Famille Tenenbaum
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1. for day after day And won t disappear I ve tried every way But she smiled sweetly She smiled sweetly She smiled sweetly And says don t worry Oh no no no Where does she hide it inside of her That keeps her peace most every day And won t disappear my hair s turning grey But she smiled sweetly She smiled sweetly She smiled sweetly And says don t worry Oh no no no Puis enchainement sur THE ROLLING STONES RUBY TUESDAY 1967 She would never say where she came from Yesterday dont matter if its gone While the sun is bright Or in the darkest night No one knows She comes and goes Goodbye ruby tuesday Who could hang a name on you When you change with every new day Still lm gonna miss you D BUT DES RESOLUTIONS There s nothing in why or when There s no use trying you re here Begging again and ov r again That s what she said so softly understood for once in my life And feeling good most all of the time But she smiled sweetly She smiled sweetly She smiled sweetly And said don t worry Oh no no no Oh no no no Oh no no no Dont question why she needs to be so free Shell tell you its the only way to be She just cant be chained To a life where nothings gained And nothings lost At such a cost cut 55 Chapitre 7 Richie r habilite le p re t te de sanglier r int gr e dans les troph es familiaux annonce a son p re qu il aime sa soeur adoptive suite de r solu2. l air d pit la fen tre 2 Richie Voix off explicite PP n 3 sur l chec d sastreux de Richie la une des journaux 3 Ellie PP n 4 sur la couverture de son roman relever la posture litt raire annonciatrice du film et si c tait faux 4 Margot amp Raleigh St Clair PP n 5 couverture de son essai Margot et son mariage secret PP n 6 couverture des disque 33 tours de son mari Aller retour entre Margot et Raleigh Chapitre 2 14 36 Chas emm nage chez Etheline Dans la chambre musique off LENNON YOU LOOK AT ME 1970 Look at me what am I supposed to be what am I supposed to be what am I supposed to be what am I supposed to be Look at me Look at me Oh My Love Oh My Love 21 28 Retrouvailles de Richie et Margot Ralenti effet m lodramatique et rendu clip sur la chanson de Nico On entend ce qu on voit NICO THESES DAYS 1967 I ve been out walking had a lover don t do too much talking don t think l Il risk another These days these days These days these days These days I seem to think a lot And if seem to be afraid About the things that forgot to do To live the life that have made in song And all the times had the chance to It s just that I ve been losing so long La la la la la la la I ve stopped my rambling don t do too much gambling I ve stopped my dreaming These days these days won t do too much scheming These days I seem to think ab
3. 5 He s wearing your clothes Your hand on his arm Head down to toes a reaction to you Haystack charm around your neck You say you know what he did Strung out and thin But you idiot kid you don t have a clue Calling some friend trying to cash some check Sometimes they just get caught in the eye you re He s acting dumb pulling him through That s what you ve come to expect Needle in the hay Needle in the hay Needle in the hay Needle in the hay Needle in the hay Needle in the hay Needle in the hay Needle in the hay ETC D part de Richie sous les regards interloqu s de son p re et de Pagoda NICK DRAKE FLY 1970 Now if it s time to recompense for what s done For the people you are Come come sit down on the fence in the sun just need your star for a day And the clouds will roll by And we ll never deny So come come ride in my my street car by the bay It s really too hard for to fly For now i must know how fine you are in your way And the sea sure as i Please tell me your second name But she won t need to cry Please play me your second game For it s really too hard for to fly I ve fallen so far Flora Cellier UFFEJ Bretagne Novembre 2008 Lyc ens amp apprentis au cin ma en Bretagne Saison 08 09 Musique in Margot sous la tente de Richie R solution sentimentale entre Margot et Richie THE ROLLING STONES SHE SMILED SWEETLY Why do my thoughts loom so large on me They seem to stay
