Using TonePrint Editor
Contents
1. tc electronic Saturation ods Output Level 0 dB Q Release Time 313 ms Te f 2290 Through Zero Flanger 40 Depth 2 Knob selection toneprint editor Depth 3 01 Delay Time 3 0 ms r 1 T Store to Pede My Tonef Rin Online Support Help v 1 0 0 TC Electronic TonePrint Editor Manual About this manual Welcome So what s in a TonePrint TonePrint Editor s resume What you will need Getting started Ready Set TonePrint Precautions Don t lose that TonePrint Different pedals different parameters Multiple TonePrint pedals one editor Pedal serial and software version information Your sound There s a template for that Using TonePrint Editor Template TonePrint Returning to template defaults Router section Kill Dry parameter Knob Selection section Assigning parameters to a knob Modifier display Modifier sections Modulation parameters Modulation Type selector Classic Chorus setting Advanced Chorus setting Classic Flanger setting Advanced Flanger setting WW QO N N N N _ lt A N N 9 9 9 9 gt 9 O 10 10 10 10 10 10 Vibrato setting TriChorus setting TriChorus Alternative setting TZFlanger Through zero setting Modulation Active parameter Through Zero Flanger parameter Speed parameter Depth 1 parameter Depth 2 parameter Depth 32. intensity of the modulation that is applied to the reverb This parameter only has an effect when you have set the Mod On Off switch to On Early parameter Parameter range 24 5 to 0 0 dB Use the Early parameter to set the output level of the early reflections part of the reverb algorithm Increase the Early parameter s value to em phasize the definition of the simulated room Decrease the Early parameter s value to set fo cus on the diffuse part of the algorithm When Early is set to a low value the reverb effect will mainly consist of the reverb tail Reverb parameter Parameter range 24 5 to 0 dB Use the Reverb parameter to set the Output level of the diffuse field part of the reverb algorithm Decrease the Reverb parameter s value to em phasize the early reflections and thereby the defi nition of the simulated room Dynamix Mode switch Parameter settings Off Positive Inverse Dynamix is a unique feature inherited from the legendary TC 2290 delay Dynamix allows you to control the level of the reverb via the dynamics of the input signal This creates a very vivid effect that interacts with your style of playing and choice of dynamics Using the Dynamix Threshold parameter see be low you can set a level limit for your input that will help control the reverb level in two different modes Positive and Inverse Off setting Disables the Dynamix Mode and gives you a reg ular R
3. field to an absolute minimum LoColor parameter Parameter range 50 to 50 Use the LoColor parameter to adjust the low fre quency spectrum of the output signal This can be used for altering the overall color of the reverb HiColor parameter Parameter range 50 to 50 Use the HiColor parameter to adjust the high fre quency spectrum of the output signal This can be used for altering the overall color of the reverb TR lar trnnirc TanaDrint Aitnar N n 1 fA e e VA ro IAN A r IC Electronic TonePrint Editor a Manual for software version 1 0 HiFactor parameter Parameter range 25 to 25 Use the HiFactor parameter to emphasize or at tenuate the selected HiColor value Mod On Off parameter Use the Mod On Off parameter to switch modula tion of the reverb signal on or off The algorithm designers at TC have adjusted the diffuse field part of the reverb to be as smooth and natural sounding as possible Adding in mod ulation to the reverb tail allows for interesting ef fects that can be refined using the Modulation Rate and Modulation Depth parameters Modulation Rate parameter Parameter range 25 to 25 Use the Modulation Rate parameter to offset the speed of the LFO that is being used to modulate the Reverb This parameter only has an effect when you have set the Mod On Off switch to On Modulation Depth parameter Parameter range 25 to 25 Use the Modulation Depth parameter to offset the
4. the delayed signal resulting in a more analog sound that in many cases that will blend in better with the overall sound With digital technology every delay can be a precise reproduction of the input signal But es pecially with long delay times this is not always desirable as these pristine delays may disturb the original signal resulting in a washed out sound To compensate for this use the high cut filter thereby emulating analog or tape style de lay units FB LoCut Feedback Low Cut parameter Parameter range 20 Hz to 20 kHz Use the FB LoCut Feedback Low Cut param eter to attenuate the frequencies below the set frequency As with the Feedback High Cut parameter the delays may blend in more nicely with the overall sound if you thin out the effect at the low end Output Level parameter Parameter range 100 to 0 dB Use the Output Level parameter to set the overall output level for the delay effect Dynamic Delay Sensitivity parameter Parameter range 50 to 0 dB The Dynamic Delay is a feature that was initially introduced in the well recognized TC 2290 It al lows the dynamics of the input signal s level to actively alter the delay output level leaving the source signal clear and undisturbed while you play The Dynamic Delay delicately complements your performance Use the Dynamic Delay Sensitivity parameter to set a level limit If what you are playing is louder than this setti
