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USER MANUAL - Digital Projection

1. 1 2 3 4 5 6 7 8 9 10 Screen width Notes 106 Digital Projection Lightning Series Positioning the screen and projector For optimum viewing the screen should be a flat surface perpendicular to the floor The bottom of the screen should be 1 2 m 4 ft above the floor and the front row of the audience should not have to look up more than 30 to see the top of the screen The distance between the front row of the audience and the screen should be at least twice the screen height and the distance between the back row and the screen should be a maximum of eight times the screen height The screen viewing area should be within a 60 range from the face of the screen Rev D July 2014 SCREEN REQUIREMENTS SCREEN 60 BESSEREN OOOTOOTI ITNO VIEWING AREA AISLE Notes A The projector should be installed as close to the power outlet as possible The power connection should be easily accessible so that it can be disconnected in an emergency Ensure that there is at least 30 cm 12 in of space between the ventilation outlets and any wall and 10 cm 4 in on all other sides Do not install the projector close to anything that might be affected by
2. 122 CHOOSING A Lens eere reete cerno eres EE decr pe EE conira Lexus 94 Hee Mes Basic CalGtll Atith i e iii ci ecran ce eebe R 95 Frame rates of image sources EE 122 Basic calculation example EE 96 Pulldowns conversion into destination formats ke 2 3 lee E Fullleriscalculatiof o eegene eene Deiner ger geGeieter 97 normal pulldown Introducing a on EE ERA ONA EA o RANA 97 2 3 3 2 advanced puldown En 124 PENO EE 98 Appendix A Lens Part Numbers nnnnnnnne 125 TIRE table 3 98 r EAE ENIM Late 99 Appendix B Lens Charts nana 126 SIG TINA A a EO RA RA How to use the lens charts sees eese eene eene enn nnne nnne nnn nnne nnne 126 Full lens calculation example nana 100 How to find the right lens chant 127 1080px 1920Xx 1080 pixelS EE 127 Screen Requirements ccccccceeeeeeeeeeeeneeeeeeeeeeeeeeseeseeneaeeeseeeeeeeeneeeeeees 101 PU pe S Fitting the image to the DND 101 WUXGA 1920 x 1200 pixels EE 128 SX images displayed full width 101 SX 1400 x RE E 129 SX images eeh 101 DMD resolution 1080p WUXGA full width Images 130 1080p images displayed full width EEN 102 DMD resolution 1080p 1 25 1 images ssssssssssssssssssssessseessssseesssseessssseesesneesees 132 1080p images displayed full Neli cuccioli ctos dba 102 DMD r
3. Setup menu Notes Orientation Orientation Desktop Front Latency Lowest Depending on how the projector is mounted select the appropriate setting from the drop down Input Configuration gt Main Menu list Network D Setup Latency On Screen Display gt TEM x System 5 Affects interlaced sources only For fastest response the Lowest setting gives minimum frame ss Reset Default Settings delay For improved performance with films involving motion seguences the Best Video setting uses adaptive de interlacing and interpolation but takes longer to process Reset Default Settings Orientation Desktop Front Orientation Desktop Front sv Latency Lowest Latency Lowest ee RESET DEFAULT SETTINGS ee to Factory Defaults pe d d WARNING All custom settings will be lost Wait 1 minute then power cycle projector in Screen Display x System Press OK to confirm X Do NOT do this unless you are S Reset Default Settings RURSUM sure that you want to restore ALL the current settings to their factory defaults When you press OK to restore the factory default settings a warning message appears asking you to confirm or cancel Once the process has begun wait one minute and then power cycle the projector so the restored settings can take effect Rev D July 2014 81 Digital Projection Lightning Series Input Configuration This menu allows adjustment of various technical parameters specific to each of the signal inputs
