF Menu set up down buttons RF Sensitivity lt 0 8uV for 12 dB SINAD Indicators Agency Approvals FCC IC Audio Specifications Frequency Response 100 15 kHz 2 dB microphone 30 15 kHz 2 dB instrument Audio Output Level Line Level 8 mV 0 775V RMS into a 100 k ohm load Balanced Mic 20 dBV max 40kHz deviation Balanced Line 10mV 1V RMS Distortion Less that 0 5 1kHz 40kHz deviation Signal to Noise Ratio gt 110 dB A Dynamic Range gt 100 dB General Specifications Red LED low battery indicator LCD display channel group frequency battery level Battery Life 8 hours with 9V alkaline typical Antenna External 1 4 wave detachable Connector TAAM input for microphone Pin 1 ground pin 2 mic input Pin 3 5V bias pin 4 5V through 3k ohm RF Output Normal 5 mW typical High 50 mW typical HP Special Order 10 mW and 100mW typical Power Supply External 12 VAC 750mA in line with
30. ard Buckner Rick Ward Robosaurus Rockie Lynne Rocky Holman FOH engineer for John Mellencamp Rogue Wave Rupee Caribbean Sean Peel FOH Three Inches of Blood Secret Agent Bill Skywynd Snoop Dog Southern Culture on the Skids Static X Stereo Fallout Steve Brown Steve Sonny B Taylor engineer for Neal McCoy Steve Vai T M Stevens Terri Nunn Terri Walker Terry Evans The Legendary Shack Shakers The Black Irish The Buzzcocks The Honeydogs The Lads Australia The Monks The Reverend Al Green The Roots Theresa Andersson Three Days Grace Thundherstruck Tim Burlingame Kathrin Shorr Tim Lepard Travis Larson Band Twisted Sister Vibro Champs Wolf Simon Yngwie Malmsteen Zakk Wylde E a 27 03 gt TET gt Sc gt mi 28854777 wiwa walas il I E x lt lt x 4 2 ETE SS w 22 gt gt a k II Se NM 2 _ a w Te ER 2 E mm S 2 wu www electrovoice com G33JIAA Y LLI TA O O Ty 6 4 MEA EY Lis 2 CIN Broadcast Studio Microphones INI KN N WW
31. ax Diameter 180 x 50 mm Weight net 215 g Ree 1 I 8 Mg i 1 om T BI 0 dB 10 7 Ji 20 50 100 500 FREQUENCY IN HERTZ 1K 20K High Pass Filter N DYM SERIES Live Performance Microphones MICROPHONES m lt 10 Just listen to Static X explain how the N D967 performs The N D967 was a real problem solver for us Given the volume that the band performs at and the kind of feedback rejection we were looking for there was nothing that worked for us We then discovered the N D967 Wow we were impressed In fact you now see these on high volume stages around the world This mic is a life saver Bruce Reiter FOH engineer Static X Megadeth O dB The N D767a is the singer and engineer s first choice for outstanding vocal clarity in live performance applications With low handling noise and VOB technology the N D767a sounds more like a condenser microphone allowing clarity through all frequencies reducing boominess and P popping associated with other dynamic mics in its class More and more performers are switching to this rugged and sonically superior microphone N D767 a Top class vocal microphone e Multi stage shock mount for unmatched low handling noise Condenser like performance e VOB technology prov
32. back into the lab Hundreds of gallons of coffee later the engineers emerged with a godsend the N D967 N D967 Highest gain before feedback performance vocal microphone Optimized response for live performance e EV exclusive personality switch shapes sound e High N DYMP sensitivity Unique removable front grille assembly and pop filter for easy hygienic cleaning e Superior multistage shock mount for unmatched low handling noise Warm Grip handle for more comfortable feel Element Dynamic Polar pattern Supercardioid Impedance Low Z balanced 150 ohms Frequency Response 3 dB close response 50 13 000 Hz Frequency Response 3 dB far response 120 13 000 Hz Output Level OdB 1 m W Pascal at 1 000 Hz 52 dB Open Circuit Voltage at 1 000 Hz 4 0 mV Pascal Equivalent Noise 0 dB 20 micropascal A weighted lt 16 dB SPL Magnetic Circuit N DYM Case Material Metal Finish Nonreflecting black Included accessories Stand adapter soft zippered carrying pouch Connector type 3 pin XLR Dimension Length x max Diameter 173 x 52 mm Weight net 205 g M 11 Tom 5 47 ls T FIN 0dB FT 10 1 4 4 21 n s 20 50 100 500 1K 5K 20K FREQUENCY IN HERTZ Presence Position 11 N DYM SERIES Live Performance Microphones The N D267a as both incorporate EV s un
33. cifically for instruments e Supercardioid pattern for exceptional acoustic isolation and off axis rejection Unique pivoting head ensures perfect placement for use on drums horns acoustic and electric guitar e Accurate response even in high sound pressure levels SPL Rugged steel construction for exceptional durability Un nd 10 dB MICROPH AVERAGE RESPONSE 20 50 100 500 1 10K 20K FREQUENCY IN HERTZ The N D868 is truly a top performer in any application Whether in a live sound or studio environment the N D868 is able to handle incredibly high sound pressure levels without distortion or overriding the mixer input With a response specifically designed to kick the N D868 can be used as is no additional EO required Perfect for bass drum the N D868 has been applauded by drummers and engineers the world over N D868 Designed specifically for kick drum applications in live or studio environments also excellent on bass guitar floor toms and electric guitar cabinets Optimized sensitivity for the high sound pressure levels found in bass drum micing e Extended low frequency response e Frequency response tailored for plug and play Rugged steel construction for exceptional durability N D468 N D868 Element Dynamic Dynamic Polar pattern Supercardioid Cardioid variant Im
34. company with plenty of experience and talent backing up their wireless installations Important Wireless Terminology Like any other technical business the wireless world is filled with technical jargon and concepts all its own It is very important that you understand the basics of this language or overzealous marketing materials can easily mislead you The Basics A wireless system at its most basic includes a transmitter handheld or bodypack and a receiver There are many ways to get the signal from point A to point B and it is important to dispel any myths or preconceived notions that may have been picked up from various marketing materials We will go through the more common technical terms and try to give you and objective outlook What is Diversity Diversity reception is a method of minimizing the effects of multi path delays that create drop outs of the radio signal This is done by combining or selecting two or more antenna sources for the same signal in order to produce a constantly usable signal This always requires more than one antenna in different physical locations but not necessarily multiple receivers There are many diversity circuits used in wireless microphones on the market today including twin receiver switching diversity antenna diversity switching antenna diversity and the Telex patented Posi Phase auto diversity Each of these methods may be effective depending on the particular implementation o
35. competitive models with greater warmth and increased vocal intelligibility With a wider range of working distances than other microphones this intelligibility ensures a clean clear consistent sound that cuts through the mix VOB counteracts proximity effect sibilance and P popping thus assuring maximum vocal intelligibility and musical clarity S3NOHdOMO2IIN EPIS GUIDELINES Microphone Techniques Lam General Microphone Use Guidelines 1 Always point the microphone at the desired source and away from the sources of any unwanted sound 2 The microphone should be located close to the sound source to minimize interference from other potential sound sources 3 Use the 3 to 1 rule when using multiple microphones place each microphone three times farther away from other microphones as it is from the desired sound source If the microphone is 1 foot away from the sound sources it should be 3 feet away from the next closest microphone 4 Minimize over handling of the microphone to reduce unwanted mechanical noise 5 Positioning the microphone close to the sound source will increase gain before feedback and will also increase the bass tone of the signal Microphone Techniques for Musical Instruments Miking techniques are a matter of personal preference These are merely guidelines to assist in the placement of the microphone to achieve optimal performance Usage Best Mic Placement amp Suggested EV Mic
36. cord Case Material Cast magnesium Size 1 72 H x 7 50 W x 8 38 D 43 69mm H x 190 50mm W x 212 85mm D Size 4 4 in x 2 6 in x 9 in 111 mm x 66 mm x 23 mm a ssam TELEX SAFE 1000 Secure Audio Frequency Encryption WIRELESS 56 5 mm S A F E 1000 men SECCIVER LJ w I Now Telex creators of the first secure wireless microphone offers freedom and security with the new SAFE 1000 second generation encrypted wireless microphone system The SAFE 1000 Secure Audio Frequency Encryption system brings airtight security to wireless transmissions of confidential information Each and every matched SAFE 1000 comes with its own unique security code not even another SAFE 1000 receiver can intercept your transmission The SAFE 1000 offers powerful features like Advanced ClearScan automatic channel selections 950 possible channels and factory preset groups and channels that allow up to 16 simultaneous systems in one band These tools make setting up 10 systems quick and easy When confidentiality is priority one the SAFE system represents a breakthrough in security for wireless microphones Based on technology adapted from Telex s intercom used by the National Football League the SAFE 1000 system is ideal for the transmission of restricted or classified information over a wireless system A scanner cannot intercept encrypted conversation whe
