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Processing with StarTools

1. 31 StarTools 1 3 5 Unofficial User Manual The HOME IN button next to the slider makes it even easier to find the right balance Simply click on it repeatedly until it settles on a god value for your image e GAMMA performs a gamma adjust of the image with the specified power factor It is the simplest non linear stretch available Most computer screens require a gamma of 2 2 for correct conversion of linear data into non linear data that appears linear on screen e DARK ANOMOLY FILTER specifies how strong the DEVELOP module should filter the image in order to get rid of any dark anomalies Anomalies that are darker dark anomalies than the galactic background such as dead pixels stacking artifacts dust particles on the CCD or terrestrial objects such as trees mountains etc may throw the DEVELOP module s automatic background level detection off in some cases The DARK ANOMALY FILTER can remove small dark anomalies such as dead pixels small dust specks or small scratches For larger anomalies please use the HEAL or CROP modules to heal or crop out the anomalies e DARK ANOMOLY HEADROOM specifies what to do with dark anomalies found by the DARK ANOMOLY FILTER This parameter specifies how much headroom is re allocated for them More specifically it specifies how many gray levels they may take up as a percentage of the total amount of gray levels they used to occupy NOTE this parameter only takes effect wn
2. e ITERATIONS specifies how many iterations the DECONVOLUTION algorithm will through Iterations beyond a certain point will not yield a better result so only increase this value if further improvement can be seen Please note that increasing this parameter will make rendering take longer e IMAGE TYPE selects between a special mode for Depp Space and Lunar Planetary images The latter mode frees up dynamic range for any deconvoluted highlights These highlights may require extra dynamic range in the image than was available in the non deconvoluted image The Lunar Planetary mode allocates this dynamic range as needed so that detail in the highlights is preserved e MASK BEHAVIOR specifies how a mask is used to enhance your image The default value of De ring Mask Gaps Hide Result still deconvolutes masked out parts but applies de ringing to them so that the ringing in these parts doesn t bleed into other masked in parts The result of the de ringing is then hidden by copying the non deconvoluted image where mask gaps exist In this case the MASK FUZZ parameter gradually lets the de ringed result poke through The De ring Mask Gaps Show Result de rings the parts of the mask that were not set but does not hide the result The parts that are de ringed are shown wholly Normal has the usual effect of retaining the original pixels where no mask was set No de ringing is applied in this instance e MASK
3. Ff StarTools o Cu rTools Illustration 84 Setting up the Auto function for hot pixel removal We then proceed by clicking the Auto button and setting up the parameters for hot pixel removal We select Hot Pixels Mono gt Threshold or Hot Pixels Color gt Threshold as our Selection Mode depending on the image type as well as the most aggressive values possible for hot pixel removal We set Threshold to 0 meaning we don t care how bright a hot pixel must be before we remove it just remove anything we encounter We set Filter Sensitivity to 0 meaning we want to identify as many features as possible for subsequent analysis no matter how faint This allows us to detect warm pixels These are pixels that are not completely defunct but still yield a higher value than they should Once you are satisfied with the parameters click the Do button to commence the Mask generation 169 StarTools 1 3 5 Unofficial User Manual Illustration 85 The mask with hot pixels after several clicks on the Grow button After a short time the Auto function will return you to the Mask editor screen with all hot pixels tagged However unless zoomed in the selection may be hard to see as hot pixels are typically one pixel in size While the hot pixels should have been detected successfully their ill effects may stretch beyond just a single pixel This is typically true for images that have been deba
4. StarTools Version 1 3 5 Unofficial User Manual Edited by Stephen Statts StarTools 1 3 5 Unofficial User Manual StarTools 1 3 5 Unofficial User Manual There are as many schools of astroimage processing as there are astrophotographers Rogelio Bernal Andreo Astrophotographer DeepSkyColors com StarTools 1 3 5 Unofficial User Manual This manual is a modified version of the obsolete StarTools 1 0 manual Last updated 05 May 2014 Copyright O 2011 2012 2013 2014 SiliconFields All Rights Reserved Please contact us through our website at http www startools org if you find any mistakes factual errors or copyright usage violations in this manual StarTools 1 3 5 Unofficial User Manual Table of Contents INFOR 8 Getting Started and system requirements vcsccicescsccccenvecsnsosstieccnsessccsesssadeasonaseesocesienesssansnsensaedecsenassessbanicees 9 Processing with Star ONG papis ia 11 An address to beginners and advanced USESS cccccccecsssessssecececessesecneaeeeeecsssesesaeseeeescesseseaaeseeeescessesaaaeseesesseesaes Making your data StarTools friendly cccccccccccssssssseceeccecsesesseaeceeccecesseeuaeceeecsssesesasaeceeeeusecesaeseeeeecsssnseaeaeeeeeens What StarTools does and does not dO ooocccccccccoccnonoconononononcnnnnnnnnnocnnonnnnnnnnnnnn nn nana cnn nn rra nr n rear n arrancan IMSS a 14 o O 17 Tracking Detallada A A e eee ee ere ore meee 20 ODMS 23 CRB ria 26 Develop serren acne h eles
5. A multi platform approach combined with not for profit pricing promotes the author s ideal of astrophotography for all We hope you enjoy the software and that it will be instrumental in getting the most from the equipment you have Clear skies Ivo Jager StarTools author StarTools 1 3 5 Unofficial User Manual Getting Started and system requirements StarTools as with every other image processing suite is memory and CPU intensive A fast dual core processor with SSE3 is recommended as a minimum A 64 bit Operating System is highly recommended although 32 bit binaries are also available 3Gb of memory or more is highly recommended for 32 bit Operating Systems while 6Gb or more is recommended for 64 bit Operating Systems Please note that the MacOSX version of StarTools will not run on PowerPC processors StarTools will run on Netbooks with Intel Atom processors however limited CPU power and memory constraints will severely limit the size of the images that can be effectively processed The 32 bit version of StarTools will use a standard quality 32 bit signal path whereas any 64 bit version of StarTools uses a high performance high quality 64 bit engine Therefore if your hardware and operating system allows please choose to run a 64 bit executable for your platform as it contains some very important improvements over the 32 bit version The 64 bit executable also allows StarTools to use more than 3 GB of memory should you
6. They will also assist you in revealing detail in the very brightest parts of the image If StarTools tracking feature is enabled and if you launch the DEVELOP or AUTO DEVELOP module again after stretching a first time you have the option of going back in time and redoing replacing that stretch In that case any operations you performed after that initial stretch that you are about to redo will be automatically redone for you IMPORTANT If you are not merely using this module for a quick stretch to inspect your data then remove any stacking artifacts by using the CROP module before using this module for final stretching After doing this simply revisit this or the AUTO DEV module for the final stretching 30 StarTools 1 3 5 Unofficial User Manual Stacking artifacts interfere with the automatic dynamic range optimization process In the presence of dead pixels or small dust donuts increase the DARK ANOMALY FILTER parameter Usage A A 9 r StarTools s Reset Cancel Keep Help e DIGITAL DEVELOPMENT emulates the typical exposure response of film If using the DEVELOP module for stretching your data for further processing just drag the slider along until you feel that the faintest parts of the image are visible enough and there is good balance between bright and dark Don t worry about making detail in bright cores too bright you will be able to recover this detail with the CONTRAST and HDR modules
7. as it is diffracted by the different components in the OTA Note that this image is not necessarily a representation of a star rather it serves as an indication of what individual stars will look like and how different OTA configurations influence the diffraction pattern as you design your virtual scope The virtual telescope model is controlled by 15 parameters e Aperture specifies the diameter of the OTA All other measurements and sizes controlled by the other parameters are relative to this parameter Together with the Focal Length parameter and the Image Diameter in the Synth module aperture significantly influences the concentration of starlight of individual stars in the final image Focal Length 68 StarTools 1 3 5 Unofficial User Manual specifies the length of the OTA Together with the Aperture parameter and the Image Diameter in the Synth module this parameter influences the concentration of starlight of individual stars in the final image To calculate the focal ratio divide this number by the aperture e g for an aperture of 200mm and a focal length of 1200mm this yields 1200 200 f 6 o rTools Cancel Do Help 69 StarTools 1 3 5 Unofficial User Manual e Sample Size controls the fidelity of the model Larger values will approximate energy distribution better and for larger areas but will take longer to compute and render In reality a Star s starlight is scattered throughout t
8. gas knots and nebula edges up to a certain size see Max Feature Size below and depending on a certain sensitivity see Filter Sensitivity below This mode is particularly effective for selecting stars Note that if the Threshold parameter is kept at 100 this mode produces results that are identical to the Light Features mode e Light Features selects high frequency components in an image such as stars gas knots and nebula edges up to a certain size see Max Feature Size below and depending on a certain sensitivity see Filter Sensitivity below e Highlight gt Threshold selects any pixel whose brightness is brighter than a certain percentage of the maximum value see the Threshold parameter below If you find this mode does not select bright stars with white cores that well open the Levels module and set the Normalization a few pixels higher This should make light features marginally brighter and dark features marginally darker e Dead Pixels lt Threshold selects dark high frequency components in an image such star edges halos introduced by over sharpening nebula edges and dead pixels up to a certain size see Max Feature Size below and depending on a certain sensitivity see Filter Sensitivity below and whose brightness is darker than a certain percentage of the maximum value see the Threshold parameter below It then further narrows down the selection by looking at which pixels are
9. FILTER specifies how strong WIPE should filter the image in order to get rid of any dark anomalies WIPE usually does a great job unaided however anomalies that are darker dark anomalies than the galactic background such as dead pixels stacking artifacts dust particles on the CCD or terrestrial objects such as trees mountains etc may throw WIPE s gradient detection off in some cases The DARK ANOMALY FILTER can remove small dark anomalies such as dead pixels small dust particles or small scratches DARK ANOMALY HEADROOM specifies what to do with dark anomalies found by the DARK ANOMALY FILTER This parameter specifies how much headroom is reallocated for them More specifically it specifies how many gray levels they may take up as a percentage of the total amount of ray levels available NOTE this parameter only takes effect wnen DARK ANOMALY FILTER is not off It is grayed out otherwise CAP GREEN removes any dominant green color information from the image relying on the fact that not many objects in outer space are green The WIPE module can therefore be instructed to assume that any dominant green information is the result of noise or unwanted gradients 60 StarTools 1 3 5 Unofficial User Manual e TO YELLOW caps green to yellow If you find that this introduces yellow tints into your image try TO BROWN e TO BROWN caps green to brown NOTE Exceptions of green areas are those with dom
10. Illustration 72 Apart from the different brush modes various other functions exist to make editing and creating a Mask even easier e The Save button allows you to save the current mask to a standard TIFF file e The Oper button allows you to import a Mask that was previously saved by using the Save button Note that the image that is being opened to become the new Mask needs to have the same dimensions as the image the Mask is intended for e The Auto button is a very powerful feature that allows you to automatically isolate features For more details please see the sub chapter on the Auto feature on page 156 e The Clear button turns off all green pixels i e it deselects all pixels in the image e The Invert button turns on all pixels that are off and turns off all pixels that were on Tip To quickly turn on all pixels click the clear button then the invert button 154 StarTools 1 3 5 Unofficial User Manual e The Shrink button turns off all the green pixels that have a non green neighbour effectively shrinking any selected regions e The Grow button turns on any non green pixel that has a green neighbour effectively growing any selected regions e The Undo button allows you to undo the last operation that was performed Tip to quickly turn on all pixels click the Clear button then the Invert button As with the different modules in StarTools the Keep and Cancel
11. The curvature of the image resulting from the correction is automatically cropped For best results correct an image with LENS prior to cropping This will make it easier to find the center of the distortion often close to the middle of the image and should make the procedure repeatable with the same parameters for any future images taken with the same setup under the same circumstances Chromatic aberration is the phenomenon of different wavelengths colours of light coming to focus at slightly different distances Chromatic aberration is usually prevalent in cheaper lens systems but even the most expensive optical systems suffer from a minute amount of chromatic aberration The Lens module can correct for some of the ill effects of lateral or transverse chromatic aberration This type chromatic aberration often takes the form of unwanted colour fringes progressively getting worse towards some or all corners of the image Please note that the Lens module does not correct for axial or longitudinal chromatic aberration This type of chromatic aberration is often the cause of blue or purple halos around stars To correct for this type of chromatic aberration please refer to the Filter module chapter and example page 99 Coma is an inherent property of telescopes using parabolic mirrors Light from a point source such as a star in the center of the field is perfectly focused at the focal point of the mirror However when the light sour
12. Unofficial User Manual Usage Estos m eama r StarTools Undo Fg Undo Bg Copy Swap sl Sep Help e LAYER MODE defines how the foreground image should be layered on top of the background image o BLEND simply copies the foreground over the background By varying the BLEND AMOUNT parameter you can make a blend of the background and foreground images o LIGHTEN only copies those pixels that are lighter in the foreground over the background 106 StarTools 1 3 5 Unofficial User Manual o DARKEN only copies those pixels that are darker in the foreground over the background o MULTIPLY multiplies the background image by the foreground image o ADD adds the foreground image to the background image o SUBTRACT subtracts the foreground image from the background image o DIFFERENCE calculates the difference positive or negative between the foreground image and the background image o OVERLAY overlays the foreground image on top of the background image It darkens the image but not as much as the MULTIPLY mode e BLEND AMOUNT controls how much of the foreground image is layered on top of the background image e CAP MODE defines how negative and over unity values should be treated o CLIP truncates the negative values to 0 and over unity values to unity o NORMALIZE stretches the levels to span the whole available dynamic range e OFFSET X specifies the horizontal offset of the second l
13. account hot and dead pixels artifacts in the form of halos may arise in some cases Usage e COMPENSATE GAMMA specifies whether CONTRAST should compensate for the darkening of an image by increasing the gamma i e performing a slight non linear stretch e EXPOSE DARK AREAS specifies whether CONTRAST should be allowed to brighten certain parts of the image that benefits contrast e PRECISION specifies the amount of samples WIPE takes from the image In large images with quickly changing gradients higher precision may be appropriate e DARK ANOMOLY HEADROOM specifies what to do with dark anomalies found by the DARK ANOMOLY FILTER This parameter specifies how much headroom is re allocated for them More specifically it specifies how many gray levels they may take up as a percentage of the total amount of gray levels they used to occupy NOTE this parameter only takes effect when DARK ANOMOLY FILTER is not off It is grayed out otherwise e DARK ANOMOLY FILTER specifies how strong the DEVELOP module should filter the image in order to get rid of any dark anomalies Anomalies that are darker dark anomalies than the galactic background such as dead pixels stacking artifacts dust particles on the CCD or terrestrial objects such as trees mountains etc may throw the DEVELOP module s automatic background level detection off in some cases The DARK ANOMALY FILTER can remove small dark anomalies such as dea
14. ainoaa abraio aie 173 StarTools 1 3 5 Unofficial User Manual Introduction Thank you for your interest in StarTools StarTools is an astronomical image post processing program for Windows MacOSX and Linux StarTools sets itself apart from other processing software by focusing on the unique needs of amateur sidewalk astronomer in urban areas StarTools tries to make up for a lack of professional equipment and imaging in less thanideal urban skies It does this by leveraging the abundance of cheap 64 bit CPU power and memory as well as powerful off the shelf imaging hardware such as Compact Digital Cameras Digital Single Lens Reflex cameras and webcams Consequently StarTools contains features and algorithms that are not commonly found in software packages solely meant for professionals with the latter type of astronomers typically having access to semi professional equipment and dark sky sites StarTools can be used to post process a stacked image from start to finish or may be used as part of a greater toolchain of image processing programs Besides various unique and novel algorithms StarTools also aims to offer equivalents of most of the various PhotoShop actions available on the web all without the need to separately purchase a PhotoShop plug in compatible host program The StarTools project was created for the love of astronomy and the desire to greatly lower the barrier for urban beginners interested in imaging the skies
15. before layering is performed MASK FUZZ If a mask is used to selectively noise reduce the image using the MASK FUZZ parameter will ensure smooth and hence undetectable transitions between background and foreground image This option is unavailable if no mask is active e g when all pixels in the whole image are tagged for processing TECHNICAL EXPLANATION This parameter specifies the kernel radius of an optional Gaussian blur to be temporarily applied to the mask 109 StarTools 1 3 5 Unofficial User Manual Example 1 Integrating frames of different exposure lengths In this example we will demonstrate how to use the Layer module to integrate two frames that were recorded at different exposure lengths aa StarTools ct 2 gt StarTools Open Save Auto Clear Invert Shrink Grow Undo Cancel Keep Help Illustration 51 M42 with overexposed core selected as the Mask Image courtesy of Rowland Cheshire We first start off with the longest exposed image In Illustration 51 we have opened the Mask editor cleared the old Mask set the Brush Mode to Flood Fill Lighter Pixels and clicked just outside the overexposed core of M42 This has now selected the core 110 StarTools 1 3 5 Unofficial User Manual ES StarToois artos Next we open up the Layer module We have loaded the less exposed image into the 2nd layer i e the middle image by clicking on the Open button The composed res
