Nucoda - Digital Vision
Contents
1. This will export tapenames up to 8 Chars only spaces are replaced with underscores and names are truncated When a tape name is truncated an FCP style translate comment is added to the EDL 32 Chars This will export tapenames up to 32 Chars only spaces are replaced with under scores and names are truncated 255 Chars This will export tapenames up to 255 Chars only spaces are replaced with underscores and names are truncated When a tape name is truncated an FCP style translate comment is added to the EDL Export Bookmarks This will export Nucoda bookmarks and add them to the EDL as com ments with marker colour and timecode EDL import Dave out All events as new composition Add as Video Audio e RADER EE ma Changes to EDL import CJ Merge existing grades from Video track 1 O j fie Merge by cip name There are three new options in the EDL C Apply tape name translations C Conform to record TC import dialog box Import material from file paths TC offset 00 00 00 00 C Conform to material C Strip clip name extensions Apply tape name translations CJ Create ASC CDL layers C Import Locators as Bookmarks a Strip clip name extensions V Keep playhead positions Import Cancel Import Locators as bookmarks Nucoda a EDL s from AVID Selecting apply tape name translations when importing an EDL will use an available transla tion table from an AVID EDL If specified2. textSizeBase 1080 0 Using this identifier when creating a preset will allow the burn in to scale accordingly when switching to other frame sizes allowing the same preset to be used for multiple frame sizes In this case the preset was set up for a HD frame so the number after the Identifier was set to 1080 textFont Arial Set the font for the burn in Use Windows Word Pad to get the correct name of the font textStyle bold italic Set the text style bgColor 0 0 0 0 5 RGB and Alpha Set the colour for background boxes for text dropShadow 0 5 1 1 Sets up a drop shadow with opacity 0 5 offset 1 pixel to the right and 1 pixel down relative to the main text The following new HUD fields were added to 2012 2 compName Composition Name compDescription Composition Description field The composition and composition description fields are handy for adding data such as ver sion information to the burn in Please note that these are refreshed only when reloading the composition or if you update the fields in the Library view double click the field to update masterLocation Location of the Src file This field will add the source path for the files handy for editors who like changing the names of their RED files Nucoda a Additional new fields available in the HUD case sensitive Scene and Take Info Sourceld H Take Scene Camroll Slate SoundRoll Director ProjectName HHD
3. 01 00 09 20 01 00 13 00 FROM CLIP NAME A027C012 110714 ae NEW 04 DV_GRADED NEW 01 OLD 01 ad ea 01 00 12 05 YELLOW YELLOW SOURCE FILE een 110714 R28L 005 B028C001 v 14 41 27 06 14 41 30 02 01 00 13 00 01 00 15 21 T CLIP NAME B028C001 110714 R2KY NEW 05 DV_GRADED NEW 01 SOURCE FILE _ 110714 R2KY 006 B027C012 v 13 01 56 09 13 02 04 01 01 00 15 21 01 00 23 13 FROM CLIP NAME 8027012 _110714 _R2KY NEW 02 DV_GRADED NEW 01 OLD 01 Loc 01 00 19 15 GREEN GREEN I 01007000 WOOO BO2TCO12 12015605 Support for EDL s with extended CDL information Due to the specification of CMX not allowing lines longer than 80 char when creating a CDL with extended precision values 4 decimal points the EDL s created by Avid will automatically place the values exceeding 80 chars on the next EDL line preceded by an 000003 A007R1Y8 V C 10 25 30 21 10 29 16 19 01 04 45 11 01 08 31 09 FROM CLIP NAME 003 ASC_SOP 1 041984 1 041675 1 041162 0 040069 0 033391 0 041859 1 065496 1 0 66012 1 066495 ASC SAT 1 59 Nucoda will correctly read and interpret these values from the EDL Nucoda DVO Stereo Fix tool The DVO Stereo Fix tool has been extensively updated and has many new options and param eters available to the user The tool can only be applied as a an input effect and will be applied to the Left and Right eyes simultaneously View and orientation Mute On Off Mutes the colour