37. crophones gt 52 Ld A 3 m lt The EV RE16 Variable D dynamic supercardioid microphone is designed for the most exacting professional use employing an integral blast filter to permit handheld and outdoor use without P popping or excessive wind noise In utilizing the Variable D design the RE16 features a directional characteristic independent of frequency This results in a microphone that generates little off axis coloration while providing the greatest rejection of unwanted sounds The supercardioid RE16 provides its greatest rejection at 150 degrees off axis An easily operated bass tilt switch corrects spectrum balance for boom use and other longer reach applications RE16 Variable D dynamic microphone supercardioid handheld Great for podium or handheld use Unique blast filter makes close up use possible without popping Uniform response independent of angle e Humbucking coil reduces electromagnetic hum pickup e Bass roll off switch Memraflex grill means screen keeps its shape RE16 Element Dynamic Polar pattern Super Cardioid Impedance Low Z balanced Low Z 150 Ohms nominal Frequency Response 3 dB 80 5 000 Hz Output Level 56 dB Open Circuit Voltage at 1 000 Hz Current Consumption N A Magnetic Circuit N A Case Material Steel Finish Fawn beige micromatte Included accessorie
38. d Mr Improv Hull Eric Gales Eric Tavares Fishbone Geezer Butler Black Sabbath George Clinton Parliament All Stars Go Fish Gregg Rolie Band GWAR Hatebreed Heaven Davis Helen Cornelius Hell Yeah Henry Murphy and the Seahawks Herman Li Dragonforce Honeydogs Hoven Droven Sweden Jack Frost James Lomenzo Megadeth Black Label Society Jamey Jasta Hatebreed Headbangers Ball Host Jeremy Smith FOH engineer for GWAR Jerry Montano Hell Yeah Danzig Jim Baker engineer for John Berry Jim Vilandre Jimmy Clark Jimmy Keegan Spock s Beard Joe Bonamassa Joe Fraulob Danzig John Berry Johnny Hawthorn Band Johnny K 3 Doors Down Disturbed Johnny Kelly Type O Negative Danzig Joshua Craig Podolsky Karl Denson s Tiny Universe Keith Capsuto Keith Frank Kenny Olson Kid Rock The Flask Kenny Wayne Shepherd Keri Noble Kerry King Slayer Kreg Viesselman Larry Russell Lee Scratch Perry Leroy Van Dyke Los Lobos LMT Connection Lonesome Spurs Maktub Marcus Miller Mark Robertson studio engineer East Roswell Studios Marthia Sides Meldrum Michel Montano Caribbean Ministry Moe Bandy Mogwai Neal McCoy Nick Catanese Niki Barr Pete Anderson Pete Shelley Buzzcocks Phi Bloch Presidents of the United States of America Procussions Purple Reign Rafael Alkins monitor engineer Ricky Martin Real Groove Band Reamonn Germany Reverse Cowgirl Rich
39. d for the exacting acoustic reproduction of choirs strings percussion and brass instruments in live performance and sound recordings e True condenser design e Continuous presence rise enhances sound quality Transformerless output Small unobtrusive profile Includes stand clamp windscreen and zippered vinyl pouch Cardioid pattern for excellent feedback rejection and acoustic isolation RE200 Element True condenser Polar pattern Cardioid Impedance Low Z balanced 200 ohms Frequency Response 3 dB 50 18 000 Hz Sensitivity open circuit voltage 1kHz 10 mV Equivalent Noise 0 dB 20 micropascal 21 dB SPL A weighted Maximum SPL 1 distortion 1 000 Hz 130 dB Power requirement Phantom power 12 52 VDC Current Consumption 3 5 mA Magnetic Circuit N A Specials AcoustiDYM transformerless output device Filters Case Material Metal Finish Semi gloss camera black Included accessories Stand adapter windscreen Connector type 3 pin XLR Dimension Length x max Diameter 137 x 28 mm Weight net 185 g 10 0 dB 10 AVERAGE RESPONSE 20 50 100 500 IK 5K 10K 20K FREQUENCY IN HERTZ N OS N V NI N ve 3 N N SS NN EV 4 Cobalt microphones offer roadworthy performance affordability and ergonomics satisfyin
40. e And when it comes to studio recording or professional concert sound applications these mics provide you with the tools you need to get the sound you re after when recording vocals guitars drums or brass ING UP SSE TR A m v Zi L 4 RE27 e Variable D for minimal proximity effect e N DYM element design brings 6 dB more sensitivity RE20 e Variable D for minimal proximity effect e True cardioid with no coloration at 180 degrees off axis Voice tailored frequency response e Ultra flat frequency response e Studio condenser like e Studio condenser like performance performance Large diaphragm e 3 selectable filters 6 dB 250 100 Hz 12 dB 1000 100 Hz 3 dB high frequency roll off Large diaphragm e Humbucking coil e Switchable EO down to 4 5 dB from 400 to 100 Hz Integral wind and blast filter Integral wind and blast filter RE20 RE27 Element Dynamic Dynamic Polar pattern Cardioid Cardioid Impedance Low Z balanced 150 ohms 150 ohms Frequency Response 3 dB 45 18 000 Hz 45 20 000 Hz Power Level OdB 1 mW Pascal 57 dB 51 dB at 1 000 Hz Open Circuit Voltage at 1 000 Hz 1 5 mV Pascal 3 1 mV Pascal Equivalent Noise 0 dB 20 micropascal A weighted Maximum SPL 1 distortion 1 000 H
41. egendary reliability and warranty support EV s long list of patents attest to its success in meeting these goals Normal microphones generate increased bottom end when used close up This is typically called the proximity effect While some lead vocalists like this effect and use it to enhance their performance it is attainable only in close up situations When the distance between the microphone and the source is extended the sound quality changes dramatically Electro Voice s patented Variable D eliminates this disadvantage On the rear side of the diaphragm there is a perforated pipe interference duct with precise sonic slots at set distances The duct provides maximum damping that is completely uncolored and undistorted at 180 off axis ensuring the same frequency response as if the source was nearly on axis Variable D designed microphones can be used very close to other sound sources with no loss in clarity or definition This makes them the preferred choice for tight vocals and challenging instruments such as brass Variable D microphones like the RE20 and RE27 are favorites with broadcast show hosts vocal booths voice over studios and professional touring or rental companies Electro Voice s unique VOB technology Vocally Optimized Bass reduces low frequency distortion in the microphone s output Critical damping of the low frequency resonant peak results in a microphone that replaces the muddiness found in
42. erformance The mic features a 25 ft cable and is terminated in an in line amp module The RE92H s XLR output provides an ultra low noise floor a 12 dB octave switch able high pass filter and a transformer less differential output to drive long cable runs RE92H e Available in black as RE92H in white as RE92HW e Wide smooth frequency response e Cardioid polar pattern In line electronics module e 12 dB octave switchable high pass filter Transformerless differential output to drive long cables RE92 H Element Back electret condenser Polar pattern Cardioid Impedance Low Z balanced 250 ohms Frequency Response 3 dB 40 20 000 Hz Power Level 0dB 1 m W Pascal at 1 000 Hz Open Circuit Voltage at 1 000 Hz 5 6 mV Pascal Equivalent Noise 30 dB SPL A weighted 0 dB 20 micropascal A wd Maximum SPL gt 135 dB 1 distortion 1 000 Hz Power requirement Phantom power 24 to 52 V Phantom Power Current Consumption 6 mA Special external preamp output device Case Material Steel Finish Nonreflecting black or white Included accessories mounting hardware Connector type 3 pin XLR Dimension 10 5 mm D x 32 1 mm L mic only Weight net 240 g total AVERAGE RESPONSE 500 1K 5K 10K 20K FREQUENCY IN HERTZ rrrrr High Pass Filter RE SERIES RE92L The RE92L is based on a great sounding new cardioid microphone element This capsule features a broad and smooth frequency response for a wa
43. esponse 3 dB 75 15 000 Hz Power Level 0dB 1 m W Pascal at 1 000 Hz 44 dB Open Circuit Voltage at 1 000 Hz 5 6 mV Pascal Equivalent Noise 0 dB 20 micropascal A weighted 28 dB SPL Maximum SPL 196 distortion 1 000 Hz 130 dB Power requirement 5 V DC from Beltpack Current Consumption 2 8 mA Finish Nonreflecting black Connector type TA4F PolarChoice Boundary Satellite The new PolarChoice Boundary Satellite from Electro Voice is the most flexible wireless boundary microphone available today This unique product provides the perfect solution for countless applications while meeting the critical demands of contractors consultants and rental houses everywhere Features e Selectable polar patterns including Figure 8 e Easy to use on off switch which is programmable and completely noiseless e For use with EV and Telex beltpack transmitters RE SERIES Adstallation Microphones RE90P Gooseneck podium microphone available in 12 and 18 inch formats e Uniform frequency response and polar pattern e Strutted yet flexible ultra thin gooseneck e Features EV s exclusive new Multiport windscreen which virtually eliminates P pops RE90H e Available in black as RE90H in white as RE90HW e Hanging microphone Internal pre amp Very uniform polar pattern Includes installation guide
