NADY SCM 960
Contents
1. Foam windscreen FW 1 FEATURES The SCM 960 offers transformerless output and true condenser design element constantly biased by the pre amp for exception ally low self noise and increased dynamic range enhanced low and high end response with improved linearity across the frequency range and maximum SPL capacity It features a large diaphragm capsule 1 inch three way pad switch with OdB 10dB and 20dB of attenuation and two selectable polar patterns omni and cardioid The SCM 960 uses a carefully selected Field Effect Transistor FET specially chosen for its low distortion and superior signal to noise ratio Note For optimum performance it is best to let the microphone warm up for 5 to 10 minutes The SCM 960 is manufactured with the finest materials and features a machined housing with advanced internal shock mount construction for the highest structural integrity and rugged reliability It requires 48V phantom power to operate typically supplied by the microphone pre amplifier or mixing console The optional Nady SMPS 1 phantom power supply can also be used WARNING The capsule is the heart of your condenser microphone If it become dirty or wet the sound will be degraded Never spray any liquid on the microphone head Always use a foam windscreen if you talk or sing close to the microphone grill screen USING THE OPTIONAL MICROPHONE SHOCK MOUNT Your SCM 960 microphone can be used with the optional Nady SSM 3 spider shock mo2. NADY SCM 960 NG USER GUIDE Congratulations on purchasing a Nady SCM 960 Condenser Microphone These superior microphone is perfect for recording studio vocals acoustic instruments orchestras and choral groups ambient instrument audio and many live sound applications Powerful and versatile the SCM 960 microphone meets the stringent requirements of even the most demanding digital recording and live broadcasting applications Fnydou oN YHASNSGN09 Oldnic This guide covers the operation of the SCM 960 microphone and the available optional accessories To take full advantage of the superb features of your microphone and to enjoy long and trouble free use please read this user s guide carefully UNPACKING INSPECTION STORAGE AND TRANSPORT Your SCM 960 microphone was carefully packed at the factory and the shipping carton or carrying case was designed to protect the unit during shipping Please retain this container for subsequent transport and in the highly unlikely event that you ever need to return your microphone for servicing The optional SMCC 2 aluminum carrying case is highly recommended for the most convenient and safe transport or permanent storage It has roomy compartments for your SCM 960 microphone and all available accessories plus XLR cables STANDARD ITEMS SUPPLIED OPTIONAL ACCESSORIES SCM 960 microphone A8V phantom power supply SMPS 1 User guide Aluminum flight case SMCC 2 Warranty card Shockmount SSM 3
3. er such as supplied by the optional Nady SMPS 1 phantom power supply or a mixing console with phantom powering and amplified by a microphone pre amp such as built into a mixer or a stand alone unit Note Make sure to set the pre amp to the proper gain level too much gain may distort subsequent amplifiers and too little may result in a noisy signal The SCM 960 can be connected to your mixer or phantom power supply using a standard balanced 3 pin XLR microphone cable Before connecting to a mixer directly turn the channel to which you re connecting to its lowest gain setting If you are using the Nady SMPS 1 Phantom Power Supply connect in the following order 1 Connect the SCM 960 to the SMPS 1 2 Connect the SMPS 1 Signal Output to your mixer 3 Connect the SMPS 1 to the AC power supply 115 230VAC 4 Turn on the SMPS 1 Power ON OFF switch 5 Slowly turn up the channel gain in your mixer to the desired level SERVICE U S Should your Nady microphone require service please contact the Nady Service Department via phone at 510 652 2411 or e mail at service nady com INTERNATIONAL For service please contact the Nady distributor in your country through the dealer from whom you purchased this product Do not attempt to service this unit yourself as it will void your warranty SPECIFICATIONS Type True condenser pressure gradient microphone w 1 diaphragm and Power requirement 48VDC phantom power FET pre amplifier Current c
4. onsumption lt 3mA Polar pattern Cardioid Omni Controls Cardioid Omni pattern select 10dB 0 20dB attenuation select Sensitivity 16mV Pa Connector 3 pin XLR gold plated Frequency range 25Hz to 20KHz Mic cable 3 pin XLR standard cable not supplied Impedance lt 200 Ohms Size Diameter 2 0 50 5mm Length 5 25 133mm Max SPL 1 THD 1000Hz 125dB Net weight 11 oz 311g Equivalent noise level to IEC 268 4 A weighted 19dB S N ratio re 1Pa 76dB Specifications subject to change for improvement purposes 05 5 05
5. unt or equivalent which uses an elastic suspension to isolate the microphone from vibration thereby lowering noise transmitted to the microphone from the stand This is a useful tool in many situations such as when the performer is tapping his or her feet or when there is noise pickup from the rumbling of traffic outside of the building The disadvantage of using the shock mount is that the weight of the microphone may make it drift in the elastic suspension so mic placement may take a little longer To insert your SCM 960 microphone into the SSM 3 shock mount pinch close the levers on the sides of the mount to the open position then slide the microphone into place USING THE FOAM WINDSCREEN The FW 1 optional foam windscreen can also be used with your SCM 960 This windscreen fits over the grill portion of the microphone and is designed primarily to decrease bass rumble from wind noise pickup during outdoor live or recording use It is also useful in keeping mouth spray out of the microphone head The FW 1 or some other windscreen should be used when ever someone is close miked to both protect the microphone and to also eliminate popping from percussive breath sounds Note Be aware that the foam windscreen will slightly attenuate the high frequency response of the microphone CONNECTING THE SCM 960 The SCM 960 can be used in live sound reinforcement and broadcasting and in studio or live recording It must be powered by A8V phantom pow
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