L5-Studio User Manual EN.cdr
Contents
1. C2 Front Panel Controls Continued With a medium Drive Level and Drive Volume you will get a crisp bluesy lead tone again with the ability to drive the output stage at higher Drive Volume settings A higher level on the Drive control and a low setting on the Drive Volume will give a punchy hard rock lead tone again with the ability to drive the output tubes at higher Drive volume settings Having set the Drive and Drive Volume controls to achieve your desired sound try backing off your guitar volume and tone controls for lots of other cool sounds Good tube amplifiers have the unique ability to produce a wide range of sounds by using only your guitar controls playing weight and style DRIVE VOLUME Sets how loud the Drive channel is It is useful to experiment with Drive Levels and Drive Volumes If you want a very open warm and semi over driven sound try reducing the amount of Drive and increasing the Drive Volume This reduces pre amp gain but pushes the output stage harder giving a very desirable retro style distortion DRIVE SWITCH Switch up ON to enable the Drive channel and allow for the drive to be switched on off via an FS2 foot switch DRIVE LED This led will illuminate when the Drive is activated via switch 8 or the included Laney FS2 remote foot switch BASS MIDDLE TREBLE A traditional set of passive tone controls having the advantage of always sounding musical due2. i Tube Amplifier Survival Tips e Tube amplifiers generally sound much warmer sweeter than solid state transistor amplifiers but they also need a little more respect due to the fragile glass tubes themselves The L5 Studio uses top quality tubes which should give you years of trouble free service However like all tube amps it is important to treat it with a certain amount of care e Tubes are fragile glass components and can easily be damaged if not treated with respect e Make sure the impedance of your cabinets matches your amplifier Improper impedance matching will result in reduced output power output and compromised sound at best with amplifier failure premature tube failure at worst e Allow the amplifier to warm to room temperature before switching it on If you don t the sudden thermal shock can crack the cold glass tube housing plus any moisture is bad news around high voltage electronics e Allow the amplifier to cool down before moving it Hot tubes are more susceptible to damage than cool ones A tubes life expectancy is based upon a number of factors which include operating temperature how hard and how often it is played vibration due to travel etc Although there isn t a specific interval for replacement tubes should be changed if you notice any degradation of performance e Typical problems with pre amp tubes can be a crackly noise hiss hum and mi
3. be found at www laney co uk Quick Start Settings Suggestions only experiment 7 7 10 lpn 1 ap So CLEAN VOLUME DRIVE VOLUME BASS MIDDLE TREBLE 5 7 Q REVERB TONE INPUT gt 10 ar 7 P 3 78 1 9 RUN 2 H CLEAN INPUT VOLUME DRIVE VOLUME BASS MIDDLE TREBLE REVERB TONE BLUES LEAD gt 4 248 6 Ss _ 10 3 3 7 3 2 8 78 OF RUN 1 9 9 1 2 9 7 K 91 A gt lt A 0 a 0 2 10 10 DRI INPUT VOLUME BRIGHT DRIVE VOLUME BASS MIDDLE TREBLE REVERB TONE 5 10 al 1 1 WAN 1 8 9 ig RUN a W 10 Prat CLEAN INPUT VOLUME or DRIVE VOLUME BASS MIDDLE TREBLE REVERB TONE User Settings Store your own cool sounds po po fF 4 5 6 4 5 6 4 6 4 6 4 5 6 1 3 1 3 7 3 7 3 Toa 7 3 2 8 2 82 8 2 82 82 82 82 RUN 1 8 1 8 1 9 1 8 1 8 1 8 1 8 1 0 10 0 10 0 1 0 10 0 10 0 10 0 10 N DRIVE VOLUME BRIGHT DRIVE VOLUME BASS MIDDLE TREBLE REVERB TONE INPUT _ 6 45 6 4 5 6 4 gt 6 79 6 1 3 7 3 7 3 3 7 3 2 8 2
4. 93 68 EEC Low Voltage 2006 95 EC EMC 2004 108 EEC RoHS EU2002 95 EC WEEE EU2002 96 EC In order to reduce environmental damage at the end of its useful life this product must not be disposed of along with normal household waste to landfill sites It must be taken to an approved recycling centre according to the recommendations of the WEEE Waste Electrical and Electronic Equipment directive applicable in your country Windows is a registered trademark of Microsoft Corporation in the United States and other countries Mac OS amp iPad are trademarks of Apple Inc registered in the U S and other countries Audacity is a trademark of Dominic Mazzoni MixPad Audio Mixer is a trademark of NCH Software Inc Pro Tools is a trademark registered in the United States by Avid Technology Inc Speakon is a trademark of Neutrik AG USB2 0 is compatible with Windows operating system Windows 7 operating system amp Windows 8 operating system Also compatible with amp iPad 1 3 via camera USB adaptor iPad 4 amp iPad Mini via Lightning USB camera adaptor cable and Android devices 19 www Laney co uk Model number 422 Serial number 422 Place of purchase f Date of purchase 142222 Please complete for future reference a You www laney co uk Tube
