2442FX MKII 3242FX MKII
Contents
1. NO PARAMETER SETTING PROGRAM NAME NO PARAMETER SETTING PROGRAM NAME ROOM REV TIME EARLY LEVEL PAN SPEED TYPE 00 COMPACT ROOM 1 0 05 100 56 SLOW PAN 0 1 R gt L 01 COMPACT ROOM 2 0 4 0 57 SLOW PAN 1 0 1 R lt gt L 02 SMALL ROOM 1 0 45 100 58 SLOW PAN 2 0 4 R gt L 03 SMALL ROOM 2 0 6 90 59 SHIFT 0 8 R lt gt L 04 MID ROOM 1 0 9 100 60 MID SHIFT 1 1 2 L gt R 05 MID ROOM 2 1 50 61 MID SHIFT 2 1 8 L gt R 06 BIG ROOM 1 1 2 100 62 MID SHIFT 1 8 R gt L 07 TUNNEL 3 85 100 63 FAST MOVE 3 4 R lt gt L HALL REV TIME EARLY LEVEL TREMOLO SPEED MODE TYPE 08 JAZZ CLUB 0 9 90 64 LAZY TREMOLO 0 8 TRG 09 SMALL HALL 1 1 5 72 65 VINTAGE TREMOLO 1 5 TRG 10 SMALL HALL 2 1 75 85 66 WARM TREMOLO 2 8 TRG 11 SPRING HALL 1 9 98 67 WARM TREMOLO 1 4 6 12 HALL 1 2 3 100 68 HOT TREMOLO 6 8 TRG 13 MID HALL 2 2 45 80 69 HOT TREMOLO 1 9 6 TRG 14 RECITAL HALL 2 7 96 70 CRAZY TREMOLO 1 15 TRG 15 BIG HALL 2 3 3 88 71 CRAZY TREMOLO 2 20 TRG PLATE REV TIME HPF DELAY REV REV DELAY 16 SMALL PLATE 0 9 0 72 DELAY REV 1 1 1 17 TAIL PLATE 1 2 20 73 DELAY REV 2 2 2 18 MID PLATE 1 1 3 0 74 DELAY REV 3 3 3 19 MID PLATE 2 2 2 0 75 DELAY REV 4 4 4 20 REVERSE PLATE 2 25 42 76 DELAY REV 5 5 5 22. 19 20 GROUPA GROUP _ GROUP GROUP 4 ENGLISH USER S MAN UAL IMPORTANT SAFETY INSTRUCTIONS The apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids such as vases shall be placed on the apparatus The MAINS plug is used as the disconnect device the disconnect device shall remain readily operable Warning the user shall not place this apparatus in the confined area during the operation so that the mains switch can be easily accessible a 10 11 12 13 14 Read these instructions before operating this apparatus Keep these instructions for future reference Heed all warnings to ensure safe operation Follow all instructions provided in this document Do not use this apparatus near water or in locations where condensation may occur Clean only with dry cloth Do not use aerosol or liquid cleaners Unplug this apparatus before cleaning Do not block any of the ventilation openings Install in accordance with the manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the othe
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4. 12 Mute Button and Indicator Pushing the Mute button in will cut off the main mix s feed of the corresponding channels signal Muting a channel will also affect the AUX sends Muting an input channel is accompanied by the lighting up of the Mute LED 13 Clip LED This LED indicator will illuminate when the channel hits high peaks slightly before the signal is dynamically clipped It is best to adjust the channel S level control so as to ensure the Clip indicator does not light up This will ensure a greater dynamic range of audio This indicator also doubles as a Solo indicator when the Solo button is engaged 14 Solo Button The Solo button is pushed to allow the signal of the corresponding channel to be sent to the Control Room Phones mix pre or post fader depending on the properties selected by the Solo PFL button located below the level meter for use with either headphones or studio monitors This button also allows for easier isolation of individual channel signals enabling simpler setting of the input gain or tracking of audio by sound engineers When the Solo button is not engaged the LED indicator works as a Clip Indicator illuminating when the signal reaches high peaks 15 1 2 and 3 4 Buttons These two buttons allow users to route the channel S signal to their respective subgroups There are four subgroups in total If users wish to send the channel S signal to say sub 1 but not s
5. Pathe L t mix 2442FX MKII FooTsw GROUP 0UT AMPLIFIER SUBWOOFER 2442FX 3242FX MKII USER S MANUAL SPECIFICATIONS 2442FX MKII 3242 Inputs Balanced Mono Line Channel 4 et input i Spi UA EXER 2714 TRS 2 7147 TES T 4 TRS Ca TRS ee EfxSend 1 1 __ Inserts Master Section hacen Metering 104 Serene pike n vvii Crosstalk 1KHz OdBu 20Hz to 20KHz bandwidth channel in to main L R outputs Channel fader down other channels at unity lt 90dB lt 90dB Noise 20Hz 20KHz measured at main output Channels 1 4 unit gain EQ flat all channels on main mix channels 1 3 as far left as possible channels 2 4 as far right as possible Master unity channel fader down 96dB 96dB Master unity channel fader unity BAdB 84dB terminated max gain inputs Maximum Level Balanced Output 20dBu 20dBu Impedance 12k Hz 32 40 bit Digital Effect Processor 100 effects with tap delay control Power w 100 240V 50 60Hz 50W 100 240V 50 60Hz 50W appox 8 5Kg a