4. Rev D July 2014 132 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution 1080p 1 25 1 images continued 15 0 m 49 2 ft 12 5m 41 0 ft 10 0 m 32 8 ft V 7 5 m 24 6 fi Screen width 5 0 m 16 4 ft 2 5m 628 10m 20m 30m 33ft 66ft 98 ft Throw distance 1 50 2 17 1 zoom lens 2 1 72 2 71 1 zoom lens o 2 15 3 36 1 zoom lens Rev D July 2014 15 0m 49 2 ft 12 5m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 25m 8 270 10m 20m 33 ft egen Throw distance 30m 98 ft 15 0m 49 2 ft 12 5m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 2 5m 8 2 ft V 10 m 20 m 30 m 33 ft 66ft 98 ft Throw distance Notes L This chart has a TRC of 1 42 for use with the following images 1 25 1 5 4 L For information about individual lens 133 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution 1080p 1 33 1 images Notes L This chart has a TRC of 1 33 for use with the following images 1 12 1 fixed lens short 0 0000 Q o 20 0 m 65 6 ft 0 67 1 fixed lens k 1 12 1 fixed lens 17 5 m 57 4 ft Oo 1 16 1 49 1 zoom lens
5. 2 56 4 17 1 zoom lens 4 17 6 95 1 zoom lens QD 6 93 10 34 1 zoom lens Screen width a a Ro N o N e C1 e m 3 3 3 3 D 3 R O A N a A o Co O a a a a p P 10m 20m 30m 40m 50m 60m 33ft een 98ft 131ft 1647 197 ft Throw distance Rev D July 2014 230 ft 70m 80m 262 ft PE et ty tt 90m 295 ft Notes L This chart has a TRC of 1 0 for use with the following images For WUXGA 2 35 1 Scope 1 85 1 Flat 1 78 1 16 9 1 66 1 Vista and 1 6 1 native For 1080p 2 35 1 Scope 1 85 1 Flat and 1 78 1 native L For information about individual lens 130 Digital Projection Lightning Series 15 0m 49 2 ft 12 5m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 25m 8 2 ft V 10m 20m 30m 33 ft 66ft 98 ft Throw distance 1 50 2 17 1 zoom lens 2 1 72 2 71 1 zoom lens o 2 15 3 36 1 zoom lens Rev D July 2014 15 0m APPENDIX B LENS CHARTS DMD resolution 1080p WUXGA full width images continued 49 2 ft 12 5m 41 0 ft 10 0m 7 5m 24 6 ft Screen width 5 0m Screen width 16 4 ft X 32 81 2 5 m 8 2 ft 10m 20m 30m 33 ft 66ft 98 ft Throw di
6. 152 Digital Projection Lightning Series APPENDIX D MENU MAP Appendix D Menu Map Main Menu Sub Menus Some of the information in this menu Input Selection All models Composite 1 Composite 2 S Video Component VGA 3G SDI DVI HDMI Test Pattern 3D models only Main DVI Sub HDMI Dual Pipe Test Pattern Gray V Bars Gray H Bars Aspect Test Alignment Grid Warp Adjust SMPTE Chequerboard White Field Black Field Convergence Screen Layout Lens Zoom In command Zoom Stop command Zoom Out command Focus Near command Focus Stop command Focus Far command Calibrate Zoom command Calibrate Focus command Center Lens command Nudge Up command Down command Left command Right command Lens Presets Save 1 command Save 2 command Save 3 command Save 4 command Save 5 command Recall 1 command Recall 2 command Recall 3 command Recall 4 command Recall 5 command Rev D July 2014 Notes map is summarised See the actual menu on the projector for full detail The underlined text represents the factory default value for each setting Main DVI Sub DVI and Dual Pipe inputs are not available with 2D projectors 153 Digital Projection Lightning Series Main Menu Sub Menus APPENDIX D MENU MAP Image Brightness slider value range 50 50 0 Contrast slider value range 50 50 0 Gamma 1 0 1 8 2 0 2 2
7. 24 6 ft Screen width 5 0m 16 4 ft 2 5m 3 2n 10m 20m 30m 33 ft 66 ft 98 ft Throw distance 1 50 2 17 1 zoom lens 2 1 72 2 71 1 zoom lens o 2 15 3 36 1 zoom lens Rev D July 2014 15 0m 49 2 ft 12 5m 41 0 ft 10 0m 7 5m 24 6 ft Screen width 5 0m 16 4 ft X 32 8 tt 2 5m 8 2 ft 10m 20m 33 ft 66 ft Throw distance 30m 98 ft 15 0m 49 2 ft 12 5m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 2 5m 8 2 ft L This chart has a TRC of 1 11 for use with the following images Notes 1 6 1 16 10 L For information about individual lens V 10 m 20 m 30 m 33 ft 66ft 98 ft Throw distance 187 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution 1080p 1 66 1 images Notes L This chart has a TRC of 1 07 for use with the following images O 1 12 4 fixed lens short o 0000 Q o 20 0 m 65 6 ft 0 67 1 fixed lens Q 1 12 1 fixed lens 17 5 m 57 4 ft 1 66 1 Vist Oo 1 16 1 49 1 zoom lens 66 1 Vista 15 0 m 49 2 ft 1 39 1 87 1 zoom lens 12 5 m 41 0 ft 1 87 2 56 1 zoom lens o Othar enese mexi page X For informatio
