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1. and uncheck the absolute sample paths box to preserve the proper directory path structure of the library This will allow us to provide you future updates to the original presets without accidentally overwriting your custom settings and preserve the necessary relative sample wallpaper and impulse scripting file path settings Batch Re Saving If you move or change the directory structure within the main folder of this library you may see a missing sample warning box when loading the presets into Kontakt This can generally be corrected by using the Batch Resave command located at the bottom of the drop down menu you ll see if you click on the main File menu at the top of Kontakt Then select the folder you would like to resave Select this library s main folder and then if Kontakt asks you where to find the missing files select that same main folder again and press OK to continue That will update the file paths stored in the instrument The scripted file paths for the impulse files will not self update however so the reverb impulse loading drop menu on the Tone FX script tab will no longer work in many cases To repair the impulse menu file paths please restore the library to its original structure SOUNDIRON Front Panel Controls This instrument has a variety of special front panel performance controls that allow deep real time performance customization Not all instrument presets include all controls listed below Incl2. Page 14 THANK YOU Page 19 www soundiron com SOUNDIRON ABOUT OUR BAMBOO This library is a powerful display of how far you can take a simple musical ingredient like bamboo poles The impacts range from powerful and sharp to raw and ragged There is also a large collection of tonal sustains and effects which were created by grinding the poles against wet and dry tile Sometimes shrill sometimes brassy and always creepy they re great for horror and dark dramatic ethnic scoring This library pairs very well with our Frendo and Cylindrum libraries and compliments any epic percussion scoring or musical design tool box These bamboo poles are actually fairly standard 7 foot long by 2 inch diameter hard bamboo staffs often used for garden and home decoration This particular set was a perfectly good bunch of them that were all about to be thrown away until we liberated them and then more or less destroyed them They happened to sound pretty damn cool when whacked against each other or scraped violently over smooth ceramic tile flooring in large bright hall We feel that their noble sacrifice like so many Soundiron instruments that have come before was well worth it You ll notice that the scrapes have an almost trumpet like blast and in some cases even an almost synthesizer like warm drone The piercing satisfyingly brutal main percussive patch has a large number of round robin and velocity layer variations maki
3. Pro 53 Controls Select Effect Cutoff Pro 53 On 53 On Bypass All O A Reso Pro53 On Off Cutoff Resonance This button enables disables the Sets the filter s cut off frequency Sets the amount of resonance on the resonant filter effect filter QO Z D O Y Flanger Select Effect Flanger Controls 0 49 Hz Bypass All 220 EN Flanger On Off This button enables disables the Flanger effect Dry Sets the amount of dry gain that is passed through the effect Wet Sets the amount of wet gain that is passed through the effect Rotator Select Effect Rotator Controls Depth Sets the sweep depth of the flange Speed Sets the sweep rate Phase Sets the phase Color Sets the brightness tone color of the flanger effect Feedback Sets the amount of signal feeback introduced into the signal path Rotator Off IE Bypass All 50 0 o Rotator On Off This button enables disables the spinning speaker Rotator effect Speed The rotation speed slow fast Treble The amount of high end clarity Delay TE Bass The overall bass response Balance Balance between low high response Distance The simulated distance between the microphone and the rotating speaker Wet Sets the amount of wet gain that is passed through the effect Select Effect Delay Controls Delay Off Bypa
4. the code Press the download button and select the location you d like to download and install the library lt will automatically start downloading the file s and then error check extract and install the finished library Once installation is fully complete you can remove the rar download files and store them in a safe place as a back up copy We always recommend downloading the latest version of our downloader before you begin The link in your email will always take you to the latest version Don t move rename delete or modify any of the files or folders created during the download until after you see the status message for all files in your download queue display the word INSTALLED Please don t close the downloader while it s actively downloading unless you press the pause button first To resume downloading press the Resume button If you need to resume downloading after closing the downloader run it again and enter your code and press Download again Select the same download installation location on your computer that you chose originally lf the downloader reports a DL Error or Install error it will usually try to download the file again until it successfully downloads and verifies all the data it needs Please see your download email for more detailed instructions Manual Download If you have any trouble with our Downloader utility or prefer to use your browser or another download manager log into your personal manual dow
