V1.5 2004/10/13
Contents
1. D 0 9 9 0L 02c Measurements are shown in mm inch PHONIC CORPORATION I L 1 Zz L d x LLI U A gt lt N PHONIC APPENDIX REFERENCE BOOKS Phonic recommends the following books for those interested in advanced audio engineering and sound system operation Sound System Engineering by Don and Carolyn Davis Focal Press ISBN 0 240 80305 1 PHONIC CORPORATION MU 200XP USER S MANUAL Sound Reinforcement Handbook by Gary D Davis Hal Leonard Publishing Corporation ISBN 0 88188 900 8 Audio System Design and Installation by Philip Giddings Focal Press ISBN 0 240 80286 1 Practical Recording Techniques by Bruce and Jenny Bartlett Focal Press ISBN 0 240 80306 X Modern Recording Techniques by Huber amp Runstein Focal Press ISBN 0 240 80308 6 Sound Advice The Musician s Guide to the Recording Studio by Wayne Wadham Schirmer Books ISBN 0 02 872694 4 Professional Microphone Techniques by David Mills Huber Philip Williams Hal Leonard Publishing Corporation ISBN 0 87288 685 9 Anatomy of a Home Studio How Everything Really Works from Microphones to Midi by Scott Wilkinson Ste2. HIGH HIGH 12K 48V POWER PEAK MID I MARO O Oxo Xo gfe fis ul aH ON 4 Low PROGRAM 2 TAP AUX PARAMETER DELAY 7 e 1 AUX s10 MONI A TOAUX 1 P kt A PO OOOO ODO 3000000000 CONTROL ROOM SOURCE C A 2T RTN MAN L R LI SUBMIX MAIN L R ENGLISH s gt 10 11 12 19 14 IMPORTANT SAFETV INSTRUCTIONS Read these instructions before operating this apparatus Keep these instructions for future reference Heed all warnings to ensure safe operation Follow all instructions provided in this document Do not use this apparatus near water or in locations where condensation may occur Clean only with dry cloth Do not use aerosol or liquid cleaners Unplug this apparatus before cleaning Do not block any of the ventilation openings Install in accordance with the manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong
3. T anv SL LL usn z Lal 8 STINNVH9 O3331S JLANMVAd Y L13NNVHO ONOW MO HOIH LI LI LI NI 3NI1 DD go m tiosan p ELTY NIVD 2 O e p u 3inwyvad LHASNI 1 inoossiNuw n HOLIMS 1v8019 HIMOd WOLNVHd 3 110n023x G WILL ALT 4 ALT 3 MAIN R MAIN L lt il L gt e x LLI Y gt A gt lt NI 2 gt PHONIC CORPORATION PHONIC SPECIFICATIONS MU 200XP 200XP POWER output power in Watts THD lt 0 1 E 1KHz puts eT ouput T 2 x 14 TS unbal 2x 114 TS Master Section Metering ST Effect processor 16 effects with one main parameter control tap delay control foot switch effect on off tap 20Hz 60 2 0 1 dB 20Hz 100 2 0 3 dB Crosstalk 1KHz OdBu 20Hz to 20KHz bandwidth channel in to main L R outputs Page 14 MU 200XP USER S MANUAL PHONIC CORPORATION PHONIC Channel fader down other channels at unity lt 90 dB Noise 20Hz 20KHz measured at main output Channels 1 4 unit gain EQ flat all channels on main mix channels 1 3 as far left as possible channels 2 4 as far right as possible Reference 6dBu Master unity channel fader down 86 5 dBu Master Q unity channel fader Q unity 84 dBu S N ration ref to 4 gt 90 dB Microphone Preamp E I N 150 ohms terminated 129 5 dBm max
4. connector PHONIC CORPORATION MU 200XP USER S MANUAL 15 Speaker Outputs These 1 4 phone jacks are used to connect to speak ers fed from internal power amplifiers A and B To use these simply insert an appropriate 1 4 TS plug into them Speakers with a minimum load of 4 ohms each should be used The output of these jacks can be altered by using the Amp Select switch on the front of the unit NB Only use passive speakers in conjunction with the Speaker outputs as to avoid damaging any equipment One Speaker per Channel When connecting a single speaker to each channel s output speakers with impedances between 4 and 8 ohms should be used 4 80 4 80 Two Speakers per Channel When connecting two speakers to the Speaker Outputs the loading of each speaker should be between 8 and 16 ohms as two 8 ohm speakers will form a total loading of 4 ohms two 16 ohm speakers a total loading of 8 ohms etc 8 160 8 160 8 16Q 8 16Q CONTROLS AND SETTINGS Rear Panel 16 Power Switch This switch is used to turn the mixer on and off Ensure you turn all level controls down before activating 17 Phantom Power Switch When this switch is in the on position it activates 48V of phantom power for all microphone inputs allowing condenser microphones well the ones that don t use batteries to be used on these channels Activating Phantom Power will be accompanied by an illuminated LED abo
