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1. Pan WEimmmmmmmmmmmmmmmmmmmmmmmmmmmmm mmmmmmm mmmmmmmmmmmmmmmmmmmmmmmmmmmmi 12 fiis Qa CY SRE 12 PONCY CAM T OT Om TTE 13 PONV BREST RTT 13 DAOC ANG TIO NE O ham ant 13 THE CHANNEL COMMON WIDGETS AREA eene nennen enne 14 Gale apo Tit Oe E R E 14 BUTTONS MIDI CONTROL SETTINGS AREA eeeeeeee esent nnns 15 SILET m 15 Woite keys only or all C IN E 15 OPEO mamm mmmmmmikmrmmm A E E E EEE 15 be IR A UIS 15 DOWINEOADS AND VIDEOS serere ES 16 eg Sa 1 so Sa HAMU CY Controt Poured OUTS T MIDI RECEIVED Pre Listen 1 Pre Listen 2 Pre Listen 3 Pre Listen 4 Pre Listen 5 Pre Listen 6 Sub Res 1 Sub Res 2 Sub Res 3 Sub Res 4 Sub Res 5 Sub Res 6 Are Hold Level 6 Arre Rates sel Octave spread PERFORM MOD W P BEND A TOUCH EXPRESS BREATH SUSTAIN Stat e t e id DL e mas wvwx as Em Sil VARIANTS The ModPanel comes in three versions with 8 12 or 16 channels columns of controls ModPanel is maybe enough for most and will allow you to add longer tag names to the control widgets When you really need to have as much controls as possible in a single panel the ModPanel 16 is of course your choice while ModPanel 12 may be the best compromise if you want to stay with one version What MIDI control surface you use is of course also an important aspect To make it2. a OFF Start key All keys OFF Start key All keys d tz 1 xp IMOM TOG Operation TOG MOM Operation EXPR p 2 ti BRTH 4 D r f f o o gt gt a SUST o by Miod PEPA 12 doy S 08 Dein poop to B3 MIDI 7T LT AIL LT I HOLD OPEN RECEIVED Sel mix Slew Rate Level OU FlFrea FlFrea FlFrea FlFrea FlFrea FlFrea PERFORM RPGRate Octave Ab H i 6 FOSTE rol Te y o Le Lo fi o j i io i E i Subl Sub2 Sub3 Sub4 SubS Sub Scream 8 9 Ga M uU P 2nd wh Mod Pasel IG 6 OUTS n5 CV Comthet Dont E GATE o D OPEN Pitch Pitch Pitch Pitch Pitch Pitch Pitch Filter Filter Filter Filter Filter Filter Filter Filter Filter Filter Filter Filter Filter Filter Filter Level Level Level Level Level f Level Level Level Level Level Tria Tris Tria Tria Tris 9 10 11 12 13 14 15 16 0 6 6 o 6 6 06 m tm gt d FUNCTIONS AND PANELAREAS There are a number of separate areas and functions we can identify on the front of any ModPanel The control widget area where all the controls are found The patch handling area including the Hold Outs button The MIDI received area with Sequencer CV and Performance outputs The channels common area The PolyC V selection area new with release 1 1 1 eS qc EN I I Wer Ane 1 i s NUMBER 15 CHANNET f uior slewkate cern RECEIVED NOTE GATE FlFrea FlFrea OFOQ d PreListen PreList
3. normal mode A scale amount of 0 0V will in effect turn off the entire channel setting EET the outputs to 0 0V The scale factor can be any bipolar value and will affect all outputs of the channel For the buttons however the absolute value of the scale amount 1s 14 MOM BUTTONS TOG BUTTONS MIDI trigging 3 MIDI trigging White keys C 2 cg White keys OFF Start key All keys OFF Start key All 9 keys MOM e TOG Operation TOG MOM Operation E Iu BUTTONS MIDI CONTROL SETTINGS AREA This was introduced with the release 1 1 1 in response to issues with momentary toggle functionality relative to MIDI controllers but also as a means to get easily accessible control for any user with a MIDI keyboard to the button switches of the ModPanels These settings allow you to specify an interval of MIDI keys which will control the button switches momentary as well as toggle Start key The key interval will always start with a C at the low end With the knob you select which C this should be If you only use a small keyboard to control the buttons of the ModPanel and only these you may choose maybe C2 or C3 to get immediate access On the other hand if you want to use just a small section of a bigger keybord and want to use this for playing notes as well you d choose the low or high end of the keyboard to control the buttons White keys only or all keys You may find it easier to have the buttons mapped to only t