5. versions published by Soundiron Inc are fully bound and covered by this agreement REFUNDS Downloaded libraries can t be returned so we can t provide refunds or exchanges VWe may choose do so at our own discretion but please be aware that as soon as you ve downloaded it it can not be returned RESPONSIBILITY Using this product and any supplied software is at the licensee s own risk Soundiron holds no responsibility for any direct or indirect loss arising from any form of use of this product TERMS This license agreement is effective from the moment the product is purchased or acquired by any means The license will remain in full effect until termination by Soundiron llc The license is terminated if you break any of the terms or conditions of this agreement or request a refund for any reason Upon termination you agree to destroy all copies and contents of the product at your own expense All past and future versions of this product including those released through brands other than Soundiron are covered under the terms of this agreement VIOLATION Soundiron reserves the right to prosecute piracy and defend this copyrighted creation to the fullest extent of civil and criminal law but we keep our prices fair our samples and programming accessible whenever possible and avoid cumbersome DRM registration and activation procedures whenever possible to provide you as much creative freedom and the best user experience p
6. SOUNDIRON EPIC BAMBOO STICK ENSEMBLE BAMBOO STICK ENSEMBLE 2 INSTRUMENT SERIES Welcome to the Epic Bamboo Stick Ensemble Bamboo when some people look at it they just see a plant Others wonder at the decorative possibilities it might serve complete a landscape design or balance the feng shui of a room If you are a panda bamboo looks like dinner For the truly eccentric bamboo presents a multitude of sonorous possibilities and challenges That s us We took the finest bamboo poles we could find then beat each other senseless with them After that was out of the way we carefully sampled them in their natural state No trying to make actual instruments out of them just banging them and rubbing them together The result is an interesting blend of wooden clack like sounds as well as sounds that remind the ear or a trumpet or saxophone We recorded this library in one of our favorite lush tile and stone recording halls with the specific single minded goal of achieving the most massive and powerful epic percussion sound we could get True epic percussion can only be done in a natural hall lt can t be faked In this second iteration of the library we painstakingly combed over all the instruments improving key mapping velocity layering and responsiveness making the whole thing more playable organic flexible and musical We also added a full set of brand new performance effect and arpeggiator controls to make the whole experi
7. e chain Repeat Setting This sets the direction of the up or down repeats Velocity Graph Sequencer This customizable graph allows you to draw the velocities that you want each step in your arpeggiation sequence to play at Table Velocities Constroin Reset Resets the Graph to blank Steps This setting determines the number of steps that are used by the velocity graph step sequencer starting from the left Table Velocities This activates the Graph When it is active the arpeggiation follows the note velocities that you ve drawn on the graph When it is bypassed each note repeat is played at the velocity that it s original note was played at Key Selector Knob Binds the arpeggiation scale you ve chosen to a specific key Scale Selector Control binds the arpeggiation sequence to a specific scale that you can choose by turning the knob Key Root Note Button This sets the root note of the Key you ve chosen to the next higher or lower octave Constrain Button Limits and adjusts any new note to the currently selected scale and key SOUNDIRON EPIC BAMBOO STICK ENSEMBLE INSTRUMENT PROGRAMS Solo Strike Presets Bamboo Clack A First bamboo clack articulation spread from C 0 to G8 Bamboo Clack B Second bamboo clack articulation spread from C 0 to G8 Bamboo Clack C Third bamboo clack articulation spread from C 0 to G8 Bamboo Clack D Fourth bamboo clack articulation spread from C 0 t
8. ence that much better Please note The Ist version of this library was originally published as Bamboo Stick Ensemble by Tonehammer Inc s SOUNDIRON SOUNDIRON EPIC BAMBOO STICK ENSEMBLE OVERVIEW 3 Instrument categories Percussion Tonal Effects amp Special FX 27 Kontakt patches unlocked 44 Bamboo Samples 392 MB Installed 6bit 44 1kHz stereo PCM wav samples non unencrypted Bonus collection of 15 custom convolution reverb impulses Powerful custom performance effects legato and arpeggiator control interface Note Native Instruments Kontakt 3 5 or later full retail version required to use nki presets CREDITS Produced Recorded and Edited by Mike Peaslee Performed by Mike Peaslee Gregg Stephens and Troels Folmann Programming and Documentation by Mike Peaslee and Chris Marshall Scripting by Chris Marshall TABLE OF CONTENTS General INTRODUCTION Page OVERVIEW amp CREDITS Page 2 ABOUT OUR BAMBOO Page 3 Technical FIDELITY 8 ACOUSTICS page 4 ACCESSIBILITY CONVERSION Page 4 CONVOLUTION IMPULSE FILES Page 4 SYSTEM REQUIREMENTS Page 4 DOWNLOAD amp INSTALLATION Page 5 PRESETS Page 5 BATCH RE SAVING Page 5 User Interface FRONT PANEL PERFORMANCE CONTROLS Page 6 TONE amp FX CONTROLS Pages 7 9 UBERPEGGIATOR CONTROLS Page 10 Instrument Descriptions INSTRUMENT PROGRAMS Pages II 12 Info LICENSE AGREEMENT Page 13 GALLERY
