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GLASS BEACH
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1. be enable disabled and have a complete set of parameters that can be adjusted and CC or host automated independently This special panel can be found in most of the instrument presets EQ3 Tore Control 0 0 0 Om EQ3 On Off Mid Gain High Gain This button enables disables the 3 This sets the amount of gain for the This sets the amount of gain for the Band EQ fully sweepable mid band high band Low Gain Mid Frequency This knob sets the amount of gain This sets the center frequency for for the low band the fully sweepable mid band aa ig ape 41 Lo Fi On Off Bits Sample Frequency This button enables disables the This knob sets the simulated bit The S Freq knob sets the simulated Lo Fi bit sampler rate reduction rate of the signal bit rate of the signal effect Pro 53 Filter ra Eitect Pro Prers3o Pro 53 Controit Too Eapais f Pro53 On Off Cutoff Resonance This button enables disables the Sets the filter s cut off frequency Sets the amount of resonance on the resonant filter effect filter SOUNDIRON Glass Beach ser ON Flanger On Off This button enables disables the Flanger effect Dry Sets the amount of dry gain that is passed through the effect Wet Sets the amount of wet gain that is passed through the effect Rotator Rototor Controls 90 0 0 zm Oo Depth Sets th
2. resonant ambient reverb and subtle rotation on the modwheel CCI 2 to g8 Thinnerer Dark gritty dissonant clustered soundscape c 2 to g8 Waterbow Warm glowing blossoming tones c 2 to g8 Waterbow 2 Duller more subdued synth pad c 2 to g8 Waterbow 3 Soft synth pad texture c 2 to g8 Waterbow 4 Very soft meek and fragile synth pad texture c 2 to g8 Waterbow 5 Reedy thin and slightly harsh synth with an unsteady random lilting detuning effect and swirling gliss c 2 to g8 m pA 4 Ww 7 Say mo 9 d 7 Ae a gt t e y n J a na Mie P l e gt a WE ai gt ih PR 4 T p97 E 4 gt es wad Oe Os gt pi f _ ad Lions i a iP ANG EAN i AE i eu yr SOUNDIRON SOUNDIRON SOFTWARE LICENSING AGREEMENT LICENSE AGREEMENT By installing the product you accept the following product license agreement LICENSE GRANT The license for this product is granted only to a single individual user No unlicensed use is permitted All sounds samples programming images scripting designs and text contained in this product are copyrights of Soundiron llc This software is licensed but not sold to you by Soundiron for commercial and non commercial use in music sound effect audio video post production performance broadcast or similar finished content creation and production use Individual license holders ar
3. SOUNDIRON GLASS BEACH g 4 Welcome Soundiron s Glass Beach sample library About 150 Miles North of the San Francisco Bay Area you ll find Fort Bragg CA an old coastal village at the foot of the redwoods This very quaint but rather well weathered town was founded in the mid 1800 around an old US military fort and Native American Indian Reservation a very dark passage in US history the early 20 century both had been replaced by saw mills and fisheries These industries saw booming business during the reconstruction of San Francisco after the great 1906 earthquake and fire and a burgeoning tourism industry thanks in part to the old steam railroad that runs through the town and into the redwood forests inland We ll be exploring more of that later Glass Beach is all that s left of a former garbage dump For decades the townspeople brought their household and industrial trash to the sea dumping into towering piles rising above the surf We spoke to a lifelong resident who told us the heaps grew to over 30 feet high before The Dumps were finally shut down in 1967 After numerous clean up efforts all of the refuse was removed save for the tons of broken glass shards that were too small and far to plentiful to remove It can now be found in MacKerricher State Park running along the beach an old abandoned saw mill complex Once an ecological disaster and obvious hazard the beach is now a remarkable example o
4. actively downloading unless you press the pause button first To resume downloading press the Resume button If you need to resume downloading after closing the downloader run it again and enter your code and press Download again Select the same download installation location on your computer that you chose originally the downloader reports a DL Error Install error it will usually try to download the file again until it successfully downloads and verifies all the data it needs Please see your download email for more detailed instructions Manual Download If you have any trouble with our Downloader utility or prefer to use your browser or another download manager log into your personal manual download page on our website by using the direct link in your download email Log in using your download code and the email address you used to order Or if you used the downloader originally but you need to re install the library manually for any reason at a later time you can always re use the original rar files To do that you ll need Winrar UnrarX or another full featured Rar extraction utility to extract and install the library once download is complete Please note that Stuffit Expander and Winzip DO NOT support many types of common rar files Preset Loading Once installation is complete you can browse and load the included nki presets using the Files or Database tabs in the Kontakt Browser or through the main File load s