4. on your control changes will not affect the output levels until you release the switch again This can be used for manual changes as well as for patch changes The obvious use is to set the Hold Outs switch on change any number of controls without affecting any sounds and finally release the Hold Outs to simultaneously change all changed outputs to new levels This 1s especially useful when you control stepped parameters of a target device enabling you to jump several steps without snapping to any steps between You need to get used to the Hold Outs button because it s easy to forget it Suddenly you find that the ModPanel isn t working at all What s happening I keep turning this knob but there s no change in the sound Oops forgot Again and again Hold Outs Gate sockets Since release 1 1 1 there are two CV input sockets available to gate the outputs The button on the front must be active lit to enable the CV inputs to OU IS control the Hold Outs The Hold input will freeze o GATE the ModPanel outputs as long as it stays high 20 001 V while the Open input will freeze the HOLD OPEN outputs while it stays low 0 001 V If both sockets are connected the Open input CV level is 1gnored The indicator on the front will be lit when the outputs are on hold and go dark if any of the CV inputs opens the outputs gate Now it s easy to syncronize the patch change to the rest of your setup Just connect any CV sign
5. the row to fit the panel space Indicator for buttons on or off These indicators were introduced with release 1 1 1 as it became possible to activate the buttons via MIDI keys They will always show the correct status of each output independent on if this was set via button or MIDI key If you don t use MIDI key activation the indicators will simply follow the buttons Output sockets of the controls For each control there 1s a corresponding output socket at roughly the same position as the control on the front THE PATCH HANDLING AREA HOLD OUTS This includes the standard patch display and patch button group and the Hold Outs button Patch handling Patches for ModPanels are strongly related to the setup where the device 1s utilized Only a few very basic patches are included with the device and you are encouraged to check out the device patches that come with any combinator patches available for download Patches are an essential part of the ModPanel concept because they provide a very efficient way to remember settings you find especially useful Typically you should expect to create many patches for any setup When working with a specific setup it s best to keep all relevant patch files in a folder of it s own within a functional folder structure so that you have easy access to just the fitting patches without getting confused or hindered by other patches The Hold Outs button When the Hold Outs button switch is
6. ModPanel8 ModPanel12 and ModPanel16 CV Control Boards from HaMu HET Sage LSubl Sub2 Sub3 Sub4 SubS Sub Scream 8 9 10 1l 12 Table of contents VARIANT 3 Je yale QD Od NIS I p E E 5 FONC TONSANDPANELCAREA Sorre nnn odessa tate E ener patted ec E E R E 7 BACK PANEL AREAS AND FUNCTIONS esseeeeeeeeee nennen nennen enne nnnn nian nnns 8 TRE CONTROEWIDOE T P 9 Bipolar and imyerted mode S WINCHES sacsc ciencrcnessaecavdearenwncsaairsenatenesnacssusderciasaasaceirtexsieneioneys 9 Indicator TOR DUTTODS OR DF O ea rn 9 Output sockets of the C DIO S qos ionis ipodt qo aeaeteese as Dose dent tans vacsaedendsens one S Ee 9 oi WES hr IBR ii i RE UU EE EEE EEEE 10 Paten Danultll mmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmicacHHHHIkx eeeemmams 10 Iss UTS MIRO EET TU TL 10 Hold UES Gate sOCKOIS PRETIO TT TT 10 Using Hold Outs with patch changes cccccccccccccccssssseeeeceeeeeeeaeeeeeeceeceeeeeaeaeseeeeeeeeeeaaas 11 TE MIDIREC ONT DAR TA mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmacHH 11 E T V o E E E N EE E 11 Noteevont Siad loi Lis mmmmmmwwwwwuvwvmevwvvevvwvwwuvwvwwvwwvwvwvwvvvvvvevvvwwvwwwvvwv uvwvvv 11 How Sustain affects the note amp gate outputs sssseeeesssssseseeersssssssecerrrsssssssserrressssssees 12 IP OVI OC Qoae E P vsU Posten Ursa ca dud yeas bos aun Rd sue Sos cat RUM coU DR Maa EUH 12 Mod
7. al you have you can use a Matrix gate or curve or an RPG 8 Start of Arpeggio Trig Out 10 Using Hold Outs with patch changes Notice that the Hold Outs button itself 1s part of a saved patch so you will in advance decide what will happen after loading the patch back If a patch was saved with Hold Outs on it will not affect your outputs when loaded until you release the button A typical way to use this 1s to save all patches of a folder with Hold Outs activated You can now select a patch by stepping up and down by remote control until you find the one you need and only then you release the Hold Outs Beware that the init patch after resetting a ModPanel has the Hold Outs on This is a technical necessity to achieve glitch free patch changes The default patch however which 1s loaded when a ModPanel is created has the Hold Outs set to off THE MIDI RECIVED AREA All the ModPanels are all able to receive MIDI note events and to let sustain performance be applied to these events The ModPanels 8 and 12 also receive and output all performance events to NOTE GATE separate outputs Sequencer CV The ModPanell6 has only one pair of sequencer CV note and gate outputs while ModPanels 8 and 12 both have eight pairs between which the received note events can be distributed The following note distribution description is still valid for all three devices taking into account that ModPanell6 can never have more than on
