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May 2012 - Viewfinders Digital Video Club

1. from your kai subject can i be out quite ee You may not even know that it is if you re not using headphones because your brain actually filters out those annoy nea 1 ing sounds but your camcorder doesn t whether your using it s on camera mic or using a lavaliere City traffic nearby crowds and wind are some common background noises to avoid One final tip for recording sound get at least 30 seconds of the ambient sound at your recording location Use this to fill in between clips and during B roll footage that you shot when the ambi ent sound was probably different Well there you have some tips on how to get better recorded sound with your cam corder Some of the tips involve spend ing some money but remember that you only have to shell out the cash once to upgrade your audio accessory equipment So now when you set out to record an event or happening like a hike in Yosemite with a Park Ranger bring along your wireless lavaliere system to put on him to capture clean clear audio you ll be glad you did E Welcome to the SUDOKU Puzzle The goal of Sudoku is to fill in every empty box with one of six letters Each letter can appear only once in each horizontal row as well as only once in each vertical column and only once in each of the six 3X2 rectangles This month s puzzle contains the letters C I P R S and T These six letters spell a word very familiar to the Video Pro duction G
2. f J un Sa S Ee S T E Ft ow S22 RBWHU YD a 5 haii gt P A i 34 4s 3 APRIL 2012 to how much noise reduction to employ but also provides controls for the user to tweak the recommendation The noise profile is then employed to remove noise from the entire sound track which re sults in a far cleaner recording Leveller by Lynn Alan Equalize soft and loud sections Equalization in Degree of Leveling Audacity Degree of Leveling EZES x Noise Threshold Hiss Hurn Ambient Noise The program does lt gt oe peer Threshold for Noise 70d6 ov style tool built in Coira oA Equelcaton by Mariya Shaw amp Mach Oodin 2HE Q OY Loetie 0w mie Ai wawes Graphic itr DONE Cahit ore Ontos m Save As f Flak and called Leveler under the Ef fect menu but one can go much fur ther if one chooses By manipulating the sliders in the Graphic Equalizer one can customize the frequencies both high and low to suit one s taste Chet demonstrated this but it is likely to take time and many fine adjust ments so for most of us that are not experts at sound manipulation the Leveler tool will do fine Chet finished his presentation an swering questions from members and offered his email address chet yourvideoexpert net for those looking for more advice on all aspects of videography So depending whether one wants a simple solution to cleaning up one
3. describes types and performances Let s Make a Movie A slide show and discussion by Ron Rhodes Tech Tips Cutting Classes Blending Modes April 11th Wednesday Audio Sweetening Fixing Video Pro ducer Chet Davis takes a look at audio software for improving audio quality Tech Tips Capturing Sound in the Field June 13th Wednesday Program to be announced Tech Tips if time allows August date to come Program to be announced Tech Tips if time allows October date to come Annual Member Video Contest Screening of best movies produced by Club members this year Tech Tips if time allows DECEMBER No meeting this month
4. you don t expect much But on your large flat TV screen at home the sound has to be as good if not better than the large picture More often than not great sound with average visuals provides a better experience for your audience than great visuals with poor sound And poor sound is an instant giveaway of an ama teur at work What then are some practi cal tips to help get you started producing the best quality sound for your videos 1 Forget About Your Camcorder s On board Mic Most if not all consumer erade camcorders can generate decent enough images for your movies This is particularly true if you mount your camera on a tripod and plan the cam era moves carefully But as for sound camcorder mics often leave something to be desired Most of these mics are fine but it s their placement on the camera not near the sound source that is the issue We re going to take a look at some ways to get great sound when there is a speaking person involved in the shot If your camcorder has a built in mic jack by all means you should use it anything that gets the mic closer to the subject and away from the whirring machine noise of the camera or other nearby non relevant sounds is a good thing In general the closer the mic is to the talent s mouth the better the sound will be A lavaliere for example clipped to a shirt jacket or tie is proba bly the best solution And a wireless lavaliere system i
