3 - Fender
Contents
1. HEADPHONES JACK Connection for headphones using a standard 1 4 stereo phone plug Speaker outputs internal and rear panel jacks are automatically muted but LINE OUTPUT jacks are not LINE OUTPUT Impedance balanced XLR jacks for output to sound reinforcement and recording equipment Use the button to select stereo or dual mono signal These outputs are frequency compensated to simulate the sound of a miked speaker EFFECTS LOOP Connections for external effects devices Connect MONO SEND to the input of your effects device and the output of the effects device to the MONO RETURN jack or both RETURN jacks according to your effects device Use the LEVEL button to optimize the loop for your effects device usually 10dBv for footpedals and 4dBu for rack mounted effects SPEAKER OUTPUT Stereo output jacks for connecting external speaker cabinets Speakers must be 8 ohm minimum per channel and handle 65 watts minimum Use unshielded speaker cable of 16 gauge or heavier for connections up to 50 ft 15 m and always turn the amplifier off before making connections SDD P O E T 7 PD E gt ee Amp Edit Mode 2 Amp Edit Mode This chapter explains how to navigate the Amp Edit menus and defines each gt of the 17 Amp Edit parameters and their value ranges Note that Reverb is considered part of the amplifier and is included in the Amp Edit menu to provide more options2. Combination mono digital delay and stereo phaser effect AutoSwell Chorus well Chorus An automatically triggered volume swell increase effect with chorus The swell begins when you reach the selected volume threshold Note that you must stop playing momentarily for autoswell to reset AUTOSWELL ATTACK TIME Adjusts the time the swell takes to reach full volume AUTOSWELL SENSITIVITY Adjusts the volume level at which the effect is triggered UltraClean Chorus An ultra clean guitar tone with triangle chorus For best results use with clean amp settings and your guitar s neck rhythm pickup BODY Adjusts low frequency tone BRILLIANCE Adjusts high frequency tone Pitch Shift A semitone variable pitch shifter and detuner PITCH Adjusts the pitch shift value in semi tone increments from 1 0 2 octaves below to 5 5 unison to 10 0 2 octaves above PITCH DETUNE Adjusts the pitch shift offset in micro tone increments from 1 0 semi tone flat to 5 5 in tune to 10 0 semi tone sharp PITCH PRE DELAY Adjusts the delay before the pitch shifted signal is heard Ring Modulation Delay A ring modulator with mono delay Ring modulator creates tones above and below your original guitar signal MOD FREQUENCY Adjusts the ring modulator frequency Radical results can be achieved by controlling this parameter with an expression pedal optional Select Ring modulator as
3. D Sr a Note on the Cyber Twin SE presets Custom Shop presets were created by various players fluent in the corresponding musical styles The appropriate model of guitar was used wherever possible ala Jimi with a maple necked Stratocaster Consequently some presets may seem to be more trebly or bassy than you would prefer or seem louder or quieter than some of the other presets This is natural because if person A plays a Telecaster in a tiled room and person B uses a Jazz guitar in a carpeted room they will achieve very different end results You can easily move the knob settings and store your changes if desired Most of our Cyber presets are designed to let the unique character of your instrument and playing style come through That s why thousands of pros and hobbyists alike have added the Cyber Twin SE to their tone toolbox Enjoy Z ES 2 ZZ S Fz C lt j lt ao N24 E BS i P f D SAL 6 Fender Cyber Twin SE Amplifier Inirocduciion Your new Cyber Twin SE amplifier is the crowning achievement of Fender s most advanced research and development project Brought to you by the same Tone team that created the original Cyber Twin amplifier the Cyber Twin SE Second Edition is refined and updated with additional amp designs and effects Cyber Series amplifiers are endowed with Fender s exclusive Virtual Tone Interpolation technology
4. DO NOT EXPOSE me EUR TO RAIN OR MOISTUR WARNING 360W VIS saue Eu gt LESTIE RIGHT LEFT FENDER AMPLIFIER SYSTEMS ion ARE CAPABLE OF PRODUCING VERY HIGH A OUVRI A SOUND PRESSURE LEVELS WHICH MAY ATTENTION SUPERFICIE DE CHASSIS CAUSE TEMPORARY OR PERMANENT HEARING en al ADJUSTING VOLUME LEVELS DURING USE THIS DEVICE COMPLIE ITH PART 15 OF FCC RULES A PRODUCT OF OPER NS FENDER MUSICAL INSTRUMENTS CORP LE Wu ND CORONA CA U S A B r74 IRTE OTH TUBES PERATION PATENT NUMBER 6 222 110 MADE IN MEXICO 7025 12AX7A ECC83 AA POWER Switches Power on or off to the Cyber Twin SE amplifier e BB IEC POWER CORD SOCKET Connection for the included power cord Connect to a grounded AC outlet in accordance with the voltage and frequency ratings listed on the rear panel of your Cyber Twin SE CC FOOTSWITCH JACK VA S 9 Vv h Y Connect the included Fender 4 button footswitch using the MIDI type EE EZ z Wr cable provided Use this footswitch to remotely activate the Quick Access presets Although the footswitch uses a MIDI type cable the footswitch is j an analog device and should only be connected to the FOOT SWITCH jack p DD EXPRESSION PEDAL JACK SEES e Connection for a standard expression foot pedal optional used to remotely n T 6 control any of the following parameters GAIN VOLUME TREBLE n MIDDLE BASS PRESENCE REVERB MASTER any Reverb parameter or lt L
5. Out gt FX Out amp Reverb In gt FX amp Reverb Out gt Rotor Speed Fast Slow ES 2 CZ dg lt V L lt J ES Tl LL ES Sl C 16 FX Edit Mode 3 FX Edit Mode This chapter explains how to navigate the FX Edit menus and defines each of the 43 effects their parameters and value ranges Note that 3 parameters of the active effect can be adjusted with the FX LEVEL FX VAL 1 and FX VAL 2 knobs but the remaining 2 or 3 parameters can only be accessed through the FX edit menus A glossary of effect and parameter definitions follows the menu table See page 19 FX Edit Menu Navigation Press FX to activate FX Edit mode and display the active effect Use the data wheel to select a different effect or press FX repeatedly to display each parameter of the active effect in a continuous loop press and hold FX while turning the data wheel to move through the list in either direction FX Select gt Level gt Val 1 gt Val 2 gt Val 3 gt Val 4 Val 5 Use the data wheel to adjust values of the active effect parameter or select effects in the FX Select menu Press EXIT to return to Play mode FX Edit Menus Mono Delay Delay Delay Delay Delay Delay Delay Out Level Time Feedback Brightness In Level Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Dotted 8 16 Delay Delay Delay Delay Delay Delay Delay Out Level Time Feedback Brigh
6. patent number 6 222 110 VTITM technology enables the Cyber Twin9 SE amplifier to be different amplifiers according to circuit design Starting with a virtual circuit board the Cyber Twin9 SE amplifier rewires its fundamental architecture tubes resistors capacitors etc to become the essence of all the amplifier greats Fender s Blackface Dyna Touch M Tweed and Modern amps and even the best of the British amps The Cyber Twin9 SE amplifier allows you to be the amp designer Start with one of 150 permanent amp and effect setups stored within the Cyber Twin SE amp twist some knobs make some changes then SAVE to one of the 100 rewritable preset locations reserved onboard for your original amplifier designs MIDI implementation on the Cyber Twin SE amplifier enables you to transfer presets to and from the amp for backup to a PC or for exchange with other Cyber Twin SE amplifier players The Cyber Twin SE amplifier also puts a huge array of studio quality effects at your command Reverb Modulation and Delay effects enough to satisfy most any sonic appetite And many are in stereo so you can use the line outputs or headphones to enjoy a fully ambient stereo dimension The Cyber Twin SE amplifiers Dyna Touch power amp circuitry and Celestion speakers deliver powerful responsive Tone to you and your audience Thank you for Choosing Fender one lradition and Innovation since 1946
