USER MANUAL
Contents
1. Quad Tremolo acts on volume and can be used to make the sound travel through the stereo field More detailed information are available in this manual User manual 1 1 4 Position EARebound features 6 audio outputs 3 stereo pairs Main Aux LFE In Multi Chn mode the positioning pad can be used to adjust the amount of signal sent to both Main and Aux outputs vertical axis and the stereo panning applied to both these outputs horizontal axis This control can be useful in the context of a surround mix but doesn t have to be Indeed we may just want to apply a third party effect a reverb or a 3D positioning tool for example to the Aux output in order to get some more custom results This brief description of EARebound s featured effects highlights a deliberate choice to offer two categories of tools shaping and placement tools These effects allow you to create distinct versions of the original sound Each of them can then be used to create rhythmic lines thanks to the Fifteen Delay Lines an extra Global Delay option With EARebound synchronized to the host tempo you won t have to worry about the time placement of the generated elements Each pad on the bottom panel corresponds to a delay line except the first one which is dedicated to the source By default delay times are set so we get all 16th notes 1 16 of a 4 4 bar If you ve already used a vintage rhythm box or a2. EN 13x 1 16 EX 14x 1 16 GE 15x 1 16 x Z Click here to quickly set all 15 Select these controls to delay times display different guides vertical bars 16th Sequence 8th Sequence 8thD 8th Sequence A 8thD 8th Sequence B Use this control to zoom Click here to select which parameter Output level or Feedback is controlled by vertical mouse drag actions If a delay line is inactive its circled point is displayed in red User manual in out The transparency of a point gives an indication about the output level opaque OdB 23 B Mix View It has been a real challenge to provide a single view containing so many parameters The mix view controls are indeed very small but give an interesting overview of the effects applied to the first fifteen delay lines and to the source itself The Mix View offers two specific edit modes Global Edit Copy any modification applied to one parameter will be applied to all other delay lines same value Global Edit Relative any modification applied to one parameter will be applied to all other delay lines relative value These global edit modes do not affect the source IN nor the Position parameters 9 EAREBOUND EARN TAP _ TT a e ve SAT AMOUNT SAT TYPE ERD 1 ERD 1 LOW CUT HIGH CUT TYPE CHOR SYNC TEMPO 1640 RATE DEPTH LINES UNSYNC LINES OFFSET STEREO WIDTH DRY WET
3. CONSENT TO USE OF DATA You agree that the Rightholder and its affiliates may collect store and use information about You as a person including Your name address email address and payment history and Your computer as part of registration and or authorization process and to provide support services related to the Software The Rightholder will take customary industry measures to assure that the information stored in the Rightholder s database about You and Your computer cannot be used to identify You or Your Computer The Rightholder may engage other companies and individuals subcontractors to perform functions on its behalf such as payment processing order fulfilment marketing programs and customer service The Rightholder may share Your information with such subcontractors in order to perform these and other functions The Rightholder also may transfer this information to a third party who purchases eaReckon or the division distribution of the Software For more detailed information on the collection use and transfer of Your personal information and for information on how to opt out of or unsubscribe from the communications described above please read the eaReckon privacy policy on the eaReckon website http www eareckon com UPGRADES UPDATES SUPPLEMENTS This EULA applies to upgrades updates or supplements to the original Software provided by the Rightholder unless other terms are provided along with the upgrade update or
4. OUT LEVEL FEEDBACK POSITION Saturation Amoun 20 A While a control of the Mix view is manipulated this small screen displays the value of the related parameter 24 eaReckon EARebound Even if parameters can be automated from most software hosts EARebound features a MIDI input which provides an alternative way to control the plug in The E switch can be used to enable or disable MIDI control How easy or difficult it is to use the MIDI input of an effect mostly depends on the host in which the plug in is loaded In some hosts you may have to load EARebound as an instrument or use it as the first insert of an aux return Some hosts may even not provide any possibility to use such a MIDI input Please consult your host s manual to know more about how you can make use of EARebound s MIDI input Not all parameters can be controlled via MIDI However it is still possible to automate or control any of them as VST or AU parameters as far as you host provides this option By default the EARebound s MIDI Map is empty meaning that you must create your first MIDI Map from scratch Hopefully the MIDI learn function will speed up the process MIDI Learn 1 Click the LEARN button to switch to MIDI Learn mode Assignable controls are then shown in blue Note activating the MIDI Learn mode automatically enables the global MIDI option p A San ECKON Stereo Default z FAREBOUND