5. 0 so in other words we are our ancient ancestors What this tells me is that we as indi viduals are drawn to creating videos to help satisfy that century s old DNA marker You do this because it is a part of you And with that in mind I want to encourage each of you to nurture that artist in you Take the initiative to fulfill that age old drive and get out shooting edit ing and creating some modern day petroglyphs displayed across your TV screen Of course all of this started to come to me on a recent trip to the South west One of the reoccurring topics in Nevada Arizona and Utah are the signs left by ancient Indians in the canyons cliffs and dwellings scat tered throughout the areas Now I am not abdicating that you start tag ging the hills or your house but re cording and sharing what our lives are all about is a part of this process It can be crude or slick but it needs to be recorded and shared Do plan on making a couple of videos during the Richard Pugh 1933 2012 course of the year and sharing your own personal petroglyphs with us at meetings Our May meeting program will fea ture a few of the videos from the kids in Ms Woods class at Nimitz School As mentioned before several of our members have been helping to give these kids a better understanding of how to do videos Soon I will be re viewing them to select the ones to premiere at our meeting Iam looking forward to a successful pr
6. NEWSLETTER OF THE VIEWFINDERS DIGITAL VIDEO CLUB OF CUPERTINO Next Club Meeting a Wednesday May 9th 7 30 9 30 pum a IN THIS ISSUE MAY 2012 _ April Meeting Presidents Message Richard Pugh NAB 2012 Tech Tips Sudoku Puzzle Bad sound is worse One doesn t need to 1983 2012 Bob Meacham s take All about recording Our latest puzzle than bad video so be Neanderthal to We say goodbye to on this year s big sound Follow from Puzzle Master here s our guest make videos but it a Viewfinders gest broadcasting Frank s advice and Frank Swanson speaker s simple might relate tothe founding member show on Earth avoid extensive Page 5 Page 4 audio clean ups Page 6 solutions for fixing it Pages 1 2 and 3 artist in you Page 4 Page 5 April 2012 Meeting Highlights Software for Improving Audio Quality Continuing our concentration on sound quality for video after last month s pres entation by Dana Marks on narration in April we took a look at audio clean up In a program produced by Bob Meacham we were privileged to be ad dressed by Chet Davis an expert in all aspects of video production on software applications that can do the job Wednesday May 9th Meeting Nimitz Grade School Movies As they have done for several years now the children and their teacher Miss Woods return again this year to show us what these elementary kids can think up with a camcorder and iMovie Audio Chet st
7. age 1 Chet began with how to capture good VOLUME Recording equipment will usually have one of two sound volume me ters Either the older style VU meter or the newer Volume Peak Ideal Recording of Audio Peaks LED meter VU me as tiyana AKN ters Volume Noise measure the aver age in tensity of vol ume Peak LED meters measure the frequency peaks both high and low of the recording Both meters show a red area which indicates a sound range beyond the acceptable threshold of the equip ment and if the needle enters it will likely cause sound distortion That is to say too much audio is bad However too low a recording is also bad Inherent in all equipment is a certain amount of random noise Re cording at a low level to avoid the meter s red area and then increasing volume at play back will exaggerate this noise One needs space be tween random noise and a desired recording level NOISE Noise is all around us so keeping a microphone close to the source of the sound we wish to capture creates a space between that and noise Mov ing the microphone away from the source narrows the space making noise more apparent in play back RECORDING THE HUMAN VOICE The frequency range of the human voice is fairly narrow compared to say musical instruments The full human voice range is from about 85 hertz at the low end to about 1100 hertz at the upper end but for most o
8. anted sound A window in the interface displays Noise re moval when the program is activated Although more user friendly than a full blown audio editor a user will still need to consult the user s manual to get the most from some of the con trols A nice feature is a window that displays a video file to allow the user to monitor video footage while ad justing it s audio SoundSoap 2 is compatible with most audio files but not MPEG 1 or MPEG 2 Audacity Audacity This free to download open source program is the most powerful of the three It is being con tinually improved and made more feature rich by enthusias tic sound geeks and has a huge fol lowing on the Internet Being the most professional of the applications featured in this article and having a more typical sound editor interface it comes with a steeper learning curve than the other two However the tools for cleaning up sound for the videographer are not difficult to use once one learns which of the many tools Audacity has to offer Normalizing or reducing extreme audio peaks in Audacity Chet demonstrated by clicking on Show Clipping under View on the program s drop down menu This highlighted the extreme peaks of the demo recording From there he went Continued page 3 2 APRIL 2012 NEWSLETTER OF THE VIEWFINDERS DIGITAL VIDEO CLUB OF CUPERTINO Audio Sweetening Fixing from page 2 to Amplify under the Effect menu This
