MixWizard WZ316:2 and WZ312:2
Contents
1. 15 2 m s AUX y Ly PHONES TOR E 9 n 3 3 5 a 12 16 20 EI STL F uv Sty L R A w m MUTE 1 PRE p AX 1 15 2 gt E Aux 1 2 AUX E AUX 2 2 V AUX 3 AUX yy L 37 AUX 4 J zs 5 AUX VE 4 2 2 AUX 6 STU R 47 572 VL ui M L in ALTLR OUT E DUAL FX Er MONTOR 18 AUXG 916 vr uo AB AUG 146 Y FACTORY PRESETS SINGLE pur 1 suae U Eas R 3 HALL PLE WY 5 cHAMBER 40 10 a 10 Pn Pons 12 bv RET DE 15 c nev ELE UAL 1 STAGE 10 10 2 Room efcameora 20 20 ajoon stace 10 Room 12 sup oce 13 P 18 16 PHASER2. 193 i si To 122 1 I Li 9E gt m 8 3 7 EA L3 LI 5 mm 5 i 2 LE 1 et L3 5 0 7 gt 2 1 1 SECURE IN RACK USING 8x M6 BOLTS E USE PLASTIC CUP WASHERS TO PROTECT THE PANEL e 482 6 19 RACK Do not attempt to remove the connector pod from the console Do not obstruct Do not transport the console with its connector pod securing screws removed the ventilation slots Allow adequate space around the console for air flow 8 WZ 16 2 and 12 2 User Guide Connecting Power EXTERNAL DC IN FUSE CAUTION THER AC MAINS IN RISK OF ELECTRIC SHOCK 1 100 240V 47 63Hz 45W MAX 00 NOT OPEN AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR N WARNING TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE 2 S REFER SERVICING TO QUALIFIED SERVICE PERSONNEL RECOMMENDED ALLEN amp HEATH POWER SUPPLY WARNING THIS APPARATUS MUST BE EARTHED REFER TO USER GUIDE FOR DETAILS ENGINEERED IN ENGLAND BY ALLEN amp HEATH LIMITED Serial No CAUTION FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING ATTENTION REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES C Read and understand the Important Safety Instructions printed at the start of this guide and
3. EFFECT Lo H INSERT D MIC TIP RING MIC LINE IN The channel PAD LINE switch selects either the MIC XLR or the LINE TRS jack as the input source The XLR is normalled through the TRS jack This means that the XLR can be used for microphone or line level signals when nothing is plugged into the jack socket Both inputs are balanced but can be wired to work with unbalanced signals when required A WARNING Do not connect unbalanced sources or cables to the XLR input when 48V phantom power is selected To avoid loud clicks always turn the channel off by pressing MUTE when switching 48V on or off and when plugging or unplugging cables STEREO LINE The WZ 12 2 has six stereo inputs comprising four channel inputs ST1 3 unbalanced and ST2 4 balanced and an additional two stereo returns ST5 balanced and ST6 unbalanced The WZ 16 2 has two stereo return inputs ST1 balanced and ST2 unbalanced All inputs use TRS jacks Unbalanced inputs automatically connect the TRS ring to ground for working with balanced sources The L input is normalled through the R input to accept mono signals Note that the ST5 WZ 12 2 or ST1 WZ 16 2 stereo return input mixes with the internal effects processor return This means that an external effects device fed from a different aux mix can mix with the internal processor to save input channels Alternatively you could turn the internal unit off and use the ST5
4. O auxs STEREO 5 6 1 t auxe 4 p O sT EFFECTS des Osr A OUT E gt A B TIP N ALL UP L R LEV i MONITOR 11 L R B 2dBu IMPEDANCE BALANCED e 8 OUT POST FADE MD oo tt PRE FADE pg 0 0 Z TIP E E 11 B B E E INSERT E L FADER BAL LEFT OUT 2 11 2 4 1 LE i i ti LMIX 4dBu L R BAL RIGHT OUT EL pi 5 RMIX 4dBu Di E dec sum M M FADER BAL M OUT MONO SUM gt 2 AUX6 reat 4dBu L 4 FROM auxe WZ12 2 PHANTOM POWER AUX 16 LEFT RIGHT PFL SYS LINK CONNECTION Hb 4 BAND EQUALISER PK O 4
5. m AUX E ax 17 AUX NE AUX NE 4 4 2 clas elas lay 2 w af Ms m m m of post Lp LL Post Li post L rost post L Post n rost L nre z rost Lf jnre mL m m ne mL E PRE PRE PRE PRE PRE PRE m ee Ile PRE AX ax 17 AUX ax yt AX E Ax 17 AX NE 5 5 5 55 5 iss amp 5 2 a m m w w m AX vty ax st AX ax t AX E Ax vt AUX NE 6 6 6 6 6 E S a Ns u w s w Me w v Ms Post Post L post Post ost L post ste fean ste fean ean yte NEL AS Je 2 ye mo 2 A E A E 2 A 2 ALLA ALA ALA ALA 2 A E 2 A E 2 ao 5 US PS Pa f 75 fa a US ey oss P8 17 5 MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE Pk PFL PFL PFL _ 56 36 56 10 10 10 10 1 10 10 1 10 1 10 10 2 2 2 2 2 20 20 20 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 oo o oo 0 o o w o w 00 oo o 0 o 34 WZ 16 2 12 2 User Guide
6. 32 oo o o o WZ 16 2 and 12 2 User Guide C10 LR 108 10 571 512 70 11 12 5134514 L a Post L Post sa PRE us PRE AUX VE AUX VE 5 v 55 2 AUX Ly AUX Ly 6 2 6 gt 2 m m L post L post 17 n MUTE MUTE PKI PFL PFL 56 56 2 20 10 2 5 FACTORY PRESETS SINGLE STAGE ROOM HALL PLATE CHAMBER CATHEDRAL ARENA GATED REV KARAOKE PING PONG CHORUS SLAP REV DLY REV ECHO REV CH REV PH REV DUAL STAGE ROOM HALL PLATE CHAMBER CATHEDRAL ARENA GATED REV STAGE ROOM HALL SLAP OLY DELAY ECHO CHORUS PHASER 5 LAMP N w Ns PHONES AUX vty AUX VE 516 17 Ceo mv c mus 3 3 E 42 16 20 SEL B 8 5 Sty t 7T PFL MUTE PHONES CN AUX 5 14 r AUX T 0m m AUX V6 L AUX 2 23 f gt lt gt AUX 3 AUX vty ay Y AUX 4 TA m RS AUX 5 AUX 4 E 1 L AUX 6 4 1
7. P PRE FADE 15 LI S SWITCHED i LMIX 4dBu A POST FADE 1 E BAL RIGHT OUT bat 5 E N E FROM 58 SUM ST6 IN EXT EFFECTS IN MFADER MONO SUM M gt STEREO RETURN BALANCED OdBu AUX6 Ll R SUM MUTE 1 FROM auxe 1 Re LR n i 1 EFFECT a CTS Aux s 1 SINGLE EFFECT 1 18 11 i AUX2 EFFECT 1 H 1 SUM AUX3 1 1 AUX 6 Lo DUAL EFFECT 8 1 1 t jq 916 FOOTSWITCH o AUX4 MONO STEREO AUX SOURCE ST6 IN J_ ___ d ST TOLR LM mm WZ 16 2 and 12 2 User Guide UNBALANCED 2dBu STEREO RETURN R FX Parameters This table shows the factory default preset settings These may be edited via MIDI using the Allen amp Heath MixWizard FX Editor software running on a PC FX1 Processor FX2 Processor Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 1 Parameter 2 Parameter 3 Parameter 4 No FX Name and Default Range Name and Default Range Name and Default Range Name
8. LINE CATHEDRAL ARENA GATED REV KARAOKE PING PONG 11 CHORUS 12 SLAP REV DLY REV 14 ECHO REV 15 CH REV 16 PH REV DUAL 1 STAGE 2 ROOM 3 HALL 4 PLATE 5 CHAMBER 6 7 8 9 10 871 572 TO 11 12 573 574 CATHEDRAL ARENA GATED REV 9 STAGE 10 11 HALL SEL 12 SLAP DLY 13 DELAY ST5 Fx 14 ECHO Ley 0 15 CHORUS 16 PHASER PHONES AUX 1 AUX 2 r AUX 3 AUX 4 rm AUX 5 AUX 6 a POST am PRE am PRE ST5 rx ST6 L ALUP LR o W ALTLROUT wr DUAL PX AUXS 1 8 AUXG 9 16 AUXS 1 16 20 20 20 20 20 20 WZ 16 2 and 12 2 User Guide Introducing the MixWizard The Allen amp Heath MixWizard series of consoles includes several models This user guide describes the WZ 16 2 and WZ 12 2 stereo models The 4 group WZ 14 4 2 and stereo input WZ20S consoles are described in separate publications For further information on the MixWizard series please refer to the Allen amp Heath web site The MixWizard is a compact console designed for professional live sound
9. Leve 90 0 99 HA Pre dlyms 35 0 99 Decay 9 1 10 Damping 7 1 10 Level 20 0 99 GA Gated 13 Dly Rev D3 Delay s 0 2 0 1 2 Delay ms 70 0 99 Feedback 20 0 99 Leve 90 0 99 HA Pre dly ms 35 0 99 Decay 8 1 10 Damping 4 1 10 Level 30 0 99 ise 2 Rra Modulator 14 D3 5 0 6 0 1 2 Delayms Q 0 99 Feedback 20 0 99 Leve 50 0 99 PL Pre dlyms 40 0 99 Decay 10 1 10 Damping 2 1 10 Level 20 0 99 Co Compressor 15 Ch Rev CH Speed 30 0 99 Depth 15 0 40 Delayms 10 0 40 Level 80 0 99 Ar Pre dyms 65 0 99 Decay 2 1 10 Damping 7 1 10 Level 15 0 99 4 16 PhtRev Speed 30 0 99 Depth 90 0 99 Feedback 70 0 97 Level 90 0 99 PL Pre dly ms 30 0 99 Decay 5 1 10 Damping 9 1 10 Level 20 0 99 D3 Ping Pong D4 Karaoke Dual Mode 1 Stage St Pre dlyms 15 0 99 Decay 8 10 Damping 9 1 10 Level 99 0 99 2 Room Ro Pre dly ms 5 0 99 Decay 8 1 10 Damping 5 1 10 Level 99 0 99 3 Hal HA Pre dlyms 35 0 99 Decay 7 10 Damping 8 1 10 Level 99 0 99 4 Plate PL Pre dly ms 0 0 99 Decay 5 10 Damping 3 1 10 Level 99 0 99 5 Chamber Ch Pre dlyms 30 0 99 Decay 9 10 Damping 8 1 10 Level 99 0 99 6 Cathedral CA Pre dlyms 65 0 99 Decay 8 1 10 Damping 7 1 10 Level 99 0 99 7 Arena Ar Pre dly ms 80 0 99 Decay 5 1 10 Damping 10 1 10 Level 99 0 99 8 Gated Rev GA Pre dly ms 0 0 99 Dec
10. Default Range FX Type Name and Default Range Name and Default Range Name and Default Range Name Default Range Key to FX types units Value units Value units Value and units Value units Value units Value Single Mode 1 Stage St Predyms 45 0 99 Decay 8 1 10 Damping 9 1 10 Level 90 0 99 5 2 Pre dly ms 5 0 99 Decay 8 1 10 Damping 5 1 10 Level 90 0 99 RS Rotary speaker 3 Hall HA Pre dyms 35 0 99 Decay 7 1 10 Damping 8 1 10 Level 80 0 99 din 4 Plate PL Pre dly ms 0 0 99 Decay 5 1 10 Damping 3 1 10 Level 80 0 99 D1 Mono delay 5 Chamber Ch Pre dlyms 30 0 99 Decay 9 1 10 Damping 8 1 10 Level 70 0 99 02 Stereo delay 6 Cathedrall Prediyms 65 0 99 Decay 8 1 10 Damping 7 1 10 Level 70 0 99 5 E 7 Arena Ar Pre dly ms 80 0 99 Decay 5 1 10 Damping 10 1 10 Level 70 0 99 St Stage 8 GatedRev GA Pre dyms 0 99 Decay 7 1 10 Diffusion 8 1 10 Level 90 0 99 E 9 Karaoke D4 Delay 4 1 5 N A Repeats 10 1 10 Level 80 0 99 PL Plate 10 PingPong D3 Delay s 1 5 0 1 2 Q 0 99 Feedback 20 0 99 Leve 90 0 99 Ch Chamber 11 Chorus CH Speed 6 1 99 Depth 40 0 40 Delayms 40 0 40 Level 90 0 99 MEAM 12 Slap Rev D1 Delay s 0 1 0 1 2 Delay ms 20 0 99 Feedback 0 0 99
11. NU 3 3 1 d2 BALANCED 2 hot 1 ground BALANCED e 1 2 3 r Female XLR pl XLR male pl pug 3 cold LL 3 cold UNBALANCED UNBALANCED 1 2 3 INPUT OUTPUT UT OUTRY HEADPHONES r UNBALANCED 5 link Ring to Sleeve Serem gronn 2 Ring RIGHT Tip LEFT SYS LINK OUTPUT OPTION 8 245354 8 Sleeve ground gt 05 2 25 gt lt gt lt gt lt z d Ring cold lt lt lt lt lt lt amp BALANCED iu 2 e Tip hot z ha INSERT Sleeve ground L UNBALANCED Ring return 5 8 5 amp SS Tip send Ac lt lt Y Adapter Y Adapter 2 Outputs to 1 Input RCA phono jacks adapter 1 Output to 2 Inputs RCA PHONO CABLE gt gt c UNBALANCED P L No UNBALANCED INSTRUMENT CABLE UNBALANCED Yes BALANCED TRS JACK CABLE BALANCED Sleeve ground Sleeve ground Ring cold Ring cold Tip hot Tip hot TO 2 hot 1 ground BALANCED MIE CABLE BALANCED wu FROM INPUT Qu EE OUTPUT XLR MALE XLR FEMALE T 3 cold 3 cold TRS to XLR F CABLE 1 ground 2 hot BALANCED Y 1 2 3 Sleeve ground XLR FEMALE 3 cold Ring cold Tip hot 2 hot 1 ground Balanceo TRS to XLR M CABLE BALANCED N f _ XLR MALE Sleeve ground Ring cold Tip hot 10 W