6. WI B oo 199000 90090 oo 9 90000 00999 B B e 12 9900 oo 9 090000000 BB BBH HHE 8 BBH E HBHBH gt A B B B BBB HHE oof BHBH H TIT oo B BHHBH H BBHBB gt BoBBBB BHHB HiligB H BHHHB BBBHo Ber 6 BooBBBB Hii WEED HB Ber BoBBBB Ber WEED Hii coH BHA M 6994 00 All measurements are shown in mm inches 2442FX 3242FX MKII USER S MANUAL BLOCK DIAGRAMS 2442FX MKII viedo 22146 do Mai NIV OL wvasoud Cen
7. The master section of the mixer features all the goodies the level meter main level fader 48V and power indicators the solo PFL button and so on and so forth This is where a lot of the magic happens so take care not to miss anything 55 48V Indicator This LED indicator will light up when Phantom Power is activated To turn the MIX s Phantom Power on or off simply flick the switch on the rear of the mixer 56 Power Indicator The Power Indicator will light up when the power of the mixer is on 57 Level Meter The dual 12 segment level meter gives an accurate indication of when audio levels of the Main L R signal reach certain levels The 0 dB indicator illuminates is approximately equal to an output level of 4 dBu balanced and the CLIP indicator illuminates about 1 5 dB before the signal is dynamically clipped It is advised that users set the various level controls so that the signal level sits steadily around the 0 dB mark to make full use of audio while still maintaining fantastic clarity 58 Solo PFL Switch Located underneath the Level Meter this button alters the Solo signals received by the Control Room Phones mix between Post solo and Pre PFL fader signals Whether set to Solo or PFL one of the corresponding LED indicators will light up to indicate the current setting If adjusting a signal with the Control Room Phones level control it is advisable that this button is set to Solo ensuring
8. Located within the Digital Effect Display are Clip and Sig LEDs The Sig LED will light up when any signal is received by the effect processor and the Clip LED will light up shortly before excessive signals are dynamically clipped If the Clip LED lights up too often it may be advisable to turn down one or all EFX controls on input channels to ensure the signal level is not too high 48 Program Control This control is used to scroll through the various effects Turning the control clockwise will allow users to ascend into higher program numbers and turning it counter clockwise will allow users to descend into lower program numbers Pushing this control will apply the new effect When a tap delay effect is selected pressing this control will allow users to select the tap delay time 2442FX 3242FX MKII USER S MANUAL 32 40 BIT ENGINE DSP 32 B T A D 8 D A QONVERTER By pushing the button several times the effect processor interprets the time between last two pushes and remembers this as the delay time until the button is pushed again this is kept even after the power is turned off When the tap delay effect is selected a small LED will flash within the digital effect display window at the selected intervals 49 EFX Send Control This rotary control will adjust the level of the output signal at the AUX 4 send jack as well as determine the amount of audio the built in effects processor will receive Whe
9. ROOM E TL 34 CD TAPE MAIN ls e a 35 Source Select This set of buttons allows users to select which signals they wish to send to the Control Room Phones output There is a button each for the AUX 1 2 CD Tape 1 2 3 4 and Main mixes These signals can be monitored simultaneously if wished 36 Control Room Phones Output This 1 4 outputs feeds the signal altered by A the Control Room Phones level control on the face of the mixer to an external speaker or s headphones This output has extensive use as it can be used to feed the signal from the mixer to an active monitor for the monitoring of the audio signal from within a booth among many other possible uses CD Tape Ins amp Outs The CD Tape section allows for external consumer level devices such as CD players or tape recorders to be incorporated into the mixer 37 To Main Control This control adjusts the level of the signal received through the CD inputs 6 99 that is sent to the Main mix be smo H 68 38 Standby Button The Standby button is used to mute all input channels of the MIX mixers In this instance the CD Tape input will still be in use allow music to be played between sets while ensuring no microphones inadvertently pick up any audio The main level fader can remain in its normal position ensuring you don t lose your mix 39 CD Tap