9. ers I think these artists were our ancestors They were not satisfied with just a single snapshot or image but wanted to convey more frame by frame Recently I was listening to an expert on DNA and he was asked How does the Neanderthal differ from today s humans His reply was that This past April 15th the Viewfinders Club lost a longtime member Richard Pugh 78 Richard Pugh was one of the founding mem bers of the Viewfinders Club back in 1997 when the group met in the Card Room of the old Cupertino Senior Center to watch VHS videos on a small television at the front of the room He was a prolific maker of videos of his two grandsons as they grew up Richard was our first Club member to focus his videography work on family history He was elected our Club President for 2000 and presided over our first Club meeting at the Quinlan Community Center where we now meet It was during his tenure that the Club newsletter began distri bution via E mail by Editor Skip Stevens Later in 2000 along with Club members Bernie Wood Skip Stevens Fred Pfost and Bill Mannion Richard helped conduct the Club s first and only formal class at De Anza College titled The A B C s of Videography By the end of 2000 Richard developed the Club s first website which he diligently maintained every month with new and fresh material 4 APRIL 2012 of all of the millions of DNA markers modern man only differs in less than 1 00
10. f us our voices record somewhere about 400 hertz Some sound editors including Audacity provide tools to manipulate the frequencies of a voice recording to both improve speech and remove or lessen unwanted sounds interfering with it SOUND EDITOR PROGRAMS The Levelator This free to download application is the simplest of the three It s only purpose is to Normalize sound That is it balances out the extreme peaks of a recording by bringing down loud peaks and increasing quiet passages For example a docu mentary movie may contain clips from a variety of sources who s vol umes may differ greatly The Levela tor will analyze then normalize them to bring them to a common sound level It has a very simply drop and drag interface but can han dle WAV and AIFF files only SoundSoap 2 SoundSoap 2 is priced at about 100 More professional versions with more features are available at higher cost This program sits somewhere be tween the other two It is not as pow erful as Audacity but has a much 2 Laio UF 4 Tae Transfer et SoundSoap sE friendlier interface Many of its tasks are automated which will please the casual user and requires no head scratching learning curve The pro gram s primary functions are to re move noise and improve overall audio With only about a dozen knobs buttons and sliders the pro gram will remove hiss rumble room noise electrical equipment hum and other unw
11. l shots yes they were there 6k 10K and the state of the art high end editing software hey great deal AutoDesk just reduced the cost of its Smoke editing software from 13k to 3 5k and that is just one piece of their suite of editing tools But since I did not have that kind of money to shop with I walked around and visited the booths to get a better idea of what the industry is doing and where it is going What I did learn is that the industry which had touted HD Super HD Ultra HD 3D and Improved 3D over the past few years is no longer trying to get us to buy bigger and higher definition TVs but is focusing on two primary areas One is the world is going to streaming and all products are focusing on how to squeeze compress transmit receive and process all these high end HD signals to get to the consumer a better quality image So a lot of effort this year seems to have been done in this area and it starts with cameras All the new cameras HD only SD Video is now history except for those with these cameras are coming out with higher faster compression systems to capture the images from larger sensor chips and providing an improvement in the image quality And the other big push of interest to those of us amateurs below the poverty line for pro sumer video cameras is that still cameras DSLRs shooting high end video are becoming the standard for everything from casual shooting to semi pro production ou
12. may seem counter intuitive as we want to reduce the peaks not make them louder but the Ampli Anpiily by Dent Marcos a Axelteston iit iho fier win How Paak Amplitude ia 1 0 dow he Abow eero allows a negative aE H decibel number Chet selected 3 decibels which was about right for the sound demo s extreme peaks A note of caution using Amplify to increase the volume of quiet passages will also bring up the inherent noise of the recording equipment so use with care Noise removal with Audacity Chet s demo recording was made while walking through an alleyway At times he was silent and at times he spoke sometime softly and sometime loudly Noise was very apparent in the silent passages and when he spoke quietly with the microphone further away from his mouth In Audacity Chet opened the Noise Removal window under Effect and selected a sample of a non speaking passage Audacity then analyzed the passage to produce a sound profile It will then make a recommendation as Bor Noise Rermowval Noite Rernoval by Ooreiaic Mazzori le Woi Select a few secoeds of uit aoise so Avdacity kiyas what out then click Cet Notte Profile Cat Noise Protec up Select ali of the audio you want Shered choore how much noise you Sai Ost and then click OKT to remove noise Noire redection s k 24 Seesnwty 88 0 00 TE j gt j n 5s gt a j