5. TO BE BOUND BY THE TERMS AND CONDITIONS OF THIS AGREEMENT IF YOU DO NOT AGREE TO ALL OF THE TERMS AND CONDITIONS OF THIS AGREEMENT CANCEL THE INSTALLATION OF THE SOFTWARE AND DO NOT INSTALL THE SOFTWARE AFTER ACCEPTING THE LICENSE AGREEMENT YOU HAVE THE RIGHT TO USE THE SOFTWARE IN ACCORDANCE WITH THE TERMS AND CONDITIONS OF THIS AGREEMENT 1 1 1 1 2 1 3 1 4 1 5 1 6 1 7 2 1 DEFINITIONS Software means software including any Updates User Manual and related materials the Rightholder owner of all rights whether exclusive or otherwise to the Software means Philippe DECUYPER a registered auto entrepreneur as defined by the laws of France The Rightholder may be referenced as eaReckon a trademark of Philippe DECUYPER Computer s means hardware s including personal computers laptops workstations or other electronic devices for which the Software was designed where the Software will be installed and or used End User You Your means individual s installing or using the Software on his or her own behalf or who Is legally using a copy of the Software or if the Software is being downloaded or installed on behalf of an organization such as an employer You further means the organization for which the Software is downloaded or installed and it is represented hereby that such organization has authorized the person accepting this agreement to do so on its behalf For purposes hereof the term organi
6. commitment on the part of Philippe DECUYPER eaReckon Some screenshots in this manual may show the interface of 3 party products that are not delivered with this eaReckon product In addition screenshots included in this manual may differ from the actual product THE SOFTWARE DESCRIBED IN THIS DOCUMENT IS FURNISHED UNDER A LICENSE AGREEMENT OR NONDISCLOSURE AGREEMENT THE SOFTWARE MAY BE USED OR COPIED ONLY IN ACCORDANCE OF THE TERMS OF THE AGREEMENT PHILIPPE DECUYPER EARECKON MAKES NO WARRANTY OF ANY KIND WITH REGARDS TO THIS MATERIAL INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY NON INFRINGEMENT AND FITNESS FOR A PARTICULAR PURPOSE PHILIPPE DECUYPER WILL NOT BE LIABLE FOR ERRORS CONTAINED HEREIN OR FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES IN CONNECTION WITH THE FURNISHING PERFORMANCE OR USE OF THIS MATERIAL eaReckon and the eaReckon logo are trademarks of Philippe DECUYPER VST is a trademark of Steinberg Media Technologies GmbH Microsoft and Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and or other countries Apple Mac Mac OS and Audio Unit are trademarks of Apple Computer Inc registered in the U S and other countries Intel is a trademark of Intel Corporation in the U S and or other countries Other company and product names are trademarks or registered trademarks of their respective owners This manual is copyrighted 2013 Phil
7. the Rate knob Rate Frequency speed of the modulation Note This setting is not available when the modulation is synchronized to tempo Unsync Use this setting to make modulation lines slightly out of sync By setting it to 0 the four mod lines will have the exact same frequency RATE Increase the value of Unsync to apply a more and more different rate to each mod line Width This knob can be used to spread the sound in the stereo field It also affects the complexity of results When Width is set to 0 only two mod lines instead of four are active Note This setting has an effect even if LFOs are not active DEPTH 0 MODULATION 20 Use this switch to select the modulation type CHORUS Quad Chorus pitch modulation TREMOLO Quad Tremolo level modulation MODULATION KNOB CHORUS d te 54 Quick Settings menu This menu contains some comprehensive modulation presets These will probably help you to understand what is under the hood of the UNSYNC and OFFSET knobs Offset This setting can be used to shift the modulation curve applied to each mod line Use this to control the mix of processed and unprocessed signals eaReckon EARebound 4 Level Use this control to adjust the level of the currently edited delay line or the source if its EDIT button is enabled 5 Position Fine Tuning Should you need more precision please use these co
8. z TATEA gt SATURATION FILTERS MODULATION 2 Click on the control to be mapped 3 Move a physical knob or key fader on your MIDI controller User manual 2 5 MIDI Note CC You can only assign a MIDI Note to EARebound s 2 state controls switches pads random panic You can only assign a MIDI CC to EARebound s continuous controls knobs faders position controls Saving MIDI settings No specific action is required to save your MIDI settings The whole MIDI Map is saved with the host project each project can then feature a specific MIDI Map Should your host provide its own preset manager your MIDI settings will be saved with the host presets as well However calling a Factory or User preset from EARebound s preset menu will not affect MIDI settings Finally EARebound features a Default MIDI map This MIDI Map is loaded when a fresh instance of EARebound is created You can overwrite and load the Default MIDI Map which is empty by default by using the following buttons only available in MIDI Learn mode Tip the Default MIDI Map can be used to copy your MIDI settings to multiple instances of EARebound 2 6 eaReckon EARebound Appendix End User License Agreement EULA IMPORTANT LEGAL NOTICE CAREFULLY READ THE FOLLOWING LEGAL AGREEMENT BEFORE YOU START USING THE SOFTWARE BY INSTALLING COPYING OR OTHERWISE USING THE SOFTWARE YOU CONSENT
