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1. d E EEE B TR 909 NI By Moises V Emulation of a classic Roland TR 909 drum machine On MIDI keyboard starts on C3 and continues on white keys VINTAGE ELECTRIC PIANO By Lynden Garrett Multi sampled Vintage Electric Piano Rhodes Features a 4 layer sampled suitcase rhodes Easy to use sounds great SYNTHS EMULATION me vor im cs E r f DaD IER nd MA s ALLA x r Crevetope Gerner stor j Mundra A Trogan Chan 3 ax aster VINTAGE SUITCASE By Jonathan Style The ensemble contains freely interpreted emulations of Yamaha s CS 5 Arp s Axxe and Arp s Odyssey It also contains a Line mixer with send amp Return a Micro Space reverb effect and a Stereo tap delay from the effects library When you load the ensemble you will have to locate the line mixer and change its preset from All Off to another snapshot Some controls for each synth are also present in the B Windows VIRAL EXTINCTION By Stephan V Polysynth similar to an Access Virus A 3 oscs 2 main 1 sub with sync amp fm saw pulse triangle sine and 62 original virus waveforms 2 fully independent multimode filters low high bandpass and bandstop with adstr envelope t sustain time different serial and parallel routing options saturation stage between the filters with 4 saturation types amplifier with adstr envelope 2 Ifos 3 slot modulation matrix on panel B2. CK SNARE r SEL TUNE GRAINSPEED SAT SEL TUNE GRAINSPEED ROT ONE NOS D CH OH SEL 000 0 0930 EE 66000 odL UNE ee ME GE eenegen Q re ess i ame om seed i pm i ae C eege Grenn PERC a CC gege NoE Iw LO HI DEC ACCENT StrT LeN SWING sENs sMo D CuT wo a r EFFECTS RESON DELAY GATE r METAL REVERS 01 O2 FRO RES RT60 Size 9 9 9 men JE 9 d x fb Ifo dmod fm LIMELITE By J rg Remmer M ller sample based drumpartner with more than 100 drumpatterns drumbox in rolandstyle sample based some analog hihats with quick n easy 16 step sequenzer step remixer gate controlled reverb and delay comb filter for extra percussion and your funky drummer who built the 106 snaps based on Baz s Pre Skool feat by Uwe G Hoenigs Seq Remix part and Lazyfish s envelope follower Instrument Picture from Boss GS 10 have fun please write and vote Remmer remmer remmer de LOOP SPOONER By David Dayneko X Y based mixer for crazy idm beat loops The is another X Y based mixer for 4 loops This one is a little different and designed for more beat driven music uses beat loop sampler The Rand knobs can induce slight or severe variations in knob settings The LFO will automatically move the actual mix point around the selected center point For some reason these LFOs are a little sticky I usually have to wait a beat and then move the XY around to get them going Hook it up to the MIDI
3. If A attack is set to far left sample will come in as soon as you play a key If you turn up this knob your sample will fade in instead Try this envelope one 2000000 vel va vod Likewise if R release is fully left sound will stop when you take your finger off the key and if this knob is turned right sound will fade out when you take your finger off Also above Vel stands for velocity the sample s volume will be determined by how hard you play the key and is more sensitive as you turn this knob up V gt a and v gt d tie velocity to attack and decay respectively More envelope information can be found in Documentation Audio COFA Studios Equipment Synthesis pdf filter mode cut res track mix The FILTER determines what frequencies from your sample are heard the tone The CUTOFF cut will remove frequencies from the high end or low end of your sound according to which mode you choose For example LP low pass will remove high frequencies while HP high pass will remove low frequencies RESONANCE res will raise the volume of the frequency that the cutoff knob is set to TRACKING track means that the cutoff frequency will change according to where you are playing on the keyboard There are two filters in this sampler the MIX knob determines the balance between them The LFO section low f
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5. HARMONIC ANALOG 000 SAMPLE In the mixer section you can control the output levels of the bass drum snare drum and hi hat signals The percussion and cymbal levels are edited via the menu In the output section you can set a master output level of the stereo sum output It does not affect the output level of the single outs At the bottom of the instrument are seven switches These are for muting unused sounds to save CPU power 8 MIDI Note allocation MIDI Note Note Sound 48 C2 Bass Drum 49 C 2 Rimshot 51 D 2 Handclap 52 E2 Snare Drum 54 F 2 Closed Hi Hat 56 G 2 Pedal Hi Hat 58 A 2 Open Hi Hat 60 C3 Crash Cymbal 62 D3 Ride Cymbal 66 F 3 Closed Hi Hat 2 68 G 3 Pedal Hi Hat 2 70 A 3 Open Hi Hat 2 All sounds are velocity sensitive The velocity controls the sounds level SUN SSN dS LL J8JO4UOD TLL Z PIOH 69 SUN dd OG J9J 04UOID 97 sunjeq OS LLL 49 104 U0D LLL S4 oye6e7 89 1949 JEHIH GZ J9J 04NUOID GZ eo q US OLL J8j 04U0Q OL L lep d YOS 29 VS J8J 04UOID YZ Addeus qS 60L 491104 U0D 601 O NUB SOS 99 a dwes JEHIH ET A9 OJUOD ET sunl dS 801 18j04U0Q 80L 40 00 EHOd 99 eo8d HO CS J9J O4NUOID ZZ 03 dd ZOL J8J 04U0Q ZOL pad sadweg 79 eoeg HO LZ Joo LT eo q d qg 90L 19 l0O3uoO 901 CO J8j 04UOQ 9 Ur JEH
6. Sync Release Amp Env Release 115 Controller 115 Osc 2 Saw 30 Controller 30 Attack Amp Env Attack 116 Controller 116 Osc 2 Pulse 31 Controller 31 PB gt Cutoff Brightness Filter Cutoff 117 Controller 117 Osc 3 Saw 32 Bank Sel LSB Controller 75 118 Controller 118 Osc 3 Pulse 33 Modulation LSB MW gt Cutoff Controller 76 Filter Mode 119 Controller 119 34 Breath LSB MW gt Resonance Controller 77 Filter Keytrack 120 AllSndOff 35 Controller 35 MW gt LFO Amt Controller 78 121 Reset Ctrl 36 Foot LSB MW gt VCM Osc3 Controller 79 122 Local Ctrl 37 Porta LSB MW gt VCM F Env Gen Purp 5 123 AllNote Off 38 Data Ent LSB Gen Purp 6 Noise on off 124 Omni Mode Off 39 Main Volume LSB PB gt Pitch Gen Purp 7 Noise Level 125 Omni Mode On 40 Balance LSB LFO gt Osc1Pitch Gen Purp 8 Osc 1 on off 126 Mono Mode On 41 Controller 41 LFO gt Osc2Pitch Porta Ctrl Osc 1 Level 127 Poly Mode On 42 Pan LSB LFO gt Osc3Pitch Controller 85 Osc 2 on off Bl int MX 6000 E DT in lt put v se 1 Init Patch w uoces 6 unison 1 l DELAY EFFECT voice mode arp mode arp speed analog glide time vel on dw fb inv time mod rate f POLYPHONIC VIATUAL ANALDG Pol CHE F 116 F i oly 6 G is e LEN GE REES SYNTHESIZER OSCILLATOR I MIXER FILTER waveform range osc2 gt osc
7. controls the speed of the cursor for a given speed of throw To decrease speed increase V jaModulators The purpose of jaModulators is to let you set up complicated dynamic modulating patterns using a small number of settings Instead of specifying all the detail of a pattern step by step with one throw of a cursor you can set up a slowly changing frequency pattern that varies and evolves over the playback of a jamLoop How does this work Let s take a look at the F jaModulator in a jamLoop and see how it works with the Slp function The discussion is geared to the case of the F jaModulator but other jaModulators in future jambientRkt versions will work in the same way The third dropdown menu from the top is where you pick the function for the jaModulator Nrm normal Lvl level Slp slope Sin sine Tri triangle The top two dropdown menus beside the parameter pad control throwing of the cursor in the parameter pad see above Select the Slp function then click or drag in the parameter pad as your sample is playing Watch the yellow dot in the background of the parameter pad it tracks the value output by the jaModulator as your loop plays back You ll see that in the case of Slp the dot moves in a straight line The slope of the line is set by the X position of the cursor in the parameter pad the intercept by the Y position of the cursor When the cursor is centred left right the slope is flat to the left of center t
8. delay with automation Note after opening the ensemble hit the play button in the toolbar and select a snapshot to run the fx See panel b for more description sample module and int ext switch Set to ext so that it receives your source rather than the demo file sampler 00099 9 G nn f pb glide st gain pan st env shape filter 69 m 096 arm GIG link modi drive shape speed modi res track mix a mode cut res track envelope one sequencer 99009999 a x int WOR ERE 15 7 HSE 12 3 copy paste clear sm RR 99099999 rut a h d s r vel wa va Helo Q GCE envelope three shape sync poly phs off or foft ert FF 99099 000 SS oom Q3q 30 999 133000 WWW LOST ONLINE COM time fb cut pan mix ime spd mod pan mix SAMPLER By James Walker Hall Basic sampler multisampler Ni Make sure you ve got the INFO button on Control click in the large blue rectangle near the top to load your sample see above ECH left Click the A window symbol to see the full ensemble H Top Right If your sample is stereo turn the stereo button on sx qain Top left To move your sample elsewhere on the keyboard use the OCTave 12 keys or SEMItone 1 key knobs Tune your sample with FINE 000 semi fine SAMPLER CONTINUES OVER PAGE SAMPLER continued Mid Left The ENVELOPE use 1 controls how the sample reacts to your playing