5. the original way of creating a flange effect where two identical pieces of audio material were played back simul taneously on two tape decks and then mixed on a third deck The flanging effect was achieved by slowing down and speeding up the two decks at different times An essential part of this setup is the unique phase cancellation occurring when the two signals pass each other in time the zero point When you set the Modulation Type parameter to TZFlanger the input signal is split up so that delay line 1 becomes the dry part of the signal This is why you should set the Kill dry parameter to On when setting the Modulation Type param eter to TZFlanger Modulation Active parameter Settings On Off Use the Modulation Active parameter to switch the modulation effect on or off This is especially useful for activating the modulation engine when working with delay and reverb TonePrints How ever you also need to set this parameter to On for regular modulation effects Through Zero Flanger parameter Parameter range 0 to 1023 When you set the Modulation Type parameter to TZFlanger delay line 1 becomes the dry part of the signal In that case use the Through Zero Flanger parameter to set the level ratio between delay line 1 and delay line 2 Speed parameter Parameter range 61 5 mHz Millihertz to 20 Hz Use the Speed parameter to set the speed of the chosen modulation effect As setting of 1 Hz m
6. Mode Dynamix Threshold Dynamix Damp of 15 5 dB mR 60 0dB Dynamix attack Dynamix Relase 0 167s 0 373 s Q Decay parameter Parameter range 0 01 to 20 s Use the Decay parameter to set the decay time of the Reverb in seconds The decay time is usually associated with the time it takes the diffuse field of a reverb to decay to 60 dB PreDelayShort parameter Parameter range 0 to 100 ms The PreDelayShort parameter is only applicable when the Pre Delay switch on the pedal has been set to the Short setting Use the PreDelayShort parameter to define a short delay placed between the direct signal and the Reverb s diffuse field Use the PreDelayShort parameter to keep the source material clear and c undisturbed from the scattered diffuse field of the Reverb arriving shortly after PreDelayLong parameter Parameter range 0 to 100 ms The PreDelayLong parameter is only applicable when the Pre Delay switch on the pedal has been set to the Long setting Use the PreDelayLong parameter to define a short Delay placed between the direct signal and the Reverb s diffuse field Use the PreDelayLong parameter to keep the source material clear and undisturbed from the scattered diffuse field of the Reverb arriving shortly after Diffuse parameter Parameter range 50 to 50 Use the Diffuse parameter to fine tune the density of the reverb s diffuse field It allows you to reduce flutter in the diffuse
7. ck parameter Parameter range 0 to 120 Use the Feedback parameter to define the amount of the signal that is fed back from the delay mod ule s output to its input This parameter defines how many repetitions of the original signal the delay will create Please use high settings with extreme caution Due to the Spillover feature there is no way to immediately cut off the delay when you get an internal feedback at settings above 100 This means that the delays will increase in volume until there is severe distortion If this occurs you will need to reduce feedback by turning down the knob assigned to the Feedback parameter or by simply turning off the effect until things have set tled down again Saturation parameter Parameter range 0 to 24 dB Use the Saturation parameter to add a bit of signal saturation to your delays This is recom mended if you want to add a touch of grit to a TonePrint Using saturation will bring you closer to the sonic qualities of old school analog or tape delay units with the slight distortion that occurs when driven a bit harder The saturation of the delayed signal is similar to playing through a cranked up amp Hit ting the strings harder will give you a more over driven delay sound than playing softly FB HiCut Feedback High Cut parameter Parameter range 20 Hz to 20 kHz Use the FB HiCut Feedback High Cut param eter to attenuate the frequencies over the set fre quency for