9. 1 8 Delay time If the base division is set to KNOB you can set delay time regardless of the current R tempo Otherwise this control is disabled and the displayed value indicates the applied delay time in milliseconds as defined by the tempo the base division and the multiplier 1 I eaReckon EARebound For your convenience two alternative views are available Time Line offers an overview of the delay time applied to each of the 15 delay lines It is very convenient for setting delay times in relation to one other Mix View provides an overview of the effects applied to the source and the 15 delay lines You will probably use this view to adjust a same effect on all 16 elements You can select a view by using this selector me LINE mewew mam wiew Please note that the Global Delay settings are not available from these alternative views Settings related to this special delay line are only accessible from the Main View A Time Line Use these menus for a quick access to base divisions and multipliers Select the KNOB mode from the right menu to freely set the position of the point corresponding to a delay line When the feedback value cf Classic View is different than inf The delay time of each You can move points delay line is represented by horizontally to set delay a circled point several points may be visible FA iix 1 16 EN 12x 1 16
10. ARECKON E REBOUND 1 0 0 x32 pasi 00dB 0 00dB NO CHORUS LO CUT RATE DEPTH VOLUME 479Hz 0 50Hz 50 0 5dB 000C UNSYNC OFFSET 100 50 HI CUT FEEDBACK 20000Hz 00dB DRY WET 31 5 6 eaReckon EARebound CARECKON EARebound USER MANUAL Table of contents ABOUT THIS MANUA cotidianeidad 5 A ee ee ee ee ee 6 A o nue T N E T SA E ESE A 8 A O AO 8 DEMO VETS Mr eii iaa 8 AAA PP deg ent lo sta A O Gale dad A AE 9 How to authorize the software by USING codes ooooccoccocccnconoonconoononnonconconconconoonoononnonco noo non nco noo nornnenannnnos 9 How to authorize the software by using a Key File o ooooononconoccccconconconconoonoonacconconconconoonconconannnnons 10 QUIEKCVEMEW sra aaa 11 HOD ANG oinen E a E E A T T AS INES 13 BOOM Panel A UE o anand ad io 14 MAM VION as oco KE A NEO spin edulaact atten 15 m ODA EN S aa en e o o O eee re 15 A ONNO S aaia a R RE 18 le voado ena a anes RO Aa AARONA 19 A EA A E E 19 de MOI ION idad 20 e od ida 21 A e O PE PC II EE EEE AERA 21 6 Delay TME rura a Z EK AN AE 22 O eE Oo e E 23 As MME LINE tada dd aca 23 AA A e ee eee 24 MIDECO IO ara An A A A A O A 20 A A 20 MID e COTO 26 Saving MIDUSCUNOS ips lit coda 26 Appendix End User License Agreement EULA iria td 27 4 eaReckon EARebound ABOUT THIS MANUAL The information in this document is subject to change without notice and does not represent a
11. KEY FILE Thank you for taking the time to install and authorize your product eaReckon EARebound EARebound offers different tools to sculpt an audio signal and or place it in space Let s forget about the 16 delay lines for a while even though these represent a major part of the plugin in order to focus on the following effects SATURATION FILTERS MODULATION a SN SS ST ORI SS LA oa igh ly h E A Effects Set 1 Saturation Different types of saturations and distortions are accessible from the interface from the lightest to the most devastating ones This effect will shape the original signal by generating additional harmonics and applying some filters High pass low cut and low pass high cut filters These filters attenuate the presence of low or high frequencies The combination of both can be used as a customizable band pass filter Tip The combination of saturation and filter modules will help you to sculpt the incoming signal in order to obtain a distinct version of the original For example it is possible to get a high pitched sound from a rich enough kick drum which can then be used as a shaker in the context of a percussive line Modulation The modulation module s purpose is mainly to place the sound in space Two types of modulation are available Quad Chorus acts on pitch and can be used to make the signal thicker and or distribute it in the Stereo field
12. LUDING WITHOUT User manual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
13. SERVICES INFORMATON SOFTWARE AND RELATED CONTENT THROUGH THE SOFTWARE OR OTHERWISE ARISING OUT OF THE USE OF THE SOFTWARE OR OTHERWISE UNDER OR IN CONNECTION WITH ANY PROVISION OF THIS AGREEMENT OR ARISING OUT OF ANY BREACH OF CONTRACT OR ANY TORT INCLUDING NEGLIGENCE MISREPRESENTATION ANY STRICT LIABILITY OBLIGATION OR DUTY OR ANY BREACH OF STATUTORY DUTY OR ANY BREACH OF WARRANTY OF THE RIGHTHOLDER OR ANY OF ITS PARTNERS EVEN IF THE RIGHTHOLDER OR ANY PARTNER HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES YOU AGREE THAT IN THE EVENT THE RIGHTHOLDER AND OR ITS PARTNERS ARE FOUND LIABILE THE LIABILITY OF THE RIGHTHOLDER AND OR ITS PARTNERS SHALL BE LIMITED BY THE COSTS OF THE SOFTWARE IN NO CASE SHALL THE LIABILITY OF THE RIGHTHOLDER AND OR ITS PARTNERS EXCEED THE FEES PAID FOR THE SOFTWARE TO THE RIGHTHOLDER OR THE PARTNER AS MAY BE APPLICABLE NOTHING IN THIS AGREEMENT EXCLUDES OR LIMITS ANY CLAIM FOR DEATH AND PERSONAL INJURY FURTHER IN THE EVENT ANY DISCLAIMER EXCLUSION OR LIMITATION IN THIS AGREEMENT CANNOT BE EXLUDED OR LIMITED ACCORDING TO APPLICABLE LAW THEN ONLY SUCH DISCLAIMER EXCLUSION OR LIMITATION SHALL NOT APPLY TO YOU AND YOU CONTINUE TO BE BOUND BY ALL THE REMAINING DISCLAIMERS EXCLUSIONS AND LIMITATIONS THIRD PARTY LICENSES The Software may include some software programs that are licensed or sublicensed to the user under the Mozilla Public License 1 1 MPL 1 1 Mozilla Foundation or other similar f