10. shelving boost or cut of 15 dB to low frequency 80 Hz sounds This will adjust the amount of bass included in the audio of the channel and bring more warmth and punch to drums and bass guitars 9 AUX Controls These four AUX controls alters the signal level that is being sent to the auxiliary 1 to 4 mixing buses the signal of which is suitable for connecting stage monitors allowing artists to listen to music that is being played AUX 1 and 2 feature a Pre Post button which alternates the feed to the AUX mixing bus between a post and pre fader feed AUX 3 on the other hand acts as an EFX send the signal of which can be used in conjunction with external signal processors which can be returned to the mixer via the AUX return input or simply as an Auxiliary output Both the AUX 3 and AUX 4 EFX controls are post fader AUX 3 feeds directly AUX 3 output AUX 4 feeds the AUX 4 output as well as the built in effects processor through the FX SEND control 10 AUX Pre Post Button This button allows users to switch the signal sent to the AUX 1 and AUX 2 mixes from the corresponding input channel between a pre fader and post fader signal Pushed in the signal is post fader released its a pre fader signal 11 Pan Control This alternates the degree or level of the mono audio signal that the left and right channels of the main mix should receive the e ft X 2442FX MKII 3242FX MKII USER S MANUAL
11. 00 5 2 78 46 DEEP FALANGER 1 4 6 75 A1 TAP DELAY 10 100 5 2 78 47 DEEP FALANGER 2 10 60 2 20 100 5 2 75 LFO DEPTH A3 TAP DELAY 30 100mS 2 78 48 CLASSIC PHASER 1 0 1 3 6 A4 TAP DELAY 40 100mS 2 7S 49 CLASSIC PHASER 2 0 4 2 6 A5 TAP DELAY 50 100mS 2 7S 50 COOL PHASER 1 4 0 7 A6 DELAY 60 100mS 2 78 51 WARM PHASER 3 2 0 3 A7 TAP DELAY 70 100 5 2 75 52 1 5 1 2 A8 DELAY 80 100 5 2 78 53 HEAVY PHASER 2 6 2 8 TEST TONE FREQUENCY SHAPE 54 WILD PHASER 1 74 0 8 TO LOW FREQUENCY 100Hz SINEWAVE 55 WILD PHASER 2 9 6 4 8 T1 MID FREQUENCY 1kHz SINEWAVE T2 HIGH FREQUENCY 10kHz SINEWAVE PN PINK NOISE 20Hz 20kHz the e IX 2442FX MKII 3242FX MKII USER S MANUAL APPLICATIONS SPEAKER EQUALIZER wu a K CD PLAYER AMPLIFIER our NOI 18 20 AN MN 24 4 OS O COMPRESSOR COMPRESSOR SPEAKERS EQUALIZER It Wm PROCESSOR CD PLAYER O AMPLIFIER
12. 1 LONG PLATE 1 2 6 80 77 DELAY REV 6 6 6 22 LONG PLATE 2 3 625 78 DELAY REV 7 7 7 23 LONG PLATE 4 2 0 79 DELAY REV 8 8 8 DELAY STEREO DELAY AVERG R BEVEL REV CHORUS 24 SHORT DELAY 1 0 07 60 80 CHORUS REV 1 1 1 25 SHORT DELAY 2 0 14 60 81 CHORUS REV 2 2 2 26 PING PONG DELAY 0 11 55 82 CHORUS REV 3 3 3 27 MID DELAY 1 0 15 55 83 CHORUS REV 4 4 4 28 DELAY 2 0 3 60 84 CHORUS REV 5 5 5 29 SHORT DELAY 1 MONO 0 06 100 85 CHORUS REV 6 6 6 30 DELAY 1 0 13 100 86 CHORUS REV 7 7 7 31 LONG DELAY 1 MONO 0 18 100 87 CHORUS REV 8 8 8 CHORUS LFO DEPTH FLANGER REV REV FLANGER 32 SOFT CHORUS 0 2 56 88 FLANGER REV 1 1 1 33 SOFT CHORUS 2 0 5 70 89 FLANGER REV 2 2 2 34 SOFT CHORUS 3 0 8 75 90 3 3 35 WARM CHORUS 1 8 85 91 FLANGER REV 4 4 4 36 WARM CHORUS 1 3 2 80 92 FLANGER REV 5 5 5 37 WARM CHORUS 2 5 2 45 93 FLANGER REV 6 6 6 38 WARM CHORUS 3 7 8 52 94 FLANGER REV 7 7 7 39 HEAVY CHORUS 9 6 48 95 FLANGER REV 8 8 8 FLANGER LFO DEPTH GATED REV RELEASE REV 40 CLASSIC FLANGER 1 0 1 44 96 GATED REV 1 9 0 02 TAIL PLATE 41 CLASSIC FLANGER 2 0 3 63 97 GATED REV 2 10 0 2 TAIL PLATE 42 GENTLE FLANGER 0 6 45 98 GATED REV 1 9 0 02 REVERSE PLATE 43 WARM FLANGER 1 6 60 99 GATED REV 2 10 0 5 REVERSE PLATE 44 MODERN FLANGER 1 2 85 TAP DELAY FB LEVEL RANGE 45 MODERN FLANGER 2 2 8 80 AO TAP DELAY 0 1
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15. ality of the feed This can be accomplished by adjusting it to a level slightly below that which will cause the peak indicator to light up 5 Low CutFilter Located on all mono channels this button will activate a high pass filter that reduces all frequencies below 75 Hz at 18 dB per Octave helping to remove any unwanted ground noise or stage rumble Stereo channels does not feature this low cut filter 6 High Frequency Control Use it to give a shelving boost cut of 15 dB to high frequency 12 kHz sounds This will adjust the amount of treble included in the audio of the channel adding strength and crispness to sounds such as guitars cymbals and synthesizers 2442FX MKII 3242FX MKII USER S MANUAL s AUX 1 8 a Es We invi 5 d 2 x 7 Mid Frequency Control You can provide a peaking style of boost and cut to the level of midrange frequency sounds at a range of 15 dB with this control The MIX mixers also provide a sweep control allowing you to select a center frequency between 100 Hz and 8 kHz Changing middle frequencies of an audio feed can be rather difficult when used in a professional audio mix as it is usually more desirable to cut middle frequency sounds rather than boost them soothing overly harsh vocal and instrument sounds in the audio 8 Low Frequency Control This control is used to give a