13. o gram and know that each of you will support and appreciate all of the ef forts these kids and Ms Woods are putting into their projects Come and enjoy the show We are still filling a couple of the monthly programs and if you have an idea or know someone that can do a good interesting presentation let me know I will follow up with them and see if we can get them in this year See you all at the meeting Bob Meacham To enhance the Club newsletters Richard started writing the President s As I See It article which appeared every month beginning in mid 2000 In 2001 he became our Club Secretary and early that year he expanded his videography work by becoming a Public Access Producer for Cupertino Community Channel 15 producing weekly half hour shows titled Never Give Up based upon the Sunday messages at his Queen of Apostles parish in San Jose Richard did all of his video editing with Adobe Premiere on an Apple Power Macintosh G3 in collaboration with several other Club members including Ernie Piini Ed Nunes and Bill Mannion who assisted in the tapings He continued to screen his family videos participate in Club activities and work on the Club website until he moved to Roseville in early 2006 following the death of Caroline his wife of 47 years Our Club is indebted to the contributions and innovations that Richard made for the Club over his nine years with us He will always be remembered by tho
14. onthly issue Send address and email corrections to the publisher MONTHLY CLUB MEETINGS Held in the Cupertino Room Quinlan Center 10185 N Stelling Road Cupertino California Watch the calendar for programs updates Guest admission is free MEMBERSHIP DUES 30 for individuals 35 for families 5 for full time students OFFICERS officers viewfindersclub org President Bob Meacham president viewfindersclub org Vice President Craig VonWaaden vice president viewfindersclub org Treasurer Frank Swanson treasurer viewfindersclub org Secretary Ron Rhodes secretary viewfindersclub org WEBSITE www viewfindersclub org Sudoku Puzzle Solution from Page 7 8 APRIL 2012 CLUB MEETING EVENTS 20 January 11th Wednesday Award Winning Amateur Movies screenings from recent AMPS and SCCA events March 14th Wednesday The importance of audio narration to capture and hold viewers attention By Dana Marks Voice Over Profes sional May 9th Wednesday Nimitz Grade School Movies screened and presented by teacher Susan Woods Tech Tips if time allows July date to come Program to be announced Tech Tips if time allows September date to come Program to be announced Tech Tips if time allows November date to come Golden DVD Awards Night screening of the top three movies for the year also election of Club officers for 2013 12 February 8th Wednesday Microphones Fred Pfost
15. roup that is making the Club s 2012 movie The answer to this month s puzzle appears in the back of this newsletter Have fun TREASURER S REPORT FOR APRIL 2012 JOIN RENEW YOUR CLUB MEMBERSHIP FOR 2012 The membership dues for 2012 are like last year 30 for individuals 35 for families and 5 for full time students Bring your check or cash to our May meeting Make checks payable to Frank Swanson with Viewfinders Club Dues on the memo line Frank Swanson REFRESHMENTS VOLUNTEERS The club thanks those who will or have provided refreshments Please let Brian Lucas know which months you will be available to volunteer Jan 11th Craig VonWaaden Feb 8th JoAnn amp Fred Pfost Mar 14th Nancy Wood amp Trixie Visser Apr 11th Linda Grodt amp Brian Lucas May 9th Bill Loden amp Craig VonWaaden November _ June 13th Jack Gorham amp July Glenn Mooty amp Milt Kostner August Irv Webster amp September Virginia Misoff amp Gordon Peterson October Open Open 7 APRIL 2012 VIEWFINDERS DIGITAL VIDEO CLUB OF CUPERTINO NEWSLETTER OF THE CREDITS Editor and Publisher Brian Lucas newsletter editor viewfindersclub org Viewfinder Newsletter is published during the fourth week of each month except December for Viewfinders Digital Video Club of Cupertino members Please send announcements and articles for submission to the publisher during the two weeks previous to the following m
16. s audio tracks or is willing to explore the sophistication of a more profes sional audio editor Chet provided demonstrations of three applications at least one of which should address one s comfort level of sound editing and improve one s future audio tracks E CSS PAE d 5 erm ih Viewtinders VVeb site I viewfindersclub org Latest Updates Meetings Page Watch John Di etrich s Gold DVD honorable mention movie The Pick Up Download the short video loop Baseball View Chet Davis s April presen tation on Audio Clean Ups Productions Page Click on past club video production titles to view excerpts Newsletter Page Download all Viewfinders Newsletters since January 2007 with a list of se lected articles Webmaster Frank Swanson April Members Videos Screened Half Dome Hiking Adventure by Craig VonWaaden Green Screen Workshop by Milt Kostner Vietnam and Cupertino Memorial Park by Gordon Peterson a T NEWSLETTER OF THE VIEWFINDERS DIGITAL VIDEO CLUB OF CUPERTINO PRESIDENT S MESSAGE One Million Years of DNA If you look at petroglyphs from a million years ago you will see many scenes that are a single image depict ing something that was important to the people at that time Every once in a while you find one where the art ist tried to capture more of the story by showing multiple steps in the im ages As videograph