14. ared my obsession for environmental percussive sounds which some would consider as pathological Soon it became obvious that EARebound had the potential to evolve into a much more universal product This evolution took about one year of additional development and test cycles Now EARebound can be used as a simple multi effects unit a multi tap delay a positioning tool in the context of surround or stereo mixes and of course as a combination of these EARebound provides a pretty intuitive way to create rhythm lines from almost any sound material but it can also be used to improve or add some complexity to existing loops sublimate guitar or synth parts and finally subtly fill the space with small sonic elements that will enhance your tunes as rare spices on the best dishes Whatever your musical preferences hope that we will share this same pleasure and inspiration provided by EARebound Philippe DECUYPER Ga a gt Sin bid Sah SRS User manual 7 PC Operating system Windows XP Windows Vista or Windows 7 Windows 8 32 or 64 bits Processor Intel Core2Duo minimum RAM 1 Gb minimum Mac Operating system Mac OS X 10 5 10 6 10 7 or 10 8 Processor Intel Core 2 Duo minimum RAM 1 Gb minimum EARebound is a 32 64bit VST plug in for Windows and a 32 64bit VST Audio Unit plug in for Mac A compatible host is required to load them Access to the Internet is required to authorize the s
15. destroyed when You lose the right to use the Software or when Your license is terminated for any reason according to the legislation in force in the country of Your principal residence or in the country where You are using the Software NO RENTAL You may not rent sell lease or lend the Software You may not modify or create derivative works based on the Software in whole or in part You may not permit third parties to benefit from the use of functionality of the Software through a timesharing service bureau or other arrangement TRANSFER You may move the Software to a computer which You own other than the computer on which the Software was originally installed provided the provisions of Item 2 1 are complied with You may not transfer the Software or this EULA to another End User Exceptions may be granted at our discretion if You request such consent prior to concluding arrangements with the party interested in acquiring the software and EULA NOT FOR RESALE SOFTWARE Software identified as Not for Resale NFR Evaluation Copy or Demo is collectively referred to herein as Demo Software Only Software which is registered with the Rightholder will be fully functional and You are granted the warranties and remedies herein only with respect with to registered software All other Software not registered will also be deemed Demo Software Notwithstanding anything to the contrary herein Demo Software i may not be us
16. ed to create very special effects As other delay lines the global delay line can be processed by its own set of effects Please note that this special line will receive a stereo version of other delay lines source The Main Aux position of these will be ignored by the global delay line 14 eaReckon EARebound A Global Settings Global settings are only accessible from the Classic View They have an overall impact on the plug in and not only on the source or a delay line in particular These parameters are mostly related to inputs and outputs of EARebound Input level This fader can be used to define the proportion of processed unprocessed input signal to be sent to delay z ea F ADAN E AY M OD k Ta ti M i f y a L 4 e oF J ot gi z ee A a z eo AA fe pie wes j atts 1 Output mode EARebound has 3 pairs of outputs and features two output modes E Stereo in this mode the Aux and LFE outputs are unused and the vertical position of the position control is ignored Multi Channel in this mode the vertical position of the position control can be used to adjust the level of the selected delay line or source sent to Main and Aux outputs More information about output modes is available on the next page 2 Low frequency settings differently You can monoize LF by activating the
17. ed for any purpose other than demonstration test or evaluation ii will not have all the functionality or features of the registered Software iii is provided with no representations or warranties whatsoever but is provided solely on an AS IS basis and iv will not be provided any support or maintenance and You will recelve no upgrades updates or supplements for the Demo Software Furthermore notwithstanding anything to the contrary herein You are not entitled to any remedies monetary or replacement with respect to Demo Software provided to You Although the Demo Software does not have all the rights of the fully registered Software You nevertheless agree to be bound by any obligation and acknowledgement herein which is applicable to any Demo Software TERMS OF USE You may only use the Software only for the purpose of composing musical arrangements and giving live performances LIMITATION ON REVERSE ENGINEERING DECOMPILING COPYING AND DISASSEMBLY You may NOT reverse engineer decompile copy or disassemble the Software TERMINATION eaReckon EARebound 9 1 9 2 9 3 Without prejudice to any other remedy in law or in equity that the Rightholder may have in the event of any breach by You of any of the terms and conditions of this Agreement the Rightholder shall at any time without notice to You be entitled to terminate this License to use the Software without refunding the purchase price or any part thereof