9. ets to other formats we always recommend using Kontakt for best results since it widely considered the industry standard and easily the most powerful sample programming and playback platform on the market However if you wish to convert or reprogram the wav files and instrument presets into any other sampler or softsynth format including free and open source standards like SFZ then there are a variety of great tools that you can use to customize this library such as Extreme Sample Converter and Chickensys Translator Just be aware that not all settings and properties will translate accurately reliably or even at all from one instrument or audio format to the next due to vast differences in standards behaviors structures and capabilities that each platform relies on Custom Convolution Impulses We enjoy capturing the unique acoustic characteristics of spaces and locations that we come across from time to time Sampling environments is similar to sampling instruments in many ways It s done with portable loudspeakers to produce a special sine wave sweep that covers a wide spectrum from 22 Hz to 22 kHz We then use dedicated deconvolution software to decode the resulting audio into an impulse response file which is a wav file with special phase frequency and timing information embedded in the audio Most impulses sound like an odd sort of sharp reveberant snap like a balloon pop or starting pistol fired in the environment that wa
10. ff of favorite classic halls and cathedrals ac the impulse response allowing you to bizarre otherworldly spaces to A to remove rumble and low end self resonating sonic shapes and Z ED O Y Stereo Imager Select Effect Stereo Controls T Stereo Off Bypass All Stereo On Off Spread Pan This button enables disables the This sets the width of the total This sets the pan position of the stereo imaging effect stereo image all the way from mono stereo image s center to ultra wide SOUNDIRON Uberpeggiator Controls We ve designed a custom arpeggiator system to expand the instant creative potential of some of the presets It includes automatable performance controls that shape all aspects of the arpeggiator When used normally pressing a key causes the note to self repeat as long as a key is held down If additional notes are played it adds them to the sequence of repeats in various ways depending on the settings you choose and can be used to produce complex melodic chains plucking patterns and other effects Mode This knob controls the Arpeggiator mode Choosing Off disables the Arp system entirely On sets it to respond only while a note is pressed cycling through all held notes as it arpeggiates Hold sets it to automatically sustain one note at a time monophonic so that changing keys changes the note that is repeating Hold sets it to allow new notes to be added to the automated chain of repeats Hit
11. ings We carefully choose our equipment and methods to prevent this wherever possible but some sounds are just very small Therefore please do keep in mind that we don t claim or aim to provide perfectly quiet or perfectly sterile sounds or musical instrument samples Accessibility All of the sample content and impulse files are included as standard non encrypted PCM wav files and standard open format Kontakt presets to allow you easy access to manipulate reprogram and customize the sounds however you prefer We know that it s important for many users to be able to go beyond the limitations of any one sampler or preset structure so we ve kept this library s directories and files open for advanced users As a professional you may have your own workflow or format requirements and we trust that you ll respect our hard work and won t share this content with anyone who hasn t paid for it Keep in mind that to use and or edit the Kontakt presets you ll need the full retail version of Native Instruments Kontakt 3 5 Kontakt 4 or Kontakt 5 Please be aware that the free Kontakt Player and any other version or form of Kontakt that came bundled with any other library or software product other than NI s Komplete package will not support this library The free Kontakt Player is NOT a full version of Kontakt and cannot load or play standard open format Kontakt instruments or libraries While you can reprogram the samples or pres
12. m being dragged at once Since there was no way to control or predict the tone we would get each time these are un tuned We think they re best suited for use in stingers and effects The Short Drags were produced in much the same way as the longer drags but in more violent quick stabs Since there was no way to control or predict the tone we would get each time these are un tuned Sustained Looping Drags These were done by dragging as slowly and carefully as possible to produce an even consistent pitch and tone as far as we possibly could The brassy scrapes have a strong French horn or Trombone like flavor while the pad set is almost synthetic sounding We think they re best suited for use as creepy melody and background accompaniment instruments or to provide a sinister feel when blended with actual horns SOUNDIRON ABOUT THIS LIBRARY Fidelity This library was recorded in wide stereo at 44 kHz 24bit in a dry and neutral studio environment However we also don t use low pass filtering in our recordings because we believe in capturing the full depth and power of a sound source It s much easier and more preferable to remove unwanted bass after the fact than it is to try to recreate and restore those lost elements after the fact Also be aware that some sound sources are very quiet and to capture their full clarity and detail it is necessary to allow low levels of preamp and mic hiss to exist in the record