4. FILE B027C012 110714 R2KY gt gt gt SOURCE B028C001 B028C001 110714 060a2b340101010101010f00 13 00 00 00 000000b7 7 37f 4b16 060e2b347F7F2a80 SOURCE FILE B028C001 110714 R2KY gt gt gt SOURCE B028C003 B028C003 110714 060a2b340101010101010f00 13 00 00 00 000000b7 e4 e3 600b 060e2b347f7f2a80 SOURCE FILE B028C003 110714 R2KY gt gt gt SOURCE 0012 030 0012 0304 2349 060a2b340101010101010f 00 13 00 00 00 508a5c84 68b8 3219 060e2b347f7f2a80 SOURCE FILE 0012 0304 2349 Result of importing the EDL without using Apply tape name translation option Tape Name Clip Name 0012_030 V 05 DV_GRADED NEW 01 0LD 02 1 11 110714 R28L NEV V GRADED NEW 01 OLD 01 12 110714 R28L NEV V_GRADED NEW _110714_R28L NEW 04 DV_GRADED NEW 01 0LD 01 127C012_110714_R28L NEW 05 DV_GRADED NEW 01 0LD 01 10714_R28L NEW 02 DV_GRADED NEW 110714 R2KY NEV GRADED NEW 110714 R2KY NEV GRADED NE 012 110714 R2KY NEV B028C001 110714 R2KY NEW 04 DV GRADED NEW 01 OLD 01 B028C001 110714 R2KY NEV B028C003 110714 R2KY NEW 04 DV GRADED 1 0LD 02 B028C003_110714_R2KY NEW 04 DV_GRADED NEW 01 0LD 01 Result of importing the EDL using Apply tape name translation option the truncated names are replaced from the translation table Tape Name Clip Name 1_110714_R2KY NEW 05 DV_GRADED NEW 01 0LD 02 C011 110714 R28L 027C011 110714 R28L NEW 01 DV GRADED NEW 01 OLD 01 12 110714 R28L 12 110714 R28L NE RADED NEW 110714 R28L 0 110714 R28L NEW 0 NEW
5. HUD 3 Burn In TC HUD 2 TC HUD 4 Burn In TC HUD 3 RAW HUD Scene HUD mM MN S H Digital Vision FO Presets There are some standard presets they should cover most of the requirements there are also some really crazy ones that have a lot of information you may not need MonitorHUD 001 grids and MonitorHUD 002 grids are now included with the Nucoda in stallation in the C nucoda 2012 x root monitorHUDs folder any graphic or logos you want to reference must also be placed in this folder included is a DigitalVision png and the usual grayscale png images for testing These grids files are in addition to the MonitorHUDs grids file that was there before the pre sets in all the files are automatically read and added together in the list For the logo we support any file we can currently import and also support the Alpha channel for transparency PNG files are well suited to this We have added a new identifier to allow text to scale between output formats within reason depending on the amount of data and the font size Logos will not autoscale so a logo in an HD frame might be too large for a PAL frame Nucoda I Please see Page 526 of the user Manual for detailed information of the Grids Specification The following new identifiers were added to 2012 2 burnInTextScale 1 5 Using this identifier will cause the size and position of the burn in text to reflect the size and positions on the HUD best value is 1 5
6. match as well as the align match and associated border blanking modes The parameters in this section regarding view and orientation are active i e SwapEyes ViewMode Mirror Flip Can be used to view before and after while correcting any necessary mirror flip Swap Eyes On Off Swaps left and right eye on output All parameters referring to either left and right are associ ated with the source left and right tracks and as such the actual processing is not affected by Swapping eyes on the output View Mode Normal Blended Side By Side This control allows different view modes to be applied on the output mainly for visualization purposes The different modes are e Normal Normal separate left and right outputs Blended Blends left and right image which could be used to verify alignment processing e Side By Side Displays left and right images side by side with halved horizontal reso lution If this mode is used to verify colour matching simultaneously please note that many monitors might have colour reproduction which varies spatially or by viewing angle Nucoda ooeea amp A tomas Comer kaj JR 1 N a ee Baws al gt 1 DO dees COON O89 LAM 090000 02 NA M Me Odena 0 GOO0072 b 1 POO CONN Otm CSR LS ce Using the Chequerboard comparison view the images are clearly not correctly oriented Auto Mirror Flip Disable Left Right Automatically determines mirror and flip bet