7. 07H 02H Medium 07H 03H High 07H 04H Even Higher FE 779 c eZ lt TD L OD EF i PV LO El Ei DQ Appendix 5 Appendices 31 SysEx Handshake Following the guidelines of the MIDI specifications data is transmitted as follows First the System Exclusive Header is sent The amp will wait 200ms to look for a handshake If no handshake is received then the amp will transmit the first data packet The transmission continues until all the information has been sent After the last packet the End of File message is sent The System Exclusive device ID must be set to Omni or the same as the transmitting device ID to accomplish the data transfers NOTE Data values are displayed in hexadecimal with H for clarification System Exclusive Handshake Message VALUE DESCRIPTION FOH Start of System Exclusive Message 7EH Universal Message nnH nn Device ID minus one hdH Handshake ID 7CH Wait 7DH Cancel 7EH Not Acknowledge 7FH Acknowledge ppH Packet Number F7H End of System Exclusive Message Z C V LX ES qu lt LLL Sa EZ S V E GET 2 32 Appendices Appendix 6 Troubleshooting No sound coming from the unit Make sure MASTER TRIM GAIN VOLUME TREBLE MIDDLE BASS and guitar are all above 1 Make sure nothing is plugged into the HEADPHONE jack Make sure you are not in Tuner mode Cannot SAVE a preset Make sure Memory Prot
8. TD L D E gt i V LPD E gt H QZ 23 Appendices Appendix 3 SysEx 0 MIDI Dump This appendix contains tables describing the System Exclusive message components and protocol for MIDI Dump The SysEx device ID must be set to Omni or the same as the transmitting device ID to accomplish the data transfers NOTE Data values are displayed in hexadecimal with H for Clarification System Exclusive Header VALUE DESCRIPTION FOH Start of System Exclusive Message 08H Fender Manufacturer ID nnH nn Device ID minus one 12H Amp ID number 12H The upper nibble identifies the Cyber Twin SE amplifier and the lower nibble designates software version ffH Function ID number 01H Utilities message 02H One preset message 03H All presets message F7H End of System Exclusive Message System Exclusive Data Packet VALUE DESCRIPTION FOH Start of System Exclusive Message 08H Fender Manufacturer ID nnH nn Device ID minus one 12H Amp ID number 12H The upper nibble identifies the Cyber Twin SE amplifier and the lower nibble designates software version ffH Function ID number 01H Utilities message 02H One preset message 03H All presets message PnH Packet Number Data Data bytes The data bytes have been formatted following the MIDI Specification cbH Checksum byte used for error checking F7H End of System Exclusive Message System Exclusive End of File Message
9. UK style Dyna Touch Fender Dyna Touch amps Extreme extreme high gain Values Blackface Tube 1 2 83 gt Tweed Tube 1 2 3 gt Hot Rod Tube 1 2 3 gt HMB Tube 1 2 3 gt Dyna Touch 1 2 3 gt Extremes Selects Reverb type Small Ambience Small Large Room Large Hall and Arena simulate the acoustics of different sized spaces Small Large Plate studio Reverb that generates bright timbres yet retains warmth Blackface Reverb classic Fender spring Reverb Gated Unique modern Reverb see Reverb Tone Shape menu below Fender Reverb classic 1963 tube driven unit uniquely located pre distortion see Reverb In Level Dwell menu below Values Small Room gt Large Room gt Small Hall gt Large Hall gt Arena gt Small Plate gt Large Plate gt Blackface Reverb gt Gated gt Small Ambience gt Fender Reverb f Adjusts the Reverb circuit input level rather than the output level which is controlled by the front panel REVERB knob If Fender Reverb is the active Reverb type this parameter is called Reverb Dwell Values 1 0 minimum gt 10 0 maximum lt 2 777 ED AKI Seas l Amp Edit Mode 15 Adjusts the Reverb high frequency tone Or if Gated Reverb is active this parameter adjusts Reverb Shape with which radical decay characteristics can be achieved such as rectangular linear and reverse tails Reverb Tone d i PEERS REVERB TONE SHAPE Values 1 0 m
10. a different preset is selected before the current configuration is saved your changes will be lost TUNER Turns the tuner on off The TUNER LED flashes and audio is muted while the tuner scale is displayed NOISE GATE Turns the noise gate on off Use it to reduce static and environmental noise transmitted through nearby electronic devices Enter AMP edit mode to edit noise gate depth and threshold parameters See page 14 TAP In PLAY mode TAP sets the time rate interval of the active effect if applicable Press TAP at least twice at the desired rate to set the interval by feel the average of the last five taps is calculated for multiple taps Press TAP once for the longest interval possible The TAP LED lt lt flashes at the interval rate which is also temporarily displayed Adjust the time rate parameter accessed in the FX edit mode for precision control of the TAP interval See the FX menus on page 16 for details In UTILITY mode TAP is used to confirm menu actions POD FP BSB Dd LL D EED d D PEAK N MIDI HUM REDUX O gt E gt P QO gt R AMP lt PRESET py EDIT UTILITY S EXIT T j E ID T SS F Front Panel Overview 11 PEAK and MIDI LEDs PEAK flashes when the DSP circuit is clipping distorting Reduce VOLUME if undesirable distortion is heard while this LED is on then use MASTER to the increase loudness level
11. selected Use program and control changes to remotely select presets and adjust settings either in real time or from a recorded sequence Program Change Messages Select amplifier presets from the following banks Bank OO MIDI Map as defined in Utility Mode Bank 01 Fender Custom Shop presets Bank 02 Player s Lounge presets Bank 03 Your Amp Collection presets Use the format Bn 00 00 32 bb Cn pp n MIDI channel bb bank number pp preset number Activate the tuner using program change 12 in banks 01 03 Control Change Adjust amplifier settings using the following continuous controller numbers and value ranges CC Parameter Value Range 07 Master Volume O 127 32 LSB for Bank Changes O 127 85 Effects Reverb Bypass OFF 0 63 ON 64 127 86 Hum Reduction OFF 0 63 ON 64 127 96 Data Increment2 Linked to the Data Wheel 97 Data Decrement2 Linked to the Data Wheel 102 Gain O 127 103 Volume O 127 104 Treble O 127 105 Middle O 127 106 Bass O 127 107 Presence O 127 108 Reverb O 127 109 Master Volume O 127 110 FX Level O 127 111 FX Val 1 O 127 112 FX Val 2 O 127 113 FX Val 3 O 127 114 FX Val 4 O 127 115 Reverb In Dwell O 127 116 Reverb Tone Shape O 127 117 Reverb Time O 127 118 Reverb Diffusion O 127 119 Tap lt
12. the active effect then use the AMP button to access the Expression Pedal Assignment menu Select Mod Frequency ES 2 CZ dg lt 7 L CO S S LF V 7 SE SB Z 22 FX Edit Mode New Sf rectis E 2 c E Auto Pan Delay A digital delay with random auto panning in the stereo field FUZZ A classic 60 s 70 s distortion effect rich with overtones and sustain The effect includes an octave higher parameter which can be independently mixed in FUZZ GAIN Adjusts the gain of the fuzz effect OCTAVE LEVEL Adjusts the level of the octave up signal mixed in LOW FREQUENCY Aqgjusts the low frequency tone of the fuzz effect HIGH FREQUENCY Aqgjusts the high frequency tone of the fuzz effect Resolver A low fidelity effect that purposely reduces the quality of the input signal Effective for lo fi filtering on song introductions for example DEPTH Adjusts the amount of signal degradation TONE Adjusts the tone of the degraded signal ATTACK Adjusts the amount of time it takes for the signal to reach full degradation RELEASE Adjusts the amount of time it takes for the signal to return from full degradation Pedal Pitcher An effect very similar to the Pitch Shift effect optimized for dynamic control with an expression pedal or continuous controller With practice wammy bar effects can be created This effect is positioned before distortion whereas the P
