Chapter 1.
Contents
1. with clues about the dearly departed or tell you ghost stories you wont find in published material Docents may know people old timers or amateur historians in the area who can give you addition al information about a site its former owners or residents and its potential for ghostly activity 27 28 GHOST HUNTER S GUIDE TO SEATTLE AND PUGET SOUND Almost every city has a local historical society See Appendix G These are good places to find information that may not be published anywhere else including histories of local families and buildings information about tragedies disasters or criminal activity or legends and myths about places that may be haunted Take note of secret scandals or other ghost producing happenings that occurred at loca tions now occupied by modern buildings roads or parks In these cases someone occupying a new house or other structure could hear strange sounds feel cold spots or see ghosts or spirit remnants Newspapers are an excellent source of historical information as well You can search for articles about ghosts haunted places or para normal activity by accessing the newspaper s archives via the Internet entering keywords dates or names Newspaper articles about suicides murders train wrecks plane crashes and paranormal phenomena can often provide essential information for your ghost hunt Stories about authentic haunted sites are common around Halloween Bookstores and libraries usu2. newspapers old photo graphs or books can provide this kind of information Useful inti mate details might be found in letters suicide notes diaries and wills Sensitivity to ghostly environmental imprints and spirit manifesta tions may be increased by meditation This is a simple process of relaxing your physical body to eliminate distracting thoughts and tensions and achieve emotional focus Meditation allows you to focus your spiritual awareness on a single subject a place entity or historic How to Hunt for Ghosts in Seattle gt 35 moment in time As the subject comes into focus you can add infor mation obtained from research Markers of time or seasons artifacts or implements furniture and doorways are a few suggestions By doing this you become aware of unseen dimensions of the world around you that create a feeling that you have moved through time to a distant era This process gets you in touch with the place date and time pertinent to a ghosts imprint or death The process also enables you to disregard personal concerns and distracting thoughts that may interfere with your concentration on the ghost you seek Keep in mind that it is possible to be in a meditative state while appearing quite normal The process is simple and easy to learn When you arrive at the site of your ghost hunt find a place a short distance away to meditate Three essentials for any effective medita tion are comfort quiet and concentra
3. of each thought until 36 GHOST HUNTERS GUIDE TO SEATTLE AND PUGET SOUND you can rest with a completely clear mind This might take some practice Don t wait until you are on the scene of a ghost hunt before you practice this exercise Once your mind is clear focus on your breathing and imagine your entire being as a single point of energy driving the breathing process Then open yourself thinking only of the entity you seek Starting with the ghost s identity if known slowly expand your focus to include its personal history the historical era of the ghost s death or creation of the emotional imprint the reported nature and appearance of the haunting or any specific ghostly activity Acknowledge each thought as you continue relaxed breathing Find a thought that is most attractive to you and then expand your mind to include your present surroundings Return slowly to your current place and time Remain quiet for a minute or two before you resume communication with your companions then move ahead with the ghost hunt GROUP ORGANIZATION AND PREPARATION It is not necessary to be a believer in spirits or paranormal phe nomena in order to see a ghost or experience haunting activities Indeed most reports of ghost activities are made by unsuspecting people who never gave the matter much thought But you should not include people in your group with openly negative attitudes about these things If you include skeptics be sure th
4. CHAPTER 1 How to Hunt for Ghosts in Seattle You may want to visit recognized haunted sites listed in Chapters 2 through 6 using some of the ghost hunting techniques described later in this chapter or you may want to conduct your own spirit inves tigation If the latter is the case choose a place you think might be haunted like an old house in your neighborhood or a favorite bed and breakfast inn You may get a lead from fascinating stories that have been passed down through your family about your ancestors Your search for a ghost or exploration of a haunted place starts with research Summaries of obscure and esoteric material about pos sible haunted sites are available from museums local historical soci eties and bookstores Brochures and booklets sold at historical sites which are part of the Washington State Park system can be good resources too Guided tours of historical sites such as Seattle s under ground Pioneer Square old churches or fascinating cemeteries of the Puget Sound region are good places to begin your research Tours can help you develop a feel for places within a building where ghosts might be or an appreciation of relevant history Seattle ghost ceme tery and underground tours are very popular and offer a good way to learn a lot about local paranormal activity in a short time In addition touring haunted buildings offers you an opportunity to speak with guides and docents who may be able to provide you
