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1. TIMECODE ON FILM AATON ORIGIN C CABLES ARRI TIMECODE ON FILM TRANSFER HOUSES THAT CAN HANDLE ARRI FIS Why is TC on film so unfashionable in the USA PLAYBACK MUSIC DAT MUSIC PLAYBACK TELECINE TO NTSC So communicate with telecine NO PULLDOWN for Playback Music Tapes 441 AND PD 2 pos PD 41S NOT GOOD FOR 44 1 PULL UP USE Te DAT FILM 2037 DAT 44 1 VIDEO RELEASE STELLADAT Remember to do the research on what has been done to the tapos before the shoot Off speed playbacks U S film shoot and Transfer to PAL flicker roo HMI s death for sound Alternate unusual methods 62 5Hz generator Shoot in US with 60Hz HMI s 24fr camera 25 fr sound telecine to PAL hitp hywnw sounddevices comfech ms_stereo htm hitp homerecording about com lbrary weekly aa112899a htm http fwww dpamicrophones com index htm ttp leorma www stanford eduloourses 192a Ch6 pdf Cek here to retum Home WWW WOlfvid cOM WOLF SEEBERG VIDEO Page 22 Sync Sound Guide And 24 is nowhere near 25 nor is it 23 97 or 29 97 and drop frame is something all together different these are all different speeds having to be handled differently in production and post Sure you can go back and forth but it gets expensive if it s not planned out to start with US FILM SHOOT RELEASE ON PAL WATCH DAILIES ON NTSC EUROPE FILM SHOOT NTSC VIDEO RELEASE Shoot computer monitors at 25 frame SOUND NLE HARD
2. Sound Guide Wolf Seeberg VIDEO s Catalog of hard to find electronics A educational sales catalog of video and some audio gadgets not found anywhere else Many transmitters and accessories correct antennas unique video assist devices indestructible batteries and chargers Totally free t 310 822 4973 PRODUCING GREAT SOUND FOR DIGITAL VIDEO BY JAY ROSE http www dplay com book Don t go without it AUDIO POST PRODUCTION also by Jay Rose http www dplay com book buy both books at a 30 discount The SPARS Time Code Primer great first book to get and understand Call SPARS at 800 771 7727 Easy read www spars com publicipages index cfm pageid 69 or http iven trewaudio com catalogitems tem452 nim great resource Magnetic South Bookstore Online Filmmakers Resource www magnetiesouth combookstore htm http Avww mesguared com dbframe htm all kinds of electronic formulae for Pads and pathloss etc calculated on the web VERY COOL http Avww beacham com index htm Thomas Beacham is a good writer with some excellent hints on using new technologies and their political origins His technical reviews don t go much past what the manufacturers feed him Links page for manufacturers at http www iansands co ukink html httpulwaw cinema sites com General movie info with lots of pointers hitpJivww smpte orgirelated sites SMPTE links to other technical broadcast related sites htip www ek
3. far 3358 US Bem am 5200 mn s and gang dow FILEBASED RECORDING CAUTIONS MD Mini Disk Pro recorders no time cod Marantz PMD650 http Awww superscope marantpro com Marantz PMDSSO index hlm PMD660 mpro comlusersifolder asp Folderl 29 amp CaliD 18 amp SubCaliD 169 HHB PORTADISC Says Paul Isaacs Technical Service Manager HHB Tel 0208 962 5035 Fax 0208 962 5050 E mail paul isaacs hhb co uk http www hhbusa com 000 usa htm hhb c0 uk 000 uk htm general site on MD recorders http www minidisc org some unique manuals here to retum Home WWW WOlfvid cOM WOLF SEEBERG VIDEO Page 52 Sound Guide Memory recorders Timecode Denon DNF 20R Marantz 670 hii jwww marantzpro com Products PMDG70 html Marantz http www superscope marantzpro com Marantz PMD680 pmd680 htm format hitp www superscope marantzpro com Marantz PMD680 omd680 html And http iviww maranizpro com Products PMD680 html The new PMD660 http www bswusa com proditem asp item PMD660 field report hitps Awnw transom org tools recording_interviewing 200503 pmd660 himl and hitpJivenw c mpro com users folder as67FolderiD 36294CatID 18 amp SubCatl the 671 new in 2005 htipsiwww d mpro comlusersifolder asp Folder D 3589 amp CallD 18 amp SubCatiD 169 http jwww soniex co ukicourier 69 and iRiver iFp 390T and ifp 395T These ar
4. 16 x ik Curent 160m Voge 8 14 Fange wi ra Arton Re 350 yards w When RK 100 yards Accessories avaisbe Buit in reference quat audio available on special order gain antenna 17 thin very flexible steel whip with SMA 5 3 dBi gain approx 00 00 This tal whip antenna gives you an additional 5 range increasing distance of useful picture At medium distance there sight less ficker wth tna ong antenna The 9V 32V version has small outboard x2 x 1 4 DC DC 12V out switcher ine We provide one custom connectar as ordered Its protected against reverse voltage and DC DC icles power round from video ground and you use dry supply voltages or share camera molo batteries Audio amp Video 550 00 9 24V Video only 500 00 4 VIDEO ONLY 45000 P S occasionally we have used or new Sony 80108 Combos for sale WOLF SEEBERG VIDEO Click here to retum Home WWW WOlfvid com Sync Sound Guide Page 65 HANDHELD 7 LCDTV TFT monter receiver ear ew wan 2 bay This TV monitor has a TFT display as bright as any available today Easily visible in full sun Does not need a shade or hood The viewing ange is good for three people watching The last channel selected before power down is remembered on power up This monitor produces no radiaton Work for NTSC and PAL thas stereo vdeo op rough RCA v rad for od meuning The unerirontor receives Tr
5. BNC NOUT ENG INIGUT RCA N 6488 board SY 88 Ea DAE BNC NOUT ENG NOUT XERTNIGUT N 16 20 2450 centre heads 496k DAGEHR ENC WOUT FENSTWOUT XCRINTOUT TBAT 496k any BNC NOUT EN Y N toe Z mcos INTHRU t amino miro input sta generates Sony OSREO N Y Y N DV VIR CER N Y Y N DV600UA VIR The SA202 Timecode Conformer by Turn Up Communications Inc 1146 No Central Ave Suite 339 Glendale CA 91202 Phone 81850 0327 Fax 818 545 7980 Film shoots with DA 88 and analog media Non Timecode field recorders Sony D 7 and now D 8 Tascam DA P1 WOLF SEEBERG VIDEO here to retum Home WWW WOlfvid com Sync Sound Guide Page 51 MD MINI DISK Mini Disk recorders are all at a very comprehensive site http www minidisco com with some unique accessories at Memory Card Recorder with Timecode Fostex FR 2 http fostex com index php fle products pfrifr2 http www routeidocs pdi r2 broch pdf for the brochure httpwwwfostex co pfintimagesinewsimg FR 2 Prelim pdf and htip iwenw sonicsense com f2 htm need help from Fostex Write to Masaki Shimmachi Fostex America masaki fostex com or Rick Cannata guru supreme Recording Times for Type ll Compact Flash Card Jeras Stereo 24796 Stereo CF Media n2004 EFirmiro dives Eee T li 5 5000 li foam 5
6. PNO wil play the identifying take number followed by the actual take Of course this is not unique to REC RUN I find timecode numbers practically impossible to write down consistently in the sound report but writing down the ID numbers with each take is no problem Telecine guys in 2002 still report problems with TC in 10 of the cases so PNO important here to retum Home WWW WOIfVid COM WOLF SEEBERG VIDEO Page 16 Sound Guide Summary of speeds Film Video Framerate 24 2997 30 Ntsc 2 5987 5 2397 Timecode 30 2997 so 2297 25 2997 Sound Digital 4 ja a as audio Samplo Rato Remember 29 9 and 30 are two different timecode speeds only The speed of DAT recording and playback is governed by the sample rate of digital audio 48K in the field has been established as a standard now WOLF SEEBERG VIDEO Click here to retum Home WWW Wolfvid com Sync Sound Guide Page 17 DENECKE TS 3 New lightweight slate with TC generator built in powered by 6 AA Batteries to make the iting easy on the Camera assistant Cheap quick change plastic battery holder is kinda fragile Built in generator for all common speeds inci 23 9 To sync slate to DAT any extemal source Plug in external TC with inch phono plug turn slate power OFF and then ON This is the 2 position power switch on rear left 3 position
7. have to make sure that location TC from the flexfl from the telecine is loaded into the Avid This has to be compiled with the picture cut list EDL and given to post sound editors If you don t pay attention to this you will pay for it with your heavily These mistakes are made again and again especially by lower budget producers WHAT TO DO Location TC has to get to the Avid intact While assistant editors digitize the picture they have to note the in out location TC numbers for all takes Often a sound editor has to use parts of non selected takes for fixes If they are smart assistants they take care to note sound rolls well as camera rolls Really smart assistants scan the paper sound reports into graphic fles on the computer and they won t get lost as easily and accompany the project throughout WHAT TO WATCH Producers have to stay on top of the 30 and 29 97 issue Also producers have to stay on top of the Drop and Non Drop frame issue If mistakes are made there is always rescue BUT it costs The later the corrections are made in the production process the more it costs Timecode makes good sound cheap fast and easy All decisions have to be made ahead of time fixed in a memo and stuck to Assume nothing There are no shortcuts Mf you can t hire a post production supervisor on staff pay a fr down the technical flow of materials Sound for 24 Digital Production a lecture presented by
8. time code with numeric key pas example 09350000 when ime entered press JAM TC F3 and TC display wil raad 09 35 00 00 The TC gen jams to normal input tme 1 set the user bits the samo way from this sorgen but using the JAM UB F4 than to record with the DEVA simply press REC or STOP accordingly each ime REC and than STOP ie Dressed a segment is created To play back specific segment press the desired segment number with he Keypad and then press CUE and PLAY lt so you want to miror the DEVA allows fora copy or mirror of ts intemal hard drive to dvd ram via tha deva s scsi port the DEVA minors auo fles not actua audio so it s very important to understand what format your post Wants DEVA wil write BWF M BWF P and SDI fles and in einer 16 or 24 bit wide now tis information before you minor to mirror a dvd 1 win power to the DEVA OFF make your scsi connection from the DEVA to the dvd ram drive wih a scsi cable 2 if your dvd burner has sesi id set itto ia 4 i t s at any other setting the mirror wal not work 3 tum ON the dvd bumer and insert new dvd ram disk wat about 18 Seconds for ihe dvd bumer to mount ine dvd ram disk inside 4 power ON the DEVA for DEVA to display STOP or SCSI AUDIO DIFFERENT MIRROR MODE DISABLED 5 Tomat the dvd by pressing SHIFT SETUP 6 han press MORE press F3 ERASE SCSI than F to conim format DEVA wil display
9. 07234 ppm 24fps 1 bar per 6 944 minutes 30fps or 8 681 minutes 24fps is 1 ppm Another way to interpret the bars is to think of them in terms of Time Code bits 1 ba bit 7 bars 7 bits 1 8 bits 2 16 bits 2 3 bars 19 bits 5 40 bits here to retum Home WWW WOIfVid COM WOLF SEEBERG VIDEO Sound Guide This German manufacturer http www ambient de makes an immaculate TC slate with many bells and whistles including a TC UHF receiver builtin a documentary version ACD201 is announced Numbers are not as bright as Denecke s They claim very high crystal accuracy with 0 3 PPM for a temperature range of 30 to 70 C All Ambient products work at SMPTE out at 24 25 29 97 30 fps drop or non drop frame rates CT writes also available with an optional built in wireless TC feed that operates on the same system as the Scriptboy The ACD301 also has both a Lemo connector and a 1 8 mini input so there are some options available the day that Lemo connector cable fails in the heat of a shoot As for the size The 301 fits perfectly in the front pouch of my Portabrace RF Mul Wireless Deluxe pouch that is attached to the front of my DAT machine when working over the chest shoulder The slates are also C clocks which can be used to directly jam an Aaton camera with ASCII code also very useful I believe most Aatons today are SMPTE capable ed The slate has two modes Usual mode internal
10. 1 surround you can download a two week demo at http www sekd com sam2496 v553 o exe Final Cut Pro Audio formats supported by Final Cut Pro 5 in 2005 are limited to 24 simultaneous channels in AIFF and AAC formats no BWF What is wrong with Apple httpulwww merging com look for Pyramix native simple CD burning audio software here to retum Home WWW WOIfVid COM WOLF SEEBERG VIDEO Page 56 Syne Sound Guide If you have a PC get Adobe Audition 1 5 http www adobe com products tryadobe mainjsp and look for a free copy of old Cooledit Pro the old name for the same software because Adobe rewrote all the help files for the new version to conform to their now to standard and ditched all the lang but useful essays in the CP help files about the fundamentals of signal processing Metacorder TC smartlll by Mark Gibert jenes SSL hitp www mackie com praducts onyx1220 read also htip uww trewaudio com metacorder_esale htm http ivan gallery co uldmetacorderintra html and a good article on recording 20 tracks with TC with detail tech specs htip wanw gothamsound com main shtm page catalog amp sub DISP amp item SGALLMETAC ORD Timecode accessori AARD SYNC II Net www aardvark pro com Rosendahis Nanosyncs htip www rosendahl studiotechnik de nanosyncsn him TC Distripalyser 58 15 by Brainstorm httpJlwww brainstormtime com Colin Broad http www colinbroad com index html TH
11. 97 it is looking for a zero crossing at a level down to 15dB lockup speed 1 not more not less not handle black burst or video sync at the input needs a sync stripper Puts out TC in proportion to speed of sine or square wave input Does a lot of other useful stuff Checks accuracy of crystals and or TC Compares an external timecode to an intemal high accuracy one and tells you the offset after a certain period In other words it compares crystals in diferent pieces of equipment for accuracy Accuracy of internal TC accuracy 10C to 60C The option is accurate for 1ppm 40C to 850 1ppm 1 frame drift in 9 hrs Can read a different TC than what it generates if wanted Generates 1 TC and inserts extemal TC into UB Great for PB and record and having one TC stream with 2 different TCs External start stop for everything It jam syncs or continues jam sync Works as a reader displays frame rate instantly See page 22 23 of his user manual When the GR 1 is tumed on it will go into the generate mode at the preset frame rate The time code sets to the internal time of day and the user bits are set to the current date Turn Watch for EPROM version 1 20 or higher Operation To set the time code user bits and frame rate Press the SET key time code will stop A large cursor will appear over the G Use the up down left and right keys to set the proper mode and time code value set
12. Firewire output This port has more finished software as of Jan 2005 only occasional problems reported You can read the 744 HD with extemal computer but Firewire is not ready yet to transfer files to Roadstor like device These automatic CD storage units cost around 200 and are very convenient but the 744 filenames are stil too long as of Jan 2005 744 to computer The laptop sees the files in the 744 as a removable drive on its Win Explorer tree or Mac and you can or move whole directories manually These are FAT32 files which are good for all newer computers Filenames will stay the same You have to make and name new directory on the laptop of course Mac OS X users use Toast and Dragon Bum WOLF SEEBERG VIDEO here to retum Home WWW Wolfvid com Sync Sound Guide Page 41 software for additional features Win folk use Roxio or NERO or the easy stuff provided by Sony with their DVD drives BWF UDF Poly or Mono If you shoot with a hard disk system always ask the people that have to deal with your files later before the shoot There are no absolute benefits or disadvantages it al depends on what the work flow is So what to do if there is no assurance of the workflow at time of the shoot Punt know this is poor advice but it all depends on what thay are using to transferiload in post In LA you can be pretty much assured of a DV 40 in post but as of mid 2005 they may get the new Fostex 8 track