5. ages to be passed through the script the the instrument which allows you to play normal sustaining notes on top of the arpeggiation Arpeggio Direction Menu This drop down menu allows you to select any number of simple or complex cycle patterns that the arpeggiation will follow as it plays through the sequence of notes you have triggered Choosing As Played will cause it to follow the original order you played the notes in with the newest note always added to the end of the chain Repeat Setting This sets the direction of the up or down repeats Velocity Graph Sequencer This customizable graph allows you to draw the velocities that you want each step in your arpeggiation sequence to play at Table Velocities Om gt o Reset Resets the Graph to blank Steps This setting determines the number of steps that are used by the velocity graph step sequencer starting from the left Table Velocities This activates the Graph When it is active the arpeggiation follows the note velocities that you ve drawn on the graph When it is bypassed each note repeat is played at the velocity that it s original note was played at Key Selector Knob Binds the arpeggiation scale you ve chosen to a specific key Scale Selector Control binds the arpeggiation sequence to a specific scale that you can choose by turning the knob Key Root Note Button This sets the root note of the Key you ve chosen to the
6. ave menu Please allow presets to finish loading completely before loading a new one You can t use the Libraries view to load standard open format Kontakt Instruments like this library Only locked Powered By Kontakt Libraries are visible to that propriety browser view The Add Library function also does not support this product or any other open format Kontakt library This library doesn t require any special activation User Presets If you create custom presets of your own remember to save them with a new filename Make sure to save them into the same folder as the original or simply save your custom preset directly into the User Presets folder we ve provided Make sure to select patch only and uncheck the absolute sample paths box to preserve the proper directory path structure of the library This will allow us to provide you future updates to the original presets without accidentally overwriting your custom settings and preserve the necessary relative sample wallpaper and impulse scripting file path settings Batch Re Saving If you move or change the directory structure within the main folder of this library you may see a missing sample warning box when loading the presets into Kontakt This can generally be corrected by using the Batch Resave command located at the bottom of the drop down menu you ll see if you click on the main File menu at the top of Kontakt Then select the folder you would like
7. bles don t play nice Then again you may find some unexpectedly useful and interesting results through a little experimentation We ve included a hand selected collection of impulse files that we think compliment this library s sound You can load them into most instrument presets by using the Tone FX control panel tab in the Reverb page and selecting an impulse from the Impulse drop down menu You can also manually import any of the wavs in the Impulses directory into any IR wav compatible convolution effect plugin of your choice Just please just make sure to keep your speakers or headphones turned down while you experiment Convolution processing can often create powerful and piercing resonances when applied to many audio sources especially loud sounds that contain strong mid to low frequency harmonic components System Requirements The full retail version of Native Instruments Kontakt 3 5 or later is required to use this library Please be aware that many instrument and multi instrument programs in this library are extremely ram cpu and hard disk streaming resource intensive VVe recommend that you have at least 2GB of system ram a dual core cpu and at least a 7200 rpm SATA hard disk before purchasing this or any other Soundiron library Large sample sets like those found in this library may load slowly and may cause system instability on older machines SOUNDIRON Download amp Installation Please read all instrument sp
8. ce Sa NET FRONT PANEL PERFORMANCE CONTROLS Page 5 AE a Si Se PENRE EPE AKEDE amp FX CONTROLS Pages 6 8 VAA Fie UBERPEGGIATOR CONTROLS Page 9 ES Sars A rent a a Instrument Preset Descriptions PERCUSSION Page 10 AMBIENT SOUNDSCAPES Page SPECIAL FX Page 12 Info LICENSE AGREEMENT Page 13 GALLERY Page 14 THANK YOU Page I5 www soundiron com SOUNDIRON ABOUT THIS LIBRARY Fidelity This library was recorded in wide stereo at 44 kHz 24bit semi urban outdoor environment This means that unavoidable and omnipresent human sounds like planes industry and automobiles can inevitably find their way into these sounds In this particular case you may hear faint fog horns and the occasional rumble of nearby industrial plants near downtown Fort Bragg CA We carefully choose our equipment and methods to prevent this wherever possible but some sounds are just very small Therefore please do keep in mind that we don t claim or aim to provide perfectly quiet or perfectly sterile sounds or musical instrument samples Accessibility All of the sample content and impulse files are included as standard non encrypted PCM wav files and standard open format Kontakt presets to allow you easy access to manipulate reprogram and customize the sounds however you prefer We know that it s important for many users to be able to go beyond the limitations of an