8. 51 Digital Projection Lightning Series Geometry Engine continued USING THE PROJECTOR Aspect Ratio Overscan Size amp Position Blanking Geometry Engine Warp Map Using DP Warp Generator an external Digital Projection computer application up to eight customised warp maps can be created and uploaded to the projector If Geometry Engine is set to e Warp and any warp maps have been uploaded you can select from the drop down list Warp Map o Distorted image The image is projected on an uneven surface Warp map Operating Guide Notes Main Menu Geometry o The map mirrors the surface raised areas on the surface correspond to hollow areas on the map and vice versa Corrected image With the warp map applied the projector compensates for the surface and the projected image appears undistorted Rev D July 2014 IS Some items on this menu may be unavailable depending on the Geometry Engine setting IS If possible position the projector facing the screen at a right angle to avoid geometry corrections 52 Digital Projection Lightning Series Geometry Engine continued Cornerstone If Cornerstone is selected from the main Geometry page you can use the sliders to stretch the image from each of the four corners Rev D July 2014 USING THE PROJECTOR S Upper Left X s Upper Left Y s Upper Right X s Upper Right Y m Lower Left X s Lower
9. Service Port Connection Guide IS IS IS Notes For a complete listing of pin configurations for all signal and For a list of all commands used to control the projector via LAN or a serial connection see the Protocol Guide For details on using the Virtual OSD see Virtual OSD in the Protocol Guide For further information about Only one remote connection RS232 or LAN should be used at any one time Plugging in the remote control cable will disable the infrared receivers 32 Digital Projection Lightning Series CONTROL CONNECTIONS LAN connection examples 7 Crossed LAN cable 3 j gt lt Computer Projector Hub or LAN Rev D July 2014 e e 5 amp e Connection Guide o je Rear connection panel an Notes Ke For further information on using a network connection to control the projector see the Protocol Guide 33 Digital Projection Lightning Series RS232 connection example lt gt lt Null modem cable s i a Computer Rev D July 2014 Projector CONTROL CONNECTIONS o 90 o OO ee 3 A e OL 9g TS de W o a SP ell OL g E Kei Rear connection panel 5222 Connection Guide Notes 34 DIGITAL PROJECTION OPERATING GUIDE Lightning_Series High Brightness Di
10. Aspect Ratio Fill amp Crop ASPECT RATIOS EXPLAINED IN L Aspect Ratio Fill Display Notes 118 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution WUXGA continued Source 16 9 Q Unused screen areas 6 Cropped parts of the image Rev D July 2014 Aspect Ratio Fill amp Crop Notes L For information about individual lens the end of this document 119 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution WUXGA continued Source 16 10 native resolution Rev D July 2014 Aspect Ratio Source Fill Display Fill amp Crop Notes 120 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio example TheaterScope The TheaterScope setting is used in combination with an anamorphic lens to restore 2 35 1 images packed into a 16 9 frame Such images are projected with black lines at the top and bottom of the 16 9 screen to make up for the difference in aspect ratios Without an anamorphic lens and without the TheaterScope setting applied a 16 9 source containing a 2 35 1 image looks like this Black margin part of the source S Black margin part of the source If we change the setting to TheaterScope t
11. 1 3351 473 15 0 m 49 2 ft 1 39 1 87 1 zoom lens 1 87 2 56 1 zoom lens 12 5 m 41 0 ft Q Other lenses next page d n For information about individual lens gt I V part numbers see Appendix A 2 56 417 1 zoom iens 10 0 m 32 8 ft o Lens Part Numbers 4 17 6 95 1zoomlens gt A i O 75m 24 6 ft SCH QD 6 93 10 34 1 zoom lens i 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft 66 ft 98 ft 137 ft 164ft 197ft 230ft 262ft 295 ft Throw distance Siilil Rev D July 2014 134 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution 1080p 1 33 1 images continued 15 0 m 49 2 ft 12 5m 41 0 ft 10 0 m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 2 5m 8 2 ft 10m 33 ft Throw distance 1 50 2 17 1 zoom lens 2 1 72 2 71 1 zoom lens o 2 15 3 36 1 zoom lens Rev D July 2014 30m 98 ft 15 0m 49 2 ft 12 5m 41 0 ft 10 0m 7 5m 24 6 ft Screen width 5 0m 16 4 ft 32 8 ft 25m 8 2 ft 10m 20m 33 ft 66 ft Throw distance 30m 98 ft 150m 49 2 ft 125m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 2 5m 8 2 ft L T