16. before layering of the new ones is performed e Addition Remove Stars adds the synthesised layer to the original however any stars that are replaced are completely removed from the original before layering of the new ones is performed e Hybrid Keep Stars applies a proprietary compositing algorithm which is a hybrid between addition lightening and screening pixel math The original image including any stars that are to be replaced is kept and the synthesised layer is simply layered on top of it e Lighten Keep Stars applies Lighten Only pixel math to composite the new image The original image including any stars that are to be replaced is kept and the synthesised layer is simply layered on top of it e Addition Keep Stars adds the synthesised layer to the original The original image including any stars that are to be replaced is kept and the synthesised layer is simply layered on top of it e Subtract Keep Stars is an experimental mode where synthesised stars are subtracted from the original This mode may help to bring out detail where fain detail is otherwise 74 StarTools 1 3 5 Unofficial User Manual drowned out by a star s glare It is recommended to only use this mode with virtual refractor designs combined with some blur e Blend Original specifies what amount of the original image should make up the final image Once a star layer is available i e the Do button has been clicke
17. case the oversampled data is used to recover finer detail than is otherwise available in the original oversampled data 63 StarTools 1 3 5 Unofficial User Manual Making the decision to perform binning very early on in the processing before stretching levels and or digital development will improve the signal you get to work with and prevent noise from propagating A notable exception is when the imager intends to apply a deconvolution algorithm in which case the oversampled data is used to recover finer detail than is otherwise available in the original oversampled data Finally you could also consider software binning as a last resort to reduce noise even if detail is removed In this case with reduced data binning may make the difference between a usable and an unusable data set by augmenting data at the expense of resolution Please note that some dedicated CCDs offer binning in hardware typically only a 2x2 mode Hardware binning will yield an even better signal to noise ratio as the hardware binning also reduces read out noise which software binning does not Depending on your subject and site conditions hardware binning may make the difference between a usable image and a noisy pixel soup In these conditions where read noise mitigation is of the utmost importance hardware binning will yield significantly better results than post acquisition software binning Depending on your CCD characteristics hardware binning may also
18. close to the edges Usage CROP is a simple cropping tool The preset StArt button will automatically attempt to detect and remove stacking artifacts Crop has just 4 parameters e X1 specifies the first X coordinate 147 StarTools 1 3 5 Unofficial User Manual e Y1 specifies the first Y coordinate e X2 specifies the second X coordinate e Y2 specifies the second Y coordinate The Crop module will show which parts of the image will be cut off by showing those pixels coloured in green Any pixels in the image that will be kept will be shown in their original pixels Clicking the Crop button will finalise the cropping and return the user to the main screen 148 StarTools 1 3 5 Unofficial User Manual Mirror H Overview MIRROR H flips the image horizontally lt has no settings screen Mirror V Overview MIRROR V flips the image vertically It has no settings screen ROTATE Overview The ROTATE module simply rotates your image Usage e Rotate provides 3 preset angle buttons 90 180 and 270 degrees e Angle defines the angle by which the image should be rotated 149 StarTools 1 3 5 Unofficial User Manual Masks What is a Mask The Mask feature is an integral part of StarTools Many modules use a mask to operate on specific pixels and parts of the image leaving other parts intact Besides operating only on certain parts of the image it allows the many modules in StarTools to perform much more sophis
19. cried out thought StarTools was supposed to make things simpler This post is to demystify what exactly StarTools is doing to your colors and how the Style and LRGB Method Emulation let you wield awesome power virtually without having to lift a finger First up is the Style parameter Ever since Tracking and by extent non linear processing was introduced in 1 3 a number of completely new and innovative abilities were bestowed upon StarTools modules Were all familiar with StarTools detail aware noise reduction deconvolution after stretching and lately the intelligent detail aware wavelet sharpener Around 1 3 2 the Color module was revamped with a new way of Color compositing separating luminance and color processing completely At the time it seemed like the logical way to implement it having the Tracking data at our disposal but it turned out to have some more interesting attributes This algorithm which is now embodied in the Scientific Color Constancy setting of the Style parameter is a new more scientifically accurate way of representing color in your images Color perception is a difficult subject and there are no right answers to what constitutes the right way to present color in deep space images I d love to elaborate on this but we ll save that discussion for another time What does exist however is a worse way of presenting color in deep space images and it is unfortunately surprisingly commo
20. fat white stars appear tighter This question comes up a lot so here is a quick guide on how to take care of stars that seem washed out or have large halos To make big fat white stars appear tighter there is a special tighten setting in the Magic module This module allows you to change general star appearance What you will want to do is have StarTools create a mask for you that has those big fat white stars in them This is very easy in the mask editor click Auto Stars This preset will usually do a decent job at grabbing all the stars However this time we re only interested in the big fat white stars To grab only those change the Selection Mode into Highlights gt Threshold This does exactly what it says on the tin it grabs only very bright pixels that are bigger than the Threshold 96 StarTools 1 3 5 Unofficial User Manual parameter which by default sits at 100 All you need to do then is set Threshold to something smaller than 100 let s say 90 Now click Do If all is well you should notice that the cores of the big fat white stars are now green in the mask editor meaning they are now part of the mask You might want to click Grow once or twice to select neighbouring pixels that are also quite white Congratulations you re now working with advanced masking techniques Now click Keep to keep your mask and to start using it in the module of your choice the Magic module in this in
21. feature is only available when Tracking is engaged O STRAIGHT CIELAB LUMINANCE RETENTION manipulates all color psycho visually optimal in CIELab space introducing color without affecting brightness RGB RATIO CIELAB LUMINANCE RETENTION uses a method first proposed by Till Credner of the Max Planck Institut and subsequently rediscovered by Paul Kanevsky to use RGB ratios multiplied by luminance in order to better preserve star color Luminance retention in CIELab color space is applied afterwards 50 50 LAYERING CIELAB LUMINANCE RETENTION uses a method proposed by Robert Gendler where luminance is layered on top of the color information with a 50 opacity Luminance retention in CIELab color space is applied afterwards The inherent loss of 50 in saturation is compensated for your convenience for easier comparison with other methods RGB RATIO uses a method first proposed by Till Credner of the Max Planck Institut and subsequently rediscovered by Paul Kanevsky to use RGB ratios multiplied by luminance in order to better preserve star color No further luminance retention is attempted 50 50 LAYERING uses a method proposed by Robert Gendler where luminance is layered on top of the color information with a 50 opacity No further luminance retention is attempted The inherent loss of 50 in saturation is compensated for your convenience for easier comparison with other methods BIAS SLIDER MODE switches the red green and
22. fits file if you find that regular saving outputs a stretched or modified image 25 StarTools 1 3 5 Unofficial User Manual LRGB Overview The LRGB module is a flexible colour image compositor It allows you to mix and match Luminance Red Green and or Blue images LRGB features automatic colour interpolation to make up for any missing channels This feature is particularly useful when for example creating a composite from Ha and Hb data in the red and blue channels LRGB will automatically generate the green channel in this instance LRGB also imports colour images and extracts channels as appropriate For example importing a colour image into the red channel will automatically only extract the red data from the colour image Please note that when importing files all files must have the same dimensions There is one exception red green or blue channels may be exactly 1 2 the size of the luminance channel This is so that the luminance channel can be recorded at 1x1 hardware binning while red green and blue may be recorded at 2x2 hardware binning In this case the red green and blue files will be automatically scaled up to match the size of the luminance channel 26 StarTools 1 3 5 Unofficial User Manual Usage Bice TD Ms Luminance Red The LRGB module has 10 adjustable parameters and settings e RGB Blur specifies the kernel radius of a Gaussian blur that is applied to the red green a
23. following message displays o Noise Floor 122 StarTools 1 3 5 Unofficial User Manual If your image exhibits a clear noise floor beyond which signal is overwhelmed by read noise then bring up the Read Noise Compensation parameter until the noise disappears The Read Noise Compensation should correspond to the luminance value in the image where the noise floor starts Try to minimize this value as much as possible using other parameters as much as possible to control noise first This second de noise screen is where you perform noise reduction to taste Bring up the various SCALE levels to see noise reduction take effect at the various noise grain sizes If your image suffers from noise grain of a specific size simply find the matching SCALE parameter and increase its level If your image suffers from a mixture of noise grain sizes push up all SCALE parameters levels NOTE The DENOISE module separates the image into color and brightness information This allows you to control noise reduction in both the color domain and the brightness domain TIP If there are any parts that you feel do not stand anything to gain by noise reduction you are encouraged to create a mask in the mask editor so that you can mask these parts out TIP If your image suffers from color blotches caused by noise in the color domain set BRIGHTNESS DETAIL LOSS to 0 This will ensure only the color blotches will be addressed while any brig
24. further processing All you have to do is tell it the size of the features it can safely ignore such as single pixel noise grain and it will do its best to give the features that are interesting in your image as much dynamic range as possible throughout your image You can even specify an area region of interest of the image where you think the most interesting objects are located in you mage AUTO DEVELOP will then give priority to bringing out objects in that area specifically as opposed to bringing out objects in the image as a whole 35 StarTools 1 3 5 Unofficial User Manual a StarTools k l E e E ion If StarTools tracking feature is enabled and if you launch the AUTO DEVELOP or DEVELOP module again after stretching a first time you have the option of going back in time and redoing replacing that stretch In that case any operations you performed after that initial stretch that you are about to redo will be automatically redone for you Because AUTO DEVELOP is designed to bring out as much detail as it can it is a great tool to highlight any problems in your image for example if the image has a very strong color bias you are probably seeing the effects of light pollution you ll want to correct this using the WIPE module Other problems that AUTO DEVELOP will highlight are noise vignetting and lack of flat frames ex Dust donuts 36 StarTools 1 3 5 Unofficial User Manual AUTO DEVELOP achieve
25. have some drawbacks such as diminished well depth or complete loss of colour in case of a One Shot Colour OSC device Of course software binning is an optional post processing step whereas hardware binning is performed during capture and is irreversible Usage e The Bin module takes a single parameter Scale whose value can be read in several ways as it relates to several aspects of the new image versus the old image SCALE defines the reduction in resolution and the corresponding desired increase in signal to noise ratio Also displayed is the noise reduction factor and the bit depth improvement that corresponds to the selected SCALE factor 64 StarTools 1 3 5 Unofficial User Manual A Cs rTools Illustration 25 The BIN module interface As can be seen in Illustration 25 the value indicator in the level setter control reads scale noise reduction 50 00 400 2 00 bits This may be read in the following ways The image s X and Y dimensions have been reduced to 50 of their respective original values Noise has been reduced to 50 of its original level The original image was 400 the size of the newly binned image There has been an improvement of 400 to noise levels Bit depth has been increased by 2 00 bits 65 StarTools 1 3 5 Unofficial User Manual Notice how noise reduction does not increase linearly with image size reduction i e to get more noise reduction the image will have to be scaled d
26. likely the result of CCD defects dead pixels e Hot Pixels gt Threshold selects high frequency components in an image up to a certain size see Max Feature Size below and depending on a certain sensitivity see Filter Sensitivity below It then further narrows down the selection by looking at which pixels are likely the result of CCD defects or cosmic rays also known as hot pixels The Threshold parameter controls how bright hot pixels need to be before they are potentially tagged as hot Note that a Threshold of less than 100 needs to be specified for this mode to have any effect Noise Fine selects all pixels that are likely affected by significant amounts of noise Please note that other parameters such as the Threshold Max Feature Size Filter Sensitivity and Exclude Color have no effect in this mode 157 StarTools 1 3 5 Unofficial User Manual Noise Coarse selects all pixels that are likely affected by significant amounts of noise This algorithm is more aggressive in its noise detection and tagging than Noise Fine Please note that other parameters such as the Threshold Max Feature Size Filter Sensitivity and Exclude Color have no effect in this mode Sobel Edge selects all pixels that are likely to belong to the edge of a feature Use the Threshold parameter to set sensitivity where lower values make the edge detector more sensitive As has been alluded to above so
27. pixels are selected for processing NOTE When a mask is used WIPE will still wipe the complete image but will no longer take the masked out pixels into account while building the gradient model 58 StarTools 1 3 5 Unofficial User Manual TIP If any dark anomalies are small e g dead pixels you may use the DARK ANOMALY FILTER parameter TIP Be sure to inspect the wiped image for halos If you see any chances are they are caused by a dark anomaly Maybe you missed a dead pixel or something else that is darker than the galactic background e MODE specifies which type of gradients are to be removed by WIPE o CORRECT COLOR 8 BRIGHTNESS removes both color and uneven lighting gradients This setting is best used for light pollution removal o CORRECT BRIGHTNESS ONLY removes uncolored gradients it only darkens the image in places where gradients are prevalent but does not affect the color o CORRECT COLOR ONLY neutralizes color gradients but does not affect the brightness levels luminance of an image e OUTPUT GRADIENT ONLY specifies if WIPE should output only the gradient calculated e AGGRESSIVENESS specifies how aggressive WIPE should be when removing gradients The higher this value the more aggressive WIPE becomes when removing local gradients e DROP OFF POINT specifies at which point from the center i e how close to the corners the CORNER AGGRESSIVENESS parameter comes into effect U
28. processed by the module according to the mask set For more information on how to use masks effectively please see the Masks chapter page 150 20 StarTools 1 3 5 Unofficial User Manual E Modules that perform background processing while the user remains free to tweak parameters will display a processing icon in the form of two cogs in the lower right corner of the image for example as seen in Illustration 5 This icon signifies that background processing is being performed and the image will be updated shortly with the new settings taking effect 21 StarTools 1 3 5 Unofficial User Manual m StarTools lo E Some modules will not automatically perform real time processing in the background due to the CPU intensiveness of their algorithms These modules will have a Do button This button will initiate the processing once the user is satisfied with all parameters and settings A status bar such as the one in Illustration 6 will show progress Once the process completes the image will update with the user may evaluate the result Any subsequent tweaking requires the Do button to be clicked updating the image 22 StarTools 1 3 5 Unofficial User Manual Open Overview StarTools reads FITS PNG files and uncompressed IBM byte order TIFF files Stacking multiple frames is a virtual necessity in astrophotography while calibration of your data with flats darks and or bias frames is highly recommended for be
29. proverbial uncle 88 StarTools 1 3 5 Unofficial User Manual E Undo Fg Undo Bg Copy Note that stars may be slightly blown out in places where nebula starlight exceeds unity pure white This should be fairly minimal but if that is a concern to you set Cap Mode to Normalize 89 StarTools 1 3 5 Unofficial User Manual Illustration 38 The completed image 90 StarTools 1 3 5 Unofficial User Manual Magic Overview The Magic module gives the user control over the appearance of stars in the image during post processing Various operators are available Eq StarTools ll E Lo rTools 91 StarTools 1 3 5 Unofficial User Manual Ej StarTools Lo rTools Illustration 40 92 StarTools 1 3 5 Unofficial User Manual Ej StarTools Lo rTools 93 StarTools 1 3 5 Unofficial User Manual Ej StarTools Lo rTools 94 StarTools 1 3 5 Unofficial User Manual Ef StarTools hel Lo rTools Usage The Magic module itself is fairly simple to operate with the following 3 parameters e Mode specifies what Magic should do with the star There are 4 different algorithms to choose from e Shrink quite simply shrinks the star An example can be seen in Illustration 43 where the star from Illustration 39 has been shrunk Note that further processing such as sharpening may be appropriate 95 StarTools
30. rendering iteration triggered by clicking the Do button Grow Mask grows the active star mask by the specified amount of pixels This parameter is particularly useful in Overlay Modes that remove the stars for which new artificial ones are synthesised increasing this value may help removing any traces of the old stars that are being replaced This parameter does not update in real time and is only applied upon the next rendering iteration triggered by clicking the Do button 73 StarTools 1 3 5 Unofficial User Manual e Image Diameter specifies the image dimensions in arc minutes Synth uses this value in conjunction with the virtual scope model s aperture and focal length to determine the appropriate light concentration for the image and scope modelled e Overlay Mode specifies how Synth should composite the new image from the original image and the synthesised star layer Once a star layer is available i e the Do button has been clicked this parameter updates in real time The following modes are available e Hybrid Remove Stars applies a proprietary compositing algorithm which is a hybrid between addition lightening and screening pixel math Any stars that are replaced are completely removed from the original before layering of the new ones is performed e Lighten Remove Stars applies Lighten Only pixel math to composite the new image Any stars that are replaced are completely removed from the original
31. that progressively masks out brighter values and uses the original values instead Only pixels that are darker than the original image are kept e Detail Preservation Radius specifies a filter radius that is used for smoothly integrating processed and non processed pixels according to the algorithm specified with the DETAIL PRESERVATION parameter Note that is parameter only takes effect when DETAIL PRESERVATION is not off It is grayed out otherwise e Compositing Algorithm specifies how LIFE should composite the original image and the calculated diffracted light o Power of Inverse o Multiply Gamma Correct o Multiply 2x Gamma Correct e STRENGTH defines the overall strength of the LIFE module e AIRY DISK SAMPLING specifies the amount of samples in the Airy disk point spread function Larger values yield a more accurate simulation however will take longer to process e AIRY DISK RADIUS specifies the radius of the Airy disk point spread function that is used to diffract the light Subtle diffraction rings may be visible around stars after processing While this is a natural effect first observed by George Biddell Airy the frequency of their occurrence may be throttled by this parameter e MASK FUZZ specifies the kernel radius of an optional Gaussian blur to be applied to the mask If a mask is used to selectively ad life using this parameter will ensure smooth and hence undetectable transitions bet
