d.2 2-Channel DJ Mixer Owner`s Manual
Contents
1. 1 E 855 50 0 x 9018 Sy 5 vec d 23 1 zs 1 gt v 13441 T3A31 NYNLAY X4 ANAS ANIS X o E 1 oe yadvs C i eno esp dnd H uondo 4 mj HOLIMS Lei SM 3ounos gt O3 7 i H ec nee amp gt lt gt x Eo Q9 t ca M LLI i 1 2 gt O 4 2 pm et 88 x 33437 ONOHd NI uBissy 5 eu 2 LAdNI GO Sg i Am N2. 18 19 Appendix B Connections 20 Appendix C Technical Info 21 Specifications 21 Block Diagram 23 Gain Structure 24 Appendix D Transform Switch Rotation and Fader Replacement 25 Limited Warranty 00000000000000000000000000000000000 27 Don t forget to visit our website at www mackie com for more information about this and other Mackie products Part No 0014096 Rev A 7 05 2005 LOUD Technologies Inc All Rights Reserved Printed in China Owner s Manual n d 2 2 channel DJ Mixer Introduction Thank you for choosing a Mackie d 2 Premium VCA Mixer for scratch and club DJs It contains all your fa vorite features in a scratch mixer along with significant extras that you will come to appreciate The d 2 is the first DJ mixer made by Mackie We were able to apply our extensive knowledge of mixer design to the d 2 making it a truly professional product with the high end performance you ve come to expect from Mackie Features like our built like a tank construc tion premium analog circuitry infinium contact free crossfader optional FireWire connectivity and Planet Earth power supply add value to the d 2 not found in any other scratch mixer in its class FEATURES e Might
3. 13 POWER Switch When the POWER switch is turned ON power is sup plied to the d 2 and the cool blue EQ knobs light up M Power Receptacle This is a standard 3 prong IEC power connector Con nect the detachable linecord included in the box with your d 2 to the power receptacle and plug the other end of the linecord into an AC outlet The d 2 has a universal power supply that can accept any AC voltage from 100 VAC to 240 VAC No need for voltage select switches It will work virtually anywhere in the world That s why we call it a Planet Earth power supply This also means that it is less susceptible to voltage sags or spikes providing greater electromag netic isolation and better protection against AC line noise 15 FIREWIRE Option FireWire a k a IEEE 1394 is a high speed serial 1 0 interface for connecting digital devices with more than 30 times the bandwidth of USB 1 1 You can install the optional FireWire card here to provide two FireWire connectors for transferring digital audio to and from your laptop computer or digital audio workstation DAW with absolute zero latency FIREWIRE The FireWire interface provides a stereo main output to your computer The signals are pre MAIN LEVEL con trol 32 so they are independent of any adjustments made to the MAIN LEVEL control This allows you to record your live performance directly to your laptop The FireWire interface also lets you use
4. 240 VAC 50 60 Hz Physical Dimensions and Weight Width 10 254 mm Options Height 15 49 393 4 mm including knobs and connectors Depth 4 62 117 3 mm including knobs and connectors Weight 11 10 5 kg with FireWire card The d 2 mounting slots are compatible with the Odyssey Battle Bridge This consists of two L brackets which bolt to the d 2 and allow you to fit it securely between two turntable cases See www odysseygear com for more details d 2 2 channel DJ Mixer 2 d 2 Mixer d 2 FireWire Interface Card FERE 9000 JC 4 62 117 5 mm 15 49 14 79 393 4 mm 375 7 mm E 4 42 112 5 Y Y lt 10 00 254 mm LOUD Technologies Inc is always striving to improve our prod ucts by incorporating new and improved materials components and manufacturing methods Therefore we reserve the right to change these specifications at any time without notice Mackie and the Running Man are registered trademarks of LOUD Technologies Inc All other brand names mentioned are trademarks or registered trademarks of their respective hold ers and are hereby acknowledged 2005 LOUD Technologies Inc Rights Reserved Owner s Manual uonisod 310
5. 45 OO OO Plug into 9 front panel ATA CN TUTTI Microphone headphone jack mm M pd mmm 9 2 wW eL lh D s s eq Headphones ground wire ground wire g S 3 amp Laptop Computer S 8 m Turntable oN 2 Turntable PGM 1 with phono level output with phono level output SRM450 Powered 5 2 Booth Left aker SRM450 Fowered Speaker PA SY Booth Right Club System Owner s Manual 5 d 2 2 channel DJ Mixer Rear Panel Features f 3 IN CHINA NI ING MAN S NC PENDING Lo RETURN og PGM 1 MIC END R FIREWIRE ACCESSORY CARD REQUIRED 1 MIC Input This is a Neutrik combo input connector that ac cepts either a balanced male XLR connector or a 1 4 balanced or unbalanced connector Use an XLR connec tor for low impedance microphones and a 1 4 connec tor for high impedance microphones The MIC Input signal is routed through the MIC Input Section MIC EQ and then to the Main Mix bus 2 CD Inputs These RCA jacks accept a stereo line level signal from a CD player or other line level playback device such as an MP3 player or DVD audio 3 LINE PHONO Inputs These RCA jacks accept a stereo phono level signal from a turntable when the LINE PHONO 4 switch is pushed in or from a line level playback device suc
6. d 2 DJ Mixer Jenuey SISUMO Plug into front panel headphone jack Microphone cuc ple Headphones ground wire ground wire Laptop Computer E Turntable with phono level output Turntable with phono level output cup of tea optional Radio Show Recording Podcasting having a good old time Owner s Manual d 2 2 channel DJ Mixer SRM450 SRM450 Powered Speaker Powered Speaker Main Left Main Right SWA1501 Powered Subwoofer SWA1501 Powered Subwoofer Main Left Main Right Plug into front panel headphone jack Microphone Headphones ground wire ground wire Turntable with phono level output Turntable with phono level output Two Turntable Portable System d 2 DJ Mixer O 5 SA1532z OA15227 VN Powered Speaker Powered Speaker Main Left Main Right lt CU 2 QU e p SWAI801 SWAI amp 01 E Powered Powered m ONCE Lm Subwoofers Subwoofers B J E E JJ Lm jj m Jg qj m JJ NN J CD Turntable 2 CD Turntable 1 e