44. f the circuitry by the manufacturer provided other critical areas of the receiver circuitry are not compromised The term diversity is derived from the word diverse which according to the American Heritage Dictionary means varied or unlike In the RF world this translates to two or more unlike sources of received signal energy at the receiver As long as the two sources of signal are unlike or varied from each other they are diverse hence the term diversity These days you hear a lot of hype about some systems that claim to be true diversity It this were true there would also have to be a false diversity But by definition any receiver using two or more varied signal inputs has diversity so the only false diversity would be single antenna non diversity Major manufacturers may differ in their particular implementation of the diversity circuitry but all diversity systems use different sources of received energy from two or more antennas The term true diversity is meaningless from an engineering standpoint What is patented Posi Phase Diversity Posi Phase diversity uses two antennas spaced apart connected to a single high quality receiver The antenna signals are connected internally to microprocessor circuits that monitor the phase relationship between the two antennas Both antennas are active at all times which greatly increases the signal strength under normal conditions In the event
45. feel and low handling noise Element Condenser self biased Polar pattern Cardioid Impedance Low Z balanced 250 ohms Frequency Response 3 dB 50 20 000 Hz Sensitivity open circuit voltage 1kHz 3 2 mV Equivalent Noise 0 dB 20 micropascal 26 dB SPL A weighted Maximum SPL 196 distortion 1 000 Hz 140 dB SPL Power requirement Phantom power 24 48 VDC Specials No Case Material Metal Finish Warm Grip black handle Included accessories Stand adapter soft zippered gig bag Connector type 3 pin XLR Dimension Length x max Diameter 182 x 51 mm Weight net 260 g 20 50 100 500 AVERAGE RESPONSE 1K SK 20 FREQUENCY IN HERTZ Element Condenser self biased Polar pattern Supercardioid Impedance Low Z balanced 150 ohms Frequency Response 3 dB 50 20 000 Hz Sensitivity open circuit voltage 1kHz 2 5 mV Equivalent Noise 0 dB 20 micropascal 18 dB SPL A weighted Maximum SPL 1 distortion 1 000 Hz 140 dB SPL Power requirement Phantom power 12 52 VDC Specials transformerless output device Filters switchable low freq roll off Case Material Metal Finish Warm Grip black handle Included accessories Stand adapter zippered vinyl carrying pouch Connector type 3 pin XLR Dimension Length x m
46. g SR785L Same as SR785LN O except without normally open switching 785L Same as SR785LN O except without a switch iL US690 Gooseneck Mic A 12 inch flexible gooseneck microphone Features N DYM magnet structures that provide up to 6 dB more sensitivity than conventional designs A dynamic cardioid the US690 terminates with an XLR type connector and plug in mount Rugged design and mic element make the US690 ideal for the most demanding applications where good sound is required US600EL PTT Hand Mic A hand microphone designed for maximum noise rejection in high ambient areas and effective use without close talking techniques An excellent choice for critical communication applications US600EL is built to withstand rough usage and atmospheric extremes US602FL A hand microphone featuring clear speech transmission in high ambient noise level environments convenient grip to talk activation and noise canceling dynamic design Perfect for police marine and mobile paging applications NC450D amp 450D PTT Hand Mics A dynamic paging hand microphone NC450D s noise canceling design makes it particularly effective for use in noisy locations and excellent voice response characteristics make it a good choice in quiet areas as well Output impedance is 200 ohms for matching low impedance input circuits A push to talk switch is located on the molded ABS microphone housing A soft rubber lip guard assure user of correct
47. g all the microphone needs of musicians The Co11 is the newest addition to the line offering condenser performance at an affordable price The Co4 is ideal for a variety of instruments and stage applications the other members of the Cobalt family all provide outstanding performance for vocal and spoken word program From the high SPL handling of the Co7 to the premium Co9 the Co5 with its on off switch Cobalt provides versatility and exemplary sound MICROPHONES ME NE Cobalt Co Condenser Vocal Mic e Versatile condenser microphone extended frequency response and wide dynamic range e Cardioid polar pattern with excellent feedback rejection and acoustic isolation High compliance shock mount effectively eliminates handling noise Multistage pop filter eliminates breath pop noises e Memraflex hardened grille screen Premium Vocal Mic e Cardioid polar pattern with excellent feedback rejection and acoustic isolation e Slight bass roll off and accentuated midrange e Includes stand adapter and zippered vinyl carrying case SPECS Co11 Co9 Element Self biased condenser Dynamic Polar pattern Cardioid Cardioid Impedance Low Z balanced Low Z balanced 250 Ohms 600 ohms Frequency Response 3 dB 50 20 000 Hz 50 18 000 Hz Open Circuit Voltage at 1 000 Hz 3 2 mV Pascal Power requirement Phantom power 24 to 48 Vdc N A Current Consumption N A N A Ma
48. gnetic Circuit N A N DYM Specials Case Material Die cast zinc Die cast zinc Finish cobalt cobalt Stand adapter zippered vinyl carrying pouch Included accessories Stand adapter zippered vinyl carrying pouch Connector type 3 pin XLR 3 pin XLR Dimension Length x max Diameter 170 x 53 mm 173 x 53 mm Weight net 292 g 335 8 ST 2 TX Lac p 1 7 Crossroad Vocal Mic e Cardioid polar pattern with excellent feedback rejection Excellent performance in high SPL environments Low handling noise ideal in critical acoustic settings N Cobalt Co Co5 Classic Vocal Mic e Cardioid polar pattern with excellent feedback rejection Designed for the performer who prefers a careful balance of highs midrange and bass Exceptional vocal intelligibility e Controlled proximity effect e Features on off switch he Goban 4 Y CI 223 4 Instrument Mic e Designed to yield outstanding performance when micing acoustic and electric instruments Perfect for live sound and studio applications e Applications include electric guitar and bass guitar amplifiers toms snare cymbals high hat brass and acoustic guitar 5 Co4 Element Dynamic Dynamic Dynamic Polar pattern Cardioid Cardioid Cardioid Impedance Low Z balanced 600 ohms 600 ohms 600 ohms Frequency Response 3 dB 50 18 000 Hz
49. hannels Programmable in 25 kHz steps Modulation 40 kHz Diversity Digital Posi Phase True Diversity RF Sensitivity lt 1 0 uV for 12 dB SINAD Image Rejection gt 60 dB Squelch Tone Code plus Amplitude Ultimate Quieting gt 100 dB FCC Certification Approved under Part 15 Power Requirements 12 V AC DC 300 mA Antennas Detachable 1 4 wave Dimensions 1 72 H x 750 W x 5 9 D 43 69 cm H x 190 50 mm W x 150 mm D Frequency Response 50 15 kHz 2 dB Balanced Output max 40 kHz deviation Mic Position Line Position 10 dBV Adjustable 10 mV 2V RMS Unbalanced Output Adjustable 10 mV 1V RMS Distortion lt 1 0 0 5 typical ref 1 kHz 40 kHz deviat Signal to Noise Ratio gt 100 dB A Weighted Dynamic Range gt 100 dB Radiated Output 30 mW typical Microphone Head Electro Voice 767a N D 767a Supercardioid N DYM Dynamic Microphone Head Electro Voice 267a N D 267a Versatile Cardioid Dynamic Microphone Head Electro Voice RE 410 RE 410 Classic Cardioid condenser Standard Lavalier Microphone EV RE 90Tx MicroMini Omni Directional Condenser TA4 Connector Wiring Pin 1 Ground Pin 2 Mic Input Pin 3 5V bias Pin 4 5V bias through a 3kW resistor Audio Gain Adjustment 40 dB handheld 26 dB Power Requirements 9 Volt Alkaline Battery Battery Life Typical
50. he TXA Desk stand with rubber shock mount accepts mic stand clamps black Suspension shock mount for RE20 RE27 black Mic stand clip for 1 0 inch diameter microphones RE50 BK 1 black Mic stand clamp for all EV 3 4 inch diameter microphones 635A RE16 RE200 N D468 black Stand clamp for Cobalt Co4 instrument microphone black Stand clamp for RE20 RE27 N D868 Windscreen pop filter 376 gray 379 1 black 379 2 red Shock mount for RE90P and PolarChoice gooseneck mics black Drum mic mounting clamp N D468 N D478 black not shown Windscreen pop filter for user with 635 series mics gray 326 Mic stand clamp for all NDYM and Cobalt handheld microphones TECHNICAL INFO In 1934 Electro Voice invented the hum bucking coil for microphones which is still an industry standard almost 70 years later The invention was the beginning of EV s success in building microphones but not the end Electro Voice continues to set new standards for microphone design today Electro Voice was the first manufacturer to use neodymium based magnet structures N DYM in its microphones thus achieving higher output and condenser like qualities such as crystal clarity and reliable performance Electro Voice s goals in developing microphone technologies have always been the same providing the highest sound quality achieving better and more comfortable handling for the user and continuing the company s tradition of l
