Manual - American Digital
Contents
1. a BE 1202 Qu e es eNO OS A run Qe Seo a OSN E A oca Benin een aA A EN RRR Roc ee mS 8 6 6 66 Me 9 o 0 ASS XENYX 1202 1002 802 502 Premium 12 10 8 5 Input 2 Bus Mixer with XENYX Mic Preamp and British EQ behringer com behringer 2 Thank you cu 20s0onesnnsnnesnssnnennsnnnsnnennnsnnennnsnnennnnnnsnnennnnnnenn 2 Important Safety Instructions cursorsonssnssonsonssnnsonsnnne 3 Legal Disclaimer csccscscscsssssscscscscscsccssccsencsescceeees 3 Limited Warranty 20r00n000s0ononssnnsonsnnnsonsnnssnnsnnssnnsnnsnnne 3 1 Introduction c sscussoosennsennnssonssonssnnnsnnnssnnnsnnssnnnennnen 5 1 1 General mixing console functions 5 1 2 The user s manual snsesesssensssensssensssensssensssunsssenne 5 1 3 Before you get started nsssenennnseeensseennsneennnn 5 1 3 1 Shipment ausesessiunisensanisunensn 5 1 3 2 Initial operation unensenseesseseonsssenssennsseennsennn 5 1 3 3 Online Registration ssssssssssssseessssssersssssseesssssserssssssee 5 2 Control Elements and Connectors cccccseseceees 6 21 MOMO ChAMINES sssdessssscssscszssasiscctesacensscstssssadsssshdeasdassestesssances 6 2 1 1 Microphone and line I2. EA Power consumption BW Dimensions HxWxD 1 9 1 5x5 3x7 USA Canada 47 mm 37x 134x177 mm Adapter BEHRINGER PSU MX3UL Weight inst Ka bs 035kg Mains voltage 120 V 60 Hz 802 Europe U K Australia Dimensions H x W x D ee 1 nn a m Adapter BEHRINGER PSU MX3EU Weight net 2 21bs 1 00 kg Mains voltage 230 V 50 Hz Im China Dimensions HxWxD 1 9 1 5x7 4x8 7 Adapter BEHRINGER PSU MX3CC 47 mm 37 x 189 x 220 mm Input 220 V 50 Hz 80 mA Weight net 2 3 Ibs 1 05 kg Output 2x 18 5 V 2x 150 mA EA Korea Dimensions HxWxD 1 9 1 5x9 5x8 7 Adapter BEHRINGER PSU MX3KR DN 22 SH Mains voltage 220 V 60 Hz Weight net 31bs 135kg Japan 1 Equivalent Input Noise Adapter BEHRINGER PSU MX3JP 2 Measuring conditions 1 kHz rel to 0 dBu 20 Hz 20 kHz line input main output unity gain Mains voltage 100 V 50 60 Hz 320 Hz 20 kHz measured at main output Channels 1 4 unity gain EQ flat all channels on main mix EA channels 1 3 as far left as possible channels 2 4 as far right as possible reference 6 dBu Power consumption 20W BEHRINGER is constantly striving to maintain the highest professional standards As a result of these efforts usa Se Adapter BEHRINGER PSU MXSUL Mains voltage 120 V 60 Hz Europe U K Australia Adapter BEHRINGER PSU MX5EU Mains voltage 230 V 50 Hz China Adapter BEHRINGER PSU MX5CC Input 220 V 50 Hz 150 mA Output 2x 17 5 V 2 x650 mA Korea Adapter BEHRINGER PSU MX5KR Mains voltage 220 V 60 Hz
3. If your country is not listed please check if your problem can be dealt with by our Online Support which may also be found under Support at behringer com Alternatively please submit an online warranty claim at behringer com BEFORE returning the product All inquiries must be accompanied by a description of the problem and the serial number of the product After verifying the product s warranty eligibility with the original sales receipt MUSIC Group will then issue a Return Materials Authorization RMA number 4 XENYX 1202 1002 802 502 User Manual Subsequently the product must be returned in its original shipping carton together with the return authorization number to the address indicated by MUSIC Group Shipments without freight prepaid will not be accepted 4 Warranty Exclusions This limited warranty does not cover consumable parts including but not limited to fuses and batteries Where applicable MUSIC Group warrants the valves or meters contained in the product to be free from defects in material and workmanship for a period of ninety 90 days from date of purchase This limited warranty does not cover the product if it has been electronically or mechanically modified in any way If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level in any country which is not the country for which the product was originall
4. FX send return connectors When using a stereo channel as effects return a ZI SY path the FX control of the relevant channel should generally be turned fully down to avoid II I undesirable feedback Fig 2 8 FX send return trol If only the left connector is used the AUX RETURN N automatically operates in mono Use the AUX RETURN control to determine how much of the effects signal is sent to the main mix behringer com FX SEND The FX SEND output does not apply for 502 should be connected to the input of an external effects unit The post fader FX signal you created using the input channel FX controls is sent to the effects unit via the FX SEND ouput Use the FX SEND control of the main section to adjust the overall send level 1002 and 1202 only 2 3 2 Monitor and main mix PHONES CONTROL ROOM The stereo PHONES jack at the top of the connector panel is where you connect headphones The unbalanced CTRL ROOM OUT jacks carry the summed effects and main mix signals as well as soloed channel signals The PHONES CONTROL ROOM control adjusts the level of both headphones and main monitor outputs The 502 is not equipped with control room outputs Fig 2 9 Monitor main mix connectors MAIN MIX The MAIN OUT connectors are unbalanced mono jacks The main mix signal appears here at a level of 0 dBu The MAIN MIX fader adjusts the volume of these outputs The XENYX 802 and 502 mixing consoles featu
