User Manual
Contents
1. SPE STANNVHO OBMALS CD SENMDINNIONIN aayos asa e DERE an O e soua saz EE LI KET EETLINOXIN aE o gt 8 BLOCK DIAGRAM 9 TECHNICAL SPECIFICATIONS electronicallv balanced discrete input configuration 20 50 22 kHz si dB lt 0 005 at 4 dBu 1 kHz 0 dB to 50 dB MIC 115dB electronicallv balanced 20 Hz to 22 kHz 1 dB 0 005 at 4 dBu 1 kHz 15 dBu to 35 dBu 1 4 k Ohm 10 k Ohm or greater 1 k Ohm 120 Ohm 15 dB 012 kHz 15 dB 2 5 kHz 15 dB 80 Hz 24 bit 24 bit WARM HALL BRIGHT HALL WARM ROOM BRIGHT ROOM VOCAL1 VOCAL2 VOCAL3 PLATE STEREO DELAY 1 STEREO DELAY2 REV DELAY1 REV DELAY2 REV DELAY3 REV DELAY4 REV CHORUS1 REV CHORUS2 16 16 position PRESET Selector CLIP LED MUTE SWITCH With LED Indicator Fader O dB channels muted 94 dBr ref 4 dBu Fader O dB all input channels assigned and set to UNITY gain 92 dBr ref 4 4 dBu 22 dBu unbalanced 1 4 jacks co to 10 dB 22 dBu 18V 1000mA 18 Watts 202 250 58mm 2 360 5 071b 12Kgl4pcs 26 461b Input channels Microphone inpu2. These two controls are used to adjust the of the signal sent to AUX buses and their adjustable range goes from to 10dB AUX1 is configured as 14 PRE MON FADER so generallv it can be used for monitor application While AUX2 is configured as POST FX FADER therefore most of the times it will be used for effects and processors input however you can also changed it to PRE MON FADER configuration according to the specific application For more detail please see chapter 6 In this typical compact unit excluding sending out directly to the external effect or processor eguipment AUX SEND2 will also be sent to the internal onboard effect module 3 BAND EQ You have three EQ control for each mono and stereo input channel each providing 15 dB of boost and cut MID is 12 dB The signal will be unaffected when the controls are on center position You may use an external equalizer to make up a mix properly but a master equalizer will not have effect on a single channel and you may overload the signal easily Individual EQ will give you a much better control on single tracks 15 HI If you turn this control up you will boost all the frequencies above 12 kHz shelving filter You will add transparency to vocals and guitar and also make cymbals crispier Turn the control down to cut all frequencies above 12 kHz In such way you can reduce sibilances of human voice or reduce the hiss of a Tape player 16 MID This
3. Rev decav time 5 3 WARM ROOM Simulate a small acoustic space of the sound Pre delay 45ms Rev decay time 210ms 4 BRIGHT ROOM Simulate a studio room with many early reflections Pre delay 23ms 5 VOCAL 1 Simulate a room with without delay time Rev decay time 450ms f a Rev decay time 240ms 6 VOCAL 2 Simulate a room with small delay time Ere 22 202 7 VOCAL 3 Simulate a small space with slight decav time Rev decav time 100ms Pre delav 114ms Simulate the transducers sound like classic bright voca Rev decav time 290ms plate 8 PLATE 9 STEREO DELAY 1 o Kaj the input sound on the stereo output with different Period 352ms 10 STEREO DELAY 2 the input sound on the stereo output with different Period 238ms Delav period 326ms 11 REV DELAY 1 Delay with room effect Rev decav time 290ms Delav period 211ms 12 REV 4 DELAV 2 Delav with room effect Rev decav time 240ms Delav period 375ms 13 REV DELAY 3 Delay with room effect Rev decav time 210ms Delav period 277ms 14 REV DELAV 4 Delay with room effect Rev decay time 150ms Simulate the sound effect achieved by rotating horn speakers Chorus rate 3 67Hz 15 REV CHORUS1 and a bass cylinder Rev decay time 290ms Simulate the sound effect achieved by rotating horn speakers Chorus rate 3 02Hz 16 GEV CHORUS 7 cylinder Rev decay time 150ms