51. headworn mic beige or brown Combo Receiver N D267a handheld bodypack transmitter ULM21 lavalier mic RE 2 Receiver e One touch Auto ClearScan Programmable in 25kHz steps across 28 MHz operating bandwidth e Backlit LCD displays the Group Channel Frequency transmitter battery level diversity operation and RF and Audio signal level meters Balanced XLR audio output for Microphone or Line level signals and a 1 4 inch line level jack Fourth generation Posi phase diversity and advanced audio circuits e Unique Guitar setting e Detachable 1 4 wave antennas RE 2 UHF Transmitter Unique smart battery e LCD Displays Group and Channel Frequency or Battery Level Low battery LED e One On Off button that also acts as a mute e On Off button can be disabled RE 2 UHF Handheld e Available with four different microphone elements e N DYM 267a Dynamic element e N DYM 767a Dynamic premium vocal microphone with VOB Vocal Optimized Bass e RE410 cardioid condenser e RE510 supercardioid condenser e nternal 1 2 wave antenna RE 2 UHF Bodypack Cell phone style beltclip Optional pouches and fixed clip available A wide selection of lapel and headworn microphone accessories available Receiver Synthesized PLL Frequency Range RF A Band 648 676 MHz TV Channels 43 48 B Band 696 724 MHz TV Channels 51 56 Number of Channels 1112 possible c
52. hms 400 ohms Maximum SPL 0 596 THD 150dB SPL 0 596 THD 162dB SPL 196 THD Power requirement Phantom power 4V 48 Vdc N A Included accessories Stand adapter Stand adapter cloth gig bag soft cloth bag Connector type 3 pin XLR 3 pin XLR FREQUENCY RESPONSE A b 8 81 FREQUENCY RESPONSE SERO ECORI Live Performance Microphones RE SERIES For professional concert sound or studio recording applications the RE410 provides crisp clear top end sweet mid range and pulls the voice out of the mix in a crowded spectrum The RE410 is perfect for high energy pop rap hip hop and indie rock RE410 e Versatile handheld condenser microphone e Ideal for both vocals and spoken word use e Cardioid pattern for excellent feedback rejection and acoustic isolation Warm Grip handle for comfortable feel and low handling noise High compliance shock mount effectively eliminates handling noise Multistage pop filter eliminates breath pop noises The RE510 is the first choice of microphones for smooth and accurate sound reproduction Its unique performance make it a favorite in the professional touring business RE510 e Professional condenser vocal microphone Selectable low end roll off e Supercardioid pattern e Excellent off axis rejection Wide dynamic range Large diameter diaphragm for clear warm sound e Warm grip handle for great
53. ice external pre amp external preamp Case Material Heavy duty zinc diecast Polycarbonate resin Finish Nonreflecting black Nonreflecting black or white Nonreflecting black Nonreflective black or white Included accessories Gig bag tape mounting hardware Connector type TA4F 3 pin XLR 3 pin XLR 3 pin XLR Dimension 141Lx81W x O 128 L x 94 W x 16 mm Lx 5 D mm 10 5 mm D x 24 1 mm L Weight net 1289 358 g 34g 160 g total GENERAL PURPOSE ee 92 LLI or Oo N 649B The popular omnidirectional dynamic lavalier microphone has been an industry standard for many years Its frequency response is tailored for balanced performance in the lavalier chest position The turned aluminum case and nested mechanical parts assure rugged durability The 649B is also used in industrial applications 785 Family Gooseneck Paging Mics A low impedance gooseneck microphone for single zone paging Designed for applications where ruggedness dependability and durability are the main requirements Microphone housing is constructed of die cast zinc alloy to stand up to the toughest abuse and conditions Features a recessed aluminum grille with windscreen and a durable satin chrome finish All units include a heavy duty 3 hole mounting flange and an extra strength 16 inch flex arm of steel tubing SR785LN O includes a push button switch with normally open lt switchin
54. ide maximum range and professional sound quality Includes single and dual rack mount hardware with front antenna cables e Smart battery circuit means there is no way to put the battery in wrong Tone Code plus Amplitude squelch with one button on off Three year warranty SPECS Receiver CLOSE UP LA TOP VIEW CONTROL VIEW REAR PANEL FMR 500 RECEIVER Synthesized PLL Frequency Range RF 648 676 MHz B Band 696 724 MHz G Band 614 642 MHz Number of Channels 1112 possible frequencies Programmable in 25 kHz steps Modulation 40 kHz Diversity Digital Posi Phase True Diversity RF Sensitivity 1 0 mV for 12 dB SINAD WT 500 BODYPACK TRANSMITTER e Features 1112 selectable channels on off battery low led indicator and TA 4M mic connector Mic Guitar Software switch Operates on a single 9V battery HT 500D HANDHELD TRANSMITTER e Features 1112 selectable channels on off switch and the EV NDYM 767a dynamic mic element with VOB Operates on a single 9V battery HT 500C HANDHELD TRANSMITTER e Features 1112 selectable channels on off switch and the EV RE410 condenser mic element Operates on a single 9V battery SPECS FMR 500 TRANSMITTER Radiated Output 30 mW typical Microphone Head ElectroVoice767a N D 767a supercardioid N DYM Dynamic RE410 cardioid condenser ELM 22S MicroMini Om
55. idelines 64 67 SN N 1 Sq3NOHdOd2IIN Eu MOM NTRODUCT a d n Latin America Al Davis FOH engineer Rev Al Green Lee Scratch Perry Albert Lee Alexx Calise Alison Hinds Caribbean Annie Minogue Band Arizona Asesino Avishai Cohen Bill Racine studio engineer Mogwai Mercury Rev Whirlwind Heat etc Black Label Society Blackbird McKnight Parliament Blackhawk Blasko Ozzy Osbourne Blue County Bobby Bare Jr Brian Herb FOH engineer Helmet Bruce Reiter FOH engineer Static X Dragonforce Captain Yonder Captured by Robots Cesaria Evora France Champtown Chumley s Toy Clem Burke Blondie Clipp Payne Parliament Courtney Pine Craig Schumacher studio engineer Neko Case Calexico etc dada Damon Johnson Alice Cooper Dan Lance FOH engineer for John Prine Kris Kristofferson Leon Redbone Danny B Harvey Dave Fridmann Grammy Award winning recording engineer The Flaming Lips Dave Mustaine Dave Wolfe Trio David Frizzell David Lee Legendary Shack Shakers Deke Dickerson DevilDriver Devo Dick Dale Dino Cezares DJ Ashba Doug Short FOH engineer David Lee Roth Slayer Dr Dog Duane Dungey FOH engineer Parliament Echo and the Bunnymen E
56. ides tailored bass response for controlled proximity effect and exceptional vocal clarity e Supercardioid pattern for superior feedback rejection and acoustic isolation e Neodymium based magnet structure provides greater sensitivity and signal to noise ratio Warm Grip handle for more comfortable feel Element Dynamic Polar pattern Supercardioid Impedance Low Z balanced 300 ohms Frequency Response 3 dB close response 35 22 000 Hz Frequency Response 3 dB far response 70 22 000 Hz Output Level OdB 1 m W Pascal at 1 000 Hz 51 dB Open Circuit Voltage at 1 000 Hz 3 1 mV Pascal Equivalent Noise 0 dB 20 micropascal A weighted lt 17 dB SPL Magnetic Circuit N DYM Case Material Metal Finish Nonreflecting black Included accessories Stand adapter soft zippered carrying pouch Connector type 3 pin XLR Dimension Length x max Diameter 181 x 52 mm Weight net 260 9 10 I 1 AVERAGE RESPONSE 20 50 100 500 1K 5K 10K 20K FREQUENCY IN HERTZ Hundreds of performers and engineers asked us for this microphone They said Give us a mic that has excellent gain before feedback excellent rejection of extraneous noise like cymbals and can really take the high SPL world of the metal and rap stage Our design engineers went out to countless shows and experienced first hand what our customers were talking about They then went
57. in a multi sound environment is required The ENG618 boom pole extends quickly and easily for placement over or across any obstruction with little effort The systems lightweight design and excellent balance allows consistent audio coverage without fatigue in a highly portable self contained package The ENG618 offers very high sensitivity an extremely natural sound quality and the hypercardioid line design provides maximum output from the desired sources and excellent rejection of unwanted off axis noise A 200Hz low end roll off switch provides additional flexibility The EV ENG618 the industry s first newsworthy integrated boom pole shotgun microphone ENG618 Integrated Shotgun Boom pole Microphone and built in headphone pre amp e Designed for ENG Broadcast news gathering Hypercardioid line back electret condenser microphone Ultra lightweight boom pole extends from 18 to 6 ft in length Operates from either phantom or battery power NNN N NNN x N NNN a RNN NAAN 52 N NNN ENN ND w w POLAR CHOICE SERIES PolarChoice the first podium microphone that allows you to select the polar pattern continues to get better PolarChoice is now available in seven different versions These include the standard XLR FL Flange Mount and PC Plus for conventional mounted podium mic in
