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MGP16X/MGP12X Owner`s Manual

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4. 23 RETURN 2TR IN page 23 SEND MASTER 24 GROUP STEREO page 24 1 Mono input section assesses page 18 2 Mono and stereo input section page 18 3 Stereo input page 18 O MNOS MGP16X MGP12X Owners Manual 15 Controls and Connectors Rear Panel V gt VAN cd Se Pre m rm TE Y Y V Y V Y 4 N Y 27 SZ 27 Nc WA SZ 27 9 5 e of 1 FXI GROUP OUT Rear Input Output Block 10 Channel connectors section 11 Master I O connectors section 12 Power section 16 MGP16X MGP12X Owners Manual 10 Controls and Connectors Where Your Signal Goes Once It s Inside the Box T
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8. olo oo 9e 000 ON switches OO 000 FX1 FX2 faders 3 5 2 090 Ile 2 9 9 9 2 2 AA Aloo 91 010 ON buttons 2 PEAK oloo 090 9 0 0 o olo olol olo ales oloo indicators 1 D S ERE E o LI Li ST switches m be es gt 3 5 3 PFL switches Channel faders AFL switches 4 6 STEREO master fader MGP16X MGP12X Owners Manual 13 Quick Start Guide Step 6 Application B Built in digital effects Your mixes can be further refined by adding ambience effects Using the Ducker function such as reverb or delay The MGP s internal effects can be used to add reverb or delay 1 Connect a music player or device for playing to individual channels in the same way as external effects pro background music cessors Connect the device to CH13 14 or CH15 16 on the 16 and to CH9 10 or CH11 12 on the MGP12X Reverb and Delay Time To connect an iPod iPhone use the USB terminal of the Small adjustments to the reverb delay time can actually have a and then set to the TO CH15 16 TO CH11 12 switch significant effect on the sound The optimum reverb time for a to USB m piece of music will depend on the music s tempo and density but as a general rule longer reverb times are good for ballads 2 Turn on the DUCKER
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10. oo 00 o eo 000 o 00 oo 000 kal kal HU HU HU HU HU MGP12X 345 excluding screw heads 348 Unit mm G G G G G G G G enen oe GG GG 00 lee _ 000006660 9 996676606 666G660 66660666660 6666666660 6666066660 666606G 6606 o Specifications and descriptions in this owner s manual are for information purposes only Yamaha Corporation reserves the right to modify products or specifications at any time without prior notice Since specifications equipment and options may not be the same in every locale please check with your Yamaha dealer 32 MGP16X MGP12X Owners Manual Appendix lagram d Level D Block Diagram an Taros enue 1S Fees 440 f napos
11. 2 f q PUSH 4 ENTER PARAMETER PARAMETER DIGITAL MULTI EFFECT PROCESSOR PRE MGP16X MGP12X Owners Manud 21 Controls and Connectors D Effect program display Displays the program number selected with the PROGRAM knob 2 PROGRAM knob Selects one of 8 internal effects from FX1 and 16 internal effects from FX2 Turn the knob to select the desired effect and then press the knob to enable it See page 28 for details about the internal effects NOTE You can also select the desired effect by turning the knob while holding it down 3 PARAMETER control Adjusts the parameter depth speed etc for the selected effect The last value used with each effect type is saved NOTE When you change to a different effect type the mixer automati cally restores the value that was previously used with the newly selected effect regardless of the current position of the PARAMETER Control knob 4 AUX PRE controls 1 2 Each knob adjusts the level of the effect processed sound sent to the corresponding AUX1 and AUX2 buses 5 button and indicator This feature lets you set the delay time tempo for FX2 by tapping on the button The feature only works when the effect type for FX2 is set to Bl DELAY El SINGLE DELAY To set the tempo tap on the button at the appropriate interval The average interval BPM at which you tap the button will be calculated
12. 21 Rear Input Output 25 Troubleshooting 27 Pin feu Q4 8 Digital Effect Program List 28 Ee 29 30 Dimensions 32 Block Diagram and Level Diagram 33 Accessories AC power cord 1 Rack mount kit 1 MGP12X only Owner s manual 1 MGP16X MGP12X Owner s Manual 3 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe place for future reference A WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock short circuiting damages fire or other hazards These precautions include but are not limited to the following Power supply Power cord Do not place the power cord near heat sources such as heaters or radiators and do not excessively bend or otherwise damage the cord place heavy objects on it or place it in a position where anyone could walk on trip over or roll anything over it Only use the voltage specified as correct for the device The required voltage is printed on the name plate of the device Use only the supplied power cord plug If you intend to use the device in an area other than in the one you purchased the included power cord may not be compatible Please check with your Yamaha d
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15. f you connect your iPhone an incoming call cause a ringing sound to be output In order to prevent this we recommend that your iPhone s Airplane mode be turned on 2 Routing assign switches Determine the destination of the input signal The switch set ting and the destination is shown below Switch Switch Audio Signal Output Destina Setting Input Source tion Channels CH15 16 jacks TO CH15 16 ANALOG MGP16X CH15 16 Ieren 2 MGP16 11 12 MGP12X Ch11 12 MGP12X MGP12X USB ipogiphone z RE 2TR IN jacks TO 2TR IN 2TR IN USB iPod iPhone m NOTE The volume of an iPod iPhone which was assigned to CH15 16 CH11 12 cannot be controlled by the GAIN control Use the detailed setting mode in the column on the next page to attenuate the playback level from an iPod iPhone assigned to CH15 16 CH11 12 B About the Detailed Setting Mode The detailed setting mode lets you adjust the attenuation of the CH15 16 CH11 12 for adjusting the play level from the iPod iPhone and also adjust the range of the Ducker function Procedure 1 Press both FX1 and FX2 PROGRAM knobs simultane ously for at least two 2 seconds 2 P flashes on the FX1 LED display and 2 or lights on the FX2 LED display The mixer enters the detailed setting mode The available detailed setting parameters LED display and ra
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17. fader are correctly adjusted Check that the switch for the desired bus in the FX1 FX2 bus assign switches is turned on When an effect device is connected to the FX1 or FX2 jack is the FX1 or FX2 control on the SEND MASTER set to appropriate levels The FX1 FX2 ON buttons are not locked The FX1 FX2 ON buttons are of a type that do not lock want spoken words to be heard more clearly Make sure that the 100 switch is turned ON Are the equalizers HIGH MID and LOW knobs on each channel adjusted appropriately want to output a monitor signal for the mixer through speakers Connect a powered speaker to the MONITOR OUT jack Make sure to adjust the level of output signal from the MONITOR OUT jack with the MONITOR PHONES control The level meter doesn t show the output signal level Are the PFL switches for the channels you are not using turned on Make sure to turn off the PFL switch iPod iPhone signal is not output Is the USB cable that came with Pod iPhone properly connected to the mixer Is the routing assign switch set to USB Is the LED indicator turned off The mixer has not recognized your iPod iPhone Check which iPod iPhone models are supported The supported iPod iPhone is not recognized If your iPod iPhone has not been charged it may take some time to be recognized by the mixer Please wait When stereo signal is
18. PA30 Yamaha Pro Audio global web site http www yamahaproaudio com Yamaha Manual Library http www yamaha co jp manual Die Einzelheiten zu Produkten sind bei Ihrer unten aufgef hrten Niederlassung und bei Yamaha Vertragsh ndlern in den jeweiligen Bestimmungslandern erh ltlich Para detalles sobre productos contacte su tienda Yamaha m s cercana o el distribuidor autorizado que se lista debajo MARTA Olimpus Music Ltd The Emporium Level 3 St Louis Street Msida MSD06 Tel 02133 2144 THE NETHERLANDS BELGIUM LUXEMBOURG Yamaha Music Europe Branch Benelux Clarissenhof 5 b 4133 AB Vianen The Netherlands Tel 0347 358 040 FRANCE Yamaha Music Europe BP 70 77312 Marne la Vall e Cedex 2 France Tel 01 64 61 4000 ITALY Yamaha Music Europe GmbH Branch Italy Viale Italia 88 20020 Lainate Milano Italy Tel 02 935 771 SPAIN PORTUGAL Yamaha Music Europe GmbH Ib rica Sucursal en Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 34 902 39 8888 GREECE Philippos Nakas S A The Music House 147 Skiathou Street 112 55 Athens Greece Tel 01 228 2160 SWEDEN FINLAND ICELAND Yamaha Music Europe GmbH Germany filial Scandinavia J A Wettergrens Gata 1 Box 30053 400 43 G teborg Sweden Tel 031 89 34 00 DENMARK Yamaha Music Europe GmbH Tyskland filial Denmark Generatorvej 6A DK 2730 Herlev Denmark Tel 44 92 49 00 NORWAY Yamaha Music Europe Gmb
19. MGP16X MGP12X Owner s Manual Setup 2 For Events and Parties MGP16X USB m iPod iPhone signal gt CH15 16 MGP12X USB m iPod iPhone signal gt 11 12 USB for iPod JY 16 ES TO 2TR IN ASSIGN ANALOG USB r iPod iPhone DJ mixer oP DVD player voice EI 5 H T CD player 9 Headphones Computer Audio interface NITO H 5 14 ZLINE a Va R R L MONO Insert INSERT INSERT INSERT INSERT INSERT INSERT INSERT FA 2 EN JAN JA 2 JAN JA EN 2 0000000010 0010 Ai Ai A UN Ai Ai ZF FSAI SAIS AS M d INSERT QUT IN zm L MONO CH8 for MC MGP12X CH4 gy T D mum O O Power amp Powered speakers m 7 J Speakers MGP16X MGP12X Owners Manual 9 Setup Rack Mounting The unit requires at least 11U of rack space To take into account the cable connections we recommend to ensure at least 13U of rack space 11U corresponds to about 489mm and 13U is about 578mm Precautions for Rack Mounting This unit is rated for operation at