32. to use ALGORITHM 1 usually yields best results but on occasion ALGORTHM 2 may outperform it 126 StarTools 1 3 5 Unofficial User Manual Repair Overview REPAIR attempts to detect and automatically repair star defects Repair is useful to correct the appearance of stars which have been adversely affected by blooming guiding errors incorrect polar alignment collimation issues or mirror defects such as astigmatism The REPAIR operation only yields usable results with a proper star mask set To create a star mask in the Mask editor click Auto and Do TIP For best results make sure that all stars are separated in the mask by at least one off pixel Usage ALGORITHM specifies the algorithm that REPAIR should use while repairing stars WARP founds stars by warping them into shape This algorithm is particularly suitable for slight elongations due to bad tracking or mild coma as well as any other small aberrations that leave a star oval The REDISTRIBUTE CORE IS AVG LOCATION algorithm attempts to redistribute all strarlight pixels This algorithm is suitable for severs aberrations and heavy coma that leaves starlight scattered out of focus donut shaped or otherwise severely distorted When using this algorithm please make sure all stars are separated in the star mask by at least one pixel It attempts to reconstruct the original core location of the star by averaging all sample locations The RED
33. tracking issues or over processing artefacts etc then the resynthesis would have made a bigger difference in that the stars would now have been perfectly round in focus and natural looking The virtual scope model of Illustration 26 describes an 8 f 6 Newtonian design telescope having a secondary mirror holder which is mounted in the OTA by four spider vanes The four spider vanes have clearly caused 4 diffraction spikes at a 45 degree angle while the various other components have caused some subtle diffraction patterns and spokes emanating from the stars The concentration of stars in the middle has caused another diffraction effect a local brightening of the area around it This concentration of diffused starlight is regarded by some astrophotographers as desirable as it imparts a certain depth to the image This effect is most effective on globular clusters and wide field shots where star concentrations tend to correlate with nebulosity While there are other techniques to approximate this effect again this is a physically correct implementation and not an approximation We can observe that the different star colours are correctly reflected in the repetition of the rainbow pattern wavelengths colours that are less prevalent in the starlight are correctly attenuated Lastly one thing that Synth did clearly enhance over the original is the resynthesis and highlighting of the star cores of the smaller stars which had been r
34. value will make colours more vivid Decreasing this value will make colours less vivid until the image becomes a grayscale image e BRIGHT SATURATION defines the color saturation in the lighter areas Higher values translate in increased saturation in the very bright areas of the image Increase this value if for example you wish saturation to affect stars e DARK SATURATION defines the color saturation in the darker areas Higher values translate in increased saturation in the very dark areas of the image Lower this value if for example you do not wish the background to respond to changes in saturation e CAP GREEN removes any dominant green color information from the image relying on the fact that not many objects in outer space are green The COLOR module therefore can be instructed to assume that any dominant green information is the result of noise or unwanted gradients 136 StarTools 1 3 5 Unofficial User Manual O O TO YELLOW caps green to yellow If you find this introduces yellow tints into your image try TO BROWN TO BROWN caps green to brown NOTE Exceptions of green areas are those with dominant Olll emissions Examples may include the Orion Nebula s core M42 and the Tarantula nebula NGC 2070 LRGB EMULATION METHOD allows you to emulate the appearance of many popular methods of color compositing at the touch of a button even if your data source was not LRGB The LRGB EMULATION METHOD
35. 1 3 5 Unofficial User Manual e Shrink Core bleeds the edge color into the star s core effectively colouring the core with the rim s colors An example can be seen in Illustration 42 where the star from Illustration 39 has been subtly coloured according to the color at the edges of the star core the latter often being the natural color of the star The introduction of color information into the core now further enables you to colour the complete star in its natural colour by applying some increased Saturation to the core in the Color module e Expand Core expands the whiteness of the star core to the outer regions making the star appear bigger and brighter but also more defined An example can be seen in Illustration 41 where the star from Illustration 39 has had its core expanded Note that the star may subsequently be shrunk as a whole to reduce the apparent size increase e Tighten Debloom attempts to attenuate any glare or halo around a star An example can be seen in Illustration 40 where the star from Illustration 39 has had its glare reduced e Iterations specifies the amount of iterations the algorithm should go through This parameter typically controls the effect that is selected by the Mode parameter e Mask Grow temporarily and non destructively performs the specified amount of Grow operations on the mask Increase this value if artefacts such as clearly visible rings start to form How to make big
36. 113 StarTools 1 3 5 Unofficial User Manual Le 4 StarTools as We d like to keep the Nebula intact and only modify the stars so we use the Auto feature and the Stars button to automatically select the stars for us see also the example on page 158 as can be seen in Illustration 55 114 StarTools 1 3 5 Unofficial User Manual EEE StarTools pee Open Save Auto Clear Invert Shrink Grow Undo Cancel Keep Help Illustration 56 Keyhole Nebula with the elongated stars automatically selected The Auto feature will return us to the Mask editor screen with the stars selected for us similar to Illustration 56 115 StarTools 1 3 5 Unofficial User Manual EJ S S fee 2 Open Save Auto Clear Invert Shrink Grow Undo Cancel Keep Help Illustration 57 The result of clicking the Grow button a few times However for star rounding purposes we require a few more pixels around the stars in our Mask Therefore we click the Grow button a few times and end up with as screen similar to the one in Illustration 57 116 StarTools 1 3 5 Unofficial User Manual Eanos Lo rTools Undo Fg UndoP Bg Copy Swap We now launch the Layer module as can be seen in Illustration 58 117 StarTools 1 3 5 Unofficial User Manual ry SC startoois Undo Fg UndoP Bg Copy Illustration 59 The Layer module display with default parameters showing no change initial
37. FUZZ specifies the kernel radius of an optional Gaussian blur to be applied to the mask If a mask is used to selectively sharpen image using this parameter will ensure 53 StarTools 1 3 5 Unofficial User Manual smooth and hence undetectable transitions between sharpened and unsharpened parts of the image Refer to the MASK BEHAVIOR parameter s help for an explanation of how the MASK FUZZ parameter interacts with the de ringing algorithm 54 StarTools 1 3 5 Unofficial User Manual Wipe Overview The WIPE module is one of the more powerful modules in StarTools Its main purpose is to eliminate unwanted light in an image This unwanted light may come in the form of gradients colour casts light pollution vignetting amp glow or even a combination of all five e Gradients are usually prevalent as gradual increases or decreases of background light levels from one corner of the image to another e Colour casts are a tint of a particular colour which contrary to a gradient affects the whole image evenly e Light pollution is the presence of a persistent haze of often coloured light caused by urban street lighting e Vignetting manifests itself as the gradual darkening of the image towards the corners and may be caused by a number of things e Amp glow is caused by circuitry heating up in close proximity to the CCD causing localised heightened thermal noise typically at the edges On some DSLRs and Compact Digital Ca
38. However a technique that may potentially be useful for more complex cases is a technique called Deconvolution 121 StarTools 1 3 5 Unofficial User Manual DENOISE Overview DENOISE is a powerful de noising tool offering you a way to get rid of all different types of noise while preserving detail This first screen lets you choose the filter type you wish to use as a basis to reduce noise in your image The second screen is where you customize the noise reduction Usage Clicking the TRACK button brings up the following options e Stop tracking do final noise reduction e Stop tracking no noise reduction Clicking on Stop tracking do final noise reduction will invoke the Wavelet De Noise module The only option available on the first screen is FILTER TYPE e FILTER TYPE defines the noise filter you wish to use as a basis to perform noise reduction o Distance Weighted Outlier Rejection combines characteristics of both MEDIAN and GAUSSIAN NOISE DIFFUSION and often yields very good results with superior detail retention o Gaussian Noise Diffusion applies smoothing using Gaussian kernels aka Gaussian blurs at different sizes It yields good results in the face of a lot of noise o Median applies a median filter which is very effective when trying to preserve edges in low to moderate noise data e After choosing the FILTER TYPE click the Next button When the Wavelet de noise routine completes the
39. ISRIBUTE CORE IS BRIGHTEST PIXEL LOCATION algorithm is similar to REDISTRIBUTE CORE IS AVG LOCATION algorithm but uses the brightest pixel it can find as the corrected star s core The DEBLOOM VERTICAL STREAKS algorithm attempts to recover stars that were affected by CCD blooming Note that this algorithm assumes that the blooming artefacts e g streaks occur in a straight vertical direction with no minimal rotation present in the image 127 StarTools 1 3 5 Unofficial User Manual GROW MASK specifies by how much the mask is temporarily grown while healing the background pixels of a star Use a higher value if artefacts appear around corrected stars RADIAL SAMPLES if the WARP algorithm is active this parameter specifies the amount of samples that will be taken when determining the roundness of a star A higher value is more likely to correct severely distorted stars but may take longer to calculate SUB SAMPLING if the WARP algorithm is active this parameter specifies the amount of sub samples per pixel to use while creating the RADIAL SAMPLES A higher value may take longer to calculate How to make eggy stars appear rounder This question comes up a lot as well so here is a quick guide on how to make your stars appear rounder in StarTools You again will need a star mask This time you ll be interested in all the stars not just the big fat white ones The Stars preset in the Auto feature of the Ma
40. LTER KERNEL RADIUS x 2 to the foreground layer o LIGHTNESS FG applies a maximum and minimum filter with a window size of 1 FILTER KERNEL RADIUS x 2 to the foreground layer It then takes the mean of the minimum and maximum o DIFFERENTIAL ADAPTIVE NOISE compares foreground and background image and suppresses any noise increase in the foreground due to brightening o MAX DISTANCE TO 1 2 UNITY selects between foreground and background based on which value is closest to 1 2 unity gray Use FILTER KERNEL RADIUS to make a smooth blend between the two 108 StarTools 1 3 5 Unofficial User Manual o MAX CONTRAST selects between foreground and background based on which value adds the greatest contrast to the image Use FILTER KERNEL RADIUS to make a smooth blend between the two o SOBEL performs a Sobel edge detection operations on the foreground image o MEDIAM HORIZONTAL FG performs a horizontal median filter with a horizontal kernel size of 1 FILTER KERNEL RADIUS x 2 pixels o FRACTIONAL DIFFERENTATION APPLIES Fractional Differentation Filtering on the foreground image see http arvix org abs 1005 4323 While not of immediate photographic use this algorithm can demonstrate hidden structural detail otherwise hidden FILTER KERNEL RADIUS governs the v parameter while alpha is fixed to 0 5 FILTER KERNEL RADIUS specifies the kernel size of an optional filter to be applied to the foreground layer
41. aberrations In astronomical imaging noise is the enemy and StarTools offers many ways of countering noise and prohibiting it from propagating by nipping it in the bud as early as possible What StarTools does and does not do StarTools is an astronomical image post processing tool it takes raw stacked and aligned data and helps the user attain the best achievable result with that data 12 StarTools 1 3 5 Unofficial User Manual StarTools at present does not perform stacking and or aligning of images There are many excellent utilities available that do this some of them free of cost Notable free software packages include Registax Deep Sky Stacker DSS and AVIStack all run on Windows StarTools at present does not offer any capturing or camera control abilities For a low cost capturing solution for Windows and MacOSX that also performs basic stacking and basic image processing please have a look at StarkLabs excellent Nebulosity software package If you use a Canon DSLR on Windows BackyardEOS is another great capturing utility http www astronomie be registax http deepskystacker free fr english index html http www avistack de 7http www stark labs com nebulosity html http backyardeos binaryrivers com 13 StarTools 1 3 5 Unofficial User Manual Interface Navigation within StarTools generally takes place between the main screen and the different modules StarTools navigation was written to p
42. al Lo rTools Illustration 33 Creating a mask Now run the Heal module but make sure you set New darker than old to Yes What this does is guarantee that replacement pixels for the stars are always darker than the stars themselves 85 StarTools 1 3 5 Unofficial User Manual Mo Keep the result and save the healed image for future reference Now reset the mask Clear Invert and launch the Layer module In the Layer module click Undo gt Bg This will set the background to what s in the undo buffer which is the original image Now set Layer Mode to Subtract and voila We have perfectly extracted the stars 86 StarTools 1 3 5 Unofficial User Manual A Undo Fg Undoh Bg Copy Swap Keep the result and save the star field we ll need it later to layer it back in Click Undo to restore the background only image Now let s have some fun with the background For example let s do some wavelet sharpening of the larger scale details 87 StarTools 1 3 5 Unofficial User Manual ry oa rTools Illustration 36 Sharpening There s plenty more we could do Life Wavlet Denoise HDR etc but for the purpose of this demo this is enough Once we re happy with our new background all we need to do now is layer the stars back in Launch the Layer module click Open locate and load the stars only image All we need to do now is simply Add the stars back to the background And Bob s our
43. ate against a masked part of your image for example a galaxy G2V star or a star field with a good mix of star temperatures and apply the found RGB ratio to your whole image To do so create a mask with the object s to calibrate against and click the Sample button The COLOR module will perform the calibration and set the correct RGB ratios Next Clear and Invert the mask selecting all pixels and return to the COLOR module The ratios that were determined previously will now be applied to the full image completing color calibration If you do not own a color calibrated monitor a special viewing mode in the COLOR module may be of help The MaxRGB button will show you which color channel red green blue is the most dominant for each pixel It is an objective measure for how your image is colored This can help you fine tune your color and avoid discoloring your data due to an incorrectly calibrated monitor 133 StarTools 1 3 5 Unofficial User Manual Illustration 63 Color module interface 134 StarTools 1 3 5 Unofficial User Manual Usage Clicking on the COLOR module button displays the following Apply Saturation The color in your image will now be reset to its original linear state though with any gradients and or light pollution removed if the WIPE module was used The color in your image may currently appear pale or non existent Simply increase saturation to bringing out color Use th
44. ation 2 A typical module interface The image in Illustration 2 shows the layout of a typical module in this case the Magic module with the toolbar situated on top and the different parameters and settings specific to the module situated at the bottom Common to most modules is a Before After button situated next to the zoom controls which toggles between the original and processed version of an image for easy comparison All modules come with a Help button in the toolbar which explains in brief the purpose of the module Furthermore all settings and parameters come with their own individual Help buttons left 15 StarTools 1 3 5 Unofficial User Manual to the parameter control These help buttons explain again in brief the nature of the parameter or setting The parameters in the different modules are typically controlled by one of two types of controls A level setter which allows the user to quickly set the value of a parameter within a certain range An item selector which allows the user to switch between different modes EO o a Illustration 3 Level setter control Setting the value represented in a level setter control is accomplished by clicking on the and buttons to increment or decrement the value respectively Alternatively you can click anywhere in the area between the and button to set a value quickly Illustration 4 Item selector control Switching items in
45. ayer relative to the first e OFFSET Y specifies the vertical offset of the second layer relative to the first e BRIGHTNESS MASK MODE specifies optional masking using the brightness information contained in both the foreground and the background This feature allows you to blend an image based on brightness Various modes are available o Where fg is dark use bg o Where fg is light use bg o Where fg is light amp dark use bg o Where fg is grey use bg 107 StarTools 1 3 5 Unofficial User Manual o Where composite is dark use bg o Where composite is light use bg o Where composite is light 8 dark use bg o Where composite is grey use bg e BRIGHTNESS MASK POWER specifies power that should be applied to a pixel in the brightness mask giving you control over the range of the very brightest or darkest pixels that will still impact the brightness mask blending procedure e FILTER TYPE specifies the type of filter to be used on the foreground layer before layering is performed o GAUSSIAN FG applies a Gaussian filter with a kernel size of FILTER KERNEL RADIUS to the foreground layer o MEDIAN FG applies a median filter with a window size of 1 FILTER KERNEL RADIUS x 2 to the foreground layer o MEDIAN OF MEDIAN HALF FG applies a mean of median half filter with a window size of 1 FILTER KERNEL RADIUS x 2 to the foreground layer o MINIMUM FG applies a minimum filter with a window size of 1 FI
46. ayering and pixel math to produce Because StarTools separates color from luminance until the very last moment that moment being when you use the Color module really any method of color compositing can be chosen for combining the data at that moment The LRGB Method Emulation simply lets you choose from a number of popular compositing techniques at the click of a button You will notice that all these different settings have a subtle or sometimes not so subtle impact on the hues and sometimes saturation and luminance that are produced It s just that easy 145 StarTools 1 3 5 Unofficial User Manual Even if your data was from a non LRGB source it still works as StarTools will have still separated color from luminance during processing by creating a synthetic luminance frame from your RGB only data where needed Conversely as you may have seen in the latest YouTube video processing LRGB data is now no different than processing DSLR or OSC data Luminance is separated anyway The only difference is that you load your data through the LRGB module It s a big step towards a unified yet extremely powerful workflow for all data sources 146 StarTools 1 3 5 Unofficial User Manual Crop Overview pra lt sg tarTools Illustration 69 The CROP module interface The Crop module allows the user to crop the image This is particularly useful for framing a subject or to get rid of any stacking artefacts that are commonly found