13. SCSI IS DONE when it has finished tha fermat prese SHIFT SCSI 7 than press MORE select the fle type and wh withthe and F keys Cek here to retum Home WWW WOlfvid cOM WOLF SEEBERG VIDEO Page 38 Sound Guide 7 press MORE and select segment to start mirroring by entering tha number with the keypad and press F4 to accept press F3 to start the mirror han SHIFT F1 the deva should display REC and the number tis mirroring in the lower right of he display 3 when ever you power down t deva or are finished mirroring take the deva out of mirror by pressing SHIFT SCSI then F3 unti OFF MIRROR MODE displayed in MIRROR not TURBO itis ok to use the DEVA to make recordings while mirroring to DVD in TURBO mode you cannot the mirror process with a DEVA recording to playback or check audio on DVD there are two ways to do this frst by playing back the audio and secondly by checking the audio in the SHOW SEGMENT secton method one fter mirroring the audio and from the HOME page press SHIFT SCSI 2 press F1 to switch rom INT DISK PLAY to EXT DISK PLAY 3 press SHIFT and check t see that the pie shaped disk is spinning in the lower right comer not ine upper left if not repeat these 3 steps again 4 select the segment you wish to play CUE NUMBER than press PLAY audio should begin t play 5 when you are fished playing back is audio repeat these sl
14. WOLF SEEBERG VIDEO Cick here to retum Home WWW WOlfvid com Sync Sound Guide Page5 DATABASES OF USED RF SPECTRUM MAGAZINES BOOKS INFO WOLF SEEBERG VIDEO PRINTED INFO 24P FOR SOUND AND VIDEO ASSIST VIDEO ASSIST OPERATORS MANUAL 59 WOLF SEEBERG VIDEO S CATALOG OF HARD TO FIND 60 INSTRUCTIONS FOR TELECINE PCM 7030 48 00 SONY PCM 7030 48 048 COMPUTER VIDEO ASSIST RENTAL PACKAGES MINI 1 IN 4 QUT VIDEO DA VIDEO ISOLATION TRANSFORMER MINI SPY VIDEO TX HANDHELD 7 LCD TV here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 6 Syne Sound Guide HOW SYNC SOUND IS RECORDED WITH TIMECODE FOR FILM Pre production questions Final product Film or Film transferred to Video NTSC or PAL Film camera speed FriSec Sound media Nagra DAT DVD DV HD gt The answers for sound will define Timecode in FriSec drop or non drop Samplerate in special cases only Here in the USA this means Camera rolls at 24 Frisec Sound Timecode is 30 Fr sec Non Drop DAT sample rate is 48K Exception some long form TV shows use 30Frisec drop frame and 48 08 How to insure success 1 Have all involved communicate The editor post production supervisor or whoever is technically most competent should send written specs to camera crew sound department transfer telecine house picture editors post sound editors fi
15. WWW WOlfvid com Sync Sound Guide Page 59 Al TV channels and frequencies in the US http www fee gow Bureaus Engineering Technology News Releases 1998 et8002a txt and http www 0ontai twitvtab 1 html www audio Technica com usinglvirelessicompat hiip tviower com Commercial amp 20Television k20Frequencies html MAGAZINES BOOKS INFO WOLF SEEBERG VIDEO PRINTED INFO http www trewaudio com booknook htm 24P FOR SOUND AND VIDEO ASSIST 200 page Bound book many flow diagrams and pix Wolf Seeberg new 8 edition Fab 2004 hands on manual writen by Hollywood sound recordist for on sat personnel and producers The argument the book makes is for double system sound even with the new video cameras Sound on video tape is not reliable especialy with the F300 The book explains how lo record sound and timecode onto digital video tape and make a parallel higher confidence recording on DAT or DVD that holds sync in tha final ON LINE edt and sweetening It detalls timecode procedures for 23 97 and includes flow diagrams of signal distribution afteroumers audio delays Tequirements for video assist internet sources latest shortcuts ta bring down post production costs and maintain highest qualiy secret menu functions and useful additions to manufacturers manuals Manufacturers manuals are roproduced corrected and annotated Links to the web abound This book gives guidelines for producers to sort out inevitable s
16. a tape then lets it roll for the full two hour tape Making the timecode clone requires only jam at the head It reduces the sound personne sleep time but in a pinch if you are short of machines or have to borrow the studios deck its a lifesaver DAT machines are speed stable enough not to have to worry about sippage too much Pre slating and rec run By Glen Trew lt glen trewaudio com gt I think of pre slating as recording the scene and take number of the upcoming take BEFORE the roll sound call is given This way as soon as speed is achieved the camera can be slated and the move can be made When REC RUN mode is used speed can be announced as soon as the record button is pushed Since he is using Rec Run TC is continuous and no pre roll for TC rollin is necessary This is why when using DAT recorder always setup the recorder for manual ID write The problem with setting the IDs to record automatically is that they advance each time you go into record causing the pre slate to have one PNO start ID and the actual take to have another PNO Therefore manually write a Start ID before recording the pre slate and enter next to the take it in the Sound Report When I roll for the actual take do not record another start ID because it is already numbered from the pre slate ID Using this method when post production wants to locate take by referring to the Sound Report cueing to the proper ID
17. and shallow money trench a long plastic hallway where thieves and pimps run free and good men die like dogs Then there s also a negative side Dr Hunter S Thompson here to retum Home WWW WOIfVid COM WOLF SEEBERG VIDEO Page 8 Syne Sound Guide PRODUCERS STAY ON TOP OF IT In case of trouble its too late already but producers must leam to distinguish between legitimate complaints and passing blame onto other departments not in the room That takes some comprehension of facts knowledge of humankind is not enough Some departments are experts at complaining and passing the buck where there are really only minor inconveniences at play Some parties are expert at covering their incompetence I a huge confidence game being played daily by all kinds of slimy folks taking advantage of producers ignorance of production technology This really is the point of this slightly tedious booklet about a subject that is not as complicated as it is made out to be How do you deal with this petty bickering Most importantly keep personnel at various stages of production cooperating and communicating Technicians need to talk to each other directly Scheduling and sales people should schedule and sell not offer guesses at technical parameters cooperation is easily established between the people actually doing the work They want to do it right and fast Sales departments introduce just another complicate
18. as new transfer roll TC Some transfer houses will even type script and sound notes to this EDL for editorial use That way director s or sound recordist s notes will stay withthe WOLF SEEBERG VIDEO Click here to retum Home WWW WOlfvid com Sync Sound Guide Page 15 picture throughout the editing process This EDL wil also include Kodak key code negative footage numbers automatically Remember 8 track sound on location is not a big deal anymore and with timecode its easy to keep track of Run a DAT or Nagra for redundancy and dailies For time sensitive projects we have edited TC video assist tapes on the set and used the resulting EDL to conform color corrected dailies the folowing morning That way film spot can be aired nationally 24 hours after production Psst heard of tape Alan Barker recommends for low budget situations slick timecode option with no timecode DAT machine lay several seconds of code say from a Denecke box at the head of each audio start on one track Later make a digital clone to a timecode DAT machine with an analog output of the source machine patched into the timecode input ot the record machine Each time timecode is encountered jam it into the record machine Some machines wil do this automatically He has found this very useful in shooting recording studio sessions where he continuously records a clean board feed into a cheap non timecode DAT machine He lays one burst of code at the head of
19. at Locate tothe positon Tat recording or playback were last started from 38 apean a0 Siop automatica selectat S nec Pause operation O Pre Ra o Post Rod rre ar ur Ur meer TC uera Es EC Tomar 32 FOSTEX record TC using te FOSTEX TEL I EC E FOSTEX record boih Toms EDI opte Tamar 700 IEC farmat io TC rom ape G2 INT TC Generator then recoringT EL Drop rams 700 Drop Fame ON or Drop fame OFF NTC CEN TUE Ree Run Oz Free Run Be Teapot wf OFF OT CaaS OTT ERT TORT 02 Compensate for E Trames of EXT TC dropout EE TOspeme 706 OFF OF Tr TTC GR sym E We EXT T s L Tc sss is ouput relative to fne DIGITAL OUT mna OT TC is ouput relative othe ANALOG OUT iming m TC Fame AUTO oui rais Pats ERE select tape ipa ms Fame rte Be dumm RCE oz 28 Tips INDF 3 35 eps T s TFT s raswdTCsssc OI ames scs Gur OT Only TC that can e read as output ST Ro TC sugar So rams TC ssec 00 not out in pause moda UT TE is oun pause mode ND Rae TOT PO When he Tape E Tavana H EVERE WE TE here to ratum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 28 Sound Guide al order 1 TT When the tape is traveling reverse h
20. com resources articles zaxcom devacaemo htm WOLF SEEBERG VIDEO Click here to retum Home WWW WOlfvid com Sync Sound Guide Page 37 Deva DVD in DV40 playback compatibilities Avid Deva connection WAV file manipulation Dova file conversions DEVA needs an analog safety limiter File Formats for Deva IV V DEVA II cheat shee With this info you can fre it up on the set having never seen it before hey say at Coffey sound I find you 1 hour session with knowledgeable source there is decent manual lt setting up the DEVA to record gt 1 press SHIFT MODE or the 2 key hon wth the F1 key select 1 2 or track recording 2 make sure AUTO LOAD incoming IC is OFF F2 3 sat the PRERECORD for what you Ike 0 10 seconds for playback purposes or select OFF with the F4 key 4 while in this MODE MENU press the MORE key this wil alow you to toggle between analog and digital inputs set 1 2 3 4 o analog or digital using F1 and F2 S while in this MODE MENU press tha MORE key ong last time set the inputs to or LINE level using Fria FA keys 8 press SHIFT HOME Repeated pressing of F1 HOME T press SHIET SETUP 8 than select the proper sample rate with the F1 key usually 480000 press SHIFT HOME 9 press SHIFT TIVE CODE ENT and select the frame rate with the F4 key usually 2ONDF 10 set the codo by prassing the MORE key and then simply enter
21. displayed in the mode field A O0 in the rate field tels you that you are in the free user bit mode Free user bits are in memory when the power is turned off and are re loaded at power on MD in the rate field tells you that you are in the date mode In the date mode the internal clack date loads into the time code generator user bits ER or LEFT ARROW An equals plus or minus sign between the time code and mode field indicate that there is difference between the generated code and the incoming cade To view the difference WOLF SEEBERG VIDEO Click here to retum Home WWW Wolfvid com Sync Sound Guide Page 45 press the ER button The offset displays with a remainder in tenths of frames and a bar graph of the bit error HOLD MEMORY Pressing HOLD stores the time code value in memory and displays H 0 Pressing HOLD again releases hold To view previous hold points push the up or down key and M 0 appears Push down again and M 1 wil display the previous hold point Pressing hold while in the memory mode places the new time code value on top of the stack and displays M 0 The previous point is pushed down into the memory The memory can hold 99 Ic ub points To exit the memory mode press XT key and running time code will be displayed LAMP The lamp button tums on and off the backlight The backlight times out after 10 minutes if no buttons are pushed Double clicking the lamp button when the lamp
22. generator displayed when open and user bits displayed when closed b Readergenerator mode A 2 TC fed to slate by cable or RF such as a playback timecode and is displayed when slate is open when slate closes a different intemally generated TC is displayed TC rates can be mixed This is useful in a playback situation where new dialog or vocals are recorded live as a track with PB TC is played back Denecke offers some custom slates with two displays for just this situation Denecke s have an additional feature of a triggered push button blogp light which motion control guys ke The TC slate has a handy built in display bar that stays fixed to the operators eye at the film camera eyepiece behind the flm camera shutter and so checks slate vs film camera shutter speed accuracy every take The recorder TC accuracy and mode speed and drop or ND can also be checked with this slate it combines some of the functions of Denecke s GR 1 and normal dumb slates List price in the US is 2190 The Ambient Masterslate should read 2 times double speed playback for music videos TC speed generally do it like this Set original frame rate with first two dipswitches ie ton 2on which is 29 97 or just leave 1 and 2 off 25 fps Check which works best Then put dipswitch 3 on This is the Drop frame switch but in ead mode it improves the locking onto high speed code If it is a radio slate and you are on cable make sure the receiver ye
23. is off will continuously tum on the back light BATTERY The GR 1 uses six AA alkaline batteries or external power up to 18v This power is also used to update the power off clock The memory battery BR2325 is used to retain memory and trigger the clock Low AA batteries are indicated by a flashing LB in the rate field When the internal lithium battery is dead the display wil show BR2325 is dead Input GR 1 reads down to 18db with 51k input impedance Output 2 volts into 1k load impedance Power 6 24V DC 15 mA backlight off 25mA backlight on Internal batteries last approx 70 hrs BR2325 memory backup battery life is approx 1 year Stability 1ppm 30 to 15 degree Size 5 9 x 4 25 x 1 55 1 3 Ibs Printer output Serial out 1200baud 8 bits 5 volts with DTR GR 1 Bar code interpretation Numbers go to 1 frame resolution on the alpha numeric display Then read the bars if bars go over the top of the display which is seven visible bars on reaching the 8 non displayed bar the decimal increases from 1 to 2 In other words each bar represents 1 25 of a tenth of a frame gee whiz or 0125 of a frame So if you see 1 and three bars it s really 1375 simple really If you see 1 and 7 bars the next highest will be 2 So if after four hours of checking an extemal TC versus internal there is an offset of 2 bars this means you are 025 of a frame apart which translates to 0 05787ppm 30fps or 0