5. ally have special interest sections with books on local history by local writers A few inquiries may connect you with these authors who may be able to help you focus your research If these living souls cannot help try the dead A visit to a local graveyard is always fruitful in identifying possible ghosts Often you can find headstones that indicate the person entombed died from sui cide criminal activity a local disaster or such Some epitaphs may indicate if the deceased was survived by a spouse and children or died far from home Perhaps the best place to start a search for a ghost is within your own family Oral histories can spark your interest in a particular ancestor scandal building or site Old photographs death certifi cates letters wills anniversary lists in family Bibles and keepsakes can be great clues Then you can visit gravesites and or homes of your ancestors to check out the vibes as you mentally and emotionally empathize with specific aspects of your family s history Almost every family has a departed member who died at an early age suffered hardships and emotional anguish passed away sudden ly due to an accident or natural disaster or was considered a skeleton in the family s closet Once you have focused your research on a deceased person you need to determine if that person remains on this How to Hunt for Ghosts in Seattle 29 earthly plane as a ghost Evaluate the individual s personal history
6. an about this type of film and its associated photographic techniques Several amateur ghost hunters use Polaroid type cameras with interesting results The rapid film developing system used by these cameras gives almost instant feedback about your technique and or success in documenting ghost activities Ghosts have reportedly written messages on Polaroid film Many digital cameras have features that enable automatic expo sures at specific intervals such as once every minute This allows the ghost hunter a hands off remote photographic record Repetitive automatic exposures also allow a ghost hunter to investigate a site while remaining some distance away Your equipment should include a stable lightweight tripod Hand held cameras may produce poorly focused photographs when the exposure duration is greater that o second Audio Recording Techniques Tape recorders and digital audio recorders provide an inexpensive way to obtain evidence of ghostly activity particularly electronic voice phenomenon or EVP Always test your recorder under condi tions you expect to find at the investigation site to reduce audio arti fact and insure optimal performance of the device If your recorder picks up excessive background noise it may obscure ghostly sounds Consider upgrading the tape quality and using a microphone equipped with a wind guard Use two or more recorders at different locations within the site This allows you to verify sounds such a
7. audio tape Often the ghost s activities are directed at getting the intruder to leave a room house or gravesite If you sense that your ghost wants you to leave most ghost hunters believe it is best not to push your luck Residents of haunted houses and employees of haunted business establishments often accept the ghost s telekinetic or audio activities without concern It is part of the charm of a place and may add some fun to working in a spooky building AFTER THE GHOST HUNT Turn off all recorders and remove them to a safe place Some ghost hunters suspect that ghosts can erase tapes Label your tapes with the date time and location Use a code number for each tape Keep a separate record of where the tape was made as well as the date time and contents Place tapes in a water proof bag with your name address telephone number and a note that guarantees postage in case it is misplaced Have photographic film developed at a professional color laboratory How to Hunt for Ghosts in Seattle 41 Pros at the lab may help you with cropping and image enhancement Have copies made of any negatives that contain ghostly images All members of the group should meet right after the hunt away from the site Each hunter who witnessed ghostly activity or an apparition should make a written or audio statement describing the experience The Sighting Report Form presented in Appendix A is for the group leader to complete Video and audio rec