12. MX yy ST5 5 576 AUX 55 M ut S Lawin TT SINGLE Fx TTALTLR OUT DUAL RK Er MONITOR AUKS 1 8 AUX 916 AB AUXS 1 16 v m mus 33 Cue Sheet 7216 2 and use this page to record your console settings ALLEN amp HEATH MixWizard WZ 16 2 481 48V 48V PAD LINE LINE LINE LINE a EN 7 tot aad HPF 1 cyt Y 15 P o 155 LESE Pw 18 y Mts HM bae 87 ug 5 280 s D oy 7 15 agp 8 wq 5 tke ve soo Mk WM oy 18 agg 5 a PAD LNE E PAD 15 Yo 250 E PAD 5 m u c 3 pe s s yos hs 1 Y QUA oh 6 r2 JLo r Lo u s s Ns s Ns 7 Ms m m vus AX Vly AUX E AUX E AUX E AX E 1v elas edi edi edi edi a m m Ns m m s AX E AUX AX AUX y Ly AUX ly AUX 2 los 2 25 2 los 2 m s u Ne w s v m Ms AUX E AX vty ax st AX E ax vtr AUX 35 clay 5 lav las m m Ms of
13. The centre position mono image is detented for quick resetting MUTE when pressed the channel signal is turned off This affects the feed to the LR mix pre and post fade aux sends and direct output but does not affect the insert send The red indicator lights when the channel is muted PFL Press PFL to listen to the pre fade channel signal in the headphones or AB monitor if configured without affecting the main outputs The console main LR meters are interrupted with the channel signal The red PK indicator half lights to show that PFL has been selected on that channel Selecting more than one PFL at the same time mixes those signals together in the monitor PEAK The red indicator illuminates when the channel pre fade signal is within 5dB of clipping This gives you enough warning to reduce the GAIN control before you hear signal distortion SIGNAL green signal presence indicator lights when the channel pre fade signal is greater than 12dBu FADER Controls the channel level feeding the main LR mix and post fade aux sends It also affects the direct output if this has been set to post fade using the internal option jumpers The fader provides 10dB maximum boost above its normal unity gain OdB position Important note on setting channel levels Use PFL to set the GAIN controls for correct signal level through each channel Use the faders to balance each signal in the mix These are typically operated around their 20 to O posi
14. control They adjusts from fully off to 6dB boost Unity gain OdB is marked at 3 o clock position Factory default settings should satisfy the most common applications AUX1 AUX2 Pre fade AUX3 AUX4 Switched pre post using PRE swittch AUX5 AUX6 Post fade Pre fade aux Pre INSERT pre EQ post MUTE These settings may be changed if preferred by repositioning internal jumper link options They offer many different combinations of pre and post fade sends and a post EQ option for the pre fade sends The PRE switch can be assigned to one two or more of the sends More detail is provided in OPTIONS later in this guide Pre fade aux sends are not affected by the channel fader movements These are typically used to feed stage monitors In most cases users also prefer that the monitor sends are not affected by inserted processors or the channel EQ Post fade aux sends follow the channel faders and are typically used to send a proportion of the channel signal to an effects device such as reverb or delay Pre or post fade sends may also be used for special applications such as recording zone feeds clean feeds and aux fed subs PRE When pressed the pre fade channel signal is sent to the associated auxes When released the post fade signal is sent Auxes 3 and 4 are affected by the PRE switch factory default You can change this by repositioning the internal option jumpers PAN Positions the channel signal between L and R in the stereo mix
15. era AUX SENDS 1 6 m MASTER AUX OUT GAIN i 1 MIC LINE PAD 20dB HPF AUX MIX 4 TIP n 4dBu BAL OPTION 2dBi BADANGED B IMPEDANCE BALANCED LINE FADER po AUX1 6 TO MONITOR i TIP SEND T RING RETURN POST EQ LI PRE INSERT EH Q E PFLDC 8 t PFL MIX E E 11 T MIC LINE INPUTS ii gt 5 meters E owe B 1 E 8 B MONITOR i E MONITOR SELECT m m O O PRE FADE 1 mE ee C pe EIAS d iu POST FADE EREO 1 2 ibi anan Leggen ies J 2 o l LEV HEADPHONES IMPEDANCE BALANCED i L PRE FADE A BIS S SWITCHED if STEREO 3 4 POST FADE 4 2 p 0 auxs it STEREO 5 6 t auxe 4 PK SIG O 1 e 515 EFFECTS r TE AOUT 4 BAND EQUALISER Viae ST6 1 GAN ON CH E om gt INPUT ST1 3 HE 0 E m 2 SUM 4 E m ALLUP L R L MUTE it MONITOR be HM t u a A B i oO E E 2dBu IMPEDANCE BALANCED id LM FARER E GAIN POSPEADE i4 POST FADE BOUT ON LF 5 N INPUT ST2 4 gt Md CNS it i 11 TIP L gt MONO STEREO AUX E EI DUAL STEREO INPUTS E NS LEADER BAL LEFT OUT E g Oe ons JUMPER OPTIONS
16. 30 to 16dB 2 segment 12 16 5 before clip 20Hz to 50kHz 0 5 Channel to mix out lt 0 004 Fader shutoff gt 90dB Channel mute gt 100dB Inter channel gt 90dB Mic EIN 128dB Residual output noise LR unity fader mix noise lt 95dBu 99dB S N lt 83dBu 87dB S N 12dB octave below 80Hz HF Shelving 15dB 12kHz HM Peak dip 15dB 500Hz to 15kHz Q 1 8 LM Peak dip 15dB 35Hz to 1kHz 1 8 LF Shelving 15dB 80Hz HF Shelving 15dB 12kHz HM Peak dip 15dB 2 5kHz 1 8 LM Peak dip 15dB 250Hz 1 8 LF Shelving 15dB 80Hz Internal 100 240V 50 60Hz auto sensing IEC input External Input for optional MPS12 backup supply Power consumption 35W max Mains fuse T630mA L 20mm W 507 20 x D 530 20 9 x H 194 7 7 W 483 19 x D 122 4 8 x H 444 17 5 10U W 483 19 x D 193 7 6 x 497 19 6 11 20 10kg 22165 WZ 16 2 12 2 User Guide Connections Mono channel XLR balanced pin 2 hot Sensitivity 60 to 10dBu TRS balanced tip hot Sensitivity 40 to 10dBu Pad out MIC 2k ohm Pad in MIC or LINE gt 10k ohm 20dB Max input level 30dBu XLR phantom power 48V on off Stereo channel ST1 3 TRS unbalanced gt 10k ohm 16 to 20dBu ST2 4 TRS balanced gt 10k ohm 16 to 20dBu Stereo returns ST1 5 TRS balanced gt 10k ohm 6 to 20dBu ST2 6 TRS unbalanced gt 2k ohm 2 to 20dBu Inserts Channel TRS tip send ring return
17. 92 31 EEC and the This product complies with the European Electromagnetic European Low Voltage Directives 73 23 EEC amp 93 68 This product has been tested to EN55103 Parts 1 amp 2 1996 for use in Environments E1 E2 E3 and E4 to demonstrate compliance with the protection requirements in the European EMC directive 89 336 EEC During some tests the specified performance figures of the product were affected This is considered permissible and the product has been passed as acceptable for its intended use Allen amp Heath has a strict policy of ensuring all products are tested to the latest safety and EMC standards Customers requiring more information about EMC and safety issues can contact Allen amp Heath NOTE Any changes or modifications to the console not approved by Allen amp Heath could void the compliance of the console and therefore the users authority to operate it WZ 16 2 and 12 2 User Guide AP5331 Issue Copyright 2005 Allen amp Heath Limited All rights reserved ALLEN HEATH Limited Kernick Industrial Estate Penryn Cornwall TR10 9LU UK http www allen heath com WZ 16 2 12 2 User Guide Important Safety Instructions WARNINGS Read the following before proceeding RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR Read instructions Retain these safety and operating instructions for future reference Adhere to all warnings printed
18. PRE POST FADER ST AUX STEREO MONO P 30 WZ 16 2 and 12 2 User Guide MONO CH AUX PRE POST EQ PR AUX PRE INSERT POST EQ MONO CH DIRECT OUT MONO CH AUX PRE POST FADER PR PR E po post L JH E SW SWITCH sw Po sw PR sw PR SW AUX 6 5 3 4 1 2 STEREO CH AUX PRE POST FADER PR PRE L CyB A PO POST Sateen 200 SWIPR SWIPR SWIPR SWIPR sw 5 4 3 2 1 AUX STEREO CH MONO STEREO AUXES CNS POST FADE AUXES MONO STEREO PRE FADE AUXES MONO STEREO AUX MASTER ST1 5 MONO STEREO 4 1 ST1 5 AUX SOURCE MONO STEREO LR MASTER AB SOURCE a DL gt gt AB PRE POST LR FADER POST WZ 16 2 and 12 2 User Guide Aux pre post insert EQ Factory default for the mono channel pre fade auxes is pre insert pre EQ This is popular with many users mixing monitors from FOH It prevents the channel EQ and inserted compressors affecting the monitor mix Move the jumper from A to B to change this to post insert post EQ if preferred that auxes are always post mute Direct output source Factory default is pre fader This is common for live recording to multitrack The live mix fader movements do not affect the recording Move the jumper from C to D to change to post fade Post fade is appropriate when using the output as a direct channel effects send C
19. ST EXTERNAL DC IN BACKUP SUPPLY ONLY USE RECOMMENDED ALLENA HEATH POWER SUPPLY REFER TO USER GUIDE FOR DETAILS ALLEN amp HEATH err 515 L mowo R ST6w UO 0 pee L MIDI IN um EXTERNAL ST5 SINGLE INTERNAL AUXG SYS LINK OUT option 12 11 12 ST3 o aux 6 aux 5 aux 4 aux 3 aux 2 ax 1 seno aux 1 DIRECT 0 DIRECT DIRECT DIRECT FOOTSWITCH MIDUIN sin it FX MUTE 5 our i CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN AVIS RISQUE DE CHOC ELECTRIQUE PAS OUVRIR CAUTION FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH TYPE AND RATING ATTENTION REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES WARNING TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL ENGINEERED IN ENGLAND BY ALLEN amp HEATH LIMITED Serial No wo MixWizard WZ 12 2 r STi L INSERT LINE IN u DIRECT QUT 8 EXTERNAL DC IN ONLY USE RECOMMENDED ALLENA HEATH POWER SUPPLY REFER TO USER GUIDE FOR DETAILS seat 7 2 7 DI