12. 540 405 540 405 vertical pixels 120 380 525 394 horizontal pixels 85 240 240 horizontal pixels 120 240 240 horizontal pixels 95 175 175 vertical frames 0 108 0 408 0 475 0 325 vertical frames 0 176 0 5 0 375 0 5 0 375 vertical frames 0 114 0 362 0 5 0 375 horizontal frames 0 044 0 188 0 125 horizontal frames 0 063 0 125 0 125 horizontal frames 0 068 0 125 0 125 Notes ke For more information on shifting the lens see Lens menu in the Operating Guide 110 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect Ratios Explained The appearance of a projected image on the screen depends on a combination of the following e The DMD resolution e SX SXGA with a 1400 x 1050 resolution corresponding to an aspect ratio of 4 3 e 1080p with a 1920 x 1080 resolution corresponding to an aspect ratio of 16 9 e WUXGA with a 1920 x 1200 resolution corresponding to an aspect ratio of 16 10 The aspect ratio of the input signal 4 3 16 9 or 16 10 The value of the Aspect Ratio setting of the projector Source show the image with its original aspect ratio not using the whole screen if the DMD aspect ratio does not match Fill Display fill the screen but force the DMD aspect ratio on the image Fill amp Crop fill the screen without changing the origi
13. DVI Boost EQ should normally be set to Off except when you are having problems with a long DVI cable DVI HDMI Color Space should normally be set to Auto except when the projector has problems identifying the correct colour space DVI HDMI Range should normally be set to Auto except when you are having contrast problems with some DVI sources Set DVI I Port to choose between the Analog and Digital signals from a DVI I source Main DVI Operation Select between single and dual link DVI reception Main DVI Range Select between Full and Limited range Set Component Colour Space to choose between RGB and YPbPr Component Sync Type should be set to Auto except when the projector has problems selecting between 3 Wire RGsB and 4 Wire RGBS If two video streams are being transmitted use 3G SDI Level B Stream to choose between the two streams Rev D July 2014 USING THE PROJECTOR INPUT CONFIGURATION DVI Boost EQ DVI HDMI Color Space RGB DVI HDMI Range Full DVI I Port Digital v Main DVI Operation Single Link A sv Main DVI Range Full Component Color Space RGB Component Sync Type 3 Wire 3G SDI Level B Stream Stream 1 Input Configuration 3D INPUT CONFIGURATION DVI Boost EQ DVI HDMI Color Space RGB DVI HDMI Range Full DV Port Digital s Component Color Space RGB s Component Sync Type 3 Wire 3G SDI Level B Stream Stream 1 Input Configu
14. Position the projectors Ensure that all projectors are in good working order Position the projectors so that they are within the required throw distance range Position the screen where it will remain during operation In the initial stages of the procedure you will be using test patterns therefore it is not necessary to connect the input at this stage However you need to make sure that you are able to connect the inputs without moving the projectors Control the projectors You can control the projectors individually by using their respective control panels or a dedicated remote control for each projector or a single remote control for all projectors To do so you need to assign a different IR address for each projector Consider connecting the projectors in a LAN network and using the Projector Controller application to monitor the projectors and change settings on the whole array at once Rev D July 2014 Operating Guide Notes X For information about changing the IR address of a projector see this guide X The Projector Controller software is available for download from the Digital Projection website free of charge 65 Digital Projection Lightning Series USING THE PROJECTOR Edge Blend procedure 1 Align the projectors as they will be used in the array Each projector should be perpendicular to the screen or as close as possible Ideally each projector should allow for a minimum of 20