13. type cord Reverb Effects Bypass and Vibratone rotor speed select standard one button toggle type P N 099 4055 000 or 00 57172 000 1 4 inch Tip Sleeve analog compatible with any passive volume pedal 10k to 250k ohm ideal audio taper is 20k 25 1 4 inch for connection to the included one button footswitch IN OUT THRU 1 4 inch stereo 18 9 32 in 46 4 cm 26 1 8 in 66 4 cm 12 1 8 in 30 8 cm 55 Ib 25 kg Product specifications are subject to change without notice Z C Dei du lt TD L D E gt i V LPD E gt H QZ Notes VAV WWW WW WAV FP BID GO S FL SC 7 X Wee Hene Mene SOD F C SATII SAL 27 S AWA Vav V FTI LD PL S LZ_ lt gt Notes VA AW WAVE 77 SS 7 PDO Z7 SAK LD Z TZ CG d i a X V gt v ou a A T T Ls L L T T A v L L L L x L V L L A T a L L x L S S A v v
14. 0 10 0 1 0 10 0 Fuzz Fuzz Wah Octave Wah Out Level Gain Sensitivity Level Peak 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 LowQ or HighQ Fuzz Fuzz Delay Delay Delay Delay Out Level Gain Out Level Time Feedback Time Change 1 0 10 0 1 0 10 0 1 0 10 0 30 1450 ms 1 0 10 0 Ramp or Step Lower Octave Echo Echo Echo Echo Echo Out Level Out Level Time Feedback Wow amp Flutter Time Change 1 0 10 0 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 Ramp or Step MidBoost MidBoost Echo Echo Echo Echo Out Level Frequency Out Level Time Feedback Time Change 1 0 10 0 1 0 10 0 1 0 10 0 30 1450 ms 1 0 10 0 Ramp or Step Overdrive Overdrive Echo Echo Echo Echo Level Gain Out Level Time Feedback Time Change 1 0 10 0 1 0 10 0 1 0 10 0 30 1450 ms 1 0 10 0 Ramp or Step None cm 77 c S F lt FZ D P Z E PV DV z E FX Edit Mode 19 Ar ecis and Parameters Defined NOTE Most effects have the same types of parameters in common and they are defined as a group below Some effects have unique parameters and they are defined under the corresponding effect Common Parameters IN OUT LEVEL Adjusts the effect circuit input or output signal level TIME RATE Adjusts an interval or cycle duration FEEDBACK Adjusts how much of the effect circuit output is returned to its input BRIGHTNESS Adjusts the effected tone in the high frequency range DELAY TIME CHANGE Select Ramp for an analog sounding warble or select Step for a digita
15. 9j JC RET V2 C7 S UI Front Panel Overview Overview This page introduces key concepts for the basic operation of your Cyber Twin SE M The following pages provide an overview of each item on the front and rear panels The DisPLAY shows vital information and menus for the Cyber Twin SE The Data WHEEL works dynamically with the display giving you full control over preset selection effect parameters and system configuration The display also responds to the use of panel knobs or buttons providing useful information You can enter different Mopks to edit amplifier designs effects and system utilities each mode determines the functions of the display and data wheel PLAY Mope is active whenever the Cyber Twin SE amplifier is first switched on After booting up the display will show information about the current preset The first line displays the preset location bank number and name The second line displays the type of tone stack controls treble middle bass tone stack location pre post distortion and the active effect In play mode the data wheel selects presets There are three banks of PRESETS The FENDER Custom SHoP CO0 C99 and Your AMP COLLECTION A00 A49 are permanent presets The PLAYER S LOUNGE POO P99 presets are rewritable for you to save your own amp and effect designs The Cyber Twin SE is instantly reconfigured to the settings
16. FE D 7 D B ALF IDA A T Fender Cyber Twin SE Amplifier 7 Cyosrlwin Ss Amplifier Features e 40 character display shows you menu options prompts and amp design information e The data wheel enables you to select a dynamic range of settings e 5 modes of operation ePlay eAmp Edit eFX Edit eUtility Tuner e 8 motorized knobs automatically rotate to adjust to preset selections MIDI continuous controller sequences and input from a MIDI pedal or analog expression pedal e 250 amplifier design presets e Fender Custom Shop 100 custom amp designs including effects e Player s Lounge 100 of your own rewritable amp and effects designs e Your Amp Collection 50 classic amp designs as originally manufactured e MIDI implementation e 24 continuous controllers for automatic sequenced control of amplifier settings e An assignable continuous controller for remote control of a dynamic parameter e 4 system exclusive functions for transferring presets and updating systems e 16 drive circuitry selections e 12 tube types 4 solid state types including new Extreme setting e 2 vacuum tubes are used in the tube drive and the analog circuitry 12AX7WC now externally accessible e 6 tone stacks each with 2 location parameters before after the drive circuitry e 43 FX effects selections with 4 5 adjustable parameters each e 10 delay FX 11 modulation FX e 3 special FX 4 FX combinations e 14 new FX e 11 Reverb types wit
17. Fo Z SS A FS SS i c Tremolo Amp Tremolo Auto Pan Phaser Vibratone Pedal Wah Touch Wah Sine Chorus Triangle Chorus Sine Flange Triangle Flange Delay Chorus Delay Flange Delay Phaser AutoSwell Chorus Ultra Clean Chorus Pitch Shift FX Edit Mode 17 Tremolo Tremolo Tremolo Tremolo Tremolo Out Level Rate Depth Offset Shape 1 0 10 0 0 08 10 0Hz 1 0 10 0 1 0 10 0 1 0 10 0 Tremolo Tremolo Tremolo Tremolo Tremolo Out Level Rate Depth Duty Cycle Shape 1 0 10 0 0 08 10 0Hz 1 0 10 0 1 0 10 0 1 0 10 0 Pan Pan Pan Pan Pan Out Level Rate Depth Shape Phase 1 0 10 0 0 08 10 0Hz 1 0 10 0 1 0 10 0 1 0 10 0 Phaser Phaser Phaser Phaser Phaser Out Level Rate Depth Feedback Stereo 1 0 10 0 0 08 10 0Hz 1 0 10 0 1 0 10 0 1 0 10 0 Vibratone Rotor Vibratone Rotor Frequency Rotor Frequency Out Level Speed Doppler Speed 1 Speed 2 1 0 10 00 0 08 10 0Hz 1 0 10 0 0 08 10 0Hz 0 08 10 0Hz Wah Wah Wah Wah Out Level Wah Heel Frequency Toe Frequency Sweep Type 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 The Babys Cryin or The Real McCoy Wah Wah Wah Minimum Wah Maximum Wah Out Level Sensitivity Frequency Frequency Peak 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 LowQ or HighQ Chorus Chorus Chorus Chorus Sine Chorus Out Level Rate Depth Average Delay Phase 1 0 10 0 0 08 10 0Hz 1 0 10 0 1 0 10 0 1 0 10 0 Chorus Chorus Chorus Chorus Tri Chorus Ou
18. H 02H Tweed Tube1 03H 12H Sine Chorus 02H 04H Tweed Tube2 03H 13H Triangle Chorus 02H 05H Tweed Tube3 03H 14H Sine Flange 02H 06H Hot Rod Tube1 03H 15H Triangle Flange 02H 07H Hot Rod Tube2 03H 16H Delay Chorus 02H 08H Hot Rod Tube3 03H 17H Delay Flange 02H 09H HMB Tube1 03H 18H Delay Phaser 02H OAH HMB Tube2 03H 19H Auto Swell Chorus 02H OBH HMB Tube3 03H 1AH Ultra Clean Chorus 02H OCH Dyna Touch 1 03H 1BH Pitch Shift 02H ODH Dyna Touch 2 03H 1CH Ring Mod Delay 02H OEH Dyna Touch 3 03H 1DH Auto Pan Delay 02H OFH Extreme 03H 1EH Fuzz Effects Type 02H 00H None 03H 1FH Resolver 03H 01H Mono Delay 03H 20H Pedal Pitcher 03H 02H Dotted 8 16 Delay 03H 21H Overdrive 03H 03H One E Da Delay 03H 22H Alienator 03H 04H Ping Pong Delay 03H 23H Pedal Wah Delay 03H 05H Swing Tap Delay 03H 24H Touch Wah Delay 03H 06H Tape Echo 03H 25H Fuzz Pedal Wah Continued on next page z Z ame 7 TT Gm lt TOD LP D EZ EF 27 Ce cm C The System 30 Appendices Parameter IDs and Values Continued from previous page PARAMETER ID VALUE PARAMETER ID VALUE Effects Type continued 03H 26H Fuzz Touch Wah Noise Gate Depth 08H 0 127 00H 7FH 03H 27H Fuzz Delay Noise Gate Threshol
19. NER S MANUAL Fe www fender com Fender Cyber Twin SE Amplifier Virtual Tone ES TM Interpolation A PRODUCT OF FENDER MUSICAL INSTRUMENTS CORPORATION CORONA CA USA Copyright 2004 by FMIC Trademarks Fender Cyber Twin Telecaster Stratocaster Blackface Dyna Touch Mr Gearhead Virtual Tone Interpolation Hot Rod Bassman Deluxe Reverb Princeton Twin Reverb Innovate Don t Emulate and all related logos are trademarks or registered trademarks of FMIC Other trademarks are property of their respective owners r Z REM V2 CF Hz V 7 EF zen 2 Fender Cyber Twin SE Amplifier 3 Imoortant Safeiy Instructions e This symbol warns the user of dangerous voltage levels localized within the enclosure of the unit e This symbol advises the user to read all accompanying literature for safe operation of the unit e Read retain and follow all instructions Heed all e This product should be serviced by qualified service warnings personnel when the power supply cord or the plug has been damaged or objects have fallen or liquid has been spilled onto the product or the product has been exposed to rain or the product does not appear to operate normally or exhibits a marked change in performance or the product has been e WARNING To prevent damage fire or shock dropped or the enclosure damaged hazard do no