8. d that you are stuck with a TonePrint that just doesn t sound or work as it should a Template TonePrint can be your get out of jail free card TC Electronic TonePrint Editor a Manual for software version 1 0 Using TonePrint Editor Using TonePrint Editor Template TonePrint As described on the previous page TonePrint Templates are a great way of starting your per sonal sound creation as they give you time prov en defaults for all parameters To recall a template select it from the menu Please note that selecting a template will immedi ately override all changes you might have made to knob assignments modifier curves and param eter values Router section Kill Dry parameter Settings Off On Use the Kill Dry parameter to define wether your instrument s dry unprocessed signal should pass through the pedal Setting Kill Dry to On will mute the dry signal of your instrument This is espe cially useful for reverse delay effects and vibrato effects but you may find other creative uses for this parameter Kill dry while effect is engaged of 6 Returning to template defaults If you find that you have reached a dead end when editing you can simply click the Reload button next to the Template menu to reset the cur rently selected template to its default values This will reset all knob assignments modifier curves and parameter values to the defaults stored in this template TC Electronic TonePrint E
9. ditor Manual for software version 1 0 Knob Selection section In the knob selection section you can assign dif ferent functions to your pedal s knobs so they control exactly what you want them to control But there s more here than simple 1 1 assign ments You can assign two or even three func tions to one knob allowing you to change multiple parameters by using just one control This allows for very efficient control and dramatic changes if this is what you want to achieve Finally you can scale and limit the way a knob controls a parameter you have assigned to it Let s say that a parameter that you want to con trol has a range from 0 to 100 Turning the re spective knob to the minimum position will set the parameter to 0 and the maximum position rep resents 100 But what if the sweet spot lies between 25 and 50 With TonePrint Editor you decide what parameter range you want to control and how the knob s po sition should affect it If you want to you can even use the knob range left of the center position to go from 0 to 100 and then back to 25 when turning the knob all the way clockwise Assigning parameters to a knob Start by selecting a knob in the Knob Selection section The selected knob will be highlighted Select one of the three yellow red and blue LEDs The selected LED will be highlighted Select a parameter you want to control from the drop down menu to the
10. e the build up phase of the Reverb En velope Dynamix Release parameter Parameter range 0 to 1 000 s This parameter is only applicable when Dynamix Mode is set to Positive or Inverse Use the Dynamix Release parameter to set the release time the decay of the Reverb Envelope The most gated and unnatural effects are ob tained using short Release settings For a typical eighties style sound Dynamix Release should be set between 0 and 100 ms Updating TonePrint Editor lf you download a newer version of TonePrint Editor you can simply replace the previously in stalled version Getting support If you still have questions about the product after reading this manual please get in touch with TC Support http www tcelectronic com support
11. eans that one modulation cycle takes one se cond Depth 1 parameter Parameter range 0 to 100 Use the Depth 1 parameter to specify the inten sity of the effect The value represents the ampli tude of the waveform modulating the signal When you have set Modulation Type to TZFlang er you should set the Depth 1 parameter to a value lower than Depth 2 Depth 2 parameter Parameter range 0 to 100 The Depth 2 parameter is only applicable when you have set Modulation Type to TriChorus or TZFlanger In TriChorus mode the Depth 2 parameter speci fies the intensity of the second chorus module In TZFlanger mode the Depth 2 parameter speci fies the intensity of the second flange module The value represents the amplitude of the second waveform modulating the signal Depth 3 parameter Parameter range 0 to 100 The Depth 3 parameter is only applicable when you have set Modulation Type to TriChorus In TriChorus mode the Depth 3 parameter speci fies the intensity of the third chorus module The value represents the amplitude of the third waveform modulating the signal HiCut parameter Parameter range 20 Hz to 20 kHz Use the HiCut parameter to reduce the high end frequencies in the modulation effect Try using this parameter if you feel the effect is too domi nant in your sound and turning down the Mix or Output Level parameters doesn t attenuate the effect as intended Mix parameter Parameter ra