5. Japan Adapter BEHRINGER PSU MX5JP Mains voltage 100 V 50 60 Hz behringer com We Hear You EN behringer com behringer
6. at a constant level irrespective of position in the stereo panorama LEVEL The LEVEL control determines the level of the channel signal in the main mix CLIP The CLIP LED s of the mono channels illuminate when the input signal is driven too high which could cause distortion If this happens use the GAIN control to reduce the preamp level until the LED does not light anymore 2 2 Stereo channels 2 2 1 Stereo line inputs LINE IN Each stereo channel has two balanced line level inputs on jacks for left and right channels If only the jack marked L left is used the channel operates in mono The stereo channels are designed to handle typical line level signals Both inputs will also accept unbalanced jacks Fig 2 4 Stereo line inputs 7 XENYX 1202 1002 802 502 User Manual 2 2 2 Equalizer stereo channels 802 DER i The XENYX 802 features a stereo 3 band EQ in amp ie each stereo channel The filter characteristics and EEG cut off frequencies are the same as those in the l O MD mono channels O i I o A stereo EQ is highly preferable to two mono i O Low equalizers when working on a stereo signal i as two separate E0 s will usually produce an unwanted discrepancy between the left and right channels Fig 2 5 The equalizer of the stereo input channels 2 2 3 FX sends balance and level adjustment FX PR The FX sends of the stereo channels function similar to those of the mo
7. dB GAIN Stereo aux returns Distortion THD N 0 005 0 004 A weighted Type 14 TRS jack electronically balanced Line input Impedance approx 20 KQ balanced Type 14 TRS jack electronically balanced anprax 10 KOl Unbalanced Impedance approx 20 kQ balanced Man npublevel aa approx 10 KA unbalance outputs TU 5 Gain range 10 dB to 40 dB Main outputs Max input level 22 dBu 0 dB GAIN Type Vs TRS jack unbalanced Fade out attenuation Crosstalk attenuation Impedance approx 120 0 unbalanced Ma adar dos de Max output level 22 dBu Channel muted 89 5 dB Control room outputs Channel fader muted 89 dB Type 14 TS jack unbalanced Frequency response Mic In Main Out impedance approx 120 0 eS AU Max output level 22 dBu lt 10 Hz 160 kHz 0 dB 3 dB Headphones output Stereo inputs Type 14 TRS jack unbalanced Type 74 TRS jack electronically balanced Max output level 19 dBu 150 0 25 dBm Impedance approx 20 kQ Main mix system data Noise Mak input level N Main mix oo 106 dB 109 dB A weighted channel fader co Main mix 0 dB 95 dB 98 dB A weighted channel fader co Main mix 0 dB 84 dB 87 dB A weighted channel fader 0 dB behringer com 11 XENYX 1202 1002 802 502 User Manual Power Supply Physical Weight
8. if you want to monitor the 2 track input via the CTRL ROOM OUT This provides an easy way to monitor signals coming back from tape to ensure that they are recording correctly Ifyou are recording a signal via the CD TAPE OUTPUT and wish to listen to this simultaneously via the CD TAPE INPUT do not use the CD TAPE TO MIX switch Doing this would create a feedback loop since the signal would be routed via the main mix back to tape via the CD TAPE OUTPUT To monitor the CD TAPE INPUT use the CD TAPE TO CTRL ROOM switch to assign the tape signal to the monitor s or headphones This will avoid the tape signal being routed to the CD TAPE OUTPUT Fig 2 12 Assignment switches of the main section FX TO CTRL ROOM If you want to monitor only the FX send signal in your headphones or monitor speaker s press the FX TO CTRL switch This mutes the main mix signal while routing the FX SEND output to the monitor s The XENYX 802 and 502 do not feature this switch 2 3 5 Phantom power and LED displays POWER 48 V O cur O O 8 O PHANTOM O 2 O O 20 O R Fig 2 13 Phantom power and control LEDs behringer com 48 V The red 48 V LED lights up when phantom power is on The PHANTOM switch activates the phantom power supply on the XLR connectors of all mono channels Please do not connect microphones to the mixer or the stagebox wallbox as long as the phantom power supply is switched on Connect the micro phones before