20. YAMAHA Owner s Manual Precautions pages 4 5 Quick Start Guide pages 12 to 14 Troubleshooting page 27 Made for iPod HiPhone Thank you for your purchase of the Yamaha MGP16X or MGP12X mixing console Please read this manual thoroughly to make the best use of the mixing console for the longest possible period of time After reading this manual please keep it available for future reference CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL The above warning is located on the rear of the unit NOo ROD 10 Explanation of Graphical Symbols The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated danger ous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons The exclamation point within an equilateral tri angle is intended to alert the user to the presence of important operating and maintenance servic ing instructions in the literature accompanying the product IMPORTANT SAFETY INSTRUCTIONS Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with dry cloth Do
21. and that value will be set for the tempo Con tinue tapping as necessary until you get the timing right The average interval will be set the average of a b and c Qu Q Q tap D a The indicator flashes in sync with the tempo when the Fl DELAY or El SINGLE DELAY is selected NOTE The tempo is not set when the average interval at which you tap the button is out of the range of 80 300BPM For more information on the tempo range see page 28 The mixer retains the last tempo setting made even after the power is turned off 22 MGP16X MGP12X Owners Manual 6 ON button This button turns the corresponding internal digital effect on or off When the function is on the button lights NOTE The On Off status of the internal effects will be retained even when you turn off the power D SIG indicator Lights when an effect signal is input into the channel Bus assign switches These switches determine the bus es to which the signal of the internal digital effects is sent Press the switch in to output the signal to the corresponding buses 1 2 3 4 switches Assign to the GROUP 1 2 3 4 buses ST switch Assigns to the STEREO L R bus 9 PFL switch and indicator When the PFL Pre Fader Listen switch is on the indicator will light and the pre FX 1 2 RTN fader signal is output to MONITOR OUT and PHONES jacks for moni toring NOTE If both PFL a
22. but it makes the most sense to start with the main instrument or vocal Set up an initial level for the main part and then build the rest of the mix around it For example if you re mixing a piano trio with a vocalist begin by setting the level of the vocal track at around the nominal level and then gradually add the other instruments Your choices will also be influenced by the type of music you are working on If the song is a ballad you might want to add the piano to the mix after the vocal and then add the bass and drums If it s a more rhythmi cally oriented piece you could add the bass and drums first and then the piano Whatever best serves the music is right MGP16X MGP12X Owners Manual 7 Setup Setup Examples 1 Sound Reinforcement for MGP16X USB iPod iPhone signal gt CH15 16 Live Performance MGP12X USB e iPod iPhone signal CH11 12 USB for iPod cH15 16 _ 2TR __ ASSIGN ANALOG USB Powered monitor speakers Headphones Synthesizer Exciter Wer se A EE Effect processor Portable recorder Microphone x 2 Guitar Powered monitor speakers For musician monitoring 8
23. signals from all of the mixer s input channels The level meter LED shows the level of the signal flowing to the STEREO bus MGP16X MGP12X Owners Manud 17 Controls and Connectors Channel Control Block Mono input section Mono and stereo input section Stereo input section Mono Mono stereo channels channels 1 8 MGP16X 9 12 MGP16X 1 1 4 MGP12X 5 8 MGP12X 48V ot IK XD 7 9 GAIN a T Si I HIGH v A a 5 MID v a 5 Low v v ET SE A TE 18 MGP16X MGP12X Owners Manual Stereo channels 3 16 MGP16X 9 12 MGP12X DUCKER LEVELER 5 GAIN 10 n STEREO IMAGE MONO BLEND STEREO HIGH 15 5 MID 250 Sk 10 CD 48V switch and indicator This switch toggles phantom power on and off When this switch is turned on the mixer supplies DC 48V power to pins 2 and 3 of all XLR input jacks Turn this switch on when using one or more phantom powered condenser microphones The indicator lights when it is turned on N CAUTION Be sure to leave this switch off ll if you do not need phantom power Humming or damage may result if you connect to an unbalanced device or to an ungrounded transformer while this switch is on When turning the switch on make sure that onl
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25. 20 The mixer has a built in USB port at top for connection to an iPod iPhone Digital audio output from the iPod iPhone can be directly input to the unit and the iPod iPhone can be charged while connected Contents Main Features 3 PRECAUTIONS 4 Making the Most of Your Mixer 6 Balanced Cables and Unbalanced Cables 6 6 Level Adjustment for Optimum 7 SETUP Set piExamplessc 608707067 8 Rack Mounting 10 Security Cover Mounting 11 Quick Start Guide 12 Step 1 Preparing the Power Supply Step 2 Connections Step 3 Powering Up the System Step 4 Getting Sound to the Speakers Step 5 Using the Built in Digital Effects Step 6 Application Using the Ducker function 14 Controls and Connectors 15 Ramee e 15 ReanPanel 16 Where Your Signal Goes Once It s Inside the 17 Channel Control 18 Master Control 20 About the Detailed Setting Mode
26. 8 08 Hz Phase modulation produces a cyclical phasing effect 13 FLANGER LFO Freq 0 Hz 8 08 Hz Creates a tone with pitched effect 14 SYMPHONIC LFO Depth 0 127 Creates a thick sound by multiplexing the sound 15 DOUBLER Pitch Change 63 63 Creates an illusion of two people singing the same phrase w meevoce ers ln fe se le AM ao he parame LFO stands for Low Frequency Oscillator An LFO is normally used to modulate another signal determining the modulation speed and waveform shape 28 MGP16X MGP12X Owner s Manual Jack List Appendix Input and Output Jacks Polarities Configurations INPUT OUTPUT MIC LINE MIC AUX SEND Ge b iris STEREO OUT Pin 3 Cold XLR Jack LINE mono channels Tip Hot GROUP OUT STEREO OUT Ring Cold MONITOR OUT FX SEND Sleeve Ground Ring Tip Output INSERT Ring Input EIE Sleeve Ground Sleeve Tip Tip L PHONES Ring R TRS Phone Jack Sleeve Ground LJ ee RETURN Tip Hot LINE stereo channels Sleeve Ground Sleeve Tip Phone Jack These jacks will also accept connection to phone plugs If you use monaural plugs the connection will be unbalanced MGP16X MGP12X Owner s Manual 29 Specifications iElectrical Characteristics 0 dBu 0 775 Vrms 0 dBV 1 Vrms All faders are set to nominal position if not specified Nominal position is adjusted to a positi
27. ER level all the way down then gradually bring the reverb into the e valume onthe SOU channel is detected after fader mix until you can just hear the difference Any more than this It is affected by the setting of ON switch and or the channel normally becomes a special effect EEN You don t want reverb to dominate the mix unless you are try ing to create the effect of a band in a cave which is a perfectly legitimate creative goal if that s the sort of thing you re aiming f you want to make custom changes to the automatic sound attenuation refer to About the Detailed Setting Mode on for page 21 TO CH15 16 TO CH11 12 switch 1 CH13 14 CH15 16 DUCKER switches 2 CH9 10 CH11 12 1 2 YAMAHA MGP16X GAIN controls elei oo el oo ool ool Jmm br gr gr 05 gr 95999565 o paga Yolo i i 4 OI 6 6 OO OI 91 OOO O OOO OL GAIN control 0000 0000 0 NM 0 Ojo Dn m m D D ty rg CN ti 6 EA olo e e eo o
28. Jaya Selangor Malaysia Tel 03 78030900 SINGAPORE Yamaha Music Asia PRIVATE LIMITED Blk 202 Hougang Street 21 02 00 Singapore 530202 Singapore Tel 6747 4374 TAIWAN Yamaha KHS Music Co Ltd 6 Sec 2 Nan Jing E Rd Taipei Taiwan 104 R O C Tel 02 2511 8688 THAILAND Siam Music Yamaha Co Ltd 4 6 15 and 16th floor Siam Motors Building 891 1 Rama 1 Road Wangmai Pathumwan Bangkok 10330 Thailand Tel 02 215 2622 OTHER ASIAN COUNTRIES Yamaha Corporation Asia Pacific Sales amp Marketing Group Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 81 53 460 2303 OCEANIA AUSTRALIA Yamaha Music Australia Pty Ltd Level 1 99 Queensbridge Street Southbank Victoria 3006 Australia Tel 3 9693 5111 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation Asia Pacific Sales amp Marketing Group Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 81 53 460 2303 HEAD OFFICE Yamaha Corporation Pro Audio Division Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 81 53 460 2441 C S G Pro Audio Division 2011 Yamaha Corporation 112POAP BO WY83800
29. MGP12X Owners Manual 19 Controls and Connectors 20 43 PAN control PAN BAL control BAL control The PAN control knob determines the stereo positioning of each mono channel signal in the GROUP 1 2 3 4 buses or in the stereo L and R buses For example rotating the knob toward L moves the sound to the left depending on the loca tion of the knob The BAL control knob sets the balance between left and right stereo channels For example rotate the knob toward L to increase the volume level of the left or Groups 1 and 3 and decrease the level of the right or Groups 2 and 4 ON switch Turn this switch on to send the respective channel signal to the buses The switch lights when on 9 Input Meter The LEDs indicate the input channel s post equalizer signal level The SIG indicator lights when a signal is being input into the channel The PEAK indicator lights when the input signal level is 3dB below clipping Bus assign switches These switches determine the bus es to which each channel s signal is sent Press the switch in amp to output the signal to the corresponding buses 1 2 3 4 switches Assign the channel s signal to the GROUP 1 2 3 4 buses e ST switch Assigns the channel s signal to the STE REO L and R buses NOTE To send the signal to each bus engage the ON switch 2 PFL switch and indicator When the PFL Pre Fader Listen switch is on sa the indicator will light and the chan
30. Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch circuit breaker or fuse circuits or install AC line filter s In the case of radio or TV interference relocate reorient the antenna If the antenna lead in is 300 ohm ribbon lead change the lead in to co axial type cable If these corrective measures do not produce satisfactory results please contact the local retailer authorized to distrib ute this type of product If you can not locate the appropriate retailer please contact Yamaha Corporation of America Electronic Service Division 6600 Orangethorpe Ave Buena Park CA90620 The above statements apply ONLY to those products distrib uted by Yamaha Corporation of America or its subsidiaries This applies only to products distributed by YAMAHA CORPORATION OF AMERICA class B This device complies with Part 15 of the FCC Rules Operation is subject to the following two conditions 1 this device may not cause harmful interference and 2 this device must accept any interference received including inter ference that may cause undesired operation CANADA This Class B digital apparatus complies with Canadian ICES 003 Cet appareil num rique de la classe B est conforme la norme NMB 003 du Canada This applies only to products distributed by Yamaha Canada Music Ltd class B Ceci ne s applique qu