16. d the signal to the Main mix RUXRTN AUXSEND AUX SEND L Graphic Equalizer The 9 band graphic equalizer will allow users to alter the various frequencies of the audio in their Main or AUX 1 mixes for reducing feedback and adapting audio to suit room acoustics 43 Equalizer This stereo 9 band equalizer allows users to cut and boost the indicated frequencies by 12 dB When the feedback detection feature is activated these sliders will also illuminate to indicate program frequencies 44 Main AUX button This button determines which signal will be processed by the graphic equalizer The AUX 1 2 and Main signals are selectable 45 EQ In Switch Pushing this switch will turn the graphic equalizer on and off Digital Effect Processor The built in digital effect processor encompasses a 32 40 bit digital processor and features 100 preset programs as well as various test tones and tap delay For a completel list of effects please observe the Digital Effects Table 46 Digital Effect Display This 2 digital numeric display shows the program number that is currently applied to your EFX audio signal When you rotate the Program control you can scroll through different program numbers however the display will revert back to the original program if a new program is not selected within a few seconds 47 Sig and Clip Indicators
17. e Ins amp Outs These stereo RCA connectors allow users to send signals to and from the mixer allowing devices such as CD players and tape recorders players to be used 6 in conjunction with your setup Signals received by the CD Tape inputs are 69 adjusted by the to Main control Auxiliary Section The Auxiliary outputs are included on this mixer as a way to enable users to have a secondary signal for whatever purpose necessary whether it be for connecting to signal processors or to active monitors 40 AUX Send Controls These three controls are for adjusting AUX SENDS the audio level that is sent to the corresponding AUX outputs the signal of which is initially taken from each channel s individual AUX send controls Pushing the accompanying SOLO button will send the AUX sends 2 amp 3 to the Control Room Phones mix pre or post fader depending on the Solo PFL button and be accompanied by an illuminated LED 41 AUX Send Outputs These four 1 4 phone jacks will output the corresponding AUX send signals These can be connected to external processing devices and subsequently returned to the AUX Return inputs They may also be used with active monitors if required 42 AUX Return Inputs These four 1 4 phone jacks make up 2 stereo AUX return inputs They can be used to return a signal to the mixer that has been sent to an external processing device and sen
18. ed each of the GAIN controls of the Mixer should be turned counterclockwise as far as they will go which should be the 20 mark 2 Set the level control of the channel you are setting to the 0 dB mark 3 Ensure the channel has a signal sent to it similar to the signal that will be sent when in common use For example if the channel is using a microphone then you should speak or sing at the same level the performer normally would during a performance if a guitar is plugged into the channel then the guitar should also be strummed as it normally would be and so on This ensures levels are completely accurate and avoids having to reset them later 4 Push to Solo button of the channel you wish to set You should now be able to see the channel s signal in the level meter 5 Engage the Solo PFL button below the level meter allowing you to see the input channel s pre fader signal 6 Adjust the gain level of the selected channel so that the level meter sits around the 0 dB mark 7 This channel is now ready to be used you can stop making the audio signal 8 You can repeat the same process for other channels INPUTS AND OUTPUTS Mono Input Channels There are 16 and 24 mono channels on the 2442FX MKII and 3242FX respectively To follow you will find details on how these channels work how to make a connection how to adjust the various controls and how to ensure you get those most out of your mixer 1 Micr
19. ed to the mixer Please use the power cable that is included with this mixer only The Fuse holder located above the AC Power connector is of course for the MIX mixer s fuse If the fuse happens to blow open the holder cover and replace the fuse with a suitable replacement as indicated on the fuse holder s cover 2442FX MKII 3242FX MKII USER S MANUAL Cleaning and Care NEVER submerse the device or its components in water or other fluids Do not allow any liquids to penetrate the housing This would damage the device or cause a short circuit Cleaning the housing Remove the power plug from the power socket beforehand Clean the housing surface with a slightly damp cloth Never use petrol solvents or detergents that can damage the units surface Disposal Do not dispose of the device at the end of his operating life in your normal domestic waste This device is subject to the European Guidelines 2002 96 EC Ee Have the product disposed of by a professional disposal company of by your communal disposal facility Observe the currently applicable regulations In case of doubt contact your disposal facility Dispose of packaging materials in an environmentally responsible manner QS the t e 2442rx MKII 3242 MKII USER S MANUAL TYPICAL CONNECTING LEADS QB du M tl yoelg Pa oc nua Bury di TER n