7. This adjusts the signal level coming from your exter nal effects processor via the FX RETURN jacks 7 Use it to adjust the processed signal going to the main mix bus It ranges from off to 13 dB at maximum d 2 DJ Mixer 37 PHONES LEVEL Control This controls the volume of the PHONES output from off to maximum gain Turn it to minimum before connecting and putting on headphones Increase it slowly to a safe listening level See page 17 VERY IMPORTANT 38 PGM MAIN Switch Use this switch to select the source for the head phones signal When the switch is up PGM position the signal is tapped just after the BAL control 30 on the PGM channels You can use the PGM SOURCE cross fader 39 to fade between PGM 1 and PGM 2 When the switch is down MAIN position the signal is tapped from the Main Mix bus just before the MAIN LEVEL control 32 39 PGM SOURCE Cue Crossfader When the PGM MAIN switch 38 is up in the PGM position you can use this crossfader to listen to PGM 1 and 2 in the headphones When the crossfader is all the way to the left PGM 1 is heard in the head phones When the crossfader is all the way to the right PGM 2 is heard in the headphones When the knob is in the center the headphones get an even mix of PGM 1 and 2 Note When the PGM MAIN switch is down MAIN position this control has no effect on the PHONES output Program Output Section 40 TRANSFORM Switch The transfo
8. VCAs Voltage Controlled Amplifiers that determine the gain of the signal This is a very good thing by the way as the audio will not be affected by any scratchy electrical con tacts and the design allows for customizing the fader action using the CONTOUR and REVERSE controls A OSI 9 2 EMIUM VCA MIXEI PRI R w FIREWIRE OPTION e juil 42 PGM LEVEL METERS These meters have 12 LEDs ranging from 90 to 20 OL They indicate the summed mono signal strength of the signals just before the BAL controls 81 The meters are not affected by the PROGRAM faders 41 Typically you want to see these meters bouncing between the 0 and the 4 LEDs It is okay if the OL LED lights occasionally but if it lights frequently or con tinuously turn down the PGM LEVEL control 25 until the OL LED blinks occasionally or not at all 43 REVERSE LED These light when the front panel REVERSE switches 48 have been activated for 1 2 faders They show that the fader direction of action is reversed The meters are not reversed just the faders 44 MAIN LEVEL METERS These meters are similar to the LEVEL METERS 42 but indicate the signal strength of the Main out puts before the MAIN LEVEL control As with the other meters you want to see the signals bouncing between the 0 and the 4 LEDs It is okay if the OL LEDs light occasionally but if they light
9. kHz and above and turns off the signal at 4 kHz and above when the knob is turned to the KILL position At the center position the HIGH EQ has no effect on the signal 28 MID EQ This knob gives you up to 10 dB of boost at 1 kHz and turns off the signal at 1 KHz when the knob is turned to the KILL position At the center position the MID EQ has no effect on the signal 29 LOW EQ This knob gives you up to 10 dB of boost at 300 Hz and below and turns off the signal at 300 Hz and below when the knob is turned to the KILL position At the center position the LOW EQ has no effect on the signal Note When all three EQ knobs are turned to the KILL position the signal is effectively muted and no signal passes through to the output 30 FX Switch Press this switch in to tap the signal to the FX SEND outputs This allows you to send the signal to an external effects processor or even provide a direct feed for the PGM signal to another mixer This switch will route the PGM signal to the FX send output connectors interrupting the signal to the Main Outputs If there is no effects processor connected to the FX send and returns then the PGM signal is muted 3l BAL This knob works like the balance control on a home stereo Turning the knob to the left turns down the right side and turning the knob to the right turns down the left side When the BAL control is in the center the left and right sides are equally as loud a
10. or sing at your highest expected level 2 Adjustthe MIC LEVEL until the OL LED next to it only comes on occasionally Instant Mixing 1 get sound out of the speakers press the TRANS FORM switch up the latched position turn up the PROGRAM fader and slowly rotate the MAIN control to a comfortable listening level 2 Singand play You re a star Bring in the other channel play with the CROSSFADER and generally have fun Other Nuggets of Wisdom e Always turn down the MAIN BOOTH and PHONE knobs before making any connections e When you shut down your equipment turn off the amplifiers first When powering up turn on the amplifiers last e Never listen to loud music for prolonged periods Please see the Safety Instructions on page 2 for information on hearing protection Owner s Manual cs O S JOUAA d 2 2 channel DJ Mixer Hookup Diagrams The following hookup diagrams show the d 2 with the optional FireWire card installed SRM450 SRM450 Powered Speaker Powered Speaker Ped Main Left Main Right SWA1501 SWA1501 Powered Subwoofer Powered Subwoofer Pro CD Player Main Left Main Right Plug into m m gt front panel T VL EI headphone jack D Headphones Effects Processor Laptop Computer Mobile DJ System Rental Wedding or Funeral e
11. right main outputs When the knob is turned hard left the signal feeds only the left main out and when the knob is turned hard right it only feeds the right main out When the knob is in the center the microphone signal is sent equally to the left and right main mix The fiendish design of the pan circuit allows constant pan power where the aver age audio output level remains constant for all positions of the PAN control Program Input Section 25 LEVEL Control This knob adjusts the gain of the PGM input signals selected by the position of the SOURCE Select switch 26 This knob ranges from off to 18 dB of gain at maximum Adjust this with your good eye on the PRO GRAM METERS 42 so the level is typically bouncing between the 0 and 4 LEDs 26 SOURCE Select Switch This switch selects one of three possible input sources for the PGM channel FireWire The signal coming in from the optional FireWire interface is selected as the source LINE PHONO The signal connected to the PHONO connectors on the rear panel is selected This could be from a turntable or from a line level playback device depending on the setting of the LINE PHONO switch 4 CD The signal connected to the CD connectors on the rear panel is selected You could have a signal coming in on all three inputs and quickly change from one input source to another using this heavy duty switch 27 HIGH EQ This knob gives you up to 10 dB of boost at 4