4. Lyc ens amp apprentis au cin ma en Bretagne Saison 08 09 Tenenbaum Wes Anderson Etats Unis 2001 1h48 Intrigue relativement banale un p re exclu de sa famille qui tente de la reconqu rir proche de la com die hollywoodienne o d habitude on se remarie Rapprochements entre Indiscr tions George Cukor 1947 et La Famille Tenenbaum comment reconqu rir l tre aim Proc d m lodramatique fonctionnant par exposition du probl me expos du conflit et sa r solution L enjeu du film faire coexister les personnages dans le m me cadre 55 Etude de la confrontation p re enfants un champ contre champ totalement d s quilibr Exposition du cas de chaque personnage rapprochement avec la note introductive du roman de George P rec La Vie mode d emploi le jeu des contraintes tablies pour crire le roman ressemble plus d un titre l exercice de style auquel se livre Wes Anderson Ici chaque personnage correspond un tage Autre rapprochement La Splendeur des Amberson Orson Welles 1942 Etude de l hyperabondance de d tails qui ressurgissent un moment ou un autre dans le r cit Exemple la t te de sanglier les souris Etude de la tonalit du prologue quelle est la position du spectateur Arrive t on croire cette esth tique kitsch Wes Anderson nous demande t il de croire en un tel concentr de n vrose Tout semble corroborer notre hypoth se initiale de l exercice d
5. ally understand the undernetting Yes and the morning has me Looking in your eyes And seeing mine warning me To read the signs carefully Sur l pitaphe de Royal puis ralenti sur les protagonistes quittant la concession VAN MORRISON EVERYONE 1970 We shall walk again down along the lane Down the avenue just like we used to do With our heads so high smile at the passers by Then well softly sigh ay ay ay ay ay Chorus Everyone everyone everyone everyone Everyone everyone everyone everyone By the winding stream we shall lie and dream Well make dreams come true if we want them to Yes all will come play the pipes and drum Sing a happy song and well sing along Chorus Flora Cellier UFFEJ Bretagne Novembre 2008
6. e entre la bande son et l intrigue du film cf infra avec le d roulant Etudier les occurrences musicales dans le film d terminer les points de montage image son Que peut on en d duire Com die musicale ou vid o clip tudier le film sous l angle de la mise en sc ne du personnage de Pagoda Exemple 10 45 personnage attentif a la fuite des personnages hors du champ fuite de Richie fuite d Elie comique de r p tition Oh shit man comique de situation sc ne des oeufs de caille personnage qui cl t le film Etudier l volution des personnages le devenir Dudley de Raleigh trouver des l ments de mise en sc ne et le devenir Royal de Ari et Uzi idem D ROULANT DE LA FAMILLE TENENBAUM SELON CHAPITRAGES ET CHANSONS gt EXPOSITION CONFLITS Papier peint n 1 PP n 1 The Royal Tenenbaums un livre que l on emprunte une structure d j tablie et pr sent e comme telle par le biais du chapitrage et de la voix off PROLOGUE Royal Tenenbaum bought the house on Archer Avenue Explicitation l extr me qui quand quoi o version instrumentale de HEY JUDE Annonce de Royal ses trois enfants plan burlesque jeu de perspective n vrose de tous les personnages peine cr dibles comme enfants Pr ceptes ducatifs d Ethelin qui crit un livre sur le sujet Family of genius Caract risation Un personnage 1 tage 1 obsession 1 v
7. e style Autres rapprochements La splendeur des Amberson Orson Welles 1942 et La vie aquatique Wes Anderson s quence de pr sentation du bateau et de l quip e Zissou o le plan en coupe du bateau voque cette fois de mani re explicite le cahier des charges oulipien de Georges P rec Comment d passer l installation nosographique tablie dans le prologue gt En reprenant les l ments du prologue D terminer les proc d s cin matographiques montrant que Royal est d finitivement persona non grata Exemples 7 40 Chapitre 1 analyser la s quence o Royal est renvoy de sa vill giature 20 40 Chapitre 2 un plan stable que rien ne vient perturber et qui confine cette s quence au loufoque Trouver dans le film d autres passages symptomatiques de cette solitude des personnages dans le cadre Exemples 4646 Entrevue Raleigh Margot Frontalit et froideur r sum es dans cette r plique cinglante Je n ai m me pas le d but d un semblant de r ponse 38 34 Elie et Richie des personnages qui communiquent dans un cadre guind et trop grand pour eux Flora Cellier UFFEJ Bretagne Novembre 2008 Lyc ens amp apprentis au cin ma en Bretagne Saison 08 09 Avec les l ves Comment est caract ris chaque personnage Quelle est la fonction de la voix off tablir un parall le entre la m thode de P rec et la m thode de Wes Anderson _ tudier la co ncidence extr m