24. move until itis refreshed by the generator from the DAT telecine operators need to know not to take the first visible frame of timecode on the slate to punch into your telecine controller They must wait until they have moving code and pick any of those frames Editors like the continuous TC on the DAT as it lets them find takes easier in post sound Glen Trew further makes the point for RecRun When I record with DAT I normally use REC RUN and keep the ID Write in manual mode then write an ID just prior to pre slating This way it looks to post as if never stopped when rol for the actual take which is only new start for the recorder but a continuous TC In real time it might be thirty minutes after pre slating though The timecode is continuous and the ID does not advance This allows me to slate log the take number and ID long before I call speed Al I need to do for me to call speed is to press the record button and hear the confidence monitor playback transmit the TC to slate and don t have to worry about excessive pre roll that waste tape and there is plenty of prerolled TC for telecine as all TC is continuous Now 2001 with Fostex latest PD 4 ROM version there are no more hiccups doing this Advantages of RECORD RUN WOLF SEEBERG VIDEO Cick here to retum Home WWW Wolfvid com Sync Sound Guide Page 11 No drift wrong code due to wrong switch settings When transmitting to a slate that has TC ge
25. post and digital dailies in the Editors guild magazine January 2004 at hitpdiwenw edtorsquild com newsletteriJanFeb04 janfeb04 multitrack prod rechtml And another article by Steve Cohen that s accurate and educational in the editor guild magazine 48 048 30Fr with PD 6 PORTADRIVE Look at http www hhbusa com 000 pdrive htm Manual available at http www hhbusa com portadrive images fronliportadrive jpg Latest HHB Portadrive site 2004 http www hhb c0 uk hhb usa nhbproducts portadrive index asp open forum dealing only with the Portadrive http www hhb c0 uk hhb phpBB2 index php Aaton Cantar X hitp tiwww audio aaton com or htt www audio aaton com cantarifeatures php http www aaton com products sound cantar and the manual at http www aaton com fles cantar usermanualpdf Sounddevices 744T htpulwww sounddevices com products 7 htm Mediocre 77 page manual at http www sounddevices com downioad guides 744t en pdf Cek here to retum Home WWW WOlfvid cOM WOLF SEEBERG VIDEO Page 40 Syne Sound Guide the boss and good advice person Jon Tatooles lt jon_tatooles sounddevices com gt 9a 5p CT 800 505 0625 or 1 608 524 0625 outside U S There is a users forum at http sounddevicessupport com you have to register of course Here some info on CF card write speeds It is relevant for the 744 only if you record high bit rates and many tracks http www robgalbraitn com bins mull
26. rear right adjusts brightness of display to stages The extra LED in the display to the left of the sec digits flashing slowly indicates an external feed TC was read If the LED flashes rapidly tere was no external code fed to the slate someone may have OFF the slate and restarted it without jamming and telling the Sync Master also called sound mixer This works the same as in the litle SB 2 sync generator box Features TCXO Crystal for higher accuracy in varying temperatures auto set frame rate it generates what it has been fed sliding access door to controls and quick load battery pack EL backlight display extra cost illuminates scene take and production section of the face plate Battery voltage readout at startup Note that the slate does jam to a different external rate then what it displays to allow cross jamming The battery holder is fragile cheap plastic Mode enables or disables the different options and Mode B sets the value for the enabled options List about 1200 00 There is a version of this slate that is lit up from the rear WOW List about 1445 00 Available from most sources in back of book htip i www denecke com Caution if you use extemal batteries and send power in on the 4XLR 6 7 18V remove internal battery or they will down and ooze yucky acid all over NASTY No warning label for that On the other hand you can use this power input to charge NIMH AA if you have thos
27. ten seconds into a recording has been fixed rare error Cek here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 32 Sound Guide b The software bug that caused the S ID to be continuously striped when being fed signal from consumer type CD player has been fixed The software bug that caused the error tone beeps and the PEAK LED to light when powering up GEN CONT mode has been fixed WOLF SEEBERG VIDEO Click here to retum Home WWW Wolfvid com Sync Sound Guide Page 33 Fostex PD 4 ROM Version 2 40 Settings To enter SETUP mode press A and Y simultaneously To select SETUP mode function press A or Y SET UP on display To allow change status of FUNCTION press MARK SET key blinking display change status press A or Y To set tho new status of FUNCTION press MARKISET To escape from set up mode press DISP QUIT Your personal defaults from previous versions are kept Fostex defaults in chip distributed in USA 1 my personal favorites No Name Description Options OT ver Display ROW Qr OF version 01 Main version 240 02 Main date 1998 1201 03 Front version Fver 201 04 Mechanical version n ver 111 022 101 164 PCT Pause Cancel ime 001 30 secs 01 60secs 02 2minutes 3 4 5 min 06 10 minutes 07 20 minutes 305 doF Digital output 00 TEC 958 par 3 AES EBU format 01 IEC 958 part 2 S PDIF fauo D PNO 00 OR O1 Record wh
28. to play from It s a difficult mess as of the fall of 2004 Make sure whatever workflow you will feed as a location guy has been described precisely on paper and given to all concerned The most important person I this is the assistant editor who syncs it sometimes before the editor gets hired Make sure there is GOOD communication I DV 40 records and reads CD R or UDF formatted DVD RAM up to 4 76 Not good for DV 40 are DVD R DVD R In Los Angeles there are about 100 post houses with DV 40s as of Dec 2004 PD 6 to DV 40 file format UDF DVD RAM on 1 4 G per side Always at least 2 track poly nat mono http hvww fostexdvd net fxdvd route docsitechsup bwt manager 1 htm There is a utility for FCP on Mac to save Metadata and TC and combine or split racks How to make Windows read BWF Mac recording for TC and audio Motacorder TC smart Mac software http www trewaudio com metacorder esale him Fileformats and conversions What s Broadcast WAVE http ivunw ebu chipme_bwt_ug himal or http www ebu ch en technical publications userguides bwf user quide php Translate DAT to WAV at 4x speed http www nef ca aa571 dat2wav htm explained in htip ww ncf ca aa57 1 dat2wav bt Computer DAT drives that read audio DAT http wencf ca aa57 1idatfaa him Ade Rixon quite a lot of DAT info and links htip www btintemet com big bubbles personal ade dat dds index him DAT Studio a UK based company selling a drive and so
29. user bits scroll past the end of the display The user screen will appear Set the user bits as desired The rate field will show O0 This means free UB or MD indicating date mode Once the rate and mode are set press the button The cursor will disappear and the time code will start Re jam after setting the code so you are in sync The internal WOLF SEEBERG VIDEO here to retum Home WWW Wolfvid com Sync Sound Guide Page 43 clock is only used at the initial power on For the intemal clock to work the back up battery has to be good I s called BR2325 Display The display is a 16 digit LCD module that shows time code user bits mode and rate The following list is a description of the different mode functions 23 23 97 frames second always non drop 22 25 24725 franes second 28 30 29 97 30 frames second 23 34 29 97 30 frames second with drop frame Bar graph of offset errors 30 drop and non drop code 1 power is turned date month MD month day ub and displays the Incoming frame rate reak in code with playback de and read code the inp Ted by an external switch reference Mode The default mode at tum on When the GR 1 is first tumed on it displays the version number and copyright notice followed by the date The tum sequence takes approximately seconds The intemal back up crystal and generator is set at that time T
30. www nagraaudio com pages professionalaudio php etat 2 Here s the typical time code set up for IV STC T Open and set frame rate on rotary switch under cover 2 shit 0 200 shift 0 resets microprocessor 4 Tum off machine Wait 2 seconds Tum machine back on 5 0 106 shift 0 sets to 3 day time in UB 6 5 0 HH MM 00 00 shift 7 sets TC 7 6 0 DD MM YY 00 shift 7 sets UB 8 push 5 view TC PS Do not plug the crystal plug into the right side The only real manual is the must study Tannenbaum book The reading is tedious but necessary and much too informative CAMERA SPEED TC GENERATOR SPEED I 24 FPS 30 FPS 35FPS 3OFPS 2557 FPS 2987 FPS 25105 PAL 24 FPS 25 FPS needs advance Checking j Interesting site with some tape statistics and calculators htip www quantegy com OtherSpecs Tape TimeChart javaseript asp Sound Check s Nagra san francisco nagra iv s modification X4S Nagra D Hard disk recorders NAGRA V DEVA http www zaxcom com downloads Deva 20Brochure 20NG pdf http ivan trewaudio com deva_new him and hitp www trewaucio com deva htm Glenn Sanders is CEO of Zaxcom Audio he is very available even though repairs take some time in 2005 Web hitp zaxcom com audio Deva himl Manual available on the web not very good http zaxcom comldownloads deva Also check out general info http www soundspeedmovie
31. 0 seconds JO4PCT O1 1 minute 104PcT 02 2 minutes 104PcT 03 3 minutes 104PcT 04 4 minutes JO4PCT 05 5 minutes 104PcT 06 10 minutes new 9 Time Code Editing when in REC RUN Mode Editing the time code during REC RUN mode is now possible when the machine is in the REC PAUSE or STOP mode Caution By putting the PD 4 into the PLAY FF REW mode if the PD 4 recognizes the time code previously striped on the tape the TIMECODE FROM THE wil be generated confusing 10 RECORD Start Up Time When the PD 4 was put into RECORD made at a blank section of tape where no PCM data was previously recorded it took about 4 seconds to start recording the signal This start up time has been shortened to about 2 seconds 11 PANEL LOCK Function When the PANEL LOCK key is turned on to disable the top panel keys PLAY STOP etc if one or more keys are accidentally kept pressed e g when the machine is being used in soft carrying case the RECORD or PAUSE key on the front panel was disabled This longer happens 12 Pcm Error Level ERROR LED Level This may not be included in the USA version The ERROR LED on level can be selected by SETUP mode 117 117 PEL 00 1 117 PEL 01 3 Default Setting 117 PEL 02 5 When green changes to red is not defined Which severity of error is acceptable is explained 18 Other bugs fixed a The software bug that caused the random error tone beeps about
32. 1121 Otherwise call 505 892 4501 or e mail a most educated and cooperative person bruce lectrosonics com also check httpu lectrosonics com note their freq charts hilp llectrosonics com service ewitches him Sennheiser hiip iwew sennheiserusa com pagesiproductslevolulionlwireless him Audio Limited Zaxcom announced in early 2002 a fully digital RF mic system http Avww zaxcom com audiolwireless shtml http www zaxcom comyaudiolwireless shtmbispecs Also read htip lectrosonics com wq wa2000 htm the usual thorough Lectro paper Spectrum Analyzer Icom http wwwicomamerica com receivers pcicper1000main asp http vaww dxzone con cgi bin dirjump2 cgi 1D 9429 hup ww versiontracker com dyr moreinfo mac 2809 For a handy reference receiver try the ICOM IC R3 hip icomamerica com praducts receivers r3 DATABASES OF USED RF SPECTRUM htip vww globalcommnet com 21station html ftip www fec govioatidivistarv tv2 69 txi hard to search http iven fec gavimmbived tva himl ftip Janw locationsound bc caldtv him htip www audio technica com cgi binlvireqcheckivireqcheck cgi may be incomplete http2100kwatts tmi ne htip liwww 100000watts com and check http 100kwatts tmi net tv LAX html for all stations in LA hip lactrosonics comvcgi bin v form pl or hiipiwenw lectrosonics com cg intv form pl hitpivww mayhewco com rin0202 bet hips maynewco com rin500 himi WOLF SEEBERG VIDEO Click here to retum Home
33. 24 Frame EDL s on Avid 7 2 ABVB Managing the Content Explosion from www broadcastpapers com Ale File Specification Avid Xpress Guide to Filmmaking PAL Timecode for Film and 1080p 24 Production WOLF SEEBERG VIDEO here to retum Home WWW WOlfvid com Sync Sound Guide Page 23 Workstation pull down or 24 to 30 to 24 to 12 to 30 Magless dai EDITORIAL PAGE Profit over pooplo manufacturers and engineering honesty Inaccurate DAT Timebase Precision Accuracy Timecode accuracy of PD 4 Manufacturers sensitivity to customer satisfaction Minimum maintenance Sound Mixers have your DAT machine checked annually with a lab quality frequency counter just for TC accuracy ABOUT QUALITY OF SOUND SYNC PROBLEMS Producers When a post production facility comes to you and blames inaccurate or drifting TC for sync problems don t be too hasty to accept this Investigate rather than believe Someone may be passing the buck and itis easier to blame those not present Ask Is sync drifting or is it a fixed offset Is the offset changing from take to take Can we do a quick anti drift check by having a slate at the head and the tail of a take longer than a minute Have we checked the crystals accuracy in the camera recorder and slate Is there something new being used at any stage New software at the lab Anew temporary tape or fim player A new computer What other technologies tried and tr
34. 3959 USA voice 608 524 0625 fax 608524 0655 ww sounddevices com 442 Field mixer Luxury ENG mixer http hyn sounddevices com products 442master him Sound Devices 302 hitpwww sounddevices com products 302master him here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 54 Sound Guide Aeta Audio 75 Fleetwood Dr Suite 200 Rockaway NJ 07866 USA Phone 973 659 0555 Fax 873 659 9555 http www aetausa com www aeta com http ivunu kellyindustrias com mixing consoles html ACCESSORIES Boom support for long takes Digital cables A D input to Computers PCXpocket http www digigram com products getinfo htm prod 9000 hitipy waw emu com http www fostex com Products vxpocket him Note NEVER connect the outputs to an input with Phantom turned it wil fry the output circuit NUENDO AUDIOLINK 96 MOBILE iip Www steinbera net en products hardware audiolink96 mobile index pho Audiosport Duo another USB Audio Interface and Stand Alone A D Converter SONIC AD2k Claims 03 2001 to be the only DC powered two channel 24 bit 96 kHz New in 2003 MinisMe high quality preamps compressorlimiter and A D converters 48v phantom power for microphones and a headphone jack for monitoring And because its outputs are clocked by a high stability reference crystal oscillator the Mini Me can serve as a master clock This is a full on professional unit htiplwww apogeedigital com products min
35. 74 FAX 41 21 694 74 75 good website hltIvww com Zaxcom s Cameo and Il by Glen Sanders gs zaxcom com Yamaha 01V96 http Wwww yamaha com yamahavgn CDA ConteniDetailiModelSeriesDetai 6373 CNTID 253D15247 2528CTID 253D228600 2528VNM 253DLIVE 2525AFLG 253DY 2 526LGFL 253DN 00 300 page Manual at hitp ivww2 yamaha co jplmanuallenglishidownload php Top secret shortcut Press Hi freq and Low Frag button simultaneously and you reset the EQ to all levels OUT but a simple preset for all 4 freqs are inserted Try it htip www tascam com Products dm3200 html Read also http www productionrecording convTools Yamaha24 96 html Tascam DM 24 hitp www tascam com Producis DM 24 html Mackie ONYX hitp iwww mackie com products onyx1220 index himl or the 12 channel version with 4 mics in and 2 auxes htipy iwww mackie com products onyx1220 owners manual hitp www mackie com products onyxfirewire pdfiOnyx FireWire OM pdf MARENIUS ElektronikUtveckling AB P O Box 5086 S 428 05 V Frolunda SWEDEN E mail info marenius com in the USA TOWER PRODUCTS INC 4 High Street Box 397 Saugerties NY12477 Phone 914 246 3036 Fax 914 246 1757 shoulder strap is included http www locationsound com proaudio ls SPSCO010B him htplfwww shure com products usebroadcastimixers default him G Sound Devices LLC Jon Taloolos P O Box 576 300 Wenge Dr Reedsburg Wisconsin 5