9. follower different massage styles Number of voices determines number of bands WARNING High CPU level save your session before using this spektrum MOUSE L R over the spectrum area will move the peaks from the bass end to the treble end MOUSE UP DOWN will broaden or narrow the frequency range affected spektrum shar Q B E EarSafe Vs 1 1 H ec In Out il Metzger voices 2 unison 1 put Bit Contuser Sample Rate Contuser rive Butput Ce d ec C es 1 1 lt 7 TE Era Eri CE EO eee EAR SAFE By Florian Schwehn alternative Bit and Sample Crusher This is a small collection of more or less classical destructive tools to mash up your sound featuring Buzzer amp Bit Crusher Sample rate Reducer with Formant and Harshness control Saturation some Auto Degain and Damping functions to save your ears DeNoise control affecting the behavior of the Buzzer FX GATE By James Walker Hall Better than the Protools gate O B g Transcoder Ja ed In v Out v el 8 all features in use uoices 72 unison 1 post delau G TRANSCODER By gabriel mulzer realtie transcoder spectral vocoder spectral delay reverb shifter warper time freezer update of Helioclast New in v1 1 auto learning keyboard split option Uses a low res human auditory model to provide some unique features formant shifting formant
10. force in the stereo image jamFadulator for fading channels up and down including motorized fade up fade down crossfaders and a two dimensional cross fader that lets you control four sets of channels simulateneously A future release of jambientRkt has a grain resynthesis sample player that allows independent pitch and speed control and beat chopping that allows you control the order in which segments of your sample are played jambientRkt Light is distributed with four copies of the jamLoop player To make further copies see the note at the end jambientRkt Light Quick Start Use the sample in the ensemble or load your own sample into a jamLoop click the play button which looks like the square stop symbol on a tape recorder and turns into a triangle when playing then try the jamLoop snapshots to see the different playback effects you can get with your sample Drag and drop new samples into your jamLoops using Reaktor 4 s browser To facilitate this use the Perl mapper program supplied in the package which generates Reaktor map files pointing to single wave files so that dropping these map files in a jamLoop loads the wave file Note that jambientRkt is designed to be with loops where Loop is on and Rls is set to off mapper generates appropriate map files for this Get a couple of jamLoops going then try recalling snapshots in jamPaneer to see how you can position or move sounds around in the stereo image jambientRkt
11. has been increased for more accurate looping Now possible to cycle individual bars measures using the Looper this is quantized so when you change to a different bar it will change on the beat thus this is also a very useful tool for playing live Other improvements modifications More flexible Sequenced Random Generator for those of us who like Random changes to Sync to tempo Use view A of the FourTechre ism to see this All scenes have AHDSR controls for an Envelope Shaper thanks JWH All scenes have an FX send amount nice for having delay ona couple of scenes instead of all of them A new Morphing Filter instrument is also included the Sequencer is taken from Martin Brinkmann s Grainstates Use the Dry Wet Cross Fader to send the output of the FourTechre Instrument to it A Dub Delay thanks Dieter Zobel is also included with the Filter You can change the Snaps of the Filter ism from the FourTechre ism For demo purposes the other FX is another Dub Delay Notes for version I settings for loop start and end points pitch stretch grain reverse and sample select of a resynth sampler are via a sequencer or your qwerty keyboard triggered by 8 scenes the grains can be synchronised to tempo further modulation is also possible from 3 different sources to provide the possibility of continually evolving patterns ideal for revitalising old instrumental loops AND break beats ke mnd ta Lat E RE qas ia
12. low boost chorus and delay effects on panel B www myspace com sectoralpha Led fw y m WALA VIRTUAL PROPHET By Stephan V emulation of the pro 53 synth with some additions I ve added a suboscillator a saturation stage after the filter and a velocity matrix editable via two simple menus x ameh 1 i PITCH GATE ENV 1 74 SEQ Thinktank Jv Voices 4 Unison 1 JE OUT 99 99069 299 a OCT SEMI FINE PB GL OSC 1 00000 OCT SEMI FINE TRK MIX d mn tv ros KN MEN Ce SYNC FM FM CUT AM OSC 2 3 o0000 OCT SEMI FINE TRK MIX ROUTE CNN ES CSC o e eF CDE mamara CODEN CB WWW LOST ONLINE COM 3X By James Walker Hall VEL V gt A V gt D FILTER 1 2 eee OF PRE CUT RES TRK MIX won 0 E ER EK Ek KE Ra PRE MODE AML AM2 ENV 2 3 990099 499 990090 ooo VEL VA V gt D SEQ 1 2 3 gd em PASTE CURVE CLEAR DELAY CHORUS PRE CUT RES TRK LFO 00 SHAPE SYNC POLY PHS 8 AM FM 66009 90000 TIME FB CUT PAN MIX MOD F MOD PAN MIX I wanted to make a general purpose synthesiser compact easy to use and light on cpu yet still capable of a wide range of quality sounds Only the A window contains all controls http www lost online com Some bellish stuff xw Voices H Unison 4 eee ks EE Oscillator 2000 ES Es t 7 ug ug D 51 13 AURALIS By Kristian Thom Auralis is an experimental synth
13. reconstruction for polyphonic input spectral warping reharmonizing freezing and pitch shifting of course the spectral delay part is actually just a freezing melting effect I just couldn t resist to put this phrase into the description it s running realtime but introduces some latency unavoidable by the laws of physics I think a non realtime sequenced version would be more useful 1 En 1 Default v Be Goniometer Stereo Enhancer Stereo Enhancer GONIOMETER STEREO ENHANCER By Hey Jijdaar Goniometers or audio vector scopes give useful stereo phase information and can be fascinating to watch Additionally stereo enhancement capabilities were added Make mono sound stereo Accurately orientate a sound in a mix Stereo expander for mono or pure stereo Automagic Gain Control is used to keep full view Click and drag over the scope OR over X Y values to control the Stereo Maker This is achieved by changing phase between L and R using 1 Pole Allpass modules When Pole is set to 1 X 0 Y 1 has no effect X 0 Y 1 invert phase X 1 1 Y 0 out of phase Increase stereo complexity with pole parameter Use the angle parameter to control the sound orientation The expander can be used to control the amount of stereo Increase Sample Rate to obtain continuous lines www remenance nl graidelverb v3 i m u i x w Voices 1 Unison 2000 re DS 500 0 0 D 15 D o 25 reverb s ereoize
14. sources Only the controls at the overdrive and LOFI sections can only be modulated by the control knobs and the modulation wheel because they are monophonic The menus select one of 16 modulation sources The label of the menu shows the modulation destination The small knob beside the menu controls the amount of modulation Polu ra vecta volume split x range glide pb det sprd 099009 f osc shift D H s aa eedb ie f l ee Sjo ete ee f k 4 IC feedb peler of FZ La Co Amount Destination Source Concept X User Manual 13 4 Connections Concept 1 2 3 u s 6 8 The instrument has two audio outputs and three sequencer inputs The inputs can for example be connected to the PLASMA sequencer P Pitch input G Gate input CV Control voltage input Hard wired to the modulation wheel s v positronics 2007 Made in Germany Introducting jambientRkt Light jambientRkt Light is a Reaktor ensemble designed for live jamming with samples geared to ambient style sound making and nonrythmical audio collage It s designed to be played inside the Reaktor interface rather than to be played through MIDI input jambientRkt is an outgrowth of ideas first developed in Jambient www jambient com a VB program jambientRkt Light consists of three instruments jamLoop a sample player and manipulator jamPaneer for dynamic panning and spatial effects lets you throw sounds so they bounce back and
15. that makes all manner of strange sounds and sound effects The heart of the synth is basically an osc or two going into two delay units one for each channel that are modulated at an unusually high frequency rate most of the time The heart of the heart of the synth would then be the Micro delay mod so have a peek in there if you re interested You can use the Randomize button in the Snapshots window to create snaps but it s not really suited to the Morph function in that window Fully polyphonic excluding the effects so it may be a bit heavy on the CPU Random note player All the presets have been saved with this player on SO you can just sit back and listen m mmm m lt en Ref iw A TNT AL SINTHERIZER CONCEPT X By Stephan V HIGH CPU WARNING Concept X is a four oscillator polyphonic wave table synthesizer with DX 7 style phase modulation This greatly increases its sonic capabilities far beyond the borders of classic wave table or fm synthesis It s also equipped with a multimode filter for subtractive synthesis The sounds range from classic wave table or fm timbres to very complex textures or virtual analogue sounds even pulse width modulation is possible To spice up the sound it has an overdrive and sample rate amp bit reducer effect and last but not least two multi effect units Comes with 81 snaps and a user manual http www myspace com sectoralpha Make sure you check the