12. some headphones BE CAREFUL VERY IMPORTANT Always start with the PHONES LEVEL control 37 turned all the way down before connecting headphones to the PHONES jack or making any connections Keep it down until you ve put on the headphones Set the PGM SOURCE Slider 39 if you are listening to PGM 1 or PGM 2 then turn up the PHONES LEVEL control 37 slowly Why Always remember Engineers who fry their ears find themselves with short careers VERY IMPORTANT Owner s Manual S JOUAA Jenuey d 2 2 channel DJ Mixer Appendix A Service Information Warranty Service Details concerning Warranty Service are spelled out in the Warranty section on page 27 If you think your d 2 has a problem please do everything you can to confirm it before calling for service Doing so might save you from the deprivation of your mixer and the associated suffering These may sound obvious to you but here are some things you can check Read on Troubleshooting No Power e Our favorite question Is it plugged in e Make sure the power cord is securely seated in the IEC socket 14 and plugged all the way into the AC outlet e Make sure the AC outlet is live check with a tester or lamp e Make sure the rear panel POWER switch 13 is in the ON position up e Are the EQ controls on the front panel illuminated If not make sure the AC outlet is live e Areallthe lights out in your town If so contact your l
13. unbalanced signals SLEEVE SLEEVE TIP SLEEVE 1 4 TS Unbalanced Wiring Sleeve Shield Tip Hot RCA Plugs and Jacks RCA type plugs also known as phono plugs and jacks are often used in home stereo and video equipment and in many other applications They are unbalanced and electrically equivalent to a 1 4 TS phone plug SLEEVE TIP SLEEVE TIP gem RCA Unbalanced Wiring Sleeve Shield Tip Hot Appendix Technical Info ego e Specifications Frequency Response Mic Input to any Output Trim at 0 dB 0 1 dB 20 Hz to 20 kHz Line CD Input to any Output 0 5 dB 20 Hz to 20 kHz Phono input to any Output 1 dB of RIAA EQ curve Distortion THD and IMD THD Main Output 20 Hz to 20 kHz Mic Input 30 dB Gain Less than 0 0075 Line CD Input 0 dB Gain Less than 0 0075 Phono Input Less than 0 01 THD Phones Output 20 Hz to 20 kHz Line Input 0 dB Gain Less than 0 03 SMPTE IMD 4 dBu Output Mic Input 30 dB Gain Less than 0 008 Line CD Input 0 dB Gain Less than 0 008 Common Mode Rejection Ratio CMRR Mic Input Gain maximum Greater than 60 dB 1kHz Crosstalk Adjacent Inputs or Input to Main Output Less than 85 dB 1kHz Noise Characteristics Equivalent Input Noise E I N 20 Hz to 20 kHz Mic Input 150 Q source impedance Less than 123 dBu Phono Input 500 2 500 mH source impedance Less than
14. will also accept an unbalanced 1 4 TS connector If you are using a stereo effects processor connect its left and right outputs to the corresponding left and right FX RETURN jacks If it is a mono effects processor con nect its output signal to the left FX RETURN jack and it will appear on both the left and right Main Mix bus 8 BOOTH Outputs These 1 4 TRS jacks provide a balanced line level signal from the Main Mix bus prior to the rotary MAIN LEVEL control 32 Use these to connect to a pair of powered monitor speakers or to the inputs of an amplifier powering the monitor speakers in the booth If you only have one monitor speaker just use one of the BOOTH Outputs and push in the BOOTH STEREO MONO switch 34 in the CONTROL section on the top panel 9 XLR MAIN OUTs These male XLR connectors provide a balanced mic or line level signal from the MAIN LEVEL control 82 The LINE MIC Switch 10 determines if it is a mic level or line level output Connect these to the balanced inputs of the active speakers or power amplifier s powering your main speakers If you are connecting the MAIN OUT of the d 2 to an unbalanced input use the RCA Main Outs 11 instead Note Balanced connections offer better immunity to external noise specifically hum and buzz than unbal anced connections Because of this it is the preferred interconnect method especially in cases where very long lengths of cable are being used A lo
15. 0 3 pV CD Line Input 150 Q source impedance Less than 110 dBu Dynamic Range Main Out Greater than 100 dB Maximum Input Levels rated at 1 THD Mic Input Gain minimum 9 dBu CD and Line Inputs PGM Gain 0 dB 22 dBu FX Input 22 dBu Phono Input 78 mV 1kHz Input Output Characteristics Input Gain Control Range Mic Input 13 dB to 63 dB PGM Input OFF to 13 dB FX Return OFF to 13 dB 5 2 D sS Input Impedance VAN Mic Input 2 4 balanced CD Line Input 20 balanced lt FX Return 20 kQ balanced Phono Input 47 5 kQ shunted with 200 pF Maximum Output Levels Q XLR Main Output 22 dBu m RCA Main Output 22 dBu Booth Output 22 dBu FX Send 22 dBu Phones 15 volts rms into 80 28 watts Output Impedance Main XLR RCA Output 150 Q Booth Output 150 Q FX Send 150 Q Phones 250 Equalization Mic Channel Low Mid High PGM Channel Low Mid High VU Meters 15 dB 80 Hz 15 dB 2 5 kHz 15 dB 12 kHz 10 inf dB 300 Hz 10 inf dB 1 kHz 10 inf dB 4 kHz 12 segment pre fader PGM meters 12 segment pre fader Main Mix meters OL 20 10 7 4 2 0 2 4 7 10 20 30 0 LED 4 dBu Mic Input Signal Present LED Sensitivity 20 dBu continued Owner s Manual Im AC Power Requirements Power Consumption Universal AC Power Supply 20 watts 100 VAC
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18. OF ANY KIND LOUD TECHNOLOGIES INC SHALL NOT BE LIABLE FOR ANY INCIDENTAL SPECIAL OR CONSEQUENTIAL DAMAGES THAT MAY RESULT FROM ANY DEFECT IN THE MACKIE PRODUCT OR ANY WARRANTY CLAIM Some states do not allow exclusion or limitation of incidental special or consequential damages or a limitation on how long warranties last so some of the above limitations and exclusions may not apply to you This warranty provides specific legal rights and you may have other rights which vary from state to state Owner s Manual 16220 Wood Red Road Woodinville 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail sales mackie com
19. This apparatus has been designed with Class construction and must be connected to a mains socket outlet with a protective earthing con nection the third grounding prong 17 This apparatus has been equipped with an all pole rocker style AC mains power switch This switch is located on the rear panel and should remain readily accessible to the user 18 This apparatus does not exceed the Class A Class B whichever is applicable limits for radio noise emissions from digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications ATTENTION Le pr sent appareil num rique n met pas de bruits radio lectriques d passant las limites applicables aux appareils num riques de dass A de dass B selon le cas prescrites dans le r glement sur le brouillage radio lectrique dict par les ministere des communications du Canada 19 Exposure to extremely high noise levels may cause permanent hearing loss Individuals vary considerably in susceptibility to noise induced hearing loss but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a period of time The U S Government s Occupational Safety and Health Administration OSHA has specified the permissible noise level exposures shown in the following chart According to OSHA any exposure in excess of these permissible limits could result in some hearing loss To ensure against potentially danger ous exposure t