36. 8668 amp catGroupld 1457 1 amp modelNo AG DVXTOOA amp suriModel AG DVXTOOA ftp fip panasonic com pub PanasoniciDrivers PBTS manuals OM_AG DVX100 pdf htipyiwww panasonic com PBDSisubcalidvpraline Index html or htipwanw spcomms comipan dvx100 manual DVX100 pdf Exposure On The DVX 100 read http ivan cinematography net ExposureOnTheDVX 100 him JVC JY HD10 HD Ambient makes some useful items for DV work TINY MIX This para from http www mindspring com d v c Timecode him Convert DV TC to SMPTE TC Double System sound with DV and DEVA Educational sites http iiwww dv com net THERE NO FREE LUNCHES YOU PAY FOR WHAT YOU GET AND YOU CAN ALWAYS PAY LESS TO GET LESS here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 50 Sound Guide Post info at http Jhwww 24p com must read site dealing with all pull ups downs DV AVID etc HI don t forget 2 lots of good info NP 1 BATTERIES DIGITAL MULTITRACK RECORDERS DA 88 DA 98 DA 98HR Sony p800 Genex DA 98 Advantages Recorder Sync Capabilities Recorder Wordciock Comp Video T6258 TC Advertised sync 238 Resolution Poa N N XURINOUT N 1648 HHE N Y N 648 PD N Y XURINOUT N 16 48 Y Y Y Y 2486 Deva IN Y Y DATE BNC INIGUT ENC NOUT RCA INOUT 4896k DAGEWTC
37. BIT information can now be displayed in various ways Use setup mode No 411 as follows 411 000 Reel No YY MM DD 411 001 DDIMM Y Y Reel No 411 002 MMIDD Y Y Reel No This section is said not to work and is the reason LSC will not release this EPROM here in the USA Coffey has released it Seems to be fixed in latter vers 5 New Speaker Mute Mode Record Monitor Mute Setup mode No 116 lets you mute the signal output from the monitor speaker during recording 115RMM 00 OFF The signal is not muted Default setting 115 01 ON The signal is muted Caution This mode is only available on later PD 4 machines with the SERVO PCB whose PLAIN number is 8251943301 or higher 6 Batter Blank Search on REC RUN Power Up The tape position check routine on powering up has been improved The rewind time is increased by one second so that time code can be continuously striped in the REC RUN mode As a result the time code during REC RUN wil not be reset to zero WOLF SEEBERG VIDEO here to retum Home WWW Wolfvid com Sync Sound Guide Page 31 7 Reel No Editing during 24H RUN Mode Editing Ree No during 24H RUN mode is now possible 8 New Pause Cancel Time Time code will not be output if the unit is put into STOP mode from REC PAUSE mode during REC RUN time code recording Therefore we have added two longer PAUSE CANCEL modes to be able to keep the machine in the REC PAUSE mode longer 104PcT 00 3
38. C AND AUDIO METACORDER TC SMART MAC SOFTWARE 41 FILEFORMATS AND CONVERSIONS 41 here to retum Home WWW WOlfvid cOM WOLF SEEBERG VIDEO Page 4 Syne Sound Guide TIMECODE ACCESSORIES DENECKE GR 1 AMBIENT SLATE ACD 301 MASTER SLATE 301 LOCKIT 2027 DV CAMERAS CONSUMER AND SEMI PRO SONY PD150 DV SONY PD 170 PANASONIC AG DVX 100 JVC JY HD10 HD CONVERT DV TC TO SMPTE TC DOUBLE SYSTEM SOUND WITH DV AND POST INFO NP 1 BATTERIES DIGITAL MULTITRACK RECORDERS DA 88 DA 98 DA 98HR SONY P800 GENEX RECORDER SYNC CAPABILITIES FILM SHOOTS WITH DA 88 AND ANALOG MEDIA 50 NON TIMECODE FIELD RECORDERS 50 SONY D 7 AND NOW D 8 50 MD MINI DISK MEMORY CARD RECORDER WITH TIMECODE 51 FILEBASED RECORDING CAUTIONS 51 MD MINI DISK PRO RECORDERS NO TIME CODE 51 MEMORY RECORDERS NO TIMECODE 52 EDIROL R 1 52 RECORDER NO TIMECODE 52 HOW GOOD IS 52 MDM MULTITRACK MINI DISK RECORDERS 52 LOCATION MIXERS ACCESSORIES 8 BOOM SUPPORT FOR LONG TAKES DIGITAL CABLES A D INPUT TO COMPUTERS MOTU SOUND SOFTWARE TIMECODE ACCESSORIES THE JSK 1128 TIME CODE MACHINE ATI AUDIO TOYS HTTPIWWW AUDIOTOYS COMI DISTRIBUTION AMPLIFIERS FOR TIMECODE OR AUDIO ELIMINATE GROUND LOOPS USE ISOLATION TRANSFORMER 57 HOW CHECK CAMERA SPEED 57 BALANCED TO UNBALANCED ADAPTERS 58 NEW GENERATIONS OF RADIO MICS 58 RADIO MIC OVERVIEW 58 SPECTRUM ANALYZER 58
39. Cleve Landsberg at a DGA Seminar Read it and leam hitp www zcleve com 24p sound spoech htm here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 10 Sync Sound Guide HOW TO KEEP SOUND AND PICTURE IN SYNC HOW IT S DONE IN THE U S WITH 24FR FILM Shoot fim at 24 Fr Sec Roll sound with 30 Fr Sec non drop or drop Timecode and 48K samplerate Preroll only sound for 10 sec or more Have the timecode slate show clear numbers for 2 sec to camera the stix record the clap TOD vs REC RUN How to keep TC the same for sound and camera There are two approaches 1 Ifthe sound recordist records time of day TC TOD he she should refresh the sync on the slate by jamming it every 4 hours Some recordists used to worry that the generators won t hold sync In my personal opinion the transmitted TC signal has more chances of unnoticed intermittent problems 2 Ifthe sound recordist uses RECORD RUN TC there is never a problem with tao short a pre roll as TC on DAT is continuous TC has to be transmitted usually with Comtecs to the slate Someone has to watch that the numbers on the slate are rolling and make sense The advantage is that you can use inaccurate TC generators in your Recorder Some recorders only have a relatively inaccurate TC generator Record run Time code eliminates the need to pre the 10 sec minimum for sound only Error possibility Since the time code visible on the slate does not
40. DISK EDITING EDITING SOFTWARE tricks Log Mill Software for assistant editors to log feature film synced dailies Guides telecine operator Imports into Avid Creates screening notes and codebook Uses pre striped media for telecine to keep precise sync Whole telecine is adjusted in Avid Contact Alan Bell at peridot earthlink net for details WinTEP Logs video to most edit systems fle formats on an IBM or MAC Will control timecode decks captures frames into log Imports MS word 600 00 Download a demo from hito iwww imagineproducts com 317 843 0706 AVtransfer can read generate and convert OMF files and audio files between a multitude of formats htip iwww aviransfer com AVTransfer can convert between OMF 1 OMF 2 1 WAV BWAV AIFF AIFF C Editors workstation A great informative walk through the real menus of a HD editing system is here hitp www tek comn VNDisupport Miscellaneous VIPwalk welcom him Match backs Television shows shot on film are shot at 24 fps and the 2 3 will exist for the EDL and negative conform Since 24 fps does not equal 30 fps one of the lists will always be in a malch backed state A good extract from Digital Filmmaking 2nd Edition Chapter 10 can be found at htip iwiww 24p com Other topics covered here mostly relevant to post Using the Sony HDW FS00 VTR 24 with Symphony Universal or Universal Offline Matchback Cutlists From NTSC Based Projects Avid Workflow using HDW 900 audio Creating
41. E JSK TC 1128B TIME CODE MACHINE www jskengineering com product 20pages orod01 ht m 2600 00 from Black Audio 605 653 5557 email sales blackaudio com snail mail Box 106 Ventura CA 93002 0106 http www blackaudio com Yamaha Digital console O1R O2R interface the console locks to word sync so send video sync to DA 88 with timecode board and use the word sync out to feed to console The DA 88 seems to lock its word sync out to video sync incoming Thank you Bob Burton Audio Toys http ivan audiotoys com Behringer Eurorack Pro RX1602 hitpJiivanw behringer com 02_products prodindex cim id RX 1602 amp lang eng WOLF SEEBERG VIDEO Cick here to retum Home WWW Wolfvid com Sync Sound Guide Page 57 INTELIX MC SERIES Mic Line Mixer 8x2 mixer in more hissy than you want to record professional stuff thru but great as a monitor mixer for DA 88 etc 1 rack space Phantom Power Compressor Limiter LED VU Metering Low Cut Filter Linkable Headphone Amp Jack Channel by channel A B bus selectors 2 power inputs AC wall wart or DC needs 2x 18Volt you can run it on 2x 12V and loose some headroom all 5532 electronics no transformers good online manual 800 00 3 models 8002MCB XLR 8002MCB FP amp 8002MCB PHNX hitp iww intelix com Lexicon 2400 or 2400 Distribution AMplifiers for timecode or audio Black Audio voice fax 805 653 5557 email sales blackaudio com snail mail Box 106 Ventura CA 93002 0106 Just nee
42. Excerpts for internet Sync Sound digital location recording and timecode Wolf Seeberg 2005 9 edition Page 2 Sync Sound Guide TABLE OF CONTENTS pagenumbers for this abbreviated version PRE PRODUCTION QUESTIONS HOW TO INSURE SUCCESS H ITS IN THE DETAILS 7 PRODUCERS STAY ON TOP OF IT WHY PRODUCERS SHOULD CARE ABOUT TIMECODE IT IS MONEYI 9 HOW TO KEEP SOUND AND PICTURE IN SYNC HOW IT S DONE IN THE U S WITH 24FR FILM TOD VS REC RUN FOR FILM DAILIES FOR 59 97 NTSC VIDEOTAPE DAILIES COMMON PITFALLS OPTIONS SLICK OPTIONS PRE SLATING AND REC RUN SUMMARY OF SPEEDS DENECKE TS 3 FLASH MODE EXTRA BRIGTNESS SMART FOLKS MAKE IT A MEMO CAMERA RENTAL HOUSES SEXY SMART UNDERUSED 48 048 NTSC FILMING VIDEO MONITORS FILM SHOOT TAPE DAILIES AND NTSC TAPE RELEASE FILMING COMPUTER MONITORS WITH SYNC SOUND CINEMATOGRAPHY ELECTRONICS SYNC BOXES TIMECODE ON FILM AATON ORIGIN C CABLES ARRI TIMECODE ON FILM WHY IS TC ON FILM SO UNFASHIONABLE IN THE 21 PLAYBACK MUSIC DAT MUSIC PLAYBACK TELECINE TO NTSC OFF SPEED PLAYBACKS U S FILM SHOOT AND TRANSFER TO PAL FLICKER FREE HMI S DEATH FOR SOUND ALTERNATE UNUSUAL METHODS 62 5HZ GENERATOR US FILM SHOOT RELEASE ON PAL WATCH DAILIES ON NTSC EUROPE FILM SHOOT NTSC VIDEO RELEASE SHOOT COMPUTER MONITORS AT 25 FRAME SOUND HARD DISK EDITING EDITING SOFTWARE TRIC
43. IDEO Page 12 Sound Guide cases TC if itis on DAT or inch is often transferred to the balance stripe so itis accessible to the Avid and the EDL in avid This also enables location TC to be bumed into pix when the film mad dailies are transferred to Beta for later digitizing into Avid For 59 97 NTSC videotape DAILIES Transfer picture to NTSC tape running at a standard 59 97 Fr Sec Picture is transferred using 3 2 pull down to expose 30 frames 60 fields of video in the same second that 24 fim frames were exposed originally The 3 and 2 refer to the process where one film frame is transferred to 2 video fields and the next flm frame is transferred to 3 video fields This process adds the 12 additional fields 6 frames needed to make 30 out of 24 This is how ARRI shows it schematically on their website www are comlinfodown eamttilp 1008 pdf The 4 fim frames are called ABCD the corresponding video frames A1 A2 81 82 83 etc So far so good Now you have 30 frame video from 24 frame film Now this is slowed by 0 1 to compensate for color video s real speed of 59 97 FriSec Sound follows this slow down pull down of 0 1 to 59 87 Standard color rate since the 1950 s These are 2 different concepts but they are what they are and they happen simultaneously In telecine transfer the colorist parks the picture on an easy to read timecode number The number is then punched in the telecine computer a
44. KS WORKSTATION PULL DOWN OR 24 TO 30 TO 24 TO 12 TO 30 23 MAGLESS DAILIES 23 EDITORIAL PAGE PROFIT OVER PEOPLE 23 MANUFACTURERS AND ENGINEERING HONESTY 23 WOLF SEEBERG VIDEO Click here to retum Home WWW Wolfvid com Sync Sound Guide Page 3 INACCURATE DAT TIMEBASE 23 PRECISION ACCURACY 23 TIMECODE ACCURACY OF PD 4 23 MANUFACTURERS SENSITIVITY TO CUSTOMER SATISFACTION 23 ABOUT QUALITY OF SOUND SYNC PROBLEMS GENERAL ADVICE LABOR UNIONS ADDRESS BOOK POST HOUSES THAT KNOW THEIR STUFF 24 TECHNICAL FLASHES HOW TO MAINTAIN YOUR DAT AND ERROR RATES IN DAT RECORDERS LEVELS DBU DBM DBV AND DBFS PEAK 24 1 PPM MEANS RESYNC EVERY 4 HOURS DROP FRAME 30 29 97 SYNC ERROR 1 8 FRAME OFFSET MIN 29 97 ORIGIN BASE REFERENCE FOR TC AND WORDCLOCK HAS TO BE ONE SOURCEI 24 DAMAGED DAT TAPE BACKUPS MACHINE SPECIFIC HINTS HHB PDR 1000 TC MS FOSTEX PD 2 FOSTEX PD 2 SOFT FUNCTION MENUS 25 FOSTEX PD 4 28 HOW TO RECORD 48 048 ON PD 4 28 FOSTEX PD 4 ROM VERSION 2 40 SETTINGS 33 NAGRA IV STC 56 SOUND CHECK S CONVERSION 36 SAN FRANCISCO NAGRA IV S MODIFICATION X4S 36 NAGRA D 36 HARD DISK RECORDERS 36 NAGRA V 36 DEVA 36 DEVA II CHEAT SHEET 37 FOSTEX DV40 39 FOSTEX DV824 39 SEXY 48 048 30FR WITH PD 6 39 HHB PORTADRIVE 39 CANTAR X 39 FILE FORMATS 40 BWF UDF POLY OR MONO 7 HOW TO MAKE WINDOWS READ BWF 41 RECORDING FOR T
45. NI 1 IN 4 OUT VIDEO DA 12 hr on a 9V Batt Broadcast quality Gets rid of the junk that LCD monitors paralleled to taps put on the video line A must have for all video assist folk and camera assistants So small mounts fight on the camera VIDEO ISOLATION TRANSFORMER Isolates your system from remote Monitors or cameras Separates different grounds gets rid of humbars and weird noise due to groundicops It is a safety device It isolates various AC grounds from each other No more shacks when touching cameras or monitors connected by video cabling WoLF SEEBERG ioeo 310 822 4973 here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 64 Sound Guide MINI SPY VIDEO TX FCCPARTST mme Nentor T TET cable ready Range 90 yards with small whip antenna on receiving Watchman Poner 10V 15V wih LED dear reversa voltage protected Output 400m wave bher duck antenna SMA connector supped Enclosed in metal Box wi non aorasiu rubberized cover overheat protected Input cables ith sea TV veo pp max AGC but in NTSC or PAL needs PAL receiver for colar Channel 59 Freq 434 MHz modem cable ready TV or tuner wil receive this Is just below channel 14 on t fe the dial and valable many Note might indue naise sucio and sometimes in video f mounted recy on portable consumer Output Poner 360 mW
46. PT TO FIX A DOUBIOUS THIS TAPES IS EXTREMLY SENSITIVE AND YOU WILL RUIN IT WITH HOMEGROWN ATTEMPTS 8 FRAME OFFSET MIN For disaster recovery http www specsbros com recover htmi found them on the internet BACKUPS MACHINE SPECIFIC HINTS HHB PDR 1000 TC MS BUZZ OF THE MONTH IF YOU DON T HAVE MODULATION DOPED FIELD EFFECT TRANSISTORS ARRANGED IN CASCODE PAIRS WITH SILICON NITRIDE PASSIVATED INTEGRATED CAPACITOR STRUCTURES YOU ARE NOTHING WOLF SEEBERG VIDEO Cick here to retum Home WWW Wolfvid com Sync Sound Guide Page 25 FOSTEX PD 2 Cover the clear plastic window at the top of the deck covered to keep the sun out or you wil enter a logic lock mode It will not run at 48 048 by itself It will lock to external video sync Is it still supported by Fostex in 20027 As of Jan 97 no new ones are available Repairs are done graciously by Ettie lt http www tangible technology com Manhattan Sound Technicians Inc 458 West Emerson Avenue West St Paul MN 55118 TeL651 554 030 FOSTEX PD 2 Soft Function MENUS No Function Salling Description Description OT Diseiay ROM vasi Dass he RM venen number user Ey ave te user Slings n one Te Usar Or Eessrsermanaa Recall one he Wve memes a Recall default setup Recall the default seting or al Soh f