5. magnitude to constitute a risk of electric shock to persons The exclamation point within an equilateral triangle is in tended to alert the user to the presence of important operat ing and maintenance servicing instructions in the literature accompanying the appliance WARNING To reduce the risk of fire or electric shock do not expose this apparatus to rain or moisture CAUTION Use of controls or adjustments or performance of procedures other than those specified may result in hazardous radiation exposure PHONIC MU200XP Compact Powered Mixer USER S MAIN UAL TABLE OF CONTENTS page INTRODUCTION aa ia e d eas A E 4 FEATURE 4 CHANNEL SET SS a E E EEA E EEES D MAKING CONNECTIONS a 6 CONTROLS AND SET t 8 APPEICATION i d ARAS sa EE Sak 11 DIGITAL EFFEUT TABLE erreien Sa DDE AS 12 BLOCK DIAGRAM i 13 CA MI IN i E E 14 DIMENSION Se EE 16 APPENDIX ema HEMDEN MEI MU eee are 17 Phonic reserves the right to improve or alter any information suppied within this document without prior notice V1 1 DEC 17 2004 INTRODUCTION Thank you for choosing one of Phonic s many quality compact mixers The MU 200XP Compact Powered Mixer designed by the ingenious engineers that have created a variety of mixers fantastic in style and perfor mance in the past display similar proficiency that previ ous Phonic pro
6. The wide blade or the third prong is provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at plug convenience receptacles and the point where they exit from the apparatus Only use attachments accessories specified by the manufacturer Use only with a cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over Unplug this apparatus during lighting storms or when unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL The lightning flash with arrowhead symbol within an equi lateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclosure that may be of sufficient
7. ozor 10 EARLY REF DIT a early reflections creating a deeper 01 100 umen or an echo like effect G REVERB Produces effect Produces effect by cutting the reverberation cutting the reverberation 0 1 5 0 n DOUBLER Creates an effect simulating 2 vocalists Modulation Dmm om Frequency SYMPHONIC Adds Adds richly layered depth to the sound layered depth to the sound Deh o 0 100 FLANGE Adds a sense of a to the sound Mod ala 0 05 4 00 Hz Frequency DISTORTION Used to distort the sound to distort the sound 100 Allows you to select the delay time by clicking Feedback Gain 0 99 a button twice or by use of a footswitch The LA amount of feedback is adjusted using the 100 ms 600bpm PARAMETER control Delay Time 2690 ms 22 3bpm MU 200XP USER S MANUAL PHONIC CORPORATION PHONIC BLOCK DIAGRAM aviad dvi vs Oud 8 3 NIVIN OL NDISSV x diee o PARER oH asa ansao Y 8 1 Ts wens I co o 9 440 NO 193443 B XING WaT awaa BL 7f DI i 2 ZNLY XAV OI e e 7724 7 i AsLL O ngPpo 5523 JI D FI LXNV OL Lto o Wado o EN vie 11V NLY pum LS ININ XNV i ONOW 1 inoviw aal inoesqw Y z 1 H r Lal ino xaa zxnv E 1H914 _ HWH THLO LXNY TAWH THIO U DNIVN 79 NW 103798 1no LXAV
8. two 1 4 Phone Jack outputs feed the signal altered by the CTRL RM SUBMIX level control on the face of the mixer This output has extensive use as it can be used to feed the signal from the mixer to an active monitor for the monitoring of the audio signal from within a booth among other possible uses 8 Phones This stereo output port is suited for use with headphones allowing monitoring of the mix The audio level of this output is controlled using the CTRL RM SUBMIX level control 9 Record Out These outputs will accommodate RCA cables able to be fed to a variety of recording devices Also included is a mini stereo jack for the addition of recording devices such as MD players and even laptop computers as well as a Trim control allowing users to control the output signal level ensuring total control over recording quality 10 2T Return These RCA and mini stereo inputs are used to connect the mixer with external devices such as tape and CD players or even Laptop computers receiving a signal from another source and feeding it to the Main L R mix ing bus PHONIC CORPORATION PHONIC 100VAC 60Hz 90W FUSE 4A 250V 120VAC 60Hz 80W FUSE 3 15A 250V 230VAC 50Hz 110W FUSE T2A 250V 240VAC 50Hz 110W FUSE T2A 250V CAUTION TO REDUCE THE RISK OF FIRE REPLACE WITH SAME TYPE FUSE AND RATING 48V ON AUX 1 PHANTOM POWER POWER RATED OUTPUT 100W 100W 4 0 CLASS 2 WIRING MAY BE US