58. ing multiple receivers together it is best to use an antenna distribution system like the APD4 The APD provides power and antenna connectors for 4 receiver and can be cascaded to run antennas for up to 16 systems from 2 antennas using 5 APD4 units The important thing to keep in mind is to connect the input of each additional splitter to the output of the original APD4 the one connected directly to the antennas to prevent a loss of rang Wireless Gain Settings Almost every wireless microphone system has an adjustment on the transmitter that is called a Gain adjustment which often confuses users This setting should really be called a Deviation Control but that would more than likely confuse users even more The problem with calling it a gain setting however is that the end user attempts to use it to set their overall audio level not what the control is designed to do After all wired microphones do not have a gain control and the mixing board or amplifier must be used to control the audio levels The gain setting is unique to wireless microphones and is used to maximize the signal to noise ratio and dynamic range whether it is used as a podium microphone close talking signing mic lapel headworn or even guitar or instrument Frequency Modulated FM radios transmit audio information as changes in the carrier frequency The bigger the changes in frequency the better the signal to noise ratio So if the sy
59. ique VOB Vocally Optimized Bass technology to provide the performer with reduced resonant distortion at low frequencies Critical damping of the low frequency resonant peak has resulted in a found in competitive models with greater warmth and increased vocal clarity The increased clarity permits greater working distances than other competitive microphones and ensures a clean clear consistent sound that punches through the mix e VOB technology provides tailored bass response for controlled proximity effect and exceptional vocal clarity Cardioid pattern for superior feedback rejection and acoustic isolation e Consistent sound over greater working distances than competitive models e Neodymium based magnet structure provides greater sensitivity and signal to noise ratio Warm Grip handle for more comfortable feel and low handling noise e On Off switch on N D267as EPHONES 3 microphone that replaces the muddiness N D267 a as Element Dynamic Polar pattern Cardioid Impedance Low Z balanced 300 ohm Frequency Response 3 dB close response 45 15 000 H Frequency Response 3 dB far response 100 15 000 H Output Level 0dB 1 m W Pascal at 1 000 Hz 52 dB Open Circuit Voltage at 1 000 Hz 2 9 mV Pascal Equivalent Noise 0 dB 20 micropascal A weighted lt 17 dB SPL Magnetic Circuit N DYM Case Material Metal Finish Nonreflecting black
60. itar amplifier toms snare cymbals hi hat brass and acoustic guitar e VOB technology provides tailored bass response for controlled proximity effect and exceptional sound clarity e Excellent choice for micing acoustic or electric instruments whether in a live sound or studio environment Neodymium based magnet provides greater sensitivity and signal to noise ratio Cardioid pattern for superior feedback rejection and acoustic isolation Warm Grip handle for comfortable feel and lower handling noise N D478 Element Dynamic Polar pattern Cardioid Impedance Low Z balanced 300 ohms Frequency Response 3 dB close response 45 15 000 Hz Frequency Response 3 dB far response 100 15 000 Hz Output Level 0dB 1 m W Pascal at 1 000 Hz 52 dB Open Circuit Voltage at 1 000 Hz 2 9 mV Pascal Equivalent Noise 0 dB 20 micropascal A weighted lt 17 dB SPL Magnetic Circuit N DYM Case Material Metal Finish Nonreflecting black Included accessories Stand adapter soft zippered carrying pouch Connector type 3 pin XLR Dimension Length x max Diameter 181 x 52 mm Weight net 247 Z RESPONSE eu 50 100 500 1 DR TOK 20K FREQUENCY IN HERTZ e E 72 87 The Electro Voice RE200 is a cardioid true condenser instrument microphone designe
61. klit Display Group channel diversity label squelch set up screen audio signal amplitude RF signal strength Connectors Back Panel 1 4 inch unbalanced adjustable output XLR balanced output Antennas Detachable 1 4 wave RF Specifications Frequency Range G Band 614 638 MHz TV Channels 38 39 40 41 F Band 650 674 MHz TV Channels 44 45 46 47 A Band 680 704 MHz TV Channels 49 50 51 52 B Band 722 746 MHz TV Channels 56 57 58 59 Number of Channels 950 possible programmable in 25kHz steps Diversity DSP PosiPhase true diversity Receiver lype synthesized PLL agile UHF Modulation Type NFSK Squelch Digital plus Amplitude approved under Part 15 Audio Specifications Frequency Response 100 7000 Hz 2 dB Encryption 32 Bit 16 imbedded 16 user assigned Audio Output Level Line Level 8 mV 0 775V RMS into 100 k ohm load Balanced 10 dBV max Distortion Less that 1 0 1kHz Signal to Noise Ratio gt 90 dB Dynamic Range gt 90 dB General Specifications Power Supply External 12 750mA in line with cord Size 1 72 H x 750 W x 8 38 D 43 69mm H x 190 50mm W x 212 85mm D SPECS SAFE HT Controls Power on off Audio gain adjustment with 26 dB range Transmit power switch Menu set up down buttons Displays LCD display channel and
62. lways purchase a complete solution That is if you eventually intend to add more systems make sure you select a system that will allow for the total number of future systems Also don t forget to look at accessories such as antenna combiners antennas low loss coaxial cable and microphone choices Electro Voice has a complete line of wireless accessories for both VHF and UHF systems These accessories allow the system to be tailored for the individual application and allow the user to get the most from their investment Wireless Microphone Antenna Guide ANTENNA TYPES Most products ship with 1 4 inch wave antennas to be mounted directly on the receiver or the rack mount hardware These 1 4 inch wave antennas are not ground independent meaning that they cannot be mounted remotely at the end of a run of coaxial cable For remote mounting use 1 4 inch wave or directional Log Periodic antennas such as the FA 500 CLA series or the LPA500 REMOTE MOUNTING Antennas should be mounted with a direct line of sight to the performance area Whenever possible that also means above the cast and crew so mounting antennas ten feet in the air at the side of the state is one of the best places for them All coaxial cable has signal loss so keep the cable runs to minimum and use low loss cables to keep the maximum performance range The CXU cables from EV use very low loss cables that will help maintain range ANTENNA DISTRIBUTION When rack
63. mum range and audio quality Guitar mode matches the optimized instrument audio with the REV BP bodypack Internal universal switching power supply headset monitoring jack and DC power on antenna input jacks for optional RF amplifier Integrated rack mount ears and front mount antenna cables included Three Year Limited Warranty REV S SINGLE AND REV D DUAL RECEIVERS Front Panel Controls On Off Menu Set Up Down Buttons 1 4 Headset Jack with Selector and Volume Indicators LCD Group Channel Diversity Label Set up Backlit Display Menu driven dot matrix Back Panel Connectors 1 4 unbalanced adjustable line level output XLR balanced mic line level output RJ 45 CAN interface x2 parallel Antennas Detachable 1 2 wave RF Specifications Frequency Range C1 Band 614 638 MHz TV Channels 37 41 C2 Band 650 674 MHz TV Channels 44 47 C3 Band 674 698 MHz TV Channels 48 51 C5 Band 722 746 MHz TV Channels 56 59 Number of Channels 950 possible programmable in 25kHz steps Diversity DSP PosiPhase True Diversity Squelch Tone Code plus Adjustable Amplitude Receiver Synthesized PLL Agile UHF RF Sensitivity 0 8uV for 12 dB SINAD Audio Specifications Frequency Response 100 15 kHz
64. n you re on a SAFE 1000 system unlike other brands of wireless microphones SAFE 1000 L BODYPACK SYSTEM e SAFE 1000 950 channel UHF receiver e SAFE WT bodypack transmitter e ELM 22 micromini omni lav mic e Rack mount hardware for single dual mount e 2 1 4 wave antennas In line power supply SAFE 1000 H L COMBO SYSTEM e SAFE 1000 950 channel UHF receiver e SAFE HD EV 767a NDYM handheld transmitter e SAFE WT bodypack transmitter e ELM 22 omni Lapel microphone e Rack mount hardware for single dual mount e 2 1 4 wave antennas In line power supply SAFE 1000 HD ENCRYPTED HANDHELD SYSTEM e SAFE 1000 950 channel UHF receiver e SAFE HD EV 767a NDYM handheld transmitter e Rack mount hardware for single dual mount e 2 1 4 wave antennas In line power supply SAFE 1000 WT BODYPACK SYSTEM same as SAFE 1000 L with no mic SAFE WT UHF ENCRYPTED WIRELESS BODYPACK TRANSMITTER e 950 selectable channels On off switch Metal housing Tx power switch e Battery low LED indicator e TA 4M mic connector Operates on a single 9V battery SAFE HD UHF ENCRYPTED WIRELESS HANDHELD TRANSMITTER e 950 selectable channels On off switch Tx power switch e Battery low led indicator e EV N D767a dynamic mic element Operates on a single 9V battery SPECS SAFE 1000 Controls Front Panel On Off menu set up down buttons Rear Panel 1 4 inch output level Indicators LCD Bac