4. The output level can be varied from co to 10 dB 8 CD TAPE IN Use the Tape input to connect a CD Plaver Tape DAT iPOD or anv other line level source You can send this signal either to CONTROL ROOM OUTPUT and or to the MAIN MIX OUTPUT using the relative CD TAPE TO select buttons 9 CD TAPE OUT These RCA jacks will route the main mix signal into a tape or DAT recorder 10 PHONES This socket will be used to send the signal to a pair of headphones CHANNEL STRIP 11 LEVEL This knob controls the channel s level from co to 10 dB 12 PEAK LED This red LED will let you know about the status of the signals processed into your LYNX MIX62 FX Connect a microphone or an instrument to your LYNX MIX62 FX and sing play at normal volume Set the level control of that channel so that the PEAK LED lights up only occasionally If this LED is always on you are experiencing a lot of distortion and you should turn the GAIN control down or reduce the EQ boosting If this led never lights up turn the GAIN control up again A 13 This is the PANORAMA control or balance control You can adjust the stereo image of the signal via this control Keep this control in center position and your signal will be positioned in the middle of stage Turn this control fully counter clockwise and the signal will be present only on the left speaker and vice versa Of course a large number of intermediate positions is available 14 AUX
5. flashes occasionally In general you get a good mix level when the Meter LEDs operate in the range O to 6 If you exceed 6 you will get distortion If even 30 LEDs are sleeping your signal to noise ratio will suffer 4 CONTROL ELEMENTS 22 AUX RETURNS TO MAIN MIX This control is used to control the volume of the processed signal sent to Main Mix bus which can be varied from to 10 dB TO AUX1 MON This control is used to control the volume of the processed signal sent to Monitor Mix which can be varied from co to 10 dB 23 MAIN CD TAPE If you push down the CD TAPE TO CONTROL ROOM button the CD TAPE IN signal will be routed into the Control Room output and the level will be adjusted by the Control Room knob nearby the Main MIX LEVEL knob 24 CD TAPE TO MAIN MIX If you push down the CD TAPE TO MAIN MIX button the CD TAPE IN signal will be routed into the MAIN output and will be adjusted by the MAIN MIX LEVEL knob 25 PHANTOM PWR Switch This button will apply 48 Volt Phantom Power only to the 2 XLR MIC input sockets When condenser microphones are not used please make sure that the Phantom Power is disengaged 26 PHANTOM LED This LED indicates when the PHANTOM POWER is engaged 27 POWER LED This LED indicates when your LYNX MIX62 FX is switched on DSP SECTION For LYNX MIX62FX Model There is a powerful 24 bit 16 preset digital multi effects included in your LYNX MIX62FX Effects include rever
6. is a peaking filter and it will boost cuts frequencies with their center at 2 5 kHz This control will affect especially upper male and lower female vocal ranges and also the harmonics of most musical instruments ZEN a b 4 CONTROL ELEMENTS 17 LOW If you turn this control up you will boost all freguencies below 80 Hz You will give more punch to bass drums and bass guitar and you will make the male vocalist more macho Turn it down and you will cut all the freguencies below 80 Hz In this way you can avoid low frequencv vibrations and resonance thus preserving the life of your woofers MASTER SECTION 18 MAIN MIX LEVEL This knob controls the level of the signal AUX RETURNS sent to MAIN OUTPUTS and CD TAPE O Li fen OUT Also AUX RETURNS and CD TAPE POWER IN signals will be sent to this control raise a 19 PHONES CONTROL ROOM LEVEL 38 This knob controls the signal sent to CONTROL ROOM OUTPUT amp PHONES Qarg OUTPUT 0 lt 0 8 8 20 CD TAPE IN atin O26 H This knob controls the signal sent from 23 Cy Gen is i 29 24 CO TAPE IN rm O72 WAIN MIE 21 OUTPUT LEVEL METERS These consist of two column of 8 LEDs IO BI Apple each ranging from 30 dB to 18 dB CLIP The O LED corresponds to a level output of O dBu The CLIP LEDs come to life when the output reaches 18 dBu Set the MAIN MIX level control so that the CLIP LEDs only
7. CD TAPE TO MAIN MIX 4 CONTROL ELEMENTS PHANE LT O a 2 L a ea 1 MIC 2 MIC 8 2 Fx MAIN MIX BAL UNBAL R 6 AMIC INPUT 1 to 2 Your LYNX MIX62 FX is equipped with 2 low noise microphone preamplifiers with optional phantom power 50 dB of Gain and 115 dB of S N ratio You can connect almost any type of microphone Dynamic microphones do not need phantom power Use phantom power only with condenser microphones but make sure that the phantom power button is disengaged before connecting the microphone Phantom power will not damage your dynamic microphones but it may damage tube or ribbon microphones so make sure to read the microphone instructions manual before engaging phantom power Use switch 24 to activate deactivatephantom power These two channels are also equipped with 1 4 TRS balanced unbalanced LINE IN plugs to connect line level instruments such as keyboards drum machines and effect devices NOTE Never try to connect a line level signal to the XLR MIC input when the phantom power is engaged or you may seriously damage your equipment 2 STEREO LINE INPUTS 3 to 6 These are channels 3 4 and 5 6 They are organised in stereo pair and provided with 1 4 TRS phone sockets If you connect only the left jack the input will operate in mono mode that