20. Up to 4dB boost is available above the normal OdB position Note that AUX5 and AUX6 master controls do not affect the level sent to the internal effects processor They do affect the level available at the rear panel aux output sockets LR FADER MASTERS individual 100mm faders adjust the main L R mix level They provide 10dB boost above the nominal O position For best performance the faders should be operated around the 0 position for normal loud level If you find yourself operating significantly below 0 then the amplifier or other destination equipment is too sensitive for the console 4dBu output Simply turn down the amplifier or equipment level trim If none is available then insert an attenuator pad between the console and connected equipment Operating the faders well below 0 may degrade the noise performance of the equipment M FADER MASTER recessed mode switch above the M fader selects the fader source Mono master use the M output as an L R summed mono feed then select the up position The fader can become the master level controller for a mono PA mono fill or delay speaker additional zone mono recording and so on Aux master To use the M output as the AUX6 master press the Switch using a pen or pointed object Use the post fade AUX6 channel sends to mix the required signals to the M output This provides a main console output with its own mix bus Typical applications include Dedic
21. allow adequate ventilation Heat and vibration Do not locate the console in a place subject to excessive heat or direct sunlight as this could be a fire hazard Locate the console away from any equipment which produces heat or causes excessive vibration Servicing Switch off the equipment and unplug the power cord immediately if it is exposed to moisture spilled liquid objects fallen into the openings the power cord or plug become damaged during lightening storms or if smoke odour or noise is noticed Refer servicing to qualified technical personnel only Installation Install the console in accordance with the instructions printed in this User Guide Do not connect the output of power amplifiers directly to the console Use audio connectors and plugs only for their intended purpose WZ 16 2 and 12 2 User Guide 3 Important Mains plug wiring instructions The console is supplied with a moulded mains plug fitted to the AC mains power lead Follow the instructions below if the mains plug has to be replaced The wires in the mains lead are coloured in accordance with the following code TERMINAL WIRE COLOUR European USA Canada LIVE BROWN BLACK NEUTRAL BLUE WHITE EARTH GND GREEN amp YELLOW GREEN The wire which is coloured Green and Yellow must be connected to the terminal in the plug which is marked with the letter E or with the Earth symbol This appliance must be earthed The wire which is coloured B
22. are using the AB output to feed a 2 track recording independent of the house level 31 AUX MASTER BALANCED OUTPUT OPTION n n U12 011 010 U9 e LL DG uu UL UU TE AUX6 AUXS AUX4 AUX3 AUX2 AUX1 CUT OUT 2x 0 OHM RESISTOR LINKS PLUG IN SSM2142 or DRV134 IC SLAVE CONSOLE WZ312 2 WZ316 2 SYS LINK Il OUTPUT CREER o 37WAY CABLE MASTER CONSOLE SYS LINK II INPUT S O SYS LINK II OUTPUT CEREREM JO WZ314 4 2 OR OTHER A amp H CONSOLE 32 AUX master balance option 6 aux outputs are impedance balanced as standard operating at nominal 2dBu and with 21dBu maximum drive They provide similar interference rejection to electronically balanced outputs when connected to balanced equipment inputs electronically balanced option is available if you require nominal 4dBu and higher output drive up to 26dBu over very long cable runs However it is not usually necessary to fit this option as the impedance balanced drive satisfies most applications Check that you really need the option before fitting it There are two balanced driver ICs which may be used Either is suitable These are available from Allen amp Heath or most electronic component suppliers The Allen amp Heath part number is shown below SSM2142P DRV134 A amp H Part AE0302 A amp H Part AE5725 For each aux master snip the legs of the t
23. here and on the console Follow the operating instructions printed in this User Guide Do not remove cover Operate the console with its covers correctly fitted Disconnect mains power by unplugging the power cord if the cover needs to be removed for setting internal options Refer this work to competent technical personnel only Power sources Connect the console to a mains power unit only of the type described in this User Guide and marked on the rear panel Use the power cord with sealed mains plug appropriate for your local mains supply as provided with the console If the provided plug does not fit into your outlet consult your service agent for assistance Power cord routing Route the power cord so that it is not likely to be walked on stretched or pinched by items placed upon or against it Grounding Do not defeat the grounding and polarisation means of the power cord plug Do not remove or tamper with the ground connection in the power cord A WARNING This equipment must be earthed Water and moisture To reduce the risk of fire or electric shock do not expose the console to rain or moisture or use it in damp or wet conditions Do not place containers of liquids on it which might spill into any openings Ventilation Do not obstruct the ventilation slots or position the console where the air flow required for ventilation is impeded If the console is to be operated in a rack unit or flightcase ensure that it is constructed to
24. meters read 0 The M output be Switched to provide a mono sum of the post fade L and R signals or the AUX6 output The L and R outputs typically feed the house PA system in live sound mixing or a 2 track recorder in studio mixing In mono mode the M output can provide an additional feed for a mono fill speaker or zone or be used as the main feed into a mono PA Used with a mono PA the L and R mix can provide a pair of subgroups each with routing using the channel PAN controls inserts and faders Configured to provide the AUX6 mix the M output is ideal for driving a sub bass speaker system when working with an aux fed subs PA This provides the sub feed with its own per channel mix on balanced XLR and with dedicated fader alongside the main LR faders for proper control of the house volume AB OUT A pair of impedance balanced TRS jacks can be configured to provide an additional LR mix or engineers monitor send These operate at 2dBu line level A front panel recessed mode switch determines the source to the AB output This may be set to follow the console monitor system and therefore feed an independent local stereo monitor or even engineers wedge speaker When set to follow the LR mix the factory default source is taken post LR fader internal option jumper is available to change this to pre LR fader The unique AB output feature provides the MixWizard with a host of possibilities independent 2 track recording
25. mixing It is built to the same high standards as our top of the range consoles with individual circuit cards potentiometers nutted to the panel for absolute strength steel chassis and no compromise circuit design ensuring the finest sonic performance The console can be operated free standing or in a 19 rack or flightcase It is supplied with protective side trims fitted These can be removed for rack mounting The rear connector pod can be easily rotated for rear facing or underside connectors when rack mounted Both models feature a 4 band EQ and high pass filter per mic line channel 6 aux sends with combinations of pre post switching 100mm faders a built in dual effects processor with parameter control using Allen amp Heath PC software dedicated mono output with separate fader and innovative operating mode for aux fed sub systems additional AB stereo output comprehensive metering and engineers monitoring dual redundant backup supply input and a lamp socket The WZ 16 2 provides 16 mono mic line inputs and 2 stereo return inputs a total of 20 input connections The 2212 2 provides 10 mono mic line inputs 2 full channel dual stereo inputs and 2 stereo return inputs a total of 22 input connections The base of the console can be removed to access a host of internal option jumpers These set user preference for the aux direct output and AB sources The aux outputs are impedanc
26. noise such as microphone popping stage noise and tape transport rumble EQ 4 band semi parametric EQ provides independent control of four frequency bands HF and LF are shelving filters which affect high frequencies above 12kHz and low frequencies below 80Hz respectively HM and LM are bell shaped peak dip filters which affect frequencies around a centre point which can be swept from 500Hz to 15kHz and 35Hz to 1kHz respectively These have a width Q of 1 8 All bands can be boosted or cut by up to 15dB and have a centre detent OdB position Check for the best microphone selection and placement before using the EQ Start with the EQ set flat and apply only as much boost or cut as is really needed When dealing with problem frequencies cut rather than boost where possible 15 20 50 100 200 500 1k 2k 5k 10k 20k 20 50 100 200 500 1k 2k 5k 10k 20k 20 5 25 40 N E 0 20 10 20 50 100 200 500 1k 2k 5 10k 20 50 100 200 500 1k 2k 5k 10k 20k 19 16 AUX SENDS These rotary controls adjust how much channel signal is mixed to the aux outputs Each of the 6 auxes has its own