65. ni Directional Condenser Pin 1 Ground Pin 2 Mic Input Pin 3 5V bias Pin 4 5V bias through a 3k Ohm resistor Microphone Head ElectroVoice RE410 Standard Lavalier Microphone TA4 Connector Wiring Image Rejection gt 60dB Squelch Tone Code plus Amplitude Ultimate Quieting gt 100dB FCC Certification Approved under Part 15 Power Requirements 12 V AC DC 300mA Operating Temperature 7 to 49 C 20 to 120 F Dimensions 1 72 H x 7 5 W x 5 9 D 43 69mm H x 190 50 W x 150mm D Audio Parameters Frequency Response 50 15kHz 2dB Balanced Output max 40kHz deviation Mic Position 10dBV Line Position adjustable 10mV 2V RMS Unbalanced Output adjustable 10mV 1V RMS Distortion 1 096 0 5 typical ref 1kHz 40kHz deviation Signal to Noise Ratio gt 100dB A Weighted Dynamic Range gt 100dB Audio Gain Adjustment 40 dB 26dB HT500 Power Requirements 9 Volt Alkaline Battery Battery Life Typical gt 8 hours with 9 Volt Alkaline Typical Bodypack Antenna Flexible external 1 4 wave Handheld Antenna Internal 1 2 wave Dimensions Handheld 9 4 in 24 0cm Long Dimensions Bodypack 3 8 in Hx2 38 in W x 0 92 in D 96 5 mm H x 60 5 mm W x 23 4 mm D 29 m re m N 53 Wireless Microphone System Uu V TT x
66. nstallation Microphones for inconspicuous attachment e Internal preamp and XLR termination e Omnidirectional polar pattern provides clean sound and uniform response e Complete assortment of clips e Perfect for television business and 10 0B worship applications AVERAGE RESPONSE 10K 20 50 100 500 1K 20K 20 50 100 500 1K 5K FREQUENCY IN HERTZ FREQUENCY IN HERTZ Boundary Satelite RE90 B RE90 L RE92 L Element Dual condenser Back electret condenser Back electret condenser Back electret condenser Back electret Polar pattern Omnidirectional Half Cardioid Omnidirectional Cardioid Cardioid Supercardioid Impedance Low Z balanced 1 kHz 1000 ohms 200 ohms 100 ohms 250 ohms Frequency Response 3 dB 50 20 000 Hz 80 15 000 Hz 50 18 000 Hz 40 20 000 Hz Power Level OdB 1 m W Pascal at 1 000 Hz 33 0B 34 dB 34 dB Open Circuit Voltage at 1 000 Hz 17 8 mV Pascal 25 mV Pascal 12 6 mV Pascal 5 6 mV Pascal Equivalent Noise 0 dB 20 micropascal lt 26 dB SPL lt 25 dB SPL lt 29 dB SPL lt 30 dB SPL A weighted Maximum SPL 1 distortion 1 000 Hz 130 dB 127 dB 130 dB gt 135 dB Power requirement Phantom power 5 VDC 9 52 VDC 9 52 VDC 24 to 52 V Phantom Power Current Consumption 1 5 mA 2 5 mA 1 0 mA 6 mA Specials transformerless output dev
67. of a signal interruption from a partial phase cancellation multipath or total phase cancellation dropout the logic circuitry adjusts the phase of the secondary antenna to a positive condition relative to the primary antenna This process occurs in a fraction of a second and continually adjusts the phase of the second antenna for the optimum signal A similar patented technique is used in cellular telephones to insure their reliable operation Telex Posi Phase diversity is more effective and less costly to produce than switching diversity because only one high quality receiver is required Since only one receiver is needed we are able to concentrate on the overall receiver design on more important aspects of the receiver design such as filtering IF circuitry squelch and audio circuitry Concentrating on these critical areas of a receiver design yields superior performance over switching diversity The superior performance is easily verified by a simple shoot out with range and audio quality tests Generally under the same environment Telex systems will go nearly twice as far as competitive models in a similar price range What is Phase Cancellation Phase cancellation or multipath dropout is a phenomenon where a direct radio signal and a reflected radio signal combine in the receiver The two signals are slightly out of phase from each other due to the delay in the reflected signal The phase difference causes the two signals to interfere
68. ones Accessories MAC 2 XLR to TA4F adapter cord RSB 2 Referee mic switch box TA4F For WT 1000 and BPU2 PRO Only Note bodypack transmitters must be modified for use with RSB switch box PH23 Headworn unidirectional mic with TA4F PH21 Headworn unidirectional mic with TA4F SCHS 745 746 Special Projects headworn mics with TA4F 746 is water resistant for aerobics use ELM 22S Premium omnidirectional lapel mic with TA4F ELM 33S Premium unidirectional lapel mic with TA4F WP 23 Aerobics sports pouch for use with bodypack transmitter WP 1000 Leather bodypack pouch for use with WT 1000 ALP 450 172721 AMTEHHA Jet TELEX Wireless Accessories Antennas Coax amp Hardware UAD 4 UHF narrowband 600 780 MHz antenna splitter combiner provides RF and power for 4 receivers RM D Rack mount kit double for two receivers works with FMR 1000 FMR 500 FMR 70 and SAFE 1000 receivers RM S Rack mount kit single for one receiver works with FMR 1000 FMR 500 FMR 70 and SAFE 1000 receivers ALP 450 Directional log periodic UHF antenna 450 900 MHz with mounting hardware amp 10 foot coax TP 2 50 ohm TNC termination plug for use with UAD 4 AD 450 UAA 500 Wideband RF Antenna Amplifier for use with UAD 4 ANU 14 1 4 wave UHF antenna for use with FMR 1000 FMR 500 and SAFE 1000 CLA X 1 2 wave UHF antenna X denotes frequency band CXU X Low loss coax cable X designates length 25 50 75
69. p the Electro Voice RE 2 brings ease of use clear sound and clean channels to wireless Where does the performing musician corporate speaker or religious leader for professional sound To Electro Voice a company that has over 25 years of experience in wireless innovations The RE 2 wireless system takes frequency agility to a whole new level professional power with previously unmatched simplicity You can also be assured that there will be no interference drop outs or compromised audio quality Simply press the one touch Auto ClearScan button and the receiver finds the clearest channels in seconds That s it You do your job as a professional performer without the hassle and headache associated with many other wireless systems Uu V l TT x RE 2 UHF systems provide groups of up to 10 simultaneous harmonized channels per frequency bands Besides individual components following complete sets including transmitter and receiver are available RE2 N2 Receiver N D267a handheld transmitter RE2 N7 Receiver N D767a handheld transmitter RE2 410 Receiver RE410 handheld transmitter RE2 510 Receiver RE510 handheld transmitter RE2 G Receiver bodypack transmitter MAC G3 guitar cord RE2 BP Receiver bodypack transmitter RE2 L10 Receiver bodypack transmitter OLM10 lavalier mic RE2 L21 Receiver bodypack transmitter ULM21lavalier mic RE2 E Receiver bodypack transmitter RE97
70. pedance Low Z balanced 150 ohms 150 ohms Frequency Response 3 dB close response 30 22 000 Hz 20 10 000 Hz Frequency Response 3 dB far response 60 22 000 Hz Output Level 0dB 1 m W Pascal at 1 000 Hz 51 dB 52 dB Open Circuit Voltage at 1 000 Hz 3 1 mV Pascal 1 0 mV Pascal Equivalent Noise 0 dB 20 micropascal A weighted 14 dB SPL 17 dB SPL Magnetic Circuit N DYM N DYM Case Material Metal Metal Finish Nonreflecting black Nonreflecting black Included accessories Stand adapter Stand adapter soft zippered soft zippered carrying pouch carrying pouch Connector type 3 pin XLR 3 pin XLR Dimension Length x max Diameter 115 x 52 mm 133 x 60 mm Weight net 190 g 295 0 FREQUENCY RESPONSE CO 10 0 dB 10 AVERAGE RESPONSE 20 50 100 500 1K 5K 10K 20K FREQUENCY IN HERTZ Live Performance Microphones The N D478 s acoustic response presents optimal performance in both a live sound or studio environment VOB technology Vocally Optimized Bass provides the instrumentalist with reduced resonant distortion at low frequencies Critical damping of the low frequency resonant peak has resulted in a microphone that replaces the muddiness found in competitive models with greater warmth and increased clarity The result is an exceptional performing instrument microphone with clean clear consistent sound e Outstanding choice for electric guitar bass gu
71. requency Response 3 dB 80 13 000 Hz 80 13 000 Hz 80 13 000 Hz Power Level 0dB 1 mW Pascal 55 dB 51 dB 55 dB 51 dB at 1 000 Hz Open Circuit Voltage at 1 000 Hz 2 0 mV Pascal 2 0 mV Pascal Equivalent Noise 0 dB 20 micropascal A weighted Maximum SPL 1 distortion 1 000 Hz Power requirement Phantom power N A N A N A Current Consumption N A N A N A Magnetic Circuit Alnico N DYM 9 Alnico N DYM Specials Dyna Damp Acoustalloy Dyna Damp Memraflex Filters Case Material Aluminum Steel Steel Finish Semi gloss Fawn beige A Semi gloss camera black Semi gloss black A B camera black Included accessories Stand adapter zippered vinyl carrying pouch hard shell case Stand adapter Stand adapter Connector type 3 pin XLR 3 pin XLR 3 pin XLR Dimension Length x max Diameter 197 x 49 151 x 36 mm 151 x 36 mm Weight net 269 1709 1709 10 dB 20 U dB 10 20 20 U dB 20 RE50B 2 AVERAGE RESPONSE 50 100 500 18 KK TOR 20K FREQUENCY IN HERTZ RE50 N DB C AVERAGE RESPONSE 50 100 500 IK 10K 20K FREQUENCY IN HERTZ 635A AVERAGE RESPONSE 50 100 500 IK 10K 20K FREQUENCY IN HERTZ 635 N D AVERAGE RESPONSE 50 100 500 IK SK 20K FREQUENCY IN HERTZ O 2 22 rm 2 m Broadcast Mi