7. 0 A003c012 712 03 00 A003c029 07 03 00 A003C035 A003C029 02 03 00 08 16 18 24 00 STE gt 13 10 03 00 20 08 01 03 03 03 03 03 03 00 00 00 00 00 08 16 18 24 26 00 12 13 00 20 08 01 01 Translated EDL Tape name is replaced with clip name from FCP Reel Comment Tape Name A003 C012 1110LG A003 C017 1110U2 A003 C025 11109U A003 C029 1110PP A003 C029 1110PP A003 C029 1110PP A003 C029 1110PP A003 C033 1110HH A003 C035 1110HE A003 C035 1110HE A003 C037 11106T A003_C037_11106T A003_C039_11101F A003_C041_1110M7 A003_C042_1110XB A003_C043_1110PK Clip Name A003_C012_1110LG A003_C017_1110U2 A003_C025_11109U A003_C029_1110PP A003_C029_1110PP A003_C029_1110PP A003_C029_1110PP A003_C033_1110HH A003_C035_1110HE A003_C035_1110HE A003_C037_11106T A003_C037_11106T A003_C039_11101F A003_C041_1110M7 A003_C042_1110XB A003_C043_1110PK COMMENT 100 103 PUSH IN INAL CUT PRO REEL A003 C037 11106T REPLACED BY A003C037 This EDL only has AX Auxiliary sources as reels when we detect the string in the EDL PROBLEM WITH EDIT The reel name will set to Unknown when using the apply tape name translation option The reason for using only the first part of the string is that some EDL s will warn that there is no reel name and sometimes that there is no timecode when in fact both are mis
8. 01 OLD 01 2 110714 R28L A027 0714_R28L NE V OLD 01 110714 R28L 110714 R2KY 2 110714 R2KY 110714 R2KY 028C001 110714 R2KY NEW VG IEW 01 OLD 01 B028C001 110714 R2KY B028 0714_R2KY C DED NEW 01 OLD 02 B028C003 110714 R2KY V N 01 OLD 01 EDL s from FCP Nucoda a The following example from Final Cut Pro has had the Reels replaced by truncated names when it was exported from FCP Using the apply tape name translation option when loading this EDL will automatically re place the truncated tape names with the originals based on the clip name field Original EDL Note truncated sources 4TLE TDP REEL 3 FOR DI FCM NON DROP FRAME FCM DIGITAL TV 24P 001 AX V KE 02 00 00 00 02 00 08 FROM CLIP NAME TLD LEADER COMMENT 002 A003C012 v C 07 55 58 20 07 56 07 FROM CLIP NAME A003_C012_1110LG COMMENT FINAL CUT PRO REEL A003_C012_1110LG REPLACED BY 003 A003C029 v FROM CLIP NAME COMMENT FINAL CUT PRO REEL A003_C029_1110PP REPLACED BY Cc 09 32 41 11 09 32 43 A003_C029_1110PP 004 A003C035 v C 10512333 12 10 12 35 FROM CLIP NAME A003_C035_1110HE COMMENT 100 103 PUSH IN FINAL CUT PRO REEL A003_C035_1110HE REPLACED BY 005 A003C029 v FROM CLIP NAME COMMENT FINAL CUT PRO REEL A003_C029_1110PP REPLACED BY 09 A003_C029_1110PP 006 A003C037 V c FROM CLIP NAME A003 C037 11106T 32 43 17 09 32 47 10 18 18 02 10 18 20 00 03 00 00 00 708 03 0
9. Arial Name of the font to render the text tip use Wordpad to check the actual font name in windows anchor middle left The anchor for the text boxes in this case the middle of the box vertically and the left side of the box horizontally textSize 30 0 Size of the text point size color 1 0 1 0 1 0 1 0 Re use identifiers to change colours in the preset please note all identifiers used will affect all text afterwards till you use another identifier to change it back text 65 90 Source srcTimeTimecode This is a text Element Placed 65 from the left hand side and 90 from th top of the image Label is Source and the data displayed is the Source Timecode textSize 30 0 Size of the text point size text 05 90 Tape srcTape Preset End Using a single will allow for comments everything after a single is ignored Apart from the name any of the other identifiers can be used multiple times so you can change the font colour size and alignment to different values in each preset Nucoda a EDL import and export options There have been a significant amount of enhancements made to EDL handling in Nucoda and Phoenix Changes to EDL export Properties 8 chars CMX Legal 32 chars Solo Video Track V1 255 chars Video Mix Down Output Timecodes Clip Details Export Bookmarks There are four new options in the EDL export dialog box 8 Chars CMX Legal