31. all connected cables e When setting up the device make sure that the AC outlet you are using is easily accessible If some trouble or malfunction occurs immediately turn off the power switch and disconnect the plug from the outlet Even when the power switch is turned off electricity is still flowing to the product at the minimum level When you are not using the product for a long time make sure to unplug the power cord from the wall AC outlet e f the device is mounted in an EIA standard rack carefully read the section Precautions for Rack Mounting on page 10 Inadequate ventilation can result in overheating possibly causing damage to the device s malfunction even fire Before connecting the device to other devices turn off the power for all devices Before turning the power on or off for all devices set all volume levels to minimum 1 2 Remove the power plug from the AC outlet when cleaning the device Handling caution Do not insert your fingers or hands in any gaps or openings on the device vents ports etc Avoid inserting or dropping foreign objects paper plastic metal etc into any gaps or openings on the device vents ports etc If this happens turn off the power immediately and unplug the power cord from the AC outlet Then have the device inspected by qualified Yamaha service personnel Do not rest your weight on the device or place heavy objects on it and avoid use excessive
32. ambient temperatures ranging from 0 to 40 degrees Celsius If you install this unit along with other devices in a poorly ventilated rack the ambient temperature inside the rack may rise resulting in inefficient performance Be sure to rack mount in the following conditions so the unit does not overheat When mounting the unit in a rack with devices such as power amplifiers that generate a significant amount of heat leave more than 1U of space between the MGP and other equipment Also either leave the open spaces uncovered or install appropri ate ventilating panels to minimize the possibility of heat buildup Toensure sufficient airflow leave the rear of the rack open and position it at least 10 centimeters from walls or other surfaces If the rear of the rack cannot be left open install a commer cially available fan or similar ventilating option to secure suffi cient airflow If you ve installed a fan kit there may be cases in which closing the rear of the rack will produce a greater cool ing effect Refer to the rack and or fan unit manual for details 10 MGP16X MGP12X Owner s Manual m Mounting the MGP16X MGP12X 1 Two metal rack mount brackets are screwed onto the unit Use a screwdriver to remove these brackets 2 Turn the brackets over and fasten them into place again using the same screws Fasten them to the mixer in order as shown 1 center 2 front and 3 back A CAUTION Be
33. applied to the channel As the knob is turned to the right the compression ratio increases while the output gain is automatically adjusted accordingly The result is smoother more even dynamics because louder signals are attenuated while the overall level is boosted The COMP indicator will light when the compres sor operates NOTE Avoid setting the compression too high as the higher average output level that results may lead to feedback STEREO IMAGE switch This switch selects the output signal by switching the input stereo signal to one of the following three signal types MONO Mono signal BLEND Stereo signal in which left and right inputs are mixed in a certain percentage for a more nat ural stereo image STEREO Stereo signal original as is Controls and Connectors 9 Equalizer HIGH MID and LOW This three band equalizer adjusts the channel s high mid and low frequency bands Setting the knob to the position produces a flat response in the corresponding band Turning the knob to the right boosts the corresponding frequency band while turning to the left attenuates the band The upper knob sets the center fre quency for the mid range while the lower knob sets the amount of attenuation or boost counterclockwise clockwise for the range For the CH9 10 and CH11 12 on the MGP16X and CH5 6 and CH7 8 on the MGP12X the attenuation boost can only be set at a fixed 2 5kHz center fre que
34. aux produits distribu s par Yamaha Canada Musique Lt e IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord WARNING THIS APPARATUS MUST BE EARTHED IMPOR TANT The wires in this mains lead are coloured in accordance with the following code GREEN AND YELLOW EARTH BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or colored GREEN or GREEN and YELLOW The wire which is coloured BLUE must be connected to the ter minal which is marked with the letter N or coloured BLACK The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED 3 wires Information for Users on Collection and Disposal of Old Equipment This symbol on the products packaging and or accompanying documents means that used electrical and electronic products should not be mixed with general household waste For proper treatment recovery and recycling of old products please take them to applicable collection points in accor dance with your national legislation and the Directives 2002 96 EC By disposing of these products correctly you will help to save valuable resources and pr
35. cables are highly resistant to noise and are the best choice for low level signals such as the output from microphones as well as for long cable runs Unbalanced cables are generally used for short runs from line level sources such as synthesizers Cable Guidelines Microphones Balanced is best Unbalanced cable is fine in a rela Short line level cables tively noise free environment Long line level cables Balanced is best 6 MGP16X MGP12X Owner s Manual Connector Types XLR connectors This 3 pin connector is resistant to externally induced noise and is used primarily for balanced connections With properly designed receiving circuitry cables with this type of connector can also be used for unbalanced signals XLR type connectors are the standard for microphone connections as well as most profes sional audio gear Le Female Phone jacks Phone jacks are available in mono and stereo versions Stereo types are also known as TRS connectors Tip Ring Sleeve and are used for stereo headphone jacks insert jacks and also to carry balanced signals in many cases Unbalanced types are used for mono signals guitar cables are a common example Stereo TRS phone plug m Ge Mono phone plug RCA Pin Connectors This type of unbalanced connector is most commonly found on home audio and video equipment RCA type pin jacks are often color coded white for left audio channel and
36. device is moved from one location to another or air conditioning is turned on or off for example Using the device while con densation is present can cause damage If there is reason to believe that condensation might have occurred leave the device for several hours without turning on the power until the condensation has completely dried out Avoid setting all equalizer controls and faders to their maximum Depending on the condition of the connected devices doing so may cause feedback and may damage the speakers Do not apply oil grease or contact cleaner to the faders Doing so may cause problems with electrical contact or fader motion When turning on the AC power in your audio system always turn on the power amplifier LAST to avoid speaker damage When turning the power off the power amplifier should be turned off FIRST for the same reason B Connectors XLR type connectors are wired as follows IEC60268 stan dard pin 1 ground pin 2 hot and pin 3 cold Insert TRS phone jacks are wired as follows sleeve ground tip send and ring return Information B About copyrights Copying of the commercially available musical data including but not limited to MIDI data and or audio data is strictly prohibited except for your personal use B About this manual The illustrations as shown in this manual are for instructional pur poses only and may appear somewhat different from those on your device Throughout
37. force on the buttons switches or connectors Do not use speakers or headphones for a long period of time at a high or uncomfortable volume level since this can cause permanent hearing loss If you experience any hearing loss or ringing in the ears consult a physician Yamaha cannot be held responsible for damage caused by improper use or modifications to the device or data that is lost or destroyed Always turn the power off when the device is not in use NOTICE To avoid the possibility of malfunction damage to the prod uct damage to data or damage to other property follow the notices below B Handling and Maintenance Do not use the device in the vicinity of a TV radio stereo equipment mobile phone or other electric devices Oth erwise the device TV or radio may generate noise Do not expose the device to excessive dust or vibrations or extreme cold or heat such as in direct sunlight near a heater or in a car during the day to prevent the possibility of panel disfiguration damage to the internal components or unstable operation Do not place vinyl plastic or rubber objects on the device since this might discolor the panel of this device When cleaning the device use a dry and soft cloth Do not use paint thinners solvents cleaning fluids or chemi cal impregnated wiping cloths Condensation can occur in the device due to rapid dras tic changes in ambient temperature when the