27. the warnings printed on the rear of the console Check that your local mains supply is within the 100 240V operating voltage range allowed Check that the correct mains lead with moulded plug has been supplied with your console Make sure that the IEC mains plug is pressed fully into the panel socket before switching on Grounding The connection to ground in an audio system is important for two reasons SAFETY To protect the operator from high voltage electric shock and 2 AUDIO PERFORMANCE To minimise the effect of ground earth loops which result in audible hum and buzz and to shield the audio signals from interference For safety it is important that all equipment grounds are connected to mains ground so that exposed metal parts are prevented from carrying high voltage which can injure or even kill the operator Do not disconnect the ground connection in the mains lead lt is recommended that the system engineer check the continuity of the safety ground from all points in the system including microphone bodies turntable chassis equipment cases rack metalwork and so on Switching the console on and off It is good practice to turn power amplifiers off before switching the console and any other connected equipment on or off This prevents any unexpected clicks or thumps when the equipment is powered up A Turn amplifiers and powered speakers on last and off first To turn the console on press the ON OFF switch next to
28. 2 3 14 5 6 P PRE FADE 2 S SWITCHED A POST FADE SYS LINK CONNECTION ST1 IN EXT EFFECTS IN L M EFFECTS STEREO RETURN 1 BALANCED 0dBu FROM AUX5 6 MODE SINGLE EFFECT 1 16 19 1 gt S eFFect j 68 1 SURE DUAL I 1 4 9 16 ree FOOTSWITCH MIDI PARAMETER EDIT M S 9 9 o JP1 MONO STEREO AUX SOURCE AUX3 WZ 16 2 and 12 2 User Guide xE Gu 242E BE AUX SENDS 1 6 MASTER O AUX MIX 1 1 TIP LL l 5 6 TO FX AUX6 TO C 4dBu BAL OPTION u 1 IMPEDANCE BALANCED EE AUXI 6 TO MONITOR 11 L R EL C PFL PFL MIX EE 11 EL 5 I 2e MONITOR METERS Id ACTIVE 8 c smi c MONITOR SELECT O E r3 MO N ITOR i b O avi an bg STEREO 1 2 r O aux ar TTA LEV HEADPHONES 3 11 3 c0 11 STEREO 3 4 M PE O aux 2 o
29. AB IA A 52 i 00 10 22 AB OUTPUT This is an additional stereo output that can be configured as a separately controlled mix output or a local loudspeaker monitor send recessed mode switch above the AB level control selects the source Use a pen or pointed object to change the setting Adjust the output level from fully off to a maximum 10dB boost The normal OdB position is marked on the panel With the mode switch in its up position the LR mix is selected as the source to the AB output TRS jacks Factory default setting is post LR fader If preferred you can change this to pre LR fader by repositioning internal option jumpers so that the LR master fader movements do not affect the output In LR mode the AB output provides an additional main mix output ideal for independent fill speaker control 2 track recording or broadcast feed and so on With the mode switch pressed the console monitor system is selected as the source You can use this to feed local monitor speakers to listen to the source selected on the monitor switch bank interrupted by PFL Local speaker monitoring can be useful in theatre and stage monitoring applications Console Monitor Comprehensive engineer s headphones monitoring is provided Select the source to listen to using the monitor switch bank With no switch pressed the post fade LR mix is monitored Press M to listen to the post fade M source Pressing any switch higher up the bank overrides the p
30. ALLEN amp HEATH ixWizard WZ 16 2 and WZ 12 2 USER GUIDE Publication AP5331 Limited One Year Warranty This product is warranted to be free from defects in materials or workmanship for a period of one year from the date of purchase by the original owner To ensure a high level of performance and reliability for which this equipment has been designed and manufactured read this User Guide before operating In the event of a failure notify and return the defective unit to ALLEN amp HEATH Limited or its authorised agent as soon as possible for repair under warranty subject to the following conditions Conditions Of Warranty 1 The equipment has been installed and operated in accordance with the instructions in this User Guide The equipment has not been subject to misuse either intended or accidental neglect or alteration other than as described in the User Guide or Service Manual or approved by ALLEN amp HEATH Any necessary adjustment alteration or repair has been carried out by ALLEN amp HEATH or its authorised agent This warranty does not cover fader wear and tear The defective unit is to be returned carriage prepaid to ALLEN amp HEATH or its authorised agent with proof of purchase Units returned should be packed to avoid transit damage In certain territories the terms may vary Check with your ALLEN amp HEATH agent for any additional warranty which may apply Compatibility directives 89 336 4
31. AUX5 and AUX6 sends are always available from their connector panel TRS sockets The ST5 ST1 external input TRS sockets can be used to return the external effect to the mix WZ 16 2 12 2 User Guide The Stereo Effects Return Channel WZ 16 2 and 12 2 User Guide FACTORY AUX yhy PRESETS 1 Ze Cw f SINGLE AM STAGE fem ROOM HALL PLATE CHAMBER CATHEDRAL ARENA GATED REV E KARAOKE PING PONG AX Vd ha CHORUS 4 SLAP REV iN DLY REV SAK 6 ECHO REV CH REV 9 PH REV STAGE ew ROOM e aug CATHEDRAL e ARENA e 5 GATED REV e STAGE ROOM HALL SEL SLAP DLY DELAY ae ECHO LV YY 4 CHORUS A j PHASER NEK o 6 MUTE ST5 Fx i PRE AUX ja VX we AUX yoy POA o 4 AUX y 74 2 fi AN POA o 4 AUX 47 We P o 4 AUX 5 PR 4 AUX Yd 4 SV I PS o 4 W SINGLE FX AUXS 1 8 1 AUX6 9 16 AUX5 1 16 AUX SENDS The combined effects signal can be returned to Auxes 1 to 4 These sends are not affected by the ST1 ST5 LEV control which returns the signal to the LR mix The stereo signal is summed to feed the auxes in mono This can be changed if preferred by repositioning internal jumper options so that L feeds auxes 1 3 and R feeds auxes 2 4 Use the aux sends to add the effects to the monitors if required S
32. OdBu Output TRS tip send ring return 2dBu L R M outputs XLR balanced pin 2 hot 75 ohm 4dBu 26dBu max Aux 1 6 output TRS impedance balanced lt 75 ohm 2dBu 21dBu max Electronic balance option lt 75 ohm 4dBu 26dBu max Direct out TRS impedance balanced lt 75 ohm OdBu 21dBu max AB out TRS impedance balanced lt 75 ohm 2dBu 21dBu max Headphones TRS tip L ring R 30 to 600 ohm headphones recommended Lamp 4 pin XLR max 12V 5W lamp MixWizard 3 Series Part Numbers 2312 2 8 mic line 2 dual stereo LR console W31202 v WZ 16 2 16 mic line LR console W31602 v WZ 14 4 2 10 mic line 2 dual stereo 4 group console W31442 v 2312 2 and WZ 16 2 Sys Link II output option kit W312 16 SLV2 WZ4 4 2 Sys Link II input output option kit W31442 SLV2 55 2142 balanced output driver option IC AE0302 DRV134 balanced output driver option IC alternative to above AE5725 Allen amp Heath MPS12 backup power supply option MPS12 v Allen amp Heath 18 gooseneck LED lamp LEDLAMP WZ 16 2 and 12 2 User Guide 25 26 PHANTOM POWER BALANCED LINE INSERT OdBu MIC L 4 BAND EQUALISER 48V n GAIN LINE PAD 2 20dB HPF TIP SEND RING RETURN NE INPUTS DIRECT OUT HE OdBu RING IMPEDANCE BALANCED PRE FADE POST FADE PRE 5 JUMPER Fd nile LAAK P is Pi 5 Afis Apts AUX 1
33. R mix ST2 ST4 Balanced TRS inputs The GAIN control adjusts from fully off to 16dB gain Press the ST2 574 switch to turn the input on These inputs always feed the stereo channels EQ 4 band fixed frequency EQ provides independent control of four frequency bands HF and LF are shelving filters which affect high frequencies above 12kHz and low frequencies below 80Hz respectively HM and LM are bell shaped peak dip filters which affect frequencies centred around 2 5kHz and 250Hz respectively These have a width Q of 1 8 All bands can be boosted or cut by up to 15dB and have a centre detented 048 position AUX SENDS These work as described for the mono channel The L and R sides of the stereo signal sum together to feed each aux in mono This can be changed using an internal jumper option so that L feeds auxes 1 3 and R feeds auxes 2 4 BAL Balances the level of the L signal against the R signal to compensate for differences in the source signal or to position the signal within the stereo image The centre equal level position is detented for quick resetting MUTE When pressed the channel signal is turned off This affects the feed to the LR mix and pre and post fade aux sends The red indicator lights when the channel is muted PFL Press PFL to listen to the summed L R pre fade channel signal in the headphones or AB monitor if configured without affecting the main outputs The console main LR meters are interrupted with the
34. RECT QUT 4 7 insert 6 insert 5 insert 4 UNEN LINEN LINE IN mic N DIRECT DIRECT DIRECT QUT QUT our 6 5 DIRECT FO FO FO FO FO une our e FUSE TE30mA L 250V 20mm e INSERT 2 wsert 1 O O LINE IN LINE IN DIRECT DIRECT QUT QUT 2 1 57 MAINS IN 100 240 47 829 45W MAX OFF 201 WARNING THIS APPARATUS MUST BE EARTHED 1 UNEN LINE IN OQ Jung INSERT 3 INSERT 2 LINE IN DIRECT DIRECT S LINE IN OUT INSERT Eo CES CIL RISK OF ELECTRIC SHOCK DO NOT OPEN AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH TYPE AND RATING ATTENTION REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES FUSE TE30mA L 250V 20mm AG NARE M 100 240V 47 63Hz 45W OFF ON 7 WARNING TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL ENGINEERED IN ENGLAND BY ALLEN amp HEATH LIMITED No es WARNING THIS APPARATUS MUST BE EARTHED WZ 16 2 and 12 2 User Guide The Console Connectors EXTERNAL 515 AUXS INTERNAL AUX6 IN RING IN EFFECT 1 16 SEND on RETURN
