V-METAL User Manual
Contents
1. ___ rs strument 5 root r string string root ition highest pos ion O lowest posi strument 3 I root 1 1 4 15 root string string string ition highest pos ion e lowest posi 58 1 1 1 1 1 1 1 1 1 1 1 1 1 ition highest pos ion C strument lowest pos unison double bend strument ition highest pos ion O lowest posi 59 other chords RUSH chords chord 9 D A sus4 omit5 chord 8 6 9 G sus4 1109 chord 7 A maj7 F13 omit5 chord 6 11 E13sus4 omit5 chord 5 Gaddg D sus4 chord 4 sus4 omit5 chord 3 E11 Bm13 omit5 chord 2 D4maj7 11 13 omit5 chord 1 D A sus4 omit5 instrument _ _ i 290 rone lowest position e highest position 60 narutal harmonics 61 V METAL MIDI Controller Chart JUETBL MIDI CC 1 mute picking noise active only when mute mode is mod wheel harmonics type instrument pinch harmonics 0 63 type 1 64 127 type 2 fast slow stroke instrument sus4 and other cho2. 20 Key switch D 0 sus4 chord Real time legato slide 20 Key switch 00 add9 chord Real time legato slide 20 Key switch C 0 sampled picking tremolo 20 Key switch CO octave Real time legato slide 21 Key switch B 1 sampled trill whole step 21 Key switch A 1 sampled trill half step 21 Key switch 1 6th dyad chord Real time legato slide 21 Key switch G 1 5th dyad chord Real time legato slide 21 Key switch G 1 5th dyad chord Real time legato slide 21 Key switch F 1 flat 5th dyad chord Real time legato slide 22 Key switch F 1 4th dyad chord Real time legato slide 22 Key switch E 1 major 3rd dyad chord Real time legato slide 22 Key switch D 1 minor 3rd dyad chord Real time legato slide 22 Key switch D 1 single note no legato slide 22 Key switch C 1 single n
3. Q lowest position C highest position 54 flat Sth dyad chord tt 1 1 1 1 1 1 1 1 strument INI 5 root string root 1 string highest posi ion lowest pos 5th dyad chord 2 I I E I 1 string 4 root strument 5 root string 6 root L string highest posi ion e lowest pos 55 5th dyad chord 1 1 1 1 1 1 1 1 strument INI 5 root l root string highest posi ion lowest pos 6th dyad chord 2 I I E I 1 string 4 root strument 5 root string 6 root L string highest posi ion e lowest pos 56 strument 5 roots 4 string string 6 root ition highest pos ion O lowest posi m 1 5 roots 6 root string Estr ing ition highest pos ion C lowest posi 5 nM TM e __ m _
4. menu mute made hold key stop key str select pitch bend range Each parameter can also be controlled though Global Controller or the following MIDI CC numbers option fwcion ON OFF button activate deactivate the fade out 90 You can cancel starting the feedback if you release the note within the cancellation time after the note on If you release the note after the cancellation time the feedback starts to fade in and cancel the Main instrument starts to fade out on releasing feedback cancellation time ms the note In other words the feedback does not start if the note is released within the feedback cancellation time The feedback cancellation time needs to be the same as that of the Feedback instrument The instrument starts to fade out according to the fade out time the when the note is released and the feedback starts to fade in If the note is released 87 fade out time ms E within the feedback cancellation time the instrument does not fade out Important To use this feature the Feedback instrument feedback needs to be loaded into the multi Otherwise no sound is played after the Main instrument fades out Please be sure to assign proper key switch ranges to the feedback instrument Note This feature should be used with a heavy distortion Using with clean amp may result unnatural sound 39 Play Keys hold keys and stop keys only for Ma
5. 0 00 T EF Midi Ch 1 i Memory 1846 ani high vel thrshld gliss down instrument uelocitu gt 125 mii legato slide elocity gt 125 nii 1 j auto alternation please ti 20 z release time NS EET auto sustain iw J 16th down poly mode 1 i Auto sustain With the Auto Sustain feature you can avoid unwanted staccato that is caused by note off when the same note key is repeated After note on the note keeps playing until auto sustain the next note on event Hold Key or Stop Key is triggered the sample is streamed to the end of it The previous note is cancelled automatically when a new note is triggered That means your both hands are free until a new note is triggered This feature gives you time to press a key switch or move a controller and you are able to be ready for next note without stopping your performance That is why SPM enables you to control and switch the various articulations smoothly with a single MIDI channel in real time If the auto sustain is OFF the sample stops playing when the note is released You can also turn ON OFF the auto sustain through Global Controller or MIDI 54 Tips playing arpeggio using sustain pedal temporary poly mode If you would like to play arpeggio using sustain pedal MIDI 64 is a good way to do it While sustain pedal is ON the poly mode is temporarily activated and y
6. xx CET 54 su E 55 55 5th dyad CONG T m UU TN 56 6th dyad M p 56 22222055 57 DENN 57 SUS EP 58 2 uuu am H a 58 1181 DEN c 59 doube 59 other chords RUSH GhOrds 60 SIC VIDE ALG me 60 V METAL MIDI Controller Chart Credits License All samples files are the property of Prominy Inc and are therefore licensed to only to the purchaser who purchased this product from Prominy Inc or authorized Prominy dealers only for use as part of a live or recorded musical performance or for use in audio and audio visual post productions The terms of this license expressly forbid the resale or other distribution of this product and or individual sound samples contained within as they exist on this disc or reformatted mixed filtered re synthesized or otherwise edited for use as sounds multi sounds samples multi samples programs or patches in a sampler or a sample playback unit Selling the samples or giving them away for use by others in the form of sampling or for sample playback units or computers is strictly prohibited Selling this product t
7. ON OFF button activate deactivate the fade in 90 You can cancel starting the feedback if you release the note within the cancellation time after the note on If you release the note after the cancellation time the feedback starts to cancel fade in and the Main instrument starts to fade feedback cancellation time ms out on releasing the note In other words the feedback does not start if the note is released within the feedback cancellation time The feedback cancellation time needs to be the same as that of the Main instruments The feedback starts to fade in according to the fade in time the when the note is released and the feedback starts to fade in If the note is released within the feedback cancellation time the feedback does not fade in fade fade in time ms 49 Key switch ranges unu key switch range 1 from t from bo D 2 OFF unu Key switch range From bo from bo unu switch 2 Up to four key switch ranges can be set In the case of the picture on the left this Feedback starts to fade in if one of the instruments in the multi is assigned to the key switch range from D 2 to EO is active and the note is released after the cancellation time If the note is released within the feedback cancellation time the Feedback does not fade in Note Feedback should be used with a heavy distortion