20. a 2 Channel DJ Mixer with FireWire Option OWNER S MANUAL PGM 1 CONTROL SOURCE MAIN UNE PHONO e aram MAN Go LEVEL PGM SOURCE TRANSFORM MAIN L R mio 10 7 ms um 12 2 7 10 20 o REVERSE infinium 9 2 Sross lader PREMIUM VCA MIXER w FIREWIRE OPTION S Important Safety Instructions Read these instructions Keep these instructions Heed all warnings Do not use this apparatus near water 1 2 3 4 Follow all instructions 5 6 Clean only with dry cloth 7 Do not block ventilation openings Install in accordance with the manufacturer s instructions 8 Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power co
21. ates on volt ages between 100 and 240 VAC e Standard IEC power receptacle and power cord HOW TO USE THIS MANUAL We know that many of you can t wait to get your new mixer hooked up and you re probably not going to read the manual first sigh So the first section after this Introduction is a Getting Started guide to help you get the mixer set up fast so you can start using it right away Right after that are the ever popular hook up diagrams that show you some typical setups Then when you have time read the Features Descrip tion section This describes every knob button and connection point on the d 2 roughly following the signal flow through the mixer from top to bottom Throughout this section you ll find illustrations with each feature numbered If you want to know more about a feature simply locate it on the appropriate illustra tion notice the number attached to it and find that number in the nearby paragraphs This icon marks information that is critically important or unique to the d 2 For your own good read them and remember them They will be on the final test This icon leads you to in depth explanations x VERY IMPORTANT 54 of features and practical tips While not mandatory they usually have some valuable nuggets of information Appendix B is a section on connectors XLR connec tors TRS balanced connectors TS unbalanced connec tors and RCA unbalanced connectors Appendix C sh
22. e PGM 1 or PGM 2 faders up the volume will increase When you move the crossfader left to right PGM 1 will fade into PGM 2 These switches let you reverse the direction of the action of the program faders and the crossfader With the 1 or 2 REVERSE switches on when you move the PGM 1 or PGM 2 faders up the volume will now decrease With the Crossfader REVERSE switch on when you move the crossfader left to right PGM 2 will fade into 1 This is sometimes called a hamster switch Note These switches and the CONTOUR controls do not affect the meters just the faders 49 Headphones Jack This is where you plug in your stereo headphones It is a 1 4 TRS stereo jack If you have the PGM MAIN switch 88 up you can listen to the PGM 1 or PGM 2 signals or a mix of both determined by setting the PGM SOURCE Slider 39 The signals are taken just after the BAL controls 31 but before the PROGRAM Faders 41 If you have the PGM MAIN switch 38 down you can listen to the MAIN MIX signals taken just before the MAIN LEVEL control 32 The headphone volume is controlled by the PHONES LEVEL control 37 and the position of the PGM SOURCE Crossfader 39 if you are listening to 1 or PGM 2 WARNING The headphone amp is de signed to drive any standard headphones to a very loud level We re not kidding It can cause permanent hearing damage Even intermediate levels may be painfully loud with
23. e product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons Le symbole clair avec point de fl che l int rieur d un triangle quilat ral est utilis pour alerter l utilisateur de la pr sence l int rieur du coffret de voltage dangereux non isol d ampleur suffisante pour constituer un risque d l ctrocution The exclamation point within an equilateral triangle is intended to alert the user of the presence of important operating and maintenance servicing instructions in the literature accompanying the appliance Le point d exclamation l int rieur d un triangle quilat ral est employ pour alerter les utilisateurs de la pr sence d instructions importantes pour le fonctionnement et l entretien service dans le livret d instruction accompagnant l appareil 2 d 2 DJ Mixer 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed 10 rain or moisture does not operate normally or has been dropped 15 This apparatus shall not be exposed to dripping or splashing and object tilled with liquids such as vases or beer glasses shall be placed on the apparatus 16
24. ect cords from the d 2 s MAIN OUTs XLR or RCA connectors on the rear panel to your powered speakers or amplifier 4 Plugin the detachable linecord connect it to a live AC outlet and turn on the d 2 s POWER switch 5 Ifyou have powered speakers turn them on Other wise hook up your speakers to the amp and turn it on Adjust your powered speaker or amplifier level controls to however the manufacturer recommends This is usually all the way up Set the Levels To set the LEVEL controls it s not even necessary to hear what you re doing at the outputs of the mixer If you want to listen while you work plug headphones into the PHONES jack on the front panel then set the PHONES knob up a little 1 Selectthe input using the SOURCE switch 2 Play something into the selected input Be sure that the volume of the input source is the same as it would be during normal use If it isn t you might have to readjust these levels during the middle of set 3 Center the TRANSFORM switch There will be no output but the PROGRAM METER will still work 4 Adjustthe channel s rotary LEVEL control so that the LEDs on the PROGRAM meter stay around 0 and 4 and never go higher than 7 5 Apply some EQ if needed return to step 4 if you do just to check the levels are still OK 6 Repeat for the other channel if you want to Set the MIC Levels 1 Tolevel the microphone input keep the ON button off and talk
25. es can be obtained through local dealers or distributors SIDUM If your d 2 needs service follow these instructions 1 Review the preceding troubleshooting suggestions Please 2 Call Tech Support at 1 800 898 3211 7 am to 5 pm PST to explain the problem and request a Service Request Number Have your d 2 s serial number ready You must have an Service Request Number before you can obtain warranty service enue 3 Keep this owner s manual and the detachable line cord We don t need them to repair the mixer 4 Pack the mixer in its original package includ ing endcaps and box This is VERY IMPORTANT Mackie is not responsible for any damage that occurs due to non factory packaging 5 Include a legible note stating your name shipping address no P O boxes daytime phone number Service Request Number and a detailed description of the problem including how we can duplicate it 6 Write the Service Request Number in BIG PRINT on top of the box Units sent without the SR number will be refused 7 Tech Support will tell you where to ship the d 2 for repair We suggest insurance for all forms of cart age 8 You will need to contact the authorized service cen ter for their latest turn around times The d 2 must be packaged in its original packing box and must have the Service Request Number on the box Once it s repaired the authorized service center will ship it back by ground shipping pre paid