5. to their unique interactive nature This gives players a more natural set of tools to create their ideal sound Set them at midway 5 for a good starting point REVERB Controls the level of the on board reverb effect Reverb can be turned on and off with the FS2 foot switch TONE The tone control works in a similar fashion to the Tone control you probably have on your guitar except that it uniquely works at the other end of the amplification signal chain This has the ability to not only control the overall top end response but also reduce upper end harmonics on the output stage and pre amplifier overdrive sounds This will give you bright cutting sounds at high settings and smooth rounded sounds at lower settings Set to midway 5 for a good starting point POWER LED This led will be lit when the amplifier is switched on RUN SWITCH Disconnects the HT voltage switch down position but not the heater lines This keeps the tubes warm so are ready to go instantly Switch to standby down position for short breaks when you don t want to wait for the tubes to warm up again alsa more Q Rear Panel Controls SUPPLY VOLTAGE amp FUSE RATING MADE IN CHINA FABRIQUE EN CHINE AVERTISSEMENT POUR R DUIRE LE RISQUE DU FEU OU DE DECHARGE LECTRIQUE N EXPOSEZ 15039 MAXIMUM POWER CONSUMPTION WARNING THIS APPARATUS MUST BE EARTHED PAS CET APPAREIL A LA PLUIE OU A L HUMIDIT NE PAS ENLEVER LA COUVERT
6. coiled or low gain humbucker type pickups The use of high gain pickups in this input may drive the preamp too hard causing a mushy sound Only use good quality guitar cable LO INPUT LO stands for low gain approximately 50 attenuated when compared to the Hi input and is designed for high output guitars Ideal in obtaining an output that is tight not mushy from high gain humbucker type pickups Also use this input for the cleanest full range sound with extended low end response Only use good quality guitar cable CLEAN VOLUME Sets how loud the clean channel is Try cranking it up a little to drive the power tubes harder for that real retro sound and feel that only a quality tube amplifier can deliver Also experiment with the level overdrive interaction by using your guitar volume control BRIGHT Adds brightness and life to the treble frequencies of your guitar when using the clean channel Adds edge and picking emphasis when using the drive channel The switch has more effect at low Clean Volume Drive control settings Use in conjunction with the Treble and Tone controls for optimum performance Switch up to enable BRIGHT LED This led will illuminate when the Bright switch is activated DRIVE Sets the level of tube pre amp drive or how dirty your sound is This control should be used in conjunction with the Drive Volume 7 Setting a low Drive and a high volume will give a clean pre amp sound with tube output stage overdrive
7. 82 8 2 8 2 82 82 82 RUN 1 9 1 8 1 8 1 8 1 8 1 8 1 8 1 gt lee 0 10 0 10 0 10 0 10 0 10 N DRIVE VOLUME BRIGHT DRIVE VOLUME BASS MIDDLE TREBLE REVERB TONE INPUT 4 5 6 4 5 6 4 6 4 6 jadas 10 7 3 7 3 7 3 7 3 2 8 2 82 8 2 82 82 82 82 RUN 1 8 1 8 1 8 1 8 1 8 1 8 1 8 1 0 10 0 10 0 1 0 10 0 1 0 10 0 10 N DRIVE INPUT VOLUME BRIGHT DRIVE VOLUME BASS MIDDLE TREBLE REVERB TONE am 6 4 5 6 4 5 6 4 6 4 6 4 5 6 7 7 3 Q 2 8 2 8 2 8 2 8 2 8 2 8 2 8 2 BUN 1 8 1 8 1 9 1 8 1 8 1 8 1 8 1 ket 0 10 0 10 0 1 0 10 0 10 0 10 0 10 N DRIVE VOLUME BRIGHT DRIVE VOLUME BASS MIDDLE TREBLE REVERB TONE INPUT www Laney co uk ample Systems L5 Studio with FX controller SUP VOLGE AFUSE RNG MAXIMUM POWER CONSUMPTION pus MUST eave te CR CRS EE DRIVE TIP a TSO0mA L 250V AVERTISSEMENT CET APPAREIL DOI ETRE LA TERRE X h POUR node BU FEU NUE AE Mle YPE ET REVERB RING Tna LN ESUE ADEQUATE VENTILANON ALL MOUND DO NOT PLACE OBJECTS ON THE TOP COVER this Fon CLASS DENCE PURSUANT O PART sor TME Tania TO REDUCE TH RISK SADEN DO ROT TAS APPLIANCE TO BAN Bower NEMNE COVER MO USER PANTS RSIS REFER SERINE TO