16. 1 pw osc 1 cutoff reso envamt keyb volume Ny sync ZS ZS x iM EN a aay aay A if Le 169 Vos V 4 4 Ni osc 2 mode nv OSCILLATOR 2 p e tb range semi detune os osc1 ose2 osc3 pw1 pw2 pw3 filter AEA ER VET VE A A A A A spread attack decay sustain release Z e p p VOICE MODULATION IC 7 P Ze P del osc 3 fenv env gt o0sc P 4 OSCILLATOR 3 AMPLIFIER j E dech EES keyb lofrq attack decay sustain release osc1 osc2 pw1 pw2 filter Ce G 6 d a 1D FLO ID YE yn A e 4 V
17. 120 ep ab i L D Ki SI Hold LG iag Hise Good example of Physically modeled string pluck synthesis Extensive notes at the right of ensemble ACOUSTRING CLARKINET By JJ Clark A physically modeled clarinet like instrument with adjustable bore sections and adjustable reed nonlinearity CLAPTOMAT By Programchild alter style of clap Top 16 Handclaps or finger snaps change number of claps 1 grey button at right toggles between handclaps and snaps With humanizing fader EE ne ER e Es ES EN Es GH E FATCAT By santoni pascal Emulation of the classic minimoog v synthesizer Several effects and routing possibilities are only visible in the B window HAMMINGWAY By heinrich angel B3 upper organ with Leslie and Reverb This Ensemble is a Clone of a Hammond B3 Upper Keyboard with a Leslie 147 Clone and a Springreverb Unit The Modulation Wheel switch the Lesliespeed from slow to fast SYNTHS EMULATION ES as EJ SEE ol D JUNO 106 mr In v Out Siar 1 Snap 4 voices 6 umson 1 DELAY RATE TIME RANGE LFO PWM ru gd pitch CH run qte len rate steps transp dest copy clear edit steps Re 68996 Sem EI SS OEE SEES UR LLLI JUNO 106 By Stephan V Complete and accurate emulation of my Juno 106 The only differences in the synth engine ar
18. 2 dB highpass 12 dB bandpass 12 dB lowpass 24 dB lowpass 12 dB bandstop 24 dB lowpass juno 24 dB lowpass pro 52 24 dB lowpass moog ladder 12 dB lowpass TB 303 24 dB lowpass Grobian old Comb filter 12 dB lowpass with phase offset modulation Cutoff Filter cutoff frequency Reso Filter resonance bipolar Kbd Filter cutoff frequency keyboard tracking phase offset In the phase offset mode the signal is first feed into a delay with a very short delay time depending on the note played If you feed a sawtooth wave into it and turn the phase knob fully to the right you ll get a square wave If the filter is not in use turn it of to save CPU power Concept X User Manual 8 3 5 Drive amp LOFI Concept X has a simple overdrive unit The signal is distorted by a parabolic saturator Use the drive knob to adjust the amount of distortion The button at the upper left corner turns the overdrive on or off drive bit s rate 8 s rate bit o a drive Of F The LOFI unit is for lowering the sound quality You can adjust the bit resolution bit knob and the sample rate s rate knob The button at the upper left corner turns the LOFI unit on or off 3 6 Multi Effects diu feedb inv time mod rate type Fe 992000 Ga ie m d w feedb iny time mod rate type 950000 Concept X has two independent multi effect slots Each of them contains the fo
19. B Window to manipulate parameters see below a w eg s er we ET SKITIT a 00 ji ng mo e Lat e ge mot rete Ve s enges See the Full manual for this ensemble near the end of this document SYNTHS OTHER O 0 0469 9 0 6641 4 0 1133 9 0 0938 4774 5 2 0703 0 1875 0 1016 DERELAYER By James Clark An experiment with pitch synchronous delays An experiment in harmonic manipulation using pitch synchronous regenerative delay lines applied to oscillator waveforms Good for making shimmery pads and off centre leads ERT in w Outa SES 18 2igit add J B Glitch Sampler AAA 18 22 39 Kid B Dual Res Ki i 0 17 SN TM GE 16 KEN 37 0 78 36 DEKT a we er belge Siar due Zigit dd v voices 4 unison 1 dh m am 0 04 I SI J 43 8 SS 6 1 85 Q wy GY GY Gi 29 Zigit dd v voices unison 1 O B E traumDelay Ja BET In v Outw gt EOS 2 By Don Dailey hybrid sample glitcher Glitch Sampler was built following Dave Pape s Reaktor Diary Blog http reaktordiary blogspot com My version uses my own samples and has randomizers for the FM and sample controls In lieu of reverb I used a double resonator I made from a single mono res fx I found somewhere Added randomizers for the tune and mod controls Swap in your own samples for a
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21. REAKTOR USER ENSEMBLES v 02 Collected by Simon Hunt July 2007 click the blue BEAT SEQUENCERS rhythm making machines with or without onboard sequencers Some load audio files some create sounds via synthesis EFFECTS Effects to add to your audio tracks or instrument tracks SAMPLERS BASIC Instruments to load your audio files into SAMPLERS GRANULAR More complex samplers that create textures from your audio files SYNTHESIZERS EMULATION Synthesizers that emulate either classic hardware synthesizers or particular musical instruments SYNTHESIZERS OTHER Other synthesizers SPEED Syeedttey AMOUNT 199 g23 301 DECAY P DECAY DECAY sO AB 99 By Stephan V This is a drum synthesizer sampler similar to a jomox airbase which was based on the Roland TR 909 PLAY FROM MIDI KEYBOARD no inbuilt sequencer Try the different snapshots It has virtual analog kick and snare drums both of which can be replaced by samples sample based hihats cymbals and percussion stereo sum out and 5 single outs 2 Ifos and full midi implementation Comes with a short user manual If you want to replace either the analogue kick drum or the analogue snare drum with samples Change the analogue button in either section to sample then control click or right click the sample space that appears above to add your sample ANALOG SAMPLE www myspace com sectoralpha p s set your computer keyboard to midi c
22. RR Re oo aiai wau ey E dag r A rna imami wama mais peme bare be Pen ee 1 Beet fram I maaa mamaman Ei ia H d lt i He euJe 00 4 D HOPHIP by Didier Leboz Mixes two loops PIC BELOW time goes L R Pitch forker window changes pitch of each 16t slice centre line is original pitch Beat sorter window determines which slice of the beat to play e g lowest box is the first slice of your loop Control click or right click on the sample itself to replace Beat Treat 1 Pitch forker HIPHOP LUAU SAMPLE Set k pen vr ug eee panam LA MUSE QUI DANSE By erwan thomas sequenced beat slicer this is an update I should have upload for months but didn t have internet use it when you have a loop and want to do variation of this loop well that s just an example load a sample set the number of beat set the number of slice press play what s new reset buttons to rebuild the original rhythm gate just trig the envelopes send to effects sequencer please use the effect you want the flanger and the reverb are from r3 library the others took me five minutes to build just for testing read the tips included specially the one of the instrument I took the demo sample from an other instrument in the lib but can t remember where sorry I think it s an instrument from DJriktor but ain t sure have fun r III Wl III
23. T ee 3 2 First Step Listening to the presets a 3 3 Programming Een EEN 4 Salk amp 3 0121 Le EE 4 32 EE 5 3 3 FY see 6 KS EG EE RE RE ER RE EE 7 KE e EE 8 3 6 dE gett eege deiere 8 ST Mod latIo nm EEN 9 A GOnnecti DS 2 au u eee eee ace US oe ee ee ea ees 13 Concept X User Manual 3 1 General synthesis concept Concept X is a four oscillator polyphonic wave table synthesizer with DX 7 style phase modulation This greatly increases its sonic capabilities far beyond the borders of classic wave table or fm synthesis It s also equipped with a multimode filter for subtractive synthesis The sounds range from classic wave table or fm timbres to very complex textures or virtual analogue sounds even pulse width modulation is possible To spice up the sound it has an overdrive and sample rate amp bit reducer effect and last but not least two multi effect units 2 First Step Listening to the presets Concept X comes with a large number of presets actually 81 To change the preset you can either use the snapshot selector in the instrument header 1 or the spin below the program number display 2 The presets are grouped into five groups of sounds classic wave table and fm sounds advanced fm vector fm and analogue style sounds JET WOICES 5 Concept X User Manual 4 3 Programming sounds To program your own sound you have to
24. ample slot Draw in orange boxes to add a note The higher the orange box the louder the event You can also play a MIDI keyboard to hear notes Sample 1 appears on a C white note to the left of two black ones REDDRUM continues over page REDDRUM continued Play trigger the sample You can also use MIDI kbe control click or right click o replace the sample what output the sample uses left right how much sample reacts to how hard you play volume of sample length of sample shape of sample decay musical pitch of sample ow much does tone react to how hard you play Deck 1 SME 1 M 2 House Beat x CL dubloop 8bts warw On won toes je SIMPLEDECK Basic beatlooper filter instrument Play Protools this will sync to your tempo there Use MIDI learn button to play with filter controls from a MIDI controller Right or control click sample to replace EFFECTS ABOMINATRIX By self oscillate Crazy effects unit flangers delays and granular processes Send some audio through the presets 4 Unison 1 PitchBend i IT I BRAIN CLOWN By Didier Leboz Complex grain cloud delay Adjustable harmonics delays and frequency of the grain delays Tweak Set input source to External Input and Function to Insert FX DELITER By Programchild Spektral filter delay diffusor This effect will put your audio into a David Lynch movie Driven by LFO or envelope