8. closed after sunset or crowded at certain times by organized tours TWO BASIC METHODS FOR FINDING GHOSTS Based partly on the kind of paranormal activity reported at a site the ghost hunter must decide which method or approach will be used Some people feel competent with a collection of cameras 30 GHOST HUNTER S GUIDE TO SEATTLE AND PUGET SOUND electromagnetic field detectors digital thermometers computers data recorders and other high tech gadgets These ghost hunters pre fer to use the Technical Approach Others may discover they have an emotional affinity for a particular historic location a surprising fasci nation with an event associated with a haunting or empathy for a deceased person These ghost hunters may have success with the Psychic Approach Another consideration is the ghost hunter s goal Some desire scientific evidence of a ghost while others simply want to experience paranormal activity THE TECHNICAL APPROACH Professional ghost hunters often use an array of detection and recording devices that cover a wide range of the electromagnetic spec trum This approach is complicated and expensive and requires techni cally skilled people to operate the devices Amateur ghost hunters can get satisfying results with simple audio and video recording devices Equipment Preparation A few days before your ghost hunt purchase fresh film for your camera and tape for audio recording devices Test your batteries and b
9. ey maintain an open mind and are willing to participate in a positive group attitude Keep your group small limited to four members if possible Ghosts have been seen by large groups of people but small groups are more easily managed and likely to be of one mind in terms of objec tives and methods Meet an hour or more prior to starting the ghost hunt at a location away from the site Review the history of the ghost you seek and the previous reports of ghost activity at the site Discuss the group s expec tations based on known or suspected ghostly activity or specific research goals Review possible audio and visual apparitions based on the history of paranormal activity at the site telekinesis local temper ature changes and intended methods of identifying or recording these How to Hunt for Ghosts in Seattle 37 phenomena Most important agree to a plan of action if a sighting is made by any member of the group The first priority for a ghost hunter is to maintain visual or audi tory contact without a lot of activity such as making notes Without breaking contact do the following e activate recording devices redirect audio video or photographic equipment to focus on the ghost move to the most advantageous position for listening or viewing the ghostly activity e attract the attention of group members with a code word hand signal touch the top of your head or any action that signals other hunters so they can pick u
10. he follow ing items to help you mark sites detect paranormal phenomena and collect evidence of ghostly activity White or colored chalk Compass Stop watch Steel tape measure Magnifying glass First aid kit Thermometer Metal detector Graph paper for diagrams Small mirror Small bell Plastic bags for evidence Matches Tape for sealing doors String A cross A Bible Cell phone THE PSYCHIC APPROACH The psychic approach relies upon your intuition inner vision or emotional connection with a deceased person object place or point of time in history You don t have to be a trained psychic to use this approach All of us have some capacity to tap into unseen dimensions People who feel the peculiar atmosphere of a distant time or who believe they can perceive a voice sound image touch or texture of another dimension may have psychic abilities that will pay off in a 34 GHOST HUNTER S GUIDE TO SEATTLE AND PUGET SOUND ghost hunt The Psychic Approach does require an ability to eliminate external and internal distractions and focus your perceptions If you use this approach three factors may increase your chances of experi encing ghostly activity The first factor is the strength of the emotional imprint or attach ment the deceased has for a particular place The frequency duration and consistency of the paranormal phenomena may indicate this The strongest imprints are created by intense emotions such as fear
11. heard by the trance communicator Sylvia Browne s book Adventures of a Psychic describes several of these trance communication sessions However most ghost encounters are brief with little oppor tunity to engage the entity in conversation But the ghost may make gestures or acknowledge your presence through eye contact a touch on the shoulder sound or a movement of an object The ghost hunter must decide whether to follow the gestures or direction of a ghost Visitors to Seattle s historic buildings Victorian mansions and churches often feel the touch or tug of ghosts on their arms or shoul ders These may be the actions of ghosts trying to get living souls to notice them move out of their way or follow them to some impor tant destination A ghost at Point Wilson lighthouse in Port Townsend points to a location offshore that may be the site of a shipwreck or where he lost his life by drowning Ghosts who wander the islands of Puget Sound sometimes wave to people hiking the trails or passing by on ferry boats beckoning the people to follow The ghost of a little girl at Des Moines Marina Park may want you to give her a gentle push as she continues her swinging Spirits at the Varsity Theatre or Harvard Exit Theatre in Seattle may try to attract attention to get people out of their way as they move to a favorite seat Patrons who dine at E R Rogers restaurant in Steilacoom the Starlight Lounge in downtown Seattle or even the Pike P