8. IX62 FX 6 channel mixing console with 24 bit digital multi effect It is just one of the many Alto products that a talented multinational Team of Audio Engineers and Musicians have developed with their great passion for music Your LYNX MIX62 FX is a remarkable compact mixing desk that does not find many equals in the market today With 2 microphone and 2 stereo Line level inputs for small live performances small studio recording and general PA applications your LYNX MIX62 FX also includes a 24 Bit digital multi effect with 16 Factory Presets There is a three bands EQ on all input channels and separate Main Mix and Control Room outputs for operation with different volume settings Use it for small GIGs and RECORDING Your LYNX MIX62 FX also is a flexible tool for your Multi media presentations Enjoy your LYNX MIX62 FX and make sure to read this Manual carefully before operation 2 FEATURES 2 MIC input channels with gold plated XLR and balanced LINE input 2 stereo input channels with balanced TRS jacks Ultra low noise discrete MIC pre amps with 48V Phantom power Extremelv high headroom offering e xtra dvnamic range Balanced inputs for optimal signal integritv W arm natural 3 band EQ on each channel Built in 24 bits digital effects processor F or LYNX MIX62FX Model P eak LED on each channel 2 AUX sends pre channel for e xternal effects and monitoring Main output Control room and headphone outputs 2 Track inputs assignab
9. MLTO MUSIC PASSION DESIGN User s Manual LYNX MIX62 LYNX MIX62FX 6 CHANNEL MIXING CONSOLE WITH DIGITAL EFFECTS www altoproaudio com Version 1 0 Mar 2009 English IMPORTANT SAFETY INSTRUCTION WARNING To reduce the risk of electric shock and fire do not expose this equipment to moisture or rain RISK OF ELECTRIC SHOCK DO NOT OPEN Dispose of this product should not be placed in municipal waste and should be separate collection 11 Move this Equipment only with a cart stand tripod or bracket specified by the manufacturer or sold with the Equipment When a cart is used use e caution when moving the cart equipment combination to avoid possible injurv from tip over 12 Permanent hearing loss mav be caused bv exposure to X extremelv high noise levels The US Government s Occupational Safetv and Health Administration OSHA has specified the permissible exposure to noise level These are shown in the following chart el HOURS X DAY SPL EXAMPLE 90 Small gig 92 train 95 Subway train 97 High level desktop monitors O 0 100 Classic music concert 5 102 105 0 5 110 0 25 or less 115 Rock concert According to OSHA an exposure to high SPL in excess of these limits may result in the loss of heat To avoid the potential damage of heat it is recommended that Personnel exposed to equipment capable of generating high SPL use hearing protection wh
10. TART SMALL GIG DIGITAL EFFECT UNIT L 11 L AE R i 9 9 DAT OR ta RECORDER ROOM MAIN MIX BAL UNBAL DOO ey 000 a ON KEYBOARD DRUM MACHINE POWERED STAGE MONITORS ACTIVE SPEAKERS ALTO PS4 HA BAR PUB RESTAUARNT STEREO AUDIO FROM TV 20 HEADPHONE TV SCREEN O TAN el TTA A A R A e 2 TRACK RECORDER AU 3 L DRUM MACHINE ZONE 2 ACTIVE SPEAKERS 4 CONTROL ELEMENTS PHONES ALTO L JAVIX MIUXG2FX AUX RETURNS f AUX SENDS ry 20 our L MONO L MONO 2 4 MAIN MIX BAL UNBAL A dB 20 20 dB 20 20 AUX RETURNS 11 10 8 PRESETS E a 0 PEAK O SI PHANTON FX MUTE 3 3 48V i TO WARM HALL N A NOU BRIGHT HALL Mat j WARM ROOM _ Sio BRIGHT ROOM CD TAPE IN j VOCAL 2 VOCAL 3 PLATE STEREO DELAY 1 STEREO DELAY 2 REV DELAY 1 REV DELAY 2 REV DELAY 3 a E 5 a REV DELAY 4 j REV CHORUS 1 16 REV CHORUS 2 o Vo CTRL ROOM PHONES dd 3 w 8 00000000 00000000 JM mar N mm CD TAPE MAIN MIX