26. frequently or continuously turn down the PROGRAM FADERS 41 until the OL LEDs blink occasionally or not at all Owner s Manual 5 S JOUAA enue D 45 REVERSE LED X This LED lights when gt the REVERSE switch 48 has been activated for the Crossfader For TRANSFORM TRANSFORM more details see the dis cussion of the REVERSE switches 48 on the next page E PAR 46 CROSSFADER 0 The crossfader is used to fade between the two PGM signals in the 2 U MAIN outputs When Wii the crossfader is all the infinium way to the left PGM 115 come ape Tn heard in the MAIN outs When the crossfader is all the way to the right PGM 2 is heard When the crossfader knob is in the center the MAIN outs get an even mix of PGM 1 and 2 The characteristics of how the crossfader affects the audio signal are determined by its corresponding CON TOUR control 47 and the REVERSE switch 48 5 You can adjust the tension of the fader movement to your specific taste The crossfader is a high quality infinium contact free optical digital fader designed to last the lifetime of the d 2 with no degradation in quality A CLOSER LOOK To adjust the crossfader tension 1 Move the crossfader all the way to the left 2 Remove the fader ca
27. gies warrants all repairs performed for 90 days or for the remainder of the warranty period This warranty does not extend to damage resulting from improper installation misuse neglect or abuse or to exterior appearance This warranty is recognized only if the inspection seals and serial number on the unit have not been defaced or removed H LOUD Technologies assumes no responsibility for the quality or timeliness of repairs performed by an authorized service center Jenuey SISUMO I This warranty is extended to the original purchaser and to anyone who may subsequently purchase this product within the applicable warranty period A copy of the original sales receipt is required to obtain warranty repairs J This is your sole warranty LOUD Technologies does not authorize any third party including any dealer or sales representative to assume any liability on behalf of LOUD Technologies or to make any warranty for LOUD Technologies Inc K THE WARRANTY GIVEN ON THIS PAGE IS THE SOLE WARRANTY GIVEN BY LOUD TECHNOLOGIES INC AND IS IN LIEU OF ALL OTHER WARRANTIES EXPRESS AND IMPLIED INCLUDING THE WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE THE WARRANTY GIVEN ON THIS PAGE SHALL BE STRICTLY LIMITED IN DURATION TO THREE YEARS FROM THE DATE OF ORIGINAL PURCHASE FROM AN AUTHORIZED MACKIE DEALER UPON EXPIRATION OF THE APPLICABLE WARRANTY PERIOD LOUD TECHNOLOGIES INC SHALL HAVE NO FURTHER WARRANTY OBLIGATION
28. h as a CD player or player when the LINE PHONO switch is out Check that your turntable has a phono level output and a Moving Magnet cartridge 4 LINE PHONO Switch If you connect a turntable with phono level outputs to the LINE PHONO inputs 8 push this switch in to select the phono level input stage which includes an RIAA preamp for proper re equalization of the incoming phono signal If you are connecting line level playback device like CD or MP3 player leave this switch out to select the line level preamp Do not press it in if you have line level signal connected VERY IMPORTANT d 2 DJ Mixer 5 GND Terminal These terminals are provided to connect a ground wire from your turntable s to the d 2 Most turntables provide a ground wire to connect to the preamp for the purpose of eliminating hum in the audio signal Simply turn the ground terminal on the d 2 counter clockwise to loosen it wrap the end of the ground wire clockwise around the terminal and hand tighten the ground ter minal for a secure ground connection 6 Stereo FX SEND These 1 4 TRS jacks provide a balanced line level output signal from the stereo FX Send bus Use these to connect to the inputs of an external effects processor You can also use an unbalanced 1 4 TS cable to make this connection 7 Stereo FX RETURN These 1 4 TRS jacks accept a balanced line level signal from an external effects processor They
29. if it was a war ranty repair Note Under the terms of the warranty you must ship or drop off the unit to an authorized service center The return ground shipment is covered for those units deemed by us to be under warranty Note You must have a sales receipt from an authorized Mackie dealer for your unit to be considered for warranty repair Owner s Manual d 2 2 channel DJ Mixer Appendix B Connections XLR Connectors The d 2 MIC combo input accepts 3 pin male XLR connectors the MAIN OUTs accept 3 pin female XLR connectors These are wired as follows according to standards specified by the AES Audio Engineering Society XLR Balanced Wiring Pin 1 Shield Pin 2 Hot Pin 3 Cold 1 4 TRS Phone Plugs and Jacks 5 stands for Tip Ring Sleeve the three connection points available on a stereo 1 4 or balanced phone jack or plug TRS jacks and plugs are used for balanced signals and stereo headphones Balanced Mono SLEEVE RING TIP RING TIP SLEEVE 1 4 TRS Balanced Mono Wiring Sleeve Shield Tip Hot Ring Cold Stereo Headphones SLEEVE RING TIP RING SLEEVE RING TIP SLEEVE 1 4 TRS Stereo Unbalanced Wiring Sleeve Shield Tip Left Ring Right d 2 Mixer 1 4 TS Phone Plugs and Jacks TS stands for Tip Sleeve the two connection points available on a mono 1 4 phone jack or plug They are used for
30. input connector plugged completely into the jack e 5 it loud and distorted Make sure the input LEVEL control 25 is set correctly Reduce the signal level on the input source if possible e If possible listen to the signal with headphones plugged into the input source device If it sounds bad there it s not the d 2 causing the problem e Ifyou are using a turntable with a phono level out put and the sound is low and distorted check that the LINE PHONO switch 4 is set to PHONO Note that the phono section requires your cartridge to be a Moving Magnet type It may be too low to amplify the low levels of a Moving Coil type Noise Hum e Turn down the FX RETURN knob 36 If the noise disappears it s coming from whatever is plugged into the FX RETURNS 7 e Check that your turntable s audio ground wire is connected to the GND terminals 5 e Turn down each channel one by one If the noise disappears it s coming from whatever is plugged into that channel Check your whatever e Check the signal cables between the input sources and the d 2 Disconnect them one by one When the noise goes away you ll know which input source is causing the problem e Sometimes it helps to plug all the audio equipment into the same AC circuit so they share a common ground Repair Service for Mackie products is available at a factory authorized service center Service for Mackie products living outside the United Stat