25. and vowels Does a decent Tuvan monk if you tweak the parameters and mouse in the square fields User Manual AB99 gt nT In w Dutw sd 1 Snap 1 v voices 1 unison 1 PITCH SNAPPY TUNE MIX SAMPLE 2 Au ai fe WAVE SPEED Ze 1 8 SYMMETRY AMOUNT 803 025 125 060 004 P DECAY DETUNE CH DECAY OH DECAY K 1 My K Ui A Wy RIMSHOT TUNE 060 PULSE NOISE TUNE BPF DRIVE ST PARAM VALUE u T CN ai Ze 460 316 051 088 ANALOG SAMPLE HARMDNIC EQ ANALOG e SAMPLE Welcome to the AB99 This is a small and very CPU efficient drum synthesizer sampler It is purely designed for use in a sequencing environment so there are no internal sequencers or not even effects Table of contents le Comes gave 2 2 e 0 E 3 EE ee ok sasa 4 a TR see 5 Oe Ps and Cymbals EE 6 6 LFO E 7 T MENN 8 8 MIDI NOE allocation EE 8 9 Ziegler TE 9 1 Connections The AB99 has 7 outputs A stereo sum output and 5 single outs for bass drum snare drum hi hats percussion and cymbals If you connect a single out to Reaktor s audio out the corresponding signal is removed from the sum automatically 1 2 i u 5 6 8 Audio Out 2 Bass drum TUNE 46 0 PULSE NOISE 051 ARMDNIC The virtual analog bass drum algorithm offers eight controls Tune Pitch envelope amount in Hz Pitch Oscillator base frequency in semitones Decay Amplitude envelope hold time The release time
26. andom LFO Y On Mode mt Rate On Amt Rate Traversal Fixed Pitch El sin wiatn ena Inv Speed Pulse LFO Randon LFO S Tri gt OQ Sat On Sync Amt Inv Rate Width Pha On Smo Amt Rate ync Do O menm EE ar Em 20082500 mao EA Iesele HEN n CI r Sequencer np i 7 8 9 10 11 12 13 14 15 16 Sample Offset S NN Gate Sync LFO r Random LFO B e On Mode Amt i Rate Width Pha Dn Amt Rate de Bs B ei E 5 e m Et 3636 36 0 36 0 36 0 3 00 0 RELIES Sune D coco Sno EE LL a ae Gaz m By John Nowak ALL of the instructions are included in the ensemble Just be sure to mouse over the logo on the top left and it will explain everything So load up the ensemble click play important and mouse over the logo or double click it to open the inspector Red2 is in my opinion the best granular resynthesis tool available for Reaktor 3 It does not spew out an ambient mess like most of the others It instead is capable of outputting very clear crisp cohesive and experimental results It has many random and oscillating parameters that Cage would be proud of but you control what gets modulated how so and by how much This is not at all a tool that you just feed a sample and it starts outputting something totally different You have control over the entire process Red2 has three triggering modes Random Matrix or Keyboard so you can use Red2 as an experimentally random sound source a loop mangler or as a very u
27. are when using the sample select parameter as the maps only have 24 samples in each http www myspace com kitchen raver DUELING NINJAS By David Dayneko A 2 loop chopper and mixer instant IDM I set out to build something like a Dr Rex player but with a unique sound and more f ckupablity features The loop player was pretty much built from the ground up with much inspiration from Dieter Zobel s Rabbeat el Je ie d org NEA TITI d UD EL DESTRUKTO By CList Part II of the Loop Destr kt series Sequenced beat matching grain based sample deconstructionism that turns loops and samples into blazing meteors in the night sky Extensive instructions within the ensemble itself BZ Divi Triggered Randem Ganerst er Sees ENE EEEE N ENEs O22 ak OBO DBO Clech d Sat Randem u eee eee oe eo ithe amp 9 2 00060068 Tex 22 wm 20060088 cou FOURTECHRE Mk II By Phil Durrant Version 2 of the Loop Revitaliser FourTechre new in Mk II New Snaps amp Samples including Drum Keys Guitar and Voice Loops HAVE USED VIEWS A and B so remember to switch between views All scenes have Values for Loop start End and Grain number There is also a fine tune control for the Start of the Loop useful for guitar loops etc where the player anticipated the beat The resolution for start and Loop Lengths
28. ble I hope you like it especially the BOC Fans out there Kind regards from Berlin Stefan smooth SKELETON SCRATCH By Programchild let dr death spin your records is working on your audio input death scratches your records when you mouse in the picture vertically little gimmick by your friendp ro gra m child STOTTERER By Didier Leboz 3 tape decks abused as stuttering effect Audio in int B Ext 8 e Select EXT to stutter the audio from Protools audio track e Select INT to stutter the audio from loaded audio file Draw in here to sequence stutters on and off Position Grain amp Resonator Filter amp Delay Sample amp Volume TRAVELIZER FX By Uwe Hoenig Granular delay with independent control over pitch P pitch slide PS delay time dly and length of each grain The envelope of each grain can be independently controlled over attack Att and decay dec the sharpness of both of these can be defined in the properties window At each grain you can define the delta time of starting the next grain Dist The maximum of simultaneous grains can be defined in the Properties Window There are a lot of jitter inputs which can define a range of the dependent input Double click on the module to change the maximum delay time WABBEL ECHO By Dieter Zobel Dub for children JT m H WHITE_GRAINS By Florian Erdle graincloud
29. caling this yields a value of 1 i e normal playback speed Usually you would choose the Nrm function by clicking the Nrm button below the function dropdown This selects the Nrm function and stops throwing After clicking the Nrm button when you click in the parameter pad the function reverts to the type that you last selected other than Nrm On startup clicking in the parameter pad reverts to Slp Copying jamLoops Due to a bug in the way Reaktor 4 0 2 handles automation connections for XY modules jamLoops don t copy correctly Workaround this has already been done for you in the distribution 1 Delete the current connection to the Y axis of the XY parameter pad hereafter XY a Click on XY to show the context menu and choose Show in structure b Click to open XY s properties and then go to the connections panel c Delete the connection to the Y axis by highlighting it and clicking on the trashcan icon 2 Connect the Y axis of the XY to the YAuto MIDICC a Go back to the structure that contains XY Find the macro called Automater off to the left and open it b Click on the YAuto module to open its connection panel c Click on the gt icon to begin the connection operation d Click on XY to open its connection panel e Click on the bottom right gt icon to connect Y Auto to the Y axis 3 In the end you should have two connections in XY X from XAuto and Y from YAuto If you don t go through the above a
30. e jamLoop This increases the period over which the yellow dot scans across the jamModulator When Prd is 1 the jaModulator is scanned very near to once every loop playback when Prd is 2 it is scanned very near to every two loop playbacks etc Try setting the period of a pattern to the number of maximum repeats in a jamLoop this will get the loop to cycle through a pattern and then stop playing Other functions The Lvl function is a special case of the Slp function the slope is always level and the only parameter that matters is Y The output varies with the height of the cursor so basically the jaModulator works like a knob Throwing the the cursor in the Y axis will make the output vary over time The Sin function computes a sine wave The X value in the parameter pad sets the amplitude of the wave with positions to the left of centre giving a negative amplitude to the right giving a positive amplitude The Y value sets the baseline so you can move your sine wave higher or lower The control below the parameter pad lets you set the number of cycles in the wave Adjust to half a cycle to get a pattern that curves frequency up and then back down The Tri function computes a triangle wave Settings are as for the Sin function Use this with a half cycle to ramp frequency up and then down Nrm is a special function designed to let you quickly go back to normal when things get too wacky It always outputs the value 0 5 With the default s
31. e the monophonic keyboard mode instead of the poly 2 mode in the original and the envelope fader s behaviour the range is the same Core based DCO to get synchronized waves with less cpu consumption than with sync oscs All buttons and faders with infos ARPEGGIO JUNO 6 By Moises Valerio 1982 ROLAND The first in a series of amazingly affordable quality synthesizers from Roland s amazing Juno family The Juno 6 is a six voice polyphonic analog synthesizer It s a very stable synth thanks to its digitally controlled analog oscillators Mr MON By Stephan V Completely reworked version of my favorite synth new oscillator new filters Ip12 Ip24 juno pro53 moog tb 303 grobian old hpi2 bp12 bs12 more effects low boost saturation phaser chorus delay more direct controls less menu entries 50 snapshots update added a stereo signal path spreads the supersaw wave in the stereo field IM5 20 HOPEN 6 Voice fw Voices 5 Unison 1 EE Disch vco 2 VCO Mixer VC HPF VC LPF r EG 2 r Patch Panel WAYE WAYE Rech CUTOFF CUTOFF HOLD TOTAL Ext FREQ Ext EXT CUTOFF ExtCUTOFF Ext GAIN Ext T Bs g M Blue GOGO DBOBOOBO08D su J s s Bet Iso Sens 6 u m Rect EI Puse E E re E ar RS Sun e s SS Ss S noise D i pre ai me RB e BE use Re Be WS S ATTACK seh E rv is Er GTA BB BB B a pat