11. bs chorus flanger delay and combinations of the above 28 PRESETS Adjust this control to select the desired effect There are a total of 16 Factory presets available 28 including WARM HALL REV DELAY REV CHORUS ai etc A O FX MUTE 4 CONTROL ELEMENTS 29 PEAK LED This LED lights up when the input signal is too strong REAR PANEL 18VACx SERIAL x C ay 1 MWN DESIGNED IN ITALY RATED POWER CONSUMPTION 18W CAUTION A RISK OF ELECTRIC SHOCK A CAUTION DO NOT OPEN REPLACE WITH THE SAME TYPE FUSE AND RATING WARNING SHOCK HAZARD no nor open DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE AVIS RISQUE DE CHOC ELECTRIQUE NE ras ouver 30 POWER SWITCH This switch is used to turn the main power ON and OFF 31 AC INPUT This connector is used to connect the supplied AC 18V Adapter 5 INSTALLATION AND CONNECTION Ok you have got to this point and you are now in the position to successfully operate your LYNX MIX62 FX However we advise you to read carefully the following section to be the real master of your own mix Not paying attention enough to the input signal level to the routing of the signal and the assignment of the signal will result in unwanted distortion a corrupted signal or no sound at all So you should follow this procedure for every single channel 1 Turn down all Input and Output Gain Controls 2 Connect phantom powered microphones befo
12. d Use for Balanced Mic Inputs Use for Main output For unbalanced use connect pin 1 to 3 For unbalanced use leave pin3 unconnected 3 pin XLR Male Plug 3 pin XLR Line Socket seen from soldering side seen from soldering side 6 APPENDIX PREFADER AND POSTFADER CONSIDERATIONS Interesting consideration Where are the faders in your LYNX MIXG2 FX Actually a fader is usually regarded as a slider that is a linear potentiometer All potentiometers in your LYNX MIX62 FX are of rotary type but we keep the pre fader post fader description that is quite industry standard and easily understandable When your LYNX MIX62 FX leaves the Alto Factory the AUX bus of all input channels is wired post fader In this way the Aux bus can be used for the internal or external multi effect If you want to use the LYNX MIX62 FX Aux bus for powered stage monitors you should disconnect the above indicated POST route track and solder the PRE route track like in this drawing In this way the signal is routed to the AUX SENDS output before the Channel Level control AUX AUX PRE PRE a Disconnect o PRE route POST the POST route POST Before After 7 PRESET LIST No Preset Descr iption Parameter Rev decay time 360ms 1 WARM HALL Simulate a Small acoustic space of the sound Pre delay 45ms Rev decay time 290ms 2 BRIGHT HALL Simulate a large acoustic space of the sound 7 7
13. ile such equipment is under operation The apparatus shall be connected to a mains socket outlet with a protective earthing connection The mains plug or an appliance coupler is used as the disconnect device the disconnect device shall remain readilv operable TO REDUCE THE RISK OF ELEGTRIC SHOCK PLEASE DO NOT REMOVE THE COVER OR THE BACK PANEL OF THIS EQUIPMENT THERE ARE NO PARTS NEEDED BV USER INSIDE THE EQUIPMENT FOR SERVICE PLEASE CONTACT QUALIFIED SERVICE CENTERS A This symbol wherever used alerts you to the presence of un insulated and dangerous voltages within the product enclosure These are voltages that may be sufficient to constitute the risk of electric shock or death This symbol wherever used alerts you to important operating and maintenance instructions Please read Protective Ground Terminal AC mains Alternating Current 4 Hazardous Live Terminal ON Denotes the product is turned on OFF Denotes the product is turned off CAUTION Describes precautions that should be observed to prevent damage to the product 1 Read this Manual carefully before operation 2 Keep this Manual in a safe place 3 Be aware of all warnings reported with this svmbol 4 Keep this Equipment awav from water and moisture Clean it only with dry cloth Do not use solvent or other chemicals Do not damp or cover anv cooling opening Install the equipment only in accordance with the Manufacturer