31. ng It s okay if this LED blinks occasionally but if it is blinking frequently or lit con tinuously turn down the MIC LEVEL control 16 until it just blinks occasionally 19 48V Phantom Power Switch If your microphone is a condenser design it probably requires phantom power to operate Push in this switch to supply 48 VDC to pins 2 and 3 of the XLR microphone connector Dynamic microphones like Shure s SM57 and SM58 do not require phantom power However phantom power will not harm most dynamic microphones should you accidentally plug one in while the phantom power is turned on Check your microphone s user s manual if you are not sure whether your microphone needs phan tom power or not 20 HIGH EQ This knob gives your mic signal up to 15 dB of boost and cut at 12 KHz and above At the center position the HIGH EQ has no effect on the signal m d 2 DJ Mixer 21 MID EQ This knob gives you up to 15 dB of boost and cut at 2 5 kHz At the center position the MID EQ has no effect on the signal 22 LOW EQ This knob gives you up to 15 dB of boost and cut at 80 Hz and below At the center position the LOW EQ has no effect on the signal 23 ON Switch Press this switch in to send the microphone signal to the MAIN outputs otherwise your dulcet tones will not be heard and people will say huh 24 PAN This knob adjusts the amount of microphone signal that is sent to the left versus the
32. ng unbalanced cable carries with it more opportunity for noise to get into the system having balanced cables means very little noise will enter the system If you must use an unbalanced connection keep the cable length to 10 feet or less 3 meters 10 LINE MIC Switch If you are connecting the XLR MAIN OUTs 9 to line level inputs like a power amplifier s inputs leave this switch out in the LINE position If you are using the d 2 as a submixer and connecting the XLR MAIN OUTS to the mic inputs of another mixer push this switch in to the MIC position This inserts a 30 dB pad to reduce the output signal to a mic level This great feature allows you to connect the d 2 output directly to a snake without using direct boxes 11 RCA Main Outs These RCA connectors provide an unbalanced line level signal from the MAIN OUT either pre or post MAIN LEVEL control 32 depending on the setting of the LIVE RECORD switch 12 12 LIVE RECORD Switch When this switch is out LIVE position the RCA Main Outs provide the signal just after the MAIN LEVEL control 82 so it essentially provides the same signal as the XLR MAIN OUTs 9 except it is an unbalanced signal rather than a balanced one When this switch is pushed in RECORD position the RCA Main Outs provide the signal just prior to the MAIN LEVEL control This allows you to make a stereo recording that is not affected by Main Out level changes during a performance
33. o high sound pressure levels it is recommended that all persons exposed to equipment capable of producing high sound pres sure levels use hearing protectors while the equipment is in operation Ear plugs or protectors in the ear canals or over the ears must be worn when operating the equipment in order to prevent permanent hearing loss if exposure is in excess of the limits set forth here Sound Level dBA Slow Response Duration Per Day In Hours Typical Example Subway Train Very loud classical music Dave screaming at Steve about deadlines 0 5 0 25 or less Loudest parts at a rock concert WARNING To reduce the risk of fire or electric shock do not expose this apparatus fo rain or moisture Table of Contents Safety 2 Introduction 4 Getting Started 5 Hookup Diagrams 0000000000000000000000000000000000000 6 Features 9990909000000000000000000000000000 10 Top Panel Featu 12 Microphone Input Section 12 Program Input n Control Section 14 Program Output 1 Front Panel Features Appendix A Service Information 18 Warranty Service 18 Troubleshooting
34. ocal power company to get power restored e LEDs are illuminated and you are certain that the AC outlet is live it will be necessary to have your d 2 serviced There are no user serviceable parts inside Refer to Repair on the next page to find out how to proceed Bad Channel e Check the TRANSFORM switch 40 is not in the center position e 5 fader or crossfader REVERSE LED 48 on e Check the channel s PROGRAM fader 41 is not fully down e Are that channel s EQ controls all turned down e 5 the signal source turned up Make sure the signal level from the selected input source is high enough to light up some of the PROGRAM METER LEDs 42 e 3 the correct input chosen with the SOURCE SE LECT switch 26 and its PGM LEVEL 25 turned up far enough d 2 Mixer e Ifthe FX button 30 is pressed on that channel make sure your effects processor is connected cor rectly and is working e the same source signal in the other channel set up exactly like the suspect channel Bad Output e 5 the associated level control if any turned up e If it s one of the MAIN OUTPUTS try unplugging the others For example if it s the XLR LEFT MAIN OUT unplug the RCA LEFT OUT If the problem goes away it s not the mixer e left output is presumed dead switch the left and right cords at the mixer end If the problem stays on the left side it s not the mixer Bad Sound e 3 the
35. of your Limited Warranty we may at our option charge for service time 4 Ship the product in its original shipping carton freight prepaid to the authorized service center The address of your closest authorized service center will be given to you by Technical Support IMPORTANT Make sure that the Service Request Number is plainly written on the shipping carton E LOUD Technologies reserves the right to inspect any products that may be the subject of any warranty claims before repair or replacement is carried out LOUD Technologies may at our option require proof of the original date of purchase in the form of a dated copy of the original dealer s invoice or sales receipt Final determination of warranty coverage lies solely with LOUD Technologies Any products returned to one of the LOUD Technologies factory authorized service centers and deemed eligible for repair or replacement under the terms of this warranty will be repaired or replaced within thirty days of receipt LOUD Technologies and its authorized service centers may use refurbished parts for repair or replacement of any product Products returned to LOUD Technologies that do not meet the terms of this Warranty will not be repaired unless payment is received for labor materials return freight and insurance Products repaired under warranty will be returned freight prepaid by LOUD Technologies to any location within the boundaries of the USA G LOUD Technolo