8. IZE RATING OF FUSE AS SPECIFIED ON THE PANEL If a fuse blows or fails and a replacement of the same size and rating is installed and it in turn blows the amplifier has suffered a malfunction internally and needs immediate service from a qualified technician DO NOT TRY USING FUSE OF HIGHER RATING This may cause serious irreparable damage to the amplifier and presents a serious fire hazard The mains fuse ratings are detailed in the specification section at the rear of this manual POWER Main power switch for unit SERIAL NO Displays the model and serial number of the unit HT FUSE This fuse protects the DC power to the tubes within the amplifier USE ONLY THE CORRECT SIZE AND RATING FUSE AS SPECIFIED ON THE PANEL If the HT fuse blows or fails and a replacement of the same size and rating is installed and it in turn blows the amplifier has suffered a malfunction Firstly check the output tubes and replace faulty ones if required If the tubes aren t the cause of the problem the amplifier should be checked out by a qualified technician DO NOT TRY USING A FUSE OF HIGHER RATING Again this may cause serious irreparable damage the amplifier Fuses are designed to protect do not take chances faye Rear Panel Controls Continued 6 DI Sourced from either pre or post output section and can be used with or without a speaker load This connector provides balanced direct feed primarily
9. LIONHEART 5 USER MANUAL www laney co uk British Engineering from the Black Country United Kingdom NZ ZN Welcome Dear Pla yer Thank you very much for purchasing your new Laney product and becoming part of the worldwide Laney family Gach and every Laney unit ts designed ana built with the utmost attention to care and detail so trust yours will give you many years of enjoyment Laney products have a heritage which stretches back to 196 when first began building valve amplifiers in my parents garage Since then we have moved on from strength to strength developing an extensive range of guitar bass 2 public address multi instrument and keyboard amplification products along with a list of Laney endorsees that includes some of the world s most famous and respected musicians At the same time we believe we have not lost sight of the reason Laney was founded tn the first place a dedication to building great sounding amplification for working musicians Warm Regards Lyndon Laney Chairman Founder Introduction LIONHEART The L5 Studio s 5W Class A Single Ended output stage oozes classic warm tube tones The harder you drive it the better it sounds Plus with enough gain for contemporary tones it also has a mean spiteful side to it as well making it ideal for any style of playing Perfect for studio and practice use using the 5W or 0 5W output but
10. URE EN CAS DE DRIVE TIP PROBLEME REFEREZ UN PROFFESSIONEL ATTENTION POUR REDUIRE LE RISQUE DU FEU REMPLACEZ AVEC LE MEMES TYPE ET ESTIMATION 1200 H T250mA L 250V PPARATEN SKALL ANSLUTAS TILL JORDAT FCC CLASS STATEMENT THIS EQUIPMENT HAS BEEN TESTED AND FOUND TO COMPLY WITH THE ROUN NOT PLACE OBJECTS ON THE TOP COVE LIMITS FOR CLASS B DIGITAL DEVICE PURSUANT TO PART 15 OF THE FCC RULES WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE DO NOT REMOVE COVER NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL CAUTION RISK SHOCK DO NOT OPEN ATTENTION DE DECHARGE ELECTRIQUE S OUVRE PAS T500mA L 250V 50 WATTS 50 60Hz TTAVA UOJA RRE CAUTION TO REDUCE THE RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING REVERB RING 2 POWER 15 57000 PHONES 1 100 MODEL T100mA L 250V DRY RECORD GAIN LEN SOURCE x 1008 008 BYPASS GND 30dB gi on USB 1 0 2 0 ae USB ANP N LI 5 5 409 D ae LIFT EMULATION 12dB DESIGNED AND ENGINEERED IN THE UK BY LANEY OOOO O OO 1 POWER INLET SOCKET Connect to your power source Make sure the specified voltage is correct for your country 2 POWER FUSE This drawer contains the main safety fuse for the unit USE ONLY THE CORRECT S