72. rm and natural sound a tight cardioid polar pattern for excellent off axis rejection and extremely low noise to give a clean and unadulterated sound The RE92L is the hardwired counterpart of the TX version and is intended for spoken word applications The RE92L features the same wide and smooth frequency response well controlled cardioid polar pattern while its 4 ft cable is terminated into an in line amplifier with XLR output The amp features a 12 dB octave switch able high pass filter for rolling off low frequency noise and its transformer less differential output easily drives longer cable runs Accessories include Two stage mic wind screen Both single and dual mic tie clips e Amp housing belt clip e Zippered gig bag RE92L CO 10 dB AVERAGE RESPONSE 20 20 100 500 1K ak 20K FREQUENCY IN HERTZ High Pass Filter e Boundary layer e Available in black as RE9OB in white as RE90BW Ultra thin profile 16 mm housing with rubber non slip bottom pad and strong steel screen Internal terminal block for disconnecting cable to insert thru holes Integrated pop filter Ideal working angle 60 degrees off axis 40 JJ 10 M M e LLLI AVERAGERESPONSE RE9IOL e Ultra miniature condenser lavalier microphone RE SERIES I
73. s accessories accessories e Ultra miniatu re Performance accessories shown shown shown 9 Includes shown shown SPECS OLM 10 ULM 21 RE 90 TX RE92 TX Element Back electret Back electret Back electret Back electret condenser condenser condenser condenser Polar pattern Omnidirectional Cardioid Omnidirectional Cardioid Frequency Response 3 dB t b a 80 16 000 Hz 50 18 000 Hz 40 20 000 Hz Output Level 0dB 1mW Pascal 1 000 Hz Open Circuit Voltage at 1 000 Hz Oa 2 5 mV Pascal 12 6 mV Pascal 5 6 mV Pascal Maximum SPL THD toa 120 dB 1 THD 130 dB 1 THD 135 1 THD Power requirement Phantom power from Bodypack from Bodypack from Bodypack Current Consumption ibis t b a Specials Sub miniature Case Material Plastic Plastic Polycarbonate resin Capsule enclosure Finish Included accessories approx 180 cm cable windscreen universal tie clip Optional Accessories 4 pin TA4F approx 180 cm permanently attached permanently attached cable windscreen universal tie clip 4 pin TA4F from Bodypack t b a replaceable element Metal All Nonreflecting black approx 180 cm permanently attached cable windscreen universal tie clip 4 pin TA4F Connector type Dimension Length x Diameter t b a OT 0 25 x O 91 Weight net t b a 23g 14g SPECS RE920 TX RE97 TX Element Back electre
74. s Stand adapter zippered vinyl carrying pouch Connector type 3 pin XLR Dimension Length x max Diameter 187 x 45 mm Weight net 227 g a dh a VERAGE RESPONSE 20 50 100 500 1K 5K 10K 20K FREQUENCY IN HERTZ High Pass Filter ENG618 Generating Element Condenser back electret Frequency Response 50 8 000 Hz 200Hz roll off switch Polar Pattern Hypercardioid line Sensitivity Open Circuit Voltage 1KHz 19 mV Pascal Power Level 1kHz 0 dB 1 mW pascal 55 dB Clipping Level 1 THD 120 dB SPL Equivalent Noise 15 dB SPL A weighted Dynamic Range 105 dB Output Impedance 1 kHz 100 ohms Power Requirements 12 52 V de phantom supply or 9V battery Current consumption 2mA phantom 20 mA battery 20 hr estimated battery life Dimensions Length collapsed extended Diameter Capsule diameter 46 cm 18 in 180 cm 6 ft 9 cm 3 5 in 5 3 mm 0 21 in FREQUENCY RESPONSE 20 50 1K FREQUENCY IN HERTZ AVERAGE RESPONSE SK 10K High Pass Filter 20K The Electro Voice ENG618 combines a highly sensitive hypercardioid line shotgun back electret condenser microphones with a unique telescoping boom pole system designed for broadcast news gathering and film video applications where selective pickup
75. stallations If a free standing podium mic is called for the hard wired PolarChoice Desktop and the one of a kind wireless PolarChoice Satellite round out the most versatile and flexible podium microphone product line in the industry The latest addition to the PolarChoice family the PolarChoice Boundary Satellite expands PolarChoice s offerings into the boundary style XLR FL All versions of PolarChoice feature Selectable polar patterns A smooth and uniform response no matter what pattern is selected e Exceptional sound quality e An extended low frequency response and switchable high pass filter e EV s exclusive Multiport windscreen which virtually eliminates P pops 10 048 10 1 AVERAGE RESPONSE 20 50 100 500 1 5K 20K FREQUENCY IN HERTZ High Pass Filter PC XLR FL PLUS 8 DESKTOP Element type Back electret condenser Selectable Polar Patterns Omni Cardioid Supercardioid Hypercardioid Impedance 200 Ohms Frequency Response 50 Hz 20 kHz mic system Open Circuit Voltage 5 6 mV Pascal mic system Equivalent Noise lt 26 dB SPL A weighted mic system Max SPL gt 135 dB mic system Power requirement 24 to 52 Volt Phantom Power Current Consumption 3 mA Finish Nonreflective Black Included Accessories Multiport Windscreen Connector
76. stem s maximum deviation is 40KHz we want the loudest level input into the microphone to generate 40KHz deviation With the gain set above that we would be clipping or distorting the maximum input and if it is set too low we are not getting the clearest possible signal To set the Wireless Gain properly it should be adjusted without any audio output 1 Before the audio connections are even made or with the PA system muted simply sing or scream into the microphone as loudly as it will ever be used in performance in this application For guitar systems turn the gains on the guitar to maximum and hit the hardest note that will be used in concert 2 Then adjust the gain on the transmitter until the audio meter peaks in the usable range or the overmodulation light does not come on 3 Then make the audio connections and use the mixing board or amplifier to set the audio levels for the PA Or with a guitar instrument wireless system when the bodypack gain is set and the audio meter is not railing set the receiver output to match whatever instrument amplifier is being used 63 Bosch Communications Systems Americas Headquarter Americas Telex Communications Inc 12000 Portland Ave South Burnsville MN 55337 USA USA Ph 1 800 392 3497 Fax 1 800 955 6831 Canada Ph 1 866 505 5551 Fax 1 866 336 8467 Latin America Ph 1 952 887 5532 Fax 1 952 736 4212 Europe Africa amp Middle East Headquarter EAME EVI
77. such as teachers aides or take players The second jack is normally used for microphone and is locate don the top panel The PST 170 is also compatible with the E D R feature of the SR 400 SR 400 Receiver The SR 400 17 channel receiver is the perfect solution to multiple transmitter hearing assistance systems The SR 400 features and advanced digital PLL synthesizer to tune all 17 narrow band frequencies offered in the 72 76 MHz band and a backlit LCD display The receiver also includes a special high frequency contour filter and boost switch to increase the intelligibility of the audio signal and E D R for increased dynamic range Additional features include a battery saving automatic power shut off when the earphone is unplugged SM 2 System SM 2 SYSTEM Includes 1 ST 300 base transmitter 1 4 SR 50 receivers 4 SEB 1 earbuds 1 1 SoundMate wall plaque SM case sold separately SMP 2 System 1 PST 170 portable belt pack transmitter 6 6 SR 50 single channel receivers HED 2 collapsible headphones 14 AA Alkaline batteries 1 Deluxe system carrying case 1 HM 2 head worn microphone User manual for SR 50 and PST 170 SPECS ST 300 17 channel Transmitter RF Frequency Range 72 to 76 MHz Modulation FM 25 KHz deviation Signal To Noise Ratio 58 dB 77 dB with E D R Maximum Deviation 25 KHz Maximum Rated Power 50 mW Audio
78. t Back electret condenser condenser Polar pattern Cardioid Omnidirectional Frequency Response 3 dB 40 20kHz Open Circuit Voltage at 1 000 Hz 1 3mV Pascal 5 6 mV Pascal Maximum SPL THD gt 148 dB 135 dB 1 THD Power requirement Phantom power from Bodypack Current Consumption 500uA Specials me Case Material Metal Capsule enclosure Finish Included accessories Two Stage Windscreen Gig Bag Shock Mount Clip Optional Accessories 4 pin TA4F Connector type Dimension Length x Diameter 0 412 x 6 2 in mounted Weight net 54g 1 9 oz from Bodypack 500uA Plastic Two Stage Windscreen Tie Clip Gig Bag 4 pin TA4F 57010202 approx 180 cm detachable cable windscreen tie tac universal tie clip 4 pin TA4F 0 948 x 0 412 in 259 OLM 10 RE90 TX F p P Fem 30 18 000 Hz 12mm 120 dB 1 THD from Bodypack max 0 5 mA 9 VDC approx 120 cm permanently attached cable windscreen Use any EV lapel or headworn mic wired with a TXA See page 34 e Headset mic Top class Super light weight and comfortable e Includes accessories shown HM 2 HM 7 Back electret Back electret condenser condenser Cardioid Supercardioid 100 15 000 Hz 7 0 mV Pascal 120 dB 3 THD from Bodypack 4 0 mV Pascal Ultra lightweight Plastic Plastic approx 120 cm permanently attached cable windscreen cable clip cable clip