14. is the mono signal will appear on both input channels You can use these inputs with a stereo keyboard drum machine etc 3 GAIN This control is provided with 2 different indication rings one is for 1 2 channels with a range of Q 50dB when MIC is used and a range of 15 35dB when LINE is used the other for 3 6 channels with a range of 20 20dB For optimum operation vou shall set this control in a wav that the PEAK LED will light up only occasionally in order to avoid distortion on the input channel EN 4 CONTROL ELEMENTS A AUX SENDS For AUX1 MON jack use this to connect the input of an external amplifier or active monitor speaker For AUXe FX jack use this to output the line level signal of the AUX2 post fader bus You can use it to feed the inputs of a stereo multi effects you will need a Y type cable 5 AUX RETURNS You can use these stereo 1 4 phone sockets to return the stereo signal of an effect unit to the Main Mix Alternatively you can use them as an extra auxiliary input and using the AUX RETURN level control as volume control The signal will be sent directly to MAIN MIX control 6 CTRL ROOM OUTPUT These 1 4 phone sockets will be used to send the signal to a pair of powered Studio Monitor speakers or to a second set of PA AMAIN MIX OUTPUTS This stereo output is controlled bv the Main Mix Level on the Master section and will send the audio signal to an amplifier or to a pair of active speakers
15. le to main mix control room headphone outputs Highly accurate 8 segment bar graph meters a 3 QUICK START This is the fastest way to get something out from your LYNX MIX62 FX if you have a keyboard and a microphone a With the Main switch in OFF position connect the supplied AC Adapter to your LYNX MIX62 FX first and then into the AC outlet making sure that the available voltage is the same with your LYNX MIX62 FX b Before turning on the LYNX MIX62 FX you shall connect it to a power amplifier and speakers Turning off the mixer BEFORE the power amplifier c Plug the microphone into Channel 1 MIC IN d Turn down AUX and LEVEL controls on the input channel e Put the EQ controls on center position f Turn on your LYNX MIX62 FX g With LEVEL control on O position sing or speak in to the microphone with normal volume and adjust the GAIN control so that the PEAK LED only blink occasionally h If you like you can adjust the equalization at this stage i Turn up MAIN MIX LEVEL until you get a comfortable volume j Connect your stereo keyboard into CH 3 4 and repeat the same sequence Here you are It is your first mix with your LYNX MIX62 FX Once you have finished your working session you shall turn the mixer off AFTER the power amplifier Before disconnecting the AC Adapter always turn off your LYNX MIX62 FX Do not use solvents to clean your LYNX MIX62 FX A dry and clean cloth will be OK 3 QUICK S
16. ption of the defect will be appreciated 2 4 Please prepay all the costs involved in the return shipping handling and insurance 3 TERMS AND CONDITIONS 3 1 ALTO warrants that this product will be free from any defects in materials and or workmanship for a period of 1 year from the purchase date if you have completed the Warranty Registration Card in time 3 2 The warranty service is only available to the original consumer who purch ased this product directly from the retail dealer and it can not be transferred 3 3 During the warranty service ALTO may repair or replace this product at its own option at no charge to you for parts or for labor in accordance with the right side of this limited warranty 3 4 This warranty does not apply to the damages to this product that occurred as the following conditions e Instead of operating in accordance with the user s manual thoroughly any abuse or misuse of this product e Normal tear and wear e The product has been altered or modified in any way e Damage which mav have been caused either directiv or indirectiv bv another 3 5 In no event shall ALTO be liable for any incidental or conseguentialdamages Some states do not allow the exclusion or limitation of incidental or conse quential damages so the above exclusion or limitation mav not applv to vou 3 6 This warranty gives you the specific rights and these rights are compatible with the state laws you may also have other statutory rights