15. resolution 1080p WUXGA full width images 130 DMD resolution 1080p 1 25 1 Images ENEE 132 DMD resolution 1080p 1 33 1 images 134 DMD resolution 1080p 1 6 1 images eese 136 DMD resolution 1080p 1 66 1 Images ENEE 138 DMD resolution WUXGA 1 25 1 Images REENEN 140 DMD resolution WUXGA 1 33 1 images 142 DMD resolution SX full Width images nn 144 DMD resolution SX 1 25 1 images 146 APPENDIX C SUPPORTED SIGNAL INPUT MODES 148 2D input MODES ive t 148 3D INPUT IMOGOS TT 151 APPENDIX D MENU MAP EEN 153 vi Digital Projection Lightning Series CONTENTS continued APPENDIX E WIRING DETAILS eere EE 160 Signal inputs and outputs ee eeeitn oerte rennen niano thun 160 Inp t e 160 NEE Ee 161 Output SPDIF A REM E 161 ITI 162 ipla COE eo t MA IT EE Ore ETE 163 Input 9 Composite Te eror axe evi stun ee suc ea YS EC veke SERO RARE VUE a NE NET 163 Input opem LED 163 EIERE ee eegne eege ege Geh 163 input o CVBS el Rd M E Na 163 Input 9 EE 164 TE 165 Control Connections ccce icu uua ic ecu uii nha snpra soar nura aa 166 Uo E o ania 166
16. 95 Digital Projection Lightning Series Basic calculation example 1 Calculate the throw ratio using the formula Your screen is 4 5 m wide and you wish to place your WUXGA projector approximately 17 m from the screen The throw ratio will then be Match the result with the lens table The lens matching a throw ratio of 2 44 is the 1 87 2 56 1 zoom lens Check whether the lens covers the required throw distance The range quoted for the 1 87 2 56 1 zoom lens is 4 24 m The required distance of 11 m is within the range Rev D July 2014 CHOOSING A LENS INFORMATION YOU NEED FOR THIS CALCULATION The throw ratio formula Throw distance Throw ratio Screen width The lens table Throw ratios for 1080p and WUXGA Throw distance range tS The basic calculation on this page 0 67 1 fixed lens 1 1 10 m 3 6 32 8 ft 1 12 1 fixed lens 3 15 m 3 15 m 9 8 49 2 ft 1 12 1 fixed lens 1 2 2 m 1 2 2 m 3 9 6 6 ft 1 16 1 49 1 zoom lens 3 15 m 9 8 49 2 ft 1 39 1 87 1 zoom lens 4 24 m 13 1 78 7 ft 1 87 2 56 1 zoom lens 4 24 m 13 1 78 7 ft 2 56 4 17 1 zoom lens 9 1 45 m 29 9 147 6 ft 4 17 6 95 1 zoom lens 12 80 m 39 4 262 5 ft 6 93 10 34 1 zoom lens 12 80 m 39 4 262 5 ft Notes does not take into consideration DMD and image size which could affect the throw ratio For a more complex and realistic ca
17. Digital Projection Lightning Series Information menu This menu gives information about software and hardware configuration input source and network settings Configuration This menu gives information about the various projector components If you need to contact your dealer about an issue with the projector they may want you to quote some of the information shown on this page to help diagnose the problem Rev D July 2014 USING THE PROJECTOR INFORMATION Configuration Operating Guide Input HDMI Standard 1024x768p 60Hz Control IP 192 168 0 000 LAN IP 192 168 0 100 Bridgeboard Present Yes CONFIGURATION Serial Number DP07367 Scaler BL 07 FW 2 5 0J 0174 DP Interface 49 26 Hardware 42 Firmware C Factory ROM 2 OSD 4 0 Lens 0 79HE 3D Hardware 1C 3D Firmware 1E Sequences 12 03 1 Notes X The values shown in the menus on this page are examples and may differ significantly on your OSD Main Menu Information Main Menu Information Configuration X The configuration shown here is for a 3D model 87 Digital Projection Lightning Series This page is intentionally left blank Operating Guide 88 DIGITAL PROJECTION REFERENCE GUIDE Lightning_Series High Brightness Digital Video Projector Rev D July 2014 Digital Projection Lightning Series IN THIS GUIDE IN THIS GUIDE The le MT 92 Frame Rates And Pulldowns Explained