10. Nucoda New Features Reference Version 2012 2 Rev 4 calVision www digitalvision tv Digi Nucoda I Text and Logo Burn In A new feature in Nucoda enables the rendering of text elements and graphics onto exported outputs The HUD Heads up display configuration files are used to achieve this however there are some small differences 1 1 Source Clip Plav Outnut Dailies info all Location Location Sml Greyscale All Clip Info Source Clip AV File Location TC Location BITC Digital Vision TC HUD 1 Tape 6460_CINE_230708 TC HUD 2 Source Nowe DirectLine_PH1T022 Source 20 57 28 12 TC HUD 3 TC HUD 4 RAW HUD Scene HUD Comp A Study in Pink UK Master Comp Descr Testing General notes By default text is rendered with semi transparent block behind the text You can replace the block with a soft shadow if you like Logo s can be added to the burn in multiple files are supported Once transparency is set below 50 the shadow is automatically removed from the text this is handy for watermarking If the data for the requested field does not exist on the clip we will not display anything In this way the Data HUD example we provide has fields for Arri RED Phantom and SI2K data in the top left at the same position but It will only show the data if the fields exists in the files You can specify the font colour and transparency values of the burn in however the font colour a
11. OoP Cameraman DailiesColorist DateOfShoot Arri RAW HH ARRI Camera HHARRI Scale HHARRI ISO ARRI ColourTemp H HARRI Tint HHARRI Sharpness ARRI ColorEncoding HHARRI ColorSpace S 25 Dir Source 20 57 28 12 ARRI DebayerMode omp Deser Testing Red RAW HHR3DASA R3D Brightness R3D Contrast HHR3D DRX R3D Detail R3D Exposure HHR3D FLUT H R3D HDRBlend R3D Kelvin HHR3D OLPF R3D Saturation HHR3D Shadow H R3D Tint R3D Denoise H R3D OLPF R3D Detail R3D ColorSpace H R3D ColorScience R3D HDRBlendMode R3D GammaCurve R3D DecodeQuality Source 20 57 28 12 Phantom Files H CINE Bright HHCINE Gamma HHCINE Scale Source 20 57 28 12 Nucoda H CINE Contrast H CINE Saturation H CINE DecodeQuality HHCINE WBGain_R HHCINE WBGain_B SI2K H SI2K decodeResolution H H SI2K advancedDetail HHSI2ZK SATU HH SI2K LOOK SI12K gammaCurve HHSI2K PROCESSING LOOK FILE HUD Example for Burn in The following is the text from TC HUD 1 The most basic preset Tape name and Src TC monitorGrid 1 0 1 name TC HUD 1 units normalised burnInTextScale 1 5 textSizeBase 1080 0 color 1 0 1 0 1 0 1 0 bgcolor 0 0 0 0 2 origin top left textFont Arial Tape 6460_CINE_230708 Source 20 57 28 12 anchor middle left textSize 30 0 color 1 0 1 0 1 0 1 0 text 65 90 Source srcTimeTimecode textSiz
12. e 20 0 text 05 90 Tape srcTape By looking at the presets you will easily be able to add your own presets or modify the de faults however you should make a backup of your grids file as it will be overwritten if it has the same name and Nucoda is re installed Nucoda monitorGrid 1 0 1 This is the opening line and is a requirement Start of the preset name TC HUD 1 Preset Name must be unique across all grids files Strings always end with a units normalised With normalised units the image coordinates are normalised to the range 0 0 to 1 0 This is the most flexible unit to use with burn ins to make scaling between frame sizes possible burnInTextScale 1 5 So for example the position 0 2 0 3 would be 20 from the left hand edge and 30 from the top if the origin is set to Top Left textSizeBase 1080 0 Additional text scaling applied for Burn In text only this value matches your HUD and Burn In output more closely color 1 0 1 0 1 0 1 0 This value sets the basis for scaling Text up or Down to other outputs It should be set equal to the resolution you create the preset in This set the font colour 1 0 100 R G B and A Example White faded text is 1 0 1 0 1 0 50 R 100 G 100 B 100 A50 bgcolor 0 0 0 0 2 This sets the colour and transparency for the boxes behind the text origin top left Starting position from where all elements are placed textFont
