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Sample/Slew User Manual

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1. Oakley Sound Systems SU Oakley Modular Series Sample Slew PCB issue 5 User Manual V5 1 1 Tony Allgood Oakley Sound Systems CARLISLE United Kingdom CLOCK RATE SS RESTRICTION g SAMPLE IN SAMPLE OUT SLEW IN SLEW OUT CLOCK IN CLOCK OUT NOISE OUT CLIPPED OUT OAKLEY SAMPLE SLEW a The front panel of the MOTM format Sample Slew module Introduction This is the User Manual for the Sample Slew 5U module from Oakley Sound This document contains an overview of the operation of the unit and the calibration procedure For the Builder s Guide which contains a basic introduction to the board a full parts list for the components needed to populate the board or boards and a list of the various interconnections please visit the main project webpage at http www oakleysound com sample htm For general information regarding where to get parts and suggested part numbers please see our useful Parts Guide at the project webpage or http www oakleysound com parts pdf For general information on how to build our modules including circuit board population mounting front panel components and making up board interconnects please see our generic Construction Guide at the project webpage or http www oakleysound com construct pdf S 3 im 2 B 1 WO ELI mou zF Cc CEMRE S E D a a OA EA SoZ eed 22a g i t N E Se oom BIN 11 The issue 5 Oakley Sample Slew module behind a natur
2. again above 1V The restriction pot affects the way the hold output changes with respect to the current input level and previously held output level With the pot fully off the unit behaves just like any other S H but at full the output is restricted to move by only a small amount after each new sample The output will still have the same range as the input but will need more hold commands to get there In reality the hold function is not perfect in either mode The module uses an analogue memory module and as such the stored voltage will slowly change over time We typically call this change droop because the voltage tends to be drawn down to zero The droop is relatively small and for most synthesiser patches it is not a problem The module features an inbuilt clock generator This essentially is a wide range VCO from about one cycle per minute to around 2kHz which can be used to directly control the S H module when no jack is inserted into the clock in socket The output of the oscillator is available as a 5V square wave at the clock out socket The slew generator can be accessed separately from the S H section but its input is normalised to the output of the S H when there is no jack plug inserted into the slew input socket The slew generator smooths any sudden changes in the input signal Thus a square wave becomes more like a triangle and keyboard CVs start sliding between notes A noise source is available from the noise out soc
3. al finish MOTM format Schaeffer panel The 5U Sample Slew Module This compact single width module features a powerful sample and hold module with controllable correlation a slew generator a wide range clock oscillator and a dual output noise generator It can be used to generate random and pseudo random control voltages staircase waveforms deliberate aliasing of audio signals and many other uses The Oakley sample slew module has two modes of operation selected by a switch on the front panel The first is the hold mode This mode is the traditional sample and hold S H It has a signal input a signal output and a clock input The module s job is to memorise the input voltage and present that to the output socket on command of the rising edge of a clock signal The clock signal is any signal input you like but it is traditional to use a gate type pulse If a signal is inserted into the clock input when the signal rises over 1V or so the command is given to hold The hold output will then remain fixed no matter what the input signal is now doing That is until the command to hold is given again whereby it attains a new output value The second mode is track This functions like the so called sample and hold module on the Korg MS 20 With a clock input above 1 V then the output of the module will follow in the input signal When the clock input falls below 1V the output will then be held and not change again until the clock input rises
4. c with the internal clock frequency RESTRICTION In the Oakley Sample Slew module there are two analogue memory units connected in cascade or series The second one is designed to hold the previously held value of the first memory unit The output of the module is derived from the first memory unit However the input to the first memory unit comes from a mix of the voltage on the sample input socket and the output of the second memory unit The degree of mixing is determined by the restriction pot With the pot fully counter clockwise the input to the memory unit is derived solely from the input socket With the pot fully clockwise the input to the memory unit comes mostly from the second memory unit This means that with the restriction pot fully clockwise the voltage that will be loaded into the memory unit cascade is going to be somewhere between the voltage now seen on the input socket and the voltage on the output socket Thus the output now changes towards the new input voltage but not instantly to it This is excellent for generating stair step progressions from input signal that change very quickly TRACK HOLD This is the mode switch and allow the sample hold memory units to be used either in traditional sample and hold or track and hold modes SLEW This pot controls the time constant of the slew or lag generator The slew generator is essentially a one pole low pass filter However rather than dealing with audio signals it is