32. e vcr _ ENV el B er S aa HS fr veo 2 PERK PERK Noise EY o elen a ae a MG EG 1 EM EE DELAY DECAY m S B m Gad t CIE v Fr 7 yray C TRIG Wi e noise EI 8 T Rev b 6 m ve B w 2 ct el ne OW FM r FcM FeM SE m a m MG TExt MG TExt MS TExt WAVE ATTACK SUSTAIN m B nM DI se Wu vA Pink White D 8 z w pr Ei re or Rer CH 8 32 sj vg Fv DD more DIr RB Au weel Suitch Wheel Di AMP Ei m Noise 8 El Whee B c n a Master Tune EXT SIG PROC kor ayanta EG1 Ext EG2 Ext E32 Ext FREQ RELEASE RELEASE yy AMP LF HF FVCON EES Peak TRIG KE So o Master HS 4 ES 1 lt emptu Fw Voices 4 Unison 1 ge Master Tune MS 20m By Solar X Emulation of Korg MS 20 classic monophonic synth Good for leads and basses Monophonic one note played at a time SYNTHS EMULATION eoo 1162729807_pict_5432_mx6000 GIF gif 902x307 pixels E e mx s000 a JES n v otv Peer 1 mt patch v 6 Junsenf 1 GE MX 6000 JJJJJJJJJJJJJJJJ gt voice mode arp mode arp speed analog glide time vel on diw fb inv time mod rate e z r 7 J fra m 3 POLYPHONIC VIRTUAL ANALOG Poly el 1 16 gt G Q en Vie GE E Hy SYNTHESIZER LFO OSCILLATOR I MIXER FILTER rate waveform range __ GC zs osc1 pw osc 1 env amt keyb volume ae r r _ syne GH A A Z WHEEL MOD det e QS OG Py lt Le GW d note on osc 2 inv Geen DSCILLATOR 2 KE J spreat range s
33. ember to change the snapshots of the Upper top instrument This will also control the LOWER instrument Think of the LOWER as the slave of the UPPER instrument only to be used when you want to have a layered or split sound This is reverse in comparision to the Synthecs also found in the user library This is very much a bread and butter analog poly synth but I would like to put your attention on the Voice panning feature Each voice can have it s own stereo panning This is really a unique feature I ve never seen on any other synth so far ok PPG gets close Instant fat pads Even if you are not sure how the OB Xa sounds I m sure you ve heard the sound it makes the infamous intro to Jump by Van Halen When I built the OB Xb I used the ensemble Super Prophet by C Heusser as a starting point In addition to the original design I ve put velocity control to the filter and amplitude velocity controllers from Uwe G Hoenig s Nanowave The button image is taken from James Clarks excellent Mona Polly ensemble I modified them a bit The keyboard image is taken from an ensemble by Soundpilot Also I added some build in effects which there are none in the original synth Apart from that I ve tried to be as true to the design of the OB Xa as I could Also in an effort to be as true as possible is the small amount of random controlling the oscillator pitch also from Super Prophet This gives the ensemble a slight phat sound especially
34. emi detune Z VOICE MODULATION dy OD osc 3 f env env gt ose i e ez SZ P Le S OSCILLATOR 3 range semi detune osc1 0802 pir pw2 filter CP a DE TA EA H A vi osc2 osc3 pw1 pw2 pw filer m n n n n VET VET gt S 2 2 9 Ja Aae MX 6000 By Stephan V polyphonic virtual analog synth inspired by the memory moog 3 vco s with triangle sawtooth and variable pulse waves sync noise generator 24dB filter low highpass 2 adsr envelopes for filter amp amp 1 Ifo with triangle saw pulse and random waveforms voice modulation distortion modulation delay a simple arpeggiator unison pan spread only if voice mode is set to unison See the MIDI MAPPING for this ensemble near the end of this document NORD By Stephan V A polyphonic synthesizer similar to a Nord Lead 3 oscs 2 main 1 sub with sync amp fm ringmodulation multimode filter 12dB low band and highpass 24dB lowpass and 12dB lowpass notch with adsr envelope amplifier with adsr envelope and polyphonic or monophonic overdrive 2 os 1 modulation envelope ad 6 slot modulation matrix on panel B chorus phaser and delay effects snapshot morphing via mod wheel Modulation Matrix and effects are visible in the B Window v KOK 4 U v HENNES v Ve OE eer OB Xb By ZooTooK attempt to imitate the vintage Oberheim OB Xa analog synthesizer When you try the snapshots rem
35. envelope follower and envelope modulation Make sure you ve got the info button on this is a complex effect and the switch at the lower right is set to ext so it receives your sound rather than the demo one EFFECTS programchild 3 5 reorder 1716 pos EE EE EE EE ES ES ES EA revan erate EES EIE KA Ee RES ETE Ra a em G en G G G em u PROGRAMCHILD RE ORDER By Programchild Slice re order effect tune reverse incoming audio Pitch Delay Fback Dry Wet Mas ESCH DelaySeq Pulsewidth RANDOM GRAIN Simpler grain delay good for stuttering FX REGULAR MORTGAGE By gabriel mulzer spatialisation for headphone use Efficient reverb room simulation externalizer Efficient physical room simulation with binaural reflexions HRTF for the direct sound and BaBox FDN late reverberation Mono in 3D out By heinrich angel Virtual Rotorcabinet classic Leslie spinning speaker effect from Hammond organs etc Z 06693 Kl 05 0 08 SIMPLER VINTAPE By Stefan Knauthe Vintage tape emulation this is a further development to my first contribution to the Reaktor User Library the Vintape Ensemble Development sometimes means simplification so in Simpler Vintape there s only 1 Wow amp Flutter unit due to some nasty phase shifting that i experienced in the first ensemble Now the signal path is simpler and the results are a little more predicta
36. gain and follow similar directions to establish the X from XAuto connection but in step two click on the XAuto module and in step in click on the bottom left gt icon You ll also want to go through and eliminate duplicate usages of graphics in the instruments Acknowledgments Thanks to sOl_ Rx for the bouncer idea which has turned into throwers here to rachmiel and Martin Brinkmann for inspiring ideas and to CList and others on the Reaktor board for helping out in various ways and to LazyFish for the bandpass filter internals MIDI Implementation Chart Instrument MX 6000 Date 05 11 2006 2 1 Ctrl Name Parameter Ctrl Nr Ctrl Name Parameter Ctrl Nr Ctrl Name Parameter Bank Sel MSB 43 Controller 44 LFO gt Osc1PW 86 Controller 86 Osc 2 Level Modulation Mod Wheel 44 Controller 45 LFO gt Osc2PW 87 Controller 87 Osc 3 on off Breath 45 Controller 46 LFO gt Osc3PW 88 Controller 88 Osc 3 Level Controller 3 46 Expr LSB LFO gt Filter Cutoff 89 Controller 89 Analog Detune Foot 47 Controller 47 VCM gt Osc1Pitch 90 Controller 90 Drive Amount Portamento Glide Time 48 Controller 48 VCM gt Osc2Pitch 91 ExtEff 1 Depth Delay on off Data Ent MSB 49 Controller 49 VCM gt Osc1PW 92 ExtEff 2 Depth Delay dry wet Main Volume 50 Controller 50 VCM gt Osc2PW 93 ExtEff 3 Depth Delay Feedback Balance 51 Controller 51 VCM gt Filter Cutoff 94 ExtEff 4 Depth Delay FB Invert Controller 9 Amp Env Decay 52 Controller 52 VCM Osc3 Amoun
37. hannel 10 See the full manual for this ensemble near the end of this document For another basic drum sampler go to IREDDRUM T3 2G BOOGLEBEAT 2 By Matthew Todman A complex beast Start by clicking play in Protools amp choosing different snapshots in Boogiebeat Tempo speed comes from Protools EVENT tempo operations Play different notes on your MIDI keyboard to change some parameters To start a rhythm from scratch choose the Init preset and click in the big sequencer section to add beats Control click to delete them Look at the samples on the right side of this window control click or right click them to replace the samples with your own I give you Booglebeat 2 5 track 8 bar 16 step sequencer with 14 different parameters cut rez hold reverse ROLL sample select etc etc per step So each step can be programmed individually There are no Knobs to control the samplers everything is done from the sequencer window It also has improved Beatlookup style controls controlled by the computer keyboard pretty much all keys are used for something and a 16 step Bar sequencer I think I ve tool tipped everything if I haven t its probably obvious what it does and I ve also made a few notes in the Instrument properties window Please read these for more Information There are only 2 snaps just for demo purposes and I had to reduce the sample maps to get under 20mb so be aw