35. ST1 input with an external unit only if preferred INSERT A single 3 pole TRS jack carries the unbalanced insert signal Tip send Ring return Sleeve common ground The channel insert is post HPF pre EQ and operates at OdBu The LR mix insert is pre fader and operates at 2dBu These should work fine with line level signal processing equipment such as compressors outboard EQ delay units and so on An example of a suitable cable is shown here PROCESSOR RETURN OUT INSERT SEND LINK RING TO SLEEVE TO UNBALANCE DIRECT OUTPUT The mic line channel direct output is available on an impedance balanced TRS jack lt is a line level signal operating at OdBu The source is set using an internal option jumper for each channel The factory default setting is pre fade following the pre post EQ setting This may be changed to post fade if preferred The direct outputs provide a useful source for multitrack recording Many users prefer pre fade sends for this application so that the live show fader movements do not affect the recording which can be mixed later Another application is channel effects sends For example a reverb unit may be dedicated to work with the lead vocalist channel only Using a post fade direct output instead of an aux send frees up that aux mix for other purposes WZ 16 2 and 12 2 User Guide 13 14 R OUT The main console mix outputs are on balanced XLR These produce 4dBu when the
36. WZ 16 2 and 12 2 User Guide The MONO Input Channel TEA 78 15 yet 5 500Hz 5k WZ 16 2 and 12 2 User Guide 48V Switches 48VDC to the channel input XLR for powering microphones or DI boxes that need phantom power The power is current limited through 6k8 ohm resistors to pins 2 and 3 A WARNING Do not connect unbalanced sources or cables to inputs with phantom power selected To avoid loud clicks always mute the channel before switching 48V on or off and when plugging or unplugging microphones PAD LINE Press this switch to select the channel TRS jack LINE input Release the switch to select the XLR MIC input The XLR normals through the TRS socket With nothing plugged into the line input the switch therefore becomes a PAD for the mic XLR It attenuates the input signal by 20dB for connection to high level microphone or line sources GAIN Adjusts the input sensitivity to match the connected source to the internal OdBu operating level of the channel Provides a variable 50dB range from 10 to 60dB gain mic or 10 to 40dB line pad selected The gain should be set using PFL so that the console meters average 0 with loudest moments lighting 6 Reduce gain if the red peak indicator lights HPF Switches in the channel high pass filter This attenuates frequencies below 80Hz by 12dB per octave The filter is pre insert pre EQ Select the HPF to reduce low frequency
37. Z 16 2 and 12 2 User Guide Audio Connections The MixWizard uses professional grade 3 pin XLR and 1 4 TRS 3 pole jack sockets To ensure best performance we recommend that you use high quality audio cables and connectors and take time to check for reliable and accurate cable assembly It is well known that most audio system problems are due to faulty or sub standard interconnecting leads The following mating plugs may be used to connect audio signals to the console XLR female plug TS jack plug 5 Sleeve C o occ T 3 L RCA phono jacks yi XLR male plu TRS jack plug J plug I 1 Sleeve 3 a D n 2 Ring Avoid reversing and on balanced connections as this will result in reversed polarity out of phase signals which may cause signal cancellation effects Lb Where long cables runs are required balanced interconnections should be used However line level interconnections between more affordable 2 wire signal ground unbalanced equipment and the console are unlikely to cause problems if the cables are kept shorter than 10 meters or so Refer to the wiring diagrams on the opposite page Dealing with Ground Loops Buzz and Interference For optimum performance all audio signals should be referenced to a solid noise free ground earth point frequently referred to as the star point or clean earth A ground loop is created when potential differences exist between gr
38. ated MONO mix The output feeds a centre mono fill speaker system for example above the proscenium arch or along the front of the stage in a theatre You may wish to feed just a few of the sources to these speakers for example just the radio mic channels for front row clarity Using the aux send allows you to create the required mix balance and have proper master fader control Aux fed subs This increasingly popular application drives the sub bass speakers with their own mix It lets you send only those sources with wanted low frequency information to the sub speakers It can dramatically clean up the mix as non bass channels such as vocals and guitars are kept out of the subs and therefore do not allow low frequency pickup to muddy the mix It is typical to include only sources such as kick drum bass guitar keyboards and sound effects to these speakers The unique MixWizard aux mode feature puts the master control of the sub mix on to a fader next to the main LR faders This means that the house volume can be controlled without upsetting the balance between LR and sub speakers The feed to the sub speaker system is on balanced XLR and it can be monitored by selecting the M switch in the headphones monitor section 21 52 PHONES m m Em m ES zz um 16 L L AUX 4 AUX 5 o AUX 6 ST5 Fx ST6 L ALLUP LR TRE ALT LR OUT B MONITOR
39. ay 7 10 Diffusion 8 1 10 Level 99 0 99 9 Stage St Pre dly ms 15 0 99 Decay 8 1 10 Damping 9 1 10 Level 99 0 99 10 Room Ro Pre dly ms 5 0 99 Decay 8 1 10 Damping 5 1 10 Level 99 0 99 11 Hal HA Pre dly ms 35 0 99 Decay 7 1 10 Damping 8 1 10 Level 99 0 99 12 Slap Delay D1 Delay s 0 1 0 1 Delay ms 20 0 99 Feedback 0 99 Leve 99 0 99 13 Delay D3 Delay s 0 2 0 1 Delayms 70 0 99 Feedback 20 0 99 Leve 99 0 99 14 Echo D4 Delay time 4 1 5 N A x Repeats 10 1 10 Level 99 0 99 15 Chorus CH Speed 30 1 99 Depth 15 0 40 Delayms 10 0 40 Level 99 0 99 16 Phaser PH Speed 30 1 99 Depth 90 0 99 Feedback 70 0 97 Level 99 0 99 28 WZ316 2 and 12 2 User Guide FX Types Available This table shows the effects types available You may change the factory defaults to other types shown here using the FX Editor software Note that effects type W can only be used in single mode Effects type H can be used in both single and dual mode FX Description HorW ID 1 2 3 4 Type type Code Name Range Name Range Name Range Name Range CH Chorus H 12 Speed 1 99 Depth 0 40 Delay 0 40ms Level 0 99 FL Flanger H 14 Speed 1 99 Depth 0 40 Feedback 0 97 Level 0 99 PH Phaser H 16 Sp
40. channel signal The red PK indicator half lights to show that PFL has been selected on that channel PEAK The red indicator illuminates when the channel pre fade signal is within 5dB of clipping This gives you enough warning to reduce the GAIN control before you hear signal distortion SIGNAL green signal presence indicator lights when the channel pre fade signal is greater than 12dBu 17 The STEREO Effects Processor 18 The MixWizard WZ 16 2 WZ 12 2 features a built in stereo digital effects processor This can be configured to work as a single effects engine fed from AUXS or in dual mode as two effects engines independently fed from AUX5 and AUX6 The processed signal is routed back to the mix through the ST1 ST5 stereo return channel In dual mode the two stereo effects mix together into the return channel The ST1 ST5 TRS jack inputs mix with the internal effects processor through the return channel This allows you to have the internal and external effects devices returning their processed signals through one return channel In dual mode this gives you three stereo signals mixing into one SINGLE FX mode With the recessed mode switch in its up position AUX5 is used to send the channel post fade signals to the internal effects processor One bank of 16 effects presets is available PRESET 1 8 PRESET 9 16 EFFECT NAME EFFECT 1 Stage 9 Karaoke Stereo voca
41. e balanced but may be electronically balanced if required by fitting an optional part A kit is also available to fit the optional Sys Link Il output card which allows the console to be linked to other Allen amp Heath consoles Shs 6 9699 209 05 153 9955 66686 Software for editing the effects parameters using a PC computer can be downloaded free from the Allen amp Heath web site Other accessories available include the Allen amp Heath MPS12 backup power supply and LEDlamp gooseneck lamp with built in dimmer WZ 16 2 and 12 2 User Guide 7 Installing the Console Free Standing The console is supplied ready for free standing operation with its side trims fitted and connector pod positioned for rear access If you are converting from rack to free standing then make sure the pod is correctly rotated and secured and the side trims fitted as shown below FIT SIDE TRIMS 4x M4 POZI SCREWS PER SIDE CONSOLE WIDTH 507mm 194 RELEASE M4 POZI SCREW EACH SIDE ROTATE POD AND REFIT SECURING SCREWS Wa 514 530 19 Rack Mount For rack mounting remove the two side trims and rotate the pod into the connector position preferred Allow enough space for the cables and connectors behind the console
42. eaching the main speakers and monitors Using PFL adjust the GAIN control for an average 0 reading on the console meters These automatically switch to show the channel pre fade signal when PFL is pressed Listen to the signal using headphones or local AB monitor Once the channel gain is correctly set you can raise the levels to bring the channel into the mix Note that you may need to adjust the gain if you make significant changes to the EQ Make sure that any equipment inserted into the channel is set to operate around OdBu line level First set the gain with inserted signal processors such as compressors switched to bypass Matching the Console to Destination Equipment console produces a standard XLR output level of 4dBu for a meter reading of 0 It can produce a maximum of 26dBu which is more than is usually required and therefore gives you plenty of headroom If you are connecting to a sensitive power amplifier it is advisable to turn down its input trim control if the normal console level is too high Simply turning down the console output faders degrades the output stage noise performance and reduces the resolution of the fader movement The output faders are best operated around 10 to 0 for loudest average volume required This allows additional headroom if you need it Terminology The normal operating level is the optimum signal level for best console performance indicated by 0 meter readings and resultin