5. ivalent volume to a 5V peak sine wave That is the noise output should sound as loud as a sine wave from your VCO You can compare the outputs on a suitable voltmeter or level meter on a mixer or DAW If using a scope then adjust NOISE until the peak noise output level is roughly 6V If you can t get the signal loud enough then try lowering the value of R31 CLK Set the rate pot to the slowest setting and adjust CLK so that the CLK LED flashes at its fastest rate Now turn CLK the completely opposite way to ensure that the oscillator is moving at its slowest You may find the LED remains lit Monitor the voltage at pin 8 of U3 and it should be around 3V Very slowly back off CLK until you notice the voltage rise to around 2V The oscillator should now be oscillating albeit very slowly Check that the rate pot does what it should Final Comments I hope you enjoy using the Oakley Sample Slew If you have any problems with the module an excellent source of support is the Oakley Sound Forum at Muffwiggler com Paul Darlow and I are on this group as well as many other users and builders of Oakley modules If you have a comment about this user manual or have a found a mistake in it then please do let me know Last but not least can I say a big thank you to all of you who helped and inspired me Thanks especially to all those nice people on the Synth diy and Analogue Heaven mailing lists and to those at Muffwiggler com forum Tony Al
6. ket The noise could be described as white with a gentle roll off above 6kHz This analogue random voltage source can used in conjunction with the S H to produce the classic sample hold patterns heard in numerous recordings The clipped out socket is an alternative noise source This features the same white noise signal but soft clipped to 5V This signal is less random as the noise signal swings between defined levels but it is ideal when used with the S H as it creates a more predictable output The CLK LED lights when the clock input is above 1V The module accommodates either our standard Oakley MOTM power header or a Synthesizers com power header Front panel controls CLOCK RATE As of issue 5 the Oakley Sample Slew module contains an internal clock generator The clock generator is a simple oscillator that spans from around one cycle per minute to around 2kHz The output is automatically routed to the clock input of the sample hold circuit when no jack is inserted into the clock input socket The output of the clock generator is available as a pulse waveform from the clock output socket The waveform is a square wave except at frequencies below 20Hz where is becomes increasingly a narrower pulse The trimmer CLK on the printed circuit board sets the minimum frequency CLK The LED lights when the clock input goes above 1V Since the clock input is normalised to the output of the clock generator the LED will normally flash in syn
7. lgood at Oakley Sound Cumbria UK June 2014 updated August 2014 No part of this document may be copied by whatever means without my permission 10
8. owers supply ground without using the module s OV supply Earth loops cannot occur through patch leads this way although screening is maintained Of course this can only work if all your modules follow this principle Power connections Synthesizers com The PWR power socket is to be fitted if you are using the module with a Synthesizers com system In this case the PSU header is not fitted The PWR header is a six way 0 1 MTA but with the pin that is in location 2 removed In this way location 3 is actually pin 2 on my schematic location 4 is actually pin 3 and so on Power Location number Schematic Pin number 15V 1 1 Missing Pin 2 5V 3 2 Module GND 4 3 15V 5 4 Not connected 6 5 5V is not used on this module so location 3 pin 2 is not actually connected to anything on the PCB If the PSU header is fitted then pins 2 and 3 of PWR are linked together This connects the panel ground with the module ground Calibration You can use a simple fine bladed screwdriver for adjusting the module You should make sure your modular has been powered up for at least ten minutes prior to calibration Also it is a good idea to have the room temperature close to what it would normally be when playing your modular NOISE This trimmer sets the level of the analogue noise source Since noise is a random voltage is not that easy to set this exactly However you are looking to set this so that it gives you a signal of roughly equ
9. specialised in dealing with control voltages It is designed to slow down any rapid changes in the input signal The most common application of this in a synthesiser is that of glide or portamento whereby the keyboard CV is not allowed to quickly transition between one note and the next but to slowly glide up or down The shape of the output from this slew generator is often described as being exponential in other words it moves faster at first and then slows down before arriving at its target destination Slew controls the overall rate of the transition with the fastest speeds found when the pot is fully counter clockwise The slew input socket is normalised to the output of the sample hold module Thus the slew generator can used to remove the sharp steps created by the sample hold function Power supply requirements The design requires plus and minus 15V supplies The power supply should be adequately regulated The current consumption with no output signal is about 44mA for the 15V rail and 34mA for the 15V rail Power is routed onto the PCB by a four way 0 156 MTA156 type connector or the special five way Synthesizers com MTA100 header Power connections MOTM and Oakley The PSU power socket is 0 156 MTA 4 way header This system is compatible with MOTM Power Pin number 15V 1 Module GND 2 Earth PAN 3 15V 4 The earth pan connection has been provided to allow the ground tags of the jack sockets to be connected to the p

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