47. back to any of the algorithms that were used any time to get to the result you are viewing at the moment It is this meta data that StarTools collects that allows it to attain superior results on your behalf For example using this metadata StarTools is able to perform effortless extremely targeted noise reduction it infers from your actions where the noise is or hitherto impossible feats like mathematically correct deconvolution of stretched data it knows exactly how to temporarily undo any stretching you have done and it knows exactly how to redo it as well with your newly deconvolved data StarTools completely abstracts away the difference between linear and non linear data and just seems to know what to do with your data it knows which settings are required for best results and knows how to derive individual hidden parameters from more abstract notions descriptions and settings that make sense to human beings You no longer have to tell the software these things it has already inferred it It s not magic it s not black box voodoo you are fully in control at all times StarTools is simply being smarter about how your input and actions are relayed to all the different modules 19 StarTools 1 3 5 Unofficial User Manual Modules StarTools consists out of a number of integrated modules that perform different processing functions Roughly there are three types of modules Modules that perform real time processing in the back
48. berration reduce this value This parameter has no effect on black and white images since there is no red channel and is therefore disabled when processing such images r details with all channels l e GREEN LUMINANCE CONTRIBUTION adjusts the contribution of the green channel to the images over luminance If your green channel s data is less reliable for example due to chromatic aberration reduce this value This parameter has no effect on black and white images and is therefore disabled when processing such images 33 StarTools 1 3 5 Unofficial User Manual BLUE LUMINANCE CONTRIBUTION adjusts the contribution of the blue channel to the images over luminance If your blue channel s data is less reliable for example due to chromatic aberration reduce this value This parameter has no effect on black and white images and is therefore disabled when processing such images SKY GLOW reintroduces an artificial sky glow The background in images taken from earth is typically not perfectly black but a slight gray or blue due to various factors such as atmospheric scattering Genenschein etc It is best to use this feature as one of the last steps when finishing an image rather than during initial stretching just before saving your image 34 StarTools 1 3 5 Unofficial User Manual AutoDev Overview AUTO DEVELOP is the quickest and most powerful way in StarTools to globally stretch your images for inspection and
49. blue bias sliders to either increase or decrease in bias as the slider is pulled along Switching between these modes allows you to 137 StarTools 1 3 5 Unofficial User Manual effectively address any color bias problem you are experiencing in your image in a particular color channel if you need to reduce a particular channel s prevalence switch it to SLIDERS REDUCE COLOR BIAS if you need to increase a channel s prevalence simply switch the mode to SLIDERS INCREASE COLOR BIAS Because channel biases are relative to each other you could also for example increase green and blue to achieve a relative bias reduction in red The BIAS CLIDER MODER parameter allows you to accomplish more intuitive increasing and decreasing of the bias of a particular channel To see how an increase in green and blue constitutes a relative decrease in red set for example BIAS SLIDER MODE to SLIDER INCREASE COLOR BIAS green and blue to 1 5 and leave the red at 1 0 Now switch BIAS SLIDER MODE to SLIDERS REDUCE COLOR BIAS and see how red is automatically set to a reduction of 1 5 e Red Bias Reduce RED REDUCE INCREASE BIAS increases or decreases depending on the BIAS SLIDER MODE a color bias in the red channel If you image is overly red increase this parameter in reduce mode If you image lacks red increase this parameter in increase mode GREENBIAS REDUCE increases or decreases depending on the BIAS SLIDER MODE a co
50. blue pixels StarTools can therefore assume that the green 23 StarTools 1 3 5 Unofficial User Manual channel has 2x better fidelity when considering its contribution to the luminance data However if you have white balanced the data before handing it to StarTools the channels will have been multiplied with some to StarTools unknown multiplier and thus this 2 1 ratio is no longer valid NOTE This option assumes your OSC or DSLR uses a standard Bayer matrix color filter array with one red two green and one blue pixel for every cluster of four pixels and you are sure the white balance was not in any way modified from what was recorded by the camera or the stacking software NOTE It appears that most DeepSkyStacker DSS data is color balanced even though the user can tell DSS to expressly NOT color balance the data it just gets ignored e Modified and linear Modified and linear offers to attempt to reverse any stretch on the data Reverse stretch You have indicated that the data in this image has been stretched prior If the data came directly from a JPEG or MPEG source such as a digital camera or webcam or is a stack of multiple frames from such a source then StarTools can attempt to reverse this stretch This may make it possible to avail of some of the benefits of StarTools tracking mode although your mileage may vary and linear data is highly recommended over this approach There are two choices to l
51. buttons work as expected Keep will keep the edited Mask and return while Cancel will revert to the Mask as it was before it was edited and return As mentioned before when launching the Mask Editor from a module pressing the Keep or Cancel buttons will return StarTools to the module you pressed the Mask button in 155 StarTools 1 3 5 Unofficial User Manual The Auto Feature la StarTools r StarTools The Auto function is a very powerful feature for quickly isolating features of interest stars noise hot or dead pixels etc For example isolating only the stars is in an image is a necessity for obtaining any useful results from the Magic module see page 91 For examples on how the Auto feature is used in conjunction with the different modules in StarTools please refer to the star detection noise reduction and hot pixel removal examples on page 158 161 and 168 respectively The type of features to be isolated are controlled by the Selection Mode parameter e Light Features Highlight gt Threshold is a combination of two selection algorithms One is the simpler Highlight gt Threshold mode which selects any pixel whose brightness is brighter than a certain percentage of the maximum value see the Threshold parameter below The other selection algorithm is Light Features which selects high frequency 156 StarTools 1 3 5 Unofficial User Manual components in an image such as stars
52. ce is off center off axis the different parts of the mirror do not reflect the light to the same point This results in a point of light that is not in the center of the field looking wedge shaped The further off axis the worse this effect is This causes stars to appear to have a cometary coma hence the name The Lens module can also correct for coma by applying a reverse distortion to the image 80 StarTools 1 3 5 Unofficial User Manual Usage m Ei StarTools pS Eea The Le ns module has 10 adjustable parameters and settings Curvature Red adjusts the field curvature of the red channel For coma correction field flattening simply keep both CURVATURE RED and CURVATURE BLUE equal or use the CURVATURE LINKED parameter Curvature Blue adjusts the field curvature of the blue channel For coma correction field flattening simply keep both CURVATURE RED and CURVATURE BLUE equal or use the CURVATURE LINKED parameter 81 StarTools 1 3 5 Unofficial User Manual e Center X specifies the central X axis coordinate of the principal point i e the center of the distortion e Center Y specifies the central Y axis coordinate of the principal point i e the center of the distortion e Red shift X specifies the amount of fractional pixels to shift the red channel s pixels in the horizontal direction e Red shift Y specifies the amount of fractional pixels to shift the red channel s pixels in the
53. d this parameter updates in real time e Brightness Adjust specifies a corrective factor to the amount of light all stars output Once a star layer is available i e the Do button has been clicked this parameter updates in real time e Core Noisiness specifies a percentage which is used to push the image beyond unity full white effectively overexposing the image somewhat This may aid Synth s star core detector to recognise noisy cores better Synth assumes big stars cores are white When they are not perfectly white for example due to noise or sharpening artefacts Synth s core detector may fail This parameter may help to overcome this issue This parameter does not update in real time and is only applied upon the next rendering iteration triggered by clicking the Do button After clicking the Do button and subsequent synthesis has been completed the screen image will update to reflect the newly synthesised layer similar to the screen in Illustration 28 Further tweaking and modification is now possible Again please be aware that some parameters only come into effect once the Do button is clicked and synthesis has been initiated If you notice any artefacts in the form of distinct squares of light around brighter stars then this is caused by a too low PSF sample size There are multiple ways of fixing this increasing the sample size adjusting the gamma lower or increase the angular size value If starlight
54. d Noise presets buttons at top e ALGORITHM selects the filtering algorithm to use o ADD FLUX will add any flux to the image This mode is particularly suited for introducing natural looking detail into an image that otherwise lacks any detail 131 StarTools 1 3 5 Unofficial User Manual Please note that any detail introduced is nothing more than a best guess based on the area s similarity to other areas and any detail already present o MODULATE UNSHARP MASK uses the presence of flux to turn on and off an Unsharp Mask sharpening algorithm This mode effectively performs localized sharpening of only interesting features while leaving others including noise alone e POSITIVE FLUX controls the amount by which any positive flux is amplified e NEGATIVE FLUX controls the amount by which any negative flux is amplified e DETAIL FILTER specifies the minimum allowable size of any flux concentrations Increasing this value allows more and more detailed flux to pass through e BRIGHTNESS MASK POWER LUMA POWER specifies the power that should be applied to a pixel in the luminance mask e BRIGHTNESS MASK MODE LUMA MASK specifies optional masking using the luminance information e FILTER AMOUNT controls the strength of the Unsharp Mask sharpening e FILTER RADIUS specifies the maximum size of any details to be sharpened by the Unsharp Mask algorithm or the filter width for other filters The larger the rad
55. d be a fairly ludicrous proposition Yet sadly here we are with a majority of images out there suggesting that this is the case Now look at the two images again The core is clearly green in the second less stretched image while the core in the first image is so pale that we might have missed it is actually green indeed many astrophotographers throw their hands up in the air and just depict it as white However notice the area adjacent to the core at 3 o clock in the second image it is completely absent It is decidedly more green Could the two areas be of similar chemical make up In fact they are It is just neigh impossible to see as stretching the luminosity component has for no good reason at all drained the core of its color compared to the area adjacent to it And here is where StarTools Tracking aided color compositing algorithm comes in 142 StarTools 1 3 5 Unofficial User Manual Illustration 66 The new image See text New let s ignore for a minute that the colors might appear a little oversaturated In the interest of fairness applied the same settings for illustration 64 and illustration 66 had to be a good bit more aggressive with the saturation to show any color in illustration 64 What we re seeing here is color constancy No matter how the image was stretched the colors are absolutely comparable between areas that vary wildly in their dynamic range The area adjacent to the core at 3 o cl
56. d pixels small dust specks or small scratches For larger anomalies please use the HEAL or CROP modules to heal or crop out the anomalies e AGGRESSIVENESS specifies how aggressive WIPE should be when removing gradients The higher the values the more aggressive WIPE becomes when removing local gradients 39 StarTools 1 3 5 Unofficial User Manual Please note that when optimising the contrast of wide field images with lots of empty space Contrast may introduce artefacts in the darker parts of the image brightening some parts that should not be brightened To avoid such artefacts use the DSO Darken mode Also please note that similar to the Wipe module the Contrast module is susceptible to noise and may cause artefacts when presented with noisy images stacking artefacts dead pixels and or hot pixels 40 StarTools 1 3 5 Unofficial User Manual HDR Overview StarTools Lo rTools Illustration 13 The HDR module screen interface The HDR module optimises an image s dynamic range lts algorithm was designed to bring out faint detail that is hidden in under and over exposed parts of an image by locally increasing the dynamic range The algorithm works by intelligently evaluating the image at different exposures and picking the optimal brightness for each pixel 41 StarTools 1 3 5 Unofficial User Manual Illustration 14 M42 image before HDR treatment image courtesy of Rowland Cheshire Illust
57. dth specifies the width of any spider vane support mounted to the OTA as found in some scopes Most noticeably this setting has some subtle effects on the central flare in brighter stars e Backscatter specifies how much starlight is reflected by the primary mirror on to the various components in the OTA This light is subsequently emitted as diffused light having 70 StarTools 1 3 5 Unofficial User Manual the effect of slightly reducing contrast and dulling down the brightness of any diffraction spikes and parts of any central flares e Central Obstruction specifies the size of a circular central obstruction typically a mirror holder as a percentage of the full aperture This settling greatly influences the diffraction pattern Note that a setting of 0 i e no obstruction effectively turns the virtual telescope into a refractor design e Dispersion specifies the strength of the dispersion effect the subtle way in which different wavelengths colours of light are diffracted differently Most noticeably this setting controls the strength of the rainbow effect in the diffraction spikes Note that the physical modelling dictates that stars that do not emit all wavelengths equally will generate rainbows with different colours attenuated e Screws specifies the number of screws that protrude from the OTA into the light path e Clips specifies any mounting clips that keep the primary mirror or lens in place e Clip
58. e Bottom End and Top End saturation response controls to control how much of the background and stars will be color enhanced respectively Use the ratio parameters to perfect your white balance Clicking OK allows the COLR module to continue The Color module has 9 adjustable parameters and settings Histogram displays the distribution of pixels per channel sorted on intensity The far left displays the amount of pure dark pixels in the image the far right displays the amount of pure bright pixels in the image Note that only pixels that are set in the current active mask are counted STYLE switches the color module s color handling between one of three styles allowing you flexible control over your color presentation The STYLE parameter is only available when tracking is engaged o SCIENTIFIC COLOR CONSTANCY uses StarTools unique ability to display all colors in the scene as if it were evenly illuminated meaning that even very bright cores of galaxies and nebulas retain the same color throughout irrespective of their local brightness Areas of diffuse gas as well as small gas knots in for example galaxies all readily stand out and gaseous makeup is easy to compare across the whole image even in bright cores The same is true for star temperatures across the image even in bright dense star clusters This mode allows the viewer to objectively compare different parts of the image without suffering from other
59. e Do button is clicked The following parameters are available Gamma Adjust specifies the gamma adjust that is applied to the synthesised star layer This parameter is an excellent way to control the prevalence of any diffraction spikes and flares Once a star layer is available i e the Do button has been clicked this parameter updates in real time Core Whiteness specifies how much a star s color in the image influences its the color of its synthesised counterpart in the synthesised star layer High values will tend to mostly white stars whereas low values will tend to very colourful stars however adherent to the colour spectrum of a glowing body This parameter does not update in real time and is only applied upon the next rendering iteration triggered by clicking the Do button Blur emulates blur due to atmospheric seeing conditions It is highly recommended to try and match the appearance of the original image in order to make the synthetic star layer blend in A synthetic layer that is too sharp will likely stand out too much and be easily detectable as artificial Once a star layer is available i e the Do button has been clicked this parameter updates in real time OTA Rotation effectively specifies the rotation of the Point Spread Function relative to the image Most noticeably it controls the angle at which any diffraction spikes occur This parameter does not update in real time and is only applied upon the next
60. e HDR module provides Optimize Equalize Tame and Reveal algorithm preset buttons 44 StarTools 1 3 5 Unofficial User Manual e ALGORITHM selects the main algorithm HDR should use o EQUALIZE optimizes both shadows and highlights so that any detail that is present in either is brought out o OPTIMIZE SOFT accentuates detail it can find o OPTIMIZE HARD is a more aggressive version of OPTIMIZE SOFT o TAME HIGHLIGHTS TONES DOWN BRIGHT AREAS SUCH AS BRIGHT CORES It is similar to the EQUALIZE algorithm only it doesn t brighten faint detail 45 StarTools 1 3 5 Unofficial User Manual o REVEAL DSO CORE is an extremely effective algorithm for revealing detail in almost overexposed cores such as the cores of M8 M42 and other Deep Space Objects such as galaxies that pose dynamic range challenges o BRIGHTEN DARK brightens areas digging out faint detail It is similar to the EQUALIZE algorithm only it doesn t tone down highlights e DARK BRIGHT RESPONSE specifies how strong the effect of your chosen algorithm should be in the very brightest and darkest parts of your image e NOISE SUPPRESSION specifies how much noise suppression HDR should apply e SMALL DETAIL PRECISION o MAX o MEDIUM o LOW e DETAIL SIZE RANGE MOST AFFECTED DETAIL SIZE specifies what detail size HDR should concentrate on in order to bring out the most interesting detail All detail brought out will be embedded in t
61. e sure only background pixels are tagged Please note that usage of a Mask in Wipe may impact processing times somewhat depending on how many pixels are masked out e g are not green in the mask This is normal behaviour To find out more about Masks and how to create them with ease please refer to the Masks chapter page 150 61 StarTools 1 3 5 Unofficial User Manual Ej StarTools y 2 Ll pe H aos gt B O K t Open Save Undo Mask Track Restore About r i Develop AutoDev 0 33 Contrast HOR Wy A Sharp Decon Wipe r SS iil Band Life ho ve Color ae x i 62 StarTools 1 3 5 Unofficial User Manual Bin Overview The BIN module offers the user a way to trade off resolution for a better signal to noise ratio SNR This algorithm is similar to the low light mode and enhanced ISO modes found on the latest consumer compact cameras and DSLRs with the exception that the StarTools BIN algorithm still yields correct results at the arbitrary sizes not just powers of 2 by applying an anti aliasing filter at the proper cutoff frequency corresponding to the new image size Far from being a simple scaler the Bin module offers arbitrary sized fractional binning of pixel data Typical image scalers do not reduce noise BIN has 4 preset buttons for 25 35 50 and 71 reductions Similar software algorithms are found in the more recent consumer digital cameras o
62. ected FILTER MODE to that spectral line TIP Try using the FILTER module with a mask to only modify specific areas of the image Usage FILTER MODE controls what FILTER should do once a spectral line has been identified CONSERVATIVE NUDGE makes a spectral line more pronounced but only if over exposure e g clipping can be avoided NUDGE makes a spectral line more pronounced PASS keeps a spectral line and reduces the rest of the spectrum REJECT reduces a spectral line s intensity while preserving the rest of the spectrum FRINGE KILLER attempts to remove halos and fringes around stars that have a designated color It is a very effective tool to remove the purple halos around stars that some of the more budget friendly achromatic refractors produce For best results put the offending stars in a mask and click on the coloured star halos repeatedly in different spots to eliminate the fringes completely SAMPLING MEHTOD controls how a spectral line is sampled from the image 98 StarTools 1 3 5 Unofficial User Manual 3x3 AVERAGE samples a patch of 3 by 3 pixels and take the average SINGLE PIXEL only uses the pixel that was clicked as the sample to base the spectral line on FILTER WIDTH controls how much of neighboring parts of the color spectrum are influenced by the FILTER operation MASK FUZZ specifies the KERNEL RADIUS of an optional Gaussian blur to be applied to the mask If a mask is used to s