18. IS This menu is available only when Setup gt System gt Configuration s set to Edge Blend IS None of the other items in this menu are available until either the Array Width or the Array Height setting is greater than 1 58 Digital Projection Lightning Series USING THE PROJECTOR Operating Guide Segmentation EDGE BLEND Notes Segmentation can be used if the same image is fed into each projector Array Width Ae SR s Array Height da f Segmentation is Off every projector in the array will display the whole image is Array H Position e mals man 4 e If this setting is On each projector will display its own segment only Array V Position D Se a S C Val Wed Set to Off if you have external software that handles segmentation l Sit POR Of gt Blending This menu is available only when amp Segmentation Setup gt System gt Configuration jS Blend Width set to Edge Blend Black Level Uplift Reduce Black Level Uplift Width IS None of the other items in this menu are available until either the Array Width or the Array Height setting is greater than 1 Segmentation off Segmentation on Rev D July 2014 59 Digital Projection Lightning Series USING THE PROJECTOR Segmentation continued An example array Image source DVD player Blu Ray computer etc Distribution Amplifier Sends the source image to all projectors in the array Array Segm
19. 16 9 1 78 1 1920 pixels native resolution Rev D July 2014 102 Digital Projection Lightning Series SCREEN REQUIREMENTS WUXGA images displayed full width Notes A A A A 9X rik Rix 5X O lb ei Te st 95 e iss so 9 oS S o H x e s N H ji u v Y Y full width 1920 pixels WUXGA images displayed with a height of 1080 pixels X The images shown here cannot fill the full height of the DMD and will be scaled to a height of 1080 pixels full height 1200 pixels max possible image height 1080 pixels 4 3 1 33 1 1440 pixels 16 10 1 6 1 1728 pixels 1 66 1 Vista 1792 pixels full width 1920 pixels Rev D July 2014 103 Digital Projection Lightning Series SCREEN REQUIREMENTS WUXGA images displayed full height Notes A gt only WUXGA or UXGA images can fill the full height of the DMD using all 1200 pixels without scaling Ka E Q e e x UI EJ o lt E v UXGA 4 3 1 33 1 1600 pixels WUXGA 16 10 1 6 1 1920 pixels Rev D July 2014 104 Digital Projection Lightning Series Diagonal screen sizes Screen sizes are sometimes specified by their diagonal size D When dealing with large screens and projection distances at different aspect ratios it is more convenient to measure screen width W and height H The example calculations below show h
20. CAL C SHIFT ZOOM gt PITCH SHUTTER EA oik PQ Ge HDMI Du 3GSDI mem mem ma CVBS1 SVIDEO COMP CVBS2 Gm um Ey MAIN SUB DUAL BRI CON GAMMA PRESET E Di Remote control 105 023 Rev B Installation and Quick Start Guide Notes IS Only the controls shown highlighted are used on this projector L For more information about LENS ADJUSTMENT mode see guide 10 Digital Projection Lightning Series Remote control 105 023 Rev B continued from previous page Q Lens controls Adjust position zoom and focus Perform calibration when you change the lens INFO Open the Information menu TEST Switch to test pattern IR address Set up an address to match the IR address of a projector 8 0 e Rev D July 2014 REMOTE CONTROL DIGITAL mam PROJECTION 2 CD FOCUS SHIFT ZOOM CH SHUTTER Kee VGA HDMI Du 3GSDI Cs Ce CVBS1 SVIDEO COMP CVBS2 mem mum oi MAIN SUB DUAL PRESET SS Remote control 105 023 Rev B Installation and Quick Start Guide Notes L Only the controls shown highlighted are used on this projector L For more information about IR 11 Digital Projection Lightning Series Remote control 105 023 Rev A o 0000 0000 0 Transmit indicator Flashes when the remote control sends a signal to the projector Lights solidly when th