12. edal to your computer using the type A Male to Mini B Male USB cable Please note that you can only connect and control one TonePrint enabled product at a time even if your computer has multiple USB ports Using its Type Selector switch your pedal to the TonePrint slot you want to use Open TonePrint Editor on your computer TonePrint When you have opened TonePrint Editor on your computer with a TonePrint enabled TC product connected to it TonePrint Editor should automati cally detect the connected device and show you a graphical representation of its parameters on screen If you see a splash screen saying that you should connect a TonePrint pedal your pedal has not been detected Make sure it is powered up and connected to your computer via USB Once your pedal has been detected you are ready to create your very own TonePrints Here is how it basically works TonePrint Editor exposes the internal parameters of a TonePrint enabled pedal Use the on screen sliders of TonePrint Editor to adjust the effect s parameters These sliders allow you to create a customized version of a renowned TC effect that you can call your own From subtle variations to extreme mod ifications that will fundamentally alter an effects character and behavior The choice is yours Precautions Don t lose that TonePrint When editing TonePrints there are two things that you should always keep in mind When you are done editing al
13. elling you what TonePrint actually means TonePrint means signature effects These are custom built versions of classic TC effects avail able for our TonePrint pedals But we re not talk ing simple presets here we re way past that TonePrints are custom tuned sounds built by the best of the best in modern music from the ground up with every parameter knob range and effect value up in the air We have asked the very best guitarists and bass players to give us their personal take on TC ef fects as they use them live and in the studio and they have come up with sounds that truly repre sent their personality their sonic DNA TC customers have been able to download use and enjoy these TonePrints for years But now it s time for a new chapter Now it s your turn to create your very own signature effects Take a TC pedal take a TonePrint take TonePrint Editor and make it your own TonePrint Editor s resume Use TonePrint Editor to build your own custom version of renowned TC Effects from scratch Enjoy complete control over all effect para meters and effect behavior it s your vision your sound Customize knob functions and knob ranges to suit your needs and sounds Use an intuitive slider based interface Audition your sonic creations in real time Make changes on the fly and listen to results immediately Works with both PC and Mac Last but not least TonePrint Editor is absolutely free W
14. everb setting as you know it Positive mode When you set the Dynamix Mode switch to Posi tive and the level of the input signal exceeds the Dynamix Threshold limit the reverb will be damp ened If the input signal falls below the Dynamix Threshold limit the reverb will return Inverse mode When you set the Dynamix Mode switch to In verse and the level of the input signal exceeds the Dynamix Threshold limit the reverb will be audible If the input signal falls below the Dyna mix Threshold limit the reverb will be dampened Dynamix Threshold parameter Parameter range 50 to 0 dB This parameter is only applicable when Dynamix Mode is set to Positive or Inverse The Dynamix Threshold acts as a level limit When the threshold is crossed the reverb will either appear or dampen in accordance with the following parameters Dynamix Mode Dynamix Damp Dynamix Attack and Dynamix Release Dynamix Damp parameter Parameter range 60 to 0 dB This parameter is only applicable when Dynamix Mode is set to Positive or Inverse Use the Dynamix Damp parameter to set the at tenuation that will be applied to the reverb when the input signal rises above Positive mode or falls below Inverse mode the Dynamix Thresh old setting Dynamix Attack parameter Parameter range 0 to 1 000 s This parameter is only applicable when Dynamix Mode is set to Positive or Inverse Use the Dynamix Attack parameter to set the at tack tim
15. gaged of This manual is only available as a PDF download gt ae from the TC Electronic website Delay Tine FEST FERN 1964 ms mR 37 Q odB You can print this manual but we encourage you ENAN Pie Output Level 2 80 kHz me 1 40 kHz Q 0 dB to use the PDF version which has both internal SEL CRIT EA Ses BAERE and external hyperlinks E g clicking the blue 0 ms 0 dB Q 0da 1000 ms j j 20 ms 300 ms 2405 ms 1500 ms 7000 ms Reverse Delav Time square m in the upper left corner of each page will onan re 800 ms take you to the table of contents i a i i Reload a Modulation Type Modulation Active Through Zero Flanger If you want to jump right in click into an in Classic Cho of 1 terface section in the illustration to the right Speed Depth 1 Depth 2 to go directly to the corresponding section of 61 5mHz 01 01 a Depth 3 HiCut Mix this manual 0 1 20 0 kHz me 0 Output Leve De Time 1 To get the most from this manual please read it 0 dB cim 0 1 ms a i Delay Time 3 Feedback Feedback HiCut from start to finish or you may miss important in sags sO ik py formation ay Time Delay Time 2 To download the most current version of this man ual visit the web page pes http www tcelectronic com support manuals online Help TC Electronic TonePrint Editor a Manual for software version 1 0 1 Welcome So what s in a TonePrint We should probably start by t