63. educed to indiscriminate blobs without a clear core 77 StarTools 1 3 5 Unofficial User Manual 78 StarTools 1 3 5 Unofficial User Manual The ethics of using synthesised components in your image The desirability of deliberately introducing diffraction artefacts such as diffraction spikes and localised diffused starlight is up for debate and is down to personal preference However fact is that any diffraction artefacts that the user can introduce by Synth are physically correct and not an approximation Regardless the Synth module reconstructs starlight based on photometry performed on the original image measuring stars magnitudes color temperature and location It is up to the user to specify constraints and to decide what and how much is removed and what and how much is added back in its stead Astrophotographer and author Jerry Lodriguss wrote an interesting article on the ethics of astronomical image processing and image manipulation When you publish your image it is common practice to mention the equipment software and software plug ins that were used to produce your image You may find mentioning the use of the Synth module appropriate htto www astropix com HTML J_DIGIT ETHICS HTM 79 StarTools 1 3 5 Unofficial User Manual Lens Overview The Lens module allows for correcting some of the common lens and mirror aberrations and defects such as some types of chromatic aberration and coma
64. electively sharpen the image using this parameter will ensure smooth and hence undetectable transitions between sharpened and unsharpened parts of the image Example Fringe and Halo Killer If you acquire your data with an achromatic refractor your data may be suffering from the purple halo effect chromatic aberration There is a very quick and easy way in StarTools to get rid of the purple bluish fringes from where you can further reduce any halos using the Filter module You can go from this 99 StarTools 1 3 5 Unofficial User Manual 100 StarTools 1 3 5 Unofficial User Manual To attack the purple fringes simply launch the Filter module A o rTools Illustration 46 The Filter module Click Mask and create a star mask that is suitable You ll want to include anything that is very bright and or over exposed i e anything that can cause the chromatic aberration to be prevalent 101 StarTools 1 3 5 Unofficial User Manual Lo rTools Clear Invert Shrink Illustration 47 Creating the mask Next back in the Filter module set Filter Mode to Fringe Killer and Filter Width to 1 the latter lower value makes the filter more responsive to colours that are close but not exactly the same to the ones you click All you have to do now is zoom into a star that exhibits the chromatic aberration and click on the offending halo 102 StarTools 1 3 5 Unofficial User Manual A o rTool
65. en DARK ANOMOLY FILTER is not off It is grayed out otherwise e WHITE CALIBRATION specifies how the DEVELOP module should detect the white point in the image e g the brightest level in the whole image The easiest way for the DEVELOP module to detect the correct white point is by looking at the presence of big bright stars that have white cores i e stars that have a completely white overexposed core This way of calibrating the white point is activated by choosing the USE STARS setting which is also the default However in rare cases where no bright stars are present and the brightest features are hot defective pixels or noise then the DEVELOP module can optionally use the DARK ANOMALY FILTER to also filter out white anomalies just as it filters out the dark 32 StarTools 1 3 5 Unofficial User Manual anomalies This alternative way of calibrating the white point is activated by choosing the USE DARK ANOMALY FILTER May White Clip setting As indicated by May White Clip between the parentheses the latter setting may cause some white clipping in the form of star cores being blown out This can be rectified at a later stage by blending non blown out cores back in using the LAYER module RED LUMINANCE CONTRIBUTION adjusts the contribution of the red channel to the image s overall luminance If your red channel s data is less reliable for example due to lack of an IR filter or due to chromatic a
66. essed through the various ways dynamic range is manipulated The LIFE module attempts to restore light diffraction uniformly throughout a processed image imparting a natural sense of depth and ambience to an image that was otherwise lost Usage of the LIFE module is only recommended as one of the last processing steps In addition to adding life to an image the LIFE module can also be used to lift objects such as DSOs from very noisy data the Isolate preset Creating a mask that roughly outlines the object to be lifted can further improve results Usage e Inherit Brightness Color optionally keeps brightness or color information intact e Glow Threshold specifies how bright a pixel needs to be in the original to be considered for diffraction Lower values will result in more pixels being processed also leading to longer processing times e Output Glow Only specifies if LIFE should output only the diffracted light calculated e Saturation specifies the color saturation level of the extracted glow before it is composited with the original image e Detail Preservation selects the way detail should be preserved in parts of the image that may be brightened o OFF does not preserve any detail o MIN DISTANCE to Y UNITY uses the pixel that is closest to half unity o MAX CONTRAST chooses whatever pixel maximizes contrast 129 StarTools 1 3 5 Unofficial User Manual o LINEAR BRIGHTNESS MASK uses a brightness mask
67. eta testing StarTools 172 StarTools 1 3 5 Unofficial User Manual Appendix A A Suggested StarTools Workflow e Load Data use Open or LRGB o Indicate data is still linear to switch on tracking e Use Develop or AutoDevelop to stretch image e Fix stacking artifacts with Crop e Fractionally Bin the data if 1 unit of data does not fit in 1 pixel reduces noise e Wipe away light pollution gradients vignetting and amp glow with Wipe module e Redo Develop or AutoDevelop for final global stretch e Use Deconvolution e Use Contrast for medium large local dynamic range optimization e Use HDR for medium small local dynamic range optimization e Use Sharp with mask from Deconvolution for detail enhancement e Color calibration with Color module e Switch Tracking off for final noise reduction 173
68. evene ce e E a E 30 o ee r a a one ee ee 35 Contrast ANS 38 A Te O enact meee aac nav on ex ee nnCR Paar 41 O 47 Deconvolution iii 52 WIP ti ds 55 5 A PP E mciac ep omer hae wy am tose E E e e 63 When should you consider Software DINNING ccccccccsssssssecececessesesseaeceeecssceseaeeeeeeecesseseeaeseeeessesseauaeeeeeesseeees Sy Ao en cats ca alnc ost cade cada oe ese Gass e cedar ee ieee 67 PreregUiSite S iendea e a death hallas St r Maskissa A a Telescope MOB svsccccceaesessatecdeceeencddssadnes Rveesiedesbadene coveeasbdesaauoe Fes arai Eaa e aE Seeceaees Severs leebeeedede tustacateedeses StarTools 1 3 5 Unofficial User Manual TASA Si A sitbeiwen EAE aa a aA Examiningsamoutput Sample ix a e A lo o de e do e Ae es The ethics of using synthesised components in your IMAGE eeeeeeteceesceceeeeeceeeeesaeceeaaeceeaeeceaeeeesaeeneaaeeeeeeeeeas E ahs a ant de canara eg ee acre a ate yargectvan ue aa eee tn sates get a a a aaa 80 A ca ueadineia ota ee a Be eee el a A ee ee eee aes 83 Using Heal to process stars independently ccccssccccecsssesenseceeececesseuaeseceeseesseseuaeeeecescessesaaaeseeeessessesaaeseeess MA as 91 How to make big fat white stars appear tighter c ccccsscccssscesssecssssecssececssecessecesseecesseceeseecsseeccsaeeeeaseceeseeenas A O A AA eet eat eis 98 Example Fringe and Halo KM dais A AN 105 Example 1 Integrating frames of different exposure lengths ccocononococnccnnnncnnononnnnno
69. for clarity clearing the mask is not a necessary step 161 StarTools 1 3 5 Unofficial User Manual 162 StarTools 1 3 5 Unofficial User Manual Having clicked the Auto button we select Noise as the Selection Mode refer Illustration 78 Use the Feature Size and Threshold to define noise grain and sensitivity We can now click Do to commence the Mask generation 163 StarTools 1 3 5 Unofficial User Manual Illustration 79 The newly generated mask with noisy pixels tagged After a short amount of time the Auto function will return you to the Mask editor screen with the resulting new selection set see Illustration 79 As seen in Illustration 79 the selection algorithm has tagged noisy pixels throughout the image We are now ready to use this selection of pixels in another module the Layer module 164 StarTools 1 3 5 Unofficial User Manual Illustration 80 The Layer module We now launch the Layer module see Illustration 80 The Layer module see page 105 allows us to layer one image on top of the other in a manner specified by its parameters We will use this module to layer a blurred version of the original image on top of the original image but only for those pixels in our noise mask that are set leaving the good pixels intact and unblurred The center Foreground Layer will blink the noise mask three times in rapid succession 165 StarTools 1 3 5 Unofficial Use
70. ften labeled low light mode allowing for very high ISO values to be achieved at the expense of resolution The StarTools Bin algorithm however still yields correct results at arbitrary sizes by applying a Nyquist filter at the proper cut off frequency whereas low light mode typically forces a fixed ratio of 4 1 also Known as 2x2 binning and in some cases 16 1 also known as 4x4 binning When should you consider software binning You should consider software binning when your image s scale is bigger than is needed to reveal the smallest detail A typical example is an image that is recorded at a higher resolution than atmospheric seeing conditions permit In this case the image will seem blurry Reducing image size will reduce blur retain detail and reduce noise A common mistake is to retain too high a resolution during processing when the scale of the smallest detail simply does not warrant the extra resolution the image is said to be oversampled The redundant pixels may instrumental in reducing noise and improving the signal s fidelity at a smaller scale that matches the scale of the smallest achievable detail In a sense binning is the ultimate noise reduction tool Whereas any other noise reduction tools necessarily alter the image based on educated guesswork binning uses actual recorded but otherwise superfluous data to reduce noise A notable exception is when the imager intends to apply a deconvolution algorithm in which
71. ground while the user is free to tweak the parameters Modules that perform non real time processing where the user initiates the rendering once the desired parameters are set These modules often require intensive calculations and will display a progress bar until the new result is available Hybrid modules where some parameters are rendered real time and others only come into effect once the user initiates rendering during which a progress bar is shown until the new result is available All modules typically have a Cancel button which returns to the main screen ignoring the processed image and retaining the image as it was before the module was invoked All modules typically have a Keep button which returns to the main screen keeping the image as it was processed by the module Some modules have preset buttons Clicking these buttons quickly recall useful default settings These buttons are distinguished by their icon they carry the same icon as their parent module in the main screen Some modules have a Mask button which invokes the mask editor Masking is a very powerful feature and pivotal to using most modules effectively greatly expands the amount of tools at your disposal It is highly recommended that the user get acquainted with its operation Modules that have a Mask button will also blink the current active mask 3 times when the module is first invoked This acts as a quick reminder of which pixels will be
72. he context of this master detail size This ensures a natural looking image with enhance detail that sits well within the context of its parent super structure e CHANNELS specifies how whether HDR should enhance the recovered detail s brightness color or both 46 StarTools 1 3 5 Unofficial User Manual Sharp Overview The Sharp module offers some very flexible ways of sharpening an image Illustration 19 Crop of M42 sharpened 47 StarTools 1 3 5 Unofficial User Manual A sharpening tool is an important tool in any astrophotographer s toolbox It emphasises details in an image that would otherwise be hard to notice WAVELET SHARPEN offers a powerful way of sharpening your image by decomposing the image into multiple layers of different scale sizes These layers can then be individually modified to achieve scale dependent sharpening StarTools implementation of wavelet sharpening is set apart from other implementations by its detail preservation safe guards These safe guards mean that it is impossible to clip and destroy your data and that an optional detail checking feature ensures that sharpening is only applied to parts of your image that actually stand to gain from it StarTools Sharp module offers a selection of 6 algorithms to sharpen your image with along with several other features that can be used in conjunction to improve your results even more When you think of sharpening you typical
73. he image and even beyond however these quantities of light are typically very minimal beyond a certain radius the exception being the light of very long diffraction spikes To speed up rendering therefore we can usually get away with calculating the light scattering over a much smaller area Sample Size around the star where it is actually noticeable In the case of very bright stars the area that the scattering is calculated for as specified by the Sample Size parameter may not be sufficient to accommodate most of the starlight If the latter is the case a clear boundary artefact will become visible where Synth stopped calculating scattered light This boundary will often manifest itself faint squares around brighter star e Vanes specifies the number of spider vanes that hold the Central Obstruction for example the secondary mirror on a Newtonian in place This parameter is responsible for the appearance of distinct diffraction spikes The physical modelling dictates that 1 vane will cause 2 fainter diffraction spikes 2 equally spaced vanes will cause 2 brighter diffraction spikes 3 equally spaced vanes will cause 6 fainter diffraction spikes 4 equally spaced vanes will cause 4 brighter diffraction spikes e Vane Width specifies the width of the individual spider vanes Most noticeably this parameter influences the frequency with which the rainbow pattern in any diffraction spikes repeats itself e Vane Support Wi
74. his is different from other software which allow you to reduce noise at any stage since such software does not track signal evolution and its noise component Tracking how you processed your data also allows the color module to calculate and reverse how the stretching of the luminance information has distorted the color information Such as hue and saturation in your image without having to resort to hacks Due to this capability color calibration is best done at the end as well before switching Tracking off This too is different from other software which wants you to do your color calibration before doing any stretching since it cannot deal with color correction after the signal has been non linearly transformed like StarTools can Tracking Details As it stands today the post processing results you are able to achieve with StarTools are better than anything else on the market today that we know of Why do we feel totally comfortable making such a bold claim Let us explain As opposed to all other software that is currently on the market StarTools takes a completely different approach to the back end processing under the hood Rather than the traditional approach 17 StarTools 1 3 5 Unofficial User Manual of having an application consisting of many granular algorithms steps and filters that are not aware of each other with one vendor even mistakenly touting an object oriented approach as a feature StarTools is akin to a li
75. htness detail is preserved e SMOOTHNESS specifies how finer detail that was successfully correlated by the SCALE CORRELATION feature to a larger structure such as a spiral arm in a galaxy should be treated Higher values smoothen this correlated detail while lower values keep all of the correlated detail in the larger scale structure intact e SCALE 1 controls the amount of fine noise reduction This is the scale that governs the smallest noise such as single pixel noise e SCALE 2 controls the amount of medium to small noise reduction e SCALE 3 controls the amount of medium noise reduction e SCALE 4 controls the amount of medium to large noise reduction 123 StarTools 1 3 5 Unofficial User Manual e SCALE 5 controls the amount of noise reduction e REDISTRIBUTION KERNEL specifies what should be done with the excess energy of pixels that were smoothened The REDISTRIBUTION KERNEL specifies over how large an area the energy is scattered Smaller values tend to preserve larger scale detail a little better but can lead to larger scale noise blotches forming if not dispersed over a large enough area e READ NOISE COMPENSATION specifies a threshold below which linear noise reduction no longer applies otherwise a core assumption in the DENOISE module due to signal becoming overwhelmed with noise typically read noise Bringing up READ NOISE COMPENSATION will gradually switch to an alternative specialized noise reductio
76. inant O III emissions Examples may include the Orion Nebula s core M42 and the Tarantula Nebula NGC2070 Wipe comes with 4 handy preset buttons that quickly call up settings that are appropriate for common situations These buttons are Gradient for the removal of gradients Vignetting for the removal of gradients and vignetting Color Cast for the removal of general color casts and Amp Glow which removes amp glow and requires a mask While Wipe performs quite well on most images with minimal user intervention sometimes it needs direction on which parts of the image contain unwanted light and which parts of the image do not constitute unwanted light such as for example galaxies nebulas or in the case where trees and other terrestrial objects make up part of the scenery For those cases it may be appropriate to create a Mask in the mask editor which specifies which pixels of the image Wipe should sample for unwanted light and which pixels of the image Wipe should ignore Green pixels e g the pixels that are on in the mask will be sampled in order to reconstruct the background levels and any gradients Pixels that are not green in the mask e g pixels that are off will not be sampled by Wipe and will not influence the modeled gradients When masking out objects please make sure that every pixel of that object is masked out i e not green on When in doubt click the Shrink button in the Mask editor a few times to mak
77. is file 29 StarTools 1 3 5 Unofficial User Manual Develop Overview DEVELOP allows you to develop an image like you would in a digital darkroom It also allows you to adjust general brightness levels You can also use it to quickly inspect your data that would otherwise be too dark to see or as a tool to perform final global stretching DEVELOP automates the process of finding the correct black point and white point in your image This way the full dynamic range that your image requires is precisely pinpointed and allocated This ensures your image will be able to attain maximum contrast as you process it further Developing is easy as pulling the DIGITAL DEVELOPMENT and or GAMMA slider along Drag the DARK ANOMALY slider along until you can t see the image darken much This will make sure the black point is set to the darkest pixel that constitutes real data Spurious dark pixels such as dead pixels will not be considered this way Together with the AUTODEV CONTRAST HDR and SHARP modules StarTools aims to make tedious and sub optimal manual curve manipulation and histogram checking obsolete Modules in StarTools never clip your data unless explicitly allowed to do so NOTE When stretching in the DEVELOP module it is only important that you bring out the faintest details you want visible Subsequent application of the CONTRAST HDR and SHARP modules will assist you in toning down parts of the image as required
78. it finds that All neighbouring pixels of a particular pixel are already filled green Or the pixel under evaluation is lighter than the original pixel clicked o Clicking on a green pixel will starting from the clicked pixel recursively turn off any green pixels until it can no longer find any green neighbouring pixels e Single Pixel o Clicking a non green pixel will make a non green pixel turn green o Clicking a green pixel will make green pixel turn non green 152 StarTools 1 3 5 Unofficial User Manual 2 Illustration 71 Clicking next to a feature note the position of the mouse cursor that is brighter than its surroundings will select it in a single click using the Flood Fill Lighter Pixels Brush Mode These different Brush Modes help in quickly selecting and de selecting features in the image For example while in Flood Fill Lighter Pixels mode try clicking next to a bright star or feature to select it see Illustration 71 Click anywhere on a clump of on green pixels to toggle the whole clump off again Please note that depending on the size of the image the mode selected and the amount of pixels that need to be flood filled there may be a minor delay in response between clicking on the image and seeing a result This is normal behaviour 153 StarTools 1 3 5 Unofficial User Manual E ee Open Save Auto Clear Invert Shrink Grow Undo Cancel Keep Help