38. input the left and right vol ume is different Is the pan control set to the center position If it is located in the center try swapping the connections If the lesser greater volume signals are also switched check the connected device s Is the same type of cable used for the right and left signals A cable with resistance lowers the volume The sound level is inconsis tent or there is an unnatural pumping in the sound Are you applying the compressor at an appropriate level You might have to lower the COMP control levels The Leveler is not enabled O Is the GAIN control on the stereo channels adjusted appropriately The Leveler may not be enabled if you increase the gain too much If any specific problem should persist please contact your Yamaha dealer MGP16X MGP12X Owners Manud 27 Appendix Digital Effect Program List mFX1 REV X REV X algorithm No Program Parameter Variable range Description 1 HALL Reverb Time 0 3s 10 0 Reverb simulating a large space such as a hall 2 WARM HALL Reverb Time 0 3 s 10 0 Warm reverb simulating a hall 3 BRIGHT HALL Reverb Time 0 3 s 10 0 s Bright reverb simulating a hall 4 PLATE 1 Reverb Time 0 3 s 10 0 s Reverb simulating a metal plate Suitable for vocals 5 PLATE2 Reverb Time 0 3 s 10 0 s Reverb simulating a metal plate Suitable for snare drum sound 6 ROOM Reverb Tim
39. red for right audio channel for example White Red Level Adjustment for Optimum Mix Equalizer Tips The best advice that can be given regarding equalization while recording is simply to use as little equalization as possible If you want a little more presence you can turn the HIGH end up a bit Or you can boost the bass a little if you feel the low end is lack ing During recording it s better to use EQ sparingly for compen sation only Cut for a Cleaner Mix For example pianos have a lot of energy in the mid and low fre quency ranges that you don t really perceive as musical sound but which can interfere with the clarity of other instruments in these ranges You can basically turn the low EQ on piano channels all the way down without changing the way they sound in the mix You ll hear the difference however in the way the mix sounds more spacious and instruments in the lower ranges will have better definition Naturally you won t want to do this if the piano is playing solo The reverse applies to kick drums and bass guitars you can often roll off the high end to create more space in the mix without com promising the character of the instruments You ll have to use your ears though because each instrument is different and some times you ll want the snap of a bass guitar for example to come through The fundamental and harmonic 8 frequency ranges of some musical instruments Cymbal eg Piano
40. switch for each while shorter reverb times are more suited to up tempo tunes channel you are using and then adjust the Delay times can be adjusted to create a wide variety of channel s input to an appropriate level grooves When adding delay to a vocal for example try set ting the delay time to dotted eighth notes J corresponding to 3 Connect the microphone to the SOURCE chan the tunes tempo nel MGP16X CH8 MGP12X CH4 Reverb Tone Different reverb programs will have different reverb tone due to differences in the reverb time of the high or low frequencies Too much reverb particularly in the high frequencies can 5 Turn on the ON switch of the SOURCE result in unnatural sound and interfere with the high frequen AL den diu channel and then raise the channel fader to cies in other parts of the mix It s always a good idea to choose around 0 nominal a reverb program that gives you the depth you want without detracting from the clarity of the mix 4 Adjust the input of the microphone to an appropriate level 6 Play the background music and listen to con Reverb Level firm that the sound volume automatically turns It s amazing how quickly your ears can lose perspective and down when you speak into the microphone fool you into believing that a totally washed out mix sounds n NOTE perfectly fine To avoid falling into this trap start with reverb Th he SOURCE ch TU
41. 2 buses These jacks are typically used to receive the signal returned from an external effect device reverb delay etc NOTE These jacks can also be used as an auxiliary stereo input f you connect to the L MONO jack only the mixer will rec ognize the signal as monaural and will send the identical sig nal to both the L and R jacks 26 MGP16X MGP12X Owners Manual GROUP OUT These impedance balanced TRS phone jacks output the GROUP 1 2 3 4 signals Use these jacks to connect to the inputs of a multi track recorder external mixer or another similar device 9 SEND You use these jacks for example to connect to an effect device or monitor system AUX1 AUX2 These are balanced XLR 3 32 type out put jacks 1 Ground 2 Hot 3 Cold FX1 FX2 These are impedance balanced phone jack type output jacks These jacks output the signals from the FX1 and FX2 buses respec tively STEREO OUT These are XLR type and TRS phone type balanced output jacks that output the mixed stereo signal The signal level is adjusted by the STEREO master fader before it is output You can use these jacks for example to connect to the power amplifier driving your main speakers Power section 17 POWER switch Turns power to the unit ON or OFF Press the switch to the position to turn on the power Press the switch to the position to turn off the power N CAUTION Rapidly turning the unit ON
42. D F M xico Tel 55 5804 0600 BRAZIL Yamaha Musical do Brasil Ltda Rua Joaquim Floriano 913 4 andar Itaim Bibi CEP 04534 013 Sao Paulo SP BRAZIL Tel 011 3704 1377 ARGENTINA Yamaha Music Latin America S A Sucursal de Argentina Olga Cossettini 1553 Piso 4 Norte Madero Este C1107CEK Buenos Aires Argentina Tel 011 4119 7000 PANAMA AND OTHER LATIN AMERICAN COUNTRIES CARIBBEAN COUNTRIES Yamaha Music Latin America S A Torre Banco General Piso 7 Urbanizaci n Marbella Calle 47 y Aquilino de la Guardia Ciudad de Panam Panam Tel 4 507 269 5311 EUROPE THE UNITED KINGDAM IRELAND Yamaha Music Europe GmbH UK Sherbourne Drive Tilbrook Milton Keynes MK7 8BL England Tel 01908 366700 GERMANY Yamaha Music Europe GmbH SiemensstraBe 22 34 25462 Rellingen Germany Tel 04101 3030 SWITZERLAND LIECHTENSTEIN Yamaha Music Europe GmbH Branch Switzerland in Ziirich Seefeldstrasse 94 8008 Ziirich Switzerland Tel 044 387 8080 AUSTRIA BULGARIA Yamaha Music Europe GmbH Branch Austria Schleiergasse 20 A 1100 Wien Austria Tel 01 60203900 CZECH REPUBLIC HUNGARY ROMANIA SLOVAKIA SLOVENIA Yamaha Music Europe GmbH Branch Austria Central Eastern Europe Office Schleiergasse 20 A 1100 Wien Austria Tel 01 602039025 POLAND LITHUANIA LATVIA ESTONIA Yamaha Music Europe GmbH Branch Sp z 0 0 Oddzial w Polsce ul 17 Stycznia 56 PL 02 146 Warszawa Poland Tel 022 500 2925
43. Ee Bass drum o Snare drum pg Bass guitar Guitar 2 Trombone Beem Trumpet cx c es 20 50 100 200 500 1k 2k 5k 10k 20k Hz Fundamental The frequency that determines the basic musical pitch Multiples of the fundamental frequency that play a role in determining the timbre of the instrument Harmonics Making the Most of Your Mixer Comp settings One form of compression known as limiting can when prop erly used produce a smooth unified sound with no excessive peaks or distortion A common example of the use of compres sion is to tame a vocal that has a wide dynamic range in order to tighten up the mix Compression can also be applied to guitar tracks to add extra sustain Too much compression can be a cause of feedback however so use it sparingly Output Input Use the High pass Filter for Microphone Input As the name implies a high pass filter allows only signals above a certain frequency to pass Conversely signals below that cutoff frequency are attenuated When an MGP high pass filter is turned on signals below 100Hz are attenuated This can be useful for minimizing low frequency breath noise from a vocalist as well as handling noise or rumble transmitted via the microphone stand It is generally a good idea to turn the high pass filter on for microphone channels Start with the Featured Part You can start working on a mix from almost any part
44. FORMATION U S A 1 IMPORTANT NOTICE DO NOT MODIFY THIS UNIT This product when installed as indicated in the instructions contained in this manual meets FCC requirements Modifica tions not expressly approved by Yamaha may void your authority granted by the FCC to use the product 2 IMPORTANT When connecting this product to accessories and or another product use only high quality shielded cables Cable s supplied with this product MUST be used Follow all installation instructions Failure to follow instructions could void your FCC authorization to use this product in the USA 3 NOTE This product has been tested and found to comply with the requirements listed in FCC Regulations Part 15 for Class B digital devices Compliance with these require ments provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices This equip ment generates uses radio frequencies and if not installed and used according to the instructions found in the users manual may cause interference harmful to the operation of other electronic devices Compliance with FCC regulations does not guarantee that interference will not occur in all installations If this product is found to be the source of inter ference which can be determined by turning the unit OFF and ON please try to eliminate the problem by using one of the following measures
45. General Specifications Supported iPod iPhone models as of iPod classic iPod touch 1st 4th generation iPod nano 2nd 6th generation iPhone 4S Dec 2011 iPhone 4 iPhone 3GS iPhone 3G iPhone Input Channel HPF 100 Hz 12 dB oct HIGH 8 kHz shelving MGP16X 1 8 13 16 250 Hz to 5 kHz peaking MGP16X CHs 9 12 2 5 kHz peakin Channel EQ MIB MGP12X CHs 1 4 9 12 250 Hz to 5 kHz 12 CHs 5 8 2 5 kHz Eo Kind LOW 125 Hz shelving Input Channel Compressor Parameters ratio threshold output gain are controlled by one knob PEAK indicator red Signal Indicator CH INPUT SIG indicator green PEAK lights if the signal comes within 3 dB of the clipping level 2 x 12 segments LED meter LED Level Meter PEAK 10 6 3 0 3 6 10 15 20 25 30 dB Metering point post stereo master fader or pre monitor level Phantom Power 48V Requirements 100 240 V 50 60 Hz auto sensing IEC input Power Supply MGP16X 55 watts Consumption 12 45 watts max MGP16X 447 mm x 143 mm x 495 mm 176 x 5 6 x 19 5 MGP12X 348 mm x 143 mm x 495 mm 13 7 x 5 6 x 19 5 MGP16X 9 0 kg 19 8 Ib MGP12X 75 kg 16 5 Ib Dimensions W x H x D Weight The device may not function depending on your iPod iOS software version For updated information about supported software versions check the Yamaha Pro Audio website http w