17. re switching on the 48 Volt phantom power switch 3 Set the output level of your LYNX MIX6e2 FX or the connected power amplifier at no more than 75 Now set the CONTROL ROOM PHONE level at no more than 50 Position HI MID and LOW EG controls on middle position Position panoramic PAN BAL control on center position With a pair of headphones or studio monitor speakers connected apply a Line Level input signal so that the PEAK LED does not light up 8 While speaking into the microphone Cor playing the instrument adjust the channel level control so that the PEAK LED will blink occasionally in this way You will maintain good headroom and ideal dynamic range 9 Now repeat the same sequence for all input channels The Main LED Meter could move up into the red section In this case you can adjust the overall output level through the MAIN MIX control Audio Connections NODO B You can connect unbalanced equipment to balanced inputs and outputs Simply follow these schematics Sleeve a pe Ring Right Signal i Strain Clam Tip Left Signal Sleeve Ground Screen Use for Headphone Stereo Return 1 4 Stereo TRS Jack Plug Sleeve Tip Strain Clam Tip Signal Sleeve Ground Screen use for Mono Line In Mono 1 4 Jack Plugs 1 4 Mono TS Jack Plug 7 A 5 INSTALLATION AND CONNECTION ON 2 Hot 1 Ground Screen 2 Hotl 1 Ground Screen 3 Cold 3 Col
18. s instructions 7 Power Cords are designed for your safety Do not remove Ground connections If the plug does not fit your AC outlet seek advice from a gualified electrician Protect the power cord and plug from any physical stress to avoid risk of electric shock Do not place heaw objects on the power cord This could cause electric shock or fire ol 0 8 Unplug this equipment when unused for long periods of time or during a storm 9 Refer all service to qualified service personnel oniv Do not perform anv servicing other than those instructions contained within the User s Manual 10 To prevent fire and damage to the product use only the recommended fuse type as indicated in this manual Do not short circuit the fuse holder Before replacing the fuse make sure that the product is OFF and disconnected from the AC outlet IN THIS MANUAL 1 INTRODUCTION ika ie i i A deka oe 1 2756 186855 Smead ud a nat a aa aa a pe 1 3 QUICK STAR T K ia ala DA TERI 2 4 CONTROL 2 0 2 2 oa 4 5 INSTALLATION CONNEGTION 11 6 APPENDIX iii i a a lk ta i 12 7 PRESET LIST iii a 7677 a B aa ifa 13 8 BEOGK DIAGHAM i i ote ei a aah ab b Bee 14 9 TECHNICAL SPECIFICATION S sessed saad 15 10 WARRANTY iii a 16 1 INTRODUCTION Thank you for purchasing the LTO LYNX M
19. t Frequency response Distortion THD amp N Gain range SNR Signal to Noise Ratio Line input Frequency response Distortion THD amp N Sensitivity range Impedances Microphone input All other inputs Tape out All other output Equalization Hi shelving Mid bell Low shelving DSP Section A D and D A converters DSP resolution Type of effects Presets Controls Noise bus noise Main Mix Section Max output AUX Returns gain range AUX Sends max out Power Supply Main voltage Power consumption Physical Dimension WxDxH Net weight Shipping weight 10 WARRANTV 1 WARRANTV REGISTRATION CARD To obtain Warrantv Service the buver should first fill out and return the encl osed Warranty Registration Card within 10 days of the Purchase Date All the information presented in this Warrantv Registration Card gives the manufacturer a better understanding of the sales status so as to purport a more effective and efficient after sales warrantv service Please fill out all the information carefullv and genuinelv miswriting or absence of this card will void your warranty service 2 RETURN NOTICE 2 116 case of return for any warranty service please make sure that the pr oduct is well packed in its original shipping carton and it can protect your unit from any other extra damage 2 2 Please provide a copy of your sales receipt or other proof of purchase with the returned machine and give detail 2 3 A brief descri
20. that may vary from state to state AN SEIKAKU TECHNICAL GROUP LIMITED NO 1 Lane 17 Sec 2 Han Shi West Road Taichung 40151 Taiwan www altoproaudio com Tel 886 4 22313737 email info altoproaudio com Fax 886 4 22346757 All rights reserved to ALTO All features and content might be changed without prior notice Anv photocopv translation or reproduction of part of this manual without written permission is forbidden Copvright 2008 Seikaku Group NF03278 1 0
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