12. io signal can often reduce the need for monitoring other ghost hunters for hand signals Equally important for a group is to establish a method for calling other hunters who may be some dis tance away Tugging on a length of string can be an effective signal as can beeping devices mechanical crickets and flashing penlight signals such as one flash for a cold spot and two flashes for an appari tion Hand held radios or walkie talkies can also be effective Some models can send an audio signal or activate flashing lights Cell phones can be used but the electromagnetic activity may be uninvit ing to your ghost Remaining stationary within a room at a gravesite courtyard or other confirmed location is often most productive If a ghost is known to have a favorite chair bed or other place within a room it will appear Under these conditions the patient ghost hunter will have a successful hunt If the ghost is not known to appear at a specific place within a room or an outdoors area take a position that allows the broadest view of the site A corner of a room is optimal because it allows the ghost unobstructed motion about the place while avoiding the impression of a trap set by uninvited people who occupy the ghost s favorite space If you are outdoors at a gravesite for instance position yourself at the base of a tree or in the shadows of a monument to con ceal your presence while affording a view of your ghost s grave If
13. lace Public Market may get a glimpse of spirits who still wander the old city more than 150 years after their deaths People who are brave enough to tour Seattle s underground city 40 GHOST HUNTER S GUIDE TO SEATTLE AND PUGET SOUND may hear the voices and revelry of long deceased barmaids prosti tutes hard drinking sailors or dock workers These lost souls may touch you stir the air or give you a chill as they try to attract your attention They may want you to show them the way out of this strange dark subterranean city or follow them to a secret lair While crossing the Heart Bridge in Seattle s Kubota Gardens vis itors may feel the rush of several male ghosts as they race across the picturesque bridge In Maynard Alley in downtown Seattle emotion al residue and other ghostly phenomena resulting from the Wah Mee Massacre of 1983 affects sensitive visitors creating a sensation of being pulled downward Some feel environmental imprints left by the murderers while other lucky visitors have seen ghosts of the fourteen murder victims To date there are no reports of lasting ill effects on those who have been brave enough to follow these spirits or experienced contact with them Experience with an unfriendly ghost can be disturbing It may be time to leave when you have established the nature of the ghost activity ascertained that your companions have experienced the activ ity made a few photographs and run a few minutes of
14. nge the recorders at different angles preferably 90 degrees from each other Another approach you might try is to use a wide angle setting on the first camera to get a broad view of an area On the sec ond camera use a close up setting to capture ghostly apparitions at a door chair or window for example You may have more success with sequential manual or timer actuated tape runs than a continuous record technique If you try continuous recording use tape runs of one to five minutes Practice with the method that interrupts the automatic setting should you need to manually control the recording process Always use a tripod that can be moved to a new location in a hurry High Tech Equipment Night vision goggles can be useful in low light situations You can see doors and other objects move that you might not otherwise see These goggles are quite expensive however You can buy devices such as electromagnetic field detectors infrared thermometers barome ters and motion detectors at your local electronics store or over the Internet A good source for high tech ghost hunting equipment is How to Hunt for Ghosts in Seattle 33 www technica com Electronic gadgets can be useful and fun but unless you have a means of recording the output your reports of anomalies movements and apparitions will not be the kind of hard evidence you need to satisfy skeptics Other Equipment Various authorities in the field of ghost hunting suggest t
15. ordings made at the site should be reviewed and reconciled with witness statements Then plans should be made for a follow up site visit in the near future to confirm the apparition its nature and form and the impres sions of the initial ghost hunt Data about the ghost s location within a site may indicate the opti mal conditions for future contact Things to be aware of include the time of day or night phase of the moon season temperature and size of cold spots as well as form and density of the apparition Patience and detailed records can help you to achieve the greatest reward for a ghost hunter unmistakable proof of ghostly activity