11. apparatus 90 19 Exposure to extremely high noise levels may cause a permanent hearing loss Individuals vary considerably in 92 susceptibility to noise induced hearing loss but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a 95 sufficient time 97 The U S Government s Occupational Safety and Health Administration OSHA has specified the following permissible noise level 100 exposures According to OSHA exposure excess of the above permissible limits could result in some hearing loss Earplugs or 102 protectors to the ear canals or over the ears must worn when operating this amplification system order to prevent a permanent 105 hearing loss if exposure is excess of the limits as set forth above ensure against potentially dangerous exposure to high sound 110 pressure levels it is recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this 4 or less 115 amplification system be protected by hearing protectors while this unit is in operation www Laney co uk Intended to alert the user to the presence of high Dangerous Voltage within the products enclosure that may be sufficient to constitute a risk of electrical Intended to alert the user of the presence of important operating and maintenance Servicing instructions in the literature accompanying the product A shock to persons CAUTION to qualified personne
12. ble Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as when power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped 15 Never break off the ground pin Connect only to a power supply of the type marked on the unit adjacent to the power supply cord 16 If this product is to be mounted in an equipment rack rear support should be provided 17 Note for UK only If the colours of the wires in the mains lead of this unit do not correspond with the terminals in your plug proceed as follows a The wire that is coloured green and yellow must be connected to the terminal that is marked by the letter E the earth symbol coloured green or coloured green and yellow b The wire that is coloured blue must be connected to the terminal that is marked with the letter N or the colour black CONDOR c The wire that is coloured brown must be connected to the terminal that is marked with the letter L or the colour red Duration Per Sound Level dBA 18 This electrical apparatus should not be exposed to dripping or splashing and care should be taken not to place objects Day in Hours slow response containing liquids such as vases upon the
13. crophony Other symptoms include sound lacking in punch extreme highs or lows and low level hum Internal failure of the tube can also blow the HT fuse See the diagram on page 17 to see how to check the tube grade fitted Exact replacement pre amp and output tubes are available from Laney via your dealer e To change a tube switch off the unit and unplug from the mains supply Wait for the tubes to cool down Lay amplifier down on its front face and remove the protective grille held in place with four screws You should now be able to access the amplifier chassis Pre amp tubes are protected with a screen can To remove gently twist the screen can anti clockwise and then pull up The tube can then be gently pulled out Take care when pushing the new tube in to make sure the pins are all aligned properly Output tubes have a spring retainer which must be pulled away before the tube will come out e Amplifier connection order to avoid damage it is advisable to establish and follow a pattern for turning on and off your equipment Connect and power up all system parts effects processors FX pedals etc BEFORE turning on your guitar amplifier Many products have large transient surges at turn on and off which can cause damage to your speakers By turning on your guitar amplifier LAST and making sure its Volume controls are set to minimum any transients from other equipment will not reach your loudspeakers www Laney co uk Similarly when turning of
14. each control feature simply check the number with the explanations adjacent to each panel Your Laney amplifier has undergone a thorough two stage pre delivery inspection involving actual play testing When you first receive your Laney amplifier follow these simple procedures i Ensure that the amplifier is the correct voltage for the country it is to be used in ii Connect your equipment with a high quality shielded cable You have probably spent considerable money on your amplifier and equipment don t use poor quality cable it won t do your gear justice Please retain your original carton and packaging so in the unlikely event that some time in the future your amplifier should require servicing you will be able to return it to your dealer securely packed Care of your Laney amplifier will prolong it s life and yours Front Panel Controls O 000 00 om 49 92 4 5 4 4 4 7 4 4 4 4 gt LO 3 fie Q fi 3 88 fi 3 fi 3 fia fi 21 2 pa 82 22 pee e 1 F 1 9 1 1 9 1 9 1 9 10 10 10 10 10 O DRIVE INPUT VOLUME BRIGHT DRIVE VOLUME BASS MIDDLE TREBLE REVERB TONE 9 HI INPUT HI stands for high gain This input is designed for the connection of low output guitars making it well suited for single