20. hannels and four stereo line channels combined to make versatile yet brawny mixer A brand new line of mixers the MIX series broadens T mix s already impressive product line The MIX mixers include popular features that go further than most such as the 100 program Digital Effect Processor with tap delay and tone generator built in driven by an extraordinary 32 40 bit DSP engine Featuring full gain ranges low distortion and an incredibly wide dynamic range the MIX mixers are bound to make an impression We know how eager you are to get started wanting to get the mixer out and hook it all up is probably your number one priority right now but before you do we strongly urge you to take a look through this manual Inside you will find important facts and figures on the set up use and applications of your brand new mixer If you do happen to be one of the many people who flatly refuse to read user manuals then we just urge you to at least glance at the Instant Setup section After glancing at or reading through the manual we applaud you if you do read the entire manual please store it in a place that is easy for you to find because chances are there s something you missed the first time around FEATURES Audiophile quality preamp design DFX 32 40 bit digital multi effect processor with 100 programs 16 or 24 mic line channels with inserts 3 band EQ with swept mid range 75Hz low cut filter on each mono channel 4 AUX
21. ls instead They provide a peaking style of boost and cut to middle frequencies where the frequencies are set at 3 kHz and 800 Hz for the High and Low Mids respectively 20 AUX Controls The AUX controls on stereo channels are the same as on mono channels however since the AUX mixes are always mono any stereo signal will be mixed into a mono signal before being sent to the corresponding AUX mix 21 Balance Control This rotary control alternates the degree or level of audio that the left and right side of the main mix should receive Adjusting the balance control will attenuate the left or right audio signals of the channel accordingly 22 Mute and Routing Buttons The Mute Main 1 2 and 3 4 buttons on stereo channels do not differ in their operation to mono channels at all However it is important to make sure that when the 1 2 and or 3 4 buttons are pushed that the Balance control is set to the middle as this will ensure the stereo signal remains a stereo signal i d GROUP 1 23 Stereo Channels 21 22 amp 23 24 2442FX MKII Stereo Channels 29 30 amp 31 32 3242FX MKII The final 2 stereo channels on both MIX mixers feature slightly simplified controls Here you will find two AUX sends permanently wired to be pre fader useful in monitoring a level control and Solo button As there are no routing switches the signal is permanently se
22. n this control is set to it s minimum position neither the AUX 4 send nor the effect processor will receive a signal 50 FX to AUX 1 Control This control allows users to send the signal processed by the effects processor to the AUX 1 send mix allowing for monitoring of the signal 51 FX to AUX 2 Control This control allows users to send the signal processed by the effects processor to the AUX 2 send mix allowing for monitoring of the signal WO um gt ras 72 hant un abaoue 1 2 15 15 00 15 YvbBnouP YBROUP 3 4 TOAUX1 TOAUX2 TONAIN 52 FX to Main Control The FX to Main control will allow users to adjust the EFX signal that is sent to the Main or Group 1 2 mixes as determined by the Main Group button i 53 54 Main Group Buttons These button on the left Main L R Group allows users to send the signal processed by the effect processor to either the Main or Group mixes If this button is set to Group using the Group 1 2 Group 3 4 button will determine which of the group mixes the signal will be sent If the Main L R Group button is set to Main the Group 1 2 Group 3 4 button will be rendered useless Footswitch Jack The foot switch port is for the inclusion of a foot Switch not enclosed used for remote activation and deactivation of the built in Digital Effect processor the e f X 2442FX MKII 3242FX MKII USER S MANUAL Master Section