16. p your focus of attention Only attempt to interact with the ghost if it invites you to speak or move Often ghost hunters movements or noises frighten the ghost or interfere with the perception of the apparition SEARCHING FOR GHOSTS There are no strict rules or guidelines for successful ghost hunting except to be patient Professional ghost hunters sometimes wait sev eral days weeks or even months before achieving contact with a ghost Others have observed full body apparitions when they least expected it while concentrating fully on some other activity Regardless of the depth of your research or preparation you need to be patient The serious ghost hunter should anticipate that several trips to a haunted site may be required before some sign of ghostly activity is observed If you hunt with a group you need to establish a communica tions system in the event that one member sights a ghost or experi ences some evidence of ghostly activity Of course confirmation by a second person is important in establishing validity and credibili ty In the previous section a hand signal hand to the top of the head was recommended as a means of informing others that they should direct their eyes and ears to a site indicated by the person in contact with a ghost Because of this all ghost hunters need to keep 38 GHOST HUNTER S GUIDE TO SEATTLE AND PUGET SOUND their companions in sight at all times and be aware of hand signals An aud
17. rage jealously revenge or loss especially if they were repetitive over long periods of time prior to death Other emotions such as love for a per son place or object may also create a strong imprint Biographical research may reveal this kind of information particularly if personal letters or diaries are examined Old newspaper articles and photo graphs are useful too The second factor is the degree of sensitivity the investigator has for environmental imprints Knowledge of the key elements and his torical context of the entity s death can increase your sensitivity This includes architectural elements of a home theater airplane or ship furniture clothing weapons or any implement or artifact of the spe cific time period Touching or handling these artifacts or standing within the historic site enables ghost hunters to get in touch with the moment of the ghost s imprint A high degree of sensitivity for a past era often generates an odd feeling of being transported through time The third factor is sensitivity to or empathy for the ghost s linger ing presence at a haunted site A ghost may be trapped or confused or may have chosen to remain at a site to protect someone or guard something precious Sensitivity for the ghost s predicament can be increased through knowledge of the entity s personal history such as emotions motivations problems or unfinished business at the time of death Research of historical sources like
18. ring back up batteries and power packs with you You should have two types of flashlights a broad beam light for moving around at a site and a penlight type flashlight for narrow field illumination while you make notes or adjust equipment A candle is a good way to light the site in a way that is least offensive to your ghost Still Photography Techniques Many photographic techniques that work well under normal con ditions are inadequate for ghost hunts which are usually conducted under conditions of low ambient light requiring long exposures Some investigators use a strobe or flash device but they can make the photos look unauthentic Practice taking photographs with films of various light sensitivities before you go on your ghost hunt Standard photographic films with high light sensitivity should be used ASA of 800 or higher is recom mended At a dark or nearly dark location mount the camera on a tripod Try several exposure settings from one to thirty seconds and How to Hunt for Ghosts in Seattle gt 31 several aperture settings under various low light conditions Make notes about the camera settings that work best under vari ous light conditions Avoid aiming the camera at a scene where there is a bright light such as a street lamp or exit sign over a doorway These light sources may overflow throughout your photograph Some professional ghost hunters use infrared film You should consult a professional photo lab technici