17. s much much better than a hard wired lavaliere system especially for those of you who shoot while moving your camera around and or your subject is moving A wire less system is a great tool to add to your set of equipment Note UHF sys tems are best less chance of signal in terference but VHF systems are OK if price is an issue Placement of the lavaliere mic plays a critical role in how the mic picks up your subject s voice Proper place ment will help you capture good clean audio For the best results have your subject Wear a button down shirt The mic should come up from underneath the subject s shirt so that the wire is hidden and connected to either a wireless transmitter e g Azden WMS PRO wireless micro phone system on left for about 150 or directly to the camcorder e g Pyle PLM3 Wired Lavaliere Uni Directional Microphone on right for about 10 Place the mic between the top two but tons or about eight inches below the talent s mouth By placing the mic be low the mouth rather than off to the side you re maximizing the lavaliere s ability to pick up sound You may need to adjust the mic s placement up or down to find a location that best avoids the bass of the chest cavity and the pops of plosives Here are a few tips when using a wire less lavaliere system 1 Always keep a line of sight between you and your subject especially true with an UHF system 2 Always u
18. se fresh batteries in the transmitter and receiver devices for each event that you record and bring along a set of spares just in case the first set gets drained before the event is done and 3 When buying a wireless system choose a diversity receiver system i e there are two separate sig nals from the transmitter for the re ceiver to choose from so that you don t experience drop outs 2 No Mic Jack No Problem If you _ have a favorite camcorder 3 but it s missing a jack for an external microphone there are some work arounds The most ob vious one is to simulta neously record your subject s voice into a standalone digital recorder e g a Roland Edirol R 05 Voice Recorder for around 200 AND into your on camera mic Later in the edit bay sync up the two sounds and then disable the camera mic s audio track while using the audio recorder s track for your movie I do this all the time when I have two subjects to record in the same shot one subject using my wireless mic and the other using the standalone recorder Another workaround is to make sure you re prepared to capture good audio Locate yourself in the best position to capture the voice of your subject as close as you can get while pointing your camera directly toward the sub ject with surrounding noises at your back A third workaround is to ensure that your subject speaks directly into the camera microphone Have the sub ject face
19. se who knew and worked alongside him as a Viewfinders Club member Frank Swanson NEWSLETTER OF THE VIEWFINDERS DIGITAL VIDEO CLUB OF CUPERTINO What s New at NAB By Bob Meacham 4 days 10 5 Million square feet 1 600 vendors and 92 000 visitors What do all of these numbers have in common Those are the numbers from this year s NAB National Asso ciation of Broadcasters Convention in Las Vegas Each year at this con vention the hardware software and big players in broadcast television radio movie and independent pro duction companies come together to show off their new products and sell them to TV networks stations movie companies and independent video makers It covers everything from the camera and associated equip ment to the broadcast link to the distributor to the local stations to the television we all watch it on Every equipment aspect of radio television films and editing are covered More to the interest of amateurs like you and I are the camera lighting microphone software and publica tion items that are the state of the art for the coming year It is a one stop place to see what is new and where the video world is headed Of course this would all be made much nicer if we had say 100k to throw around on things like high end video cameras jibs computer controlled sliders steady cams lighting pack ages tripods top of the line micro phones personal camera drones for aeria