23. nt to the Main mix and appropriate AUX mixes Subgroups The Subgroups on the MIX mixers allow users to create single mono or stereo mixes of multiple input channels and control them with a single fader It is also common to use the Group outputs as tape outputs for connecting to multi track recorders 24 Solo Buttons The solo button allows the Group signal to be sent pre or post fader depending on the SOLO PFL button settings to the Control Room Phones mix allowing users to be able to monitor the subgroup signal When activated the Solo LED will light up to indicate as such 25 Right Buttons The Group Controls also feature individual left and right buttons which allow you to send the various Group signals to the Main Left and Right This can be handy when wanting to combine the signals from different signals and control their input levels simultaneously then send them to the Main L R signal eg when multiple inputs are used for say drums you can combine these inputs together to be controlled much simpler by a single fader 26 Faders These four faders are the final level control for the Group 1 to 4 audio feeds sent to the corresponding Group outputs on the rear of the MIX mixers to feed external devices such as effect processors and most commonly multi track recorders The Group mix can be fed a signal from the various mono and stereo channels as well as the EFX signal depending on your selecti
24. ons When pushed all the way up these faders provide 10 dB of gain to the signal and when set all the way down effectively mute the signal 2442FX MKII 3242FX MKII USER S MANUAL 27 Group Outputs These 1 4 phone jacks output the final feed from the Group mixes _ 1 2 3 and 4 the level of which is Gel determined by the Group Faders They can be used to feed a variety of recording and PA devices including multi track recorders amplifiers and speakers etc GROUP OUT Mono Subwoofer Channel The Mono output is used as an auxiliary output the signal of which is taken from the main mix and can be connected to an amplifier and speakers The included low pass filter enables the signal of the mono output to be more appropriate for use with a subwoofer speaker to add a little extra bass to your sound 28 Low Pass Filter The low pass filter is activated by moving the small slide switch to the ON position The accompanying control allows users to adjust the cut off frequency of the filter If users wish to use the Mono channel for monitoring or other similar purposes the low pass filter should not be activated 29 Mono Fader This fader controls the level of the mono signal that is sent to the mono outputs 30 Mono Output The line level signal sent from the Mono output can be used to connect to an amplifier or active speaker It is also possible to use this outp
25. ophone Input These jacks accept typical 3 pin XLR inputs for balanced and unbalanced signals They can be used in conjunction with microphones such as professional condenser dynamic or ribbon microphones with standard XLR male connectors and feature low noise preamplifiers serving for crystal clear sound replication NB When these inputs are used with condenser microphones the Phantom Power should be activated However when Phantom Power button is engaged single ended unbalanced microphones and instruments should not be used on the Mic inputs 2 Line Input This input accepts typical 1 4 TRS or TS inputs for balanced or unbalanced signals There are various numbers of these inputs depending which mixer you are using They can be used in conjunction with various line level devices such as keyboards drum machines electric guitars and a variety of other electric instruments 3 Insert Point Located on all mono channels the primary use for these TRS phone jacks is for the addition of external devices such as dynamic processors or equalizers to the corresponding mono input channel This will require a Y cord that can send and receive signals of the mixer to and from an external processor 4 Gain Control This controls the sensitivity of the input signal of the Line and Microphone inputs of mono channels The gain should be adjusted to a level that allows the maximum use of the audio while still maintaining the qu
26. phone jacks is for the addition of external devices such as dynamic processors or equalizers to the Main L and R mix This will require a Y cord that can send pre fader and receive signals to and from an external processor When the main insert is in use it will affect the signal sent to both the 1 4 and XLR main outputs 62 Phantom Power When this switch is in the on position it activates 48V of phantom power for all microphone inputs allowing condenser microphones well the ones that don t use batteries to be used on these channels Activating Phantom Power will be accompanied by an illuminated LED above the left channel Level Meter Before turning Phantom Power on turn all level controls to a minimum to avoid the possibility of a ghastly popping sound from the speakers NB Phantom Power should be used in conjunction with balanced microphones When Phantom Power is engaged single ended unbalanced microphones and instruments should not be used on the Mic inputs Phantom Power will not cause damage to most dynamic microphones however if unsure the microphone s user manual should be consulted 63 Power Switch You can use it to turn the mixer on and off Ensure you turn all level controls down before activating 64 Power Connector Used for the addition of a power cable and supply allowing power to be suppli