18. elected preset down in the list user presets only eslavas stop sending audio to EARebound before we can use the to switch from one to the other pressing the Panic button Tip In live situations it is quite practical to have user presets related to a song correctly ordered so BY ANOTHER WSTANCE Only one instance of EARebound the Master instance is allowed to modify presets in order to avoid corrupting presets By closing the interface of the Master Instance you will allow another instance of EARebound to modify presets Random Should you need some instant inspiration use the Random button to randomly configure the plug in Please note that global settings input level send level send FX mix dry wet mix etc are not affected by this function Generating random settings without any control could create some weird effects Hopefully you can modify the behavior of the vty Random function by pressing the random settings button By default the randomizer will generate a 16 sequence of filtered and centered taps featuring some light saturation and a progressive stereo spread effect These settings should work on most projects That said some settings will probably work better on some specific sources For example the gthD 8 options of the Delay Time sub menu may seriously give some bite to a straight 175 BPM DnB drums loop User manual 1 3 Pressthe EDIT Buttonto view and Through a
19. ies while lowering the presence of high frequencies ERD 1 is particularly suitable for the creation of distinct elements in the context of a rhythm line VBs are emulations of tube saturations They will add some warmness to the signal as an old guitar preamp would do VB 2 is a more aggressive version of the VB 1 module These modules could probably be compared to overdrive distortion like those we find on a guitar pedal DIS 1 provides an overdrive like saturation while DIS 2 has been designed to be very destructive VAs as VBs are emulations of tube saturations However VAs affect low and high frequencies more than VBs do VBs have a more important impact on med frequencies 2 Filters These two filters provide a way to pass frequencies within a range defined by a low and a high cutoff frequency they will attenuate frequencies outside this range High pass filter Cutoff frequency FILTERS Low pass filter Cutoff frequency User manual 1 9 3 Modulation This module can be used to get a thickened sound to spread it in the stereo field or make it move around in space The modulation module consists of four chorus or tremolo lines Two of them are applied to the right channel and the other two to the left channel of the incoming signal Use this menu to synchronize the RATE parameter to the current tempo Set it to KNOB if you want to freely set rate by using
20. ippe DECUYPER eaReckon No part of this document may be transmitted in any form or by any means electronic or mechanical including photocopying and recording for any purpose without the express written permission of Philippe DECUYPER User manual 5 Credits Conception Development amp Artwork Philippe DECUYPER English manual correction and proofreading John Braner http www soundclick com johnbraner BETATESTERS Far more than just a dream team of bug hunters THANK YOU SO MUCH Kevin AFFLACK John BRANER Serge GORA Jorg HARKENER Brad HOLLAND Joris HOLTACKERS Dax LINIERE Theodore MANDYLAS Jerry MATEO Dave MODISETTE Dieter POLLATSCHEK Marco SPIES ADDITIONAL THANKS Marie MASSON and Lucas DECUYPER for their support and patience The TOONTRACK team Special thanks to Mattias EKLUND Rogue MARECHAL Erik PHERSSON and Andreas SUNDGREN Dax Liniere Puzzle Factory for his suggestions and expertise on some critical parts of this product THIRD PARTY TECHNOLOGY VST Plug In Technology by Steinberg Media Technologies GmbH Audio Unit version implemented using Symbiosis version 1 2 Copyright c 2010 NuEdge Development Magnus Lidstrom All rights reserved symbiosis is released under the New Simplified BSD License XML processing implemented using the pugixml library http pugixml org Copyright c 2006 2012 Arseny Kapoulkine pugixml is distributed under the MIT license 6 eaReckon EARebound Int