9. ED 2 4 160 SPEAKER 1 AND 2 8 16 0 SPEAKER 4 09 0 Rear Panel 11 Foot Switch Jacks These ports are for the inclusion of a foot switch used to remotely adjust properties of the built in Digital Effect processor to the mixer The left jack is used to adjust the tap delay properties where the right jack is used for turning the effects on and off 12 ALT 3 4 Output The unbalanced signal sent from these outputs is fed from the ALT 3 4 mixing bus and can be used in conjunction with a large array of devices including signal processors other PA systems recording devices and so on 13 Channel Inserts Located on the rear of the MU 200XP the primary use for these TRS phone jacks is for the addition of exter nal devices such as dynamic processors or equalizers to all pee mono input channels This will require a Y cord that can send 7 3 um pre fader and pre EQ and eo Tip Send Tip Sleeve Ring receive signals to and from an Ae external processor 14 Power Connector and Fuse Holder This port is for the addition of a power cable allowing AC power to be supplied to the mixer Please use the power cable that is included with this mixer only The Fuse holder located above the AC Power connector is of course for the MU 200XP s fuse If the fuse happens to blow open the holder cover and replace the fuse with a suitable replacement as indicated about the power
10. PHONIC MU 200XP Compact Powered Mixer D Q C WARNING TO REDUCE THE RIS OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE AND DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE 100VAC 8092 90W FUSE 4 260V REFER SERVICING TO QUALIFIED PERSONNEL 120VAC 60Hz 80W FUSE 3 16M 260V AMIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR 230VAC BOHz 1 10W FUSE T2 260V p FOOT SWITCH r ALT 34 OUTPUT m CHANNEL INS 240VAC 50Hz 110W FUSE T2 260V EFFECT R 4 1 9 4 TAP ONO CAUTION TO REDUCE THE RISK OF FIRE REPLACE WITH SAME TYPE FUSE AND RATING 48V 1 ON 0 1 EL PRE FADER PRE EQ TIP SEND RING RETURN RATED OUTPUT 100W 100W 40 C CLASS 2 WIRING MAY BE USED 1 OR 2 4 160 SPEAKER 1AND 2 8 160 SPEAKER erp 6800 CAUTION omen LEFT POWER MAN LER Meer d 220065 1 2 MIC 8 4 LEFT MONO AUX RTN AUX SEND L MONO L MONO LINE 1 ovens MAIN i OR UNBAL AUX 1 e GAIN al RL RM SELECT Ceo PHONIC MU200XIP ALL 6 VOCAL2 9 DELAY2 9 SYMPHONIC 12K 2 ROOM 6 ECHO1 0 EARLY RER fid FLANGE 3 PLATE 7 ECHO2 11 G REVERS 18 DISTORTION 4 VOCAL 1 8 DELAY 1 fig TAP DELAY
11. The Power Indicator will light up when the power of the mixer is on e 9 Q Q 000000000 PHONIC CORPORATION PHONIC APPLICATION There are potentially hundreds of ways to connect instru ments and devices to the MU 200XP Compact Powered Mixers It is advisable that you explore the functions and find the best setup possible for your needs which may depend on what instruments you wish to connect as well as how many external devices you wish to connect and your required monitoring applications Combining the use of different instruments with the mixer s special functions such as digital effect processing will ensure that your audio sounds exactly the way you want it FOOTSWITCH COMPRESSOR EE E E mm NM PHONIIC 100VAC 60Hz 90W FUSE 4A 250V 120VAC 60Hz 80W FUSE 3 15A 250V 230VAC 50Hz 110W FUSE T2A 250V 240VAC 50Hz 110W FUSE T2A 250V CAUTION TO REDUCE THE RISK OF FIRE REPLACE WITH SAME TYPE FUSE AND RATING NO USER SERVICEABLE PARTS INSIDE AVIS risque DE FOOT SWITCH EFFEC AUX 1 POWER REFER SERVICING TO QUALIFIED PERSONNEL MAIN L R SERIAL NUMH PRE FADER PRE EQ TIP SEND RING RETURN RATED OUTPUT 100W 100W 40 CLASS 2 WIRING MAY BE USED 1 OR 2 4 160 SPEAKER 1AND 2 8 16 SPEAKER AS ID 119301 CONFORMS TO CERTIFIED TO 167101919 QE V2 Es
12. UX 1 Send output These act as an effect to Monitor control allowing performers engineers to hear the signal processed by either external devices or the Internal DSP Effect Engine 38 Control Room Source Buttons Engaging any of these four buttons will enable you to use the signal from any of the corresponding sources to send to the Control Room mixing bus and the LED Level Meter for level monitoring For instance pressing 2T Rtn button will allow you to send the 2 Track Return signal to the Control Room Outputs and Level Meter where as the Main L R will allow you to use the Main Left Right signal instead the AUX 1 stereo mixing bus allows you to use the AUX 1 signal and the ALT 3 4 allows you to use the addition stereo mix bus signal You can even use a combination of all these signals if need be Channel Tracking by pressing the AUX 1 button in the Control Room Source section and leaving all other buttons released users can affectively track the mono or stereo signals from input channels Slmply ensure all AUX 1 level controls are to a minimum and that the Assign To Main button is released and you can turn the AUX 1 up control of any input channel to track it s signal MU 200XP USER S MANUAL PHONIC 39 Assign To Main Button When the Assign To Main button is engaged the 2T Return and Alternative 3 4 signals can be selected by using the corresponding buttons and are intern sent to the Main L R and Control Room mi