8. nement d terminant leur comportement le tout l gend et explicit comme s il s agissait d une tude nosographique cf jeu de cam ra surplombante puis identification par plans fixes cf La Vie aquatique CHAS v ritable vocation finances internationale organisation l extr me trahi par son p re Y a pas d quipe MARGOT adopt e orientation artistique organise une fugue avec son fr re Richie une autre fugue pour retrouver sa famille biologique un doigt en moins RICHIE champion de tennis chec artistique ne peint que sa soeur relations privil gi es avec son p re lie Cash Conclusion deux d cennies de trahisons d checs et de d sastre Fin de la s quence Richie go Mordecai chorus de HEY JUDE Beatles plans d ensemble sur le faucon et les toits de New York 6 26 Distribution des r les pr sentation de l quipe d acteur vignettes Flora Cellier UFFEJ Bretagne Novembre 2008 Lyc ens amp apprentis au cin ma en Bretagne Saison 08 09 Chapitre 1 7 26 Richie relance l histoire 1 Comment na t le comique D cadrage la position de force du g rant de l h tel annon ant le renvoi de Royal champ g rant et au second plan son assistant contre champ Royal puis cam ra prend de la hauteur sur SING SING C est le narrateur qui pr cise l embarras de la situation Etendue du d sastre 180 pour finir sur Royal qui fume une cigarette
9. ood bye Sing a lullaby When your love still is strong When the one you love is gone PAUL SIMON Me amp Julio Down By The Schoolyard 1972 The mama pajama rolled out of bed And she ran to the police station When the papa found out he began to shout And he started the investigation Its against the law It was against the law What the mama saw It was against the law The mama looked down and spit on the ground Everytime my name gets mentioned The papa said oy if get that boy Im gonna stick him in the house of detention Well Im on my way dont know where Im going Im on my way ETC Flora Cellier UFFEJ Bretagne Novembre 2008 Lyc ens amp apprentis au cin ma en Bretagne Saison 08 09 Chapitre 5 44 09 L imposteur est d masqu avec une musique de fond sur le th me les braves seront reconnus Billy Main Title INSTRUMENTAL BO PAT GARETT AND BILLY THE KID DYLAN 1973 Chapitre 6 58 40 Je veux que cette famille m aime Le passif de Margot THE RAMONES JUDY IS A PUNK 1974 Jackie is a punk judy is a runt They both went down to berlin joined the ice capades And oh I dont know why oh I dont know why Perhaps theyll die oh yeah perhaps theyll die oh yeah Perhaps theyll die oh yeah perhaps theyll die oh yeah ETC DRAME tentative de suicide de Richie montage Clip visions flash de son amour contrari ELIOTT SMITH NEEDLE IN THE HAY 199
10. out These days these days How all the changes came about my ways These days I sit on corner stones And wonder if I ll see another highway And count the time in quarter tones to ten Please don t confront me with my failures had not forgotten them Flora Cellier UFFEJ Bretagne Novembre 2008 Lyc ens amp apprentis au cin ma en Bretagne Saison 08 09 Chapitre 3 25 48 29 10 Elie et Margot Jeu sur le th me du proph te lie THE CLASH POLICE AND THIEVES Oh yeah Scaring the nation with their guns and ammunition Police and thieves in the street Oh yeah Fighting the nation with their guns and ammunition From genesis to revelation The next generation will be hear me From genesis to revelation The next generation will be hear me And all the crowd comes in day by day No one stop it in anyway And all the peacemaker turn war officer Hear what I say Vocal ad lib Etheline et Henry Musique de r solution WIGWAM DYLAN 1970 Sc ne path tique entre Richie et Elie champs contres champs GYMNOPEDIE N 1 SATIE Chapitre 4 40 11 Extinction des feux et musique off D claration d amour de Richie Chas EMITT RHODES LULLABY 1970 Tears that angels cry And they darken all the sky When the one you love says good bye Tears that angels cry Sing a lullaby CLIP Royal et ses petits enfants Sing it soft and only sigh When the one you love says g
11. tions THE VELVET UNDERGROUND STEPHANIE SAYS 1967 Stephanie says that she wants to know Why she s given half her life to people she hates now cut Flora Cellier UFFEJ Bretagne Novembre 2008 Lyc ens amp apprentis au cin ma en Bretagne Saison 08 09 Chez Elie sceller l amiti J ai toujours voulu tre un Tenenbaum Proposition d une cure de d sintoxication Elie s enfuit donc il va revenir THE CLASH ROCK THE CASBAH Now the king told the boogie men You have to let that raga drop The oil down the desert way Has been shakin to the top The sheik he drove his cadillac He went a cruisnin down the ville The muezzin was a standing On the radiator grille Chorus The shareef dont like it Rockin the casbah Rock the casbah cut 57 Chapitre 8 LE MARIAGE ELIE DROGUE RECONCILIATION CHAS ROYAL Expos de la vie sociale de chaque protagoniste montage clip NICO THE FAIREST OF THE SEASONS 1967 Now that it s time Now that the hour hand has landed at the end Now that it s real Now that the dreams have given all they had to lend want to know do stay or do go And maybe try another time And do really have a hand in my forgetting Now that I ve tried Now that I ve finally found that this is not the way Now that I turn Now that I feel it s time to spend the night away want to know do stay or do go And maybe finally split the rhyme And do re
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