38. he slope is negative to the right positive So using the parameter pad you can make playback speed speed up over the course of playback or slow down more or less drastically Moving the cursor around during playback gives nice scratch like effects Now for the interesting bit throw the cursor in the parameter pad Depending on the speed of throw type of travel the region in which the cursor is moving etc you will get very different evolving modulating effects Try throwing so that the cursor just travels left right or up down or use the X Y XY dropdown to restrict throwing to an axis This illustrates the basic principle of the jaModulator dynamically setting parameters for a function Now for some more adjustments and then the functions other than slope Adjusting output The control to the right of the parameter pad lets you set a randomness factor After the random factor is added the output of the jaModulator which ranges from 0 to 1 is scaled multiply by a range with an added offset The output is then damped and smoothed You can set the factors for this in the B view Playing with the damping and smoothness settings can let you make the output more or less jumpy etc In the case of the F jaModulator playing with damping and smoothness is like playing with the weight and damping of a turntable Speed of modulation You can get your modulating pattern to evolve more slowly by increasing the Prd period setting in th
39. ice it detunes the voices against each other In the polyphonic mode it stretches the tempered tuning of the instrument Sprd Unison pan spread Works only in all voices monophonic modes Concept X features a keyboard split function where the operators A amp B play at notes below the split point and the operators C amp D play above This allows you to program bi timbral sounds The split mode is activated by the split button the split point is set by the control below 3 2 Operators Poly r vecta select volume split A range qlide det sprd hif f osc Ratio wave shift ee ad EECH r eedb e Ge Des ES bs SE set ct S LE feedb E wave shift 8 amp CE CHD KG CUE Concept X has four identical operators Each one contains a set of 43 wave tables You can select the operator by the ABCD buttons in the upper left corner The parameters are Ratio Ratio between the oscillators frequency and the frequency of the played note Left integer value Right frictional value Wave Position in the current wave set For creating fm sounds it s recommended to turn it a little bit clockwise to avoid the position going into negative values which causes some kind of distortion Shift Shifts the frequency spectrum Use this for creating sync sounds Set Chooses one of 43 wave sets Concept X User Manual 6 A Amplitude envelope attack time D Amplitude envelope decay time S Amplitude envelope sustain
40. in combination with the chorus Read more about the OB Xa here http www i2 i 2000 com vjeffrey OBXA htm http www vintagesynth org oberheim obxa shtml includes manual for OB8 http www sonicstate com synth oberheim obxa cfm 90909099 OB Y By ZooTooK Imitation of Oberheim OB X synthesizer 8 voice synth Yet another imitation of a 2 oscillator subractive polyphonic synthesizer It is similar to the Prophet 5 major competitor at the time and the Synthex This is very much a bread and butter analog poly synth but I would like to put your attention on the Voice panning feature Each voice can have it s own stereo panning This is really a unique feature I v never seen on any other synth so far ok the PPG gets close Instant fat pads To hear the OB X in action check out Tangerine Dream s album Exit Japan s Tin Drum and Rush s Moving Pictures Read more about the OB X here www vintagesynth com oberheim obx shtm http www bluesynths com includes user manual http www sonicstate com synth oberheim ob x cfm http www isatellite info oberheim ob x html See also http www sonicprojects ch obx for an other effort imitating the OB X Mind you I have no relationship to sonicproject co a Ka TESLE pale Br 5 s Secore Orre SPEER Stets Lu SPEER BITCH SEWSUDSG SETTINGS 3 E Soa es een 9 FP AET Chey GESIN FEI Im a OKI COMPUTER By Timothy La
41. is documented in the tips that are displayed when you turn on the information button in the Reaktor tool bar so you can explore it by mousing over the controls to see what they do In all instruments the A view gives you basic controls needed for playing B view exposes further details Several basic concepts need further explanation throwing and jaModulators Throwing A number of the XY control pads are set up to enable throwing Basically if you quickly drag the cursor between two points and let go of the cursor it will start bouncing around in the rectangular region defined by the endpoints of the drag The speed of bouncing is proportional to the speed of your drag Dropdown menus beside pads let you turn off throwing restrict it to the X or Y axis or enable it for both X and Y axes You can also modify the type of travel straightline Bouncing sinusoidal Curving or random Drifting If you want throwing to stop grab the cursor and hold it in place for a length of time OR click on the little red light that goes on when a cursor is thrown This length of time is specified by the Sns sensitivity setting in B view If you want to increase the range of different speeds you can throw at increase Sns if you want to able to stop throws in shorter period of time decrease Sns Note that the settings for throws are stored and recalled in snapshots but are not otherwise permanent across saves The V setting in the B view
42. is fixed P Decay Pitch envelope decay and release time Pulse Controls the amplitude of a single pulse cycle Noise Controls the amplitude of a short noise burst Use Noise and Pulse to get a sharper attack Harmonic Controls the harmonic content of the oscillator waveform Turn clockwise to get a brighter sound EQ Lowpass filter cutoff frequency Turn clockwise to remove overtones The Sample based bass drum offers six controls Pitch Sample playback speed Start Sample start point offset Hold Amplitude envelope hold time Decay Amplitude envelope decay time Drive Overdrive amount Tone Negative values boost the lower positive values the higher frequencies Below the controls there s the sample display Double click to open the sample map editor 3 NOISE TUNE ANALOG SAMPLE ANALOG SAMPLE Snare drum 060 DETUNE HOLD wu BPF ANALOG SAMPLE ANALOG SAMPLE The virtual analog snare drum has six controls Tune Body oscillator base frequency in semitones Snappy Noise level Decay Highpass filtered noise decay time Detune detunes the two body oscillators in semitones Noise Tune High and bandpass filters cutoff frequency BPF Drive Bandpass filtered noise decay time Overdrive amount Press shift below the snare drum controls to edit the second function The Sample based snare drum has four controls They are the same as at the bass drum described above but without start p
43. le waveform Step sequencer LFO parameters Rate Temp Phase Sync Wave MW Env LFO frequency LFO frequency is linked to song tempo LFO sync phase Only if gate sync is active Gate sync on off Selects one of five waveforms Amplitude control by Modulation wheel The modulation wheel responds to midi control change 1 Switches an internal envelope on or off The envelope controls the amplitude of the LFO Internal envelope attack time Internal envelope decay time Concept X User Manual 11 Perf parameters E a snc ENG HI Rate Table readout frequency Temp snc Readout frequency linked to song tempo Step Parameters speed steps mode io Speed Readout speed linked to song tempo Steps Number of steps 1 16 The data in the perf or step tables is stored with the snapshot ATTENTION To store the data with a snap first store your snap in the desired position then edit the pattern otherwise the pattern will not be stored in the right position Concept X User Manual 12 Control Knobs ctrl vi ctrl3 On panel A you find six knobs labelled with ctrl1 6 i l f These are for direct midi control of certain parameters The knobs respond to midi controller messages Chr ctrl5 ctrlb Zei k Zei Ctrl1 CC 73 Ctrl2 CC 72 Ctrl3 CC 18 Ctrl4 CC 74 Ctrl5 CC 71 Ctrl6 CC 17 Modulation destinations Most parameters can be modulated by all modulation
44. ler w turntable like pitch modulation bandpass for live performance OMEN a a A sample loop player with dynamically generated gestural pitch modulation allowing turntable like pitch modulation This is the sample looper from jambientRktLight packaged on its own and updated you can now stop throwing by clicking on the little red throw light in the bottom right corner of the XY improved motor fader behaviour fixed snapshotting recall behaviours that were broken by Reaktor 4x See the full manual for this ensemble near the end of this document k GAIN HARD POSITION S MICHATS LCU LITTLE CRUNCHING UNIT By Michael W stefeld LCU is a saturator distortion with serial parallel filters in it You can crunch the filtered signal or filter the crunched signal Try the presets and you will know what to do with it MICHAT e ONEHEAD TAPEECHO By Michael W stefeld Tapeecho simulation Space Echo Tapeecho simulation with one playback head tape simulation amp drive error simulation Based on the famous Roland Space Echo hardware unit used in 70s dub reggae Master WE MISTAR SHIFTAR By John Nowak five parallel pitch shifters 60 semitone range Does pitch scaling with grain delays NICHE PITCH GRAIN TWITCH By Eric Cook Two independent grain delays that vary parameters according to input amplitude and frequency ORANGE GRAINS By Florian Erdle granular delay with