8. ULTRA VIRTUAL GUITAR USER MANUAL Sound Solution Table of Contents Table Of COME assa uuu a anal 2 a 5 01 cn 6 System Hequlremehits o uu tes eR Utd tnn d 9 IMPORTANT Preload buffer size configuration 10 11 yc u au 11 SPM Super Performance 2 2 0001 12 Multis VAME TA uuu puyu nupus a fer 13 Instrument select key switches 14 SP 15 Realtime Legato Slide Realtime Hammer on amp Pull off 15 MID AY T CH 16 MK TIOISQ 16 Gliss down using Hold Key 17 Gricket USING EE 17 ri 18 5thisayad cnord whammy tete 18 PIV co 19 Key switch EO Power chord Real time legato slide
9. semitone MIDI CC 87 feedback fade out time ms for Main Instruments MIDI CC 88 feedback fade in time ms for Feedback Instrument MIDI CC 89 feedback cancellation time ms MIDI CC 90 feedback switch ON OFF Use with MIDI 114 64 127 ON target play key to edit 1 hold key 1 2 hold key 2 3 hold key 3 4 stop key 1 5 6 MIDI CC 114 stop key 2 stop key 3 Use with MIDI 114 64 127 ON 65 Credits Produced and Programmed by AKIHITO OKAWA Demo Music AKIHITO OKAWA Thanks to Native Instruments GmbH Germany Nick Magnus UK Thank you for the sample purge tip Nick Batzdorf Virtual Instruments Magazine USA Flavio Gargano CM2 2 ITALY Matt Bell Sound on Sound Magazine UK Matt Houghton Sound on Sound Magazine UK Thomas Raukamp Beat Magazine Germany Keyboard Magazine USA Geary Yelton Electronic Musician USA Gino Robair Electronic Musician USA EQ magazine USA Computer Music UK Gerhardt Kusche Amazona de Thorsten Walter Amazona de Keyboards Germany Kevin Becka Mix magazine USA Garth Hjelte Chicken Systems Inc Pier Calderan Audio Video amp Music Italy Patrick Djivas Audio Video amp Music Italy Hans J rg Scheffler Germany Allen Morgan Mistheria Guy Allison Sound Designer JAPAN Sound amp Recording Magazine JAPAN Akihito Kinoshita Akira Ishiguro Yasuyuki Honda Keyboard Magazine JAPAN Northern Sound So
10. MIDI 1 threshold level Picking noise samples are triggered if the value of MIDI 1 is larger than the picking noise threshold level mod wheel MM gt MK gt 126 T picki ng noise MT 7 CC 1 threshold mute mode mute CC 1 threshold mute mode 42 Mute mode mod wheel velocity switch and the threshold levels can be changed through Global Controller or the following MIDI CC numbers mute mode MIDI CC 48 0 63 modulation wheel MIDI 1 64 127 velocity MIDI 49 picking noise MIDI mod wheel threshold level MIDI CC 50 mute MIDI CC 1 mod wheel threshold level MIDI CC 51 mute velocity threshold level Important You can also configure the mute picking noise setting using the interface of each instrument but we recommend you to do it with Global controller or the MIDI CC numbers above because the mute picking noise settings of the all of the Main Instruments and the Fretboard Monitor need to be the same You can also play picking noise using Hold key or Stop Key Pitch bend range Click the options menu and select the pitch bend range from the pull down menu options options inst select mute made hold key stop key str select Feedback A slider to change pitch bend range is shown max 12 semi tones pitch bend range 43 Instrument select key switches Main Instruments only for Ma
11. Using with clean amp may result unnatural sound 50 Mapping amp key range WANETAL single note gt V METAL fretboard monitor Tune Output st 1 Voices 32 urge ES T Midi ch 1 instrument pii 4m m m HEHEHEHEHE E IE iing E x sina mzmmzmzmzm zur 1 i M string 5 string Fretboard lowest position e highest position 52 dyad chord minor TM m strument root 1 5 root 4 9 trin string 5 ition highest pos ion C lowest posi chord major T m 1 nn j __ __ pe 1 2 cod strument root I 074 15 roots rin string sir ition highest pos ion C lowest posi 53 4th dyad chord z gt V METAL fretboard monitor 4 gt Tune Output 51 1 tt Voices OF 32 Purge 0 00 Midi Ch 1 Memory instrument stroke ELE simi root E 2225 IEEE D 5 root strings root 7 Fretboard
12. bend major 3rd vibrato 2 types of harmonics types are available MIDI 2 0 63 type 1 64 127 type 2 5th dyad chord whammy bar High Velocity Instrument w bar If the note velocity is higher than the threshold level 125 and the instrument 5th dyad chord is active the High Velocity Instrument 5th whammy bar p harm is triggered The assignment to High Velocity Instruments can be customized For detail please refer to the High Velocity Instrument section Hold Key 1 FO pick stop noise Pick stop noise and finger release noise are triggered when the note is released while the Hold Key FO is held down Hold Key 2 F 0 gliss down Gliss down is triggered when the note is released while the Hold Key F 0 is held down Hold Key 00 fret noise amp position change noise Fret noise Release Instrument and position change noise Release Instrument is triggered when the note is released while the Hold Key GO is held down Stop Key 1 G 0 picking noise Picking noise is triggered when the Stop Key G 0 is pressed Stop Key 2 AO bridge mute noise Bridge mute noise Release Instrument is triggered when the Stop Key 0 is pressed Stop Key 3 repeat same note The same note is repeated when the Stop Key is pressed not available with the instruments natural harmonics FX1 scrape slides noises FX2 whammy bar FX3 whammy bar 4 whammy bar The note i
13. chord 3 E11 Bm13 omit5 chord 2 D maj7 11 13 omit5 chord 1 D A sus4 omit5 gt gt gt Key range Click here MIDI 2 stroke speed 0 63 fast stroke 64 127 slow stroke Key switch G 2 major 3rd vibrato UA string 4 3 2 M3 root P5 X X gt gt gt Key range Click here MIDI CC 2 0 63 with pinch harmonics 64 127 without pinch harmonics 26 Key switch G 2 natural harmonics Natural harmonics on the 3rd 5th 7th 9th 12th 15th 17th and 19th fret are available harmonics type IUE There are 2 types of natural harmonics You can select the harmonics type harmonics only using the pull down menu harmonies only M The harmonics type can also be selected through Global Controller or MIDI 35 MIDI 35 Harmonics type 64 127 harmonics key note Key switch F 2 FX1 scrape slides noises Key switch F 2 FX2 whammy bar Key switch E 2 FX3 whammy bar Key switch D 2 FX4 whammy bar You can play various FX sounds scrape slides noises harmonics dive bomb whammy bar FX etc When the FX instrument is active the Fretboard Monitor does not show current fret position 27 Forced string select key switch The SPM automatically selects a proper string fret position depending on the situation but you can change the string for the next note manually by pressing the forced strin