9. d gullies running down toward the beach from the cliffs above There s also useful foley included with footsteps that can be cut and re purposed for sand gravel and even gritty snow in a pinch We also created a wide variety of tiny percussive elements using some of the sea glass that migrated to other nearby beaches Lastly we used various sound design tricks to morph the sounds from our journey into tonal and dissonant pads synth tones ambient dreamscapes and disturbing hellscapes Enjoy s SOUNDIRON Glass Beach SOUNDIRON Glass Beach OVERVIEW 30 Kontakt patches unlocked 225 Samples 488 MB Installed 42 Custom Convolution IR Files 24bit 44 1 kHz stereo PCM wav samples non unencrypted Bonus collection of custom convolution reverb impulses Powerful custom performance effects legato and arpeggiator control interface Note Native Instruments Kontakt 3 5 or later full retail version required to use nki presets CREDITS Produced Recorded Edited Programmed and Documentation by Mike Peaslee Scripting by Chris Marshall Photos by Jennifer Allen TABLE OF CONTENTS General INTRODUCTION Page OVERVIEW amp CREDITS Page 2 Technical FIDELITY amp ACOUSTICS page 3 ACCESSIBILITY amp CONVERSION Page 3 CONVOLUTION IMPULSE FILES Page 3 SYSTEM REQUIREMENTS Page 3 DOWNLOAD amp INSTALLATION Page 4 PRESET LOADING Page 4 PRESET SAVING Page 4 PRESET BATCH RE SAVING Page 4 User Interfa
10. e A small waterfall trickling in a shallow cave cut into a gully through cliffs above the beach c 2 to g8 Glass Beach Ambience Seacave Waterfall Trickle 2 A small waterfall trickling in a shallow cave cut into a gully through cliffs above the beach c 2 to g8 Glass Beach Ambience Waves Gentle Small waves crashing gently on Glass Beach The sea glass pebbles create a delicate almost ice like sound as the water pushes them up the shore c 2 to g8 Glass Beach Ambience Waves Gentle 2 Small waves crashing on Glass Beach A flock of geese fly overhead c 2 to g8 Glass Beach Ambience Waves Rocks Tidepool A small sheltered alcove to the south of the main beach where the surf was quite a bit more gentle Every now and then a larger wave splashes up c 2 to g8 SOUNDIRON Glass Beach Special FX Presets Babeler Rushing intense babbling synth like electrified running water 2 to 28 Donkeypunch 1 Mad pulsing click smash percussion c 0 to g8 Down The Drain A terrifying place c 2 to g8 Glass Piano Simple piano notes pumped through the swirling depths of a glass clam sea following the natural rhythms of the tide c 2 to g8 Sad Times Dark harsh stingers c 2 to g8 Scumfusing Chaotic slow gringing stingers c 2 to g8 Singing Sewer Sounds just like the name implies c 2 to g8 Sparky Electric arcing percussion c 0 to g8 Stretched Glass Organ Glass grains stretched to extremes and harmonized with
11. e whenever possible and avoid cumbersome DRM registration and activation procedures whenever possible to provide you as much creative freedom and the best user experience possible If you enjoy our instruments and care about the very hard work that went into this labor of love then we know you won t ever pirate or distribute this instrument unlawfully C2 SOUNDIRON SOUNDIRON THANK YOU Thanks for loving the Soundiron Glass Beach library and supporting all of our creations If you have any questions troubles concerns comments love letters or hate mail feel absolutely free to send it on over to us info soundiron com much obliged Mike Gregg and Chris yes that s dog poop www soundiron com SOUNDIRON All programming scripting samples images and text Soundiron 2011 All Rights Reserved
12. e permitted to install this library on multiple computers or other equipment only if they are the sole owner and only user of all equipment this software is installed or used on Soundiron allows you to use any of the sounds and samples in the library s you ve purchased for the creation and production of commercial recordings music sound design post production or other content creation without paying any additional license fees or providing source attribution to Soundiron This license expressly forbids any unauthorized inclusion of any raw or unmixed content contained within this library or any any Soundiron library into any other sample instrument sound effect synthesizer or loop or effect library of any kind without our express prior written consent This license also forbids any unauthorized transfer resale or any other form of re distribution of this product or its sounds through any means including but not limited to re sampling mixing processing isolating or embedding into software or hardware of any kind for the purpose of re recording or reproduction as part of any free or commercial library of musical and or sound effect samples and or articulations or any form of musical sample or sound effect sample playback system or device Licenses cannot be transferred or sold to another entity without written consent of Soundiron llc RIGHTS Soundiron retains full copyright privileges and complete ownership of al