79. tor TA4F input for microphone Pin 1 ground Pin 2 Mic input Pin 3 5V Bias Pin 4 5V through 3k ohm RF Output Normal 5 mW typical High 50 mW typical Case Material Cast Magnesium Size 3 75 in H x 2 6 in W x 0 9 in D 94 mm H x 66 mm W x 23 mm D REV BodyPack REV H REV PH RE V ACCESSORIES AND PARTS Model Omnidirectional MicroMini Lapel Mic 9 Unidirectional MicroMini Lapel Mic RE92TX Lightweight omni headworn Mic RE97TX Headworn Cardioid Condenser Mic HM7 1 2 Wave Rx Antenna C3 and C5 Bands FA 1 1 2 Wave Rx Antenna C1 and C2 Bands CLA 3 1 2 Wave Antenna Bracket AB 2 UHF Antenna Amplifier 520 806 MHz UAA 500 Antenna Pwr Distribution 600 780 MHz APD4 Termination Plug For APD4 TP 2 Directional Rx Antenna 450 900 MHz LPA 500 Low Loss Coaxial Antenna Cable 25 100ft CXU XXX Bodypack Pouch WP 1000 Guitar Cord MAC G2 767a Dynamic Head RC2 767 967 Dynamic Head RC2 967 RE410 Condenser Head RC2 410 RE510 Condenser Head RC2 510 Mic Stand Adapter MSA REV RE 2 PROSSERIES Professional Wireless Microphones WIRELESS MICROPHONES m lt Ja Radiated Output GD WIRELESS When applications like rentals on location broadcasts or tough environments call for a wireless microphone with a mix of RE 1 and RE 2 features the answer is RE 2 PRO The advanced features of the RE 1
80. transmitter platforms allow more systems in one location longer range more microphone head choices and high quality materials like the cast magnesium bodypack Match the RE 2 transmitter and receiver and the RE 2 PRO system offers professional wireless at a price point between the RE 1 and RE 2 RE 2 Pro Receiver e All of the great RF and Audio features of the RE 2 receiver plus all of the rack hardware to install it including front mount antenna cables RE 2 Pro Handheld Transmitter e All of the great features of the RE 2 handheld plus Normal High transmit power detachable microphone heads and a choice of 767a 967 RE410 or RE510 mic heads RE 2 Pro Bodypack Transmitter All of the great features of the RE 2 transmitter plus a cast magnesium metal housing detachable antenna and Normal High transmit power Normal 5 mW High 50 mW typical Interchangeable Microphone Heads 767a Supercardioid N DYM Dynamic 967 Supercardioid N DYM Dynamic RE 410 Cardioid Condenser RE 510 Supercardioid Condenser Bodypack Antenna Detachable Flexible external 1 4 wave Handheld Antenna Internal 1 2 wave Dimensions Handheld L mm 268 mm long Dimensions Bodypack H x W x D mm 96 5 x 66 0 x 23 4 mm Cast Magnesium Wireless Microphones CO 0 Q e Lavalier mic e Lavalier mic e Lavalier mic e Lavalier mic e Headset mic e Includes e Includes Top class e High e Include
81. ttery circuit means there is no way to put the battery in wrong e Patented DSP Posi Phase Diversity System Three Year Warranty Includes single and dual rackmount hardware with front antenna cables FMR 1000 L BODYPACK SYSTEM e FMR 1000 950 channel UHF receiver e WT 1000 bodypack transmitter e ELM 22 micromini omni lav mic e Rack mount hardware for single dual mount e Two 1 4 wave antennas In line power supply FMR 1000WT BODYPACK SYSTEM Same as above without microphone FMR 1000HD HANDHELD SYSTEM e FMR 1000 950 channel UHF receiver e 1007 EV 767a NDYM handheld transmitter e Rack mount hardware for single dual mount e Two 1 4 wave antennas In line power supply FMR 1000HL COMBO SYSTEM e FMR 1000 950 channel UHF receiver e 1 1007 EV 767a NDYM handheld transmitter e WT 1000 bodypack transmitter e ELM 22 Omni Lapel microphone e Rack mount hardware for single dual mount e Two 1 4 wave antennas In line power supply FMR 1000 SYNTHESIZED WIRELESS MIC RECEIVER e Posi Phase Diversity e Adjustable amplitude squelch 950 selectable channels Balanced XLR output e 1 4 adjustable line output e Rack mount hardware e Two 1 4 wave antennas and in line power supply TELEX Power Level ClearScarr Z os mw a Freq FMR 1000 Set VOCAL 13 10 30 100 J em GP 20 10 5 30 3 ax 12u 05 9
82. uction They are extremely rugged withstand high humidity temperature extremes and corrosive effects such as salt air while providing excellent sound performance and that legendary Buchanan Hammer durability RE50B RE50N D B e Extremely low handling noise via Dyna Damp mic in a mic shock mount system Impervious to wind noise and p pops thanks to integrated four stage pop filter integral wind screen and blast filter e Withstands high humidity temperature extremes and corrosive salt air 635A beige or 635A B black Linear frequency response e Completely pop free performance e Four stage pop and dust filter e Acoustalloy diaphragm material for very smooth response over a wide frequency range absorber version offers higher output thanks to N DYM capsule design e No muddy lows when used near lips e Black semi gloss e Internal effective shock 635N D B e Uniform 80 13 000 Hz frequency response e N DYM element design offers higher output e On camera use with 422A desk stand e Acoustalloy diaphragm material for very smooth response over a wide frequency range Integral windscreen and blast filter e Black semi gloss RE50 B RE50 635A B 635 N D B Element Dynamic Dynamic Dynamic Polar pattern Omnidirectional Omnidirectional Omnidirectional Impedance Low Z balanced 150 ohms 150 ohms 150 ohms F
83. ury We were the first to offer N DYM neodymium technology in microphones and the only wireless to offer ClearScanTM for quick automatic wireless microphone channel coordination And that s just the beginning our engineers are constantly working on new ways to keep your tone intact Our latest and greatest REV Made in the USA to the industry s highest standards the new REV intelligent wireless system places Electro Voice in pole position adding its unique features to our hefty portfolio of patents and award winning wireless technologies 5 optimized audio path was developed to provide the truest representation of a wired microphone or guitar sound possible in a wireless system Simply put this is the most wired sounding wireless you ve ever heard From soundcheck to encore Electro Voice microphones offer great sound durability ergonomics and style whether you re outfitting a world tour a house of worship a professional studio or a neighborhood block party We believe the equipment you use should withstand both the rigors of performance and the scrutiny of your listeners At Electro Voice innovating new products to make you sound your best is job number one our name says it all Contents
84. versity for dropout free audio with the best range in the business Complete variety of models and accessories to fit almost any application or size of install Designed and built for maximum professional performance e Superior design construction and warranty Why Choose a Telex EV Wireless All EV and Telex wireless systems are designed and built to exacting standards in our Lincoln Nebraska facility That s right made here in the U S State of the art manufacturing techniques are employed in each wireless product from the initial CAD design to the advanced auto inserted surface mount printed circuit board assembly Every Telex EV system is tested as individual components and as a complete system to ensure reliable field performance Telex EV wireless microphone products are supported from the factory in Lincoln Nebraska as well as authorized centers in Canada Germany Singapore and Hong Kong Telex EV has been in the business of providing quality wireless communications for demanding professional events for almost thirty years We have the experience and talent to solve any wireless need When you are designing large multiple wireless installations you can look to Telex EV to provide the important frequency coordination and system accessories for a turnkey installation AN e Es 2 41 Whether you re broadcasting from the local rock club lecturing at a corporate seminar or speaking in a house of worshi
85. z Magnetic Circuit N DYM Specials Variable D Variable D Filters Tilt down EO 3 selectable EOs Case Material Steel Steel Finish Fawn beige Satin nickel Included accessories Stand adapter zippered vinyl carrying pouch hard shell case Stand adapter zippered vinyl carrying pouch hard shell case Connector type 3 pin XLR 3 pin XLR Dimension Lenoth x max Diameter 217 x 54 mm 217 x 54 mm Weight net 7379 709 g 1 cm FEET 10 m z mae 0 dB 2 1 ane III T 1 4 10 pt 1 4 4 10 3 AVERAGE RESPONSE AVERAGERESPONSE 5 20 50 100 500 1K 5K 10K 20K 20 50 500 1K SK 10K 20K 000000 www High Pass z FREQUENCY IN HERTZ High Pass Filter High Pass 1 FREQUENCY IN HERTZ Low Paes 2 1 RE SERIES Broadcast Microphones x 22 You ve seen Electro Voice live interview microphones in the hands of reporters and news correspondents around the world from interviews with the President of the United States to the family next door EV s RE50 and 635A mics are famous in broadcast television and radio OBs outside broadcasts These microphones set world standards for ENG electronic news gathering and EFP electronic field prod

2007 Catalog - Microphone

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