13. annel is selected each of the level input controls of the Mixer should be turned counterclockwise or down as far as they will go No input other than the one being set should have any device plugged in This will ensure the purest signal is used when setting channels Set the level and AUX 1 controls of the channel you are setting to the O dB mark Also set the Main L R fader to the 0 dB mark Press down the AUX 1 button on the control room source section allowing the level meter to display the level of the channel being set Ensure the channel has a signal sent to it similar to the signal that will be sent when in common use For example if the channel is using a microphone then you should speak or sing at the same level the performer normally would during a performance if a guitar is plugged into the channel then the guitar should also be strummed as it normally would be and so on This ensures levels are completely accurate and avoids having to reset them later Set the gain so the Level Meter indicates the audio level is around O dB This channel is now ready to be used you can stop making the audio signal You can repeat the same process for other channels Or not it s your call MAKING CONNECTIONS Inputs and Outputs 1 XLR Microphone Jacks These jacks accept typical 3 pin XLR inputs for balanced and unbalanced signals They can be used in conjunc tion with microphones such as profe
14. are for the return of audio to the MU 200XP mixer processed by an external signal processor If really needed they can also be used as additional stereo inputs with a level control located on the face of the mixer The signal received by AUX Return 2 is routed to the internal effects processor Furthermore the Stereo AUX Return can also accept Mono signals where plugging the 1 4 phone jack of any device into the Left input will cause the signal to be duplicated to the Right input also This does not work in reverse however 5 AUX Effects Send These 1 4 TS outputs may be used to connect to an external digital effect processor or even to an amplifier and speakers depending on your desired settings to the mixer Page 6 MU 200XP USER S MANUAL PHONIC MINI STEREO mn lili m STEREO AUX 1 el CTRL RM P EC AMP SELECT 6 Main L and R Outputs These two ports will output the final stereo unbalanced line level signal sent from the main mixing bus The primary purpose of these jacks is to send the main output to external devices which may include power amplifiers and in turn a pair of speakers other mixers as well as a wide range of other possible signal processors Equalizers Crossovers etcetera NB When sending unbalanced signals from this output a 1 4 TRS stereo plugs must be used and have the ring pin disconnected as to avoid damaging this mixer 7 Control Room Outputs These
15. ducts have shown with more than a few refinements of course The entire MU series features full gain ranges amazingly low distortion levels and incred ibly wide dynamic ranges just showing the dominance these small machines will have in the mixing World We know how eager you are to get started wanting to get the mixer out and hook it all up is probably your number one priority right now but before you do we strongly urge you to take a look through this manual Inside you will find important facts and figures on the set up use and applications of your brand new mixer If you do happen to be one of the many people who flatly refuse to read user manuals then we just urge you to at least glance at the Instant Setup section After glanc ing at or reading through the manual we applaud you if you do read the entire manual please store it in a place that is easy for you to find because chances are there s something you missed the first time around MU 200XP USER S MANUAL PHONIC FEATURES e Audiophile Qualitv amp ultra low noise Built in 100 100 Watt stereo power amplifier for Main L R Main L R Aux 1 or CTRL RM L R Extra ALT 3 4 stereo bus 4 mono mic line channels 2 stereo channels and 2 stereo aux returns 2 Aux sends per channel 75Hz low cut filter on mono channel 3 band EQ on each channel Inserts on mic channels 48V phantom power 24 bit digital stereo multi effect processor with 16 programs pl