20. Panel INPUT c gene d eee pene ee een eee Ro 9 eTRIM 9 eGAIN 9 eVOLUME 9 e REBLE MIDDLE BASS 9 ePRESENCE 9 eREVERB 9 eMASTER 9 QUICK ACCESS 10 eSAVE 10 eTUNER 10 eNOISE GATE 10 e TAP 10 ePEAK amp MIDI LEDS 11 eHUM REDUCTION 11 eFX LEVEL FX VAL1 FX VAL2 11 eDISPLAY amp DATA WHEEL 11 eAMP FX 11 eUTILITY 11 eEXIT 11 Rear Panel ePOWER IEC SOCKET 12 eFOOTSWITCH 12 eEXPRESSION PEDAL 12 eREVERB FX BYPASS 12 eMIDI IN MIDI OUT MIDI THRU 13 eSPDIF OUTPUT 13 eHEADPHONES 13 e INE OUTPUT 13 eEFFECTS LOOP 13 eSPEAKER OUTPUT 13 em Fender Cyber Twin SE Amplifier 2 Amp Edit Mode NAME CHANGE eTONE STACK TYPE e TONE STACK LOCATION eDRIVE CIRCUITRY eREVERB TYPE eREVERB IN LEVEL DWELL eREVERB TONE SHAPE eREVERB TIME eREVERB DIFFUSION e TIMBRE eSPEAKER PHASE eCOMPRESSION eNOISEGATE DEPTH eNOISEGATE THRESHOLD eEXPRESSION PEDAL ASSIGNMENT eCONTINUOUS CONTROLLER ASSIGNMENT eREVERB FX BYPASS 3 FX Edit Mode Effects Edit Menus Effects and Parameters Defined 4 Utility Mode eMEMORY PROTECTION eS PDIF PATCHING eCONTINUOUS CONTROLLER NUMBER eMIDI RECEIVE CHANNEL eMIDI TRANSMIT CHANNEL eMIDI SYSTEM EXCLUSIVE ID eMIDI PRESET MAPPING eMIDI CONTINUOUS CONTROLLER ECHO eFACTORY PRESET
21. RESTORE eMIDI DUMP UTILITIES eMIDI DUMP ANY PRESET eMIDI DUMP ALL PRESETS 5 lt Appendices 1 MIDI Implementation 2 MIDI Program and Control Changes 3SyYSExXOMIDIDump 4 SysEx 9 Edit Preset Parameters 5 SysEx 0 Handshake less GTroubleshooting 7 Specifications JE 77 44 ea E 77 REL EE lt C 14 14 14 14 14 15 15 15 15 15 15 15 15 15 15 15 16 19 24 24 24 24 24 24 25 25 25 25 25 25 Fender Cyber Twin SE Amplifier 5 Quick Stari Make sure the POWER switch is off Connect the supplied power cord in compliance with the mportant Safety Instructions on 3 Turn MASTER evel to minimum 1 Plug your guitar into the INPUT jack then switch POWER on While playing guitar adjust the TRIM level so that the green LEDS lt are on most of the time and the red LED flashes occasionally at peak playing levels Set MASTER to desired level Rotate the DATA WHEEL to explore Amp Design presets Amp settings and internal circuitry will change automatically You will hear the presets change instantly before the motorized knobs catch up NOTE You can interrupt the motorized rotation of a knob simply by grabbing it and turning it Turn to page 8 for an overview of the basic operation of your Cyber Twin SE M
22. RKS Default Changed Default Messages Altered Note Number True Voice Note ON Note OFF Keys Channel Basic Channel Note Number Velocity After Touch Memorized X Mode 2 Mode 4 X Mode 2 Mode 4 LX X J X Xx X x x ii X X Pitch Bender X T X O Control Change Assignable Continuous Controller numbers are 1 100 Program Change Implemented Internally mapped System Exclusive O O SeeAppendix Song Position Song Select Tune Request Clock Commands Local On Off All Notes Off Active Sensing System Reset System Real Time Auxiliary Messages Mode 1 Omni On Poly Mode 2 Omni On Mono Mode 3 Omni Off Poly Mode 4 Omni Off Mono L S 2 FZ SS z 2 Z7 TFT S ALS qc Appendix 2 2 The Oyber Twin SE uses the MIDI convention of numbering which starts with O For example program change 6 activates preset 06 not O6 2 Bank change messages only need to be sent once each time you change bank numbers B The Cyber Twin SETM continuous controller resolution of TUNER USES a O 127 it will not accept 16 384 step sizes Data increment decrement models the data wheel by 1 steps Z C 77 ZY SS Appendices 27 MIDI Program and Control Changes The Cyber Twin SE will respond to and transmit program and control changes when the appropriate MIDI receive and transmit channels are
23. TE Data values are displayed in hexadecimal with H for clarification System Exclusive Preset Edit Message VALUE DESCRIPTION FOH Start of System Exclusive Message 08H Fender Manufacturer ID nnH nn Device ID minus one 12H Amp ID number 12H The upper nibble identifies the Cyber Twin SE amplifier and the lower nibble designates software version 05H Message ID number for additional parameter controls ddH Parameter ID number for additional parameter controls See table below vvH Value for the parameter you wish to edit See table below 7BH End of System Exclusive File Byte F7H End of System Exclusive Message Parameter IDs and Values PARAMETER ID VALUE PARAMETER ID VALUE Tone Stack Type OOH 00H Tweed Effects Type continued 03H 07H Stereo Tape Echo 00H 01H Blackface 03H 08H Stereo Flam Delay 00H 02H British 03H 09H Ducking Delay 00H 03H Modern 03H OAH Backwards Delay 00H 04H Neo British 03H OBH Tremolo 00H 05H Dyna Touch 03H OCH Amp Tremolo Tone Stack Position 01H 00H Pre Distortion 03H 0DH Auto Pan 01H 01H Post Distortion 03H OEH Phaser Drive Circuitry 02H 00H Blackface Tube1 03H OFH Vibratone 02H 01H Blackface Tube2 03H 10H Pedal Wah 02H 02H Blackface Tube3 03H 11H Touch Wah 02
24. VALUE DESCRIPTION FOH Start of System Exclusive Message 08H Fender Manufacturer ID nnH nn Device ID minus one 12H Amp ID number 12H The upper nibble identifies the Cyber Twin SE amplifier and the lower nibble designates software version ffH Function ID number 01H Utilities message 02H One preset message 03H All presets message 7BH End of System Exclusive File Byte F7H End of System Exclusive Message MIDI Dump Initiation Message VALUE DESCRIPTION FOH Start of System Exclusive Message 08H Fender Manufacturer ID nnH nn Device ID minus one 21H Amp ID number 21H The upper nibble identifies the Cyber Twin SE amplifier and the lower nibble designates software version 04H Message ID number for additional parameter controls 23H ID number indicating request for a MIDI Dump 00H Unused Data Byte 00H Unused Data Byte 00H Unused Data Byte ddH Dump ID byte 01H Transmit Utilities 02H Transmit One Preset 03H Transmit All Presets 7BH End of System Exclusive File Byte F7H End of System Exclusive Message E gt D a Gm lt TD L D EF i PV LO ESAS Appendices 29 Appendix 4 SysEx O Edit Preset Parameters This appendix contains tables describing the System Exclusive message components and protocol for editing preset parameters Exclusive device ID must be set to Omni or the same as the transmitting device ID to accomplish the data transfers NO
25. Z any effect parameter Expression pedal assignment is preset programmable through the AMP edit mode see page 15 EE REVERB FX BYPASS Pan Connection for the included one button footswitch Use this footswitch to remotely bypass Heverb and or effects in one of 8 input output configurations Or if Vibratone is the active effect you can switch between rotor speeds set Reverb FX bypass parameter to Vibro Fast Slow Reverb FX bypass is preset programmable through the AMP edit menu see REVERB FX BYPASS on page 15 Z E gt 2 F S g 777 ZU KR EB BAF BA G 14 l HEADPHONES II STEREO mono FOND 2 3 RIGHT LEFT LINE OUTPUT JJ TIP RING SLEEVE GND B 10dBV e e R L MONO MONO RETURN SEND EFFECTS LOOP RIGHT LEFT 65W PER CHANNEL Z SS 77 EZ Ga L FF Rear Panel Overview 13 MIDI IN OUT THRU Musical Instrument Digital Interface ports for connecting MIDI devices to the Cyber Twin SE MIDI can be used to remotely control the amplifier and transfer presets see Utility Mode starting on page 24 and the appendices starting on page 26 SPDIF OUTPUT Sony Phillips Digital Interface Format output jack for connecting SPDIF compatible equipment such as a digital recorder Although this jack accepts a standard RCA plug the SPDIF OUTPUT is a digital stereo source not compatible with other functions normally associated with RCA jacks