13. e sweep depth of the flange Speed Sets the sweep rate Phase Sets the phase Color Sets the brightness tone color of the flanger effect Feedback Sets the amount of signal feeback introduced into the signal path zm Ooms oom One O Om Rotator On Off This button enables disables the spinning speaker Rotator effect Speed The rotation speed slow fast Treble The amount of high end clarity Delay COZ Delay On Off This button enables disables the classic Delay effect Delay Rate This menu allows you to set the timing division for tempo synching Pan This knob sets the left right ping pong panning amount for each alternating echo One Om z Om Omm Bass The overall bass response Balance Balance between low high response Distance The simulated distance between the microphone and the rotating speaker Damping Sets the amount of high frequency roll off applied to each echo Feedback Sets the amount of delay feeback introduced into the signal path Dry Sets the amount of dry gain that is passed through the effect Wet Sets the amount of wet gain that is passed through the effect Wet Sets the amount of wet gain that is passed through the effect SOUNDIRON Glass Beach Reverb Reverb Controt o 0 0 Reverb On Off Size Delay This button enables disables the Sets the simulated room size of
14. e used to produce complex melodic chains plucking patterns and other effects Up Mode This knob controls the Arpeggiator mode Choosing Off disables the Arp system entirely On sets it to respond only while a note is pressed cycling through all held notes as it arpeggiates Hold sets it to automatically sustain one note at a time monophonic so that changing keys changes the note that is repeating Hold sets it to allow new notes to be added to the automated chain of repeats Hits and H Scale Knobs Sets the number of repeats of each note BEFORE moving on to the next note in the arp sequence and H Scale sets the intensity fall off rate for each repeat before resetting for the next note Swing This sets the amount of rhythmic offset swing between notes Pitch Sets the pitch up or down in quarter tone intervals for each repeat AFTER the initial note is pressed and it remains in a pseudo legato state as long as any key is held down Changing this setting in real time allows extreme glitch stutter and stair step effects and can self generate strange grooves and beats based on the combination of notes you hold UE ATI x a Rhythm This sets the speed of arpeggiation as measured in musical time ranging from whole bars to 28th notes Fast settings can yield interesting results but keep in mind that the faster the speed the more voices you use Midi Thru This button allows midi mess
15. ecs and software requirements before purchasing this or any other Soundiron products to see the full list of software requirements features and format compatibility for each library We use the Continuata Download Manager to provide high speed reliable and fully automated library downloading and installation Download and run the latest version for your OS PC or Mac before proceeding You ll also need Java v1 6 or later You may also need to add permissions to your security settings for the downloader if they block applications from accessing the web Next copy paste your download code from your download email into the Code box in the downloader window Make sure to leave out any spaces before or after the code Press the download button and select the location you d like to download and install the library It will automatically start downloading the file s and then error check extract and install the finished library Once installation is fully complete you can remove the rar download files and store them in a safe place as a back up copy We always recommend downloading the latest version of our downloader before you begin The link in your email will always take you to the latest version Don t move rename delete or modify any of the files or folders created during the download until after you see the status message for all files in your download queue display the word INSTALLED Please don t close the downloader while it s
16. f natures resilience when we clean up our mess a bit and try to leave things alone Over the years the crashing waves and abrasive sand has worn all of those millions of glass fragments into perfectly smooth translucent glass pebbles and beads in every color of the rainbow but mostly clear brown or green Yay beer An entire cottage industry has sprung up to harvest and turn the beautiful glass baubles into jewelry and artwork leading the park to ban the collection of sea glass from the beach so that future visitors can enjoy the rather surreal experience of literally walking on a sea of broken glass Luckily the actual Glass beach itself is very hard to get to thanks to shear cliffs that keep it well hidden and protected on all sides and the sea glass has naturally spread to surrounding beaches in the area which keeps the tourists who insist on taking souvenirs happy From a sonic perspective the millions of glass beads shifting and tumbling in the gentle surf create a remarkable effect The sound is not unlike that of ice chips or slush on the shore of a thawing lake but on a grander scale The distant mournful wails of fog horns and sea birds casts an eerily serene hue over the sound scape and the cliffs suppress most of the encroaching highway and city noise As a whole body sensory experience it was well worth the long trip We captured several ocean surf and tide pool ambiances as well as gentle waterfalls trickling through narrow caves an