13. e border mode itself an additional centering may be relevant in some modes and can thus also be applied Borders processing further depends on the Blank Setup The different modes are Disable Don t treat borders Blank Automatically applies necessary blanking to borders Zoom Source Automatically zooms the output to the source frame and original blanking Just like the blanking mode this mode takes into account what needs to be excluded regarding the borders and alignment Zoom Fill Automatically zooms the output to fill the full frame disregarding any original blanking of the source Nucoda I Blank Setup Auto Source Output Blank Top Left Right Bottom Each specified by number of pixels 0 Defines if blanking is set up by automatic analysis or manually in relation to source or the out put Blanking affects the border processing and it s effect will depend on the Borders mode setting Typical use is Auto which determines the blanking by automatic analysis The mode Source allows the user to specify this manually instead The mode Output allows the user to specify blanking completely manually based on the output alone i e user needs to manually regard frame effects from the alignment processing as well as the original source frame blank ing Consider Output an advanced mode Blank Setup Auto Source Output Blank Top Left Right Bottom Each specified by number of pixel
14. g local mode which uses area size and sensitivity instead Safety applies to black levels as well as the analysis and variability of the spectrum transform applied Nucoda Align matching 0 Kane N Rare Fesi i Meg Scste Ap Manes i Marne n Use merge view as an alternative to see errors Align Match to Left to Right Defines which eye alignment should match to and consequently process the other to match this i e to Left means process right eye to match left eye Align Mode Disable Manual Global Morph Manual V Offset Value for pixel offset 0 0 The alignment processing is based on scene analysis and frames are processed equally throughout the scene The alignment can also be set manually or adjusted with a global offset Nucoda a Manual V Offset Different modes are Disable No alignment processing Manual Set manual global vertical offset using Manual V Offset Global Automatic and global adjustment Morph Spatially variable adjustment with linear variability over the image NOTE Much like scene based colour matching the alignment analysis requires that material has proper scene edits as normally one scene can behave very different from another and would confuse the analysis Image after alignment Borders Disable Blank Zoom Source Zoom Fill Centre On Off To hide the effect alignment has on frame borders borders can be handled in a number of ways Apart from th
15. lour differences are spatially uniform NOTE Scene Mode requires that material has proper scene edits as normally one scene can behave very different from another and would confuse the analysis Images are colour matched Frame Mode Disable Uniform Non Uniform Sets the colour matching mode which is applied per frame individually Other than that the processing and different modes are the same as for Scene This option is typically an alter native to the scene colour processing when it appears that colour differences change through out the scene It s recommended that scene processing is disabled when used Nucoda Matched images viewed Side by Side Local Mode Disable Normal Area Size X Small Small Medium Large X Large Sensitivity 0 1023 64 values correspond to 10 bit pixel levels This option allows a much more localized colour match processing than the scene and frame modes The smaller the area size is the more locally aggressive it can be considered to be The sensitivity parameter is used to control the allowed difference ranges but it s effect is more of a safety measure rather than a processing amount NOTE Local processing can be turned off to speed up processing of complete scenes mate rial speed optimizations may be available at a later date Colour Match Safety 0 0 1 0 0 5 This parameter sets a general safety level for the scene and frame based colour matching not includin