46. H Germany Norwegian Branch Grini Nzeringspark 1 N 1345 Oster s Norway Tel 67 16 77 70 RUSSIA Yamaha Music Russia Room 37 bld 7 Kievskaya street Moscow 121059 Russia Tel 495 626 5005 OTHER EUROPEAN COUNTRIES Yamaha Music Europe GmbH SiemensstraBe 22 34 25462 Rellingen Germany Tel 49 4101 3030 AFRICA Yamaha Corporation Asia Pacific Sales amp Marketing Group Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 81 53 460 2303 MIDDLE EAST TURKEY CYPRUS Yamaha Music Europe GmbH SiemensstraBe 22 34 25462 Rellingen Germany Tel 04101 3030 OTHER COUNTRIES Yamaha Music Gulf FZE LOB 16 513 P O Box 17328 Jubel Ali Dubai United Arab Emirates Tel 971 4 881 5868 ASIA THE PEOPLE S REPUBLIC OF CHINA Yamaha Music amp Electronics China Co Ltd 2F Yunhedasha 1818 Xinzha lu Jingan qu Shanghai China Tel 021 6247 2211 INDIA Yamaha Music India Pvt Ltd Spazedge building Ground Floor Tower A Sector 47 Gurgaon Sohna Road Gurgaon Haryana India Tel 0124 485 3300 INDONESIA PT Yamaha Musik Indonesia Distributor PT Nusantik Gedung Yamaha Music Center Jalan Jend Gatot Subroto Kav 4 Jakarta 12930 Indonesia Tel 021 520 2577 KOREA Yamaha Music Korea Ltd 8F 9F Dongsung Bldg 158 9 Samsung Dong Kangnam Gu Seoul Korea Tel 02 3467 3300 MALAYSIA Yamaha Music Malaysia Sdn Bhd Lot 8 Jalan Perbandaran 47301 Kelana Jaya Petaling
47. ON switch Turn this switch on to enable the STEREO master fader The switch lights when on 6 STEREO master fader Adjusts the signal level sent to the STEREO OUT jacks Controls and Connectors Rear Input Output Block MGP12X CHs 9 10 11 12 i MGP12X 5 6 7 8 MGP12X CHs 1 to 4 1 1 MONITOR TREC OUT en ZU LINE 4 Vau todev i R L MONO R L MONO INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT EAN JAN AES O O O 1 oo rg 06 5 ar 5 SZ SZ SZ NF NF SZ 25 a DA RA Qo Qe OS AXE AUT INSERT e OUT UNBAL OdBu FX2 R L MONO 95 o 5 Sc e e S ff ft NS 4dBu ee GROUP OUT 4dBu Channel 1 0 connectors section Mono inputs INSERT These jacks are located between the com pressor and equalizer of the corresponding input channel The INSERT jacks are ideal for connect ing devices such as graphic equalizers or noise filters into the corresponding channels These are TRS tip ring sleeve phone jacks that carry both the send and return signal tip send out ring return in sleeve ground NOTE Conne
48. OR 6 gt E E x gt gt E E E x gt E x 3E a DE AUX AUX gt gt gt gt gt ET ET M v v 3 2 z 2 i ET v 5 1 AUX2 us AUX2 id gt o T T T I T T T T 2 PRE PRE PRE PRE PRE PRE 18 get i 3 Zu iu 3 get z B E 3 8 3 MONITOR PHONES 8 gt X 7 7 z tj BAL BAL x D I x o PAN PAN Y PAN QW PAN CY PAN Y PAN PAN exu E L ag y zig BES on D a a o a ON TTTTTTTTTTITTTTT e 1 1 E 2 PEFR or 26 13 14 15 16 2 GROUP3 4 STEREO 1 2 3 5 9 Throughout this manual all panel illustrations show the panel of the MGP16X On the MGP12X there are four channels in the mono input section see 1 below and 12 channels in the channel I O connectors section see 10 on the next page Channel Control Block Master Control Block iPod iPhone page 20 Built in digital effects section page 21 Meter PHONES
49. P12X 1 4 REC OUT L R 600 ohms 10k ohms Lines 10 dBV 0 316 V 10 dBV 3 16 V RCA pin jack MONITOR OUT L R 150 ohms 10k ohms Lines 4 dBu 1 23 V 20 dBu 7 75 V Phone jack PHONES 100 ohms 40 ohms Phones 3 mW 75 mW Stereo phone jack 0 dBu 0 775 Vrms 0 dBV 1 Vrms 1 XLR 3 32 type connectors are balanced 1 GND 2 HOT 3 COLD 2 Phone jacks are impedance balanced Tip HOT Ring COLD Sleeve GND 3 Phone jacks are unbalanced Tip Out Ring In Sleeve GND 4 Phone jacks are balanced Tip HOT Ring COLD Sleeve GND Digital Input Specifications Connector Format Connector Specification USB IN iPod iPhone exclusive USB A type MGP16X MGP12X Owner s Manual 31 Imensions MGP16X 447 444 excluding screw heads 0000000000009 o Go Goono 08 jee o 000 GG 49660666666 2966066666 66667666 000 eeo 69666606666 00000067006 0606666666 9 666666 660 9 6666066 60 20000007090 0000000605000 9090006097990 e o 000 oo 000 o eo OOO oo 000 opho oo 000 oo 000 o oo CDD o oo 000 o oo 00 o
50. X MGP12X Owners Manual 2 Connect the microphones and or instruments you intend to use For details on making connections refer to the Setup Exam ples on pages 8 9 Front Panel Rear Panel When using a con denser microphone set the 48V phantom Switch to ON page 18 oo gt DI Although electric guitars and basses can be connected directly to the mixer s inputs the sound is likely to be thin and possibly noisy For best results with these types of instruments use a DI box direct box or amp simulator between the instrument and the mixer Step 3 Powering Up the System To prevent an unwanted burst of noise from the speakers power up the devices in the following order peripheral devices instrument micro phone iPod MGP mixer power amps powered speakers Reverse this order when turning the power off N CAUTION If you are using condenser microphones that require phan tom power turn the mixer s 48V switch on before turning on the power to the power amps or powered speakers See page 18 for details Be sure to turn the power on off in the order given in Step 3 above every time you use the device Failure to do so may result in loud noise bursts that can damage your equipment your ears or both Quick Start Guide Step 4 Gettin
51. al exceeds the level that can be handled by the mixer s head amp or equalizer distortion and noise will result The PEAK indicators are used to visually check the signal level to ensure no overload occurs If the PEAK indicator lights continuously make sure that sig nals are not amplified too much by the equalizer and if needed adjust the GAIN control of the head amp to reduce the level It is important to know the mixer stage for which the PEAK indicators are indicating signal levels The PEAK indicator of this unit detects the signal after the head amp and EQ stage 4 Channel fader A channel fader enables you to adjust the level of the corre sponding input channel signal that is going to be routed to the buses excluding a pre fader signal It is the most often used control during performance 5 Bus Summing Amplifier This is where the actual mixing takes place Signals from all of the mixer s input channels are summed mixed together here The signals flow in each channel from top to down after being adjusted by the level control and then these signals are summed mixed from left to right Finally the overall level is adjusted by the master control located at far right The operation of summing from left to right is the role of the bus summing amplifier 6 Master control and level meter The master controls specifically the STEREO fader and GROUP faders are the means used to adjust the level of all
52. and OFF in succession can cause it to malfunction After turning the unit OFF wait for about 6 seconds before turning it ON again 42 AC IN connector Connect the included power cord here First connect the power cord to the MGP and then plug it into an AC outlet Troubleshooting W Power doesn t come on Is an independent power supply unit such as a power generator or a power strip with switch plugged into the mixer Make sure that the power is turned on No sound Are microphones external devices and speakers connected correctly Is a Y shaped cable used to connect the INSERT connector or an external device Are your cables connected properly or are they shorted or faulty Are the channel GAIN controls channel faders STEREO master fader and GROUP 1 2 3 4 faders set to appropriate levels Are the bus assign switch and 2TR IN switch set properly When using STEREO OUT jacks Are the ON switch and ST switch of the channels you are using turned ON When using STEREO OUT jacks Is the ON switch of the STEREO master turned on When using AUX 1 2 and FX 1 2 jacks Are the respective SEND MASTER control AUX 1 2 and FX 1 2 controls of each channel set to appropriate levels When using MONITOR OUT jacks Are the PFL switches for the channels that you are not using turned on Make sure to turn off the PFL switch For signals that are input to the 2TR IN and CH15 16 CH11 12 jack
53. ave the volume of background music automatically lowered when making an announcement on the microphone For effective use of this switch see Step 6 on page 14 The switch lights when it is turned on NOTE You can adjust the attenuation of the Ducker function in the detailed setting mode see column on page 21 5 LEVELER switch and indicator When playing music from an iPod iPhone or other audio players the actual sound output level may differ for each song depending on the assigned category Turning this switch on lets you have the volume adjusted automatically to a certain level preventing sudden jumps or dips in the level The indicator lights when it is turned on NOTE If an audio player other than iPod iPhone is connected to the input jacks LINE on the rear panel initially adjust the input level according to the softest part lowest level of the song and then turn on the LEVELER switch Adjust the input level so that the level meter indication occasionally rises above the lt 0 level while the PFL switch is on 6 GAIN control Adjusts the sensitivity of the input signal Monaural channels have a 26dB switch that lets you change the range of this control The adjustable sensitivity range is as follows Mono channel 26dB switch Range ON 4 to 10dB OFF 60dB to 16dB Stereo channel 4 to 10dB COMP control and indicator Adjusts the amount of compression
54. ction to an INSERT UO jack requires a special insertion cable as illustrated below Use a separately sold Yamaha inser tion cable YIC025 050 070 To the input jack of the external processor To the INSERT jack Sleeve ground To the output jack Tip OUT of the external processor A CAUTION The signal output from the INSERT jacks is reverse phased This should not be a problem when connecting to an effect unit but please be aware of the possibility of phase conflict when connecting to other types of device A reversed phased signal may result in degraded sound quality or even complete sound cancellation MIC LINE These are combo jacks that support both XLR type and TRS phone type plugs and are for connection of both microphones and or instru ments 2 Mono Stereo inputs LINE These are unbalanced phone jack stereo line inputs MIC These are balanced XLR type microphone input jacks 1 Ground 2 Hot 3 Cold NOTE On any given channel you may use either an XLR or phone jack but not both 3 Stereo input LINE These are stereo input jacks that connect line level instruments such as a synthesizer These are unbalanced input jacks Two jack types are provided phone type and RCA pin type NOTE On any given channel you may use either a phone or RCA jack but not both MGP16X MGP12X Owners Manual 25 Controls and Connectors Master 1 0 connector