13. ng it an excellent upper range accompaniment to any scoring percussion ensemble You ll find a variety of articulations at your disposal including Percussive Impacts and Aerial Swooshes These were produced by striking the bamboo poles against one another often to the point of shattering A little blood was spilled during this portion of the recording session and in retrospect we probably should have worn eye protection We recorded 10 round robin variations per velocity layer with an average of 5 layers per note We think this is a very playable patch and great for adding highs and sharper edges to epic percussion You ll notice the impacts becoming more ragged and loose as you move up the key range You might even hear debris falling after some of the louder strikes The swooshes have a very rounded whistling quality to them They become tighter and more percussive as you move up their key range They re perfect for adding a swell just before massive drum strikes or pitched way down in stingers We suggest you experiment with them to see what you can come up with They re surprisingly useful and kind of fun to play around with Short and Long Drags The sounds were produced by dragging the end of the bamboo shafts against 6 square tile flooring in a large bright hall The shafts were held almost vertically with alternating soft and hard pressure as they were being dragged Often you re hearing the sound of two or three of the
14. nload page on our website by using the direct link in your download email Log in using your download code and the email address you used to order Or if you used the downloader originally but you need to re install the library manually for any reason at a later time you can always re use the original rar files To do that you ll need Winrar UnrarX or another full featured Rar extraction utility to extract and install the library once download is complete Please note that Stuffit Expander and Winzip DO NOT support many types of common rar files Preset Loading Once installation is complete you can browse and load the included nki presets using the Files or Database tabs in the Kontakt Browser or through the main File load save menu Please allow presets to finish loading completely before loading a new one You can t use the Libraries view to load standard open format Kontakt Instruments like this library Only locked Powered By Kontakt Libraries are visible to that propriety browser view The Add Library function also does not support this product or any other open format Kontakt library This library doesn t require any special activation User Presets If you create custom presets of your own remember to save them with a new filename Make sure to save them into the same folder as the original or simply save your custom preset directly into the User Presets folder we ve provided Make sure to select patch only
15. o G8 Bamboo Clack E Fifth bamboo clack articulation spread from C 0 to G8 Solo Scrape Presets Bamboo Scrape Loops Brassy All brass sounding loops spread from C 0 to G8 Bamboo Scrape Loops Pad All soft pad like loops spread from C 0 to G8 Bamboo Scrape Loops Brassy All brass sounding loops spread from C 0 to G8 Bamboo Scrapes Ensemble A Collection of ensemble bamboo scrapes spread from C 0 to D7 Bamboo Scrapes Ensemble B Collection of ensemble bamboo scrapes spread from C 0 to E6 Bamboo Scrapes Short A Collection of short single bamboo scrapes spread from CHO to F 5 Bamboo Scrapes Short A Collection of short single bamboo scrapes spread from C 0 to D 7 Solo Swoosh Presets Bamboo Swoosh A First articulation of bamboo poles swung in air spread from C 0 to G8 SOUNDIRON Bamboo Swoosh B Second articulation of bamboo poles swung in air spread from C 0 to G8 Bamboo Swoosh C Third articulation of bamboo poles swung in air spread from C 0 to G8 Combo Presets Bamboo Clacks amp Swooshes All clacks and air swooshes in on patch C2 to A Bamboo Scrape Loops All Brassy and pad like loops in one patch C 0 to G8 Bamboo Scrapes Ensemble All All ensemble bamboo scrapes C 0 to A 7 Bamboo Scrape Loops All Brassy and pad like loops in one patch C 0 to G8 Bamboo Scrapes High Note All All high pitched bamboo scrapes C 0 to G8 Bamboo Long Note All All long bamboo scrape samples C 0 t
16. o G8 Bamboo Short Note All All shorter bamboo scrape samples C 0 to C6 FX Presets Broken Sewer Trumpet Sounds like despair playing a broken trumpet through human waste C 0 to G8 Chippy Theramin A chip tune sounding theramin preset C 0 to G8 Oblizolution mw de bit Stretched out synthy lead with torturous bit and time crunching on the modwheel C 0 to G8 To Boldly Go Soft pad leads the cornerstone of the Federation C 0 to G8 Slow Dive Subterranean sorrow way down low CHO to G8 Succubus It gets inside C 0 to G8 The Black Ring Speak not of it C 0 to G8 SOUNDIRON SOUNDIRON SOFTWARE LICENSING AGREEMEN T LICENSE AGREEMENT By installing the product you accept the following product license agreement LICENSE GRANT The license for this product is granted only to a single individual user No unlicensed use is permitted All sounds samples programming images scripting designs and text contained in this product are copyrights of Soundiron llc This software is licensed but not sold to you by Soundiron for commercial and non commercial use in music sound effect audio video post production performance broadcast or similar finished content creation and production use Individual license holders are permitted to install this library on multiple computers or other equipment only if they are the sole owner and only user of all equipment this software is installed or u