14. pressed gliss down gliss down gliss down Tips You can also assign the repeat same note function to a Hold key When the original note is released while the hold key that is used as a repeat key is held down the original note is stopped and the same note samples are played That allows you to shred notes very fast and is good for not only making a rhythm backing part but also simulating tremolo playing technique 40 Configure Play Keys though MIDI CC The buttons for each hold key stop key can be turned on off through MIDI 111 112 113 114 115 116 117 118 and 119 You can select the Play Key that you would like to configure through MIDI 114 Play Key MIDI CC 114 6 _ After selecting the target Play Key via MIDI 114 each button can be turned on off with the following MIDI CC s z Helease Instrument Important You can also configure the Play Keys using the interface of each instrument but we recommend you to do it with Global Controller or the MIDI CC numbers above because the Play Keys setting of the all of the Main Instruments and the Fretboard Monitor needs to be the same Tips Poly detect time When the Poly mode is ON the Stop Key stops and triggers multiple notes under a certain situation except fret noise bridge mute position change noise If the new note is played within the poly detect time 20 milliseconds after
15. processed with an amp simulator the st 1 needs to be panned to the Left and the st 2 needs to be panned to the Right amp simulator aux 1 if you use Kontakt 3 4 29 Instrument V METAL lite located in Instruments This instrument is a lite version of the SPM multi V METAL It requires less RAM space than the multi does It does not include all of the samples of each string but most of the basic articulations are included in a single patch Key switches default power chord Realtime Legato Slide D 0 sus4 Realtime Legato Slide DO add9 Realtime Legato Slide C 0 picking tremolo CO octave Realtime Legato Slide B 1 trill whole step A 1 trill half step A 1 6th dyad chord Realtime Legato Slide G 1 5th dyad chord Realtime Legato Slide G 1 5th dyad chord Realtime Legato Slide F 1 flat 5th dyad chord Realtime Legato Slide F 1 4th dyad chord Realtime Legato Slide E 1 major 3rd dyad chord Realtime Legato Slide D 1 minor 3rd dyad chord Realtime Legato Slide D 1 single note no legato C 1 single note Realtime hammer on amp pull off C 1 single note Realtime Legato Slide B 2 unison bend A 2 double bend A 2 other chords Rush chords G 2 major 3rd vibrato G 2 natural harmonics F 2 FX1 scrape slides noises F 2 FX2 whammy bar E 2 FX3 whammy bar D 2 4 whammy bar For detail about the features of this instrument please refer to the Mu
16. stroke is played regardless of the current beat MIDI CC 58 64 95 position up only Only up stroke is played regardless of the current beat MIDI 58 96 127 position 37 Resolution mmm Ihe stroke direction is determined according to the current beat position and the resolution You can select the resolution for Auto 4 Stroke Detection from the pull down menu You can also change the resolution using Global Controller or MIDI 57 resolution 8th 26 50 8th Triplet oth Triplet oth 51 75 16th 76 100 16th Triplet 101 127 Stroke information window down stroke is detected or down only mode is active up stroke is detected or up only mode is active note Auto stroke detection mode does not work while the sequencer stops because no beat information is generated unless the sequencer is being played The stroke info window is not updated when the string nki is not currently active For example when the string 4 is played the stroke info windows of the string 6 5 3 2 and 1 are not updated 38 Feedback feed You can turn on off the fade out of the Main instrument and configure the fade out time and the feedback cancellation time mack To configure the fade out time and the feedback cancellation time top page Click the options menu and select the feedback from the pull down inst select
17. the velocity of the note is higher than 125 If the Main instrument that is assigned to G 1 is active this High Velocity instrument is not triggered because the key G 1 is not in the key switch ranges By setting the key switch ranges High Velocity instruments can be used with multiple Main instruments uiu Key switch range 3 from bo from bo OFF OFF OFF You can also adjust the velocity threshold level through or MIDI 55 The threshold level needs to be the same as that of the Main instruments that are assigned to the key switch ranges 47 Release Instrument fret noise bridge mute noise position change noise bridge mute noise 6 Output st 1 ib Voices B Purge 0 00 ua Midi Ch A 1 Memory 0 a key switch range 1 a keyswitchrange 2 from bo from bo D 2 E m key switch range 3 From bo From bo OFF OFF OFF Release instruments can be assigned to the Play Keys for detail about please refer to the section The function of Play key is the same as that of Main instruments The samples that are included in Release instruments are not included in Main instruments Assign to a Play Key ee F 0 30 G 0 You can assign the Release Instrument to a Play Key by turning ON the buttons In the case of the picture above this Release Instrument is assigned to the Stop
18. to edit 1 single legato slide hammer on amp pull off trill no legato repetition picking tremolo sampled picking tremolo trill whole trill half minor 3rd dyad major 3rd dyad 4th dyad flat 5th dyad 5th dyad sharp 5th dyad 6th dyad octave add9 554 power chord other chord maj 3rd vibratro unison bend double Bend natural harm FX1 scrapes slides noises FX2 whammy bar whammy bar 4 whammy bar MIDI CC 45 45 String select key switches only for the Main Instruments string 1 string 2 string 3 string 4 string 5 and string 6 String select key switch default String 1 A 5 MIDI note number 94 String 2 or string 2 root A5 MIDI note number 93 String or string 3 root G 5 MIDI note number 92 otring 4 or string 4 root G5 MIDI note number 91 String 5 or string 5 root F 5 MIDI note number 90 String 6 or string 6 root F5 MIDI note number 89 How to check and change the string select key switches options Click the options menu and select the str select ksw from the pull down menu options page inst select mute made hold key stop key atr eleet ksw feedback pitch bend range string 1 x The string select key switches are shown Example string2 ES single note str1 nki string string 4 string 5 string oend the MI
19. DI note number you would like to use for the lowest key switch 2 key switch for string 6 through MIDI 52 and six consecutive MIDI note numbers are assigned to the strings automatically Important You can also set the string key switches using the interface but we recommend you to do it with Global Controller or the MIDI CC numbers above because the string select key switch setting of the all the Main Instruments and the Fretboard Monitor needs to be the same 46 High Velocity Instrument pinch harmonics 5th whammy bar p harm ssi Output 51 1 O 8 Purge pinch_harmonics TUE Midi Ch A 1 Memory 0 auta sustair Mu 3 release time Li feedback poly mode li low unn key switch range 1 from to E F 1 E E A instrument cur position sth dygd string options fret key switch range 3 from bo OFF J 5 High velocity threshold Velocity threshold level to trigger the High Velocity Instrument velocity 125 unn Keyswitch range 1 rir key switch range 2 to four key switch ranges from to from 0 can be set In the case of the G 2 Fit L picture on the left this High Velocity instrument pinch harmonics is triggered if one of the Main instruments that are assigned to the key switch ranges from G 2 to F 1 and from G 1 to E0 is active and