47. SEEBERG VIDEO Page 14 Sound Guide setup of Sony 7030 transfer machine by inexperienced operators there is high turnover in telecine houses and the transfer bay seems to be an entry position Please see appendix for detailed instructions Read or FAX them to transfer house The simul DAT that the videotape editors want is one made from the transferred Le slowed or pulled down sound and usually does not match in speed or TC the location DAT tape If the rarely used 48 048 sample rate was used on location then this tape would play at correct speed in any cheap DAT player in the edit bay TC on the location DAT is of course location TC now available to video editors from EDL from telecine This Electronic Decision List has timecode and footage info in it It is delivered as a data disk with the dailies to the editor On larger projects its worth to get TC generator in camera aligned to TC gen in audio fear by the same person After years of bang around field use generators do drift Ambient solved this nicely with field adjustable generators Options here are many low budget variations to the above Most involve excessive post production time and lack you into non standard esoteric procedures that do not travel well between facilities Do not be a guinea pig Do not limit your options to one transfer specialty house Stick with the industry standard It took many years but we managed to develop our own culture
48. Ultimate cgi ProTools user group For a discussion of tc in video in language a producer could understand see http www dv com magazine 1997 0497 rose0497 pdf may be old address try http www dv com go to columns and register and read ALL of Jay Rose columns the Audio Solutions section Also have a look at htip wenw2 leilch com resources applicationNotesimecode pdf http home inforamp neti poyntoninotes video Timecode index html hip iwwnw tumeraudio contech limecode primer himi hiip iww equipmentemporium com timecode htm T highly recommend the Leitch application note Although somewhat technical it does very good job of explaining timecode and intricacies Leitch also has several other articles at http www2 leitch com custserv products nsfiwp applicationNotes that you wish to check In addition there are a number of good technical application notes at http www videotek com notes html that deal with sorts of technical definitions for video in general Anybody calling themselves a video engineer MUST know this stuff Happy reading Sound math in German you can use babelfish to translate ww sengplelaudio com Berechnungen him Tonmeister test allin German htip www sengpielaudio com index htm several URLs that contain explanations of MS stereo micing h p wenw sounddevices comtachlms stereo htm htipinomerecording about conilibrary weekly aa 128990 htm htipwenr dpamicrophones c
49. Y MM DDIXX Aalon preference FIZ JAn Jam sync setings UU Jam TC and UB 01 Jam TC only 02 Jam UB only E01 MrS Memoryreset _ 00 CAUTION WOLF SEEBERG VIDEO Click here to retum Home WWW WOlfvid com Sync Sound Guide Page 35 Internet version http ivww netcomuk co uk bin pbrowse uid jrodda and in German httplfwww imiontechnik de pdfffostex setup2 4 Tneu pdf and fip Ito2 perchman comiperchman pub downioadifostex pd4 setup pdf And very nicely colorfully formatted at the British AMPS http www amps nedownloads FostexPD4 p f Low Battery Caution Fostox issued this iso for ver 2 41 ROM improvements 1 If a partially recorded tape is loaded the PD 4 transport tries to re cue itself to provided seamless recording from the end af the old material 2 41 software improves on this process 2 When the PD 4 is operated in RECORD mode it only enters this mode when an internal Jock signal called MAIN ID is detected Fostex found that this timing was slightly too short so the transport wasn t given enough time to stabilize itself The result was an increase in the error rate at the record start point Version 2 41 retards the timing by 5 frames 150 mSec after the MAIN ID is read 3 The PD 4 will alert if the DC battery voltage exceeds a certain level The current setting is 16 Volts However IDX have released new battery model NP L46 whose initial output voltage is higher than 16 Volts In ord
50. al tie and data information always recorded mp oe 700 No END ID isrecarded whan STOP mode E engaged TT AN END DE sss STARTECH x Ur A START 10 s raced whan the Ss MC sed A START ID whan Wie si TONES TS ASIARTIU acorn site IC TONE is used EON BELLE TE ERROR MARK recorded Ras party ver START 0 START ID Over ERROR MARK TERROR MARKS nat ara SORTER suse cancel ime 00 30 sec pause mode auto cancei time TT Tra me 363 T Tm 35 sme O6 10 mis Umi 6 PLAY MODE is engaged when cation pomis are found Gr PAUSE MODE xr SE 700 Search foror ERROR MARKS UT Search for ERROR MARKS and START Vie I BOT record avner 0 OFF Ur Srsac au rend TTR ime a see aT sac PS OD onore SKIPS T F FWD i ne nag START ID WEST ERP DE detected en aap lgnere ENDO zar Stop when an END IDs WOLF SEEBERG VIDEO Click here to retum Home WWW Wolfvid com Sync Sound Guide Page 27 TET Siew FWO REW UD 2c SewF FHDEREWIS2E play speed speed 94 tix 7 MARK Way ae Lea TS MARK TSS SIRT select UT mepa a Wa aT SIRT from TE Locate othe positon tat recording was
51. alo products mio and a mobile version Firewire 2882 1500 00 http www mhlabs com metric_halo productsimio uln2 uin2DSP shtml http ivan sounddevices com products mm master him Sound Software BWF what is broadcast wave file format http iwww ebu chien technical publications userquides bwt usar quide php and really geeky stuff hitoviwww ixmL info and the person associated with this is Paul issacs pauli soundig co nz Peak wuw bias com makes basic recording and editing software SAWA realy outstanding Interet sto is asot comi this is where you can download 780K demo version of SAW with slightly limited capabilities only 60 sec record time A great piece of IBM non linear hard disk editing and mixing software for musicians primarly What a smart service to consumers Check out http www sawstudio com CoolEdit Pro have interesting simple shareware products hip www adobe comiproducis audiion main htm Cool Edit Pro will read SDI files They claim BWF work fine as long as you don t need to save them back to that format Check out free software that deals with SDII on PC hlip wwwio com megrifylaudio It converts the SDII files to wav Now owned by Adobe and called Adobe Audtion 299 for Windows May not handle Vegas by Sonicfoundry now bought by Sony is a big program and does a lot hitpvAwww sonicfoundry com now at hitp imediasoftware sonypictures com Samplitude2496 has 5
52. ansmissions it also receive PAL in BW wih NTSC transmitere A color broadcast PAL nai wi diy n c 12V Now Monitor if aVAILABLE 650 00 Batay Holder Sally Cub Sou Stop 10 Jelena Fist Panel made by WSV 175 00 Fabulous for Facto mike as we as TV reception Wolf Seeberg Video Ta USA 310 822 4973 FAX SIDBOS 2918 aso com Cek here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 66 Sound Guide Sound for 24P 200 page Bound book many flow diagrams and pix Wolf Seeberg new 8 edition Feb 2004 hands on manual writen by a Hollywood sound recordist for on sat personnel and producers The argument the book makes is for double system sound even with the new video cameras Sound on video tape is not reliable especialy with the F300 The book explains how lo record sound and timecode onto digital video tape and make a parallel higher confidence recording on DAT or DVD that holds sync in the final ON LINE edt and sweetening It details timecode proceduras for 23 97 and includes low diagrams of signal distribution afterbumers audio delays requirements for video assist internet sources latest shortcuts ta bring down post production costs and maintain highest qualiy secret menu functions and useful additions 10 manufacturers manuals Manufacturers manuals are reproduced corrected and annot
53. aps to retur deva to INT DISK PLAY method two T wale in EXT DISK PLAY and from the HOME page press SHIFT FA 2 press F3 SHOW SEG 3 use INC or DEC to tough the segments recorded timecode user bis length sample rate and number of tacks are depisyed when fished press SHIFT HOME and retum DEVA to INT DISK PLAY tup cue points for playback 1 after recording your audio frt press SHIFT F from the HOME page than press F4 next press Lasty press SHIPT HOME to ext tus sets up the DEVA for recording coe 2 ron the home page press SHIFT CUE 3 playback auc on disk and at desired cue pint press STOP 4 press MARK CUE F to select cue pot 5 name the cue number by entering it with te keypad usualy starting wit 1 and increasing by one each imo 123458789 press CUR CUE F3 to number tha 5 press STORE CUE io save cue DEVA wil display IT IS DONE 7 press PLAY to continue repeat this process unti all cue points are entered Ato playback cues 1 make sure you are n he SHIFT CUE page 2 select the desired cue point to playback with ine numeri keypad 3 press CUR CUE F3 to load cue point 4 press PLAY to begin current cua play sk wil pot stop after is finished sot is necessary to press STOP when cue 5 repeat steps for cuepaints hint this also works while in PLAY mode if you can do fast enough to instantly replay playing cue pres
54. ated Links to the web abound This book gives guidelines for producers to sort out inevitable squabbles If you work in sound with the new 24 video cameras ten this must have reference book There is more in this book than any ono person wil ever know Latest details for the Sony HDW F900 and the HDWF 500 deck Panasonic AJ HDC27V Viper and Panasonic DV cam AG DVX100 List Price only 36 00 Order it on the web hip iylacatonsound comiproaudi i SBOKO002 him or hip ivi trowaucio com catalogiiteme tem 6 him Sync Sound 280 page Bound boo many hols new 7 eon Wal S berg 2004 Anandeon manus willen by a Holywood valeran sound recor sound mixers and personnal of the DAT DVD and analog tocade for syncing fimo deo are gung everday useful A T eo ape 32 pul up nd pl own and speeds of 80 08 80 59 94 30 2937 25 2402 24 324235 44056 49 937 46 001 47392 48 48 048 50 A c the new nd legacy machines are covered HHB POR SOOUTC MS Fonex P02 POLA PO DEVA i Say 0 2 Nagra ST Nagin TC conversions Sony 700 BABE and Jon and Ambien Produds Unique and bugs etaed toca frekvens unpublished menus and warnings are fered Video and computer wih im cameras al 24 25 2957 and 30 fis Pe Cinematography Dlectoncs Barton syne box 24 on et Se we Source
55. audio Speed is available if slate is in read mode Sate only displays code Drop frame light works If you feed 23 98 ND or 24 from 24P camera to TS it will read and show correctly in auto run setting There is no 23 98 drop frame 1 sec only SYNC ERROR DISPLAY When in fixed TC mode set on rotary switch 30 29 25 24 and if you then send a different speed to slate you wil see SYNC ERR for one second then you will see rolling TC That TC is generated by the fixed internal rate generator This wil drift off by the difference of the incoming wrong speed code vs internally set TC WATCH OUT You want to be sure to send slate only matching code SCROLL BACK DISPLAY Every time you close sticks an internal memory remembers the TC number when the slate was closed For this to work the power switch has to stay ON While slate is closed press the small button inside and the last 16 memories of TC numbers are displayed If 16 memories aren t filed yet the last displayed number is 00 00 00 If the 16 memories are filed the memory goes back to the first number after 16 Silly practice clapping use of the slate will give meaningless TC number of course Be careful not to toggle Read Run switch while pushing set button If you toggle by mistake you must rejam to extemal code FLASH MODE EXTRA BRIGTNESS Is set to OFF by default If ON it sets display to next higher brightness for 1 30 seconds after closure of sticks before UB show This may
56. be afraid to talk to a pro There are many sound people who wil sometimes help out an independent filmmaker with a special rate if the timing fits in between regular paying gigs and the job is interesting Most well paying jobs are pretty boring For first timers learning to hire professionals is a major step on your road to becoming professional Sony PD150 DV Allan Barker writes Feb 2002 ipa scrvsty com elecironics prd jsp hiere BE2874Gy8747Bestid 8747Bpid B76RIp D WOLF SEEBERG VIDEO Cick here to retum Home WWW Wolfvid com Sync Sound Guide Page 49 CONCLUSION The PD150 s on board audio can be used successfully for audio recordings if you know its linitations Critical audio recording is stil best done with dedicated audio recording hardware Decent website for PD 150 hitp iwww camcorderinfo com displa phpS level a PD 150 20Users 20Group igrtogprod sel com Proressionstaetape Modelo Asp 11857128 Sonys unfinished website for PAL version hip bpgorod sel sony com bpenav app 89990 2 1 5897 1 99999 product BPC hil Sony PD 170 From Jay Rose Alan Barker finds the Sony DCR VX 2000 sound quality to be so A long detailed article wwalanbarker com Sony TVR900 info at htto www bealecomer com trva00 index him Panasonic AG DVX 100 www 24p com Read tne manual at http catalog2 panasonic com webappiwes stores servievModelDetail7displayTab O8stor eld 112018catalogld 1305 1 itemld 6
57. be useful in bright daylight or reflective situations CRYSTAL ACCURACY Reminder of FEED ME can be set to 2 8 hours At room temperature 60 80 F 8 hour reset time is fine The clock is very stable and corrected for temperature The TS 3A upgrade fall of 2003 dramatically improves the ability of the Slate to display off speed code used in spacial effects situations such as music video playback The time code read window is 5 fps to 160 fps and functions in both forward and reverse Another WOLF SEEBERG VIDEO Click here to retum Home WWW Wolfvid com Sync Sound Guide Page 19 feature of the upgrade is the ability to flag invalid code off speed when jam syncing An example of this is when the audio recorder s sampe rate is pulled up but the time code is not locked to the internal crystal reference In a case like this the recorder would generate 30 03 fps The TS 3 recognizes this error and displays Src En The TS 3A upgrade also enables the slate to be used as a 1 frame reader One frame is added to all the standard frame rates drop and non drop before displaying the time code This option is easily accessed through the TS 3 menu system and only affects the read mode TC and TC speeds often become a battlefield of egos in pre production meetings Try to ask yourself what will make the producer happy Smart Sound Mixers Call the telecine facility best the head technician from the transfer facility Sma
58. d layer of misunderstandings Watch out for the services that sound too Convenient and too cheap It is good idea to put it on paper before the shoot Caution of subcontractors In Hollywood in the last few years telecine facilitators with sound syncing services attached have sprung up They promise to alleviate the harassed producer from the tedium of arranging for telecine and dailies This is not like ordering bagels Most of these facilitators operate on the principle of finding cheapest telecine time in under used facilities that day Be warned You often get lousy service by poorly educated hustlers posing Trust the larger established houses or services run by known professionals It might cost you a few pennies more in the beginning but you are guaranteed a consistent result and you save yourself embarrassment and re do s If you need anything special at all avoid the fast talking sub contractors like the plague I know am speaking to vast void of a wasteland who can you trust Start out by calling the people in this book If services are not mentioned in this book they are not necessarily bad it just means have not heard of them And dropping names is not a reference Allin for the normal kind of work most larger places in Hollywood and even around the country are knowledgeable enough now 2002 In case of technical problems chief engineers are always better to talk to than sales or traffic people Time and money p