17. ossible If you enjoy our instruments and care about the very hard work that went into this labor of love then we know you won t ever pirate or distribute this instrument unlawfully Ca FIEWASNA AD1LS OOJINVA Vidd NOHIONNOS SOUNDIRON THANK YOU Thanks for loving the Soundiron Epic Bamboo Stick Ensemble library and supporting all of our creations If you have any questions troubles concerns comments love letters or hate mail feel absolutely free to send it on over to us info soundiron com much obliged Mike Gregg and Chris www soundiron com SOUNDIRON All programming scripting samples images and text Soundiron 2011 All Rights Reserved
18. pitch up or down C resets the pitch to default You can see the playable key switch range in the display above Tuned Untuned Button This button enables disables key based pitch changing When on the samples are pitch changed like a tuned instrument When off each key will be the same pitch gt i M y Release gt f so SOUNDIRON EPIC BAMBOO STICK ENSEMBLE Tone FX Controls The Tone FX Tab of the main instrument user interface panel contains a full chain of special DSP effects that you can choose from Each effect can be enable disabled and have a complete set of parameters that can be adjusted and CC or host automated independently This special panel can be found in most of the instrument presets Equalizer EQ3 Tone Controls A MFreq A MFreq Bypass EQ3 On Off Mid Gain High Gain This button enables disables the 3 This sets the amount of gain for the This sets the amount of gain for the Band EQ fully sweepable mid band high band Low Gain Mid Frequency This knob sets the amount of gain This sets the center frequency for for the low band the fully sweepable mid band Lo Fi Select Effect Lo Fi Controls Ju A Bypass All Lo Fi On Off Bits Sample Frequency This button enables disables the This knob sets the simulated bit The S Freq knob sets the simulated Lo Fi bit sampler rate reduction rate of the signal bit rate of the signal effect Pro 53 Filter
19. s and H Scale Knobs Sets the number of repeats of each note BEFORE moving on to the next note in the arp sequence and H Scale sets the intensity fall off rate for each repeat before resetting for the next note Swing This sets the amount of rhythmic offset swing between notes Pitch Sets the pitch up or down in quarter tone intervals for each repeat AFTER the initial note is pressed and it remains in a pseudo legato state as long as any key is held down Changing this setting in real time allows extreme glitch stutter and stair step effects and can self generate strange grooves and beats based on the combination of notes you hold o o Ora Omm Ora MN Ozz Om om Rhythm This sets the speed of arpeggiation as measured in musical time ranging from whole bars to 28th notes Fast settings can yield interesting results but keep in mind that the faster the speed the more voices you use Midi Thru This button allows midi messages to be passed through the script the the instrument which allows you to play normal sustaining notes on top of the arpeggiation Arpeggio Direction Menu This drop down menu allows you to select any number of simple or complex cycle patterns that the arpeggiation will follow as it plays through the sequence of notes you have triggered Choosing As Played will cause it to follow the original order you played the notes in with the newest note always added to the end of th
20. s captured which is is in fact how impulses used to be made When loaded into a compatible convolution reverb effect plugin such as the one built into Kontakt these impulses can impart their sonic properties fairly well into most sounds Of course it s an imperfect science and much is lost in the translation especially if the sound being played through it also has it s own strong tonal phase or reflective properties Sometimes the results are incredibly lifelike Sometimes they re awful It all depends on the sound the impulse the plugin and the settings used Sometimes these variables don t play nice Then again you may find some unexpectedly useful and interesting results through a little experimentation We ve included a hand selected collection of impulse files that we think compliment this s library s sound You can load them into most instrument presets by using the Tone FX control panel tab and selecting an impulse from the Impulse drop down menu You can also manually import any of the wavs in the Impulses directory into any IR wav compatible convolution effect plugin of your choice Just please just make sure to keep your speakers or headphones turned down while you experiment Convolution processing can often create powerful and piercing resonances when applied to many audio sources especially loud sounds that contain strong mid to low frequency harmonic components System Requirements The full retail ver