55. d generating some stereo output Note that the oper ations and procedures will vary somewhat according to the input devices you are using Step 1 Preparing the Power Sup ply 1 Make sure that the power switch of the unit is set to the position off B 2 Connect the socket of the included power cord to the AC IN connector 3 Plug the power cord into a power outlet Step 2 Connections 1 Turn all the faders and gain controls com pletely down GAIN controls Power switch rear panel YAMAHA o oo D 6600 ook ES i DOOD Do oo Ol No ipo 2 1 1 1 1 1 1 oot y 1 009 99 6e0G7 ee el 900 eh GI O 9 ae ad I reer Faders coo uuu Eee an Eee moon PS ees o 12 MGP16
56. dBu 0775V 20 dBu 775 V Loge MGP12X 1 4 600 ohms T RETURN L R Goes 12 dBu 195 mV 4 dBu 1 23 V 24 dBu 12 3 V Phone jack 4 600 ohms E 2TR IN L t0konms gt Ven 26 dBV 60 1 mV 10 dBV 0 316 V 10 dBV 3 16 V RCA pin jack 0 dBu 0 775 Vrms 0 dBV 1 Vrms 1 Sensitivity The lowest level that will produce an output of 4 dB 1 23 V or the nominal output level when the unit is set to maximum level All faders and level controls are at their maximum position 2 Combo jacks are balanced 1 amp Sleeve GND 2 amp Tip HOT 3 amp Ring COLD 8 XLR 3 31 type connectors are balanced 12GND 2 HOT 3 COLD 4 Phone jacks are unbalanced 5 Phone jacks are unbalanced Tip Out Ring In Sleeve GND E Analog Output Specifications Output Connectors Output Appropriate Output Level Connector Impedance Impedance Nominal Max before Clipping Specifications STEREO OUT L R 75 ohms 600 ohms Lines 4 dBu 1 23 V 24 12 3 v XLP 9 82 type Phone jack 4 GROUP OUT 1 4 150 ohms 10k ohms Lines 4 dBu 1 23 V 20 dBu 7 75 V Phone Jack AUX SEND 1 2 75 ohms 600 ohms Lines 4 dBu 1 23 V 24 dBu 12 3 V XLR 3 32 type FX SEND 1 2 150 ohms 10k ohms Lines 4 dBu 1 23 V 20 dBu 7 75 V Phone jack MONO CH INSERT OUT MGP16X 1 8 150 ohms 10k ohms Lines 0 dBu 0 775 V 20 dBu 775 V Phone jack 3 MG
57. e 0 3 s 3 2 Reverb simulating the acoustics of a small space room 7 WARM ROOM Reverb Time 0 3 3 2 Warm reverb simulating the acoustics of small space room 8 SLAP ROOM Reverb Time 0 3s 383 28s Reverb simulating a slap echo of a small space room mFX2 SPX SPX algorithm No Program Parameter Variable range Description 1 HALL Reverb Time 0 3 s 10 0 Reverb simulating a large space such as a hall 2 ROOM Reverb Time 0 3s 3 28s Reverb simulating the acoustics of a small space room 3 PLATE Reverb Time 0 3 s 10 0 Reverb simulating a metal plate producing a more hard edged sound 4 LARGE STAGE Reverb Time 0 3 s 10 0 s Reverb simulating a large stage 5 SMALL STAGE Reverb Time 0 3 s 10 0 Reverb simulating small stage 6 VOCAL ECHO Delay Time 30 0 ms 743 0 ms Echo suitable for vocals 7 KARAOKE ECHO Delay Time 40 0 ms 265 0 ms Echo suitable for karaoke Delay Time 20 0 ms 743 0 ms 8 DELAY Delay Time 550 ims 743 0 ms Feedback delay adding multiple delayed signals when input 80 BPM 300 BPM ting Tap Delay Time 0 ms 743 0 ms 9 SINGLE DELAY d Vus 200 ms 743 0 ms Mono delay adding a delayed signal 80 BPM 300 BPM 10 ERRESBER SUE reverb 11 CHORUS LFO Freq 0 Hz 39 7 Hz Creates a thick sound by modulating the delay time 12 PHASER LFO Freq 0 Hz
58. ealer Check the electric plug periodically and remove any dirt or dust which may have accumulated on it Be sure to connect to an appropriate outlet with a protective grounding connection Improper grounding can result in electrical shock e This device contains no user serviceable parts Do not open the device or attempt to disassemble the internal parts or modify them in any way If it should appear to1 be malfunctioning discontinue use immediately and have it inspected by qualified Yamaha service personnel N CAUTION Do not expose the device to rain use it near water or in damp or wet conditions or place on it any containers such as vases bottles or glasses containing liquids which might spill into any openings If any liquid such as water seeps into the device turn off the power immediately and unplug the power cord from the AC outlet Then have the device inspected by qualified Yamaha service personnel Never insert or remove an electric plug with wet hands Fire warning Do not put burning items such as candles on the unit A burning item may fall over and cause a fire If you notice any abnormality When of the following problems occur immediately turn off the power switch and disconnect the electric plug from the outlet Then have the device inspected by Yamaha service personnel The power cord or plug becomes frayed or damaged It emits unusual smells or smoke Some object has been d
59. en both the PFL switch and AFL switch are on To monitor the post fader signal make sure to turn off all PFL switches f the PFL preferred is enabled the AFL indicator does not light even if the AFL switch is pressed MGP16X MGP12X Owner s Manual GROUP STEREO section 10 10 10 5 5 5 o E 5 5 5 ai fm E 15 ST 5 ST 15 20 r EE 20 O LO GROUP1 2 GROUP3 4 STEREO D GROUP 1 2 fader Adjusts the signal level to the GROUP OUT 1 and GROUP OUT 2 jacks 2 GROUP 3 4 fader Adjusts the signal level to the GROUP OUT 3 and GROUP OUT 4 jacks 3 ST switch If this switch is on the signals are sent to the STEREO L R bus via the GROUP1 2 or 3 4 fader The Group 1 and 3 signal goes to Stereo L and the Group 2 and 4 signal goes to Stereo R 4 AFL switch and indicator When the AFL After Fader Listen switch is on the indica tor lights and the signal after GROUP 1 2 or 3 4 faders adjustment is output to the MONITOR OUT and PHONES jacks for monitoring NOTE The PFL switch has priority when both the PFL switch and AFL switch are on To monitor the post fader signal make sure to turn off all PFL switches f the PFL is enabled preferred the AFL indicator does not light even if the AFL switch is pressed 5
60. event any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling For more information about collection and recycling of old products please contact your local municipality your waste disposal service or the point of sale where you purchased the items For business users in the European Union If you wish to discard electrical and electronic equipment please contact your dealer or supplier for further information Information on Disposal in other Countries outside the European Union This symbol is only valid in the European Union If you wish to discard these items please contact your local authorities or dealer and ask for the correct method of disposal weee eu MGP16X MGP12X Owner s Manual 35 For details of products please contact your nearest Yamaha representative or the authorized distributor listed below Pour plus de d tails sur les produits veuillez vous adresser Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante NORTH AMERICA CANADA Yamaha Canada Music Ltd 135 Milner Avenue Scarborough Ontario MIS 3RI Canada Tel 416 298 1311 U S A Yamaha Corporation of America 6600 Orangethorpe Ave Buena Park Calif 90620 U S A Tel 714 522 9011 CENTRAL amp SOUTH AMERICA MEXICO Yamaha de M xico S A de C V Calz Javier Rojo G mez 1149 Col Guadalupe del Moral C P 09300 M xico
61. g Sound to the Step 5 Using the Built in Digital Speakers Effects 1 Adjust the channel GAIN controls so that the 1 Turn the PROGRAM knob to select the desired corresponding peak indicators flash briefly on effect type the highest peak levels To select a reverb effect use the knobs and set FX1 to any NOTE program or FX2 to one of the programs 1 to 5 To use the level meter to get an accurate reading of the incom 2 Turn on the FX1 FX2 ON button ing signal level turn the channel PFL switch on Adjust the Svo The button lights up when it is turned on GAIN controls so that level meter indication occasionally rises 8 P above the lt 0 level 3 Set the FX1 FX2 RTN fader to the 0 position Note that the PHONES jack outputs the pre fader signal from all channels for which the PFL switch is ON so that those sig 4 Use the channel FX1 FX2 knobs to adjust the nals can be monitored via the headphones effect depth for each channel 2 Turn on the ON and ST switches for each chan 5 Use the FX1 FX2 RTN fader to adjust the over nel you are using all effect depth 3 Make sure that all PFL and AFL switches are Note that you can use the PARAMETER knob to adjust the set to off sound characteristics of the selected effect If you have selected a reverb effect the knob adjusts the reverb time 4 Raise the STEREO master fader to the 0 position 4 FX1 FX2 controls PARAMETER 5 5 Set the c
62. hannel faders to create the desired controls initial balance PROGRAM knobs 1 6 Adjust the overall volume of the STEREO mas ter fader The overall headphone level is adjusted by the MONITOR PHONES control 297659 Me e eoo eoooo If the PEAK indicator lights frequently slightly lower the chan nel faders to avoid distortion 0000 C el faders to avoid disto ele oio ol olojo 0000 000o Level meter 1 6 0 0 06 O 0 O O CO O 0 0 0 2 MONITOR PHONES control 6 9 0 00 ole ODI D O olo DODD OO 0O0 0000 O O O O GAIN controls 952 2559 seed apap E Hen alala la lala lalala 1 aooo e ooo 9 ololo 81918 ia 9 8 B 00000000
63. he purpose of configuring an audio system around a mixer is to collect signals from all channels and mix their levels and other settings to achieve a good balance The following simplified mixer block diagram shows how the input signal flows once it s inside the mixer For an overall block diagram of the MGP see page 33 Simplified Mixer Block Diagram Input channel L Master section PEAK Se CH Fader INPUT Hl E EQ e III LED meter T T GROUP 8 D Head 2 Equalizer 3 PEAK 4 Channel Fad indicator fader ager STEREO CHs INPUT p Fader OUTPUT Tin L JL 1 Bus Master control and level meter B input channel Master section D Head amp The very first stage in any mixer and usually the only stage with significant gain or amplification The head amp has a gain control that adjusts the mixer s input sensitivity to match the level of the source Small signals e g mics are amplified and large signals are attenuated 2 Equalizer An equalizer boosts amplifies or cuts attenuates certain frequency ranges to shape the tone It can be used to modify the tone to suit the acoustic characteristics of a room to make creative sounds or for many other purposes An equalizer could be a high pass filter that cuts the sound below a speci fied frequency 3 PEAK indicator When the level of an input sign