16. hat you will need A TonePrint enabled effects pedal An instrument and an amplifier so you can play and listen to your sonic creations A computer running Microsoft Windows or Apple s OS X i e a Mac PC requirements Windows XP with SP2 Vista Win 7 or Windows 8 Mac requirements An Intel based Mac running OS X version 10 5 or higher A USB cable type A Male to Mini B Male to connect your computer and your TonePrint en abled TC product Getting started Ready If you haven t already done so download the lat est TonePrint Editor software from http www tcelectronic com toneprint editor TonePrint Editor software is free Install TonePrint Editor To install the PC Windows version simply move the exe file you downloaded to a loca tion on your hard disk To install the Mac OS X version open the DMG file you downloaded From the disk im age copy TonePrint Editor app to your applica tion folder or any other location where you can easily find it Q TonePrintEditor app A db X L Applications Library System User Guides An Set Set up your TC pedal as you normally would Connect your instrument to the audio in jack s of the pedal connect the audio out jack s of the pedal to your amp and connect the pedal to a power supply Make sure you ve got a basic sound and a sound level you re comfortable with with the effect bypassed Turn the effect on Connect your p
17. left of the LED Turn the knob to see its current position high lighted in the graphical Peak Performance in terface As you can see you can assign up to three pa rameters to a knob The currently selected pa rameter will be highlighted in the display with the other parameters still visible in the background Scaling the selected parameter is described in the next section of this manual Modifier display In the upper left part of the TonePrint Editor win dow is small graphical interface where effect val ues assigned to the currently selected knob are represented by peaks and valleys This display is your key to understanding and controlling the way your pedal s knobs control effect parameters 0 ms 20 ms 300 ms 2405 ms 1500 ms 7000 ms Before you can define the relationship between knob positions and parameter values you have to select the parameter in the Knob Selection section Once you have selected a parameter the modi fier curve for that parameter will be shown in the Modifier display By default this is a straight line from the parameter s lowest value in the lower left corner to the maximum value in the upper right corner To modify the curve you can either drag one of the circle shaped control points of the modifier curve or you can select one of the numerical val ues shown right below the display and enter the desired value manually As you can set the modifier curve separa
18. ndow should look familiar This is an elegant slider based interface with a what you see is what you get approach Change a pa rameter and both the display and what you are hearing will immediately reflect the new setting In the following sections of this manual we will present and explain the parameters of the three sections Delay Reverb and Modulation TC Electronic TonePrint Editor a Manual for software version 1 0 Modulation parameters Use the parameters in the Modulation part of the TonePrint Editor window to configure the modula tion effect Modulation Type Modulation Active Through Zero Flanger Classic Cho of 41 Speed Depth 1 Depth 2 61 5mHz 01 01 Depth 3 HiCut Mix 0 1 20 0 kHz mR 0 Output Level Delay Time 1 Delay Time 2 0 dB 0 1 ms Delay Time 3 eedback Feedback HiCut 0 ms 20 0 kHz Modulation Type selector Use the Modulation Type selector to select be tween the following types of modulation effects Classic Chorus setting This is the standard chorus inspired by the le gendary TC Stereo Chorus Flanger The basic idea of a chorus effect is to split the sig nal and pitch modulate one of the signals slightly and then mix the two signals again Advanced Chorus setting The Advanced Chorus setting is a variation of the Chorus setting where the parameters defining the chorus effect are tuned slightly differently Classic Flanger setting The flanger belong
19. ng it will dampen the level of the delay If what you are playing is softer than this setting the delay will be audible You will notice that dynamic delays work great with almost every kind of delay from analog tape echoes to pristine 2290 sounds Damping parameter Parameter range 0 to 100 dB Use the damping parameter to set the amount of attenuation that should occur when the input sig nal is higher than the level limit you have set with the Dynamic Delay Sensitivity parameter Release Time parameter Parameter range 20 to 1000 ms Use the Release Time parameter to set how fast the attenuation of the delay repetitions is released once the input signal falls below the limit you have set with the Dynamic Delay Sensitivity parameter Reverse Delay Time parameter Parameter range 50 to 7000 ms Originally reverse delay effects were created by recording a signal on tape then flipping revers ing the tape and playing it backwards Use the Reverse Delay Time parameter to emu late this reverse tape delay effect This parameter defines how long a signal is being recorded be fore the virtual tape is flipped over and played back Reverb parameters Use the parameters in the Reverb section of the TonePrint Editor window to configure the reverb effect PreDelayShort PreDelayLong 7ms isms LoColor HiColor 0 Mod On off Modulation Rate of 4 Modulation Depth Early Reverb 6 0 dB Q 0 0 dB Dynamix