19. s wind against a window and reduce the possibility of ambiguous recordings You can use sound activated recorders at a site overnight They will automatically switch on whenever a sound occurs above a minimum threshold Be aware that each sound on the tape will start with an annoying artifact the result of a slow tape speed at the beginning of each recorded segment 32 GHOST HUNTERS GUIDE TO SEATTLE AND PUGET SOUND The slow tape speed could obscure the sounds made by a ghost Remote microphones and monitor earphones allow you to remain some distance from the site and activate the recorder when ghostly sounds are heard If this equipment is not available use long play tape sixty to ninety minutes turn the recorder on and let it run throughout your hunt whether you remain stationary or walk about the site This will provide you with a means of making audio notes rather than written notes A head set with a microphone is especially useful with this technique Video Recording Video recorders offer a wide variety of recording features from time lapse to auto start stop and auto focus These features enable you to make surveillance type recordings over many hours while you are off site Consult your user s manual for low light recording guide lines and always use a tripod and long duration battery packs If you plan to attempt video recording consider using two recorders at equal distance from a specific object such as a chair Arra
20. tion Comfort Sit or stand in a relaxed position Take free and even breaths at a slow rate Do not alter your breathing pattern so much that you feel short of breath winded or lightheaded Close your eyes if that enhances your comfort or focus on a candle tree or flower Do not fall asleep Proper meditation creates relaxation without decreas ing alertness Quiet Meditate in a place away from noises generated by traffic passersby radios slammed doors and the like If you are with a group give each other sufficient personal space Some people use mantras or repetitive words or phrases others speak only in their mind in order to facilitate inner calmness Mantras are useful to induce a focused state of relaxation but they may disrupt the meditation of a companion if spoken aloud A majority of ghost hunters do not believe that mantras are necessary in this instance They point out that ghost hunting is not like a s ance as depicted in old movies It is not necessary to chant special words call out to the dead or invite an appearance from beyond the grave Concentration Clear your mind of everyday thoughts worries and concerns This is the most difficult part of the process Many people don t want to let go of their stressful thoughts To help you let go of those thoughts let the thought turn off its light and fade into darkness After you clear your mind some thoughts may reappear Repeat the process Slowly turn off the light
21. to see if he had a reason to remain attached to a specific place Was his death violent or under tragic circumstances Did he die at a young age with unfinished business Did the deceased leave behind loved ones who needed his sup port and protection Was this person attached to a specific site or building Would the individual be inclined to seek revenge against those responsible for his death Would his devotion and sense of loyalty lead him to offer eter nal companionship to loved ones Revenge anger refusal to recognize the reality of transformation by death and other negative factors prompt many spirits to haunt places and people However most ghosts are motivated by positive factors Spirits may remain at a site to offer protection to a loved one or a particular place Also remember that ghosts can appear as animals or objects By the strictest definitions apparitions of ships buildings covered wag ons bridges and roads are phantoms A phantom is the essence of a structure that no longer exists on the physical plane Many ghost hunters or surprised witnesses have seen houses cottages castles vil lages and large ships that were destroyed or sunk years before BASIC PREPARATION FOR GHOST HUNTING If you decide to ghost hunt at night or on a special anniversary make a trip to the site a few days ahead of time During daylight hours familiarize yourself with the place and its surroundings Many historical sites are
22. your ghost is a mobile spirit moving throughout a house over a bridge or about a courtyard or graveyard you may have no choice but to move around the area Search for a place where you feel a change in the thickness of the air a cold spot or detect a peculiar odor If you are ghost hunting with others it may be advantageous to station members of your group at various places in the ghost s haunt ing grounds and use a reliable system to alert others to spirit activity Each member could then patrol a portion of the site Radio or cell phone communications may be essential for this type of ghost hunt Once you are on site the above described meditation may help you focus and maintain empathy for your ghost Investigate sounds even common sounds as the ghost attempts to communicate with you Make mental notes of the room temperature air movement and How to Hunt for Ghosts in Seattle 39 any sensations of abrupt change in atmosphere as you move about the site Changes in these factors may indicate the presence of a ghost Pay attention to your own sensations or perceptions such as the odd feeling that someone is watching you standing close by or touching you Your ghost may be hunting you WHAT TO DO WITH A GHOST On occasion professional ghost hunters make contact with a ghost by entering a trance and establishing two way communications The ghost hunter s companions hear him or her speak but the ghost s voice can only be
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