16. e button several times the mixer interprets the time between last two pushes and remembers this as the delay time until the button is pushed again this is kept even after the power is turned off When the tap delay effect is selected the corresponding LED will flash at the intervals selected Master Section 35 Amp Select Switch By using this switch users can utilize the MU 200XP s power amplifier to their needs Most commonly this switch should be set to the MAIN ST L R position uppermost position however you may wish to amplify the Control Room signal in which case you should set the switch to CTRL RM L R position lower position However a more appealing option may be d to combine the Main Left and Right signal and amplify that with power amp A then use the other to amplify the AUX 1 signal in which case you should set the switch to the MAIN L R AUX 1 position middle position AMP SELECT MAINL R ASSIGN TO MAIN 36 AUX Stereo Return Controls These controls adjust the signal level of audio fed through to the AUX Stereo Return inputs which will be added to the MAIN L R mix The AUX Return 2 control also acts as the built in DSP Effect level control when no device is plugged into the AUX 2 Return jacks 37 AUX Stereo Return to AUX 1 Send Controls These two rotary controls are used to adjust the audio signal received by the AUX Return 1 and 2 jacks which is sent to the A
17. equired This control is post fader therefore any changes made to the corresponding channel level control 28 are also applied to the EFX signal 25 Pan Balance Controls This alternates the degree or level of audio that the left and right side of the main mix should receive On mono channels this control will adjust the level that the left and right should receive pan where as on a stereo channel adjusting the BAL control will attenuate the left or right audio signals accordingly balance PHONIC CORPORATION PHONIC 26 Mute ALT 3 4 This handy little button is basically a typical mute button effectively stopping any signal received by the channel from being sent to the Main L R and EFX mixing buses however it does so much more Pushing this button routes the channel s signal away from the Main and to its own Alternative stereo output where the signal can be used at will If you wish to use it to connect an amplifier and speakers or simply patch it through to an unused input channel you can easily do so This does not affect the AUX 1 send 27 Peak Indicator This LED indicator will illuminate when the device hits high peaks 6 dB before overload occurs It is best to adjust the gain of the channel so that the PEAK indicator lights up on intervals only This will ensure a greater dynamic range of audio 28 Level Control This rotary control will alter the signal level that is sent from the corresp
18. gain i __ Power output 1KHz 20Hz to 20KHz 50 watts 4 0 190 ohms Any output 1KHz 14dBu 20Hz to 20KHz channel 0 00590 inputs SSS Impedanee SOS Power Requirement depends on region 100VAC 120VAC 50 60Hz Power consumption Power consumption average max max 3 2 kg 7 lbs Dimensions WxHxD 274 8x100x270 3 mm 10 8 x3 9 x10 6 PHONIC CORPORATION MU 200XP USER S MANUAL PHONIC DIMENSIONS 91 0 Vv 1 1 o 0 9 1 0 OOOO f OOOOOOOO 100 0 3 9 j 92 8 3 7 to 82 0 3 2 pee j 68 0 2 7 95 3 3 8 274 8 10 8 _ 240 0 9 4 Q 6 Soo OO OOOOOOOOOOO OOOOOOOOOOO
19. n used in a professional audio mix as it is usually more desirable to cut middle frequency sounds rather than boost them thereby soothing overly harsh vocal and instrument sounds in the audio MU 200XP USER S MANUAL PHONIC 21 Low Frequency Control This control is used to give a shelving boost or cut of 15 dB to low frequency 80 Hz sounds This will adjust the amount of bass included in the audio of the channel and bring more warmth and punch to drums and bass guitars 22 Low Cut Filter 75 Hz This button featured on channels 1 through to 4 will activate a low cut high pass filter that reduces all frequencies below 75 Hz at 18 dB per Octave helping to remove any unwanted ground noise or stage rumble 23 AUX 1 Monitor Control This control allows the user to send the corresponding signal to the AUX 1 output which can be used in conjunction with an amplifier and studio or stage monitors or simply as an auxiliary output for any means required The control is pre fader therefore any changes made to the corresponding channel level control 28 do not affect the AUX 1 send signal 24 AUX 2 Effects Control This control alters the signal level that is sent to the AUX 2 or EFX send output which can be used in conjunction with external signal processors this signal of which can be returned to mixer via the AUX return input or any stereo input channel or simply as an auxiliary output for any means r