8. ck extensions modpanel html From a ModPanel you can access any control on any device in your rack And there is room for plenty of labeled parameters Instead of addressing your control surface to device parameters one by one by remote override or locking the surface to rack devices use a ModPanel to have the useful parameters accessible from a single surface Let your controller follow the selected track 1n Reasons main sequencer and select tracks for ModPanels Thanks to the included midi key and performance handling all you need will now follow you to the selected track Just keep on playing Wad Panal 8 Re SS re SOLU J k MAMU CY Covetuet Donard J GATE s i ihsas a 9 MIDI v VF ECIN Rotate N t 3 RECEIVED Sub FM1 Sub FM 2 Sub FM 3 Sub FM 4 Sub FM 5 Sub FM 6 Slew Rates Decay OUT NOTE GATE 010 Sub Phasel Sub Phase 2 Sub Phase 3 Sub Phase 4 Sub Phase 5 Sub Phase 6 Master Level 2 D 030 Sub Freal 1 Sub Fre312 Sub Freal 3 Sub Freal 4 Sub Freal15 Sub Freal 6 Attack 123 Attack 456 040 O50 Pre Listen 1 Pre Listen 2 Pre Listen 3 Pre Listen 4 Pre Listen 5 Pre Listen 6 10619 t5 7 ie Sub Res 1 Sub Res 2 Sub Res 3 Sub Res 4 Sub Res 5 Sub Res 6 Are Hold leite PERFORM Levell Level 2 Level 3 Level 4 LevyelS Level Are Rates sel Octave spread W MOD BEND c3 MOM BUTTONS C3 TOG BUTTONS a MIDI trigging MIDI trigging B ia m m oe A a Wh ite k evs r5 5 White k eys L TOUCH LE 1 w ME S LS E
9. e active output pair Note event distribution Only as many pairs as are active will be used If at least one of the note and gate sockets has a cable attached this pair and all pairs with lower numbers are considered active even if such lower pairs are not connected Sustain off When a note on event is received it will be sent to the first active pair which 1s not used gate is off PERFORM If all active pairs are in use the new note will be sent to the pair where the oldest note is playing The expected note off event corresponding to this oldest note is MOD W ignored when it eventually arrives This means that the old note will still sound and the new note is added Gate off for this CV pair will be sent out only when the latest added note distributed to this pair goes off Thanks to this distribution first note after all off will always go to the first pair which can be used to play two or more different sound sources in a predictable way P BEND A TOUCH EXPRESS BREATH SUSTAIN 11 Even with one pair only as for the ModPanell6 you ll find that playing chords is quite functional The main issue while playing is that all notes will hang until you release all keys How Sustain affects the note amp gate outputs oro Received sustain performance has it s separate output for ModPanels 8 and 12 e gt O described later but in most cases the wanted behavior is for sustain to affect the d
10. easier for you to choose we sell the three panels in a bundle at less than 50 of the separate prices Due to the restricted width of a rack extension the 16 channel version is missing MIDI performance output and also has bipolar and invert switches which affect eight controls each Mod Pancl 1G HOLD 2 T POLL NOTE GATE HAMU CV Contnot Board OUTS ens NUMBER OF 15 CHANNELS Sustain off Pitch Pitch Pitch Pitch i Pitch Pitch Pitch Pitch COC IC ICT di Filter Filter Filter Filter i i Filter Filter Filter Filter Filter Filter Filter Filter Filter Filter 0 6 9 6 0 0 OIA Level Level Level Level Level Level Level Pitch Pitch Pitch Pitch i Pitch Level Level Level Level Level f Level Level Level Level Tris Tris Tris Tris Tris Tris Tris Tris Tris Tris Tris Tris Tris Tris Tris Tris MOMENT TOGGLE Browse Browse Browse Browse Browse Browse Browse Browse Browse Browse Browse Browse Browse Browse Browse Browse SESSESSSSSSSESE 10 11 12713 14 35 36 EP EF RP RT oo o i a d BASIC FUNCTION The ModPanels have all the functionality you need to run your live performance from a single control panel e Lots of control outputs for all your devices e Save and restore control settings in patches e MIDI notes distribution and performance outputs Perfect for working with remote controllers Download remote maps for Behringer BCF2000 Korg NanoKontrol and more from http hamu se root ra