59. ds breakout made The Audio Brick http mww vac brick com ipw vac brick com product 20pages audioDA html RTS now owned by Telex made a excellent professional Distribution Amplifier the 416 a 1x6 half rack AC internal 15V powered individual screwdriver gain barrier strip out or XLR out Jensen Trafo isolated large headroom fully professional design by Bill Eisenstead 818 843 7953 http iywnw tolex convintercoms products nsf pages 416 WE RENT THIS Symetrix 304 headphone distribution amp is a cheap headphone distributor ground loops USE isolation transformer Jensen Transformer 7135 Havenhurst Ave Van Nuys CA 91406 owner Bill Whitlock Tel 323 876 10059 There are some easy to read very good technical white papers on the site http iwww jensen transformers con pi2xx html hitp Avww jensen transformers com an ts quide pdf http www shure com support technotes app transform Sescom http ww sescom com How to check Camera speed Shot Logger and up www productionmagic com Now 2002 discontinued but write to Loug ProductionMagic com here to retum Home WWW WOlfVid COM WOLF SEEBERG VIDEO Page 58 Sound Guide Balanced to unbalanced adapters Now Generations of Radio Mics Radio mic overview Loctrosonics http lectrosonics com wirelessiviralass him hitp iectrosonics comiwa wa2000 pdf Lectr toll free in the USA Canada and Puerto Rico at 800 821
60. e MP3http wwwiriveramerica com products HP 100 50 nttpjlwww iriveramerica com products iHP 120_asD http www riveramerica com productsifp 390Lasp ftip www iriveramerica com products fp 395tasp Creative Nuovo micro N2000 hitpsiAwnw creative com products praduct asp category 213 amp subcategory 15 10737 PDAudio Len Moskowitz moskowitf core sound com 201 801 0812 for 2005 EDIROL R 1 R 4 announced http www edirol com products nfo rt html or hipivenw ediro comiproductsiinfoirl htmilispecs CD recorder no timecode Marantz Professional CDR300 _hitp www superscope marantzpro con Superscope PSD300 htm h pwenw marantzpro com Products CDR300 himl So how good is 3 htip www imnsho com challenge htm Site for high end recording stuff http www nickspicks com reviews of ADC or A D converters Multitrack Mini Disk Recorders for every expert there s an equal but LOCATION MIXERS COOPER SOUND SYSTEMS INC 645 Main Street Suite C Morro Bay CA 93442 TEL 805 772 1007 FAX 805 772 1098 EMAIL coopersound charterinternet com httpillwww coopersound com Audio Developments AD149 Hitp www audio co uk WOLF SEEBERG VIDEO Click here to retum Home WWW WOlfvid com Sync Sound Guide Page 53 Fimtech LSP4 by Martyn Richards http www ilmtech c0 uk filmtech BONOBAX SONOSAX SAS S A Rte de Vallaire C 1024 ECUBLENS Switzerland Phone 41 21 694 74
61. e TC output in reverse order a er 00007 E recorde ag TNT TCE GROUP DATA of he EXT TC is recorded using EXT TE ex qv WE DD WR Real ima clock M DD HMM 0 Real ime clock DD HH MM SS T Four random pit Taures T 05 Real ime clock and one figure YY MM DD XX 0 Real tme clock and one figure MM DD YY XX esl ine clock and one figure DD HH YY XX 38 Jem tema BEES TELE 700 AUTO Vides vae sync us usc TST Ey He 2 0 DAT rame sync used Tor he lay ead You can find this in German at http Jwww flmtontechnik de pdfiostex setup2 12 pdf FOSTEXPD 4 Latest an EPROM as of Feb 2002 vers 2 41 available from Fostex Previous EPROM vers 24 Feb 109 and February 1996 hardware update lo are recent improvements Oct XO 996 new hardware additons are 3 pos mie atento Sat tone oscilator Remote cont conecta SEE 15000 Repair Fostex has confusing always changing policies As of 2004 they say go to West Coast Digiron Electronics 323 887 0777 Rick Canata recommends this place East Coast Trew Audio 6115 256 3542 Mid Manhattan Sound 651 554 0304 so sais hyon fostex at www fostex com machine only 1 800 736 7839 x 125 other personel Masaki Shimmachi the engineer Fostex Sales and all round guru Rick Cananta Ergonomic nightmare The often used ID marker button is
62. e in the holder Low Bat ings There is a BAL Ld warning on the display after it showed the User bits if the Battery is below 5 4 V Operation ceases at 5 1 Volts and display shows BAT GEAG The time between 5 4 and 5 1 depends on the brightness of the display and continuity of open time of slate Low indication to Dead Time with slate on open continuously High approx 2 min Med approx 5 min Low approx 10 min here to retum Home WWW WOlfVid COM WOLF SEEBERG VIDEO Page 18 Sync Sound Guide DENECKE TS 3 SLATE ERROR DISPLAYS SYNC ERROR if not in auto jam position and you feed different TC from internal TC of TS 3 it wil show SYNC ERR and the external frame rate Like SYNC ERR30 In Autolock slate will take code and lock to the 0 frame and determine extemal rate 30ND 29 97ND 30D 28 970 25ND 24ND and generate that frame rate from then on Another example Panavision 24 puts out 24TC Auto set recognizes that and it displays and counts 24 Say Panavision 24P feeds 23 98 There is problem til version 1 6 of the Rom is released and installed Slate thinks it sees 24 and generates 24 and wil drift off at constant 1 error til external TC is fed again VERY BAD AVOID THIS HARDWIRE SLATE If you hardwire or RF transmit the TC from camera or recorder you can use auto run setting on TS 3 You can start and stop incoming code You would use this setting for playback from a medium with TC and
63. eing received and someone is looking No paranoia ifthe transmitted TC is bleeding into some audio not being monitored at that moment Extra tape running is probably the cheapest item on the set Yes you can get caught short if you don t pay attention or camera rolls in secret before you have the 10 sec preroll This is additional paranoia But just roll the time whenever there is an eye on the eyepiece Which is better It seems to be a question of karmic attitude to electronic reliability or personal premonition It s a question of what kind of paranoia you enjoy the one caused by a panicked assistant yelling out loud that there is no code or the one you quietly generate in your own brain if you should have tumed on the recorder 8 seconds ago What a trade For fim dailies This is a straightforward mechanical resolving situation picture and sound are lined up manually in a synchronizer and kept mechanically parallel as usual for the last 60 or so years No pre roll necessary No timecode needed here unless hard disk editing systems are used which keep an EDL that allows easy retrieval of original sound tracks with original TC later by the sound editors Start ID numbers on DAT and their log are liked by transfer technicians who often work with machines that mute in fast forward have scan with unusable audio Also it makes finding wild tracks easier In these Cek here to retum Home WWW WOlfVid COM WOLF SEEBERG V
64. en pushing REC button 02 Auto record on detection of silence Tia Et Enver tone Alar 01 Allon Battery Tape Peak Burst Em TC off 021 On for Battery low tape remain only Tit Lea LOD contrast Q0 min OT max TET PAT Peak hodimes 00 01 fsecthus 091 9secs TIS PSM Pause switch QUT Pause only mode O1 Toggles between Pause Stop 174 Limiter operation 00 Limiter works when 1 of 3 MIGILINE switches are set to here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 34 Sound Guide UTI Limiter an for MIC and LINE Speakermuate 0 O O11 On speaker muted when recording TIT PEL PCM Emo LED Uy T Or 3 0 5 Tia ins Confidence 007 at Headphone only Monitor 01 at Headphone XLR out TIS BAL 0010 0 Vor Batt Ot 10 5 NiCad default 0 110 03 115 120 05 125 Lilon 06 130 TAL AuiDdeecing 00 2008 level O1 30d8 O2 40dB 0 55dB ZOZ A Auto iD detecting 00 300 msec duration 01 600 msec 02 900 msec 03 12sec 04 15sec Time code frame 00 Auto sf tape rate O1 follow switch 403 STC PAUSE mode tme OOT output code out 01 TC output 408 7Co TEE mode time 00 TC Tollow GEN n STOP mode code out O1 Tape remains source for TC iT uba User bis Tomai 001 XXYYMM DD XX for Reel No DD MMYY XX 02 MMDD YYXX 03 Event or Reel 04 Alpha A F or numerical 0 9 05 Y
65. er to meet the specification of this battery version 2 41 has changed the threshold voltage to 16 5 Volts My pet complaint is still the headphon he analog outputs ar BOM chip writers have no amp noisy Manual machine fully powered iny Batteries dry this forces one to Lithiums practically ry change tha impossible Vou not record while changing batts H Fostex are you listening PS they are not listening the machines are selling like hotcakes which snough that they are good enough for the market Also check notes at http www trewaudio comMfostexpd4 him Panel Lock Hint The panel lock is a useful switch on top of the machine that will lock out the PLAY STOP FAST FORWARD and REWIND buttons located on the top of the deck These too powerful buttons can be pushed by the case or other unauthorized objects or pressure sources This becomes a real problem f say the REWIND button gets pushed between takes If this happens the next time you go into record everything previously recorded on the tape will be destroyed over recorded Cek here to retum Home WWW WOlfVid COM WOLF SEEBERG VIDEO Page 36 Syne Sound Guide Nagra IV STC Latest ROM version 1 99 issued in 1993 Nagra used to make a resolver so does Andy Cooper USA 714 248 1361 The Company is headed by Andree Kudelski son of Stephan now in 2002 and their main product is cable set top boxes for pay TV http
66. ftware solution for the MAC http ivwnw deman co ukigallery StudloDAT hima DATIb a library of source code for Solaris Linux to do reading and writing of DAT fpy hp informatik uni erlangen de pub DATIb DAT Goodies a library of source code from SGI hiipiireality sgi com dscott audio apps public apps DATqoodiest 5 tar Z here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 42 Sound Guide Roo s Software an Australian based company with a MAC tool hiipiiroo emu id au Software DatAudio DAT World nitp iperso club intemet ffarzenoledat him they sell DATIDDS drives http www mashek com Majax freeware developed by Aaton for Cantar only from the Aaton website BWFWidget by Courtney Goodin is IBM software that wil allow you to play back fles and see the timestamps He brought a demo by for me to play with and it s brillant Primer on PC based recording at http wmww totalrecorder com very cool answers what is a sample what is sample rate what is sample size what is bit etc nteresting Mac site for all kinds of audio info hitp www osxaudio com TIMECODE ACCESSORIES Denecke GR 1 The GR 1 is a stand alone time code generatorireader It can be used for logging with the internal memory and printer output for finding offsets and drift between it and an external generator with its internal error display Input Sine or square wave 24 25 29 30 50 60 and as of 2002 23
67. he code being fed to the input is ahead of the jammed code Pressing the left arrow key will show you the error down to the tenth of frame SS SX Start Stop code In this mode the time code wil only run when the hold pin of the remote plug is held low Pulling this pin low will also trigger the print take output and increment the take counter GX SX Generate code locked to either a 30Hz 60Hz reference on the input plug The equal sign will appear when the GR 1 is locked Pressing the error button will show you field 60Hz or frame 30Hz lock The bar graph indicates that you are pulling your Code The code will go back to the selected frame rate if sync is lost GU SU Can be used for live action recording with playback Time code is generated in the time portion of the time code The play back code is fed into the input The time of that time code is transferred into the user bits of the new time code There is a 1 to 2 frame delay in the play back code of the new ime code GR SR Splits up the function of the GR 1 into a generator and a reader The time code output is unaffected but you can now read a different code in the display If you want to read what is coming out of the generator just loop the output into the input The equal sign will appear if the code is in sync A plus or minus displayed indicates any offset Time code and user bits can be displayed with the TC UB key When user bits are selected U is
68. i page asp7cid 6007 6133 Cheap source of cards hip iwwnw ecost com ecostishop detaiL asp DPN 35339 amp adcampaign emaiL EW MicroSolutions makes a Roadstor Check out http Iwww micro solutions com roadstorindex asp for info 815 756 3411 x200 800 890 7227 US amp CANADA 815 756 2928 FAX Roadstor independent DVD burner 350 00 h pwww micro solutions com producsidatasheets lit 101020 asp other drives htip Jw addonies com products mfrfaemfa42d asp hitp_ ivanw micro solutions com producis datasheets it 401020 asp fttp www buyaleratec com diphcocrpa31 html http www dvd recordable org Arlicle1198 mode ead orderO thresholdO phiml File formats info as of December 2004 from LSC 818 980 9891 Mike Paul this stuff changes rapidly phone consult before buying is a must 744 to Roadstor to DV4O 744 has long filenames the Roadstor shortens these in a unpredictable way This will not work for DV40 The files are 3 directories down on CD The PD 40 can t get there automatically and you have to manually select the directory this is not possible in current DV 40 As of Jan 2005 you have to get files from 744 into computer and bum a CD there FR 2 to Roadslor to DV40 This works fine automatically and the filename stays the same The FR2 has no timecode as of March 2005 Use 512 SD cards as max capacity is 640 Now you have SD per CD I wonder how roadstore handles larger SD cards 744
69. ime code feeds to the output when the display is running All the buttons are active on the GR 1 Pushing the set button wil stop the time code and allow setting of new time user bits and frame rate Pushing set wil offset the ime code You must re am the slate LK left arrow key Press the SET key again and scroll to desired mode When you press the SET key again your mode wil be selected and the SET key is disabled To reset the SET key turn the GR 1 off and then back on again ST Sets the internal clock date and date format The internal clock is used to set the time code ciock at tum on To set the date pass the end of the display and the date screen will come up When the GR 1 is turned off the back light wil blink every 4 seconds to update the internal clock An internal backup lithium battery BR2325 is used for the power off clock and memory back up The display will alert you of a dead battery The GR 1 wil still work when the BR2325 is dead However the internal power off clock wil not function If you tum off the GR 1 it will lose date and time LB will fash in the rate field when the main batteries are low The time code out will stil be good for a short time more but it is time to change batteries Cek here to retum Home WWW WOlfVid COM WOLF SEEBERG VIDEO Page 44 Sound Guide R Read mode It displays time code user bits and frame rate The input time code is re shaped and sent to the output con
70. ime php Other battery powered D to A converters htip www oade com digital recorders Digital Converters index html Review at http llwww nickspicks com http www nickspicks com Roland Edirol FA 101 Bi riwwwnckspekecom http Amww edirol com jack 7 to 14 VDC at 200 mA http www core Sound com Mic2496 html dio www midiman com Duo which is a USB 2 in 2 out SiPDIF Tascam www tascam com Tascam US 428 mixer offers both MIDI and 24 bit 44 1 audio ins and outs itp imww tascam com Products US 428 US 428 html Listed at 625 Event Electronics www eventelectronics com EZ Bus digital mixer and control surface all in one 18 analog inputs hitp uww eventelectronies com Products Digita EZbus him 600 Digidesign of AVID www digidesign com WOLF SEEBERG VIDEO here to retum Home WWW Wolfvid com Sync Sound Guide Page 55 Motu www motu com FireWire audio 828 lists for 795 no user support also have mobile unit h pwenv motu com productsimotuaudio raveler with timecode support powered by Firewire connection 8 in auts And a field experience report http www motu com newsitems copy of copy of atnewsitem 2005 02 07 7883767734 used with Digital Performar Mac software http www motu comiproducts softwareldp Presonus www presonus com Tube Solid State Preamplifiers FireWire ports expandable to 40 channels Metric Halo www mhlabs com Ihttojwww m audio comfindexphp or http www mhlabs com metric h