15. equally at home on stage plugged into a Laney LT112 L1T212 or L412 cabinet The sound will blow you away Utilising the T USB technology first released in the IRT Studio the L5 Studio lets you combine the worlds of VALVE tone and digital flexibility in a way not previously available to players who were looking for vintage aesthetics great valve tone all combined with modern features Every Lionheart product is extensively play tested by experienced guitarists before being shipped to our customers Only when the unit is finished to our complete satisfaction is it assigned its own unique build number which is then hand stamped onto the rear mounted plaque Your L5 Studio should give you years of trouble free amplification however please take time to read this manual and familiarise yourself with the controls as it will allow you to get the best from your amplifier We hope you enjoy using your L5 Studio as much as we enjoyed designing and making it Best wishes from all at Laney 4 7 j 5 4 gt a _ 4 VOLUME BASS MIDDLE TREBLE REVERB BRIGHT DRIVE vot www Laney co uk Important Safety Instructions WARNING When using electrical products basic cautions should always be followed including the following Read these instructions Keep these instructions safe Heed all warnings Follow all instructions Do not use this apparatus near wate
16. f your system always turn down the Volume controls on your guitar amplifier and then turn off its power before turning off other equipment Cables never use shielded or microphone cable for any speaker connections as this will not be substantial enough to handle the amplifier load and could cause damage to your amplifier system Caution Professional loudspeaker systems are capable of generating very high sound pressure levels Use care with placement and operation to avoid exposure to excessive levels that can cause permanent hearing damage Servicing The user should not attempt to service this product Refer all servicing to qualified service personnel www Laney co uk Signal Path Block Diagram EXTERNAL CABLE E PHONES D I OUT USB 2 0 PORT 8 2 Vi CONNECT TO 8 16 OHMS 5W OUTPUT atte 3 J i ky DRY RECORD GAIN 4 12dB 0 12dB Via FX LOOP LEU RETURN AUXIN BRIGHT SEND O 0 5W T CLEAN V2a V2b g V3 BYPASS VOLUME HI INPUT BRIGHT A t 0 dBu 104 719 W f a J Sit w REVERB 0 DRIVE 7 VOLUME REVERB 1 LEVEL 5 7 M E E E FOOTSWITCH E TONE CONTROL Always switch off and disconnect power cord when not in u
17. go to a PA sound desk It carries an adjacent ground lift switch to remove any hum loop problems To allow suitable levels to be sent to the desk there is also a 4dB 30dB send level switch EMULATION This provides continuous 4x12 cabinet emulation to the Phones and switchable emulation for USB and the D I output USB A standard USB 2 0 audio in out connector is provided for recording purposes For further explanation of USB and associated controls see page 11 PHONES A stereo jack is provided which can be used for headphones or a stereo feed to a PA system A Source switch allows you to listen to the full amplifier or stereo return from the USB A level control is included for comfortable listening Ensure the Phones level is turned to minimum before connecting headphones to avoid unexpected levels AUXILIARY INPUT This input allows the connection of backing tracks any line level audio signal to be mixed in post FX loop Rear Panel Controls Continued 11 REMOTE Provided for the connection of the included Laney FS2 footswitch This allows you to remotely switch between the clean drive channel and switch the on board reverb On Off The Drive switch must be in the up ON position in order to be switched remotely 12 SPEAKER CONNECTORS 8 16 ohm cabinet connected directly to these sockets Please note mismatched impedance will reduce the amplifiers
18. i ad EER eT mm ua USB REAMP SEND PHONES SY RETURN FX LOOP SEND DRY RECORD GAIN SOURCE LEVEL AUXIN 1048 008 BYPASS 1 OFF on USB Alp Lt 0 EMULATION DESIGNED AND ENGINEERED IN THE UK BY LANEY POWER 408 are FX unit Laney ELE ELE 7 C5039 MAXIMUM POWER CONSUMPTION Aphra Me aie 2 REMOTE 1500 1 250v 50 WATTS 50 509 CET APPAREL DON EME Mh ena BUN DRIVE reer REVERB RING Pun acs ee ce aan ean a CATON HCO ATTENTION RISQUE DE DECHARGE LECTRIQUE NE S POWER 2 USB SEND RETURN FX LOOP I I move wm 4 T100mA L 250V DRY RECORD GAIN SOURCE LEVEL AUXIN 008 BYPASS 1 USB ee CT 1 Dp 1281234 1 s 4 LIFT 408 0 EMULATION DESIGNED AND ENGINEERED INTHE UK BY LANEY 00000000000 00