45. level R Amplitude envelope release time Feedb Amount of phase modulation by the oscillator itself Feedback Osc Sync Oscillator gate sync This affects all oscillators For analogue style sounds it should be turned off At the bottom you find some dropdown menus and small knobs These are for modulating different parameters a description follows at the chapter Modulation 3 3 FM Matrix The FM Matrix is quite simple The buttons at the top switch the corresponding operator on or off If an operator is not in use turn it off for saving CPU power The signal flow is shown by the red arrow The four knobs at the bottom are for adjusting the volume of the corresponding operator vector EI E Z z Lon beside the on off buttons you find a button labelled ei E E vector This enables the FM Vector on panel a The vector controls the amount of phase modulation of all operators Check out the snapshots in the vector fm group to see how it works The vector responds to midi controller messages X axis CC 2 Y axis CC 3 Concept X User Manual 7 3 4 Filter Concept X is featured with a multimode filter with 12 different filter modes mode cutoff reso reso T rama o Off s m l c E kbd cutoff1 cutoff2 os CHD CHD O The buttons at the left choose which operator goes into the filter and which not Mode Selects one of 12 filter modes Available modes are 1
46. llowing effects Delay A simple modulated delay Chorus Chorus Flanger effect Reverb A reverb effect needs a lot CPU power Phaser A simple phaser effect Ring Mod Ring modulation The signal is multiplied by a sine wave with adjustable pitch EQ Low shelf high shelf and peak equalizer Compress Compressor effect Concept X User Manual 9 All effects are quite simple with self explanatory controls The effects are in series the signal goes into effect 1 than in effect 2 Turn the effects off to save CPU power if they are not in use 3 7 Modulation Concept X features extensive modulation possibilities There are 8 modulation sources 6 knobs and a mod wheel on panel A The modulation section contains four envelopes and four variable modulation sources with three different modes vel key tr a d s r The envelopes are standard adsr envelopes A Attack time D Decay time S Sustain level R Release time Vel Enevlope amount control by velocity Key tr Keyboard scaling only at env 1 amp 2 V gt A Velocity to attack time only at env 3 amp 4 V gt D Velocity to decay time only at env 3 amp 4 Concept X User Manual 10 rate temp phase wave sin rate E er mu mune env a d wo D Ho EN The modulation sources 5 to 8 offer the choice of three different modulation sources LFO Perf Step Low frequency oscillator User definab
47. mb Makes retro computer game synth sounds a eae sa a gt vom rete reen vere pe TERN SEQUENCIA mo u rumu unun unun nuna KG wa i Hart SH 2000 By Stephan V Roland SH 101 emulation with special features i ve added a second vco velocity control and an effect section with distortion and delay the ensemble includes my plasma pattern sequencer synth can play polyphonic try changing the number of voices unison detune amp pan spread functions 2nd update with chorus effect SYNTHS EMULATION Bez Solina SE Back R PAET Bye Yee OUTPUT SV INPUT PHASE SHIFTER SOLINA V STRING ENSEMBLE By Hugo Portillo An emulation of the king of the string machines or queen for the Spanish speakers the revered Solina String Ensemble often thought of as THE String Machine of the late 1970 s disco era Remember to change the snapshots from the Ensemble section http www vintagesynth com arp string shtml Thanks again to Mark Smart for his wonderful ARP Omni chorus ensemble and to Hertz SM for his Flat Knobs The rest of GUI is my design And of course thanks to Eminent Solina for creating such a wonderful machine SYNTHECS This is an impression of the Elka Synthex analogue polyphonic synthesizer It contains two separate synths which can be layered or used in parallel Hint use the lower synth to change the snapshots as it also recalls snapshots for the upper synth TR 909 9 9 2 0 o
48. nique sampler via a MIDI keyboard It is a very versatile instrument It is also 100 documented Load up the ensemble and mouse over the logo to read the instructions Also each and every knob fader section and meter are fully commented Just load up the ens hit play in Protools and you re ready to go It s quite important to hit play so the sequencers work Be sure to check out the presets to get you started Red2 also has innovative random and sequenced sample switching which means the output can be very very diverse constantly moving between similar or drastically different sounding samples and you can create a marvelous pile of experimental noise or a very click n glitch sort of loop Of course Red2 can doa lot with just one loaded sample If you still have any questions even after mousing over everything as every single section and knob and fader is documented drop me an email springscansing mac com gektie sat PERTUSSION SAMPLER REDDRUM By Stephan V 10 channel drum sampler My propellerheads redrum emulation with external sequencer Right or control click the TR 909 samples to replace them with others Play Protools to hear the four demo sequences choose these with the SEQUENCER snapshots near the bottom snaps 1 4 voices 10 unison 1 SAMPLE BUTTONS Enter a blank snapshot e g snap 5 to start sequencing your own patterns Keep playing Protools Each sample button relates to a particular s
49. oint offset and tone control Below the snare drum controls are the algorithm selectors for bass and snare drum 4 TUNE 060 CH DECAY Hi Hat 004 OH DECAY AMA 58 4 LP FREQ HP FREQ The AB99 has a total of six hi hat sounds combined in two sets Closed hi hat pedal hi hat open hi hat closed hi hat 2 pedal hi hat 2 and open hi hat 2 The sound source can either be a sample or noise You can select the sound source for the second hi hat set by using the shift function There are ten controls Tune Sample playback speed Mix Crossfades between closed pedal hi hat and open hi hat CH Decay Closed and pedal hi hat decay time OH Decay Open hi hat decay time Link Plays closed pedal hi hat and open hi hat exclusively The open hi hat will be silenced the moment the closed or pedal hi hat is triggered and vice versa All these controls affect both hi hat sets The sample selector lets you choose between three different sample sets or noise Available sample sets are TR808 TR909 and CR78 samples Below there s the hi hat filter It is a combination of a 2 pole lowpass and a highpass filter with resonance LP Freq adjusts the lowpass filter cutoff frequency HP Freq the highpass filter cutoff frequency and Reso controls the resonance of both The filter can be switched of with the button on the left upper corner to save CPU power 5 Percussion and Cymbals The percussion and cymbal sound
50. ou to make a single cloud or a succession of clouds from your audio samples and maps it was inspired by curtis roads writings on granular synthesis Works better with gooey sounds than percussion have a cloudy day s rachMiel GRAIN SYNTH Complex stereo multisample granular synthesizer Not really playable via MIDI makes dense atmospheric clouds e e ES 90009 30 0 0990 VU ke NEES L e 099 9 m00G6 Om m goo 00000900 EE j mm 90000099 rr gm 8209 amma d d aT 66000 006 O Qua HEER n 90000 uD eth GRANULATOR By James Walker Hall Granular sampler Click the A window symbol top left to see the full ensemble control click in the rectangle near the top to load your sample PARTICLESYNTH By Martin Brinkmann Granular sampler Great for making textures and atmospheres fromyour sounds perhaps a little more user friendly than others in this category Use MIDI keyboard try presets replace samples with your own by control clicking in the audio waveform field HOL Ben i B B ze T R 1 Cheri weg pass Je Ween HE z ef EMER Zog 890 tag el 190 je lis iM E iol olg ia Dal FONR an PEN op af fot jet Lef Dn let Zet Sab def ab sopp 3198 stall e e e rriago a SI af eat em Laf sos tab af af pa Laf bat af bel sener g lk iat teg VED fer fit tat ei p Vei CH Ol 7 ag 1
51. out of a Kaoss Pad or the like for extra controlling fun The stutterer is a variation on the NR IDM fx Feel free to drop in your own loops these are all for demo only but you might have to reset some of the values on the randomizer before it works properly RABBEAT By didier leboz Automatic beatbreaker bass drum synth grainedma and haster module RANDOLPH 2 By didier leboz Randomized grooving polyrhythmic loops and textures Red 2 e r Random Retrig Mode Rat Rate Mod ate RateMod D ri G x BR nr i x10 Ei keu RB mm r Matrix Retrig Length Rate TT el Teen Te s ss ee de TT Ir Gss s ss E rasa Tm Main Controls Volume Loop Start LS e Loop Leng Grain Size Smoothing 16 ie o On Sync Amt iny Rate Sym Pha On Smo Amt Rate BB on BB EJEA m E E s SC LFO nT r Random LFO ga Sample Selector vel Scan Mod Length Seq Rate 1 z 5 4 5 6 7 8 9 10 11 12 43 14 45 16 BS o 0 o D o o D o o 0 D D D D o D z S Hr Sampler Scanner EE MEN EFFE EETHI r Random LFO 1 2 3 4 Span mm ra A mm SEE wass IE Start Time Method Pulse LFO F r Randon LFO On Amt Inv Rate Width On Smo Amt Rate Q Taubo n dd Pitch Control sr Ka B EN EEE Fix fr Fos Kei m Gate Sync LFO r R