20. nge 0 to 100 Use the Mix parameter to set the relationship be tween the level of the dry signal and the level of the modulation effect If you have set Kill dry in the Router section to On this parameter has no effect Output Level parameter Parameter range 100 to 0 dB Use the Output Level parameter to set the overall output level for the modulation effect Delay Time 1 parameter Parameter range 0 1 to 50 ms As described earlier a chorus or flanger is basi cally a delay being modulated by an LFO Use the Delay Time 1 parameter to change the length of that delay A typical chorus uses delay times around 10 ms while a flanger uses delays around 5 ms Although this is not how a chorus is normally used you may enjoy the slap back sound re sulting from longer Delay Time values in the 30 to 50 ms range Delay Time 2 parameter Parameter range 0 1 to 50 ms The Delay Time 2 parameter is only applicable when you have set Modulation Type to TriChorus or TZFlanger In TriChorus mode the Delay Time 2 parameter specifies the length of the delay for the second chorus module In TZFlanger mode the Delay Time 2 parameter specifies the length of the delay for the second flange module Delay Time 3 parameter Parameter range 0 1 to 50 ms The Delay Time 3 parameter is only applicable when you have set Modulation Type to TriChorus In TriChorus mode the Delay Time 3 parameter specifies the length of the delay f
21. onnect and disconnect pedals to your computer via USB even while TonePrint Editor is running To edit TonePrints and store a Tone Print to a pedal the pedal must be connected to a power supply No power is supplied to the pedal via your computer s USB port Getting started Pedal serial and software version information When a TonePrint enabled pedal is connected to your computer and you click the small i icon in the lower left corner of the TonePrint Editor win dow a dialog box will show the following informa tion Device serial number Device firmware build number TonePrint Editor software version number TonePrint Editor software build number Connected device Serial number 10833421 Bulld 1806 Editer Software version 1 0 00 Bulld 0327 Your sound There s a template for that We know Going from a handful of knobs on a pedal to a screen full of sliders can be a bit tricky and you may be intimidated by the idea of creat ing a TonePrint from scratch This is why we have provided you with Template TonePrints These templates allow you to load a base Tone Print and customize it instead of starting with a blank slate These templates are great for sketch ing out quick ideas infusing your own concepts tweaks and preferences If you are new to effects and sound design they will also give you an idea of how a typical effect is set up Finally if you got a bit overexcited and you fin
22. or the third cho rus module Feedback parameter Parameter range 100 to 100 Use the feedback parameter to define the amount of the signal that is fed back from the modulation module s output to its input Experiment with the Feedback parameter to get a feeling for the effects you can achieve Feedback HiCut parameter Parameter range 20 Hz to 20 kHz Use the Feedback HiCut parameter to attenuate the high end frequencies of the resonance cre ated with the Feedback parameter Vib Ramp Time parameter Shaker Vibrato only Parameter range 1 to 5000 ms The Vib rato Ramp Time parameter is only avail able and editable when a Shaker Vibrato pedal is connected The Vibrato Ramp effect is a subtype of the vi brato effect where the effect is latched i e the effect will only be applied when you press and hold the pedal s footswitch The Vibrato Ramp Time parameter sets the time that is required for the vibrato effect to build up Delay parameters Use the parameters in the Delay part of the Tone Print Editor window to configure the delay effect Delay Time Feedback 1964 ms R 37 Q FB HiCut FB LoCut 2 80 kHz 1 40 kHz Q Dynamic Delay Sensitivity Damping 0 dB Q 0da Reverse Delay Time 800ms Delay Time parameter Parameter range 0 to 7000 ms Use the Delay Time parameter to set the time be tween delay repetitions This is also known as the length of the delay Feedba