19. l Risk of electrical shock DO NOT OPEN To reduce the risk of electrical shock do not remove the cover No user serviceable parts inside Refer servicing WARNING prevent electrical shock or fire hazard do not expose this appliance to rain or moisture Before using this appliance please read the operating instructions If your appliance features a tilting mechanism or a kickback style cabinet please use this design feature with caution Due to the ease with which the amplifier can be moved between straight and tilted back positions only use the amplifier on a level stable surface DO NOT operate the amplifier on a desk table shelf or otherwise unsuitable nonstable platform After unpacking your amplifier check that it is factory fitted with a three pin grounded or earthed plug Before plugging into the power supply ensure you are connecting to a grounded earth outlet If you should wish to change the factory fitted plug yourself ensure that the wiring convention applicable to the country where the amplifier is to be used is strictly conformed to As an example in the United Kingdom the cable colour code for connections are as follows EARTH or GROUND GREEN YELLOW NEUTRAL BLUE LIVE BROWN www Laney co uk NOTE This manual has been written for easy access of information The front and rear panels are graphically illustrated with each control and feature numbered For a description of the function of
20. mini connect via a Camera USB adaptor PC MAC connects via standard A B USB cable for use with the likes of Garage Band Audacity MixPad Audio Mixer Pro Tools and similar should be noted that the audio output of an iPad or iPad mini is disengaged and returned via the USB This can be picked up via a rear panel monitor switch on the amplifier headphones in stereo or if required routed into a PA system powered cabinets Re Amp Facility During recording the amplifier processed signal is sent to the right hand channel The left hand channel carries the guitar signal totally unprocessed On an iPad using Garage Band if the track is recorded in stereo then copied with one track panned left and the other track panned right then both raw and processed signals are available independently This allows for the re amplifying of a sound that may have been over processed initially To re amp via Garage Band on the iPad solo the original channel and record a new one with the link in place from the rear re amp socket and the guitar input The newly processed signal will now appear on the right channel with the guitar direct signal again on the left Other effects may be added into the link cable but the guitar original sound will not be recorded It will instead record to the left channel the sound directly after the effects with no amplifier and the fully processed signal after the amplifier and effects on the right Further explanation videos etc
21. ollowing two conditions l This device may not cause harmful interference 2 This device must accept any interference received that may cause undesired operation Warning Changes or modification to the equipment not approved by Laney can void the user s authority to use the equipment Note This equipment has been tested and found to comply with the limits for Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined turning the equipment off and on the user is encouraged to try and correct the interference by one or more of the following measures eReorient or relocate the receiving antenna elncrease the separation between the equipment and receiver eConnect the equipment into an outlet on a circuit different from that to which the receiver is connected eConsult the dealer or an experienced radio TV technician for help This product conforms to the requirements of the following European Regulations Directives amp Rules CE Mark