64. hich the L R signal received at the RETURN jacks L MONO and R is sent to the AUX1 and AUX2 buses STEREO control Adjusts the level at which the signal received at the RETURN jacks L MONO and R is sent to the STEREO L R bus NOTE If you supply a signal to the RETURN L MONO jack only the mixer sends the same signal to both the L and R Stereo buses 2 2TRIN e 2TR IN switch If this switch is set to TO MONITOR m the signals input via the 2TR IN jacks the iPod iPhone are sent to the MONITOR OUT jacks the PHONES jack and the level meter If it is set to TO STEREO the signals are sent to the STEREO L R buses 2TR IN control Adjusts the level of the signal sent from the 2TR IN jacks or the iPod iPhone to the STEREO L R buses MGP16X MGP12X Owners Manual 23 Controls and Connectors 24 SEND MASTER section S 4 AFL 10 LJ hk 8 4 AFL 10 SEND MASTER controls AUX1 AUX2 FX1 FX2 These adjust the signal level sent to the AUX AUX2 1 and FX2 SEND jacks NOTE These SEND MASTER controls do not affect the level of the signal sent from the internal digital effect to the FX1 and FX2 buses 2 AFL switch and indicator When the AFL After Fader Listen switch is on the indica tor lights and the signal after the AUX1 and AUX2 controls CD adjustment is output to the MONITOR OUT and PHONES jacks for monitoring NOTE The PFL signal has priority wh
65. ncy The following table shows the EQ type frequency and cut boost range for each of the three bands Boost Band Type Frequency iun HIGH Shelving 8kHz MID Peaking 2 5kHz x15dB LOW Shelving 125Hz The MID frequency can be adjusted from 250Hz to 5kHz The MID frequency is 2 5kHz when the MID frequency control is set at the center position AUX1 PRE AUX controls These knobs adjust the channel s signal levels sent to AUX buses 1 and 2 Each knob controls the signal sent to the corre sponding AUX bus These knobs should generally be set close to the W nominal position The AUXI control adjusts the signal before the channel fader pre fader The signal adjusted by the AUX2 control is determined by the PRE switch O 17 PRE switch This switch selects whether the signal sent to the AUX 2 bus is taken after the equalizer but before the channel fader pre fader or after the channel fader post fader When the switch is on the mixer sends the pre fader signal to the AUX2 bus so that the AUX2 output is not affected by the fader 2 FX1 FX2 controls Adjusts the level of the signal post fader sent from the chan nel into the FX bus These knobs should generally be set close to the position NOTE To send the signal to the bus engage the ON switch 44 On stereo channels the LINE L odd and LINE R even input signals are mixed before moving into the bus MGP16X
66. nd AFL switches are turned on only the PFL Switch is enabled To monitor the post fader signal make sure to turn off all PFL switches FX RTN faders FX1 FX2 These adjust the level of the effect sent from the internal effect to the GROUP 1 2 3 4 and STEREO L R buses To restore the initial factory settings for the internal effects turn on the power while holding the TAP button 5 and the ON button Controls and Connectors Meter PHONES section AN PHONES NS D POWER 4 1111111 i 3 S 5 PHONES Sek D PHONES jack Connect a pair of headphones to this TRS phone jack The PHONES jack outputs the same signal as the MONITOR OUT jacks 2 POWER indicator This indicator lights up when the mixer s power is ON 3 Level meter This LED meter displays the level of the signal output from the STEREO OUT jack or the signal selected by the 2TR IN switch and PFL AFL switch The 0 segment corresponds to the nominal output level The PEAK segment lights when output reaches the clipping level NOTE The PFL signal has display priority when an input channel s PFL switch is on 4 MONITOR PHONES control Controls the level of the signal output to the PHONES jack and the MONITOR OUT jacks RETURN 2TR IN section STEREO TO MONITOR D RETURN AUX1 AUX2 controls Adjust the level at w
67. nd SPX pages 21 28 Two powerful digital effect blocks are built into the mixer REV X 8 types and SPX 16 types REV X gives you a high density richly reverberant sound ambience with smooth attenuation spread and depth that work together to enhance the original sound The versatile SPX block features a variety of effect applications such as reverb delay and modulation effects along with complex combinations of multiple effects Convenient practical func tions for events Ducker Leveler and Stereo Image pages 14 18 19 The mixer features three exceptionally convenient features for the stereo input channels Ducker Leveler and Stereo Image The Ducker function automatically lowers the level of back ground music to accommodate the voice of an announcer coming in on another channel The Leveler function automatically maintains a con sistent sound volume even when using sound sources that have differ ent mastering levels such as on an iPod iPhone filled with a variety of sources classified according to different genres and ages Stereo Image narrows the pan balance of the stereo sound source and changes stereo signals to mono This is useful in restaurants and other spaces where the left and right speakers are distantly positioned or when you input accompaniment sound to the left channel and vocal sound to the right and want a more natural stereo image USB port for playing and charging your iPod iPhone page
68. nel pre fader signal is output to the MONITOR OUT and PHONES jacks for monitoring Channel fader Adjusts the level of the channel signal Use these controls to adjust the balance between the various channels NOTE To reduce noise set the fader sliders for any unused channels all the way down MGP16X MGP12X Owner s Manual Master Control Block iPod iPhone section USB for iPod e 2R N Je ASSIGN ANALOG USB USB connector and indicator This is a USB port dedicated for iPod iPhone use Using the USB cable that came with the iPod iPhone connect the iPod iPhone The indicator lights when the mixer recognizes the iPod iPhone If the mixer does not recognize the device or if a non compli ant iPod iPhone is connected the indicator remains off For details on supported iPod iPhone models see Supported iPod iPhone models on page 30 N CAUTION Use the genuine Apple Dock Connector USB Cable for the iPod iPhone connection Connect the USB connector to the iPod iPhone before turning the mixer power on When connecting to an iPod iPhone allow at least 6 sec onds to pass between turning the mixer on and off and plugging or unplugging the USB cable Please do not use a USB hub The mixer s USB port is dedicated for iPod iPhone use only Please do not connect other USB devices NOTE While the indicator lights the iPod iPhone is charged
69. nge are as follows Parameter LED display Range 24dB 0dB CH15 16 CH11 12 _ 1596 Attenuation H Attenuator Ducker Attenuation 35dB Ducker Range Li The Ducker attenuation range is common for CH13 14 and CH15 16 MGP12X CH9 10 and CH11 12 Use the PROGRAM knob to select the parameter 2 or c you want to change Use the FX2 PARAMETER control to adjust the attenua tion Please refer to the above table for the range Press the PROGRAM knob again The mixer saves the settings and then exits the detailed setting mode NOTE The mixer retains the last setting made even after the power is turned off To restore the default settings press the TAP button while in the condition of step 3 above When the parameter setting is different from the default setting i e when you ve changed the parameter value from the default a dot indication is displayed at the lower right of the FX2 program number Controls and Connectors Built in digital effects section ky E ore oligo b HALL EJ SINGLE DELAY WARM HALL ROOM O EARLY REF E BRIGHT HALL E PLATE CHORUS PLATE 1 EJ LARGE STAGE E PHASER PLATE 2 SMALL STAGE FLANGER Groom WARM ROOM EJ sLAP Room PROGRAM voca ECHO SYMPHONIC KARAOKE ECHO 02 DOUBLER E DELAY RADIO VOICE Le
70. not block any ventilation openings Install in accor dance with the manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus 11 12 13 14 Only use attachments accessories specified by the manufacturer Use only with the cart stand tri pod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to qualified service personnel Ser vicing is required when the apparatus has been dam aged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or mois
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72. on that is 10 dB lower than the maximum position Output impedance of signal generator Rs 150 ohms Output load impedance 10k ohms TRS phone output 600 ohms XLR output UNIT Frequency Response de EE 0 5 1 0 dB Total Harmonic Distortion STEREO OUT 14 dBu 9 20 Hz 20 kHz GAIN min 0 02 96 CH INPUT EIN Equivalent Input Noise Rs 150 ohms GAIN max 128 dBu STEREO OUT STEREO and GROUP master faders are at nominal position and all of 92 dBu Noise GROUP OUT bus assign switches are off AUX SEND AUX and FX master controls are at nominal position and all of CH mix FX SEND controls are at minimum position we dBu STEREO OUT Residual Output Noise 102 dBu Adjacent Input Between input channels 74 dB Crosstalkat Wize Inputto Output STEREO OUT UR PAN panned hard left or right 7A dB CH INSERT OUT 60 dB STEREO OUT 84 dB GROUP OUT 84 dB REC OUT 62 dB CH INPUT MIC to MONITOR OUT 80 dB PHONES OUT 69 dB GE voltage Gain AUX SEND AUX2 PRE 76 dB AUX SEND AUX2 POST 86 dB FX SEND 86 dB STEREO OUT 16 dB RETURN tO AUX SEND 12 dB STEREO OUT 28 dB 2TRINto MONITOR OUT 34 dB 1 Noise is measured with an A Weighting filter 2 Crosstalk is measured with a 1 kHz band pass filter 8 Maximum voltage gain is measured under the condition that all faders and GAIN controls are at maximum PAN BAL controls are panned hard left or right i
73. oo o o ojo Orolo 5 ON switch jal Dun ofo OF o oj D E g g RER IR HH D Channel fader em em um a um SO 3 SOURCE channel 14 MGP16X MGP12X Owners Manual Controls and Connectors Front Panel MIXING CONSOLE MGP 16 USB for iPod 5 5 5 5 i 5 3 i 8 5 8 S 5 8 GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN 3 E E A L L E i Ka 5 21 E H di B d H g 7 di H d d g d S B d COMP CHARACTERISTICS STEREO STEREO GAIN 0 908 STEREO ua KG EARLY REF THRESHOLD 20 5dBu BRIGHT EJ PLATE E conus PLATE 1 LARGE STAGE GH PHASER HIGH HIGH EG E SMALL STAGE RE FLANGER Groom voca WARM ROOM KARAOKE ECHO RE DOUBLER Baan room era KB ranio voici _ PROGRAM t 1 ad gl St S a s if z HIGH MID PUSH TO ENTER PARAMETER x wee E m 5 E MD Y MD VY r a6 3 y n Low MIN MAX Low y Low DIGITAL MULTI EFFECT PROCESS