43. eed 1 99 Depth 0 40 Feedback 0 97 Level 0 99 Tr Tremelo H 18 Speed 1 99 Depth 0 40 N A Level 0 99 Pn Panner H 20 Speed 1 99 Depth 0 40 N A Level 0 99 RS Rotary Spkr 24 1 99 6 variants X over freq Level 0 99 PS Pitch Shift H 34 Shift 12 to 24 Tracking 1 3 N A Level 0 99 Dn Detuner H 36 Detune 12 to 12 N A Level 0 99 St Stage 84 0 99ms Decay 1 10 Damping 1 10 Level 0 99 St Stage H 66 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 Ro Room 86 0 99ms Decay 1 10 Damping 1 10 Level 0 99 Ro Room H 68 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 HA Hall 88 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 HA Hall H 70 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 PL Plate 90 0 99ms Decay 1 10 Damping 1 10 Level 0 99 PL Plate H 72 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 Ch Chamber 92 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 Ch Chamber H 74 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 CA Cathedral 94 0 99ms Decay 1 10 Damping 1 10 Level 0 99 CA Cathedral H 76 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 Ar Arena 96 0 99ms Decay 1 10 Damping 1 10 Level 0 99 Ar Arena H 78 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 GA Gated H 62 Predelay 0 99ms Decay 1 10 Diffusion 1 10 Level 0 99 GA Gated 80 0 99ms Decay 1 10 Diffusion 1 10 Lev
44. el 0 99 RE Reverse H 64 Predelay 0 99ms Decay 1 10 Diffusion 1 10 Level 0 99 RE Reverse 82 Predelay 0 99ms Decay 1 10 Diffusion 1 10 Level 0 99 Rg Ring Modulator H 22 Frequency 1 99 N A Level 0 99 Co Compressor H 8 Threshold 60 0 Ratio 1 19 inf Attack 1 10 Gain 19 to 20 D1 Mono Delay 1 tap H 46 Delay coarse 0 1 Delay fine 0 99ms Feedback 0 99 Level 0 99 D2 Stereo Delay 1 tap H 48 Delay course 0 0 7 Delay fine 0 99ms Feedback 0 99 Level 0 99 D1 Mono Delay 2 taps H 50 Delay course 0 1 Delay fine 0 99ms Feedback 0 99 Level 0 99 D1 Mono Delay 1 tap 52 Delay course 0 2 Delay fine 0 99ms Feedback 0 99 Level 0 99 D2 Stereo Delay 1 tap 54 Delay course 0 1 Delay fine 0 99ms Feedback 0 99 Level 0 99 D2 Mono Delay 2 taps 56 Delay course 0 2 Delay fine 0 99ms Feedback 0 99 Level 0 99 D1 Karaoke H 58 Delay time 1 5 N A Repeats 1 10 Level 0 99 WZ 16 2 and 12 2 User Guide 29 User Options i PER SIDE The MixWizard has a versatile architecture which should satisfy most applications you may encounter without modification However the following internal options provide alternative settings for those applications that may demand them Access is required to the internal assemblies For user convenience pluggable jumper links are used in most places 7 REMOVE MFP ROTATE POD IE Gm AGAR AGER ERG Zee IEEE dr ls Remove the base Start b ing the sid art by removing the s
45. electing the effects preset Press SEL to scroll down through the available effects The green indicator lights to show which effect is active Press BANK to change between preset 1 8 and preset 9 16 The red indicator lights to show presets 9 16 are selected In dual mode BANK toggles between the AUX5 and AUX6 effects processor selections The default preset names are printed on the front panel for reference Turning off the internal effects Once you have scrolled through all 16 effects the green indicator turns off showing that the internal processor is turned off Select this mode if you want to work with external effects only 571 ST5 LEV Returns the combined stereo effects to the main LR mix Adjust from fully off to 6dB maximum boost Normal 3 O clock OdB operating position is marked on the panel MUTE Press this switch to mute the stereo return channel This turns off the feed to the LR mix and the auxes The channel may also be muted using a footswitch plugged into the rear of the console The red indicator lights when the channel is muted by the MUTE switch and or the footswitch Note that the MUTE switch is latching This means the channel shall remain muted as long as the switch is in its pressed position regardless of the footswitch MODE Recessed switch to prevent accidental operation Situated below the AUX6 master level control Use a pen or sharp object to change the setting In the normal up position the processor is confi
46. feed broadcast feed zone and delay fill feeds local monitor engineers wedge monitor and more AUX OUT 1 6 Each aux send is available on an impedance balanced TRS jack operating at 2dBu line level An internal option is available to fit a balanced line driver IC to provide an electronically balanced output operating at 4dBu Note that it is not usual to require this option as the impedance balanced standard drive provides significant interference rejection when feeding balanced equipment inputs The aux sends are typically used to feed stage monitors effects devices such as reverb and delay and for special mix requirements MIDI IN A standard 5 pin DIN MIDI input socket is provided This is used with external MIDI equipment or a MIDI equipped PC to control the built in effects processor mute presets and parameters Free software can be downloaded from the Allen amp Heath web site for PC editing of the parameters via MIDI FOOTSWITCH Mutes and unmutes 575 ST1 effects return channel ideal for bypassing the effects between songs Note that this affects the internal processor and also any external effects device that may be plugged in to these return inputs Use a momentary or latching footswitch as required Shorting a TS or TRS jack tip to sleeve turns the mute on SYS LINK OPTION A blank plate is fitted here as standard The Sys Link Il option kit is available from Allen amp Heath Refer to OPTIONS later in this guide
47. g in the 4dBu XLR output level The channels operate at OdBu and the mix stages at 2dBu for extended headroom Headroom is the extra level available above normal to allow for loud peaks before the signal becomes clipped resulting in audible distortion The signal to noise ratio SNR is the difference measured in dB between normal level and residual noise floor hiss produced by the console electronics The dynamic range is the sum of headroom and SNR representing the maximum signal range possible from quietest to loudest Final word little care with setting gain structure throughout the signal chain will give you the best performance and most manageable control of the mix CUPPING HEADROOM SIGNAL OPERATING RANGE DYNAMIC RANGE SIGNAL TO NOISE RATIO emeritis NOISE WZ 16 2 and 12 2 User Guide 23 Specifications 24 Performance Maximum output level Internal headroom Meters Sensitivity Master meters Channel meters Frequency response THD n at 10dBu 1kHz Crosstalk at 1kHz Noise rms 22Hz to 22kHz Channel HPF Mono EQ Stereo EQ Power supply Mechanical Free standing dimensions Rack mounted Underside connectors Rack mounted Rear connectors Weight XLR 26dBu into 600 ohms max load Jack 21dBu into 2k ohm max load Channels 21dB Mix 23dB 3 colour LED quasi peak response OVU 4dBu at XLR output 12 segment
48. gured as a SINGLE effects unit driven by AUX5 In the pressed position the processor is configured as a DUAL effects unit driven by AUX5 AUX6 L M i EXTERNAL ST5 SINGLE 1 16 AUXS Ea INTERNAL AUX6 Resetting the effects presets restore the factory default presets hold down the SEL key while powering up the console Make sure you do this while the amplifiers are turned off The 8 green indicators flash in sequence followed by the BANK indicator flashing on then off to confirm the reset 19 MIDI 20 A rear panel MIDI IN socket is provided This lets you control the internal effects via MIDI For example you could use a MIDI sequencer or controller to remotely change the preset type or to mute the effect MIDI is also used for editing the effects preset parameters using Allen amp Heath software running on a PC MIDI channel number The factory default is MIDI channel 1 To change to a different channel hold down the BANK key while powering up the console Make sure you do this while the amplifiers are turned off While still holding the BANK key use the SEL key to step through channels 1 16 After cycling through MIDI channels 1 16 the processor will then turn all the indicators on then all off Release both the BANK and SEL keys when the required MIDI channel number is reached The BANK indicator will flash twice to confirm the selection has been made Using MIDI t
49. hannel Aux pre post settings Factory default is Aux 1 2 pre fade Aux 3 4 switched Aux 5 6 7 post fade You can change these settings for different combinations of pre post or switched auxes by repositioning the links Refer to the system block diagram to explore the possibilities Make sure you set all mono and stereo channels the same Before you make your choice consider whether you want to use AUX5 or 5 6 for the internal effects should be post and or AUX6 to feed aux fed subs also post We recommend you only change these settings if absolutely necessary Stereo Mono aux source The stereo channels can feed the auxes with a mono sum of L R or be configured so that L feeds the odd numbered auxes and R the even This is preferred when using odd even auxes as stereo pairs Factory default is the mono setting Note that you should also set the ST1 ST5 stereo mono jumper to the same position Effects return stereo mono aux source The return channel ST1 5 feeds Auxes 1 4 with a mono sum of the stereo signal If you are working with stereo auxes you can reconfigure this for stereo with L feeding Auxes 1 3 and R feeding Auxes 2 4 The jumper is found behind the AUX2 send control AB source pre or post LR faders The factory default is that the post fade LR mix feeds the AB output If you prefer the master LR faders not to affect the AB output then reposition the two option jumpers in the PRE position This may be desired if you