27. ppox 11 5Kg Dimensions 100X682X410mm 100X896X410mm the t e 2 3242 MKII USER S MANUAL DIMENSIONS 107 98 4 25 x Gh io ber 090009 00009099 0900909 00900909 00009 9 09999 6 099909 090009 09999 00909090 0906090 0909099 9 00009 e 0090090 99000 990999 9 u u u u u u u u u u u u u u u u 682 60 26 87 2442FX MKII m Bo BB BBB BBB BBB 6991 00 vcV 3242FX MKII 893 58 35 18 19 5 gt P oo 0000 oo 0000 o o 99 oo 2529 999 999 0099 99000 0000 0000 oe 299999 o ooo oo o 000000000 9 99999 9009 000000099 o 99999 9999 9 99999 9999 9 99000 0000 o 199000 0000 999999 0 99999 9999 B B B 90099 99999 0999 o 1090009 9999 9090960 9099 9 790000 99099 9 00000 99099 o 970906 9099 409906 90 99 5990009 0099 9 6 0000
28. r A grounding type plug has two blades and a third grounding prong The wide blade or the third prong is provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at plug convenience receptacles and the point where they exit from the apparatus Only use attachments accessories specified by the manufacturer Use only with a cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over Unplug this apparatus during lighting storms or when unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped CAUTION RISK OF ELECTRIC DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of unins
29. send mixing bus AUX 1 amp 2 with pre post switch 4 subgroups and additional mono output with sweepable low pass filter for subwoofer application e Clip indication and gain level set LEDs plus mute Switches for each channel e Balanced main mix outputs with XLR and 1 4 TRS connectors headphone control room output and stereo tape outputs e Solo In Place and Pre Fader Listen functions plus full featured talkback section e Standby switch mutes all channels during breaks while background music is provided via CD tape inputs GETTING STARTED Quick Setup 1 Ensure all power is turned off on your mixer To totally ensure this the AC cable should not be connected to the unit 2 All faders and level controls should be set at the lowest levels to ensure no sound is inadvertently sent through the outputs when the device is switched on levels can be altered to acceptable degrees after the device is turned on using the channel setup instructions 3 Plug any necessary equipment into the device s various outputs This could include amplifiers and speakers monitors signal processors and or recording devices 4 Plug the supplied power supply into the inlet on the back of the MIX mixer and into an AC power outlet of a suitable voltage 5 Turn the power switch on and follow the channel setup instructions to get the most out of your equipment Channel Setup 1 To ensure the correct audio level of the input channel is select
30. the signal is independent of any channel faders 59 Main Fader The Left and Right main mix is controlled with this fader the final level control for the Main Left and Right audio feeds sent to the Main L and R outputs When pushed all the way up the Main L R fader provides 10 dB of gain to the signal and when set all the way down the signal is effectively muted 68 48 o c 0 0 0 40 o 2 0 1 67 4 0 70 L 30 SOLO NORMAL Y PFL LEVEL SET MAIN MAIN INSERT d our a e GROUP OUT 60 Main Outputs These outputs will output the final stereo line level signal sent from the main mixing bus The primary purpose of the two XLR jacks is to send the main output to external devices which may include power amplifiers and in turn a pair of speakers other mixers as well as a wide range of other possible signal processors equalizers crossovers etcetera The two 1 4 phone jacks are able to send the Main output to external devices that may run in parallel with the mixer This may include additional power amplifiers mixers PA systems as well as a wide range of other possible signal processors 61 Main Insert Point Like the Insert Points on input channels the primary use for these TRS
31. the t mix 2442FX MKII 3242FX MKII Mixing Console CD TAPE woe INPUT OUTPUT IN GE MAN S Lt mix L 2442FX isus our oss roorsw GROUP OUT ROOM 32 40 BIT STEREO DIGITAL MULTIEFFECTS PROCESSDA COMPACT ROOM 41 CLASSICFLANGER 78 DELAY REV S 07 TUNNEL MODERN FLANGER CHORUS REV 4 OBJAZZCLUB SOCODLPHASER S2FLANGER REVS JARECITALHALL 54WILDPHASER GATE REVERB A7TAILPLATE 57 SLOW PAN DELAY se anc 100H2 SINE 2ASHORTDELAY G4 LAZYTREMOLO TA 4KHZSINE 3250FTCHORUS S9HOTTREMOLO T2 10KHZ SINE CHORUS 73DELAYAREVS PN PINK NOISE 9 9 2576 28 27 sora mommas TOAUX1 TOAUX2 TOMAN STEREO GRAPHIC EQUALIZER WITH DIGITAL FEEDBACK DETECTION MUTE MUTE