26. ate the unique characteristics of tape echo machines ES 2 LX rg lt PL LP EST E GE 7 SE un 2 20 FX Edit Mode Effects Triangle Cho HDC Pus Effects Uibratone gt a E Sine Chorus and Triangle Chorus Stereo effects that add a swirling effect sine or transparent effect triangle with delay modulation used to thicken a sound Sine Flange and Triangle Flange Stereo effects with feedback that add a whooshing effect sine or a sharper phasing effect triangle with delay modulation Amp Tremolo and Tremolo Modulates volume of the input signal Amp Tremolo is vintage Fender Blackface amplifier tremolo and Tremolo is a sine wave effect approximating a grid bias tremolo or the repeat percussion of a Tweed Tremolux DUTY CYCLE Adjusts the high to low interval ratio of the signal volume Amp Tremolo only TREMOLO SHAPE Adjusts tremolo character from smooth to choppy TREMOLO OFFSET Adjusts the oscillator center frequency from extreme to gentle signal modulation Tremolo only Auto Pan A sine wave left right panning effect A low frequency oscillator sweeps the signal back and forth in the stereo field PAN SHAPE Adjusts the Auto Pan waveform from smooth to choppy Pedal Wah A traditional foot operated wah controlled with an expression pedal optional For best results the optimal expression pedal specificatio
27. ay New Octave Tape Echo New MidBoost Tape Echo New Overdrive Tape Echo New None FX Edit Mode FX Wet Modulator Delay Delay Delay Delay Out Level Frequency Out Level Time Feedback Time Change 1 0 10 0 0 08 10 0Hz 1 0 10 0 30 1450 ms 1 0 10 0 Ramp or Step Delay Delay Delay Delay Delay Out Level Time Feedback Brightness In Level 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Fuzz Fuzz Octave Low High Out Level Gain Level Frequency Frequency 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 Resolver Resolver Resolver Resolver Resolver Out Level Depth Tone Attack Release 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 Pitch Shift Pitch Pitch Heel Pitch Toe Out Level Pitch Pre Delay Limit Limit 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 Overdrive Overdrive Overdrive Overdrive Overdrive Out Level Gain Bass Middle Treble 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 Alienator Alienator Heel Toe Alienator Out Level Content Range Limit Range Limit Shape 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 Delay Delay Delay Delay Delay Out Level Time Feedback Wah Brightness Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Delay Delay Wah Wah Delay Delay Out Level Time Sensitivity Peak Feedback Time Change 1 0 10 0 30 1450 ms 1 0 10 0 LowQ or HighQ 1 0 10 0 Ramp or Step Fuzz Fuzz Heel Toe Out Level Gain Wah Frequency Frequency 1 0 10 0 1 0 10 0 1 0 10 0 1
28. ct an electrician to replace your obsolete outlet Do not defeat the safety purpose of this plug e Protect the power cord from being pinched or abraded FCC COMPLIANCE NOTICE This equipment has been tested and found to comply within the limits for a Class B digital device pursuant to Part 15 of the FCC rules These limits are designed to provide a reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not used in accordance with the instructions may cause harmful interference to radio communications and there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures reorient or relocate the receiving antenna increase the separation between the equipment and receiver connect the equipment into an outlet on a circuit different from that of the receiver Consult the dealer or an experienced radio TV technician if help is needed C 2 ar lt POD FJ SBS BAK BSA CO 4 c Conrents Quick Start 5 Cyber Twin SE Introduction and Features 6 1 lt Overview Overview Introduction cess 8 Front
29. d 09H 00H Low 03H 28H Octave Tape Echo 09H 01H Medium 03H 29H Mid Boost Tape Echo 09H 02H High 03H 2AH Overdrive Tape Echo Expression Pedal Assignment OAH 00H Volume Reverb Type 04H 00H Small Room OAH 01H Gain 04H 01H Large Room OAH 02H Treble 04H 02H Small Hall OAH 03H Middle 04H 03H Large Hall OAH 04H Bass 04H 04H Arena OAH 05H Presence 04H 05H Small Plate OAH 06H Reverb 04H 06H Large Plate OAH 07H Effects Level 04H 07H Blackface Reverb OAH 08H Effects Val 1 04H 08H Gated Reverb OAH 09H Effects Val 2 04H 09H Small Ambience OAH OAH Effects Val 3 04H OAH Fender Reverb OAH OBH Effects Val 4 Timbre 05H 00H None OAH OCH Master Volume 05H 01H Full Body OAH ODH Reverb Input 05H 02H Razor Edge OAH OEH Reverb Tone 05H 03H Bright amp Light OAH OFH Reverb Time 05H 04H Bass Booster OAH 10H Reverb Diffusion 05H 05H Drop Scoop Continuous Controller Assignment OBH Same As Expression Pedal 05H 06H Super Bright Effects Reverb Bypass OCH 00H FX Input 05H 07H Squawk OCH 01H Reverb Input 05H 08H Acoustic Scoop OCH 02H FX Output Speaker Phase 06H OOH Standard Polarity OCH 03H Reverb Output 06H 01H Reverse Polarity OCH 04H FX amp Reverb Input 06H 02H Left Rev Polarity OCH 05H FX In amp Reverb Out 06H 03H Right Rev Polarity OCH 06H FX Out amp Reverb In Compressor 07H 00H OFF OCH 07H lt FX amp Reverb Out 07H 01H lt Low OCH 08H Vibro Fast Slow
30. e maximum frequency limit of the content parameter for pedal control SHAPE Adjusts the shape or taper of the content curve between the heel and toe limits Pedal Wah Delay and Touch Wah Delay New combination effects including pre distortion pedal wah or touch wah combined with a Mono Delay effect placed post distortion Fuzz Pedal Wah and Fuzz Touch Wah New combination effects including two pre distortion effects pedal wah or touch wah combined with fuzz Fuzz Delay A new combination effect including pre distortion fuzz combined with a Mono Delay effect placed post distortion Octave Tape Echo A combination effect with a pre distortion octaver allowing a simultaneous mix of an octave lower and dry signal combined with post distortion tape echo Midboost Tape Echo A pre distortion midboost effect voiced according to the active midboost circuit used in the Eric Clapton Signature Stratocaster guitar combined with a post distortion tape echo MIDBOOST FREQUENCY Adjusts the center frequency in the middle frequency band of the midboost Overdrive Tape Echo A combination effect including pre distortion stompbox overdrive and post distortion tape echo ra amp KIT EES i 3 24 Utility Mode 4 Utility Mode Ome Line Memory Protect Off SPDIF Patching Cut UTIL Cag ITY lt SSS CHG MEMORY PROTECTION SPDIF Patc
31. ection is disabled in Utility Mode Clean tone sounds distorted Turn Trim down if the red LED is constantly on while playing Reduce effects loop device levels The 3 FX knobs do nothing Press the FX button and if None is displayed rotate the data wheel to select an effect If connected press the FX Reverb Bypass footswitch button The 4 Button footswitch does not work Make sure it is plugged into the footswitch jack and not a MIDI jack An Error message is displayed Write down the message exactly as it appears and contact your local Fender repair center with this infor mation The unit is not responding to any MIDI program change messages from external devices Make sure the MIDI Receive channel is set properly Make sure the MIDI Cables are connected properly The unit is not responding to any MIDI Continuous Controller Messages from external devices Make sure the MIDI Receive channel is set properly Make sure the continuous controller numbers matches the value in the UTILITY menu or is one of the pre defined numbers listed in the appendices Make sure the MIDI Cables are connected properly The unit is not responding to any System Exclusive Information from external devices Make sure the System Exclusive Device ID is set properly Make sure the MIDI Cables are connected properly General MIDI questions Visit www midi org Problem still persists after trying these solutions Consult an auth