36. ows the d 2 specifications a block dia gram and a gain structure diagram Appendix D shows how to adjust the position of the transform switches and how to replace the faders if you ever have to Getting Started READ THIS Even if you never reads manuals please read and digest the safety instructions on page 2 and this page before you begin using the d 2 mixer Zero the Controls 1 Turn the rear panel POWER switch off 2 Turndown the LEVEL controls for MIC 1 and PGM 2 and center all EQ PAN and BAL controls 3 Set all push button switches to their out positions 4 Inthe CONTROL section right hand side turn all the rotary knobs down and the switches out 5 Setthe PROGRAM Faders fully down 6 Onthe front panel set the REVERSE switches out 7 Center the CROSSFADER Connections If you already know how you want to connect the d 2 go ahead and connect the inputs and outputs the way you want them If you just want to get sound through the d 2 mixer follow these steps 1 Plug a signal source to the 4 2 This could be a e Microphone into the MIC input e Turntable into a PHONO input push in the rear panel LINE PHONO switch e ine level source such as CD player into the PHONO input push out the LINE PHONO switch e ine level source such as a CD player into a CD input 2 Ifyou are using the PHONO input make sure you set the LINE PHONO switch correctly 3 Conn
37. p knob by grasping it firmly and pulling straight up 3 Use asmall slot head screwdriver to turn the screw located through the hole on the left side of the crossfader slot e Lll Rotate the screw clockwise to tighten the ten sion and rotate the screw counter clockwise to loosen the tension You might need a flashlight to make sure you are lined up on the screw 4 Replace the fader cap and you re all done d 2 DJ Mixer Front Panel Features 47 CONTOUR Controls Use the CONTOUR controls to adjust how fast or slow each fader responds to movement In the SLOW position the faders respond in a linear fashion increas ing from minimum to maximum at the same rate In the FAST position the faders respond logarithmically increasing from minimum to maximum very quickly and then changing very little for the remainder of the fader travel Adjust the CONTOUR controls between the two extremes to get the fader response that works best for your application The CONTOUR control for the crossfader works in a similar fashion crossfading linearly with the CON TOUR control in the SLOW position and crossfading very quickly with the CONTOUR control in the FAST position In fact in the FAST position the crossfading occurs within the first 2 mm of fader travel This is great for crabbing techniques 48 REVERSE Switches Normally with these switches out when you move th
38. r cords or cables connected to the d 2 2 Gently place the d 2 face upwards on a flat clean and dry surface such as the kitchen table 3 Remove the three slider knobs by gently pull ing them upwards Keep them safe 4 Undo the five screws from the top panel and two screws from the front as shown Keep the screws in a safe place away from Llamas Nd 5 b jansaafpoann ULE Ed E E fois 42 i e m SIDUM Gently lift off the panel taking care not to dam age the front panel contour knobs Keep it in a safe place were it won t get scratched or fall off the table and hit the cat Each transform switch has four screws but remove only the outer two These are black whereas the inner screws are bright and shiny C CE Rotate the switch assembly to suit your preference and replace the two Screws Diagonally Sideways If you need to replace a transform switch gently pull it out just enough so you can reach and undo its connector Connect the new switch securely and screw it in the desired position You might want to replace both switches if they are both aged and or had a rough life Replace the top cover and make sure that all the meter LEDs and the Reverse LED
39. rd from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus 11 Only use attachments accessories specified by the manufacturer 12 Use only with a cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over PORTABLE CART WARNING Carts and stands The Component should be used only with a cart or stand that is recommended by the manufacturer A Component and cart combination should be moved with care Quick stops excessive force and uneven surfaces may cause the Component and cart combination to overturn CAUTION AVIS RISK OF ELECTRIC SHOCK DO NOT OPEN RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL ATTENTION POUR EVITER LES RISQUES DE CHOC ELECTRIQUE NE PAS ENLEVER LE COUVERCLE AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L USAGER CONFIER L ENTRETIEN AU PERSONNEL QUALIFIE AVIS POUR EVITER LES RISQUES D INCENDIE OU D ELECTROCUTION N EXPOSEZ PAS CET ARTICLE ALA PLUIE OU A L HUMIDITE The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within th
40. rm switch has three positions Latch TRANSFORM ing Center and Momen tary When the switch is Latched this program s signal is on and passes through to the outputs NU BETEREN 1 When the switch is in the center position this program s signal is muted at the outputs and FX nds infini Sends oS inte The other position is a momentary version of the Latched position in other words it won t stay there when you let go of it and allows the signal to pass as long as the switch is held down Let go of the switch and the signal is muted again This lets you quickly use the transform switch for stutter effects If you prefer you can rotate the Transform switch 45 or 90 so the switch moves diagonally or horizontally in stead of vertically See Appendix D on page 25 for more information Note If this switch is in the center position the program can still be heard and cued in the headphones if the PGM MAIN switch 38 is up 41 PROGRAM FADER This controls the volume for the PGM signal being sent to the Main Mix bus The characteristics of how the fader affects the audio signal are determined by the cor responding CONTOUR control 47 and the REVERSE switch 48 5 These faders have a very light touch Ry and are designed to last the lifetime of the d 2 No audio passes through these faders Rather they send a control voltage to a pair of