52. r maesTro GRAIDELVERB By rick scott cloudMaker s real time companion graidelVerb v3 does for arbitrary audio input audio files in playerbox mic guitar audio input audio signals from reaktor synths sequencers etc what cloudMaker does for embedded audio files cloud ifys them usage 1 establish your signal flow Pee apa ER a to send an audio file thraugh graidelverb connect your Audio In module outputs to the graidelverb inputs and load play the audio file in Playerbox a choose a snapshot b fine tune grainDelay and oriG miN max ranges if necessary b to send an external mic guitar etc through graidelverb plug the mic quitar into your soundcard and connect your Audio In module outputs to the graidelverb inputs c set the fLow global sPeed d click randoMize 2 times to prime the pump c to send a reaktor instrument synth 3 commence graidelVerbing sequencer etc through g aidelVerb connect the instrument s outputs to the graidelVerb inputs f0 more streamlined appearance use View A GREYDELAY By Florian Erdle A four voice graindelay with filter sequencer Use the show hints function for controller description panel B has the sample window and the int ext switch INT sound source is loaded sample i e demo sound EXT sound source is Protools audio track i e YOUR sound 1 Unison ov Tel VING JAMBIENT LOOP By David Morris Samp
53. requency oscillator will put a pulse through your sound Below the LFO section are a delay echo section that can be switched to a reverb and a chorus module If you want more than one sample on the keyboard double click the sample area to open the Sample Map Editor section See the Reaktor5 Protools 7 manual for instructions on how to use this 00000 00 e 0 eo s see vera ne wrae ewe m sO 00000999 m LENE mm 00008 00000 PITCHFORMER By James Walker Hall Reduces the content of the sample to the particular pitch played on the MIDI keyboard despite the melodic harmonic content of the original sample Sounds vocoderish on voices Click the A window symbol top left to see the full ensemble control click in the rectangle near the top to load your sample See the SAMPLER instructions for other sections 00000 00 68 0 00 ves oe va coves EZE eee males ee RESYNTH By James Walker Hall Like a sampler in that the PITCH changes when you play different keys but through resynthesising the sound it also maintains the SPEED of the original sample From http www lost online com Click the A window symbol top left to see the full ensemble control click in the rectangle near the top to load your sample See the SAMPLER instructions for other sections CLOUD MAKER By rick scott makes sonic clouds from your audio samples maps cloudMaker enables y
54. s are edited via a simple menu There are two percussion sounds rimshot and handclap and two cymbal sounds crash and ride cymbal Each sound has three controls Tune Sample playback speed Sample Sample selection Available are TR808 TR909 and CR78 samples Rimshot and handclap offer a user defined sample If sample select is set to user a small sampler display appears in the lower right corner Double click to open the sample map editor The crash cymbal has a fourth sample called RSN Level Adjusts the amplitude of the sample The Param knob lets you switch through the menu The Value knob adjusts the value shown in the display above 6 LFO v VOICES 1 unison 1 SPEED SYMMETRY AMOUNT The AB99 has two identical LFOs Both are gate and tempo synced You can choose between a triangle and pulse waveform both with adjustable symmetry Three tempos are available 8 16 and 32 notes synced to the global song tempo Each LFO can modulate one of eight parameters selected with the Dest control BD Bass drum pitch SD Snare drum pitch and noise filter cutoff HH Hi hat pitch FIL Hi hat filter cutoff frequency RS Rimshot pitch CP Handclap pitch CC Crash cymbal pitch RC Ride cymbal pitch The amount of modulation can be adjusted with the Amount knob In the lower right corner is the LFO selector It switches between LFO 1 and 2 to be edited 7 Mixer and output ANALOG SAMPLE
55. stacked macro except for the effects where you have 4 of everything selectable in any combination 50 snapshots to get you started 3 identical oscillators containing a volume envelope VCA sequenced or triangle LFO for PWM multiwave osc another envelope and LFO for filter modulation and A 2 4 pole filter Common to all is distortion and EQ You then have the filter box which has a set of 4x4 FX selectable in whatever order you require The Synth uses what I call True Mono in mono mode Build up new patches in stages using the SOLO button to audition each oscillator VIRTUATOR By Uwe G Hoenig Mixes 3 types of oscillators to create the tone OSC 1 Draw in your own waveform OSC 2 load audio files OSC 3 Choose waveform type Sine Square etc SYNTHS OTHER Harte F r n trueno oer Fiancee eo Piia Cuteft Yaa en S Syme Mona 3 o a Ozga rh mot VOX HUMANA By Joe Orgren A flexible synthesizer which simulates the sound of the human voice The central component is a Vowelizer filter programmed with the frequencies of formants from human speech Vpx Humana is capable of simulating a wide range of sounds from mechanical to organic but the Vowelizer gives all the sounds a vocal quality HINT Click the vowel fader then click the MIDI learn button in the Reaktor toolbar then turn a knob or fader on your MIDI controller WONDERVOX By Didier Leboz Singing Machine Emulates some vocal formants
56. switch to panel B On this panel all sound parameters are visible Concept x A Emr Un v Gute Sir 4 4 init Patch vector R E select volume range glide pb det sprd split m ES 099999 Ratio wave shift vel key tr set pitch wave shift CHD CHD CHD mode cutoff reso e y i m Ke feedb inv time mod rate type E a G ame amp e gt 970200 cH cutoff 1 RS cutoff 2 feedb iny time mod rate type 3 1 Global settings Above the operators you find some controls for the global settings of the instrument The volume knob controls the overall volume of the instrument This control is visible on both panels The Gate mode menu selects the polyphony settings There are five choices Poly Polyphonic mode Mono 1 Monophonic mode Every note retriggers the envelopes Mono all Monophonic unison mode Each note played triggers all voices Mono 1 Legato Monophonic mode If a note is played before the old one is released the envelopes will not be retriggered Mono all Legato Monophonic unison mode If a note is played before the old one is released the envelopes will not be retriggered The range knob transposes the instrument in octaves 3 octaves Concept X User Manual 5 Glide sets the portamento time If gate mode is legato portamento works as autoglide Pb Pitch bend range 0 24 semitones Det Unison detune In all voices monophonic modes or with more than one unison vo
57. t 95 ExtEff 5 Depth Delay Time Pan 53 Controller 53 VCM F Env Amount 96 Data Incr Expression 54 Controller 54 VCM F Env gt Osc3 97 Data Decr 12 Controller 12 Amp Env Sustain 55 Controller 55 Delay Mod Amount 98 NRPN LSB 13 Controller 13 56 Controller 56 Delay Mod Rate 99 NRPN MSB 14 Controller 14 Filter Env Attack 57 Controller 57 100 RPN LSB 15 Controller 15 Filter Env Decay 58 Controller 58 Amp Env Velocity 101 RPN MSB 16 Gen Purp 1 Filter Env Sustain 59 Controller 59 Filter Env Velocity 102 Controller 102 Osc 1 Pulsewidth 17 Gen Purp 2 Filter Env Release 60 Controller 60 103 Controller 103 Osc 2 Range 18 Gen Purp 3 Filter Env Amount 61 Controller 61 104 Controller 104 Osc 2 Semitone 19 Gen Purp 4 Filter Env Invert 62 Controller 62 105 Controller 105 Osc 2 Detune 20 Controller 20 Osc 1 Tri 63 Controller 63 106 Controller 106 Osc 2 Tri 21 Controller 21 Osc 1 Range 64 Damper Ped 107 Controller 107 Osc 2 Pulsewidth 22 Controller 22 Osc 1 Saw 65 Porta On Off Glide on off 108 Controller 108 Osc 3 Range 23 Controller 23 Osc 1 Pulse 66 Sostenuto 109 Controller 109 Osc 3 Semitone 24 Controller 24 67 Soft Pedal 110 Controller 110 Osc 3 Detune 25 Controller 25 Osc 2 Sync 68 Legato FS 111 Controller 111 Osc 3 Tri 26 Controller 26 LFO Rate 69 Hold 2 112 Controller 112 Osc 3 Keytrack 27 Controller 27 70 Sound Var 113 Controller 113 Osc 3 Low Freq 28 Controller 28 LFO Waveform 71 Harmonic Filter Resonance 114 Controller 114 Osc 3 Pulsewidth 29 Controller 29 LFO Gate
58. whole new sound Added the hidden switches and updated all snaps for this addition This version has three snap banks One for OKI sample map one for Modulo sample map and one for a new Carbon sample map ICEPAD By Rachmiel Sbugi pads to tickle your fear bone Scary horror pads Interesting visual display of densities jens 090 ek aii S 7 MEANMACHINE By Programchild Synthesizer feedback distortion phaser flanger tuned ambience nasty beast mad dog by your side int int The Modder EXT in vw Outw CERT Mm Lid re P fe d ET DA RER 1 KO Gi ET K lt i a THE MODDER By Florian Schweh Damaged Quad Oscillation Synthesizer The result of damaging a quad oscillator You can modify it s balance by shooting at its cosine with noise crackle and little black holes in the Modding section and hinder it from restoring its balance by using the Normalizing Filter Modder up SOUNDFORUM SYNTH By Native Instruments Great basic learning synth Has presets for basic waveforms sine square saw etc with visual display of the waveform If you want to learn more about synthesis in general spend some time with this synth and a document called Synthesis pdf in Documentation Audio COFA studios equipment C Av A m Nd LM N D haal STAINLESS By Paul Woodroffe Pretty straight forward stuff really three of everything oscillator wise in a
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