23. parameter HiCut parameter Mix parameter Output Level parameter Delay Time 1 parameter Delay Time 2 parameter Delay Time 3 parameter Feedback parameter Feedback HiCut parameter Vib Ramp Time parameter Delay parameters Delay Time parameter Feedback parameter Saturation parameter FB HiCut Feedback High Cut parameter FB LoCut Feedback Low Cut parameter Output Level parameter Dynamic Delay Sensitivity parameter Damping parameter Release Time parameter Reverse Delay Time parameter 10 10 10 10 10 11 11 11 11 11 11 11 11 11 11 12 12 12 12 13 13 13 13 13 13 13 13 14 14 14 Reverb parameters Decay parameter PreDelayShort parameter PreDelayLong parameter Diffuse parameter LoColor parameter HiColor parameter HiFactor parameter Mod On Off parameter Modulation Rate parameter Modulation Depth parameter Early parameter Reverb parameter Dynamix Mode switch Off setting Positive mode Inverse mode Dynamix Threshold parameter Dynamix Damp parameter Dynamix Attack parameter Dynamix Release parameter Updating TonePrint Editor Getting support 15 15 15 15 15 15 15 15 15 15 15 16 16 16 16 16 16 16 16 16 16 17 17 i About this manual About this manual r gt This manual will help you learn understanding TonePrint te electronic and operating TonePrint Editor and all the TC as pedals you can control with it SOS RES Kill dry while effect is en
24. s to the same family of mod ulation effects as the chorus effect The signal is split and one of the signals is pitch modulated The characteristic flanging sound occurs when part of the signal is slightly delayed and fed back to the input of the effect algorithm Experiment with the Feedback parameter to get a feeling for the achievable effects Advanced Flanger setting The Advanced Flanger setting is a variation of the Flanger setting where the parameters defining the flanger effect are tuned slightly differently Vibrato setting A vibrato effect modulates the pitch of the incom ing signal The result is similar to the vibrato tech nique used by vocalists As opposed to a chorus effect no direct signal is combined with the vibrato effects pitch modulat ed signal TriChorus setting The TriChorus is a variation of the regular cho rus that uses three stereo chorus modules with various offsets for the Depth Speed Phase and Chorus Delay time parameters The result is a unique very broad and lush sound Speed Depth and Time parameters are identical to those in the standard Chorus TriChorus Alternative setting The TriChorus Alternative setting is a variation of the TriChorus setting where the parameters defin ing the modulation parameters of the three cho rus modules are tuned to produce a wilder and less controlled Chorus effect TZFlanger Through zero setting The TZF Mode Flanger emulates
25. tely for each of the three parameters that each knob can control you could make a knob on your pedal in crease one parameter s value as you turn it clock wise while decreasing another parameter s value at the same time 100 0 75 9 36 4 29 7 Yo We suggest playing your instrument and turning the currently selected knob to get a better un derstanding of the way that knobs and modifier curves interact Modifier sections Modifier sections Use the parameters displayed in the right hand side section of the TonePrint Editor window to set the parameters that define your TonePrint This is the heart of your TonePrint the place where you define your sound Kill dry while effect Is engaged of Delay Time Feedback Saturation 1964 ms 37 Q 0 dB FB HiCut FB LoCut Output Level 2 80 kHz 1 40 kHz mR 0 dB J2amping Release Time odaB 1000 ms Modulation Type Cassie Cho ee _ yaa sagas Q seen mR ara e ys mR tas kHz mR 0 Cree e pea 0 1 ms 0 0 Q 20 0 kHz Please note that what you are seeing here de pends on the type of TonePrint pedal connected With a modulation only pedal you will only see the Modulation section Reverb and delay ped als will also show a Modulation section as de scribed in Different pedals different parameters page 4 If you have worked with effect processors ei ther hardware or software before this part of the TonePrint Editor wi
26. ways remember to store your TonePrint to the pedal using the Store to Pedal button If you don t you will lose your creation when you disconnect the pedal You can use the knobs on your pedal in real time and the parameters will follow on screen but whatever you do Don t change the Type Selector away from the TonePrint slot and do not disconnect power while editing without saving Different pedals different parameters No two TonePrint enabled pedals are alike but different pedal types share certain parameters such as Speed and Depth With delay and reverb TonePrints you can also add modulation to the effect The interface for reverb delay modulation is the same as for the pedals dedicated to modulation effects This is why this manual has three parameter re lated sections The first section covers all modulation related parameters in TonePrint Editor The second section covers all parameters re lated to delay TonePrints The third section is dedicated to all parameters of reverb TonePrints Multiple TonePrint pedals one editor to rule them all You own more than one TonePrint enabled ped al That s great Just connect the pedal you want to configure to your computer using a USB cable and the user interface will update immediately However please note that no matter how many USB ports your computer has you can only ac cess one TonePrint enabled pedal at a time You can c
Download Pdf Manuals
Related Search