17. l recorded sounds instrument programming documentation and musical performances included within this product All past and future versions of this product including any versions published by Soundiron Inc are fully bound and covered by this agreement REFUNDS Downloaded libraries can t be returned so we can t provide refunds exchanges VWe may choose do so at our own discretion but please be aware that as soon as you ve downloaded it it can not be returned RESPONSIBILITY Using this product and any supplied software is at the licensee s own risk Soundiron holds no responsibility for any direct or indirect loss arising from any form of use of this product TERMS This license agreement is effective from the moment the product is purchased or acquired by any means The license will remain in full effect until termination by Soundiron llc The license is terminated if you break any of the terms or conditions of this agreement or request a refund for any reason Upon termination you agree to destroy all copies and contents of the product at your own expense All past and future versions of this product including those released through brands other than Soundiron are covered under the terms of this agreement VIOLATION Soundiron reserves the right to prosecute piracy and defend this copyrighted creation to the fullest extent of civil and criminal law but we keep our prices fair our samples and programming accessibl
18. next higher or lower octave Constrain Button Limits and adjusts any new note to the currently selected scale and key SOUNDIRON Glass Beach INSTRUMENT PROGRAMS Percussion Presets All Glass Beach All Percussion Master Sea glass pebble strikes scrapes shakes slides pouring bounces and footsteps c 0 to g8 Glass Beach Footsteps Individual boot footsteps walking through sea glass sand and pebbles c3 to c5 Glass Beach Grain Bounce Sea glass pebbles bouncing against each other c 0 to c 6 Glass Beach Grain Hit Sea glass pebbles striking against each other c 0 to g8 Glass Beach Grain Scrape Sea glass pebbles scraping against each other c 0 to g8 Glass Beach Grain Shake amp Pour Hand fulls of sea glass pebbles shaking and pouring in bare hands c 0 to g8 SOUNDIRON Glass Ambient Soundscape Presets All Glass Beach Ambiences All of the ambieces spread out over the key range c 2 to 28 Glass Beach Ambiences lite All of the ambieces spread out over the key range This lite version of the main patch is set to DFD mode to conserver ram so the Offset controls have been removed c 2 to g8 Glass Beach Ambience Sand Footsteps Boot footsteps walking through sea glass sand and pebbles c 2 to g8 Glass Beach Ambience Sand Footsteps Dog Medium sized dog Laboradore footsteps walking through sea glass sand and pebbles with collar jingles c 2 to g8 Glass Beach Ambience Seacave Waterfall Trickl
19. of the sound This allows realtime volume swelling and fading Offset CC91 This allows you to skip ahead and start each sample farther into the actual wav file This allows you to customize exactly which part of the sound you want to play Stepping This allows pitch shifting on the fly and determines how many semitones 100 cents up or down from normal that the sounds will play the next time a note is triggered You can go up or down by up to 24 semitones with this knob at any time The pitch control key switches override this knob You can also use the main pitch knob or pitchwheel for realtime pitch bending Key Switch On Off Button This enables disables the key switches between C 2 and CO that shift the pitch up or down C resets the pitch to default You can see the playable key switch range in the display above Random On Off Button This enables disables the the Offset control knob and causes the ambiences to randomize their sample start position which simulates round robin variation Because these are long running ambiences this can be especially useful in layering multiple sounds on top of each other to create more complex and evolving soundscapes gt gt amp Release range 2 to cO Key Switch On SOUNDIRON Glass Beach Tone FX Controls The Tone FX Tab of the main instrument user interface panel contains a full chain of special DSP effects that you can choose from Each effect can