20. Key AO Key switch ranges ununi key switch range 1 Up to four key switch ranges can from to 0 be set In the case of the picture 4 2 ED on the left this Release Instrument is triggered if one of the instruments in the multi is assigned to the key switch range from D 2 to E0 is active and the note is released when the Stop Key A0 is pressed If the Main instrument or Add on Instrument that is assigned to C 2 is active this Release Instrument is not triggered because the key C 2 is not in the key switch ranges By setting the key switch ranges Release Instruments can be used with multiple Main instruments unu key switch range From bo from t 48 Feedback Instrument feedback 4 h e Ka DDD Output 21 1 of Voices 15 Purge Midi cn 8 1 gt Memory 0 feedback cancel 1106 fade in 1738 unu key switch range 1 eet key Switch 2 release time from bo from in 2 key switch range From bn from bo OFF OFF OFF OFF Feedback control 5 4 feedback cancel 1106 Fade in 1725 You can turn on oft the fade in of the Feedback instrument and configure the fade in time and the feedback cancellation time Each parameter can also be controlled though Global Controller or the following MIDI CC numbers neon
21. al Controller You can also do the same thing with your keyboard controller s transpose octave shift feature Guitar like key switching You can memorize most of the default key switches very easily For example the key C 1 activates single note The key G 1 activates 5th dyad chord The interval from the C 1 equals the interval of the chord notes In the same way you can press the keys D 1 for minor 3rd E 1 for major 3rd F 1 for 4th F 1 for flat 5th G 1 for 6th CO for octave DO for In addition you can activate the lower key switch by releasing the higher key switch without re pressing the lower key switch For example press F 1 to activate 4th dyad chord and hold down the F 1 key Press the key to G 1 to activate 5th dyad chord Hold down both the F 1 and the G 1 while playing 5th chord notes then release just the G 1 key without releasing the F 1 key and 4th dyad chord is activated again automatically This action is very similar to the way guitarists do You can switch chord intervals by releasing or holding a higher note higher fret SPM Instruments power chord Realtime Legato Slide D 0 sus4 Realtime Legato Slide DO add9 Realtime Legato Slide C 0 picking tremolo octave Realtime Legato Slide B 1 trill whole step A 1 trill half step 1 6th dyad chord Realtime Legato Slide G 1 5th dyad chord Realtime Legato Slide G 1 5th dyad chord Realtime Legato Slide F 1 flat 5t
22. at include such a huge number of the real chord samples 9 Double Tracking Double Tracking is a technique that is frequently used in recording guitar tracks It gives the guitar track a nice wide spread stereo images and thickness With V METAL you can reproduce it very easily just by loading the double tracking instruments No identical samples are played simultaneously in both channels You don t need a stereo delay or tweaking your midi data to emulate the double tracking 10 Low note samples included The guitar is tuned to drop that is the most popular tuning among Metal Rock guitarists and V METAL covers the lower notes low C low D and is suitable for a wide range of musical genres Modern Metal Death Metal Nu Metal Metalcore Rock Pop and so on 11 Direct signals from the guitar You can make your own guitar sound so it suits the music genre you re working with by adding your favorite amplifier simulator 12 Assignable Key Switch All the SPM instruments have Assignable Key Switch feature that enables you to assign any key switches to each SPM instrument You can combine any SPM instruments to SPM multi as needed and assign key switches and create your own SPM setting 13 Picking noises are recorded in multiple forms on all frets and strings Picking noises made while playing a guitar is one of the most important characteristics that identify a live guitar recording That is why we took great care in capturing
23. different Play Key For detail please refer to the Play Keys hold keys and stop keys section Gliss down speed 3 types of gliss down speed fast mid slow are available You can also select the gliss down speed through Global Controller or MIDI 4 MIDI CC 4 gliss down speed as on the 2nd fret or lower 43 85 mid Cricket using BO key Cricket is a guitar playing technique that Metal Rock guitarists frequently use on solos By hitting the whammy bar the tremolo unit vibrates very fast and it produces a very cool crying sound like a cricket insect Cricket can be played when one of the single note instruments is active and the selected string is the string 3 or a higher string After playing a sustain note press the key BO to trigger the Cricket sample like you do with Stop Key If you want to play Cricket but the auto string selection feature selects the string 4 or a lower string You can select the string string 1 or 2 or 3 by using forced string select key switch or MIDI 53 Pinch Harmonics High Velocity Instrument P H If the note velocity is higher than the threshold level 125 and one of the following instrument is active the High Velocity Instrument pinch harmonics is triggered single note minor 3rd dyad chord major 3rd dyad chord 4th dyad chord flat 5th dyad chord 5th dyad chord 6th dyad chord octave add9 sus4 power chord other chords unison bend double
24. e 35 AUO 35 P O MOOG m 36 456 36 s tut 36 ISS GOWN p 36 High Velocity 0 RSK LELLA 37 Auto alternation Auto Stroke Detection 37 21 19 6 n u nn nn eit E MM 39 Play Keys hold keys and stop keys 40 Mute Picking noise velocity switch or 1 42 T ange NEN 43 Instrument select key switches Main 5 44 String select key SWINGS oov ade 46 High Velocity INSTFUMENT veru edad 47 Release Instrument 48 Feedback a a Aen ance dates us 49 Mapping amp Pied etas Date baa esr 51 52 SEY AC Em 53 MAS VAN anna aaa sia 53
25. e save the multi with a different name You can save RAM and time for loading the unused instruments Using Global Controller or MIDI CC to customize SPM Most of the features of SPM can be controlled through Global Controller or MIDI CC MIDI Control Change We recommend you to use them to change the common parameters of SPM Multi unless you would like to customize a specific instrument You can set the common parameters of all the instruments in the multi at once by using them You can customize each instrument with its interface but you ll need to repeat the same process with all the instruments in the multi Do not use solo mute button the instruments the multi need to receive the same midi information to execute the auto string fret select feature do not use the solo mute button otherwise the Fretboard Monitor does not work correctly SPM Super Performance Multi Multi V METAL located in Multis V METAL nkm Global Contoller Fretboard Monitor SPM Instrument Instrument select key switches default How to select instrument Press one of the keys above For example if you would like to activate power chord press the key EO Click here to see playable key ranges of each instrument If the key switch you would like to press is out of your keyboard range you can transpose your keyboard controller up to octaves using the octave shift feature of Glob