9. in any way that does not comply with the technical or safety regulations applicable in the country where the product is used e damage defects caused by acts of God Nature accident fire flood etc or any other condition that is beyond the control of MUSIC Group behringer com Any repair or opening of the unit carried out by unauthorized personnel user included will void the limited warranty If an inspection of the product by MUSIC Group shows that the defect in question is not covered by the limited warranty the inspection costs are payable by the customer 2 Products which do not meet the terms of this limited warranty will be repaired exclusively at the buyer s expense MUSIC Group or its authorized service center will inform the buyer of any such circumstance If the buyer fails to submit a written repair order within 6 weeks after notification MUSIC Group will return the unit C 0 D with a separate invoice for freight and packing Such costs will also be invoiced separately when the buyer has sent in a written repair order Authorized BEHRINGER dealers do not sell new products directly in online auctions Purchases made through an online auction are on a buyer beware basis Online auction confirmations or sales receipts are not accepted for warranty verification and MUSIC Group will not repair or replace any product purchased through an online auction 5 Warranty transferability This limited warranty is
10. operation Be sure that there is enough space around the unit for cooling purposes and to avoid over heating please do not place your mixing console on high temperature devices such as radiators or power amps The console is connected to the mains via the supplied cable The console meets the required safety standards Blown fuses must only be replaced by fuses of the same type and rating Never connect the XENYX to the power supply unit when the latter is connected to the mains First connect the power supply unit to the console then connect the power supply unit to the mains Please note that all units must be properly grounded For your own safety you should never remove any ground connectors from electrical devices or power cables or render them inoperative Please ensure that only qualified people install and operate the mixing console During installation and operation the user must have sufficient electrical contact to earth otherwise electrostatic discharges might affect the operation of the unit 1 3 3 Online Registration Please register your new BEHRINGER equipment right after your purchase by visiting http behringer com and read the terms and conditions of our warranty carefully Should your BEHRINGER product malfunction it is our intention to have it repaired as quickly as possible To arrange for warranty service please contact the BEHRINGER retailer from whom the equipment was purchased Should your BEHRINGER d
11. IN Each mono input also features a balanced line input on a connector Unbalanced devices mono jacks can also be connected to these inputs Please remember that you can only use either the microphone or the line input of a channel at any one time You can never use both simultaneously GAIN Use the GAIN control to adjust the input gain This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs 2 1 2 Equalizer All mono input channels include a 3 band equalizer on EQ except for the 502 which is equipped with a 2 band wee f EQ All bands provide boost or cut of up to 15 dB SZ In the central position the equalizer is inactive aan The circuitry of the British EQs is based on the I technology used in the best known top of the line l i consoles and providing a warm sound without any mie a5 45 unwanted side effects The result are extremely musical equalizers which unlike simple equalizers cause no side effects such as phase shifting or bandwidth limitation even with extreme gain settings of 15 dB Fig 2 2 The equalizer of the mono input channels EQ The upper HI and the lower band LO are shelving filters that increase or decrease all frequencies above or below their cut off frequency The cut off frequencies of the upper and lower band are 12 kHz and 80 Hz respectively The mid band 802 1002 1202 is configured as a