79. ius the larger the details that are sharpened e FILTER FUZZ specifies the kernel radius of an optional Gaussian blur to be applied to the flux before it is passed to the Unsharp Mask routine for modulation Increasing this value effectively smears out the flux over a larger area so that detail around the flux is now also sharpened Note that because the flux is now being spread out its intensity becomes lower You may compensate for this by increasing the flux multipliers or by increasing the FILTER AMOUNT sharpening strength parameter e MASK FUZZ specifies the kernel radius of an optional Gaussian blur to be applied to the mask If a mask is used using this parameter will ensure smooth and hence undetectable transitions between modified and unmodified parts of the image 132 StarTools 1 3 5 Unofficial User Manual Color Overview The Color module allows for flexible manipulation of an image s colour whether it be locally through the use of a mask or globally Note that it is better to correct any aberrant issues such as those caused by light pollution and gradients using the WIPE module first It is better to try and understand what is causing any incorrect coloring and eliminate the root cause The COLOR module should only be used as a last resort in these cases When color can t be recovered using the WIPE module the color module offers you various ways of recovering correct color The COLOR module can calibr
80. leaving the very darkest pixels alone A BRIGHTNESS MASK POWER bigger than 1 0 progressively applies sharpening to only the brightest pixels TECHNICAL EXPLANATION this parameter functions exactly the same as the BRIGHTNESS MASK POWER parameter in the LAYER module What the WAVELET SHARPEN module does is the same as putting the unprocessed image at the foreground 50 StarTools 1 3 5 Unofficial User Manual with the sharpened image as the background The corresponding BRIGHTNESS MASK MODE is WHERE FG IS LIGHT USE BG e CHANNELS specifies if sharpening should be applied to just the color information the brightness information or both e MASK FUZZ specifies the kernel radius of an optional Gaussian blur to be applied to the mask lf a mask is used to selectively sharpen the image using this parameter will ensure smooth and hence undetectable transitions between sharpened and unsharpened parts of the image This option is unavailable if no mask is active e g when all pixels in the whole image are tagged for processing 51 StarTools 1 3 5 Unofficial User Manual Deconvolution Overview The DECONVOLUTION module reverses the effects that atmospheric turbulence has on your data StarTools DECONVOLUTION implementation is unique in several ways Firstly StarTools tracking feature allows you to apply deconvolution on data you have already stretched You can now use deconvolution at any stage during your proces
81. lor bias in the green channel If you image is overly green increase this parameter in reduce mode If you image lacks green increase this parameter in increase mode BLUE BIAS REDUCE increases or decreases depending on the BIAS SLIDER MODE a color bias in the blue channel If you image is overly blue increase this parameter in reduce mode If you image lacks blue increase this parameter in increase mode e MASK FUZZ specifies the kernel radius of a Gaussian blur to be applied to the current mask If a mask is used to selectively color the image using this parameter will ensure smooth and hence undetectable transitions between the modified and unmodified parts of the image The Color module attempts to keep luminance perceived brightness constant and works on the color information only 138 StarTools 1 3 5 Unofficial User Manual Clicking on any pixel in the image will tell Color to use this pixel s color as a white reference to calibrate the entire image to The Reset button resets all sliders and settings to their default value The Color module demystified So you had a play with the latest beta and you may have come across the new Color module If all is well the results you ve been able to achieve are a lot better but there are a good number of new features in there All of a sudden there are parameters like Style and LRGB Method Emulation and some of you have understandably
82. ly think of revealing fine detail While the Sharp module is certainly more than capable of this the Sharp module goes much further the Sharp module can be made scale aware Scale aware sharpening allows you to control the size of the features that you wish to sharpen For instance you can now make the spiral arms in a galaxy stand out without sharpening any further details that are smaller or larger In some ways this makes StarTools Sharp module very similar to traditional Wavelet sharpening however Wavelet sharpening forces feature size ranges octaves upon the user whereas the Sharp module lets the user freely choose a continuum of feature sizes that the user wishes to work on The Sharp module may also function as a scale decomposition tool being able to selectively remove or attenuate features of a particular size This allows multi scale processing whereby different versions of the image with different scales may be processed independently and recomposed at a later stage Additionally selective sharpening is also supported by means of a Mask This way the unwanted sharpening of any features can be easily avoided 48 StarTools 1 3 5 Unofficial User Manual Usage Lo rTools This screen lets you setup the parameters that WAVELET SHARPEN should use to decompose the image into multi scale components Click the Next button to commence decomposition Upon completion you will be able to perform real time wavelet
83. ly to the stars in Illustration 59 118 StarTools 1 3 5 Unofficial User Manual Co rTools Undo Fg Undo Bg Illustration 60 After setting Mode to Darken and adjusting Offset X and Offset Y we end up with nice round stars We now set the Layer Mode to Darken We then keep adjusting the Offset X and Offset Y parameters until the stars look nice and round similar to the screen in Illustration 60 We don t worry about any artefacts around the stars at this stage 119 StarTools 1 3 5 Unofficial User Manual ry Cs rTools Undo Fg Undo Bg Copy In some case the rounding procedure may have caused some artefacts in the form of sharp boundaries as can be seen around the two stars in the middle of the right image of Illustration 61 In this case the Mask Fuzz parameter comes to the rescue eliminating the artefacts completely as seen in Illustration 62 Note that these artefacts were also the reason we grew our initial star mask by a few pixels so we had some additional pixels to blend with 120 StarTools 1 3 5 Unofficial User Manual ry Cs rTools Undo Fg Undo Bg Copy We should now have an image with perfectly round stars with any background objects still intact Please note that this procedure relies on the fact that stars are bright dots that are brighter than their surroundings It is therefore not possible to use this technique to enhance more complex objects
84. me of the selection algorithms are controlled by additional parameters Exclude Color tells the selection algorithms to not evaluate specific colour channels when looking for features This is particularly useful if you have a predominantly red purple and blue nebula with white stars in the foreground and say you d want to select only the stars By selecting Exclude Color Purple Red Blue you are able to tell the selection algorithms to leave features in the nebula alone since these features are most prominent in the red and blue chamnels This greatly reduces the amount of false positives Max Feature Size specifies the largest size of any feature the algorithm should expect If you find that stars are not correctly detected and only their outlines show up you may want to increase this value Conversely if you find that large features are being inappropriately tagged and your stars are small for example in wide field images you may reduce this value to reduce false positives Filter Sensitivity specifies how sensitive the selection algorithms should be to local brightness variations A lower value signifies a more aggressive setting leading to more features and pixels being tagged Threshold specifies a percentage of full brightness i e pure white below or above which a selection algorithm should detect features Example 1 Star Detection Star detection has been simplified in this version of StarTools The foll
85. meras amp glow often manifests itself as a patch of purple fog near the edge of the image 55 StarTools 1 3 5 Unofficial User Manual The image in Illustration 21 suffers from three sources of unwanted light a gradient starting at the upper right corner light pollution in the form of the typical yellowish light emitted by typical urban sodium lamps and vignetting clearly seen in the darkening of the corners 56 StarTools 1 3 5 Unofficial User Manual Wipe works by calculating a model of the unwanted light and then subtracting it from the image The result is an image that is free from the unwanted light sources as can be seen in the image in Illustration 22 Wipe has eliminated the unwanted sources of light while keeping the actual subject intact 57 StarTools 1 3 5 Unofficial User Manual Usage StarTools A Esta rTools Gadent Vignetting Color Cast Amp Gow Mask Cancel Do Illustration 23 The Wipe interface NOTE WIPE usually does a great job unaided however anomalies that are darker dark anomalies then the galactic background such as dead pixels stacking artifacts dust particles on the CCD or terrestrial objects such as trees mountains etc may throw WIPE s gradient detection off in some cases In case of the presence of these dark anomalies please remove them if possible or create a mask with the pixels of these dark anomalies set to off i e non green make sure none of their
86. n Take this image of the Orion nebula for example 139 StarTools 1 3 5 Unofficial User Manual Illustration 64 The Orion Nebula It s not the prettiest image but there s nothing majorly wrong with that Or so you d say Indeed this is typical of the best that people using other software come up with in terms of color But here is the rub 140 StarTools 1 3 5 Unofficial User Manual This is the exact same image same color calibration just stretched less The core now appears green which incidentally is correct Olll emissions are dominant you might also notice that the stars that are visible are much bluer So how come in the previous image the core was nearly white The answer is that this is the result of erroneously stretching the color data along with the luminance brightness as well which is strangely very much common practice even in other software that prides itself on scientific accuracy Color is a product of discrepancies in the red green and blue channels Stretching these channels non linearly deforms stretches squashes and 141 StarTools 1 3 5 Unofficial User Manual skew these discrepancies based on their in channel brightness The result is that hues and saturation levels vary wildly as the user starts stretching the data in order to recover more luminance detail Of course the notion that things out there in space magically change their color based on how we stretch our image woul
87. n available using the MASK FUZZ parameter will ensure smooth and hence undetectable transitions between noise reduced and non noise reduced parts of the image This option is unavailable if no mask is active e g when all pixels in the whole image are tagged for processing e This parameter specifies the kernel radius of an optional Gaussian blur to be temporarily applied to the mask Denoise Preview Only Mode With Tracking enabled StarTools Denoise module operates in Preview only mode since StarTools is still tracking noise propagation in your image Noise reduction is most effective when you are done stretching your image Therefore you are given the opportunity to perform final noise reduction when you indicate you are done stretching by switching off tracking by clicking the Track button In the meantime you can use the Denoise module in preview only mode to give you an idea of how well StarTools has been able to target noise up until now The Keep button will however be disabled 125 StarTools 1 3 5 Unofficial User Manual BAND Overview The BAND module attempts to remove banding stripes caused by sensor read noise The BAND module works best on linear non stretched data however the algorithms are adaptive and will attempt to compensate for any non linearity Usage e ORIENTATION specifies whether BAND should remove vertical or horizontal banding e ALGORITHM specifies which algorithm
88. n routine for pixel values below the specified threshold The READ NOISE COMPENSATION feature will help avoid a mottled appearance in the dark background if this arises e BRIGHTNESS DETAIL LOSS specifies how strict the noise reduction should be when leaving detail in the brightness information of the image alone Larger values will make the algorithm less strict possibly leading to some detail loss in lieu of more aggressive noise reduction e COLOR DETAIL LOSS specifies how strict the noise reduction should be when leaving detail in the color information of the image alone ex star color Larger values will make the algorithm less strict possibly leading to some color loss in lieu of more aggressive color blotch noise reduction e SCALE CORRELATION specifies how strongly detail in smaller scales correlates to detail in larger scales For example if a spiral arm in a galaxy is designed to be real detail then the detail within the spiral arm is more likely to be real detail as well The SCAL CORRELATION controls how far down this assumption propagates to the smaller detail levels e The SMOOTHNESS parameter controls how any detail that is deduced in this way is smoothened 124 StarTools 1 3 5 Unofficial User Manual e MASK FUZZ controls a smooth blend between masked and non masked parts of the image lf a mask is used to selectively noise reduce the image not recommended when denoising with Tracking informatio
89. nd blue channel in case of importing an LRGB image Note that this option only takes effect if a luminance channel is present Often more imaging time is spent on acquiring the luminance frame to which the human eye is much more sensitive The red green and blue data can often be of a much lower quality and thus noisier without seeing much difference Blurring the red green and blue data effectively acts as a low pass filter eliminating the noise in the red green and blue channels Even with heavy blurring of the red green and 27 StarTools 1 3 5 Unofficial User Manual blue channels in an LRGB composite the difference may be negligible however colour noise will be all but eradicated e Channel interpolation toggles the interpolation of missing channels on or off This feature is particularly useful when for example creating a composite from Ha and Hb data in the red and blue channels without a green channel LRGB will automatically generate the green channel in this instance This feature is not just limited to the green channel It will do the same for any other missing channel e Cap green specifies whether LRGB should block any green hues from forming in the image The reasoning is that very few if any objects in outer space emit dominant green light e Red Ratio adjusts a multiplier that should be applied to the red channel Note that top end clipping may occur as a result This value may be used to attain the exposure d
90. nonnnanonononnnnnnnononononnnnncnnnns Example 2 Rounding elongated Stars ccccccccccccsssessssecececessesesneaeeeeecesseseeeeseeeescssseseaaeseeecsesesesaeaeseeecesseseasaeeeesens DENOISE da IE A A A AAA AAA A A 122 Denoise Preview ONV ModE ki a e eee Ae A A A A oy Ra teak can te cone bah 126 A OPS Re a a a eee oe ee eee 127 How to make eggy stars appear FOUNCET cccsessccececessesesseseceeecsssesseaeseeeescesseseaaeseeecsceeesaeaeseeecessesesaeaeeeesens A A O iene teal eolme ating 129 FLUX eke costar sae nen e a deen bin a eave adams Geach aa aa e tae t teens 131 A A A E NE 133 The Color module demystified isons a decada 610 opm eer eer RR ee OER Serie RR ae ee eee a eee ee ee ee eee Sn EEN COTTA AT 147 Mirror Shoes valk cores ese vlan ste a e e a osc e a ea ua n Pans Daren taa Mn con eas 149 O OO 149 ROTATE ut tt is A A A AO is 149 BOOS eae hae A peemaaeracncene ered detente 150 StarTools 1 3 5 Unofficial User Manual The Mask Edital eran nesia KETENE aa NA KAANANE EANA REN EAEE AANEREN steed esdeds ANERE a AREARE EA OUFE AAEREN AAAA 151 The AUtO FEAS AAA AA AAA A AAA AAA AA 156 Exampl 1 Star Detection marein a cas bas a eee oes a eR Sas eens eee hae ates ee 158 Examiple 2 Noise A E E bs so ssnsinst tose tas E Revie 161 Example 3 Hot Pixel REmOVal netet A A At cdta ees 168 Acknowledgements ii iS 172 Appendix Ast O deer stotlenatees 173 A Suggested StarTools Workflow isein innsinn nehai ekai aiaeei aeaa ae enais
91. oad the image data Attempt to reverse stretch activate tracking Don t activate tracking 24 StarTools 1 3 5 Unofficial User Manual I m not sure Tm not sure displays the following How can tell if my DSLR data is linear unstretched non whitebalance You can tell if your data is linear and unstretched by looking at the brightness of the image Only the brightest stars should be visible while any DSO should be invisible or if it has a very bright core just have its core visible Under no circumstance should you be able to see any background and under no circumstance should you be able to see any background noise You will most likely see a strong background level that is much brighter than black This background level should be colored often a teal like color A brownish color indicates white balance light pollution and thus means your image has been pre white balanced If you barely see any dominant color in your data even after a quick initial stretch using the AutoDev or Develop modules then chances are also that your data was white balanced or color calibrated If you think your data is possibly stretched or whitebalanced check the settings in your stacking software or consult the StarTools forums we will likely be able to tell you definitively and possibly also how to remedy this Lastly if you use Deep Sky Stacker to stack your images have it output FITS files not TIFF and try using the Autosave
92. oals StarTools is a complex beast Like any other complex piece of software there will be a learning curve involved though we ve sought to minimise this learning curve wherever we had the chance StarTools automates or abstracts a lot of tasks that may be quite tedious time consuming or prone to error in other processing suites Lastly regardless whether you re a beginner or advanced user don t be afraid to experiment More so try to learn why algorithms and techniques work the way they do and how they can be of benefit to your work It will make you that much more creative and agile when processing Understanding the strengths and weaknesses of your image train from photon to pixel will make it easier to choose the right algorithms and parameters to get the most out of your precious data As alluded to by the quote from accomplished astrophotographer Rogelio Bernal Andreo at the start of this manual There are as many schools of astroimage processing as there are astrophotographers astrophotographical image processing is more about interpretation of your data than presenting cold hard fact there is no absolute right way of processing an image and no one has a monopoly on asserting what constitutes a good image http www global rent a scope com http Awww lightbuckets com 11 StarTools 1 3 5 Unofficial User Manual Of course that does not mean that best practices and techniques should be abandoned but the
93. ock is the exact same green as the core Also spare a moment to look at the stars They now show color no matter how dull or bright they are The full visible black body emission spectrum is covered and what s most important temperatures are completely stable and 143 StarTools 1 3 5 Unofficial User Manual independent of how dull or bright they were recorded and subsequently stretched This is because StarTools stays true to the color data as initially recorded undoing all the stretching thanks to Tracking to the luminance data to arrive at the virgin colors as they were recorded This is how color in space should be presented from a scientific point of view reproducibility no matter the exposure time or who processed it with true separation from the way luminance was processed Faint Andromedas should produce the same colors as bright Andromedas Short exposure star fields should produce the same colors as long exposure starfields etc Here is another striking example Illustration 67 Before VS Illustration 68 After 144 StarTools 1 3 5 Unofficial User Manual Notice how star colors are recovered until well into the core of the globular cluster while the viewer is able to objectively compare star temperatures all the way colors are constant and comparable throughout the DSO Now as of 1 3 5 there is actually a way to dumb down which perversely was a lot of work to implement and get right color comp