26. ed 43 85 mid 36 High Velocity Threshold muU With this number box you can change the velocity threshold level to trigger the High Velocity Instrument in the multi When the velocity of the note event is higher than the threshold level the High Velocity Instrument is triggered instead of the Main instrument The threshold level can also be changed through Global Controller or MIDI 55 Important value in the box needs to be the same as that of the High Velocity instrument in the multi If you don t use any High Velocity Instruments the value in the box needs to be 127 Otherwise no samples are triggered when the velocity is higher than the threshold level Note If you would like to turn off this feature input 127 into the number box of the Main instrument Auto alternation Auto Stroke Detection auto alternation time recog down Auto alternation modes here are four stroke modes You can select the stroke mode from Ld UNE the pull down menu You can also change the mode using Global Select alternation type Controller or MIDI CC 58 down only up only time recognition SPM automatically detects the current beat position and MIDI CC 58 0 31 identify proper stroke direction down or up forced Down stroke and up stroke are played alternately regardless MIDI CC 58 32 63 of the current beat position down only Only down
27. edit Use with MIDI 44 single legato slide hammer on amp pull off trill no legato repetition picking tremolo sampled picking tremolo trill whole trill half minor 3rd dyad major 3rd dyad 4th dyad flat 5th dyad 5th dyad sharp 5th dyad 6th dyad 9 554 power chord other chord maj 3rd vibratro unison bend double Bend natural harm scrapes slides noises FX2 whammy bar FX FX3 whammy bar FX4 whammy bar MIDI 45 mute mode 0 63 modulation wheel MIDI CC 1 64 127 velocity MIDI CC 49 picking noise MIDI CC 1 mod wheel threshold level MIDI 50 mute MIDI CC 1 mod wheel threshold level MIDI CC 51 mute velocity threshold level MIDI CC 52 MIDI CC 48 string select key switch MIDI note number for the lowest string select key switch auto sustain ON OFF 0 63 ON 64 127 OFF MIDI CC 54 64 MIDI 55 high velocity threshold level poly mode ON OFF 0 63 ON 64 127 OFF MIDI CC 56 auto alternation auto stroke detection resolution 0 25 8th 26 50 8th triplet 51 75 16th 76 100 16th triplet 101 127 32nd MIDI CC 57 auto alternation auto stroke detection mode 0 31 auto 32 63 forced 64 95 down only 96 127 up only MIDI CC 58 MIDI CC 59 MIDI CC 60 MIDI CC 62 release time MIDI CC 86 feedback pitch
28. es 33 SPM Instruments There are four types of SPM instruments Main instrument Single note str1 Output st 1 up Midi Ch A 1 Y e Promny 2 Memory instrument legato slide 20 release time Y pinch_harmonics 51 1 M R 1 Y Output Midi Ch g Memory uelocitu gt 125 switch range from F 1 key switch range 3 from OFF r gt bridge mute noise Output st 1 Midi Ch A 1 M It Voices g Memory key switch range 1 tc key switch range 3 from OFF OFF Feedback feedback Output 51 1 Voices m Midi A 1 g Memory key switch range EO key switch range OFF cancel 16 high vel thrshid velocity gt 125 mid auto alternation time recog sustain stroke 16th down options 4 gt Tune 0 8 Purge 0 M 0 00 sustain __ mode key switch range 2 from mid G 1 EO nstrument Sth duad ur position string options fret switch range 4 0 00 y switch range 2 OFF key switch range 4 OFF 477 Tune 0 16 Purge 0 00 106 fade in 1738 pitch key switch range release time OFF key switch range 4 OFF 34 Main Instrument FER Z3 Output sf 1 Voices OF 15 Purge
29. g key switches The forced string key switches work only to the next note The forced string select key switches are customizable For detail please refer to the String select key switches section select key switch MIDI note names and note numbers Monter 0000 5 9 00 28 Multi V METAL double track located in Multis A double tracked version of the SPM multi METAL Double Tracking is a technique that is frequently used in recording guitar tracks The Guitarist plays the same part twice one for Left channel and one for Right channel That gives the guitar track a nice wide spread stereo images and a thickness You can reproduce it very easily just by loading the multi No identical samples are played simultaneously in both channels You don t need a stereo delay or tweaking your midi data to emulate the double tracking Tips The multi METAL double track already includes the instruments for left channel assigned to the output 51 17 and the ones for right channel assigned to the output st 2 so that each channel can be processed separately using a DAW such as Cubase Logic Sonar etc In other words each channel needs to have its own amp simulator and should be panned using the DAW s mixer st 1 st 2 are Kontakt s output channels DAW s mixer Insert an amp simulator to each DAW s channels from Kontakt After being
30. h dyad chord Realtime Legato Slide F 1 4th dyad chord Realtime Legato Slide E 1 major 3rd dyad chord Realtime Legato Slide D 1 minor 3rd dyad chord Realtime Legato Slide D 1 single note no legato C 1 single note Realtime hammer on amp pull off C 1 single note Realtime Legato Slide B 2 unison bend A 2 double bend A 2 other chords Rush chords G 2 major 3rd vibrato G 2 natural harmonics F 2 FX1 scrape slides noises 2 FX2 whammy bar E 2 FX3 whammy bar D 2 FX4 whammy bar Realtime Legato Slide Realtime Hammer on amp Pull off legato slide down legato slide up hammer on pull off You can play legato slide by holding down one note while playing the next note to connect those notes Realtime Hammer on amp Pull off is available with single note instrument Realtime Legato Slide feature is available with the following the instruments single note minor 3rd dyad chorde major 3rd dyad chord 4th dyad chord flat 5th dyad chord 5th dyad chord 5th dyad chord 6th dyad chord octave add9 sus4 power chord Vibarato Vibrato can be played using Aftertouch If your keyboard doesn t have Aftertouch function but has an assignable slider or a knob you can assign Aftertouch to the slider knob You can also handle Aftertouch using your DAW For detail about Aftertouch please refer to your keyboard controller manual and DAW manual Vibrato is avai