12. NPUtS 0 esecseecseseseecseeeese 6 21 2 Equalizer 6 2 1 3 FX sends panorama and level adjustment 6 2 2 Stereo chaNNEl Sissis 6 2 2 1 Stereo lineinputsa useussisiieine 6 2 2 2 Equalizer stereo channels 802 7 2 2 3 FX sends balance and level adjustment 7 2 3 Connector panel and main section 7 2 3 1 Send return effects path ssesccsseccsseccseccseecseeeese 7 2 3 2 Monitor and main mix ueseseesssessenssenseennnnenn 7 2 3 3 CD Tape connectofS 0 essesssecseesseesseesseeseeesseeseeesseese 8 2 3 4 Signal assignment ueesseennsssennsssennsseennsseennnnseennn 8 2 3 5 Phantom power and LED displays uneee 8 3 Installati n scsi sciscessssccsccssessscsccsosessesseseaccesseasecsscssssenss 8 3 1 Mains connection usssssnssnsssesnssosssnsenesnussnseussnssnsrsuensense 8 3 2 Audio CONNECTIONS ccccsesecssccsesecsescsseecsssecssecsssecssseceseeeese 8 4 Specifications ecsssnsssonssonssnnssnnnssnnssnnnsnnnssnnssnnnennne 10 XENYX 1202 1002 802 502 User Manual EN Table of Contents behringer com Thank you Congratulations In purchasing our XENYX 1202 1002 802 502 you have acquired a mixing console whose small size belies its incredible versatility and audio performance The XENYX Series represents a milestone in the development of mixing console technology With the new XENYX microphone preamps including phantom power as an option balanced line inputs
13. and a powerful effects section the mixing consoles in the XENYX Series are optimally equipped for live and studio applications Owing to state of the art circuitry your XENYX console produces a warm analog sound that is unrivalled With the addition of the latest digital technology these best in class consoles combine the advantages of both analog and digital technology 3 XENYX 1202 1002 802 502 User Manual Important Safety Instructions A EN CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN rN Terminals marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock Use only high quality commercially available speaker cables with 14 TS plugs pre installed All other installation or modification should be performed only by qualified personnel ATTENTION RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR gt This symbol wherever it appears alerts you to the presence of uninsulated dangerous voltage inside the enclosure voltage that may be sufficient to constitute a risk of shock gt This symbol wherever it appears alerts you to important operating and maintenance instructions in the accompanying literature Please read the manual gt Caution To reduce the risk of electric shock do not remove the top cover or the rear section No user serviceable parts inside Refer servicing to qualified personnel gt Caution To reduce the risk offire or elec
14. e only the power supply unit provided with the console Never connect the XENYX to the power supply unit while the latter is connected to the mains First connect the console to the power supply unit then connect the power supply unit to the mains Please note that both the power supply unit and the mixing console heat up considerably during operation This is completely normal 3 2 Audio connections You will need a large number of cables for different applications The illustrations below show how the connectors should be wired Be sure to use only high grade cables Please use commercial RCA cables to connect the 2 track inputs and outputs You can of course also connect unbalanced devices to the balanced inputs outputs To do this use either mono plugs or stereo plugs with the ring and sleeve bridged pins 1 and 3 in the case of XLR connectors Caution Never use unbalanced XLR connectors PIN 1 and 3 connected on the MIC input connectors when using the phantom power supply 9 XENYX 1202 1002 802 502 User Manual Balanced use with XLR connectors input 1 ground shield 2 hot ve 3 cold ve output For unbalanced use pin 1 and pin 3 have to be bridged Fig 3 1 XLR connections Unbalanced 1 4 TS connector lt 4 Strain relief clamp lt 4 Sleeve Tip Fig 3 2 4 mono plug behringer com Balanced 1 4 TRS connector lt 4 tra
15. ealer not be located in your vicinity you may directly contact one of our subsidiaries Corresponding contact information is included in the original equipment packaging Global Contact Information European Contact Information Should your country not be listed please contact the distributor nearest you A list of distributors can be found in the support area of our website http behringer com Registering your purchase and equipment with us helps us process your repair claims more quickly and efficiently Thank you for your cooperation 6 XENYX 1202 1002 802 502 User Manual EN 2 Control Elements and Connectors This chapter describes the various control elements of your mixing console All controls switches and connectors will be discussed in detail 2 1 Mono channels 2 1 1 Microphone and line inputs MIC Each mono input channel offers a balanced microphone input via the XLR connector and also features switchable 48 V phantom power supply for amp Mic condenser microphones The XENYX preamps provide undistorted and noise free gain as is typically known KR only from costly outboard preamps tne A ibe Please mute your playback system before you activate the phantom power supply to prevent switch on thumps being directed to your loudspeakers Please also note the instructions in chapter 2 3 5 Phantom power and LED displays Fig 2 1 Connectors and controls of mic line inputs LINE