32. u o z L aneas di z L 5 dii aneals enaals di 5 Bund Bury Bury du du 5 bury di angels Bury ansas Bury du di z L EDD Bury di L z D z L z L 1 Bur um Bury aneas Bury du di e ueeig 8 N Bury so lt gt 20 lt 1 lt 2 gt oora lt lt 2 gt p x ueaiog D umasa VANS bury d pues z e L 5 6 6 5 pus o E39 Dun o b lt 9 N Y Ub di e es s a E Bury Bury 4 0 0 4 oi T PhVYh anaais 4 Die z Tau D z L du E C L Bury tT o 20 92 L L ansas Bury 0 dy 0 0 di l a e 5 1 5 1 1 a a 9 N 1 N n ei 7 _ e Z DIGITAL EFFECT TABLE 2442FX MKII 3242FX MKII USER S MANUAL
33. ub 2 simply use the pan turn it hard to the left to accomplish this 16 Main Button Pushing this button in allows the channel s signal to be sent to the Main mix 17 Channel Fader This control will alter the signal level that is sent from the corresponding channel to the corresponding mixing buses Stereo Input Channels Stereo channels differ slightly to the mono channels in their connections and controls To follow you will find a run down on the differences and what these channels are actually good for 18 Stereo Inputs The MIX mixers each feature 4 stereo A 17 input channels the inputs of which differ slightly to the mono channels _ s The two 1 4 TRS inputs are for the addition of various stereo line level input devices such as keyboards or drum machines If you wish to use a monaural device on a stereo return input simply plug the device s 1 4 phone jack into the left mono stereo input and leave the right input bare The signal will be duplicated to the right due to the miracle of jack normalizing 9 De VOUS AUX HIGH 2 x H o0 05 i 19 4 Band Equalizer The stereo channels of the MIX mixers feature equalizer almost identical to those on mono channels however instead of a Mid frequency control and sweep control there are High Mid and Low Mid contro
34. ulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons The exclamation point within an equilateral triangle is in tended to alert the user to the presence of important operat ing and maintenance servicing instructions in the literature accompanying the appliance WARNING To reduce the risk of fire or electric shock do not expose this apparatus to rain or moisture CAUTION Use of controls or adjustments or performance of procedures other than those specified may result in hazardous radiation exposure the t mix 2442FX MKII 3242FX MKII USER S MANUAL CONTENTS INTRODUCTION FEATURES GETTING STARTED Quick Setup Channel Setup INPUTS AND OUTPUTS Mono Input Channels Stereo Input Channels Subgroups Mono Subwoofer Channel Talkback Section Control Room amp Phones CD Tape Ins amp Outs Auxiliary Section Graphic Equalizer x w O O OO OO s o QI QI B gt gt P Digital Effect Processor 1 0 Master Section 1 1 Panel 12 TYPICAL CONNECTING LEADS 13 DIGITAL EFFECT TABLE 14 APPLICATION 15 SPECIFCATIONS 16 DIMENSIONS 17 BLOCK DIAGRAMS the July 2009 WWW THOMANN DE t mix the e f X 2442FX MKII 3242FX MKII USER S MANUAL INTRODUCTION Congratulations on your purchase of the T mix 2442FX MKII or 3242FX MKII mixers stylish 24 and 32 input mixers with 16 and 24 balanced mic line c
35. ut for monitoring purposes with headphones or active monitors Talkback Section Handy in studios or on stage the talkback function built into the MIX mixers allows engineers or producers anyone really to communicate with the performers wherever they may be 31 Talkback Level Control This control adjusts the level of the talkback signal that is sent to the AUX 8 1 and 2 outs pue 62 32 Talk to AUX Button 2 9 Holding this button down activates the MIX s built in talkback microphone the signal of which is sent to the AUX 1 and 2 outputs Keep the button pushed down until you finish speaking 33 Talkback Mic Point your mouth here when wishing to communicate with the performer musician the e f X 2442FX MKII 3242FX MKII USER S MANUAL Control Room amp Phones The Control Room and Phones mixes are useful for monitoring of audio signals It is important to remember particularly when using headphones that listening to excessively loud audio signals for prolonged periods of time could adversely affect your hearing 34 Level Control This rotary control will allow users to adjust the audio level of the Control Room Phones signal as received by input channels and those chosen by the Source Select buttons If active monitors are used with the Control Room Phones output then this control acts as the monitor level control PHONES amp CONTROL
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