94. ositing to the levels of other software StarTools is all about enabling the user not about pushing philosophies so if you want to create images with the handicapped traditional look you now can using the Artistic setting for the Style parameter As a StarTools user you may have felt that your colors were never quite like the other guys more vivid just more colorful And you would have been right You may have secretly liked it but you may have been uneasy being proud of the result as it is different to what a lot of other folks have been producing your Andromeda may have had a strange yellow core your M42 may have had an odd green core your M16 may have had many more tints of red and pink or your stars seemed almost too CGl pretty to be true Now you know why and now you know you can be just as proud at your images perhaps even more as they have been more scientifically correct valuable to look at than the other guy s Now on to the enigmatic LRGB Method Emulation setting Over the past two decades astrophotographer have struggled with compositing color e g combining separate luminance and color information images leading to a number of different LRGB compositing methods won t go into them here but all attempt to invariably marry luminance and color information The different techniques all produced different hues and saturations for the same data And what is true for all of them is that they involved a lot of l
95. owing example demonstrates how the Auto feature can be used for automated star detection 158 StarTools 1 3 5 Unofficial User Manual We open up an image of a star field and go into the Mask editor as can be seen in Illustration 74 Note that we cleared the mask in this illustration for clarity but clearing the mask is not a necessary step Lo rTools From here we click the Auto button after which a screen will appear similar to that of Illustration 75 159 StarTools 1 3 5 Unofficial User Manual Ej StarTools Lo rTools Click on the Stars button and start the detection process by clicking the Do button 160 StarTools 1 3 5 Unofficial User Manual StarTools r StarTools After a short time the Auto function will return you to the Mask editor screen with the resulting new selection set see Illustration 76 Here you can evaluate the result and touch up the mask if necessary Example 2 Noise Reduction The following example demonstrates how the Auto feature can be used for Noise reduction Please note that is just one of several ways of reducing noise in StarTools To find out about other types of noise reduction in StarTools please see the Denoise and Color module chapters on pages122 and 133 respectively We open up an image of the Keyhole Nebula and go into the Mask editor as can be seen in Illustration 65 Note that we cleared the mask in this illustration
96. own more and more 66 StarTools 1 3 5 Unofficial User Manual Synth Overview The Synth module is one of the most complex but gratifying modules in StarTools Synth allows the user to augment or even completely replace starlight by modeling new starlight based on photometry information extracted from the image Essentially Synth reverses the full image train and models a new virtual one step by step The Synth module has several uses e Making stars brighter and tighter e Making stars look like they were imaged from orbit e Breathing life into flat images by re modeling physically correct starlight energy distribution e Modeling physically correct diffraction spikes e Modeling starlight as it would look through much bigger and more expensive telescopes or wholly different designs Synth performs best on images where it can perform accurate photometry that is images that are of sufficient resolution sharpness and with minimal noise Please note that Synth does not modify anything else but stars and starlight Prerequisites Before Synth can perform star synthesis the user will need to provide it with two crucial items e A star mask outlining where in the original image stars are located that need to be resynthesised e A virtual telescope model and its resulting energy distribution signature also known as a Point Spread Function or PSF If you do not provide Synth with a star mask and a PSF Synth will displa
97. r image on a correctly calibrated screen or in print may make these defects painfully visible It is highly recommended to use the best screen to which you have access At the very least your screen should be connected digitally i e by DVI or HDMI cable A dual monitor setup is ideal as it allows you to evaluate your image on different screens Please note that most cheaply integrated laptop screens are usually not ideal as a primary screen for processing and a secondary screen is highly recommended 10 StarTools 1 3 5 Unofficial User Manual Processing with StarTools An address to beginners and advanced users If you are a beginner learn become a member of the many forums on the Internet read up on imaging and processing best practices and most of all have fun StarTools will go a long way in satisfying your processing needs especially if your equipment is relatively humble StarTools is also an excellent companion for those using Global Rent A Scope or LightBuckets remote telescope rental services If you are a more advanced user StarTools contains modules that rival or best some of the house hold names in astrophotography packages and plug ins In addition StarTools sports some novel modules and approaches not found anywhere else potentially giving you an edge Whether you re a beginner or an advanced user don t be afraid to ask for help on the StarTools forums at http www startools org forum For its modest size and g
98. r Manual Undo Fg Undo Bg Copy a 0 0 pixels Illustration 81 The Layer module with cloned image and layered result The right image which is the result of the layering operation will not show improvement yet see Illustration 81 Select Gaussian Fg as the Filter Type and adjust the Filter Kernel Radius to blur the noise 166 StarTools 1 3 5 Unofficial User Manual A Cs rTools 0 0 pixels 4 0 pixels 0 0 pixels 2 2 0 pixels Illustration 82 The Layer module with cloned image and result with Gaussian blur and Mask Fuzz applied It is only after we apply a Gaussian Blur and some Mask Fuzz that we can see a marked improvement in the right image see Illustration 82 noise has been reduced significantly but detail has not suffered 167 StarTools 1 3 5 Unofficial User Manual Example 3 Hot Pixel Removal The following example demonstrates how the Auto feature can be used to remove hot pixels NOTE This procedure uses the Heal module which is not available when tracking is active A Estat s Illustration 83 M31 in the Mask editor We open up an image of M31 which has quite a few hot pixels some red dots as well as some green and blue dots are clearly visible in Illustration 83 We then go into the Mask editor Note that we cleared the mask in Illustration 83 for clarity but clearing the mask is not a necessary step 168 StarTools 1 3 5 Unofficial User Manual
99. r system have more available The disk space that is required for StarTools is very minimal StarTools requires less than 2 Megabytes of disk space which is less than a typical MP3 song Despite its small size StarTools is fully self contained and does not depend on any external libraries or frameworks and no further components need to be installed To install StarTools simply download the ZIP archive and extract it to a location of your choice If you purchased a license key simply put the license key file in the same location as the StarTools executable and resources file If you do not have a license key the executable will revert to being a demo without save capabilities If you do have a license key but the program still reports itself as a demo version after you copied the key as outlined above please contact us through our website at http www startools org Please note that throughout this manual screenshots of the Linux version are shown however please be assured that StarTools on other platforms will appear virtually identical StarTools for Linux should run on most distributions with X11 and GTK installed StarTools 1 3 5 Unofficial User Manual Lastly calibrating your screen is of the utmost importance Failure to do so may invalidateyour processing efforts incorrectly calibrated screens may cause you to perform incorrect colour correction miss colour casts gradients noise and other artefacts Subsequent viewing of you
100. ration 14 shows an image of M42 before HDR treatment 42 StarTools 1 3 5 Unofficial User Manual StarTools 1 0 User Manual HDR Illustration 15 M42 image after HDR treatment with the default parameters Illustration 15 shows the same image of Illustration 14 after HDR treatment with all parameters at their default values Notice how the brightness of the core has been toned down while new detail has become visible Also notice that stars that were already visible have not been affected while some new stars have appeared The HDR module has successfully manipulated the local dynamic range to bring out new detail Usage HDR offers you some very powerful ways to optimize an images dynamic range allocation locally in near real time Together with the DEVELOP AUTODEV and CONTRAST modules it 43 StarTools 1 3 5 Unofficial User Manual is an automated replacement for the manual curve manipulation The HDR module typically yields better results than manual curve tweaking due to its local approach The use of the HDR module is generally only applicable after stretching with the DEVELOP or AUTODEV modules The HDR module will help you dig out every last little bit of detail that is hidden in the highlights or shadows of your image lt accomplishes this in near real time allowing you to see the immediate effects of your chosen settings HDR can operate on the brightness of image details on the colour of image details or both Th
101. rovide a fast predictable and consistent work flow There are no windows that overlap obscure or clutter the screen Where possible feedback and responsiveness will be immediate Many modules in StarTools offer on the spot background processing yielding quick final results for evaluation and further tweaking Ey StarTools A o arTools Illustration 1 The main screen interface M42 courtesy of Rowland Cheshire In both the main screen and the different modules a toolbar is found at the very top with buttons that perform functionality that is specific to the active module In case of the main screen this toolbar contains buttons for opening an image saving an image undoing redoing the last operation invoking the mask editor and opening an about dialog Exclusive to the main screen the buttons that activate the different modules reside on the left hand side of the main screen Note that the modules will only successfully activate once an image has been loaded with the exception of the LRGB module see page 26 14 StarTools 1 3 5 Unofficial User Manual Consistent throughout StarTools a set of zoom control buttons are found in the top right corner along with a zoom percentage indicator Panning controls scrollbar style are found below and to the right of the image as appropriate depending on whether the image at its current zoom level fits in the application window Le 4 StarTools A Ss rTools Illustr
102. s 103 StarTools 1 3 5 Unofficial User Manual After clicking a few times this is the result A Cs rTools 104 StarTools 1 3 5 Unofficial User Manual Layer Overview The Layer module allows the user to layer two separate images on top of each other by means of pixel math Many additional algorithms and processing techniques may be emulated this way NOTE In the LAYER module the abbreviations fg and bg stand for foreground and background respectively TIP After using any module in StarTools you can layer the old image with the new image by clicking the Undo gt FG or Un gt BG buttons to copy the undo buffer e g the old image to the foreground or background respectively Doing this gives you the after the fact control over a module s output so you can refine the result even more for example by applying the automatically generated brightness luminance masks TIP You can chain multiple operations by clicking the Copy button to copy the layer result and then pasting the result into the background or foreground by using the Paste gt Bg or Paste gt Fg buttons respectively TIP You can quickly integrate 2 exposure lengths for example M42 s core and the rest of the nebula by selecting the Max Contrast or Min Distance to 1 2 Unity for FILTER TYPE and increasing the FILTER KERNEL RADIUS until a smooth blend is achieved 105 StarTools 1 3 5
103. s best results on data that has had proper flat and dark frames applied In the absence of such data data may be corrected using for example the WIPE module after which the AUTO DEVELOP module can be reapplied using the corrected data AUTO DEVELOP never clips your data unless an explicit Region of Interest is used and OUTSIDE ROI INFLUENCE is set to 0 and never blows out star cores IMPORTANT If you are not merely using this module for a quick stretch to inspect your data then remove any stacking artifacts by using the CROP module before using this module for final stretching After doing this simply revisit this or the DEVELOP module for the final stretching Stacking artifacts interfere with the automatic dynamic range optimization process 37 StarTools 1 3 5 Unofficial User Manual Contrast Overview Eq StarTools El E E eee The CONTRAST module increases local contrast in your image and is an excellent tool to follow a global stretch that was performed using the DEVELOP or AUTODEV modules The CONTRAST module usually does a great job unaided however dark anomalies in an image such as dead pixels dust particles or terrestrial objects such as trees mountains etc may throw CONTRAST s local brightness level detection off If anomalies are small e g hot or dead pixels you may want to use the DARK ANOMALY FILTER parameter 38 StarTools 1 3 5 Unofficial User Manual NOTE If you do not take into
104. se words of wisdom are something to keep in mind should doubt set in Making your data StarTools friendly There are some important things you should know about how modules work with pixel data in StarTools First of all many algorithms require a mask i e a second image which tells StarTools which pixels to operate on and which pixels are off limits to operate effectively As a matter of fact a number of modules will not yield any useful results without a mask set To find out more about masks see the Masks chapter page 150 Secondly the algorithms that StarTools employ are very sensitive to excessive noise artificial artefacts such as stacking artefacts borders text etc and hot and or dead pixels When processing images that contain such artefacts and noise please be aware of their existence and try to eliminate them whenever possible before starting your processing This may mean using the Crop tool to crop the image until stacking artefacts are no longer visible at the borders or using the Mask Heal and Layer modules to heal hot and or dead pixels and or noise see examples on page 168 and 161 Some modules come with an additional parameter that lets you specify a noisiness level of the image so that the module can take precautions when processing noisy images Failure to take noise and or artefacts into consideration may lead to undesirable results and the introduction of further artefacts and or other unexpected visual
105. seems to be over concentrated adjust gamma create a new virtual scope model with a different aperture and or focal length or increase the angular size value Always scrutinise the image looking for errors it is possible the Synth module did not correctly detect a star s size or did not correctly separate multiple overlapping stars instead detecting them as a single large star 75 StarTools 1 3 5 Unofficial User Manual Experimentation with the different blend modes may be in order for best results deepening on the source image It is acceptable for local contrast to suffer somewhat pushing up background levels This is easily remedied by using the Contrast module Subsequent sharpening of the synthetic stars may also benefit your image anos 2 Mask PSF Cancel Do Keep Help Before AS 76 StarTools 1 3 5 Unofficial User Manual Examining an output sample Illustration 29 and Illustration 30 show a 3x magnified before and after crop of the image of open cluster M11 as seen in Illustration 27 and Illustration 28 respectively We used the Point Spread Function PSF resulting from the virtual scope model of Illustration 26 First off it must be said that the original was of very good quality and did not stand much to gain from star resynthesis other than perhaps the addition of the diffraction spikes if so desired If the image however was of less quality for example suffering from bad focusing
106. ser Manual The Mask Editor ee ee r StarTools Open Save Auto Clear Invert Shrink Gow Undo Cancel Keep Help The Mask Editor is accessible from the main screen as well as from the different modules that are able to apply a mask The button to launch the Mask Editor is labelled Mask When launching the Mask Editor from a module pressing the Keep or Cancel buttons will return StarTools to the module you pressed the Mask button in As indicated by the Click on the image to edit mask message clicking on the image will allow you create or modify a Mask What happens when you click the image depends on the selected Brush Mode While some of the Brush Modes see below seem complex in their workings they are quite intuitive to use 151 StarTools 1 3 5 Unofficial User Manual There are three Brush Modes e Flood Fill Lighter Pixels o Clicking a non green pixel will starting from the clicked pixel recursively fill the image with green pixels until it finds that All neighbouring pixels of a particular pixel are already filled green Or the pixel under evaluation is darker than the original pixel clicked Clicking on a green pixel will starting from the clicked pixel recursively turn off any green pixels until it can no longer find any green neighbouring pixels e Flood Darker Pixels o Clicking a non green pixel will starting from the clicked pixel recursively fill the image with green pixels until
107. sharpening Screen 1 e STRUCTURE SIZE specifies what size range the WAVELET SHARPEN module should cover 49 StarTools 1 3 5 Unofficial User Manual Screen 2 e SCALE 1 controls the amount of fine feature sharpening This is the scale that governs features such as single pixel detail e SCALE 2 controls the amount of medium to small feature sharpening e SCALE 3 controls the amount of medium feature sharpening e SCALE 4 controls the amount of medium to large feature sharpening e SCALE 5 controls the amount of large feature sharpening e SMALL DETAIL BIAS parameter specifies how the WAVELET SHAREN module should resolve cross scale sharpening conflicts It may be that sharpening in a larger scale causes contrast reduction on a smaller scale a problem inherent to wavelets This parameter allows for assigning a bigger importance to small scale detail The larger the value the more important the WAVELET SHARPEN module will treat small scale detail e AMOUNT allows throttling the strength of the sharpening across all scales This parameter acts as a multiplier for the individual scale parameters e BRIGHTNESS MASK POWER specifies how much if at all sharpening should be avoided in darker parts of the image A BRIGHTNESS MASK POWER of 0 0 applies sharpening to all pixels bright and dark evenly A BRIGHTNESS MASK POWER of 1 0 increases the effects of sharpening progressively as pixels get brighter
108. sing Secondly the regularization algorithm the algorithm that keeps noise from propagating is designed so that no guessing is needed as to how to set its parameters correctly it is always set to provide the optimal balance between noise and detail Thirdly the de ringing algorithm in StarTools deconvolution implementation is not only very effective it can actually resolve the singularities that overexposed star cores constitute and treat them like points of light To avail of de ringing simply create a mask with the objects that are causing ringing masked out i e non green To speed up rendering you may specify a temporary image crop to work on by selecting a region with the mouse To select the whole image for processing again click the All button There are two modes for the deconvolution algorithm in StarTools There is one mode for Deep Space images with stars and another for lunar and planetary images The latter expands the dynamic range as needed to accommodate highlights in the new deconvoluted image 52 StarTools 1 3 5 Unofficial User Manual Usage e RADIUS specifies the size of the blur that DECONVOLUTION will attempt to remove e REGULARIZATION specifies the balance between detail noise and smoothness A value of 1 0 specifies an optimum balance a value less than 1 0 specifies more detail at the expense of more noise whereas a value less than 1 0 specifies a smoother image at the expense of detail
109. sing a setting of less than 100 will let WIPE apply a different aggressiveness CORNER AGGRESSIVENESS to the corner of the image which allows for the correction of vignetting e CORNER AGGRESSIVENESS specifies how aggressive WIPE should be when removing gradients in the corners of the image The higher this value the more aggressive wipe becomes when removing local gradients in the corners Use this parameter to increase gradient removal in corners for example to remove vignetting NOTE this parameter only takes effect wnen DROP OF POINT is reduced from 100 It is grayed out otherwise 59 StarTools 1 3 5 Unofficial User Manual TOP END TREATMENT specifies what WIPE should do with the very brightest pixels when subtracting the gradient model o BRIGHTNESS MASK use a brightness mask to keep the very brightest pixels in the processed result the same as in the original image The upside is that no clipping occurs but the downside is that faint remnants of any color cast may remain in the brightest pixels o WIPE 2 0 truncates all channels to the smallest value found for the new maximums of red green and blue The upside is that all colors will be correct but the downside is that in extreme cases color clipping may occur harsh color transitions PRECISION specifies the amount of samples WIPE takes from the image In large images with quickly changing gradients higher precision may be appropriate DARK ANOMALY