31. in Instruments How to check and change the instrument select key switches options Click the options menu and select the inst select ksw from the pull down menu options Top mute made hald keu stop key str select Feedback pitch bend range The instrument select key switches are shown Example single note str1 nki legato slide ham pull trill no legata repetition trem C 1 12 CH 1 13 14 EI sampled tremol trill whole trill half Important You can also configure the instrument select key switches using the interface of each instrument but we recommend you to do it with Global Controller or the following MIDI CC numbers because the Instrument select key switches setting of the all of the instruments in the multi and the Fretboard Monitor needs to be the same 44 How to set Instrument select key switches via MIDI CC oend the MIDI note number you would like to use for the instrument you would like to change the key switch through MIDI 44 For example if you would like to set the key switch for 3 legato to D 1 MIDI note number 14 send the value 3 though MIDI 45 and send the value 14 though MIDI 44 You cannot select higher than MIDI note number 28 EO because the instrument select key switch range is limited to MIDI note number 28 EO MIDI CC 44 instrument select key switch MIDI note number target instrument select key switch
32. in Instruments How to check and configure the Play Keys Click the options menu and select the hold key or stop key from the pull down menu options Top inst select mute made stop key str select Feedback pitch bend range Hold keys FO hold key F 0 holdkey _ GO holdkey When the original note is released while the picking noise picking noize picking noise hold key is held down the original note is me E RESET stopped and the selected samples are TPE mz triggered In the case of the picture on the repeat same note repeat same note repeat same note left you release the original note while F 0 is held down the original note is stopped and the gliss down is triggered If you release the original note while FO is held down the pick stop noise and the finger release noise are triggered If you release the original note while GO is held down no samples are triggered Stop keys u he original note is stopped and the selected ITE Jem samples are triggered when the stop key is pressed In the case of the picture on the left the picking noise is triggered when G 0 is pick stop noise pick stop noise pick stop noise Finger rel noise Finger rel noise Finger rel noise LM LL pressed No samples are triggered when AO is repeat same note repeat same note pressed same note is repeated when is
33. k here switch G 1 5th dyad chord Real time legato slide root 7 string 6 root 7 string 5 root 7 string 4 X X X X nd d gt gt gt gt Key range Click here switch G 1 5th dyad chord Real time legato slide root string 6 root string 5 root string 4 x x x x x x x x P5 X P5 root rot X x X gt gt gt Key range Click here 21 Key switch F 1 flat 5th dyad chord Real time legato slide root string 6 root 7 string 5 root string 4 x x x b5 X 95 root b5 rot rot X gt gt gt Key range Click here Key switch F 1 4th dyad chord Real time legato slide root string 6 oot string 5 100 string 4 vol string 3 root string 2 P4 P4 X P4 root root 4 root x X X x XXXX P4 root root X Key range Click here i switch E 1 major 3rd dyad chord Real time legato slide 00 string 5 100 string 4 X M3 root gt X gt gt gt Key range Click here i switch D 1 minor 3rd dyad chord Real time legato slide root string 5 root 7 string 4 XX m3 root gt X gt gt gt Key range Click here Key switch D 1 single note no legato slide mode gt gt gt Key range Click here 22 Key switch C 1 single note Real time Hammer on amp Pull off Trill mode hammer on pull off gt gt gt Key range Click here You can play Ha
34. lable with the following the instruments single note minor 3rd dyad chord major 3rd dyad chord 4th dyad chord flat 5th dyad chord 5th dyad chord 5th dyad chord 6th dyad chord octave add9 sus4 power chord Mute Picking noise 2 4 Mute picking noise is available using velocity switch or Modulation wheel CC 1 with the following the instruments single note minor 3rd dyad chord major 3rd dyad chord 4th dyad chord flat 5th dyad chord 5th dyad chord 5th dyad chord 6th dyad chord octave add9 sus4 power chord other chords default setting mute mode velocity mute velocity threshold 70 picking noise MIDI 1 threshold 126 Mute is played if the note velocity is lower than 70 Picking noise is played if the value of the MIDI 1 is 127 and the note velocity is lower than 70 You can also play picking noise using Play Key Gliss down using Hold Key gliss Hold Key F 0 Gliss down samples be played using the Hold Key F 0 If you release the original note while F 0 is held down the original note is stopped and a gliss down sample is triggered Gliss down is available with the following the instruments single note minor 3rd dyad chord major 3rd dyad chord 4th dyad chord flat 5th dyad chord 5th dyad chord 5th dyad chord 6th dyad chord octave add9 sus4 power chord other chords unison bend double bend major 3rd vibrato You can assign gliss down to a
35. lti V section 30 Customizing SPM features Global Controller MIDI Channel high vel thrshld gliss down IR Dau Midi Ch R velocity 125 mid tone control cancel high fade out md instrument auto alternation ath duad time recog 15th fadein 4 low octave shift play mute by 7 uela citu velocity z pitch pitchbendrange pickingnoise n harm type 20 2 MEC 126 harmonic anly ki poly mode options Most of the features of SPM can be controlled through Global Controller or MIDI CC MIDI Control Change We recommend you to use Global Controller or MIDI CCs to change the common parameters of SPM Multi unless you would like to customize a specific instrument You can set the common parameters of all the instruments in the multi at once by using Global controller or MIDI CCs You can customize each instrument with its interface but you ll need to repeat the same process with all the instruments in the multi Global Controller can be shown hidden by clicking the multi script icon With this number box you can transpose up to three octaves instead of using your keyboard controller s transpose feature It is also useful for a keyboard that does not have the feature MIDI controllers Ss show this page click the options menu a
36. mance Multi With V METAL SPM Super Performance Multi you can play ultra realistic electric guitar performance in real time You can access various playing techniques instantly without stopping your performance and create convincing guitar tracks very quickly Single note Sampled real 2 strings chords minor 3rd major 3rd 4th flat 5th 5th 5th 6th octave Sampled real chords add9 sus4 power chord Other special sampled chords Rush chords Unison bend Double bend Hammer on amp Pull off Realtime Legato Slide Vibrato Trill Picking Tremolo Mute amp picking noise Cricket Gliss down Pinch Harmonics Natural Harmonics Fret noise Pick stop noise Bridge mute noise Release noise Position change noise Whammy bar Special FX noises Feedback etc 2 Fretboard Monitor The SPM automatically selects a proper string fret position depending on the situation You can also change the string manually by key switches The Fretboard Monitor visualizes the current fret position playing technique you are playing 3 Auto Stroke Detection With SPM s Auto Stroke Detection feature SPM automatically detects the current beat position and identify proper stroke direction down or up There are several stroke detection modes and you can also control stroke direction manually 5 Cricket Cricket is a guitar playing technique that Metal Rock guitarists frequently use on solos By hitting