21. line shop and your user account used to register and authorize your products are different things Home v Products FAQ Forum Shop v About Use this button to register your product and get your authorization codes This button may not be visible if you are not logged into your user account 3 Enter your serial number and authorization code in the plug in Enter your serial number or paste it from the clipboard using the paste button Enter or paste the authorization code given at www eareckon com PLEASE ENTER YOUR SERIAL NUMBER User manual 9 10 How to authorize the software by using a Key File Once your serial number registered in your eaReckon user account and as soon as your personal information has been manually checked by eaReckon a Key File will be available in your Products Registration page at www eareckon com This file is an easy way to authorize the software on several computers without having to request a new authorization code Validity of this key file is not time limited This file does not contain explicit personal data However eaReckon will have the possibility to identify the user who downloaded this watermarked file You are responsible for making sure this file does not get into illegal circulation To authorize the software by using a Key File please press the Load Key File button and select your Key File downloaded from your user account at www eareckon com LOAD
22. n muddy mixes 1 6 eaReckon EARebound Multi channel routing with adjustable LF LF are processed by the source effects and delay lines HIGH FREQ MAIN OUTPUT CROSSOVER LOW FREQ TO MAIN FX DELAYS CROSSOVER LOW FREQ aiiai AUX OUTPUT STEREO Cs To LFE OUTPUT MONO Multi channel routing with adjustable LF LF do not reach the source effects and delay lines os MAIN OUTPUT HIGH FREQ FX DELAYS CROSSOVER AUX OUTPUT STEREO k TO LFE OUTPUT MONO Tip This configuration avoids effecting the low frequencies which can often result in muddy mixes TO AUX LOW FREQ User manual 1 7 B Individual Settings These settings allow you to adjust the effects applied to each delay line or the source itself For example adjusting the amount of saturation applied to the first delay line will not affect the saturation applied to the other ones To select the element to which changes will be applied please click on the corresponding EDIT button bottom panel R A OOO A POSITION EE SEN IS o pd aa SATURATION FILTERS MODULATION LEVEL A O RR OWA PA Meee E K 11 sna m NE ma Ti T da A hh 83 JH 0 50Hz 50 5dB O LNM NARZ aE 1 8 eaReckon EARebound 1 Saturation You can choose from 7 types of saturation distortion ERD 1 adds presence to the signal while giving it a vintage character It has an obvious impact on mid frequenc
23. ntrols which work as classic knobs Shift Mouse Fine tune Ctrl 7 Command S Left Click Center Horizontal axis 4 74 AUX OUTPUT Use this control to adjust the amount of signal to be re injected into the delay line This parameter is not available for the source of course Note You can get an infinite loop by setting feedback to OdB Vertical axis The position of the white spot on this axis defines the proportion of signal sent to Main and Aux outputs In SERES mode this parameter is just ignored The 5 mode must be selected to activate this feature If needed and available in your DAW you should find more information about how to make use of extra outputs of a plug in in the manual of your DAW The position of the white spot on this axis can be used to adjust stereo panning This parameter affects both Main and Aux outputs in 451 mode User manual 21 6 Delay Time Division multiplier Once the base division is defined you can apply a multiplier to it For example you can select the same base division for all delay lines and then apply a different multiplier to each of them in order to control regular steps of a rhythm line 22 Base Division The base division combined with a multiplier defines the applied delay time according to the current tempo O x 1 16 gt No delay 1 x 1 16 gt 1 16 2 x 1 16 gt
24. oftware if EARebound is installed on a computer that does not provide an access to internet you can use another computer to get authorization codes EARebound is delivered as multiple setup applications Please double click on the setup file that matches your system Then you will be guided through the installation process The installation of a plug in implies the acceptation of the End User License Agreement EULA Demo version Once installed demo versions are ready to be used This manual is related to the full version and some features described here are not available in the demo version Demo and Full version are different binary files It s not possible to transform the Demo version to the Full version If you want to purchase the full version of EARebound please go to www eareckon com A link to the full version setup application will be made available after your purchase is validated 8 eaReckon EARebound Full version How to authorize the software by using codes 1 Before using an eaReckon plug in you need to register and authorize it To do so please load the plug in in your favorite host The plug in will display your Hardware ID 1234567890 SERIAL NUMBER PLEASE ENTER YOUR SERIAL NUMBER 2 Goto www eareckon com Create and or log into your user account to register your product and get your Authorization Code your Hardware ID is required Your customer account used to purchase products from the on