16. extended exclusively to the original buyer customer of authorized retail dealer and is not transferable to anyone who may subsequently purchase this product No other person retail dealer etc shall be entitled to give any warranty promise on behalf of MUSIC Group 6 Claim for damage Subject only to the operation of mandatory applicable local laws MUSIC Group shall have no liability to the buyer under this warranty for any consequential or indirect loss or damage of any kind In no event shall the liability of MUSIC Group under this limited warranty exceed the invoiced value of the product 7 Limitation of liability This limited warranty is the complete and exclusive warranty between you and MUSIC Group It supersedes all other written or oral communications related to this product MUSIC Group provides no other warranties for this product 8 Other warranty rights and national law This limited warranty does not exclude or limit the buyer s statutory rights as a consumer in any way The limited warranty regulations mentioned herein are applicable unless they constitute an infringement of applicable mandatory local laws This warranty does not detract from the seller s obligations in regard to any lack of conformity of the product and any hidden defect 9 Amendment Warranty service conditions are subject to change without notice For the latest warranty terms and conditions and additional information regard
17. icker and more efficiently Thank you for your cooperation 3 Return materials authorization Legal Disclaimer Technical specifications and appearance are subject to change without notice The information contained herein is correct at the time of printing All trademarks are the property of their respective owners MUSIC Group accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description photograph or statement contained herein Colors and specifications may vary slightly from product BEHRINGER products are sold through authorized dealers only Distributors and dealers are not agents of MUSIC Group and have absolutely no authority to bind MUSIC Group by any express or implied undertaking or representation This manual is copyrighted No part of this manual may be reproduced or transmitted in any form or by any means electronic or mechanical including photocopying and recording of any kind for any purpose without the express written permission of MUSIC Group IP Ltd ALL RIGHTS RESERVED 2011 MUSIC Group IP Ltd Trident Chambers Wickhams Cay P 0 Box 146 Road Town Tortola British Virgin Islands 1 To obtain warranty service please contact the retailer from whom the equipment was purchased Should your BEHRINGER dealer not be located in your vicinity you may contact the BEHRINGER distributor for your country listed under Support at behringer com
18. in relief clamp 4 sleeve Q ring P lt 4 tip sleeve ground shield ring 4 cold ve For connection of balanced and unbalanced plugs ring and sleeve have to be bridged at the stereo plug Fig 3 3 4 stereo plug Ya TRS headphones connector strain relief clamp sleeve 4 ground shield ring 4 right signal lt left signal Fig 3 4 Stereo plug for headphones connection 10 XENYX 1202 1002 802 502 User Manual EN 4 Specifications Mono Inputs u zer Microphone inputs XENYX Mic preamp EQ mono channels Type XLR connector electronically balanced LOW 80 Hz 15 dB discrete input circuit MID 2 5 kHz 15 dB Mic E I N 20 Hz 20 kHz HIGH 1 kHz 15 dB 00 source resistance 134 dB 135 7 dB A weighted 50 0 source resistance 131 dB 133 3 dB A weighted EQ stereo channels LOW 80 Hz 15 dB 150 0 source resistance 129 dB 130 5 dB A weighted MID 25kHz 15 dB Frequency response HIGH 12 kHz 15 dB lt 10 Hz 150 kHz 1 dB Zine Sank 34B Gain range 10 dB to 60 dB LU Max input level 12 dBu 10 dB GAIN Type 22 TS jack unbalanced Impedance approx 2 6 kQ balanced Impedance approx 1200 Signal to noise ratio 110 dB 112 dB A weighted Max outptitieval za 0 dBu In 22