37. many variations of picking noises Adding these noises with consideration to timing and picking style will make your guitar tracks sound natural When you use picking noise sampled from a different position of the fret board than the one you re applying it to the result is an unnatural sound because the noise will not harmonize with the original note s sustain sound System Requirements Mac Mac OS X 10 6 latest update or 10 7 Intel Core Duo 2 GB RAM Windows Windows 7 latest Service Pack 32 64 Bit Intel Core Duo or AMD Athlon 64 2 GB RAM 11 GB free disc space DVD drive Kontakt 5 Player included No sampler required IMPORTANT Preload buffer size configuration Please check your preload buffer size before loading the multi instrument V METAL is a very big instrument that loads a huge number of samples You need to configure the preload buffer size in Kontakt s option The default pre load buffer size is too large If you have not changed the preload buffer setting decrease the pre load buffer size 1 Click the Options button and select the Memory tab Minimize 2 Check the box and minimize or set to 12kb Override Instrument s preload size Override Instrument s preload size 6 00 kB The buffer size Override Instruments preload size in the picture is 6kb but if you load a big multi we recommend 12kb to play the samples smoothly If the samples are not played smoothly with 12 kb inc
38. mmer on Pull off by holding down one note while playing the next note to connect those notes Key switch C 1 single note Real time legato slide legato slide down legato slide up 48 11 gt gt gt Key range Click here Key switch B 2 unison bend string 3 2 string 2 1 full gt gt gt Key range Click here Key switch A 2 double bend MIDI 2 bend length 0 42 short 43 85 mid 86 127 long gt gt gt Key range Click here 23 Key switch A 2 other chords Rush chord This instrument includes nine special chords so called RUSH chord chord 1 chord 2 D maj7 817 chord 4 F6 A6 sus4 omit5 P4 root M6 P4 A maj7 13 omit5 x Bm13 omit5 9 m3 m7 413 511 root gt Ce 9 susA omit5 19 root M6 P4 root 3 24 chord 5 Gadd9 5 9 x M3 root P5 X 5 chord 6 11 68 7 A maj7 chord 8 Ce 9 59 9 M3 root PS D6sus4 root 9 5 6 P4 root X 5 E13 sus4 omit5 OO F13 omit5 513 9 4 root Gel sus4 25 Am11 511 root P5 m7 chord 9 D A6sus4 omit5 root M6 root 1 95 8 ESSE chord 9 D A sus4 omit5 chord 8 G sus4 Am11 9 chord 7 A maj7 F13 omit5 chord 6 A11 E13sus4 omit5 chord 5 Gaddg D sus4 chord 4 F Osusa omit5
39. nd select the MIDI You can feedback fb cancel fb fade out fb fade in feedback pitch high vel thrshid configure MIDI CC numbers to control CC CC 83 CC 8 88 86 MET auto mode resolution release time n harm type u various fe atu res CC 58 MM T CC 62 CC 35 MIDI We recommend you not to change the MIDI CC numbers unless you have any specific reasons For details about other parameters please refer to the following sections 32 Fretboard Monitor V METAL fretboard monitor 4 Output 51 1 fh Voices D 32 Purge 0 00 r Midi ch A 1 gt Memory 0 instrument Sth dyad stroke down Fretboard The SPM automatically selects a proper string fret position depending on the situation You can also change the string manually by key switches and MIDI CC 53 The Fretboard Monitor visualizes the current stroke direction fret position playing technique you are playing Note You can click the pull down menu and see the settings key switch mute mode play keys etc but we recommend you to configure the settings using Global Controller or MIDI Control Changes instead of using the interface because the settings of the Fretboard Monitor and that of the Main Instruments need to be the same You can configure all the Main Instruments and the Fretboard Monitor at once by using Global Controller or the MIDI Control Chang
40. o a third party person is prohibited Buying this product from a third party person is also prohibited Prominy Inc DOES NOT accept any registrations for a used resold product Users who purchased this product from a third party person are not entitled to get any supports by Prominy Inc Posting these sounds electronically without written permission from Prominy Inc is prohibited The sound samples contained within cannot be used in any library encyclopedia or similar media format created for CD Audio CD ROM DVD Audio or DVD ROM type products including future mechanical media formats without written permission from Prominy Inc You can obtain information about licensing by contacting Prominy Inc Any problems associated with the result obtained from the recorded data contained within this package are the sole responsibility of the user This license agreement is subject to change without any notice If you have any questions regarding the license agreement please contact us Copyright 2004 2011 Prominy Inc All rights reserved All sounds created by and property of Prominy Inc Introduction V METAL Ultra Real sounding Dark Powered Virtual Electric Guitar The true METAL sound of ESP Alexi Blacky with EMG humbucker pickup V METAL enables you to compose and create powerful and natural electric guitar tracks that imitate real electric guitar playing 1 Incredible real time playability V METAL SPM Super Perfor
41. ote Real time Hammer on amp Pull off Trill mode 23 Key switch C 1 single note Real time legato 51 23 Key switch B 2 UNISON 23 Key switch A 2 double bend 23 Key switch A 2 other chords Rush 24 Key switch G 2 major 3rd vibrato 26 Key switch G 2 natural harmonics 27 Key switch F 2 FX1 scrape slides 27 Key switch F 2 FX2 whammy bar 27 Key switch E 2 FX3 whammy 27 Key switch D 2 FX4 whammy 27 Forced string select key switch uuo ae tne tenu resa Su 28 960606 e E u be a 29 SA METAL e 30 Customizing SPM it 31 sis lir aid 32 ss 32 514 116 0 Al S Um 33 uuu uuu Eon Cu en
42. ou can play polyphonic and the samples continue playing even if the note is released because the sustain pedal is ON When the new note is the same as one of the notes that is currently sustained by sustain pedal the same old note is canceled automatically In short no duplicate notes are played When the sustain pedal is released OFF the temporary poly mode is turned OFF automatically 35 Poly mode Poly mode enables you to play polyphonic This feature is available only with single note instruments You can also turn ON OFF the poly mode through Global Controller or MIDI 56 poly mode Release time When a new note is triggered SPM instruments automatically cancel the previous note You can adjust the release time of the previous note to connect the notes smoothly The range 0 30 is recommended It depends on the instrument tempo and how the sound is processed amp simulator reverb etc The release time can be controlled through Global Controller or MIDI CC 62 release time 20 3 You can adjust the levels of high mid and low with the knobs You can also control the tone knob through Global Controller MIDI CC 59 low 60 mid 61 high Gliss down You can play gliss down using Play Keys 3 types of gliss down speed fast mid slow are available You can also select the gliss down speed through Global Controller or MIDI CC 4 MIDI 4 gliss down spe