11. en PreListen PreListen PreListen Prel MOMENT E Fl Res Fl Res Level Level RPGRate Octave B3 MOD W P BEND Mg A TOUCH EXPRESS BREATH a SUSTAIN BACK PANEL AREAS AND FUNCTIONS Areas through 5 on the back panel correspond to the same front areas while area 6 is special The control widget area where all the control output sockets are found The Hold Outs function CV control input sockets The MIDI received area with standard note amp gate CV and performance outputs The channels common area with the scale input sockets The PolyCV selection area new with release 1 1 1 The buttons rows MIDI control settings area new with release 1 1 1 et ae a OUTS n PANE Miod Pancl 12 sa GATE HAMU CV Ce reat mat Doran Wo OPEN a CC F NIU EC rH Fil Sel mix slew kate Le DRAT NOTE GATE LER Phase Phase Phase Phase Phase Phase Attack Env bias oF Lo E amp E K i t i i amp ie 36 FlFrea FlFrea FlFrea FlFrea FlFrea FlFre Release Sel RBmix OF 10 6 o i S O50 060 070 Fl Res Fl Res Fl Res Fl Res Fl Res Fl Res lo PERFORM Mop Level Level Level Level Level Level Level RPGRate Octave 9 P f ty 4 M UE a e i LII D EE EA i e wre ws ww sw ww w WW tvs ee W ue w ww W w REND MOM BUTTONS c E TOG BUTTONS MIDI rigging te MIDI trigging JUCH nae c 8 White White keys i Start key All ke ta
12. he white keys of the MIDI keyboard rather than all chromatic keys even if the interval will occupy a larger section of the keyboard With the ModPanels you can choose Notice that any MIDI key specified to affect a button switch will be silent to the note amp gate CV outputs both standard and PolyCV Consequently when you set the switch to White keys the intermediate black keys within the button control inteval will be transfered to the note amp gate outputs You may utilize or just beware of this Operation One issue with MIDI controllers is that you need to match the operation of the controller with what you have on the ModPanel Momentary for momentary and toggle for toggle so to speak This is not alway so easy but should be possible even if it may require som controller setup or programming Using a MIDI keyboard will make this easier since a keyboard will always give a momentary output You can simply chose if you want the operation inside the ModPanel to be momentary or toggle but mind you this will affect the entire row of switch buttons Left 1s default leaving the function as the button and socket labels of the front and back Typical use A typical setting for maximizing simple control from a MIDI keyboard to some percussive or triggered device in Reason would be to set operation of both rows to momentary and to only use white keys With a ModPanell6 set up this way you ll have immediate physical keyboard c
13. istributed sequencer CV directly Default setting of the ModPanels is to use sustain 3 for the note amp gate outputs but there is also a switch button to optionally turn sustain off This would enable you to use your sustain pedal for any other purpose 4 e by using its performance output erie The performance outputs will directly reflect the received MIDI performance input Q Q events e 7 O Performance Notice that the Pitch Bend is a bipolar signal while the rest are unipolar g O ModPanel 16 PERFORM As mentioned earlier there is only one pair of note amp gate outputs for the folie ModPanell6 These also double as PolyCV outputs when activated BEND e TOUCH Oen PolyCV is a method for sending more information over two cables then with the a Fi standard sequencer CV Most important to end users of Reason rack extensions 1s ert perhaps that each playing note in the receiving PolyC V device can be turned of independent of other sounding notes This 1s achieved by sending simple MIDI events over these cables rather than just a single level The PolyCV protocol was designed by Blamsoft reviewed by other RE developers and finally approved by Propellerhead For more information about PolyCV as such please visit this Blamsoft blog The PolyCV is free to use by any RE developers so we can expect more instruments with PolyCV support in the future ROLY 774 gata THE POLY CV AREA All the ModPanels include Po