41. s are pok ing through before you tighten down the screws securely Owner s Manual 5 Replacing Faders If the faders ever need to be replaced this can be done with the help of your trusty screwdriver 10 Follow steps 1 to 5 and remove the top panel 11 Take care to only remove the two outer screws of each fader you are replacing as shown below d 2 2 channel DJ Mixer 12 Gently lift up the fader assembly just enough to be able to pull the connector out of the recep tacle on the bottom of the fader assembly Removing the Cross Fader Connector Edi Removing a Program Fader Connector 13 Insert the connector into the receptacle on the new fader assembly It will only fit in one way d 2 DJ Mixer 14 15 16 Secure the fader assembly to the chassis with the two screws you lost in step 11 Replace the top cover and make sure that all the meter LEDs and the Reverse LEDs are pok ing through before you tighten down the screws securely Check that all the faders and switches are working normally You might have to reset the tension if you changed the cross fader Limited Warranty Please keep your sales receipt in a safe place A LOUD Technologies Inc warrants all materials workmanship and proper operation of this product for period of three years from the original date of purcha
42. se If any defects are found in the materials or workmanship or if the product fails to function properly during the applicable warranty period LOUD Technologies at its option will repair or replace the product This warranty applies only to equipment sold and delivered within the US by LOUD Technologies Inc or its authorized dealers B Failure to register online or return the product registration card will not void the three year warranty C Service and repairs of Mackie products are to be performed only at a factory authorized facility see D below Unauthorized service repairs or modification will void this warranty To obtain repairs under warranty you must have a copy of your sales receipt from the authorized Mackie dealer where you purchased the product It is necessary to establish the purchase date and determine whether your Mackie product is within the warranty period D To obtain factory authorized service 1 Call Mackie Technical Support at 800 898 3211 7 AM to 5 PM Monday through Friday Pacific Time to get a Service Request Number Products returned without a Service Request Number will be refused 2 Pack the product in its original shipping carton Also include a note explaining exactly how to duplicate the problem a copy of the sales receipt with price and date showing and your return street address no P O boxes or route numbers please If we cannot duplicate the problem or establish the starting date
43. ssuming the left and right inputs are equal loudness Owner s Manual S JOUAA Jenuey Control Section 32 MAIN LEVEL Control This knob adjusts the main output level at the MAIN OUT XLRs 9 164 04 200 CONTROL and to the RCA Main Outs 11 when the LIVE RECORD switch 12 is out Remem ber when the LIVE RE CORD switch is pushed in the RCA Main Outs are not affected by the HIGH B SOURCE m ve LINE PHONO e ce EQ A d 2 2 channel DJ Mixer MAIN LEVEL control 33 BOOTH LEVEL Control This knob adjusts the output level at the BOOTH outputs 8 34 STEREO MONO Switch With this switch up the BOOTH outputs 8 provide a stereo left and right output of the main mix Push the switch in to combine the left and right signals to mono if you only have one booth monitor speaker 35 FX SEND LEVEL Control This knob controls the amount of signal being sent to FX SEND outputs 6 Adjust this knob to provide an appropriate input signal level to your external effects processor or whatever you have connected to the FX SENDs It ranges from off to 13 dB at maximum Note The FX SENDs are affected by the TRANSFORM switches 40 so if you mute a PGM channel with the TRANSFORM switch the FX SEND for that PGM chan nel is muted as well 36 FX RETURN LEVEL Control
44. y strong construction to withstand the rigors of DJ work e Integrated rack ears Odyssey Battle Bridge compatible e Removable top panel provides access to the rotatable transform switches and to the user replaceable faders e Premium VCA based design offers extremely smooth fades and cross fades with very low distortion characteristics for warm hearty sounding mixes e Mackie mic preamp with 3 band EQ for pro quality vocals through the d 2 e XLR main outputs with Mic Line switch mic position allows stage connections with no D I boxes required e RCA main outs with Live Record switch Record position delivers a pre main out e Endless life optical crossfader from the UK based Infinium with adjustable mechanical tension accessible from the top panel Please write your serial number here for future reference i e insurance claims tech support return authorization etc E Purchased at E Date of purchase po 7 d 2 DJ Mixer e Optional user installable FireWire card receives four program channels from PC Mac and sends a stereo L R recording stream to PC Mac e Program faders and Crossfader have variable contour curves and reverse switches e Ultra bright blue white main meters plus individual program meters for cueing and beat matching e Separate mono stereo switchable booth output on balanced TRS connectors Stereo FX loop for outboard effects e Planet Earth power supply oper
45. your comput er to playback music for mixing on the d 2 It provides return for four signals which can be selected as the program source for PGM 1 and PGM 2 Assign two chan nels or a stereo pair to ASIO or CoreAudio outputs 1 and 2 for PGM 1 and two channels or a stereo pair to outputs 3 and 4 for PGM 2 The FireWire card can easily be installed with the help of a small screwdriver Ask your Mackie dealer about it The FireWire card not the screwdriver Each card comes with installation instructions that I have to write before the boss gets back from his vacation in Gary Indiana Owner s Manual m S JOUAA d 2 2 channel DJ Mixer Top Panel Features MIC Input Section 16 MIC LEVEL Control This knob adjusts the gain of the mic preamp for any microphone plugged into the ICE CONTROL SOURI v LINE PHONO MIC input jack 1 It ranges from 13 dB to 63 dB of gain Adjust this knob so that the loudest speaking or shouting that you do into the microphone just barely lights the OL LED 18 This gives you the best signal to noise EQ ratio for the mic preamp 17 MIC SIGNAL LED This green LED is a signal present indicator It lights when the microphone signal reaches 20 dBu to give you a clue that the microphone is working 18 MIC OLLED This red LED lights when the microphone signal reaches 6 dB below clippi
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