19. ing MUSIC Group s limited warranty please see complete details online at behringer com MUSIC Group Macao Commercial Offshore Limited of Rue de Pequim No 202 A Macau Finance Centre 9 J Macau including all MUSIC Group companies 5 XENYX 1202 1002 802 502 User Manual 1 Introduction XENYX Mic Preamps The microphone channels feature high end XENYX Mic Preamps that I compare well with costly outboard preamps in terms of sound quality and dynamics and boast the following features e 130 dB dynamic range for an incredible amount of headroom e A bandwidth ranging from below 10 Hz to over 200 kHz for crystal clear reproduction of even the finest nuances e The extremely low noise and distortion free circuitry guarantees absolutely natural and transparent signal reproduction e They are perfectly matched to every conceivable microphone with up to 60 dB gain and 48 volt phantom power supply e They enable you to use the greatly extended dynamic range of your 24 bit 192 kHz HD recorder to the full thereby maintaining optimal audio quality British EQ The equalizers used for the XENYX Series are based on the legendary circuitry of top notch consoles made in Britain which are renowned throughout the world for their incredibly warm and musical sound character Even with extreme gain settings these equalizers ensure outstanding audio properties IN Caution We should like to draw your attention to the fact that extreme
20. int where they exit from the apparatus 11 Use only attachments accessories specified by the manufacturer 12 Use only with the cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid LAL injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped 15 The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection 16 Where the MAINS plug or an appliance coupler is used as the disconnect device the disconnect device shall remain readily operable Limited Warranty 1 Warranty This limited warranty is valid only if you purchased the product from a BEHRINGER authorized dealer in the country of purchase A list of authorized dealers can be found on BEHRINGER website behringer com under Where to Buy or you can contact the BEHRINGER office closest to you MUSIC Group warrants the mechanical and electronic components of this product to be free of defects in ma
21. no channels However since the FX send buses are both mono a mono sum is first taken from the stereo input before it is sent to the FX bus The 502 is not equipped with FXsends BAL The BAL ANCE control determines the levels of left and right input signals relative to each other before both signals are then routed to the main stereo mix bus Ifa channel is operated in mono via the left line input this control has the same function as the PAN control used in the mono channels Fig 2 6 The FX send balance level controls LEVEL The LEVEL control determines the volume of the channel being sent to the main mix 4 10 The stereo inputs of the XENYX 1002 and 1202 have an input sensitivity switch which selects between 4 dBu and 10 dBV At 10 dBV home recording level the input is more sensitive requires less level to drive it than at 4 dBu studio level 2 3 Connector panel and main section 2 3 1 Send return effects path STEREO AUX RETURN 802 only the STEREO AUX RETURN connectors are used to bring the output of the external effects device whose input is derived from the aux sends back into the console You can instead use these connectors as additional inputs but any effects device will then have to be brought back into the console via a normal stereo channel This does however give you the ability to use the channel EQ on the effects return signal if you wish T l STEREO AUX RETURN Fig 2 7
22. ou behringer com understand the links between the controls we have arranged them in groups according to their function The illustrations at the beginning of each chapter show the controls described in each respective chapter The block diagram supplied with the mixing console gives you an overview of the connections between the inputs and outputs as well as the associated switches and controls For the moment just try and trace the signal path from the microphone input to the FX send connector Don t be put off by the huge range of possibilities it s easier than you think If you look at the overview of the controls at the same time you ll be able to quickly familiarize yourself with your mixing console and you ll soon be making the most of all its many possibilities If you need to know more about specific issues please visit our website at http behringer com where you ll find explanations of for example effects and dynamics applications 1 3 Before you get started 1 3 1 Shipment Your mixing console was carefully packed in the factory to guarantee safe transport Nevertheless we recommend that you carefully examine the packaging and its contents for any signs of physical damage which may have occurred during transit Ifthe unit is damaged please do NOT return it to us but notify your dealer and the shipping company immediately otherwise claims for damage or replacement may not be granted 1 3 2 Initial