71. lektix com dat heads Avid amateur DAT recordists have a whole lot of basic good advice to offer hitpiiwnw solorb com dat heads very cool amateur DAT recordists site good links htipJiivenw sfo com soundbyteffags him Allan Schaff a SF mixer has some interesting links and pointers to pro info htipiwww goldenhawk com all relevant Info on recording your own music CD ROMs productionequipment comtools missingequiplasso Stolen equipment list AMEK has a good general index of audio related topics Their TC info on 24 frame is incorrect though hitp www amek com htip webnz com soundtechniques Tots of sales and current DAT links hitpJivenw demon co uWgalery iramelDX html very interesting mainly post software that does everything like DAT to file transfers etc hiipsifimsound studienet orq excellent site of articles on film sound http www filmsoundorg wonderful site with great articles on sound and sound perception and sound movies by Walter Murch and Randy Thom amongst others Must Also good books and links Go look at it WOLF SEEBERG VIDEO Click here to retum Home WWW WOlfvid com Sync Sound Guide Page 61 htip hyperphysics phy astr gsu edu hbase hframe html a site with all kinds of very useful info on sound and the rest of the physical world http SYPHAonline com SYPHAnews htm good source on NLE sound and video Newsgroups of possible interest alt music 4track http www digidesign com cgi bin bb
72. llow switch is off but it should work through RF link as well WOLF SEEBERG VIDEO Cick here to retum Home WWW Wolfvid com Sync Sound Guide Page 47 MASTER SLATE 301 LOCKIT ACL 202C is a small video and TC generator that does NTSC and 23 97 but not tri level and PAL 2 AA powers it for 24 hrs TC only for a week Lockit 2027 New in 2002 This is an absolute necessity for 24P work It generates Trilevel sync DAT can be master TC at 28 97 For more info read my 24 book advertised in rear Available the same places you bought this I s another must have very technical detailed instruction book Its the only place where you have the manual for Ambient slates with switch settings in readable format See page 29 of this book Master Clock ACC 101 puts out TC and NTSC or PAL video sync Itis meant to lock up several video cameras Sony Betas crystals are very loose and they change TC by up to 9 frames every power down or non MS DATs It allows you to tune the exact speed of several of their products or itself against external clock standards It compares two TCs A very good item to have when you are trying to check and correct sync drift between several Ambient generators The Denecke GR 1 will compare but not adjust sync drift here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 48 Syne Sound Guide DV CAMERAS CONSUMER AND SEMI PRO Golden rule Sound speed follows video If video is 29 97
73. ly This is a good general maintenance procedure as long as PCs with win Operating systems are around When there are errors in the slate code and the telecine operator syncs to the sticks it is important that the true DAT Nagra code numbers be entered into the EDL Otherwise the sound editors will have a nasty surprise when they go back to the original DATS for the mix Many other things go wrong and do Most can be fixed by a good Telecine house with flexible sound edit suites It s always extra expense if not done correctly from the start Ifyou want to use DAT you must use a DAT timecode machine for faster transfer Avoid DAT 2 track with TC on left and audio on right It just has to be transferred to DAT in post adding time and expense 2 track DAT machines in telecine can not chase TC on an audio track at high speed Sound mixer Jam the slate in the Nagra s test position because the code is shifted in the record position Below freezing or in direct sun in the desert watch for drift and jam more often than 4 hours If the slate goes to 00 FEED 30 the code is still OK that is just a 4 hour reminder to jam On a stage you can wait 6 or 8 hours to jam unless the 00 FEED 30 display bugs people Mike Denacke Late night phone calls from inexperienced transfer personnel Sync seems seconds Off Numbers on slate aren t even on the DAT The problem is often improper Cek here to retum Home WWW WOlfVid COM WOLF
74. nal mix stage include everybody s phone number 2 Slate must show camera Frisec and sound TC speeds Label and all reports cans boxes tapes with all speeds Sample Slate labels forNTSC for or24fr European film film or PAL C24 C25 5 3000 5 The Europeans have it easy everything is always at the same speed 25 of course mers are Producers Plan ahead Have everybody involved communicate it saves severe migraines big bucks later WOLF SEEBERG VIDEO Click here to retum Home WWW WOlfvid com Sync Sound Guide Page 7 It s in the details 1 Stick to the plan what a joke 2 Labels for Tape sound boxes should include Camera frame rate Sound TC speed Drop or ND Sample rate if DAT Reference level Production Title Production company name with phone number in case of loss Date DO NOT SUM or SPLIT TRACKS or SUM TRACKS or MONO Optional TC start and TC end helps post staff when lost in a mass of material Maxell 124 labels are big enough for all that on a DATI 3 Playback labels music reel box should be labeled too the on set playback operator and telecine want to know Source of Time code 48Tr DA 88 2Tr Studio Master DAW Original TC speed 29 97 typically Play at 30 Original sample rate 47 952K Play at 48K Suggested speed and or sample rate changes on PB while playing back for filming or taping The TV business is a cruel
75. nd is automatic from then on itis here where the sound playback machine 4 inch or DAT needs the 10 or so seconds to come up to perfect video speed Videotape dailies get a new TC starting with 1 00 00 at tape roll 1 An EDL is kept to track original location TC fim negative footage keycode and the new telecine TC An EDL edit decision list is database file on a computer disk that accompanies the video tape from then and is imported in the editing computer This computer keeps track of telecine TC and location TC The cut list with both these TCs is sent to the sound editor who can use this data to refer back to location audio material and replace or augment easily That is the whole idea of TC on the original recording on the set Nowadays the editors are under heavy time pressure so they want audio on a Disk that is even faster to access than DAT tapes With cheaper storage often editors load all audio into the editing computers and keep it with the cut picture on the same hardisks for even faster access WOLF SEEBERG VIDEO Click here to retum Home WWW Wolfvid com Sync Sound Guide Page 13 Common pitfalls No slates Hard to read timecode numbers on states poor focus glare too short in duration upside down overexposure Not enough pre roll sound need 10 sec for safety with TOD This is a big topic that will be explored further DAT decks need 4 10 sec of preroll to this day 2001 Nola f
76. nector Any time there is a stop start in the ime code that time wil be sent to the serial port as an OUT time or IN time All other printer functions will be enabled JC Jam continuous This will anytime there is a break in the clock of the code This is useful for re stripping time code on a dub if the frame rate needs changing An example is copying a 24 frame per second code to 30 fps The time code is jammed on the 00 frame so the hours minutes and seconds are the same Only the frame rate changes The output port will send jam at set time rate J Jam Jam once when the set button is pushed The jam is on the 00 frame so cross jamming of different rates can be accomplished The input is active after the GR 1 is jammed How to find the OFFSET between two codes Sync between external code can be compared to the already jammed code For example jam the GR 1 from a Syncbox or any other external code Next take the Syncbox out of sync tum it OFF and ON to change TC and feed it into the GR 1 The equal plus or minus sign will appear in between the time code and the mode field Press and hold the left arrow button You wil see the error in time down to the 10th of a frame on the display and the remainder in bits in the bar graph When the code drifts off but is stil within a 10th of a frame a not equal sign will show A plus or minus wil appear as soon as you drift beyond 10th of a frame A plus tells you that t
77. nerator at least a disabled one the numbers on the slate can only be the ones being recorded Instant speed no pre roll required When using REC RUN the pre roll is built into the previous take Saves paranoia Timecode is uninterrupted from the beginning of the tape to the end No worrying about resetting or re jamming timecode after a battery change or power loss in recorder or video camera Saves Paranoia No need to re jam slate every 4 hours to compensate for drift When using hour tapes 24 consecutive tapes can have unique unrepeated timecode Makes it easier for post to find takes Makes final post bookkeeping nice and neat saves them from having to read labels on tapes Post loves it When the slate numbers are rolling cameraman can assume you have speed especially useful in documentaries You rely on him or the assistant on feedback in case f problems THIS is a weak link If the slate numbers are not rolling the camera assistant clapper boy or maybe even the operator can assume you don t have speed Assuming they pay attention is giving away lot of your responsibility You might be screwing up totally and one notices You better have a good monitor Advantages of FREE RUN There is no need to be within transmitter range Eliminates huge paranoia of TX to Rx Radio Frequency link When using multiple recorders that are not connected all have the same timecode No paranoia if the TC is actually b
78. of experts in Hollywood filmmaking circles We sell em on it the first time I got the ma Then we spend a lot of other people s money to fix They can do wonders nowadays Then we declare ourselves expert at something else in post Slick Options Use some Panavision or Aaton cameras with built in timecode generators that expose TC on the film negative automatically when the camera rolls and you need no slates at Of course you need telecine facilities able to handle this Be careful of locking yourself into new technology Telecine bays with these special timecode readers are getting less rare Producers must secure their telecine deal and a backup before shooting The TC reader may be in an expensive or often unavailable bay Check with Telecine on proper pre roll for sound For quick one light telecine you do not want too much pre roll just 4 5 seconds of sound and camera pre roll yes both to speed up dailies Now telecine does nat have to stop for individual takes at all even if they have no computer playing back audio They can do dailies as fast as the film will go through the gate of the Rank If they stop they want the usual 10 seconds of Some telecine houses can transfer off speeds in sync for effect 12 and 18 Fr Sec popular Others are possible Check ahead it can get interesting here gt Ask transfer houses to make EDL s with location sound timecode numbers as well
79. on the workstation Sound is atthe right speed and right length Lip sync presta There is no TC control for cheap DATs but for lip sync clapper sync easy or wild and SFX this works great 4 Disadvantage If you want to release in 24 fr film you have to play this DAT tape on a machine that can play 48 048 for sprocketed film dailies transfer AND people down the line have to be aware of this So label everything 5 This 48 048 DAT tape has to be handled carefully as this new way of doing things and people will have to think again and again 6 Noto there are special instructions on how fo do this for the PD 4 and HHB later in the book it is counterintuitive Some TV mulli camera 24fr fim shoots at Disney and Warner Bros are using this method Check with Larry Comara at Complete Post in Hollywood 213 467 1244 or Mike Paul at LSC 818 980 9891 ext 344 or Dave Missall now at Wamer Sound dept FILMING VIDEO MONITORS Error Rate Differential 24 24 02 Minutes 1 2 3 3 8 Frame 131 261 392 523 653 784 FILM SHOOT TAPE DAILIES AND NTSC TAPE RELEASE FILMING COMPUTER MONITORS WITH SYNC SOUND NEVER UNDERESTIMATE THE POWER OF INCOMPETENCE Cinematography electronics sync boxes Remember Sound Mixer must write TC speeds and sample rate on tape WOLF SEEBERG VIDEO Click here to retum Home WWW WOlfvid com Sync Sound Guide Page 21
80. onvindex him hiipiicerma wuw stanford edulcourses 182a Ch6 pdf rec arts movies production sound known as RAMPS new in summer 1997 group which is not totally polluted by the great public yet Is a pretty interesting leaming place Has many interesting members and some idiots it has become a must view site now in mid 19981 I have learned a lot here in 2000 And i s getting better all the time now in 2001 And itis off to a great start in 2002 and there are some good manufacturers reps here in 2004 The best newsgroup for post mixers hitp igroups yahoo com groupisound design here to retum Home WWW WOlfVid COM WOLF SEEBERG VIDEO Page 62 Sound Guide INSTRUCTIONS FOR TELECINE SONY PCM 7030 48 00 include this sheet with every roll of tape I hand to Telecine SONY PCM 7030 DAT 0 1 PULL DOWN PROCEDURE This is an explanation to Telecine transfer operators transferring Film to Video tape with timecode DAT audio tape Film will go through the 0 1 SPEED PULL DOWN procedure to sync with 29 97 frames of video DAT audio will be played back in sync on a Sony DAT PCM 7030 Film was shot at 24 framelsec DAT tape recorded at 48 kHz sample rate w 30 Frisec Non Drop Frame TC Reference tone level is 18 dBFs or whatever your choice is on location recorder Add brand name of recorder here Special instructions SPLIT TRACKS or not 1 Make sure the PCM 7030 is running software v 3 3 or later but
81. p to 30 fps Notes on version 2 41 Early unedited notes ed PD 4 VERSION 2 10 SOFTWARE DESCRIPTIVE AS OF MARCH 1997 1 New Error Tones two kinds of beep sounds Two short beeps followed by a half second silence then two more short beeps and on wrong or low NP 1 battery or external voltage or the tape remaining time is less than about 5 minutes recording time b Half second beep then half second silence followed by a half second beep other error here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 30 Sync Sound Guide 2 LCD Panel Light llumination Time When the LIGHT key is pressed the light used to stay on for two seconds now it stays on for four seconds 3 Display Time Information The way of displaying time information when pressing DISP QUIT keys has been changed Now you also use the AUP and YDOWN keys DISP QUIT moves through the major modes UP DOWN moves to UB and PNO details PUSH THE DISP QUIT BUTTON WHEN YOU SEE D O EXT RUN MODE DATE DIG REPRO TC UG REFTC read read 299 REPRO TOUET REF CURT DATE TIRE AY AY REPRO TETEE FREE RUNIREC RUN 24H RUN MODE DATE Bia REPRO TC DG TSENTC UG REFTC AY AY AY REPROTCUSIT GENTCUSIT REF ICUS DATE TRE AY AY FANS REPROTCTP OEN TETP REF ICT No No No 4 New User Bit Information DISPLAY Order USER