22. performance and in some cases may cause damage to your amplifier The 0 5W attenuated socket provides the same sound and feel as the 5W output but with the maximum output set to around 0 5W Don t use the 5W and the 0 5W outputs at the same time Unlike many valve amplifiers the L5 Studio is designed to run either with or without speakers connected 3 Fx Loop RETURN A mono jack socket to connect to the output of an external FX unit This can also be used as a slave in for the power amp As the FX Loop is an insert type a connector in the Return socket will mute the pre amp signal ATTENUATION SWITCH Selects the FX Loop mode of operation 104 For connection of FX units with a 104 nominal output level As this is intended for devices with a lower output level this switch increases the gain of the FX Loop by 104 OdBu For connection of FX units with a OdBu nominal output level Bypass Removes the FX Loop from the signal path FX SEND Mono jack socket for connection to the input of an external FX unit USB Interface PC Mac Ipad or Android USB The USB 2 0 audio I O connector supporting the following Ability to simultaneously record the RAW untreated sound to channel left and the full amplifier sound to the channel 2 right 2 Ability to play back USB stereo information to headphones for monitoring P Link from the Headphone output back into the Auxilia
23. r Clean only with a dry cloth Do not block any of the ventilation openings Install in accordance with manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat 9 An apparatus with Class construction shall be connected to a mains socket outlet with a protective connection Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or third prong is provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point they exit from the apparatus 11 Only use attachments accessories provided by the manufacturer 12 Use only with a cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 The mains plug or appliance coupler is used as the disconnect device and shall remain readily operable The user should allow easy access to any mains plug mains coupler and mains switch used in conjunction with this unit thus making it readily opera
24. ry input with a 3 5mm to 6 5mm stereo jack lead allowing simultaneous USB play back iP This feature will also allow external DSP effects on your DAW to use the RAW 456 456 456 456 456 456 4 6 456 0 Rem ee Re aie he ten ee 7 2 2 82 8 2 t 82 82 82 82 8 RUN 1 1 1 1 25 1 i HI E 0 w 0 W 0 0 w 0 0 0 w 0 7 CLEAN DRIVE input VOLUME BRIGHT DRIVE VOLUME BASS MIDDLE TREBLE REVERB B signal as a left input then the effected signal sent directly back to the Aux input for 5 2 T GND 3048 mixing with the amp through signal all via USB and without affecting your direct sound 3 Re Amp Send socket allows for the recorded RAW channel to be sent back to the amplifier input for re processing via a standard mono instrument jack lead For the best level match use the input on the amplifier front panel To fine tune the level use the Dry Recording Gain control A good starting position for unity gain iPad iPad mini is thel2 o clock position High output pickups or lots of gain produced by FX pedals Tablet or Laptop or Android device before the amp may require a slight reduction in level via the Dry Recording Gain Level control to prevent overloading of the input stage in your DAW Record out via USB To run into iPad or iPad
25. se Specifications Nominal supply voltage Mains Fuse HT Fuse Power Consumption Output Power Rating Features Input Resistance Size H W D mm s Unit Weight 100V 120V 220V 240V 50 60Hz Pre set Factory Option 100 I 10 gt 120V T500mA L 250V 220V gt 240V T250mA L 250V T1I00mA L 250V 50W 5W and 0 5W attenuated Oversized power supply and output transformer for that powerful sound and long term reliability The best available specially selected tubes throughout 3 ECC83 Preamp Tubes EL84 Power Tube FX Loop Send Return with switchable attenuation any bypass Single Ended Class A Valve tone Sealed gold contact relays used in all signal switching for minimum effect to your sound Laney designed high quality Reverb with adjustable level FS2 For Clean Drive Channel amp Reverb ON OFF included USB I O for use in the Studio D I Fully balanced post output stage Direct Output with switchable cab emulation EQ Passsive Bass Middle and Treble Tone Boost amp Cut active on top end of signal Ohm 189 419 183 7 8 Shipping Weight 10 Kg Slip cover included In the interest of continued development Laney reserves the right to amend product specification without prior notification EEA Legal FCC Compliancy Statement This device complies with Part 15 of the FCC rules Operation is subject to the f
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