32. for using Reverb and effects simultaneously Amp Edit Menu Navigation Press AMP to activate Amp Edit mode and display a parameter Press AMP repeatedly to display each parameter in a continuous loop or press and hold AMP while turning the data wheel to move through the list in either direction Use the data wheel to edit parameter values Press EXIT to return to Play mode A REVERB TYPE REVERB IN LEVEL DWELL gt V lt T QE Amp Edit Menus Change the name of a preset Use the FX VAL2 knob to move the blinking cursor and the data wheel to select characters Values Alphanumeric characters Selects tone stack TREBLE MIDDLE and BASS type British vintage UK style Tweed Fender Tweed amps Blackface Fender Blackface amps Modern broad spectrum tone stack with capabilities new to guitar amps NeoBritish modern UK style Dyna Touch dirty channel of Fender Dyna Touch series amplifiers Values Tweed gt Blackface gt British gt Modern gt NeoBritish gt Dyna Touch Tone stack location before or after distortion in the signal path Values Pre Distortion gt Post Distortion Selects drive circuitry type Blackface Tube and Tweed Tube offer cleaner sounds while others produce high gain sounds Each drive type has 3 increasing gain levels Blackface Fender Blackface amps Tweed Fender Tweed amps Hot Rod Fender Hot Rod amps HMB typical
33. gt MIDI is on when the Cyber Twin SE is communicating MIDI information HUM REDUCTION Turns hum reduction on off Reduces environmental hum in some situations using a patented algorithm that seeks out line frequencies and squelches only the hum without degrading your music FX LEVEL FX VAL 1 FX VAL 2 Adjusts the level parameter 1 and parameter 2 of the active effect respectively The functions of these knobs as well as additional parameters can be accessed through the FX edit mode see page 16 DISPLAY and DATA WHEEL Your interface for controlling the dynamic functions described throughout this manual See the Overview on page 8 PRESET EDIT The AMP and FX buttons activate the AMP and FX effects edit modes respectively For the AMP edit menus see page 14 FX edit menus see page 16 UTILITY Activates the UTILITY mode For the UTILITY edit menus see page 24 EXIT Activates the default PLAY mode except during factory preset restore and MIDI data transfers BLUE JEWEL It s still a Pender lt FJ D P O EB 7 P LPD E ER T 12 Rear Panel Overview near Panel Overview l il o e S12 Fre yoyo 1 GND 2 3 L MONO SUO RIGHT LEFT SEND B 5 RR RISK OF ELECTRIC SHOCK LINE OUTPUT EFFECTS LOOP DO NOT OPEN BB _ WARNING TENSE G NURHIGINE Guys eut Mes MAINTAIN 6 CLEARANCE FOR VENTILATION CWA WARNING To REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK
34. h Assigns a parameter to be controlled by an expression pedal optional Parameters in brackets appear only when a particular effect or Reverb is active For a list of effects parameters see page 16 for Reverb parameters see above Values Volume gt Gain gt Treble gt Middle gt Bass gt Presence gt Reverb gt FX Level gt FX Val 1 gt FX Val 2 gt FX Val 3 gt FX Val 4 gt Master Volume gt Reverb In Level Dwell gt Reverb Tone Shape gt Reverb Time gt Reverb Diffusion 9 Assigns a parameter to be controlled by a MIDI continuous controller pedal optional Parameters in brackets appear only when a particular effect or Reverb is active For effects types parameters see page16 for Reverb types parameters see above Cont Controller Volume Values Volume gt Gain gt Treble gt Middle gt Bass gt Presence gt Reverb gt FX Level gt FX Val 1 gt FX Val 2 gt FX Val 3 gt FX Val 4 gt Master Volume gt Reverb In Level Dwell gt Reverb Tone Shape gt Reverb Time gt Reverb Diffusion 9 Use to bypass the in or out signals for Reverb tail and or effects Or when Vibratone is the active effect the Rotor Speed Fast Slow parameter is available for switching between two adjustable rotor speeds see Vibratone page 20 Pas Input Un REVERB FX BYPASS Values FX In gt Reverb In gt FX Out gt Reverb Out gt FX amp Reverb In gt FX In amp Reverb
35. h 4 adjustable parameters each e 4 compression level settings e A hum reduction button to reduce line noise e 3 noise gate levels with an adjustable depth parameter e 8 timbre types give instant tone shaping for style accent or balance e A line speaker phase settings allow you to reverse the polarity of each speaker independently e 8 reverb effects bypass combinations or vibratone rotor speed that you can toggle by footswitch e 4 quick access keys for one button access to favorite amp design presets e 4 button footswitch for hands free selection of your quick access presets e The expression pedal jack allows you to control nearly every preset controllable parameter with an analog expression pedal optional e 130 watts of stereo output power 65 watts per channel e Two 12AX7 preamp tubes e Two 12 inch 8 ohm Celestion G12T 100 speakers e 1 stereo digital line output RCA SPDIF jack for connection to digital sound equipment e 2 stereo XLR impedance balanced output jacks with mono stereo selection switch e 3 effects loop jacks mono out and mono or stereo in with 10dbv 4dbu switch e 2 speaker extension jacks for experimenting with other external speaker cabinets SS V lt T SS lt POD LEX SBS i NV 7 BSA G amp G g gt M lt 2 Each preset contains a complete set of amplifier and effects settings TUNER AMP lt UTILITY De EXIT lt L v6 2
36. hing Cag Ome Line ut S PDIF PATCHING Cont mio Can CONT CONTROLLER NUMBER MIDI Receive Ch Omni NI MIDI RECEIVE CHANNEL MIDI Transmit Ch COG l MIDI TRANSMIT CHANNEL MIDI SYSTEM EXCLUSIVE ID NUMBER E 2 c E This chapter explains how to navigate the Utility menus and describes each of the 12 Utility parameters and their functions or value ranges Utility mode is used for MIDI functions and system management and all utility mode parameters are global in scope not affected by presets Utility Menu Navigation Press UTILITY to activate Utility mode and display a parameter or function Press UTILITY repeatedly to display each parameter in a continuous loop or press and hold UTILITY while turning the data wheel to move through the list in either direction Use the data wheel to edit parameter values Press EXIT to return to Play mode Press TAP to activate special functions such as restoring factory presets and dumping presets or utility settings to a PC or another Cyber Twin SE Utility Menus Disable enable the SAVE button When on prevents accidental overwriting of stored presets Upon first power up this feature is defaulted to on Values On gt Off Include or bypass pre amplifier onboard effects and tone processing in the S PDIF output signal for direct digital recording Values Amp Line Out gt Guitar Direct Out bypass Select a MIDI continuous con
37. inimum gt 10 0 maximum Adjusts the Reverb sustain time Values 1 0 shortest gt 10 0 longest A Adjusts the Reverb decay from a sparse irregular sound to a dense smooth sound Values 1 0 sparse gt 10 0 dense Shifts the equalization of the amplifier providing instant tone shaping to accommodate Tos E m rir yore i m i Tinb Full Body playing styles or to compensate for different room acoustics TIMBRE Values None gt Full Body gt Razor Edge gt Bright amp Light gt Bass Booster gt Drop Scoop gt Super Bright gt Squawk gt Acoustic Scoop Selects the phase polarity push pull or pull push for each speaker Fender amps with Reverb have traditionally had speakers operating in reverse polarity due to the extra tube gain stage necessary for Reverb Useful when experimenting with stereo mike placement in the studio Values Both Standard gt Both Reverse gt Left Reverse gt Right Reverse 9 Use to compress moderate the range of volume output due to extremes between soft and loud guitar playing intensities Compression also provides sustain and is a fundamental component of many amplifiers Values Off gt Low gt Medium gt High gt Even Higher A Use to set the frequency cut off boundary for the noisegate when it is activated Values 1 0 gt 10 0 Use to set the signal level sensitivity for activating the noisegate Affected by TRIM setting Values Low gt Medium gt Hig