25. ree software licenses which among other rights permit the user to copy modify and redistribute certain programs or portions thereof and have access to the source code Open Source Software If such licenses require that for any software which is distributed to someone in an executable binary format that the source code also be made available to those users then the source code should be made available by sending the request to info AT eareckon DOT com or the source code is supplied with the Software If any Open Source Software licenses require that the Rightholder provide rights to use copy or modify an Open 30 eaReckon EARebound Source Software program that are broader than the rights granted in this Agreement then such rights shall take precedence over the rights and restrictions herein 12 GOVERNING LAW This Agreement will be governed by and construed in accordance with the laws of France without reference to conflicts of law rules and principles Any dispute arising out of the interpretation or application of the terms of this Agreement or any breach thereof shall unless it is settled by direct negotiation be settled by in the Tribunals of Lille France 13 ENTIRE AGREEMENT SEVERABILITY NO WAIVER This Agreement is the entire agreement between You and the Rightholder and supersedes any other prior agreements proposals communications or advertising oral or written with respect to the Software or to subject mat
26. roduction First of all thank you for your interest in EARebound This plug in has been originally thought to meet a specific need quickly create rhythm lines from percussive sounds recorded in various environments natural urban industrial Recording these sounds processing them through carefully selected effects in order to obtain multiple versions of them loading and mapping them in a sampler placing them in space takes a considerable amount of time and can be an obstacle to spontaneous creativity In addition even if we are satisfied with the results after hours of hard work this rhythmic grail cannot be easily modified as we would like during live situations The idea behind EARebound was to create an effect featuring 15 delay lines and a workflow similar to the one provided by a good old drum machine This tool had to offer 16 commutable and synchronized steps with each of them being independently shaped and placed in space by a series of dedicated effects A confidential prototype was then born in 2011 offering 15 delay lines a saturation module two filters a chorus and a positioning tool This prototype was enough to create rhythm lines from any kind of recorded sounds within a couple of minutes It was already lots of fun and saved time Later this pre version was subject to some enhancements in order to get something presentable enough to be sent to the test team and it turned out that not everyone sh
27. single click you can isolate the input or adiustcnceteepplicdietheccurcs a delay line 2 to 16 in order to adjust it with recision first button or to a delay line ARE l l Note that this Solo mode is automatically disabled when the Mix View is selected A aude A cm 16 G Enable or disable effects Activate or deactivate delay applied to the source lines with these rectangular buttons Mute or un mute direct input signal Note the input signal source will always be sent to delay lines whatever the state of this switch To prevent it being sent to delay lines please use the Send Level fader Activity indicators These tiny LEDs indicate whether or not a signal is coming out of a specific delay line Please note that the two indicators dedicated to the source IN are related to the processed input signal once it has passed though saturation filters and other FX modules and not to the raw signal received by the plug in Gray Level lt 50dB Green 50dB lt Level lt 3dB Yellow Level gt 3dB Global Delay Line This delay line processes the combination of signals coming out of the fifteen other delay lines and the processed source signal You can choose to include or exclude BL the processed source signal from this global delay line Once a pattern is created with delay lines 2 to 16 this global delay can be used to make it loop It can also be temporarily activat
28. step sequencer these rectangular pads should look familiar to you It is also possible to apply a totally different delay time to each delay line this will be described later in this manual The first fifteen delay lines including their dedicated set of effects are independent of each other and it is then possible to apply different effects settings to each of them Finally the global delay line can be used to create loops or very special effects from patterns built with the first fifteen delay lines 1 2 eaReckon EARebound Top Panel Enable this switch to synchronize EARebound to the host tempo CARECKON EAREBOUND Regularly click this button Manual adjustment ofthe to set the tempo tempo TEM 1 Presets Manager Should you experience uncontrollable audio Right click on the white screen to access the presets menu mayhem just press H the Panic button to Use the M buttons to browse through the presets l instantly and smoothly xXx N t Please note that once f delay li Save current configuration as a preset which will appear in the USER PRESETS Seated cela Ne will not be deactivated category of the menu in other words the x Delete preset only available when a user preset is selected panic button will not EJ Rename preset only available when a user preset is selected ansecurent EN Move the selected preset up in the list user presets only settings Move the s