21. sed on Soundiron allows you to use any of the sounds and samples in the library s you ve purchased for the creation and production of commercial recordings music sound design post production or other content creation without paying any additional license fees or providing source attribution to Soundiron This license expressly forbids any unauthorized inclusion of any raw or unmixed content contained within this library or any any Soundiron library into any other sample instrument sound effect synthesizer or loop or effect library of any kind without our express prior written consent This license also forbids any unauthorized transfer resale or any other form of re distribution of this product or its sounds through any means including but not limited to re sampling mixing processing isolating or embedding into software or hardware of any kind for the purpose of re recording or reproduction as part of any free or commercial library of musical and or sound effect samples and or articulations or any form of musical sample or sound effect sample playback system or device Licenses cannot be transferred or sold to another entity without written consent of Soundiron llc RIGHTS Soundiron retains full copyright privileges and complete ownership of all recorded sounds instrument programming documentation and musical performances included within this product All past and future versions of this product including any
22. sion of Native Instruments Kontakt 3 5 or later is required to use this library Please be aware that many instrument and multi instrument programs in this library are extremely ram cpu and hard disk streaming resource intensive VWWe recommend that you have at least 2GB of system ram a dual core cpu and at least a 7200 rpm SATA hard disk before purchasing this or any other Soundiron library Large sample sets like those found in this library may load slowly and may cause system instability on older machines SOUNDIRON Download amp Installation The Kontakt sampler presets in this library is designed for the full retail version of Kontakt 3 5 and later ONLY lt cannot be used in the free Kontakt Player Please read all instrument specs and software requirements before purchasing this or any other Soundiron products to see the full list of software requirements features and format compatibility for each library We use the Continuata Download Manager to provide high speed reliable and fully automated library downloading and installation Download and run the latest version for your OS PC or Mac before proceeding You ll also need Java v 6 or later You may also need to add permissions to your security settings for the downloader if they block applications from accessing the web Next copy paste your download code from your download email into the Code box in the downloader window Make sure to leave out any spaces before or after
23. ss All 120 ms oz foo anf 2UU Om Om Delay On Off This button enables disables the classic Delay effect Delay Rate This menu allows you to set the echo rate in milliseconds Pan This knob sets the left right ping pong panning amount for each alternating echo Damping Sets the amount of high frequency roll off applied to each echo Feedback Sets the amount of delay feeback introduced into the signal path Dry Sets the amount of dry gain that is passed through the effect Wet Sets the amount of wet gain that is passed through the effect Reverb Select Effect Reverb Controls Size Impulse Warehouse Bypass All Lu 00 2 LLI n Z Lu Y U E UN O O faa 2 Reverb On Off Size Delay This button enables disables the Sets the simulated room size of the Sets the amount of pre delay time convolution reverb effect convolution before the wet signal is returned gt Dry Low Pass Impulse drop down menu a Sets the amount of dry gain Sets the low frequency cut off of This menu allows you to select from Y that is passed through the effect the impulse response allowing you a wide variety of custom TT to dull and darken the sound convolution reverb impulses that Wet we ve personally captured or Z Sets the amount of wet gain High Pass created for you ranging from our O that is passed through the effect Sets the high frequency cut o
24. uded controls depend on the specific features suitable for each preset Some may also use alternate CC mappings You can see each control s assignment by clicking on each UI control to display the hint text in the Info bar at the bottom of Kontakt Attack CC 74 This knob controls the sharpness of attack Increasing the value causes the sound to attack more softly Release CC93 This controls the release time of the sound Lower settings cause the sound to be damped and cut off while higher settings allow the sound to play out as long as a note is held down In the MW modwheel controlled X fading presets release has been moved to CC93 Swell CC72 This knob controls the overall volume and intensity of the sound This allows realtime volume swelling and fading Offset CC9I This allows you to skip ahead and start each sample farther into the actual wav file This allows you to customize exactly which part of the sound you want to play Stepping This allows pitch shifting on the fly and determines how many semitones 100 cents up or down from normal that the sounds will play the next time a note is triggered You can go up or down by up to 24 semitones with this knob at any time The pitch control key switches override this knob You can also use the main pitch knob or pitchwheel for realtime pitch bending Key Switch On Off Button This enables disables the key switches between C 2 and CO that shift the
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