20. rately reliably or even at all from one instrument or audio format to the next due to vast differences in standards behaviors structures and capabilities that each platform relies on Custom Convolution Impulses We enjoy capturing the unique acoustic characteristics of spaces and locations that we come across from time to time Sampling environments is similar to sampling instruments in many ways It s done with portable loudspeakers to produce a special sine wave sweep that covers a wide spectrum from 22 Hz to 22 kHz We then use dedicated deconvolution software to decode the resulting audio into an impulse response file which is a wav file with special phase frequency and timing information embedded in the audio Most impulses sound like an odd sort of sharp reveberant snap like a balloon pop or starting pistol fired in the environment that was captured which is is in fact how impulses used to be made When loaded into a compatible convolution reverb effect plugin such as the one built into Kontakt these impulses can impart their sonic properties fairly well into most sounds Of course it s an imperfect science and much is lost in the translation especially if the sound being played through it also has it s own strong tonal phase or reflective properties Sometimes the results are incredibly lifelike Sometimes they re awful It all depends on the sound the impulse the plugin and the settings used Sometimes these varia
21. the Sets the amount of pre delay time convolution reverb effect convolution before the wet signal is returned Dry Low Pass Impulse drop down menu Sets the amount of dry gain Sets the low frequency cut off of This menu allows you to select from that is passed through the effect the impulse response allowing you a wide variety of custom to dull and darken the sound convolution reverb impulses that Wet we ve personally captured or Sets the amount of wet gain High Pass created for you ranging from our that is passed through the effect Sets the high frequency cut off of favorite classic halls and cathedrals the impulse response allowing you to bizarre otherworldly spaces to to remove rumble and low end self resonating sonic shapes and Stereo Imager Stereo On Off Spread Pan This button enables disables the This sets the width of the total This sets the pan position of the stereo imaging effect stereo image all the way from mono stereo image s center to ultra wide SOUNDIRON Uberpeggiator Controls We ve designed a custom arpeggiator system to expand the instant creative potential of some of the presets It includes automatable performance controls that shape all aspects of the arpeggiator When used normally pressing a key causes the note to self repeat as long as a key is held down If additional notes are played it adds them to the sequence of repeats in various ways depending on the settings you choose and can b
22. to resave Select this library s main folder and then if Kontakt asks you where to find the missing files select that same main folder again and press OK to continue That will update the file paths stored in the instrument The scripted file paths for the impulse files will not self update however so the reverb impulse loading drop menu on the Tone FX script tab will no longer work in many cases To repair the impulse menu file paths please restore the library to its original structure SOUNDIRON Front Panel Controls This instrument has a variety of special front panel performance controls that allow deep real time performance customization Not all instrument presets include all controls listed below Included controls depend on the specific features suitable for each preset Some may also use alternate CC mappings You can see each control s assignment by clicking on each UI control to display the hint text in the Info bar at the bottom of Kontakt Attack CC 74 This knob controls the sharpness of attack Increasing the value causes the sound to attack more softly Release CC93 This controls the release time of the sound Lower settings cause the sound to be damped and cut off while higher settings allow the sound to play out as long as a note is held down In the MW modwheel controlled X fading presets release has been moved to CC93 Swell CC72 This knob controls the overall volume and intensity
23. y one sampler or preset structure so we ve kept this library s directories and files open for advanced users As a professional you may have your own workflow or format requirements and we trust that you ll respect our hard work and won t share this content with anyone who hasn t paid for it Keep in mind that to use and or edit the Kontakt presets you ll need the full retail version of Native Instruments Kontakt 3 5 Kontakt 4 or Kontakt 5 Please be aware that the free Kontakt Player and any other version or form of Kontakt that came bundled with any other library or software product other than NI s Komplete package will not support this library The free Kontakt Player is NOT actually a full version of Kontakt and it cannot load or play standard open format Kontakt instruments or libraries While you can reprogram the samples or presets to other formats we always recommend using Kontakt for best results since it widely considered the industry standard and easily the most powerful sample programming and playback platform on the market However if you wish to convert or reprogram the wav files and instrument presets into any other sampler or softsynth format including free and open source standards like SFZ then there are a variety of great tools that you can use to customize this library such as Extreme Sample Converter and Chickensys Translator Just be aware that not all settings and properties will translate accu
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