29. supplement Such upgrades updates and supplements may include a separate end user license agreement Component Agreement which You must review and agree to before using any such upgrade update or supplement In the event of any inconsistencies between this EULA and any Component Agreement the terms of this EULA shall control OWNERSHIP The Software is protected by copyright and other intellectual property laws and treaties The Rightholder or its suppliers own the title copyright and other intellectual property rights in the Software Any copy of the Software You make must contain the same proprietary notices as contains in the original copy delivered to You LIMITED WARRANTY AND DISLCAIMER You acknowledge accept and agree that no software is error free and You are advised to back up the Computer with frequency and reliability suitable for You The Rightholder does not provide any guarantee that such and such 3 party product a plugin for example will work correctly with the Software THE SOFTWARE IS PROVIDED AS IS AND THE RIGHTHOLDER MAKES NO REPRESENTATION AND GIVES NO WARRANTY AS TO ITS USE OR PERFORMANCE EXCEPT FOR ANY WARRANTY CONDITION REPRESENTATION OR TERM THE EXTENT TO WHICH CANNOT BE EXCLUDED OR LIMITED BY APPLICABLE LAW THE RIGHTHOLDER AND ITS PARTNERS MAKE NO WARRANTY CONDITION REPRESENTATION OR TERM EXPRESSED OR IMPLIED WHETHER BY STATUTE COMMON LAW CUSTOM USAGE OR OTHERWISE AS TO ANY MATTER INC
30. switch 4 i switch 4 The Pre Post option is described on the next page SANA GCG SS a 1 SS e Joc src SS amara SS ARONA u l I Output mode 1 Low frequency settings 2 If Split LF is enabled low frequencies as defined by the XOVER parameter are processed Finally you can adjust the level of low frequencies by using the LF GAIN potentiometer Should you want to keep your LF settings untouched when browsing presets please activate the Mi 15 User manual Depending on the state of MultiCh Stereo SplitLF and LF Pre Post options the routing of low frequencies can be very different and suit many situations Basic stereo routing INPUT FX DELAYS MAIN OUTPUT AUX OUTPUT STEREO SPLIT LF LFE OUTPUT Basic multi channel routing TO MAIN MAIN OUTPUT INPUT FX DELAYS AUX OUTPUT MULTI CH SPLIT LF LFE OUTPUT Stereo routing with adjustable LF LF are processed by the source effects and delay lines HIGH FREQ CROSSOVER LOW FREQ MAIN OUTPUT AUX OUTPUT STEREO LFE OUTPUT SPLIT LF POST FX DELAYS Stereo routing with adjustable LF LF do not reach the source effects and delay lines HIGH FREQ CROSSOVER LOW FREQ FX DELAYS MAIN OUTPUT Tip This configuration avoids effecting the low frequencies which can often result i
31. ter of this Agreement You acknowledge that You have read this Agreement understand it and agree to be bound by its terms If any provision of this Agreement is found by a court of competent jurisdiction to be invalid void or unenforceable for any reason in whole or in part such provision will be more narrowly construed so that it becomes legal and enforceable and the entire Agreement will not fail on account thereof and the balance of the Agreement will continue in full force and effect to the maximum extent permitted by law or equity while preserving to the fullest extent possible its original intent No waiver of any provision or condition herein shall be valid unless in writing and signed by You and an authorized representative of the Rightholder provided that no waiver of any breach of any provisions of this Agreement will constitute a waiver of any prior concurrent or subsequent breach The Rightholders failure to insist upon or enforce strict performance of any provision of this Agreement or any right shall not be construed as a waiver of any such provision or right User manual 3 1 14 32 CONTACT INFORMATION Should You have any questions concerning this Agreement or if You desire to contact the Rightholder for any reason please contact Philippe DECUYPER registered in France as an auto entrepreneur SIRET 518 286 794 00020 E mail info AT eareckon DOT com Web site www eareckon com eaReckon EARebound
32. zation without limitation includes any partnership limited liability company corporation association joint stock company trust joint venture labor organization unincorporated organization or governmental authority Partner s means organizations or individual s who distributes the Software based on an agreement and license with the Rightholder Update s means all upgrades revisions patches enhancements fixes modifications copies additions or maintenance packs etc User Manual means user manual administrator guide reference book and related explanatory or other materials GRANT OF LICENSE The Rightholder hereby grants You a non exclusive license to store load install execute and display to use the Software provided You comply with all terms and conditions of this EULA INSTALLATION You may install and use the Software on more than one computer only if these computers form a single production unit or constitute separate workstations necessary for the task at hand and belong to the Same owner The number of concurrent installations is limited by the authorization process and this number may be changed without notice User manual 2 7 2 2 2 3 2 4 2 9 28 COPY You have the right to make a copy of the Software solely for back up purposes and only to replace the legally owned copy if such copy is lost destroyed or becomes unusable This back up copy cannot be used for other purposes and must be
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