23. peak filter with a center frequency of 2 5 kHz behringer com LOW CUT In addition the mono channels 1002 and 1202 are equipped with a steep LOW CUT filter slope at 18 dB oct 3 dB at 75 Hz designed to eliminate unwanted low frequency signal components 2 1 3 FX sends panorama and level adjustment FX 802 1002 1202 only FX sends or AUX sends enable you to feed signals via a variable control from one or more channels and sum these signals to a bus The bus appears at the console s FX send output and can be fed from there to an external effects device The return from the effects unit is then brought back into the console on the aux return connectors 802 or normal channel inputs Each FX send is mono and features up to 15 dB gain As the name suggests the FX sends of the XENYX mixing consoles are intended to drive effects devices reverb delay etc and are therefore configured post fader This means that the mix between dry signal and effect remains at the level determined by the channel s aux send irrespective of the channel fader setting If this were not the case the effects signal of the channel would remain audible even when the fader is lowered to zero Fig 2 3 The FX send panorama level controls PAN The PAN control determines the position of the channel signal within the stereo image This control features a constant power characteristic which means the signal is always maintained
24. re a rotary control for this purpose CD TAPE TO CTRL CD TAPE TO MIX CD TAPE FX TO CTRL PHONES CONTROL ROOM 6 fee 00 MAX MAIN MIX MAIN SECTION Fig 2 10 Monitor control and main mix fader 8 XENYX 1202 1002 802 502 User Manual EN 2 3 3 CD Tape connectors CD TAPE INPUT The CD TAPE INPUTs are used to bring an external signal source e g CD player tape deck etc into the console They can also be used as a standard stereo line input so the output of a second XENYX or BEHRINGER ULTRALINK PRO MX882 can be connected INPUT OUTPUT EE ee ee Alternatively the line or tape output of a hi fi Fig 2 11 CD Tape input output amplifier with source selection switch could also be hooked up here allowing you to easily listen to additional sources CD TAPE OUTPUT These connectors are wired in parallel with the MAIN OUT and carry the main mix signal unbalanced Connect the CD TAPE OUTPUT to the inputs of your recording device The output level is adjusted via the high precision MAIN MIX fader or rotary control 802 2 3 4 Signal assignment CD TAPE TO MIX When the TAPE TO MIX switch is depressed the 2 track input is assigned to the main mix providing an additional input for tape machines MIDI instruments or other signal sources that do not require any processing CD TAPE TO CTRL ROOM 502 CD TAPE TO PHONES Press the CD TAPE TO CTRL ROOM PHONES switch
25. terial and workmanship if used under normal operating conditions for a period of one 1 year from the original date of purchase see the Limited Warranty terms in 4 below unless a longer minimum warranty period is mandated by applicable local laws If the product shows any defects within the specified warranty period and that defect is not excluded under 4 MUSIC Group shall at its discretion either replace or repair the product using suitable new or reconditioned product or parts In case MUSIC Group decides to replace the entire product this limited warranty shall apply to the replacement product for the remaining initial warranty period i e one 1 year or otherwise applicable minimum warranty period from the date of purchase of the original product Upon validation of the warranty claim the repaired or replacement product will be returned to the user freight prepaid by MUSIC Group Warranty claims other than those indicated above are expressly excluded PLEASE RETAIN YOUR SALES RECEIPT IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF OF PURCHASE 2 Online registration Please do remember to register your new BEHRINGER equipment right after your purchase at behringer com under Support and kindly read the terms and conditions of our limited warranty carefully Registering your purchase and equipment with us helps us process your repair claims qu
26. tric shock do not expose this appliance to rain and moisture The apparatus shall not be exposed to dripping or splashing liquids and no objects filled with liquids such as vases shall be placed on the apparatus gt Caution These service instructions are for use by qualified service personnel only To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions Repairs have to be performed by qualified service personnel gt Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with dry cloth N QU BWHN ap Do not block any ventilation openings Install in accordance with the manufacturer s instructions 8 Donotinstall near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat behringer com 9 Donot defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the po