16. med ILL 0933FX FROM CLIP NAME PIX 1831FX 1 MOV Unnamed PIX 0801FX1 PROBLEM WITH EDIT CLIP HAD NO REEL NAME ILL O790FX PIX 0038FX PIX 0097FX PIX 0038FX Unnamed Unnamed Unnamed Unnamed Nucoda EDL s from FCP EDL s imported into FCP require 2 spaces after the SOURCE FILE xxxx comment if there was only one space the source file would be incorrectly interpreted by FCP Nucoda now exports EDL s that conform to this convention Support for EDL s with Locator marker information When exporting an EDL from the Avid there is an option to include locator information in the EDL Nucoda will now read in interpret the information and colour match the locators plac ing them on the Nucoda timeline as Timeline Markers In the export options you can also select to export thew markers from Nucoda in a similar way ILES DAVID FCM NON DROP FRAME 001 B028C001 v 14 41 13 01 14 41 17 16 01 00 00 00 01 00 04 15 FROM CLIP eae 8028001 SEN SAR _R2KY NEW 04 DV_GRADED NEW 01 OLD 01 Loc 01 00 03 19 R SOURCE FILE 5028C001 410714 _R2KY 002 A027C012 v E 13 09 24 19 13 09 28 24 01 00 04 15 01 00 08 20 FROM CLIP NAME A027C012_110714_R28L NEW 03 DV_GRADED NEw 01 LOC 01 00 07 07 WHITE SOURCE FILE oa mane eee 003 0012_030 v 2 22 16 14 41 23 16 01 00 08 20 T 00 09 20 FROM CLIP NAME B028C001 ETE R2KY NEW 05 DV_GRADED NEW 01 OLD 02 SOURCE FILE 0012 ai 2349 004 A027C012 v 13 09 58 23 13 10 02 03
17. nd transparency will only be visible on the exported file and not in the nucoda HUD display in Nucoda amp Phoenix Exported file with font and colour options Font set to OCR A Extended BG set to Red with 50 Transparency Take Scene CamRoll Slate SoundRoll Proj Name Tape 7186 CINE 281108 Rate 25 Source Name Redds_72 Comp LEGO LOCA01 Animation Render RTK01 121019 for grader only Comp Descr imported from F loca01 internal review 20121022 Dpx for grader only Cleaned edl ource Na e Source omp LEGO_LOCA0O1L_Animation_Render_RTKO1_1210159_for_graderloniy omp Descr imported from F Vlocald internal review 20121022 Dpx_forogrecersoniyes Cleaned edl Nucoda a Implementation The burn in is selected from the drop down menu in the GUI or Precision When exporting material there is an additional selection box that will allow you to select the burn in to use from a drop down menu Global Options 1 1 Source Clip Plav Outnut Dailies info all Location Location Sml Greyscale Mixdown Rec TC Frame padding 25 Target Output Cache None Burn In lt none gt Burn In Dailies info all All Clip Info Burn In Location Burn In Location Smi Source Clip AV Burn In Greyscale File Location TC Location Burn In All Clip Info BITC Burn In Source Clip AV Burn In File Location Burn In TC Location Burn In BITC TC HUD 1 Burn In Digital Vision TC HUD 2 Burn In TC HUD 1 TC
18. on export to replace the truncated tape names in the EDL with the original source names in the translation table Please note that AVID EDL export will automatically replace spaces in tape name with an underscore Avid EDL with translation table Including Source files options in EDL Manager 41 6B028C003 v Cc 15 01 43 02 15 01 44 00 01 00 31 03 01 00 32 01 FROM CLIP NAME 68028C003_110714_R2KY NEW 04 DV_GRADED NEW 01 OLD 01 SOURCE FILE B028C003 110714 R2KY 012 B027C012 v Cc 13 02 14 12 13 02 17 01 01 00 32 01 01 00 34 15 FROM CLIP NAME B027C012 110714 R2KY NEW 03 DV GRADED NEW 01 0LD 02 Loc 01 00 32 22 BLACK BLACK SOURCE FILE B027C012 110714 R2KY 013 A027C011 v c 13 02 16 03 13 02 16 04 01 00 34 15 01 00 34 16 FROM CLIP NAME A027C011_110714_R28L NEW 01 DV_GRADED NEW O1 OLD 01 SOURCE FILE A027C011 110714 R28L gt gt gt SOURCE A027C011 A027C011 110714 060a2b340101010101010f00 13 00 00 00 000000b7 9aed 1298 060e2b347f7f2a80 SOURCE FILE A027C011 110714 R28L gt gt gt SOURCE A027C012 A027C012 110714 060a2b340101010101010f00 13 00 00 00 1000000b7 136a 357a 060e2b347f7f2a80X SOURCE FILE A027C012 110714 R28L gt gt gt SOURCE A028C001 A028C001 110714 060a2b340101010101010f00 13 00 00 00 000000b7 7bb3 508e 060e2b347f7f2a80 SOURCE FILE A028C001 110714 R28L gt gt gt SOURCE B027C012 B027C012 110714 060a2b340101010101010fF00 13 00 00 00 000000b7 3164 0b77 060e2b347f7F2a80 SOURCE