20. onding channel to the main mixing bus Digital Effect Section 9 29 Digital Effect Display This panel displays the titles of different effects that can be added to your audio signal When you select the effect number with the Program Control the corresponding effect is applied automatically For a list of available effects please observe the Digital Effect Table 30 Program Control This control is used to scroll through the various effects shown on the Digital Effect Display Turning the control will automatically change the effect and apply it to the EFX RTN 2 feed 31 Parameter Control This will adjust the appropriate one main parameter of the digital effect that is applied to the audio feed Please refer to the digital effects table for more information on effect parameters PHONIC CORPORATION MU 200XP USER S MANUAL 32 DSP Effect On and Indicator This button is pushed to turn the corresponding effect panel on or off When the effect processor is turned on the corresponding LED illuminates 33 Peak Indicator This LED indicator will illuminate when the DSP is overdriven and causes distortion It is best to adjust the appropriate AUX 2 EFX Send control on the channel strip so as to ensure the PEAK indicator does not light This will ensure a greater dynamic range for audio 34 Tap Delay and Indicator When the tap delay effect is selected this button is used to determine the delay time By pushing th
21. ooss DO NOT OPEN 8Q STAGE MONITORS B 8Q FOH SPEAKERS ANOTHER ZONE ACTIVE SPEAKERS LEFT RIGHT AMP ACTIVE MONITORS LEFT RIGHT VOCALMIC VOCAL MIC EFX PRO CESSOR MONO L LINE 1 LINE MIC je GAIN LEAT o 10 AUX RTN RIGHT 1 HEADPHONES PHONES MAIN CTRL RM AUX SEND MONO L LAPTOP STEREO LA B MAIN a pe i CTRL RM EET AMP SELECT GUITAR EFFECTS PHONIC CORPORATION Li zlii l 0000 DRUM MACHINE MU 200XP USER S MANUAL PHONIC DIGITAL EFFECT TABLE Parameter Controllability Program Name Program Description Variable Parameter Range HALL This reverb simulates a large expanse setting Reverb Time esc disse such as a concert hall ROOM ha acoustics similar to those of a small ieee 39 Sse 3 PLATE Simulates a Plate Reverb device creating Reverb Time ENS cee hard sounding Reverberation s emo Dew Tme _ Le om fpomsnemesaw
22. ssional condenser dynamic or ribbon microphones with standard XLR male connectors and feature low noise preamplifiers serv ing for crystal clear sound replication The MU 200XP features four standard XLR microphone inputs for your convenience NB When these inputs are used with condenser microphones the Phantom Power should be activated However when Phantom Power button is engaged single ended unbalanced microphones and instruments should not be used on the Mic inputs 2 Line Inputs This input accepts typical 1 4 TRS or TS inputs for balanced or unbalanced signals There are various numbers of these inputs depending which mixer you are using They can be used in conjunction with various line level devices such as keyboards drum machines electric guitars and a variety of other electric instruments 3 Stereo Channels The MU 200XP mixer features a couple of stereo channels thrown in for maximum flexibility Each of these stereo channels features two 1 4 TRS phone jacks for the addition of various line level input devices such as electronic keyboards guitars and external signal processors or mixers These Stereo Channels can also be used as Mono channels where the signal from any 1 4 phone jack plugged into the Left stereo input will cause the signal to be duplicated to the Right input due to the miracle of jack normalizing This does not work in reverse however 4 Stereo AUX Return These 1 4 TS inputs