74. ropped into the instrument There is a sudden loss of sound during use of the device If this device should be dropped or damaged immediately turn off the power switch disconnect the electric plug from the outlet and have the device inspected by qualified Yamaha service personnel Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the device or other property These precautions include but are not limited to the following Power supply Power cord When removing the electric plug from the device or an outlet always hold the plug itself and not the cord Pulling by the cord can damage it Remove the electric plug from the outlet when the device is not to be used for extended periods of time or during electrical storms Do not place the device in an unstable position where it might accidentally fall over Do not block the vents This device has ventilation holes at the bottom rear sides to prevent the internal temperature from becoming too high In particular do not place the device on its side or upside down Inadequate ventilation can result in overheating possibly causing damage to the device s or even fire e Do not place the device in a location where it may come into contact with corrosive gases or salt air Doing so may result in malfunction PA en 1 4 MGP16X MGP12X Owner s Manual Before moving the device remove
75. s Is the routing assign switch set to USB Make sure to set the switch to ANALOG BL Sound is faint distorted or noisy Are the channel GAIN controls channel faders STEREO master fader and GROUP 1 2 3 4 faders set to appropriate levels Is the 26dB switch turned on Make sure to turn off the switch when a low level source such as a microphone is input Is the output signal from the connected device set to an appropriate level Are you applying the effects and compressor at appropriate levels You may have to lower the FX 1 2 control FX RTN fader and COMP control levels Are two different instruments connected to the XLR type and phone jacks or to the phone and RCA pin jacks on one channel Make sure to connect to only one of these jacks on each channel Are microphones connected to the MIC input jacks or MIC LINE input jacks If you are using condenser microphones is the 48V switch turned ON If you are connecting a device which has a specified output level of 4dBu turn on the 26dB PAD Switch of the mono channels or use stereo channels Stereo channel Is the DUCKER switch turned on When a signal is constantly input to CH4 MGP12X CH8 MGP16X the sound becomes faint No effect is applied Check that the EFFECT knob on each channel is correctly adjusted Check whether the ON button of FX1 FX2 is turned on or off Be sure that the PARAMETER control and FX
76. s section 4 2TR IN These RCA pin jacks can be used to input a stereo sound source Use these jacks when you want to connect a CD player and output the signal to the monitor or the STEREO L R bus NOTE You can adjust the signal level using the 2TR IN control in the Master Control block 5 REC OUT These RCA pin jacks can be connected to an external recorder such as an MD recorder in order to record the same signal that is being output via the STEREO OUT jacks NOTE The mixer s STEREO master fader has no affect on the signal output via these jacks Be sure to make appropriate level adjustments at the recording device MONITOR OUT Connect these impedance balanced TRS phone jacks to your monitor system These jacks output the signal before or after the faders for the various buses The PFL and AFL indi cators in each section indicate which signal is being output Impedance balanced Since the hot and cold terminals of impedance balanced output jacks have the same impedance these output jacks are less affected by induced noise NOTE The PFL switch has priority when both the PFL switch and AFL switch are on To monitor the post fader signal make sure to turn off all PFL switches RETURN These are unbalanced phone jack type line input jacks The signal received by these jacks is sent to the STEREO L R buses and the AUX1 and AUX2 buses The mixed signal of L MONO and R is sent to the AUX1 and AUX
77. sure to use the same screws that were removed in step 1 Using other screws can cause damage e MGP16X 3 Mount the unit into the rack and fasten it into place 5 D oo D na D na D oo n oo D 00 D oo D oo D B o n oo mn 95 o 13U 1110 1 90 9 0 o 6606 e 6606 Deeg eem EE DIT Se DT EHE D CHER DI epus Cleans Ee DI 5 La e MGP12X 3 Prepare the included rack mount kit 2 sup ports and 6 screws 33385353 4 Use the included screws to fasten the rack mount supports with a triangular mark lt j on the top side to the installed rack mount brack ets in step 2 Fasten them to the mixer in order as shown D center 2 front and 3 back Similarly fasten the other side as well N CAUTION Be sure to use the included screws with the MGP12X Using other screws can cause damage 5 Mount the unit into the rack and fasten it into place
78. this manual all panel illustrations show the panel of the MGP16X In this manual the term MGP refers to both the MGP16X and MGP12X In cases where different features need to be described for each model the MGP16X feature will be described first fol lowed by the MGP12X feature in brackets MGP16X MGP12X The company names and product names in this manual are the trademarks or registered trademarks of their respective compa nies iPodTM iPhoneTM iPhone iPod iPod classic iPod nano and iPod touch are trademarks of Apple Inc registered in the U S and other countries Made for o iPod JiPhone Made for iPod and Made for iPhone mean that an elec tronic accessory has been designed to connect specifically to iPod or iPhone respectively and has been certified by the developer to meet Apple performance standards Apple is not responsible for the operation of this device or its compli ance with safety and regulatory standards Please note that the use of this accessory with iPod or iPhone may affect wireless performance PA en 1 2 2 MGP16X MGP12X Owner s Manual 5 Making the Most of Your Mixer Balanced Cables and Unbal anced Cables Two types of cables can be used to connect microphones elec tronic instruments and other audio sources to the mixer s inputs as well as to connect the mixer s outputs to a power amplifier or related gear balanced or unbalanced Balanced
79. ture does not operate normally or has been dropped uh WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE MGP16X MGP12X Owner s Manual UL60065 03 Main Features Sophisticated analog circuits D PRE Discrete Class A MIC preamp Mono input channels are equipped with Class A discrete microphone preamplifiers The head amplifier features an inverted Darlington circuit used in high end audio devices and reproduces low frequencies with excep tionally musical characteristics as well as sustained high frequencies Independent toggle switching of 48V phantom power and 26dB pad on each channel Inverted Darlington circuit An amplifying method for eliminating the nonlinear characteristics of the amplifier element and suppress ing the distortion The circuit features highly musical phase characteristics EQ equalizer The shelving EQ low high on the mono input channels features Xpressive EQ which effectively models analog EQ utilizing Yamaha s famed VCM Virtual Circuitry Modeling technology We analyzed vintage EQ analog circuits and redesigned the technology specifically for the MGP to create an EQ with exceptionally musical characteris tics Furthermore the cutoff frequency can also be adjusted enhancing use of the EQ in sound reinforcement applications and extending the sonic control range of the mixer Digital effects REV X a
80. ww yamahaproaudio com 30 MGP16X MGP12X Owners Manual E Analog Input Specifications Appendix i Input level Input Connectors PAD Gain Seege Impedance Impedance Sensitivity Nominal Max before Clipping Specifications o 80 08 50 600 80 dBu 0 078 mV 60 dBu 0 775 mV 40 dBu 775 mV MONO CH INPUT 16 dB ohms Mics 36 dBu 12 3 mV 16 dBu 123 mV 4 dBu 123 V Se MGP16X 1 8 3k ohms Combo jack 2 23498 600 ohms 54 dBu 1 55 mV 34 dBu 15 5 mV 14 dBu 155 mV 10 dB Lines 10 dBu 245 mV 10 dBu 2 45 30 dBu 24 5 V 60 dB 80 dBu 0 078 mV 60 dBu 0 775 mV 40 dBu 775 mV STEREO CH INPUT Sk ohms 30 600 XLR 3 31 type 3 gt 16 dB ohms Mics 36 dBu 12 3 mV 16 dBu 123 mV 6 dBu 389 mV 34 dB 54 dBu 1 55 mV 34 dBu 15 5 mV 14 dBu 155 mV 12 5 8 10k ohms 900 ohms ck u4 uM Phone jack 4 410 dB Lines 10 dBu 245 mV 10 dBu 2 45 V 30 dBu 24 5 V STEREO CH INPUT 34dB 600 ohms 54 dBu 1 55 mV 34 dBu 15 5 mV 14 dBu 155 mV phone jack 4 MGP16X 13 16 10k ohms SR 12 9 12 10 dB Lines 10 dBu 245 mV 10 dBu 2 45 V 30 dBu 24 5 RCA pin jack MONO CH INSERT IN 600 ohms Phone jack 20 dBu 775 mV O
81. y a con denser microphone is connected to the XLR input jacks Devices other than condenser microphones may be damaged if connected to the phantom power supply This precaution does not apply to balanced dynamic microphones however as these will not be affected by phantom power To prevent damage to speakers be sure to turn off power amplifiers or powered speakers before turning this switch on or off It s also a good idea to turn the mixers output controls the STEREO master and GROUP 1 2 3 4 faders all the way down when turning phantom power on Neglect of these precautions may result in large noise bursts that may damage your equipment your ears or both 2 26dB PAD switch When this switch is turned on the input signal from the MIC LINE jack of the mono channel is attenuated by 26dB Turn this switch off if you ve connected a microphone or other device with a low input level to the channel Turn it on if you ve connected a line level device High Pass Filter switch Turning this switch on will apply a high pass filter that attenuates frequencies below 100Hz in the signal by a slope of 12dB octave 4 DUCKER switch When this switch is turned on the volume of the stereo channels is automatically lowered when a signal exceeding a certain level is input to the SOURCE channel MGP16X CH8 MGP12X You can use this switch for example when you want to h

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