38. itch Shift effect is post distortion PITCH Smoothly adjusts the pitch shift value in semi tone increments from 1 0 2 octaves below to 5 5 unison to 10 0 2 octaves above PITCH PRE DELAY Adjusts the delay before the pitch shifted signal is heard HEEL LIMIT Adjusts the minimum limit of pitch reached at the heel of the pedal TOE LIMIT Adjusts the maximum limit of pitch reached at the toe of the pedal Overdrive A popular pre distortion gain stage effect like the green pedal you know and love with additional tone controls Use this effect with the Reverb FX Bypass footswitch assigned to FX Input Only in the Amp Edit Mode to recreate a stompbox setup GAIN Adjusts the gain of the overdrive effect BASS Adjusts the low frequency band of the overdriven signal MIDDLE Adjusts the middle frequency band of the overdriven signal TREBLE Adjusts the high frequency band of the overdriven signal lt 2 777 ED AKI Seas ES 2 c E gt Z FX Edit Mode 23 Alienator A strange effect similar to a random ring modulator that provides additional tones reminiscent of sci fi B movies This effect is optimized for expression pedals or continuous controllers CONTENT Adjusts the frequency range of the additionally generated tones HEEL RANGE LIMIT Adjusts the minimum frequency limit of the content parameter for pedal control TOE RANGE LIMIT Adjusts th
39. l sounding zip when changing the delay time parameter STEREO Adjusts the stereo separation between channels DEPTH Adjusts the range of a modulation sweep PHASE Adjusts the relationship between the two oscillators used in modulation effects Effects Definitions Mono Delay The most basic single tap digital delay effect Dotted 8 16 One E Da Ping Pong Swing Tap and Stereo Flam Delays Multi tap multiple output stereo digital delays with various tap timings Ducking Delay A mono delay with a special feature while you are playing your delayed repeats are quiet or duck below the dry signal when you stop playing the delayed repeats return to normal volume DUCKING DELAY RELEASE Adjusts how long the delayed repeats wait to return to normal volume after you stop playing DUCKING SENSITIVITY Adjusts how loud your playing has to be to activate the delay ducking Backwards Delay A unique effect that repeats the delay intervals in reverse DELAY FORWARD FEEDBACK Adjusts the number of delay repeats all the same as the first delay reversed DELAY REVERSE FEEDBACK Adjusts the number of delay repeats which alternately reverse direction forward and backward Tape Echo and Stereo Tape Echo Two tap ping pong delay effects that simulate mono and stereo tape echo machines complete with wow amp flutter WOW amp FLUTTER Adds random frequency response modulation and pitch variation to simul
40. ns include passive 10k to 250k ohms WAH Adjusts the wah filter center frequency HEEL TOE FREQUENCY Adjusts the minimum and maximum frequency limits Use to control the functional range of your pedal SWEEP TYPE Select The Baby s Cryin modern wah or The Real McQ vintage wah Touch Wah Touch Wah is a dynamic wah that varies according to playing strength and volume level SENSITIVITY Adjusts the Touch Wah sensitivity to changes in volume MINIMUM MAXIMUM FREQUENCY Adjusts the Touch Wah frequency at low and high playing volumes respectively These settings can be reversed so that low volumes will start with a high frequency wah that decreases when volume increases SWEEP TYPE Select Low Q smooth wah or High Q extreme wah Vibratone Rotating speaker effect based on the CBS era Fender Vibratone speaker with a 2 speed rotating baffle VIBRO DOPPLER Adjusts the Doppler shift pitch change of baffle rotation ROTOR SPEED 1 2 Sets alternate rotor speeds selectable with the Reverb FX Bypass footswitch Select Vibratone as the active effect then use the AMP button to access the Reverb FX Bypass menu Select Vibro Fast Slow lt 2 777 ED AFIT Saas FX Edit Mode 24 Phaser A 12 stage stereo phaser effect Delay Chorus Combination mono digital delay and triangle chorus effect Delay Flange Combination mono digital delay and triangle flange effect Delay Phaser
41. of any preset MASTER VOLUME is not preset programmable although it is motorized so that it can be controlled remotely by expression pedal or MIDI Remote operation of MASTER VOLUME is limited to a maximum value defined by where the MASTER VOLUME is set manually on the front panel Set the MASTER VOLUME knob to the desired maximum level and motorized control will be confined to the range below that boundary C V2 CF GEM zur ee Tl ff 1 7 a QUICK 2 Use MIDI to transfer presets to and from a computer Organize presets in the Player s Lounge by using SAVE to move copy presets Time ims BEEEEEEEEEE AL T z gt 2 c E QUICK ACCESS Provides instant access to four favorite presets To assign a button first select the preset with the data wheel Then press and hold a QUICK ACCESS button The LED amp lights up when your new QUICK ACCESS button has been activated Press the same button or corresponding footswitch button to recall the assigned preset SAVE Saves the current amplifier configuration as a new preset 1 Press SAVE once and a Player s Lounge preset location is displayed 2 Select any Player s Lounge preset to overwrite using the data wheel Press EXIT to cancel the save operation 3 Press SAVE again and your new preset will be stored The SAVE LED flashes after an amp setting is changed as a reminder to save If
42. oper analog to digital conversion Adjust TRIM so that most of the green LEDs gt 2 lt stay on at normal playing levels and the red LED flashes occasionally while playing at peak intensity This Knob is not preset programmable nor motorized Bain p C GAIN Maiti H 3 HFH Adjusts the distortion level and contributes to overall amplifier loudness Use VOLUME D to compensate for any undesired volume level change resulting from a GAIN level change D VOLUME Adjusts the post distortion signal level and contributes to overall amp loudness Use in conjunction with GAIN C to normalize volume differences between presets J Several knobs affect the overall loudness of the amplifier Preset MIDI Expression Pedal Knob Function Programmable Controllable Controllable TRIM Supply proper signal level to DSP NO NO NO GAIN Adjust distortion level YES YES YES VOLUME Equalize level differences between presets YES YES YES MASTER Global volume and maximum level governing NO YES YES Treble E TREBLE MIDDLE BASS 3111 Adjusts tone in the high mid and low frequency ranges respectively F PRESENCE Adjusts tone in the ultra high frequency range after the distortion circuitry for a crisp tone sparkle G REVERB Adjusts the level of the active Reverb Enter AMP edit mode to select Reverb types and edit Reverb parameters See page 14 H MASTER VOLUME Controls the overall loudness of the amplifier globally independent
43. orized Fender Service Center or visit www fender com or www mrgearhead net and click on support FED D E lt TD L OD EF i PV LO El Ei DQ Appendix 7 TYPE PART NUMBERS POWER REQUIREMENTS POWER OUTPUT RATED LOAD IMPEDANCE SENSITIVITY PREAMP INPUT IMPEDANCE EFFECTS LOOP NOMINAL LEVEL OUTPUT IMPEDANCE INPUT IMPEDANCE SPDIF LINE OUT JACK XLR OUTPUT JACKS NOMINAL LEVEL OUTPUT IMPEDANCE TUBE COMPLEMENT SPEAKER COMPLEMENT FUSES PRIMARY SECONDARY FOOTSWITCH FOUR BUTTON ONE BUTTON EXPRESSION PEDAL JACK REVERB FX BYPASS JACK MIDI JACKS HEADPHONES JACK DIMENSIONS HEIGHT WIDTH DEPTH WEIGHT Appendices 33 Specifications PR 393 2290000010 120V 60Hz USA 2290003010 240V 50Hz AUS 2290005010 230V 50Hz EUR 2290001010 110V 60Hz TW 2290004010 230V 50Hz UK 2290007010 100V 50 60Hz JPN 360W 65W per channel 130W total 5 THD 8 ohms per channel adjustable using TRIM control 900k ohm mono send stereo return 10dBv 4dBu switchable 220 ohm impedance balanced 20k ohm minimum balanced RCA jack digital stereo stereo mono switchable OdBv 300 ohm impedance balanced Groove Tubes two 2 x 12AX7WC Celestion Two 2 x G12T 100 12 inch 8 ohm F4A 125V for 100V and 120V units F2A 250V for 230V and 240V units digital supply F2A analog supply Two 2 x T1A Quick access key recall functions 5 pin DIN MIDI