50. he parameters Once you are happy with the results you can overwrite the selected console presets with your edited effects You can also archive your settings as a file stored on the PC Wizard FX Editor Mode Rec Aub FZ Como Re Store Wis Dever Noise Gate Equalizer TYPES Stage Reverb Room Reverb Hall Reverb Plate Reverb Chamber Reverb Cathedral Reverb Arena Reverb Gated Reverb Mono Delay 1 tap Stereo Delay 1 tap Mono Delay 2 tap Stereo Delay 2 tap Chorus Flanger Phaser Tremelo Panner Rotary Speaker Pitch Shift Detuner Karaoke WZ 16 2 and 12 2 User Guide PARAMETERS Pre Delay Decay Damping Diffusion Delay Course Delay Fine Repeats Feedback Speed Depth Level EQUALISER Lo cut boost Mid Frequency Mid cut boost Hi cut boost NOISE GATE Threshold Release The Master Section AUX 1 AUX L AUX 2 2 Os AUX 3 v4 S L AUX 4 9 AUX 5 L AUX 6 5 SY ST5 Na ST6 M ALAA PA L_ ALUP LR NE SINGLE FX HE ALTLR OUT 8 Z voo AUXS 1 8 J AUX6 9 16 yga AB AUXS 1 16 7 V N 4 PN 10 i WZ 16 2 and 12 2 User Guide AUX MASTERS Each aux mix has a master level control that adjusts the output level to match external equipment or to trim the monitor effect or other send without affecting the mix balance
51. heet WZ32 2 Copy and use this page to record your console settings ALLEN amp HEATH MixWizard WZ 12 2 E E E E 481 E PAD PAD PAD PAD PAD PAD tj Ng une une p Im 9 Im KAR CR cain cant 4 ani N cain cain N Nu Ne Wy dowd 44 dowd ad d dowd dowd HPF HPF HPF HPF HPF HPF E a F val val 1 1 x x a tl wy Ms dk vela dk 6 sk sub is 1 1 x L LS 187 886 70 250 70 250 400 e E u af Sa 1 AUX NL AX 2 ly AUX s AX yy 2 45 2 45 2 4 E m m s zi POST ni Post L L Jaros n POST L jnre ss PRE P m ua PRE P P m ua PRE AUX 17 AUX Vly AX ly AUX VE AUX VE AUX vty AUX vL AUX VE 5 Y v 5 2 5 2 5 2 5 2 5 gt 2 5 2 5 2 m m m s w m m e m s AX NE AX v AX NL AX E AX NE AUX yy AX vy AUX yy 5 2 6 2 5 2 2 6 2 6 2 us 2 e w Ms w Ne w w m m s Post Post L Post L post Post PAN tg Ty pan pan Ty Pan i 47 47 VON MUTE MUTE MUTE MUTE MUTE PFL Pk PFL PFL PKI PFL 56 56 56 56 10 1 10 10 1 1 1 2 2 2 2 2 32
52. ide ae trims if fitted using a Pozi crosshead screwdriver Release the two M4 Pozi head pod securing screws and rotate the connector pod to gain access to the three M3 rear base fixing screws Use a Torx starhead screwdriver to remove these Rotate the pod again to remove the four M3 underside base screws using the Torx driver Carefully lift off the base ROTATE POD Configure the internal options Fit the REMOVE 4x M3 TORX SCREWS options required Set the option jumpers to the Pd b required positions Make sure they are pressed fully 2 N home Check that all channels are correctly set and all options fitted according to their instructions Make sure that no debris or parts are left loose inside the console Refit the base Carefully reposition the base M Refit the fixing screws Lock the connector pod in the required position using the securing screws Refit the side trims if required BASE IMPORTANT Check carefully that all channel jumpers are correctly set as required Errors on one or more channels now may cause user problems later We recommend that you write the repositioned jumper settings on a label and adhere this to the rear AUX PRE POST FADER DIRECT OUT PRE POST FADER AUX PRE POST INSERT EQ panel This would provide a helpful reference to other users of the console AUX MASTER MASTER LR AB PRE POST LR FADER AUX
53. induced equally and with the same polarity into both wires At the destination input the wire signal gets inverted and added to the signal Because the polarity is the same on both input wires the noise cancels itself out at this input For this interference rejection to work it is important that the source the cable and the destination input are all balanced Balancing provides greatest advantage with low level signals such as those produced by microphones An impedance balanced output provides similar interference rejection but without the signal drive on the wire It does not generate a negative polarity signal at its output Instead the wire has no signal but is held at the same impedance as the wire This means that both wires pick up the noise equally resulting in cancellation as described above WZ 16 2 and 12 2 User Guide 11 ALLEN amp HEATH MixWizard WZ 16 2 E 16 insert 15 insert 14 13 iwsert 12 mser 11 sent 10 9 insert 8 insert 7 insert 6 insert 5 insert 4 insert 3 O 9 Q O e Q O O O O O O L R m LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN LINE IN DIRECT AB our 8 2 SYS LINK OUT option O Q 240 DIRECT DIRECT DIRECT DIRECT DIRECT out QUT QUT 14 18 2 T qm r STi Aux 6 AU aux 4 aux 3 aux 2 R
54. l echo effect Short Reverbs of 2 Room increasing length and 10 Ping Pong L R repeat effect differing brightness 3 Hall a amg 11 Chorus Stereo chorus effect 4 Plate Studio plate reverb 12 Slap Rev Slap delay with hall reverb 5 Chamber 13 Dly Rev Delay with hall reverb Long reverbs for special 6 Cathedral effects and simulation of 14 Echo Rev Echo with plate reverb large spaces 7 Arena 15 Ch Rev Chorus with arena reverb 8 Gated Rev Typical for snare drums 16 Ph Rev Phaser effect plate reverb DUAL FX mode With the recessed mode switch pressed AUX5 and AUX6 are used to send the channel post fade signals to two independent internal effects processors Each has its own bank of 8 presets AUX5 1 8 AUX6 9 16 PRESET 1 8 AUX5 PRESET 9 16 AUX6 NAME EFFECT NAME EFFECT 1 Stage 9 Stage As effect 1 2 Room 10 Room As effect 2 3 Hall 11 Hall As effect 3 4 Plate These effects are similar 12 Slap Dly 100ms delay 5 Chamber a LL 13 Delay 200ms stereo delay 6 Cathedral 14 Echo Stereo echo 7 Arena 15 Chorus Ideal for guitar chorus 8 Gated Rev 16 Phaser Instrument vocal phaser FX OFF mode f preferred the internal processor may be turned off letting you use AUX5 AUX6 and ST5 ST1 with an external device only This may be the case if you have a favourite reverb or similar processor you prefer to use The
55. lue must be connected to the terminal in the plug which is marked with the letter N The wire which is coloured Brown must be connected to the terminal in the plug which is marked with the letter L Ensure that these colour codes are followed carefully in the event of the plug being changed General Precautions Damage Environment Cleaning Transporting Hearing 9 To prevent damage to the controls and cosmetics avoid placing heavy objects on the control surface scratching the surface with sharp objects or rough handling and vibration Protect from excessive dirt dust heat and vibration when operating and storing Avoid tobacco ash smoke drinks spillage and exposure to rain and moisture If the console becomes wet switch off and remove mains power immediately Allow to dry out thoroughly before using again Avoid the use of chemicals abrasives or solvents The control panel is best cleaned with a soft brush and dry lint free cloth The faders switches and potentiometers are lubricated for life The use of electrical lubricants on these parts is not recommended The fader and potentiometer knobs may be removed for cleaning with a warm soapy solution Rinse and allow to dry fully before refitting them The console may be transported as a free standing unit or mounted in a rack or flightcase Protect the controls from damage during transit Use adequate packing if you need to ship the unit To avoid damage
56. nsole serial number and date and place of purchase to be quoted in any communication regarding this product www allen heath com Contents Warranty MEN REPRE MN ENS 2 Mono Input 15 General Precaultions 4 Stereo Input 17 Introduction to this Guide 5 Stereo Effects Processor 18 Front Panel Layout 6 Stereo Effects Return Channel 19 Introducing the MixWizard 7 mcm 20 Installing the Console 8 Master 21 Connecting 9 Gain 23 Connecting a Backup Supply 9 Specifications 24 Connection Pinouts and Cables 10 System Block Diagrams 26 Audio Connections 11 Effects Parameters 28 Connector Panel Layouts 12 User OPUONS iei ei 30 Console Connectors 13 Cue Sheets 33 WZ 16 2 and 12 2 User Guide FACTORY PRESETS v iB E 48V SINGLE 1 STAGE 2 ROOM 3 HALL 4 PLATE 5 CHAMBER 6 7 8 9 PAD LINE
57. o change the effects preset n MIDI channel number xx 00H to OFH preset 1 to 16 MIDI Program Change message CnH xxH HEX PROGRAM NUMBER ay 08 9 gj PING PONG 09 10 OA 11 12 CHAMBER DLY REV OC 13 ES CATHEDRAL ECHO REV OD 14 ARENA OE 15 mE GATED REV gm PH REV 16 STAGE Ej mj Ha Ej PLATE Using MIDI to mute the effects return CnH xxH MIDI channel number xx 64H muted xx 65H not muted MIDI Program Change message Using MIDI to edit the effects parameters The MixWizard FX Editor software can be downloaded free of charge from the Allen amp Heath web site This program runs on a PC computer using the Windows 95 98 ME 2000 or XP operating system The PC needs a MIDI output port to be able to communicate with the console Check the instructions that come with your PC to see if it has a suitable port or if you need to add a sound card with MIDI port or use a game port to MIDI adaptor cable Install and run the FX Editor software on your PC Connect the PC MIDI output to the console MIDI input Refer to the Help file that comes with the software for instructions on configuring and using the software to edit the effects parameters The effects can be edited on line so that you can hear the effect of your changes as you adjust t