43. rds 0 63 fast stroke 64 127 slow stroke MIDI CC 2 bend length instrument double bend 0 42 short 43 85 mid 86 127 long with without harmonics instrument major 3rd vibrato 0 63 with pinch harmonics 64 127 without pinch harmonics gliss down speed 0 42 fast 43 85 mid 86 127 slow MIDI CC 27 pitch bend range via Global Controller change pitch bend range of all instruments in the multi target string to edit pitch bend range single note only Use with MIDI 29 0 all strings 1 string 1 2 string 2 3 string 3 4 string 4 5 6 MIDI CC 4 MIDI CC 28 string 5 string 6 select instrument via MIDI CC single legato slide hammer on amp pull off trill no legato repetition picking tremolo sampled picking tremolo trill whole trill half minor 3rd dyad major 3rd dyad 4th dyad flat 5th dyad bth dyad sharp 5th dyad 6th dyad octave add9 5054 power chord other chord maj 3rd vibratro unison bend double Bend natural harm scrapes slides noises FX2 whammy bar FX FX3 whammy bar FX4 whammy bar FX MIDI CC 31 63 natural harmonics type MIDI CC 35 0 63 harmonics only 64 127 harmonics key note MIDI 44 instrument select key switch MIDI note number Use with MIDI 45 target instrument select key switch to
44. rease the buffer size as needed unless RAM runs out It depends on the system but in most cases 12 kb should work fine By decreasing the preload buffer size loading time becomes much shorter and you can save a big RAM space Purge All Samples and on the fly streaming Another great way to save RAM is using the purge all samples feature of Kontakt Player Kontakt ver4 1 or later After loading the multi instruments click on the Purge icon and select purge all Samples your system is not so old Kontakt Player should load reset markers update sample pool purge all samples previously unloaded samples on the fly when you play notes If your reload all samples space is tight it s worth trying If you get a noise at the beginning of the note when you play a big multi big multi that includes many instruments requires a certain amount of settings processing power If you get a noise at the beginning of the note Fireface 1 Analog 1 Ab Buffer Size Latency Banc increase the latency size of your audio interface not decrease unlike with the preload buffer size in Kontakt Option For detail about changing the latency size please refer to your audio interface manual Tips Saving RAM by unloading unused instruments If there are unused instruments for a project you are working on we recommend you to remove them from the multi and r
45. s released when the Play Key is used and no samples are triggered The Play Keys can be customized For details please refer to the Play Keys hold keys and stop keys section Key switch E0 Power chord Real time legato slide root 7 string 6 root string 5 as x X root root P5 P5 root root x gt gt gt Key range Click here XX Key switch D 0 sus4 chord Real time legato slide root string root 7 string 5 X P4 P4 root root P5 P5 root root X gt gt gt Key range Click here MIDI 2 stroke speed 0 63 fast stroke 64 127 slow stroke Key switch DO add9 chord Real time legato slide root string 6 root string 5 19 P5 P5 root root X gt gt gt Key range Click here XXX Key switch C 0 sampled picking tremolo gt gt gt Key range Click here 20 Key switch CO octave Real time legato slide root string 6 root string 5 root string 4 root string i SE pm RHE octave octave X root root x rot X X root X x x X XXX gt gt gt Key range Click here Key switch B 1 sampled trill whole step Key switch A 1 sampled trill half step gt gt gt Key range Click here s switch A 1 6th dyad chord Real time legato slide root string 6 root ECCE 5 root string 4 x X root 87 EEEERM gt gt gt gt Key range Clic
46. the first note is played the first note and the new note become a target of the Stop Key In other words the Stop Key triggers the first note and other notes all together if the notes are played within 20 milliseconds If the new note is played 20 milliseconds after or later the Stop Key triggers just the new note 41 Mute Picking noise velocity switch or 1 Mute and picking noise are available using velocity switch or modulation wheel How to check and change the mute mode setting options Click the options menu and Select the mute mode from the pull down menu options inst select hold key B stop key str select feedback pitch bend range Mute mode velocity With this mode mute and picking noise can be played using velocity switch Mute samples are triggered if the note velocity is lower than the mute velocity threshold level Picking noise samples are triggered if the note velocity is lower than the mute velocity threshold level and the value of MIDI 1 is larger than the picking noise threshold level velocity uelocity lt FO 126 T picki ng noise Pal y CC 1 threshold mute mode mute velocity threshold mute mode Mute mode mod wheel MIDI CC 1 With this mode mute and picking noise can be played using modulation wheel MIDI 1 Mute samples are triggered if the value of MIDI 1 is larger than the
47. the whammy bar the tremolo unit vibrates very fast and it produces a very cool crying sound like a cricket insect 6 Feedback In actual guitar performance you get feedback sound when a heavily distorted tone is played in front of or a certain position from the amplifier V METAL reproduces the feedback sound The pitch and fade time of feedback can be changed 7 Realtime Legato Slide With V METAL s Realtime Legato Slide feature using real legato samples you are able to get perfectly real expressions of the human finger s legato slide that cannot be reproduced with a slide emulation by changing pitch Realtime Legato Slide is available with the instruments single note minor 3rd major 3rd 4th flat 5th 5th 5th 6th octave add9 5054 power chord 8 Real chords The extensive number of the real chord samples makes your guitar tracks very convincing minor 3rd major 3rd 4th flat 5th 5th 25th 6th octave 9 sus4 major 3rd vibrato with without pinch harmonics power chords besides 5th dyad chord other special chords so called Rush chords etc Guitar chord sound that is emulated using single note samples does not sound real V METAL includes the huge number of recorded in other words pre recorded or pre played chord samples Each chord instrument can be used as a SPM instrument and you can instantly access the various types of guitar chords Prominy s guitar libraries are the only ones th
48. urce Sonic Control VI Control KVR Harmony Central Audio Franzine Synthtopia Akira Sato Hozo Okazaki Takeshi best service GmbH Germany Prima Gakki Japan Yuka Okawa Tsubasa Okawa Komomo Okawa 66 V METAL User s Manual Written by AKIHITO OKAWA Ver 1 10 October 2013 Copyright 2004 2013 Prominy Inc AKI Sound All rights reserved Prominy Sound Solution URL http prominy com Email info prominy com 67
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