23. us one main parameter control tap control and foot switches Control room Phones source matrix e Stereo aux send 1 cue for monitoring individual channel Master aux return section with EFX to Monitor e Handy mini stereo and RCA type inputs and outputs record output with independent trim control for recording level matching e High volume headphone output 4 1 4 phone jacks for speaker connection Optional rack mounting kit model name ER MU 200XP PHONIC CORPORATION PHONIC GETTING STARTED 1 PHONIC CORPORATION Ensure all power is turned off on your mixer To totally ensure this the AC cable should not be connected to the unit All faders and level controls should be set at the lowest level and all channels muted to ensure no sound is inadvertently sent through the outputs when the device is switched on All levels can be altered to acceptable degrees after the device is turned on using the channel setup instructions Plug any necessary equipment into the device s various outputs This could include amplifiers and speakers monitors signal processors and or recording devices Plug the supplied AC cable into the AC inlet on the back of the device and then into a power outlet of a suitable voltage Turn the power switch on and follow the channel setup instructions to get the most out of your equipment MU 200XP USER S MANUAL CHANNEL SETUP ensure the correct audio level of the input ch
24. ve Oppenheimer Mark Isham Mix Books ISBN 091837121X Live Sound Reinforcement A Comprehensive Guide to P A and Music Reinforcement Systems and Technology by Scott Hunter Stark Mix Books ISBN 0918371074 Audiopro Home Recording Course Vol 1 A Comprehensive Multimedia Audio Recording Text by Bill Gibson Mix Books ISBN 0918371104 Audiopro Home Recording Course Vol 2 A Comprehensive Multimedia Audio Recording Text by Bill Gibson Mix Books ISBN 0918371201 PHONIC WWW PHONIC COM
25. ve the left channel Level Meter Before turning Phantom Power on turn all level controls to a minimum to avoid the possibility of a ghastly popping sound from the speakers NB Phantom Power should be used in conjunction with balanced microphones When Phantom Power is engaged single ended unbalanced microphones and instruments should not be used on the Mic inputs Phantom Power will not cause damage to most dynamic microphones however if unsure the microphone s user manual should be consulted Channel Controls 18 Line Mic Gain Control This controls the sensitivity of the input signal of the Line Microphone input The gain should be adjusted to a level that allows the maximum use of the audio while still maintaining the quality of the feed This can be accomplished by adjusting it to a level that will allow the peak indicator occasionally illuminate All 4 mono channels feature this control 19 High Frequency Control This control is used to give a shelving boost or cut of 15 dB to high frequency 12 kHz sounds This will adjust the amount of treble included in the audio of the channel adding strength and crispness to sounds such as guitars cymbals and synthesizers 20 Middle Frequency Control This control is used to provide a peaking style of boost and cut to the level of middle frequency 2 5 kHz sounds at a range of 15 dB Changing middle frequencies of an audio feed can be rather difficult whe
26. xing buses via the Control Room Submix control This can come in handy when you want play a CD during intermission in a live show If you have the Main L R or AUX 1 buttons on the Control Room Source section engaged the corresponding signals will not be sent to the Main L R by way of this button nor will their signals be sent to the Control Room or Phones outputs 40 Ctrl Rm Submix Control This control is used to adjust the audio level of the Control Room feed which is sent to both the Control Room outputs for monitoring acting as side fill or other purposes and Phones outputs to be used in conjunction with headphones for monitoring purposes It also acts as the submix control which allows the user to adjust the signal selected by the Control Room Source when the Assign to Main button is engaged 41 Main L R Control This 60mm fader is final level control for the main left and right audio feed sent to the Main L and R output 42 Level Meter The MU 200XP s stereo 10 segment level meters give an accurate indication of when audio levels from the Control Room Matrix Source reach certain levels It is suggested for the maximum use of audio to set the various levels controls so that the Peak LEDs flash only occasionally and perhaps it is better if you ensure the level stays around a pinch below that 43 48 Indicator The 48V Indicator illuminates whenever the Phantom Power switch is activated 44 Power Indicator
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