58. ounds at different points in the system and the signal has more than one path to ground In most cases ground loops do not result in audible problems Should you experience hum or buzz caused by a ground loop check first that each piece of equipment has its own separate path to ground If so operate ground lift switches on connected equipment in accordance with the instruction manuals Alternatively disconnect the cable screen at the destination end only This breaks the offending loop while keeping the signal shielding down the length of cable A WARNING For operator safety do not remove the ground earth connection in the power lead of the console or connected equipment To avoid interference pickup keep audio cables away from mains power units and cables thyristor dimmer units computer equipment and mobile phones Where this cannot be avoided cross the cables at right angles to minimise interference A note about balanced connections A differentially balanced connection has two signal wires signal hot and signal cold and a shield The signal source generates positive going polarity down the wire and negative polarity down the wire The destination input stage accepts the signal on its non inverting input pin but it inverts the signal adding it to the signal The result is that the wanted signal is boosted Now examine what happens when unwanted interference hum and noise is induced into the cable The noise is
59. revious selection Pressing ST1 ST5 listens to the wet effects only return signal if the internal effects processor is active Pressing Aux pairs 1 2 3 4 5 6 together listens to the two selected auxes as a stereo pair The two console meters display the selected monitor source signal level Pressing channel PFL switches automatically overrides the current monitor selection with the pre fade signal from that channel or selection of channels The red PFL active indicator lights and the console meters display the channel signal We recommend you use closed ear headphones in the range 30 to 600 ohms designed for live sound monitoring Headphones around 100 ohms impedance are a popular choice A WARNING To avoid damage to your hearing do not operate any close to ear monitoring such as headphones for long periods at high volume Continued exposure to high volume sound can cause frequency selective or wide range hearing loss ST2 ST6 RETURN This is a simple stereo return channel that routes to the main LR mix The typical application is to plug in a CD or similar playback device for walk in or background music It can also be used as an additional effects return Adjust the volume using the LEV control Route the signal to LR by pressing the TO LR switch The green LED lights to warn that the source is routed to LR You can use the ST2 ST6 input to monitor your 2 track recording Press the ST2 ST6 monitor source select switch Use the AB o
60. the IEC mains input socket To turn the console off press this switch again Connecting a backup supply A socket is included for plugging in an optional backup power supply This provides the reassurance of power supply dual redundancy a feature usually found only in expensive top end consoles The console uses diode combining technology so that both supplies can be powered at the same time One will automatically take over should the other stop working The recommended backup supply for the MixWizard is the Allen amp Heath MPS12 power unit Refer to the user guide which comes with this supply A Only plug the recommended Allen amp Heath power unit into this socket Do not attempt to modify any other power unit to work with the console Do not attempt to modify or extend the DC power cable that comes with the supply The console can work with just the internal supply powered by mains or just the backup supply or with both powered at the same time To ensure uninterrupted performance in the unlikely event of a failure we recommended that both supplies are powered WZ 16 2 and 12 2 User Guide 9 1 3 12V OUTPUT INPUT XLR male socket XLR female socket IL S 1 22 1 4 Y PIN 2 HOT
61. tions according to the mix We do not recommend setting the faders to 0 and mixing using the GAIN controls WZ 16 2 and 12 2 User Guide The STEREO Input Channel WZ 12 2 only 19 Y 57 V 10 LR TO 11 12 sT3 ST4 adhe 7 5 Ad da NEL ros ya AT BER YAN N rm WZ 16 2 and 12 2 User Guide Dual stereo inputs Each of the two stereo channels has two stereo inputs which can be used separately mixed together or split so that one feeds the channel the other routes direct to LR For example you could mix two sound effects playback devices or two reverb returns together into one channel This can be useful in saving channels letting you mix many inputs in a small space The L input signal normals through the R input socket so that a mono source may be plugged in to feed both left and right sides of the stereo channel ST1 ST3 Unbalanced TRS inputs The GAIN control adjusts from fully off to 16dB gain Press the ST1 ST3 switch to turn the input on Routing mode switch Recessed switch to prevent accidental operation In the normal up position the ST1 ST3 signal mixes with ST2 STA into the stereo channel When pressed the signal is routed direct to the LR mix instead of the channel This lets you use these inputs as simple stereo returns in addition to the full stereo channels providing four independent stereo sources to the L
62. to your hearing do not operate any sound system at excessively high volume This also applies to any close to ear monitoring such as headphones Continued exposure to high volume sound can cause frequency selective or wide range hearing loss WZ 16 2 and 12 2 User Guide Introduction Welcome to the Allen 8 Heath WZ the latest generation of the popular MixWizard series of compact audio mixing consoles We have tried to keep this user guide brief and to the point Please read it fully before starting Included is information on installing connecting and operating the console panel drawings system block diagram and technical specification For further information on the basic principles of audio system engineering please refer to one of the specialist publications and resources available from bookshops audio equipment dealers and the Internet Whilst we believe the information in this guide to be reliable we do not assume responsibility for inaccuracies We also reserve the right to make changes in the interest of further product development We are able to offer further product support through our world wide network of approved dealers and service agents You can also access our Web site on the Internet for information on our full product range our company pedigree assistance with your technical queries our contact details or simply to chat about matters audio To help us provide the most efficient service please keep a record of your co
63. utput to feed your recorder If you are monitoring while mixing live make sure you do not accidentally press the TO LR switch and route your recording to the house speakers WZ 16 2 12 2 User Guide Gain Structure gt How the levels between the different signal stages are set up is referred to as the gain structure For best performance it is important that the connected source signals are matched to the normal operating level of the console Similarly the levels of the connected amplifiers and destination equipment should be correctly matched to the console outputs If set too high then the signal peaks will be clipped resulting in distortion and if set too low then the signal to noise performance will be degraded resulting in excessive background hiss and noise Using the Meters The MixWizard provides metering of inputs and outputs For best results operate the console with the main meters averaging around 0 allowing the loudest moments to reach 6 Reduce the channel gain settings if the red peak indicators start to flash Note that the peak indicators light 5dB before actual clipping to warn that you are nearing distortion and should reduce gain The LED bar meters have a quasi peak response with fast attack and slow release so that fast musical transients are accurately displayed Matching a Source to the Console Start by turning down the channel fader and send levels to prevent unexpected loud volumes r
64. wo zero ohm resistor links as shown This removes them from the circuit Now simply plug the option IC into the socket Observe the correct IC pin1 orientation and make sure its legs are correctly aligned with the socket Test the output once the work is complete You should measure the same level but opposite polarity signal between hot and ground and cold and ground Sys Link Il output option blank plate is fitted here as standard This may be replaced with an optional card which provides a 37way D connector for linking the outputs to other Allen amp Heath consoles already fitted with Sys Link The 2212 2 or WZ 16 2 can become input channel expanders for other consoles IMPORTANT The option does not include the Sys Link II input Therefore the WZ 12 2 WZ 16 2 cannot be used as the master in a linked system nor can two of these models be linked together You need to connect these to a console that does include the Sys Link input connection for example the WZ 14 4 2 or ML3000 with the option already fitted Also note that you need an adapter cable if you are connecting Sys Link Il Version 2 to the older Sys Link Version 1 standard 37way shielded multi core cable carries the MixWizard balanced mix signals and PFL system to the master console For full details please refer to the Sys Link option Applications Note AP5736 and Fitting Instructions AP5735 WZ 16 2 12 2 User Guide Cue S
Download Pdf Manuals
Related Search