82. quabbles If you work in fimideo sound with the new 24 video cameras ten this is a must have reference book There is more in this book than any ono person wil ever know Latest details for the Sony HDW F900 and the HDWF 500 deck Panasonic AJ HDCZIV Viper and Panasonic DV cam AG DVX100 List Price only 36 00 Order it on the web hip hvi locationsound cam proaudiliSGOKO002 him or hip ivi rewaudio comcatalogitemstem9G him VIDEO ASSIST OPERATORS MANUAL The ultimate guide to supplying perfect video assist in difficult environments Many safety concerns are addressed and sat protocol is detailed This is a 90 page book that sums up 200 wolman years of field experience never before publicly available Don t be a video geek and ignore this fabulous handbook s advice The book will nat make you a better person but it may save you embarrassment on the set and directly affect your annual income It reviews the traits of video operation that wil make you client friendly UHF VIDEO TRANSMITTER MANUAL MICROWAVE TRANSMITTER MANUAL The best instructions with the useful hints learned from many woman years use in the field for the non technical operator who cares to deliver good wireless video with minimal headaches in mobile situations such as video and fim productions technical inspection teams security applications etc to be used only where legal here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 60
83. ressure does affect all decision making Poor decisions are made by an unbalanced novice view of the situation I have to say the obvious Hollywood is full of slick talking know nothing hypes this is of course excluding the present reader who to have made it this far in this diatribe is probably well on his her way to becoming one of the few anal retentives WOLF SEEBERG VIDEO here to retum Home WWW Wolfvid com Sync Sound Guide Page 9 Hollywood s prime virtue penny wise and dollar foolish WHY PRODUCERS SHOULD CARE ABOUT TIMECODE itis MONEY Its only the producers money that wil be wasted if no one pays attention to timecode from production through post Even though is feasible to keep high quality audio from production through editing to release intact it is not likely There is always at least one stage where audio goes through an unsupervised analog transfer Someone wil inevitably screw this up So today you can count on getting mediocre or poor sound out of the Avid to the post production sound editors Post needs the production TC to get back to best quality audio quickly They need to re record re load most if not all dialog They can do this without the location TC and without slates and without lags but its very time consuming expensive It might take ten times as long without as with good location TC Note that Picture editors usually can t be bothered with location TC nor post sound You the producer
84. right next to the critical Pause button Poor manual with serious mistakes New Fostex sales info net site http Avww fostex co jpfipages productsidat cdripda ntm Fostex sales site http www fostex com faq Gatfaq html How to record 48 048 on PD 4 Pull up a playback tape the settings should be the same assuming a 48K 29 97NDF original tape And to assume that you have to talk to the person who made the tape usually its not labeled correctly John Freeman magsauth netrox net from the Newsgroup rec arts movies production sound agrees if you set your TC to 30 fps at 48 048 guess what You will be outputting 30 03 fps Try jamming a Denecke slate to that You will quickly see the TC drift between the two units So although its never mentioned WOLF SEEBERG VIDEO here to retum Home WWW WOlfvid com Sync Sound Guide Page 29 in the PD 4 manual if you want to record at 48 048 with 30 fps TC set the timecode switch to 29 97 and it will be pulled up to 30 fps PD 4 at 48 048 and 29 97 per switches records TC at 30 on tape Rick Cannata canirax earthiink net the Fostex guru on DAT issues says slightly edited e mail This is definitely confusing The required settings counterintuitive but you can confirm it with a GR 1 Recording on a PD at 48 048 at 29 97 per switches records TC at 30 and outputs TC at 30 playing back this tape on a regular DAT or an the PD 4 at 48K per switches yields pull down
85. rom Tim Bond lt bond007 concentric net gt on the Telecine Users Group lt telecine xyzoom alegria com gt was at NAB97 Instasync is O K for Aaton stuff but not practical yet for smart slate It doesn t seem as though it offers that much more of an advantage over conventional syncing unless you are doing an Aaton job with TC on fim As far as short audio TIC pre roll goes the Nagra T TLC Reader Mode 8 combination took care of that a long ago Tim Bond Tai slates are discouraged because of extra wear on negative has to go thru the gate twice to find slate at end then 2 rewind to start transfer at head and additional telecine times Another big topic Attempting to sync in the AVID If you think slates are hard to read in telecine try reading a digitized image over which you have no exposure or zoom control Reading slates on the Rank in telecine is easy by comparison We have heard of good reports of syncing to traditional slates non TC just sticks in all newer NLE systems Tail slates are also to be avoided because for reasons of time or money they may not be synced at in telecine but left for the editor to sync up Who gets blamed for the extra work the answer the party not currently present There are also the typical computer problems sometimes the Rank and the Sony 7030 just don t lack up Of course the blame is shifted The telecine operator should bbe encouraged to reboot his system occasional
86. rt Boom Operators wear good headsets Sony MDR V6 or better 7500 or the Sennheiser HD It helps to listen to the results of subtly different mic positions rather tan throwing it up where it looked good last week Here s a note from the web Boom operator job description Smart Video Assist Smart DP s Camera rental houses Smart Editors Smart Producers Smart Crafts Service People Smart Writors Know Is digital better Digital is cheaper Sexy smart underused 48 048 NTSC 1 Shoot film 24 Fr Sec for video release Record sound at 48 048K sampling rate with 30Fr TC drop or ND on DAT DA 88 or DASS here to retum Home WWW Wolfvid com WOLF SEEBERG VIDEO Page 20 Sound Guide 2 The 0 1 slow down to 48K and film slow down to 29 97 happens in telecine Note the Sony 7030 settings are different Now the audio can also be transferred digitally directly to NTSC digital videotape or workstations Advantage Sound stays in pristine digital form for final mix when golden ears can decide how to reduce the exceptional quality digital offers to the analog media we stil use in transmission and distribution 3 Advantage The cheap DAT machine next to the workstation picture editor now becomes a 0 1 automatically slowed down transfer machine as it plays the higher recorded sample rate of 48 048 at its normal 48K It can lay tracks in sync digitally into the already slowed down picture from telecine
87. s the CUE button nol SHIFT CUE to adjust the display contrast from the home page press SHIFT INC or SHIFT DEC to increase or decrease contrast respectively WOLF SEEBERG VIDEO Click here to retum Home WWW Wolfvid Com Sync Sound Guide Page 39 if there is ever a problem with the DEVA itis possible to reboot it ike a home computer do this power the DEVA OFF Prass and hold the MORE key tuming the DEVA ON and continue to old for 5 seconds after the DEVA is powered up The display wil show a quick set menu Ignore this and press SHIFT HOME This wil change DEVA s settings to the factory defaults This may affect some of your setings so through the setup and check all of your setings Call Coffey Sound 322 876 7525 with any questions and speak to Chris Silverman Fostex DV40 Ask Mike Paul at Location Sound 818 980 9891 or paul locationsound com about these detail DV 40 syncing in post FOSTEX DV824 Owners manual http www fostexdvd net fxdvd_route dacsitechsup PD8_OM pdf or htipwenw trewaudio com download PDS OM pdf Also check hittp ifwww trewaudio comfostexpde htm And a good review at hiip ivwww newsletter trewaudio com ostex pde htm Media available at http Wnw dvd nmedia com optodisc dvd ram 2 929b html use Maxell Bem DVD RAM discs lots of folk say htip ww tf uk com htmlfostex location recorders htm all Fostex products Excellent articles by Chris Munro on PD 6 and digital
88. s an the amet we flowed Tis a how t do I manual Min an planation t undering Tory H you e mide and syne eof teres is must have rekerence T You are a producer an wen to prevent wasting big Bucks in post your siatt ead Wie List Price stil 36 00 Location Sound Corporation 41860 aeos 10639 Rovere Dive N Haymo CA 91802 iocatonsound com Cottey Sound 25 b 7525 fax 323 876477 3353 Cahuenga Blvd West Hopyeood CA 90068 ConeySound eum Trew Audio Inc 800 24 8903 or 1522553542 Gotham Sound amp Communications Ine 212 29 9430 fax 212 629 498 SSO W se S Ste 808 New Yor NY 10018 gotharnsoune return to Home cic here WWW WOlfvid com WOLF SEEBERG VIDEO Click here to retum Home WWW WOlfvid com
89. slowed audio with TC at 29 97 and audio at the appropriate 48K to transfer directly to digital video decks recording digital With the switch at 30 on recording you record TC that s actually pulled up from 30 to 30 03 because of the 48 048 audio and on pulled down playback at 48 you get 30 TC With the pulled down audio you want of course the proper 29 9 TC for a direct transfer to digital video So this is the wrong setting This of course begs the question of how interested post people are in getting 48 048 It creates confusion but saves the digital standards converter that converts the pulled down normal 47 952 audio to the 48 that the digital deck wants This procedure allows a direct digital transfer to an editor or Beta tape going to an editor and you need no fancy deck that has slowdown built in To Pull up a playback tape the settings should be 48 048 and 29 97 assuming 48K 29 97NDF original tape And to assume that you have to talk to the person who made the tape usually its not labeled correctly John Freeman magsouth netrox net from the Newsgroup Tec arts movies production sound agrees if you set your TC to 30 fps at 48 048 guess what You wil Be outputting 30 03 fps Try jamming a Denecke slate to that You will quickly see the TC drift between the two units So although its never mentioned in the PD 4 manual if you want to record at 48 048 with 30 fps TC set the timecode switch to 29 97 and it wil be pulled u
90. sound is 29 97 at 48kHz Here is some very useful info on the sound setup of XL 1 Canons audio accessories site uninformative as most these consumer instructions htip Wwww canondv comhd1s a audio access html PD150 VX2000 yynamic Range the hidden problem Cannon GL 1 and GL 2 The menu settings are hard to find and comprehend first time DXA 4 DXA 6 BeachTek has a sales web site www beachtek com Tel 416 690 9457 Fax 416 690 0866 http liven beachtek com dxa6 html Sign Video hitp signvideo com makes the XLR PRO box list 199 that competes with BeachTek Studio One Productions make the XLR PRO box that are different from BeachTek The pix shows exposed switches 3956 Town Center Blvd PMB 159 Orlando FL 32837 Phone 407 812 1225 800 788 0068 Web Address http lfwww studio productions com List Price 249 00 GSTN1 hilpr hwwviglensound co uk GSTN1 htm t GLENSOUND ELECTRONICS LTD 5 amp 6 Brooks Place Maidstone Kent England 1HE Tel 44 0 1622 753662 or 44 0 1622 753020 For those who merely require getting a single mic into the stereo mini jacks Equipment Emporium Inc hitp equipmentemporum com 15235 Brand Bivd Ste 110 Mission Hills CA 91345 800 473 4554 offer two inexpensive adapter cable my recommendation for good sound for first time filmmakers is to hire a good sound person as someone else said It ain t the piano its the piano player Don t
91. ue are available to us until the problem is solved General advice In the best of Hollywood traditions many people wil lie to you when they don t know the answers to your dificult questions Who wants to look stupid Labor Unions Another Hollywood truism Assign the blame promote the tame hire the lame here to retum Home WWW WOIfVid COM WOLF SEEBERG VIDEO Page 24 Sound Guide ADDRESS BOOK Post houses that know their stuff TECHNICAL FLASHES HOW TO MAINTAIN YOUR DAT AND MDM ERROR RATES IN DAT RECORDERS LEVELS DBU DBM DBV AND DBFS PEAK Your digital re level can be anything you like as long as 1 PPM MEANS RESYNC EVERY 4 HOURS DROP FRAME 30 29 97 SYNC ERROR 29 97 origin STEREO MONO base reference for TC and wordclock has to be one source DAMAGED DAT TAPE Ifthe DAT cassette tape breaks or is damaged in any way do not fool with it Send it straightaway to Bill Drucklieb He writes If you have a crashed DAT tape can probably recover it Do you have a DAT tape that nobody can play CinemaSonics recovers crashed DAT tape We can recover crumpled tape dirty tape off speed tape and even tape run over by a car We have been able to salvage 80 100 of audio in most cases Quite often 100 TIC too www cinemasonics com 732 571 3935 908 610 9494 or BillQCinemaSonics com DO NOT TRY THIS AT DO NOT LET ORDINARY TRANFERRE FACILITIES ATTEM
92. uncione aaa siam 700 Output io OT Ro aut Pon En Tone 700 of Rec and lay mode Select Ree re ay Heat apa r Display the tne of Oram Head ROG splay TO REF maner park 32 nie uum wag vad muting auc upas OT BERD 25 nudis outputis muled when BER225 EFFE 703 ERSTE o4 BERET SH Pharos power voltage select nue 700 des mon ve EI WIE Or DE eno Ter seer 30 Link of or Iman Usgisroupurtoma 00 RESIEBUTECSSE Eroadeasirg suae use or EC958 Consumer SPOT ZI Diar epui word 700 DIGITAL IN use word syne Fam DIGITAL INPUT syne select WORD INE use word syre om WORD INPUT z TRT WII Ner recorded when ad Recording select EEN ick here to retum Home WWW WOlfvid cOM WOLF SEEBERG VIDEO Page 26 Syne Sound Guide TT Spe cae hema T Abest 2 seconde m Targa peak alt or F a hela EET S2 ae BELLE ea 700 OFF ro dni BER of CT ofthe PCR res Tz BER by CT of he SUE CODE Gras BER by CZ of he PCM area Or BER by and CZ of he PCM area and CT oT ine SUB CODE area total of 01 02 and 03 DATA PACK ena on Re
93. v 5 0A should be installed by now Set clack selector switch to video position Set REF TCF to 30 NDF Tum SYNC NRR off Sync should be wide Make sure video house sync is being sent to Video Reference Input The BNC connector next to T C Input on back panel Set the reference tone from the DAT tape to 0 VU level on the analog input to the video tape recorder VIDEO REFERENCE LED wil light up on front panel VIDEO 29 87 will solidly illuminate Press vari speed button a few times 0 1 should display WORD SYNC OUTPUT BNC connected to a frequency counter will show 47 952 kHz as recording was made at 48k Problems Check the delay phase generator accuracy the electronic servo reader that maintains the tracking between machines Try an Otari DTR 90T or a Fostex 0 30 Or call Sony Pro Service 71429 4100 Cyprus Sony FAX 714 229 4103 Fostex Digital Applications 562 921 1 112 x129 Fostex FAX 562 802 1964 SONY PCM 7030 48 048 WOLF SEEBERG VIDEO Click here to retum Home WWW Wolfvid com Sync Sound Guide Page 63 COMPUTER VIDEO ASSIST RENTAL PACKAGES SPECIAL EFFECTS Previews and matches blue screen effects AfterEffects Dynamic sizing and positioning WATERPROOF VIDEO ASSIST SYSTEM for extremely harsh environments MINIATURE VIDEO TRANSMITTERS with up to 30 miles range now also digital that go on the internet HARD DISK Playback and Editing on the set MI

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