14. lyC V outputs from release 1 1 1 se NUMBER OF 1 4 15 CHANNELS Rotate R 2 12 PolyCV channels The ModPanels are able to use a single PolyCV channel or several up to the specification maximum of 15 channels The number of channels is selected with the knob on the front While receiving MIDI note events the ModPanels have two different methods for selecting PolyCV channels Default is to strictly rotate from one channel to next between the set number of channels The option set by a back panel switch 1s to only usea higher channel when all lower channels are in use 1 e similar to how the standard note amp gate sockets are used As with the separate sockets this will allow you to play different instruments depending on the order keys are played It s up to the receiving PolyCV device to handle incoming PolyC V events in a predictable way The currently nov 14 available Blamsoft PolyC V devices either expect separate channels for each internal voice or distribute incoming PolyCV events independent on channel PolyCV sustain Sustain will work with PolyC V just like it does with the standard CV pairs The ModPanel will remember which note off events happen while sustain is held and send them to the correct PolyCV channels when sustain is released This function too has been developed in close cooperation with Blamsoft As with the standard CV pairs you can optionally set the ModPanels to ignore any performance sus
15. ontrol of 32 trigger CV signals 15 DOWNLOADS AND VIDEOS From the product page at http hamu se root rack extensions modpanel html you can download remote maps Reason song files and combinator patches You will also find a couple of videos etc 16
16. rt key All keys 40M XPR Lu TOG Operation MOM Operation z Wi EXPR C a e e GENE g nn 4 Lo gt be O sem Jika merar eira aieeaii rom rumen apei ery D D o t 5 THE CONTROL WIDGETS The fundamental part of the ModPanels is obviously the control widgets area For each control there is a tag tape and in most cases a mode switch The controls are organized as a number of channels and across these rows of the following controls e Three knobs A B and C e A momentary button e A toggle button and finally e A vertical fader The way the controls are organized as channels is mainly for ease of reference and overview and you re of course free to use any control for any purpose The tool tips of controls are presented as percentage of the total range Same figure independent of mode Bipolar and inverted mode switches In addition to the actual controls there are a number of output mode switches in the control area For knobs and faders these will switch on to bipolar mode while for the buttons they switch on to inverted mode The unscaled scaling 1s explained later output range for unipolar mode is 0 to 1 volt while bipolar out goes from 1 volt to 1 The buttons will output an unscaled output of 0 volt for off and 1 for on while unscaled inverted outs are for off and 0 volt for on For the ModPanell6 the mode switches for knobs and buttons are reduced to one for each half of
17. tain ModPanel 16 For ModPanel 16 there s a switch on the back panel where you select if you want the note amp gate sockets pair to send standard CV or PolyC V xs POLY NOTE GATE i s 5 CHAN Rotate STD POLY 9 o i NOTE GATE Sustain off 13 THE CHANNEL COMMON WIDGETS AREA There is a channel common tag tape with bold font at the very bottom The idea is to use this to indicate the use of the channel as a whole while all other tag tapes are designated to one specific control There is also an indicator reflecting the scale amount factor as follows Scale amount factor At the final stage before any level is sent to an output socket it s possible to have a scale amount factor multiplied to it This scale amount factor 1s only accessible through a CV input socket one for each channel If you want a knob of fader to control it simply reserve one or more of your channels for this and use a splitter to affect several channels if needed The scale amount is reflected on the front panel LED bar Both the position and the brightness of the indicator change with the scale level An amount factor of 1 or higher will show a bright green light at the right end zero i e all off will show an all dark LED bar and negative values will lit an orange LED with 1 at the far left used so there will never be any negative button output E g a scale factor of 1 will give 1 volt output for button on in
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