44. saved within a selected preset The 8 MOTORIZED knobs on the Cyber Twin SE automatically adjust to the preset settings You can safely interrupt knob rotation anytime by manually stopping it Note that the display will temporarily indicate knob position when turned manually Changes you make to amplifier settings volume tone effects etc will be lost upon selecting a different preset or turning the amplifier off unless you save them SAVE simply by pressing SAVE selecting a Player s Lounge preset to overwrite and pressing SAVE again The Save LED lt lt blinks as a reminder to save settings once a change is made NOTE Memory PROTECTION must be disabled before you can save see page 24 Amp EDIT Mops FX Epit Mope and UTILITY MODE are activated by pressing the corresponding buttons to the right of the display Use these modes for modifying amp design selecting and editing effects and for system management TUNER MODE is activated using the TUNER button use it to tune your guitar PLAY MODE is reactivated by pressing EXIT Use it to play guitar Two FOOTSWITCHES are supplied with your Cyber Twin SE Connect them to the appropriate rear panel jacks to enable remote selection of your Quick Access buttons and Reverb Effects bypass JZ FRI I SS FEZ ve a Front Panel Overview 9 Front Panel overview A INPUT JACK Input connection for your guitar B TRIM Sets the input signal level for pr
45. t Level Rate Depth Average Delay Phase 1 0 10 0 0 08 10 0Hz 1 0 10 0 1 0 10 0 1 0 10 0 Flange Flange Flange Flange Sine Flange Out Level Rate Depth Feedback Phase 1 0 10 0 0 08 10 0Hz 1 0 10 0 1 0 10 0 1 0 10 0 Flange Flange Flange Flange Tri Flange Out Level Rate Depth Feedback Phase 1 0 10 0 0 08 10 0Hz 1 0 10 0 1 0 10 0 1 0 10 0 FX Wet Delay Chorus Delay Chorus Delay Out Level Time Depth Feedback Rate Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 0 08 10 0Hz Ramp or Step FX Wet Delay Flange Delay Flange Delay Out Level Time Depth Feedback Rate Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step FX Wet Delay Phaser Delay Phaser Delay Out Level Time Depth Feedback Rate Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step FX Wet AutoSwell Chorus AutoSwell Chorus Out Level Attack Time Depth Sensitivity Rate 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 0 8 10 0 Hz FX Wet Chorus Chorus Out Level Rate Depth Body Brilliance 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Pitch Shift Pitch Pitch Pitch Out Level Pitch Detune Feedback Pre Delay 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 1 0 10 0 F gt 77D ar lt UTD FOES GE d VL D EA 5 18 Ring Modulation Delay Auto Pan Delay New Fuzz New Resolver New Pedal Pitcher New Overdrive New Alienator New Pedal Wah Delay New Touch Wah Delay New Fuzz Pedal Wah New Fuzz Touch Wah New Fuzz Del
46. t expose this unit to rain or moisture e Only connect the electric line cord to an earth grounded AC receptacle in accordance with the voltage and frequency ratings listed under INPUT POWER on the rear panel of this product Only use a cart or stand with this product that is e Unplug the AC power line cord before cleaning the recommended by this product s manufacturer unit exterior use a damp cloth only Wait until the unit is completely dry before reconnecting it to power e The power supply cord of this product should be unplugged from the outlet when left unused for a long period of time or during electrical storms e Maintain at least 6 inches of unobstructed air space behind the unit to allow for proper ventilation and cooling of the unit Do not drip nor splash liquids nor place liquid filled containers on the unit CAUTION No user serviceable parts inside refer e This product should be located away from heat on servicing to qualified personnel only sources such as radiators heat registers or other products that produce heat Fender amplifiers and loudspeaker systems are capable of producing very high sound pressure levels which may cause temporary or permanent hearing damage Use care when setting and adjusting volume levels during use e This product may be equipped with a polarized plug one blade wider than the other This is a safety feature If you are unable to insert the plug into the outlet conta
47. tness Stereo Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step One E Da Delay Delay Delay Delay Delay Delay Delay Out Level Time Feedback Brightness Stereo Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Ping Pong Delay Delay Delay Delay Delay Delay Delay Out Level Time Feedback Brightness Stereo Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Swing Tap Delay Delay Delay Delay Delay Delay Delay Out Level Time Feedback Brightness Stereo Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Tape Echo Echo Echo Echo Echo Echo Echo Out Level Time Feedback Wow Flutter Brightness Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Stereo Tape Echo Echo Echo Echo Echo Echo Echo Out Level Time Feedback Wow Flutter Brightness Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Stereo Flam Delay Delay Delay Delay Delay Delay Delay Out Level Time Feedback Brightness Stereo Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Ducking Delay Delay Delay Delay Delay Delay Ducking Delay Out Level Time Feedback Release Threshold Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Backwards Delay Delay Delay Delay Delay Delay Delay Out Level Time Forward Feedback Reverse Feedback Brightness Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step SS Z XC f MA PTD
48. troller number to match your device Many CC pedals use 11 default Values 1 100 Sets the amplifier to receive MIDI information on all channels default one channel or no channels Values Omni all gt 1 16 gt Off Sets the amplifier to transmit MIDI information on one channel or no channels default Values 1 16 gt Off Set the amplifier to respond to system exclusive commands for any ID or one ID Using ID numbers allows you to transfer MIDI data to exclusive subsets of Cyber Twin SE amplifiers on a network regardless of MIDI channel settings Values Omni all gt 17 32 lt 2 777 ED AKI Seas Map MIDI PRESET MAPPING MIDI 127 Preset 42 i CC Echo In Qut COG MIDI CONT CONTROLLER ECHO FACTORY PRESET RESTORE re Press TAP key to MIDI Dume Utilities MIDI DUMP UTILITIES Pr MIDI MIDI DUMP ANY PRESET Press TAP key to MIDI Dume A11 Preset MIDI DUMP ALL PRESETS Utility Mode 25 Assign MIDI program changes in bank 00 to activate any preset in any order as specified by this map Use the FX LEVEL to select MIDI number program change and the FX VAL2 knob to assign any preset to that MIDI number Values FX LEVEL 1 127 FX VAL2 POO P99 gt C00 C99 gt A00 A49 Outgoing MIDI data can be set to include echo or exclude default incoming continuous controller data This feature is useful when recording continuous controller seq
49. uences Values On gt Off Restores all rewritable presets Player s Lounge to factory originals WARNING This will erase all your custom presets EVEN IF MEMORY PROTECTION IS ON Press TAP once to initiate and press TAP a second time to verify the preset restore operation Press EXIT before the second TAP to cancel the restore Values none Transfers all Utility settings every Utility menu parameter to another Cyber Twin SE or MIDI device Press TAP to initiate Values none Transfers any one preset every parameter to another Cyber Twin SE or MIDI device The current preset is automatically selected but you can use the data wheel to select any preset not audible to transfer Press TAP to initiate the dump A receiving Cyber Twin SE will prompt you to select a Player s Lounge preset to overwrite Values P00 P99 gt C00 C99 gt A00 A49 Transfers all presets every parameter to another Cyber Twin SE or MIDI device Press TAP to initiate A receiving Cyber Twin SE will only load Player s Lounge rewritable presets Values none NOTE Original Cyber Twin presets may be loaded successfully into a new Cyber Twin SE However Cyber Twin SE presets are not compatible with the original Cyber Twin M ES 2 c E gt Z 2 7737 ED AKI SaaS 26 Appendices 5 Appendices Appendix 1 MIDI Implementation Chart FUNCTION TRANSMITTED RECOGNIZED REMA
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