19. s 0 Defines if blanking is set up by automatic analysis or manually in relation to source or the out put Blanking affects the border processing and it s effect will depend on the Borders mode setting Typical use is Auto which determines the blanking by automatic analysis The mode Source allows the user to specify this manually instead The mode Output allows the user to specify blanking completely manually based on the output alone i e user needs to manually regard frame effects from the alignment processing as well as the original source frame blank ing Consider Output an advanced mode Image Systems AB HQ gatan 40 SE 582 22 Link ping Sweden Tel 46 0 13 200 100 Fax 46 0 13 200 150 Digital Vision Telefonv gen 30 126 26 H gersten Sweden Tel 46 0 8 546 18200 Fax 46 0 8 546 18209 Digital Vision UK 11 Wardour Mews London W1F 8AN United Kingdom Tel 44 0 20 7734 8282 Fax 44 0 20 7292 6969 Digital Vision US 6464 Sunset Blvd Suite 830 Hollywood CA 90028 USA Tel 1 818 769 8111 Fax 1 818 769 1888 Digital www digitalvision tv
20. sing In this way we will always replace the source name when a problem is flagged Selecting strip clipname extensions will remove the last full stop and trailing characters from the clip names allowing conform from clipname Sources replaced with Unknown AX Sources clip names stripped of extensions 4TLE R1 FCM NON DROP FRAME FCM DIGITAL TV 24P Tape Name Clip Name V 001 ARC 5123 V 001 AX V E 00 00 01 00 00 00 05 15 01 01 11 14 01 01 16 05 V 001 ARC 5124 V FROM CLIP NAME PIX 1493FX1 MOV PIX 0038FX PROBLEM WITH EDIT CLIP HAD NO REEL NAME ETAGER HDL 1442FX 1 PIX 0482FX PIX 1775FX1 PIX 0841FX PIX 1407FX1 ILL 1768FX Unnamed Unnamed 002 AX V E 00 00 00 15 00 00 05 00 01 01 16 05 01 01 20 14 FROM CLIP NAME PIX 1775FX1 MOV PROBLEM WITH EDIT CLIP HAD NO REEL NAME Unnamed Unnamed Unnamed Unnamed 003 AX V E 00 00 00 19 00 00 09 19 01 01 20 14 01 01 29 14 FROM CLIP NAME PIX 0799FX MOV PROBLEM WITH EDIT CLIP HAD NO REEL NAME Unnamed Unnamed Unnamed PIX 0799FX Unnamed PIX 1818FX Unnamed PIX 0107FX 004 AX V G 00 00 01 03 00 00 10 22 01 01 29 14 01 01 39 09 FROM CLIP NAME PIX O801FX1 MOV PROBLEM WITH EDIT CLIP HAD NO REEL NAME 005 AX V E 00 00 00 21 00 00 08 06 01 01 39 09 01 01 46 18 Unnamed PIX 1831FX FROM CLIP NAME PIX 1818FX 1 MOV Unnamed PIX 1493FX1 PROBLEM WITH EDIT CLIP HAD NO REEL NAME REESE EOIS 006 AX V 00 00 00 23 00 00 13 19 01 01 46 18 01 01 59 14 Unna
21. ween left and right eye A detected required mir ror flip is applied to the eye which the parameter is set to The automatic operation will also follow any manual settings applied to the other eye regarding mirror and flip ilgos com eese_coce 0009000 bi pen come coea tosse re Images are now correctly oriented using Auto Mirror Mirror Left On Off Manually set left eye to be mirrored Mirror Right On Off Manually set right eye to be mirrored Flip Left On Off Manually set left eye to be flipped vertically Flip Right On Off Manually set right eye to be flipped vertically Nucoda Colour matching Colour Match to Left to Right Sets colour processing to match the eye which the parameter is set to i e to Left processes the right eye to match the left eye Scene Mode Disable Uniform Non Uniform Sets the colour matching mode for a scene such that the scene is analysed and processed equally throughout Apart from disable the different modes relates to how colour matching may vary spatially over the image It does not imply anything about the spectrum transform being uniform non uniform To be specific the different modes available are Disable No colour match processing is performed on scene basis e Uniform Colour matching is assumed to be spatially uniform e Non Uniform Colour matching is allowed to be spatially non uniform This mode typically works just as well when the co
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