20. tfits Almost every camera maker there Canon Panasonic Sony JVC Ikegami and Red One offered some form of a still camera One area that was of note is that the editing software companies have decided to make more features avail able on fewer variations of their products They are streamlining their suites combining more tools into the products so that you can now do things like a wider range of audio editing and more special effects in your basic video editor software Most of what you and I might want to produce a good video edit can now be found in one software tool leaving the specialty tools for those that want to do more There was more than enough equip ment booths video editing demon ideas for life strations and product presentations to fill all 4 days if you could cover the ground After the second day one starts to choose what one sees by 1 do they have seating to get off your feet show floor is open from 9am to 6pm casinos open all night and 2 are their chairs comfortable some were very and some not very As John mentioned in his article last year if you get the opportunity to attend at least once it is very enlight ening can be very informative and an experience you will not soon forget age being factored in of course All of this without even mentioning the wide world of things that can get done and experienced in Las Vegas while attending the trade show That I will save for another ar
21. the camera or just off to the side by a few degrees Don t let them turn their head away so far that you lose the volume and reduce the signal to background noise ratio It s OK if they look directly toward your left or right shoulder but not more than that Continued page 7 6 APRIL 2012 NEWSLETTER OF THE VIEWFINDERS DIGITAL VIDEO CLUB OF CUPERTINO Tech Tips cont from page 6 3 Always Wear Headphones to Monitor Sound Always listen to the incoming audio to your camcorder with head phones so you can hear what s being recorded Pay close attention to any addi tional noises caused by the material of your subject s shirt or a dangling necklace that scratches against the microphone if there is fix it Practicing proper mic placement and monitoring will help you capture great audio every time An additional way to monitor the sound is to use the camcorder s internal audio monitoring system if there is one available on the LCD dis play This will tell you if the sound level is either too low then increase the level setting or too loud then reduce the level setting Back in the edit bay you can raise the audio level if it s a bit too soft but if it s way too loud there isn t a lot you can do to eliminate the clipping 4 Avoid Excessive Background Noise This problem of background noise sounds is especially common when recording outdoors pools The sound i
22. ticle some day m eoceerec cere ee ec eee eee eee eee eee ee see ee see eee see ees e reese eee Videomaker Magazine offers a new free report How to Make a Viral Video 11 Tips to Create a YouTube Sensation Says Mike Rosen Marketing Coordi nator for Videomaker Magazine Every videographer dreams that their work will go viral that they will shoot something that so speaks to people that it spreads like wildfire over the Internet It s a great way to bring attention to your business or show off your video creating talents And while it s impossi ble to predict what will go viral there are certain things that you can include in your videos to increase the odds that you ll have a smash Internet hit on your hands It can be downloaded now from www videomaker com r 610 E J APRIL 2012 NEWSLETTER OF THE VIEWFINDERS DIGITAL VIDEO CLUB OF CUPERTINO TECH 4 IP SHOOTING TIPS FOR THE AMA TEUR VIDEOGRAPHER Part 20 by Frank Swanson Audible Sound Recording It has often been said Sound is fifty percent of the movie going expe rience some even say upwards of seventy percent And this is not just because it helps the big box stores sell home theater systems Sound is equally important for you the video producer to pay attention to when you go out ona shoot On the Internet the small size and resolution of the visuals you get with YouTube makes sound somewhat forgiv ing as
23. udied at San Jose State earning a B A Degree in Radio and TV Broadcast ing before spending 17 classroom years teaching He now concentrates on his online instruction service and provides webinars and tutorials for video practi tioners Viewfinders members should visit his website at www yourvideoexpert com to see what he has to offer FINDING SIMPLE SOLUTIONS FOR FIXING BAD SOUND As Chet pointed out people are much more forgiving of bad video than they are of bad sound so we need to pay attention to our poor quality audio recordings Fortunately there are computer programs avail oweetening Fixing By Chet Davis able that can assist us in this and Chet s presentation examined three of them Chet s purpose was not to get into the deeper art of sound manipu lation but to find simple solutions to deal with common audio recording problems The techniques covered were Equalization Normalization and Noise Reduction Noise in this sense and for the purpose of this arti cle means undesirable sounds such as rumbles clicks room resonance and unwanted ambient sounds etc The software applications examined included two freeware programs Levelator and Audacity and the rea sonably priced SoundSoap 2 But before we begin cleaning up sound we first need to record it so Continued page 2 1 APRIL 2012 NEWSLETTER OF THE VIEWFINDERS DIGITAL VIDEO CLUB OF CUPERTINO Audio Sweetening Fixing from p

May 2012 - Viewfinders Digital Video Club

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