110. size specifies the size of any mounting clips that keep the primary mirror or lens in place e Focuser specifies the type of focuser that the OTA is equipped with The presence of a focuser subtly affects the central flare s diffraction pattern adding a faint but distinct spike The different options are None no focuser protrudes from the OTA into the light path 1 25 inch a standard 1 25 focuser extends into the OTA 2 inch a standard 2 focuser extends into the OTA 3 inch a standard 3 focuser extends into the OTA e Focus Travel specifies how much of the focuser protrudes into the OTA e Focuser Angle specifies the angle at which the focuser is mounted to the OTA 71 StarTools 1 3 5 Unofficial User Manual Once you are satisfied with the model click the Do button to commence the high resolution Point Spread Function calculation Upon completion of the calculation you will be returned to the Synth module Star Synthesis o rTools Mask PSF Cancel Do Keep Help Illustration 27 72 StarTools 1 3 5 Unofficial User Manual Once a star mask and a scope model have been created the parameters for star synthesis should be set up Star synthesis itself may now be initiated by clicking the Do button Star synthesis and rendering are controlled by 10 parameters Please note that some of these parameters will apply in real time whereas some will only take effect once th
111. sk Editor should help If you find it is selecting too much stuff that aren t stars increase the Filter Sensitivity setting No one image is the same so just experiment a little If you have a DSO in your image that is predominantly red or blue you could optionally instruct the Auto Mask Generator to ignore any red or blue detail by selecting Purple Red Blue for the Exclude Color parameter Once you re happy with your mask run the Repair module This module will help you round your stars There are two algorithms that allow you to round your stars One is the Warp algorithm which tries to warp your stars back into shape much like a sculptor moulds a piece of clay The other one is for heavily distorted stars that look more like patches of light without a distinct core than recognisable stars The latter is called the Redistribute algorithm See which one gives you the best result For both of them to work optimally the stars in your mask must be at least one pixel apart So if two stars overlap make sure you erase a single pixel line between them If you don t do this you may notice the two stars merge into one big star 128 StarTools 1 3 5 Unofficial User Manual LIFE Overview Brings back life into an image by remodeling uniform light diffraction Throughout the various processing stages light diffraction a subtle glow of very bright objects due to lens or mirror diffraction may be distorted and suppr
112. software s tendency to destroy saturation and shift hue in bright areas It allows the viewer to 135 StarTools 1 3 5 Unofficial User Manual explore the universe in full color adding another dimension of detail irrespective of exposure time and subsequent stretching of the data o ARTISTIC DETAIL AWARE emulates the way workflows in other software tend to desaturate and distort hue in different parts of the image making it harder to determine and compare chemical makeup and star temperatures within the image In such software brighter areas tend to look washed out and devoid of color although they are not This mode may be preferable to those who like this look for comparison with older methods of color rendition ARTISTIC DETAIL AWARE does use StarTools tracking information to enhance the behavior of areas whose local brightness have been manipulated ex HDR In these areas StarTools will compensate these manipulations and show more color o ARTISTIC NOT DETAIL AWARE is similar to OTHER SOFTWARE DETAIL AWARE but does not attempt to use StarTools tracking information to enhance the behavior of areas whose local brightness have been manipulated ex HDR In these areas StarTools will not compensate these manipulations and color will be incorrectly desaturated and washed out even though they are not SATURATION AMOUNT specifies the amount of colour saturation as a percentage of the original image Increasing this
113. st results The FITS uncompressed TIFF and PNG file formats are the file formats that such pre processing software applications output The reason for this is that unlike lossy and 8 bit only formats such as JPEG the FITS and TIFF formats allow for storage of the high signal fidelity and precision that StarTools needs to get the most out of your image data JPEG files are especially unsuitable for astrophotography as it uses a lossy compression scheme that throws away data that StarTools needs To make matters worse JPEG files are stretched on board and are often modified by the camera s on board processing engine to appear sharper and noise reduced This further interferes with the amount of detail that StarTools can recover from your data Usage Click OPEN to browse and select a supported image file type StarTools will prompt for the Type of data as follows e Linear was not Bayered or is whitebalanced Use this option if your image is not from a one shot color OSC camera or DSLR or if the data has already been white balanced color corrected e Linear was Bayered is not whitebalanced If you are certain the image has not been color balanced and has indeed been debayered which for a DSLR is indeed the case then choose the Linear was Bayered is not whitebalanced option This will give you a small boost in noise reduction owing to the fact that a bayer filter makes the CCD collect twice as many green pixels as red and
114. stance If you launch the Magic module with the mask we just created you ll see it subtly shrinks the big fat white stars by default Very useful for busy star fields that detract from a DSO But it s not what you re after right now To accomplish what you are after in this case select the Tighten setting for the Mode parameter What you ll notice now is that it gets rid of the halo around big fat white stars It will only get rid of any pixels of halos that are part of your mask Just so you don t have to go back to the mask editor to grow your mask for your convenience there is a Mask Grow parameter that temporarily grows the mask including more of those pesky halo pixels as you increase the setting Finally the Iterations parameter affects the strength of the effect 97 StarTools 1 3 5 Unofficial User Manual Filter Overview The FILTER module allows you to modify features in the image by the color by simply clicking on them In effect it can act as an after the fact artificial filter for your image for everything from narrow er band filtering to acting like a fringe killer FILTER can be used to bring out detail of a specific color such as faint Ha Hb OlII or S2 details remove artefacts such as halos or isolate specific features By clicking on a location in the image FILTER will sample the image at that location and determine the spectral line that corresponds to the sample It will then apply the sel
115. the item selector is accomplished by clicking the arrows at either end of the item description Note that the arrows may disappear as the first or last item in a set of items is reached 16 StarTools 1 3 5 Unofficial User Manual Track Tracking plays a very large role in StarTools This makes workflows much less linear and allows for StarTools engine to time travel between different versions of the data as needed so that it can insert modifications or consult the data in different points in time as needed change the past for a new present and future It s the primary reason why there is no difference between linear and non linear data in StarTools and you can do things in StarTools that would ve otherwise been nonsensical like deconvolution after stretching your data If you re not familiar with Tracking and what it means for your images signal fidelity and simplification of the workflow amp Ul please do read up on it Tracking how you process your data also allows the noise reduction routines in StarTools to achieve superior results By the time you get to your end result the Tracking feature will have data mined pin pointed exactly where the noise is in your image and apply noise reduction only in those areas Therefore noise reduction is applied at the very end as you switch Tracking off This means that StarTools has had the longest possible amount of time to build and refine its knowledge of where the noise is in your image T
116. ticated operations You may have noticed that when you launch a module that is able to apply a mask the pixels that are set in the mask will flash three times in green This is to remind you which parts of the image will be affected by the module and which are not If you just loaded an image all pixels in the whole image will be set in the mask so every pixel will be processed by default In this case when you launch a module that is able to apply a mask the whole image will flash in green three times Green coloured pixels in the mask are considered on That is to say they will be altered used by whatever processing is carried out by the module you chose Off pixels shown in their original colour will not be altered or used by the active module Again please note that by default all pixels in the whole image are marked on they will all appear green For example an on pixel green coloured in the Sharp module will be sharpened in the Wipe module it will be sampled for gradient modelling in Synth it will be scanned for being part of a star in Heal in will be removed and healed in Layer it will be layered on top of the background image etc To recap If a pixel in mask is on coloured green then this pixel is fed to the module for processing If a pixel in mask is off Shown in original color then tell the module to keep the pixel as is hands off do not touch or consider 150 StarTools 1 3 5 Unofficial U
117. ult in the right image as seen in is close to what we want however there is clearly a transition between the two images at the Mask s boundaries However by simply using the Mask Fuzz parameter we can make the two images transition smoothly as seen in Illustration 53 Note that it may be worth experimenting with the Mask Fuzz parameter and or Grow ing the Mask in the Mask Editor though in this particular example we did not need to 111 StarTools 1 3 5 Unofficial User Manual E StarToois_ Lo rTools Undo Fg Undo Bg Copy Swap Keep Help We now have successfully made a composite of two differently exposed frames Example 2 Rounding elongated stars Elongated stars may have several causes lf your stars get progressively elongated towards the edge this may be due to coma which may be corrected by using the Lens module see page80 or inserting a physical field flattener coma corrector in your image train 112 StarTools 1 3 5 Unofficial User Manual Sometimes however tracking issues may be the cause elongated stars and this will result in streaks pointing the same way In this case the Layer module offers a way to correct this with Ej StarTools Cartos We open up an image of the Keyhole Nebula which suffers from severe tracking issues We then go into the Mask editor Illustration 54 Note that we cleared the mask in Illustration 54 for clarity but clearing the mask is not a necessary step
118. uration equivalent of the other channels For example if the red frame was a 30 minute exposure and the green and blue frames were both 45 minute exposures then the red ratio should be set to 1 5 to make up for the red channels shorter exposure duration e Green Ratio adjusts a multiplier that should be applied to the green channel Note that top end clipping may occur as a result This value may be used to attain the exposure duration equivalent of the other channels e Blue Ratio adjusts a multiplier that should be applied to the blue channel Note that top end clipping may occur as a result This value may be used to attain the exposure duration equivalent of the other channels e Luminance File shows the path of the file that is used as the luminance channel Note a colour file used for this purpose will be converted to greyscale by adding up all pixel values no color space conversion is performed e Red File shows the path of the file that is used as the red channel Note that if this file is a colour file then the red channel is extracted from this file e Green File shows the path of the file that is used as the green channel Note that if this file is a colour file then the green channel is extracted from this file 28 StarTools 1 3 5 Unofficial User Manual e Blue File shows the path of the file that is used as the blue channel Note that if this file is a colour file then the blue channel is extracted from th
119. vertical direction e Blue shift X specifies the amount of fractional pixels to shift the blue channel s pixels in the horizontal direction e Blue shift Y specifies the amount of fractional pixels to shift the blue channel s pixels in the vertical direction e Auto crop toggles the auto cropping feature on or off Because a distorted image may curve bulge when it is corrected not all pixels in the final square image may be populated Auto cropping will crop the image in such a way that all pixels are populated This will mean however that some pixels at the edges may be lost as a result e Curvature Linked adjusts the field curvature of both the red and blue channels simultaneously To correct coma e g perform field flattening simply adjust the Red Radius and Blue Radius by the same amount until stars no longer appear elongated 82 StarTools 1 3 5 Unofficial User Manual Heal Overview The Heal module removes unwanted pixels from an image and substitutes new ones based on neighbouring pixels The Heal module is particularly useful for removing stars from an image or defects such as scratches dead pixels hot pixels etc Please note that the Heal module is not particularly useful for removing noisy pixels as tagged by the Auto feature Usage The Heal module is simple in its operation and only takes 3 parameters Grow Mask specifies an additional amount of pixels the currently active mask should grow b
120. ving and breathing organism everything is connected and has its place forming a whole that is greater than the sum of its parts A module s influence or functionality does not stop when you close it Its code is ever present monitoring what you are doing and what other modules are doing It is ever gathering data on what you are doing Source gt Algorithm 1 Algorithm 2 Algorithm n gt End Result Traditional image processing software flow Each algorithm filter only has access to data as it was generated by the step immediately preceding it and only outputs data once to the step coming after it All modules that are accessible during StarTools tracking mode talk to each other and are aware of what all the other modules have done to your signal prior StarTools observes how you stretch your signal and meticulously keeps track of noise propagation levels and processing sequences throughout the processing It does all of this in the background and without bothering you unless it really needs your input in matters that cannot be objectively determined matters of taste and aesthetics 18 StarTools 1 3 5 Unofficial User Manual Algorithm 1 4 Source lt _ Algorithm n End Result Y Algorithm 2 StarTools interconnected processing Each algorithm has access to the output of every other algorithm independent of sequence and each algorithm can send output retroactively e g feed
121. ween livened and non livened parts of the image 130 StarTools 1 3 5 Unofficial User Manual FLUX Overview FRACTAL FLUX offers a novel way of analyzing enhancing and introducing detail into an image It uses self similarity also known as fractals to lift out or even create interesting features The automated identification of interesting features allows for a host of content aware operations such as autonomous sharpening feature augmentation and or noise reduction Fractal flux may be used to add natural looking detail to an image using detail already present as a basis Do note that using this module in this manner adds detail that though natural looking is artificial in origin Please also note that using fractal flux in this manner also tends to distort stars and or any halos around them It is therefore advisable to mask stars out if you intend to use the module in this way The nature of fractal flux is that its arisal strongly correlates with uniqueness of features in an image It is therefore also a good indicator of the presence of interesting detail By using fractal flux to modulate an Unsharp Mask algorithm automated sharpening may be accomplished of interesting features Usage First Screen e WAVELET LIBRARY specifies the amount of knowledge the FRACTAL FLUX module starts off with The smaller the amount of knowledge the more flux may arise Second Screen Offers Sharpen Detail an
122. y The growing is applied temporarily and does not affect the active mask This parameter is useful when the active mask does not completely cover all pixels that require removal for example when you are trying to remove stars from an image and star halos remain e Algorithm switches between two algorithms e Gradient fills any patches of pixels that are marked for removal with a smooth gradient This algorithm is perfect for removing small amounts of pixels However since the substituted pixels are void of detail this algorithm may not be appropriate for large areas e Inpainting attempts to fill any patches of pixels that are marked for removal with detail based on neighbouring pixels e Second Pass specifies whether heal should perform a second pass after checking for pixels which were generated healed lighter than in the original In the case a pixel was generated which was lighter than the original the original pixel is used instead of the generated pixel This step helps generating better fits for missing pixels in the case where stars are being removed 83 StarTools 1 3 5 Unofficial User Manual Using Heal to process stars independently Let s say we have this image here Illustration 32 Heart Nebula Let s create a star mask that Heal can use to heal out the stars Mask Auto Stars set Exclude Color to Red so that it won t select much of the nebula 84 StarTools 1 3 5 Unofficial User Manu
123. y a message asking you to create them Synth does not work without them 67 StarTools 1 3 5 Unofficial User Manual Star Mask The creation of a star mask can be accomplished in seconds using the Auto function in the Mask editor see the Mask chapter page 150 and how to quickly create a star mask page 151 The Mask editor may be accessed through the Mask button in the Synth module or from the main screen Please note that while you re free to use Synth selectively on stars the most natural looking results are achieved when all stars are treated equally by Synth hence it is strongly recommended to simply use the Auto function in the Mask editor and select all stars While inspecting the Mask make sure that only stars are selected and not other bright objects which Synth erroneously may treat like stars deselect unwanted objects in the Mask editor Telescope modeling Besides a star mask a virtual scope model is created in the scope modeler as a second prerequisite Clicking the PSF button in the Synth module will launch the scope modeler The default settings will result in a model that should look similar to the one in Illustration 26 To the left we can see a top down view of our virtual telescope You will notice it is very similar to what you would see if you were to look straight down a Newtonian Optical Tube Assembly OTA The right image represents the photon distribution of a point light e g a star
124. yered such as images taken with an OSC DSLR compact camera or webcam It is therefore prudent to grow the selection by a couple of pixels To do this simply click on the Grow button a couple of times Your mask will now look similar to the one in Illustration 85 notice how the hot and warm pixels are now clearly visible as green dots All we have to do now is remove the aberrant pixels We do this using the Heal module see also page 83 170 StarTools 1 3 5 Unofficial User Manual Ey Star foo O s e Esa rTools Illustration 86 The Heal module showing a healed hot pixel free version of M31 using the hot pixel mask Simply launching the Heal module will yield a result similar to that of Illustration 86 The hot and warm pixels will have disappeared Note that if we forgot to use the Grow button in the Mask editor we can use the Grow Mask slider to do it here on a temporary basis that is without modifying the active Mask 171 StarTools 1 3 5 Unofficial User Manual Acknowledgements StarTools and this manual were made possible by the contributions of the following people Stephen Statts USA Alan Mehan Australia Charles Kuehne USA Jim Misti USA Marc Aragnou Australia Pete Scully South Africa Roger Groom Australia Rolf Wahl Olsen New Zealand Rowland Cheshire Australia Warren Maag Australia The author wishes to thank them for providing images equipment and their valuable time b

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