27. volumes may damage your hearing and or your headphones or loudspeakers Turn the MAIN MIX control and PHONES control in the main section fully counter clockwise before you switch on the unit Always be careful to set appropriate volume levels Important notes concerning installation The sound quality may diminish within the range of powerful broadcasting stations and high frequency sources Increase the distance between the transmitter and the device and use shielded cables for all connections 1 1 General mixing console functions A mixing console fulfils three main functions e Signal processing Preamplification level adjustment mixing of effects frequency equalization e Signal distribution Summing of signals to the aux sends for effects processing and monitor mix distribution to one or several recording tracks power amp s control room and 2 track outputs e Mix Setting the volume level frequency distribution and positioning of the individual signals in the stereo field level control of the total mix to match the recording devices crossover power amplifier s All other mixer functions can be included in this main function The interface of BEHRINGER mixing consoles is optimized for these tasks enabling you to easily keep track of the signal path 1 2 The user s manual The user s manual is designed to give you both an overview of the controls as well as detailed information on how to use them In order to help y
28. y developed and manufactured this modification adaptation shall not be considered a defect in materials or workmanship This limited warranty does not cover any such modification adaptation regardless of whether it was carried out properly or not Under the terms of this limited warranty MUSIC Group shall not be held responsible for any cost resulting from such a modification adaptation This limited warranty covers only the product hardware It does not cover technical assistance for hardware or software usage and it does not cover any software products whether or not contained in the product Any such software is provided AS IS unless expressly provided for in any enclosed software limited warranty This limited warranty is invalid if the factory applied serial number has been altered or removed from the product Free inspections and maintenance repair work are expressly excluded from this limited warranty in particular if caused by improper handling of the product by the user This also applies to defects caused by normal wear and tear in particular of faders crossfaders potentiometers keys buttons guitar strings illuminants and similar parts 6 Damage defects caused by the following conditions are not covered by this limited warranty e improper handling neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals connection or operation of the unit
29. you switch on the power supply In addition the monitor PA loudspeakers should be muted before you activate the phantom power supply After switching on wait approx one minute in order to allow system stabilization POWER The blue POWER LED indicates that the console is powered on Level indicator The high precision 4 segment display accurately displays the relevant signal level LEVEL SETTING To correctly set the gains of the channels first set the LEVEL controls of the input channels to their center positions 0 dB Then use the GAIN controls to increase the input amplification until signal peaks show 0 dB on the level meter When recording to digital recorders the recorder s peak meter should not go into overload While analog recorders can be overloaded to some extent creating only a certain amount of distortion which is common and often desirable digital recorders distort quickly when overloaded In addition digital distortion is not only undesirable but also renders your recording completely useless The peak meters of your XENYX display the level virtually independent of frequency A recording level of 0 dB is recommended for all signal types 3 Installation 3 1 Mains connection AC POWER IN Connect the power supply to the 3 pin mains connector on the rear of the console Use the AC adapter supplied to connect the console to the mains The adapter complies with all applicable safety standards Please us
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