21. Contrast 0S Gamma 1 0 Hue o Saturation nj SS Black Level Offset O IRE V Position O Z H Position 0m Video Filters VGA Setup VIDEO FILTERS Sharpness Detail Luma Sharpness Chroma Sharpness Recursive NR Mosquito NR 0 4 Cross Color Suppression O o o oO je VGA SETUP Total H Samples U Auto Setup Operating Guide Notes Main Menu Image Kee You can also press BRI CON or SAT on the remote control X Hue applies only to NTSC signals Ke When a new input mode is detected eg NTSC HDTV 1080p SVGA etc all the Input Settings are saved so that they can be recalled next time that input mode is displayed Main Menu Image Video Filters Main Menu Image VGA Setup X VGA Setup is not available unless a VGA signal is present 44 Digital Projection Lightning Series USING THE PROJECTOR Color menu Gamut Peak gives you the brightest possible image Choose HDTV for high definition standards and SDTV for standard definition standards A value between 3200K and 9000K selects the relevant color temperature You can upload your own gamut using the Projector Manager software and then select it from the User 1 and User 2 settings Black Level and Gain sliders Set the sliders as required Rev D July 2014 Red Black Level Green Black Level Blue Black Level Red Gain Green Gain Blue Gain ooo o o O Operating Guide N
22. Rev D July 2014 Notes 169 Digital Projection Lightning Series APPENDIX F GLOSSARY OF TERMS Color temperature The position along the black body curve on the chromaticity diagram normally quoted in Kelvin It takes into account the preset values for color balance in the service set up to take up the variations in the prism The projector allows you to adjust this temperature i e adjust the picture color temperature ColorMax A method of accurately color matching projectors together Component video Contrast electronic control The adjustment of the white point of the image without affecting the black point This increases the intensity range of the displayed image Contrast optical The intensity difference between the darkest and lightest areas of the screen Cr Cb Rev D July 2014 Notes 170 Digital Projection Lightning Series APPENDIX F GLOSSARY OF TERMS Crop Remove part of the projected image length or its width equals the length or width of the frame while the other dimension has moved outside the frame the excess area is then cut out Dark time DDC Display Data Channel A communications link between the source and projector DDC is used on the HDMI DVI and VGA inputs The link is used by the source to DHCP Dynamic Host Configuration Protocol A network protocol that is used to configure network devices so that they can communicate on an IP network for exampl
23. SVGA60 800 x 600 60 32 628 37 88 v v SVGA72 800 x 600 72 19 666 48 08 v v SVGA75 800 x 600 75 00 625 46 88 v v MACII 832 x 624 75 08 1120 49 10 v v XGA50 1024 x 768 49 98 793 39 63 v v XGA60 1024 x 768 60 00 806 48 36 v v XGA70 1024 x 768 70 07 806 56 48 v v XGA75 1024 x 768 75 03 800 60 02 v v XGA 70 1152 x 864 70 01 912 63 85 v XGA175 1152 x 864 75 00 900 67 50 v MAC2 1152 x 870 75 06 915 68 68 v v SUN1166 1152 x 900 66 00 937 61 85 v v Notes 149 Digital Projection Lightning Series APPENDIX C SUPPORTED SIGNAL INPUT MODES Hd gt o 3 CH s E ie lal is i33 1051218 S 9 lt E 9 87 EI Za d v o Z rs go a 2 gt E T g o a EI E COMPUTER continued WXGABO 1280 x 720 49 83 744 37 07 v WXGA60 1280 x 720 59 86 748 44 77 v WXGA50 1280 x 768 49 92 793 39 59 v WXGA60 1280 x 768 59 87 798 47 78 v SXGA 60 1280 x 960 60 00 1000 60 00 v SXGA50 1280 x 1024 49 84 1057 52 68 v v SXGA60 1280 x 1024 60 02 1066 63 98 v v SXGA75 1280 x 1024 75 02 1066 79 98 v v HD50 1360 x 768 49 89 793 39 56 VA HD60 1360 x 768 59 80 798 44 72 v SXGA 50 1400 x 1050 49 97 1083 54 12 v v SXGA 60 1400 x 1050 59 98 1089 65 32 v v WSXGA50 1536 x 960 49 93 991 49 48 v WSXGA60 1536 x 960 59 91 996 59 67 v UXGA50 1600 x 1200 49 92 1238 61 78 v VA UXGA60 1600 x 1200 60 00 1250 75 00 v v WSXGA 60 1680 x 1050 59 95 1089 65 29 v FH
24. Screen width 1 Use the formula above to obtain the required throw ratio 2 Match the throw ratio with a lens from the table below IS The basic calculation on this page Throw ratios for 1080p and WUXGA Throw ratios for SX Throw distance range 0 67 1 fixed lens 0 73 1 fixed lens 1 1 10 m 3 6 32 8 ft 1 12 1 fixed lens 3 15 m 1 21 1 3 15m fixed lens 3 15 m 9 8 49 2 ft 1 12 1 fixed lens 1 2 2 m 1 21 1 1 2 2 0m fixed lens 1 2 2 m 3 9 6 6 ft 1 16 1 49 1 zoom lens 1 26 1 61 1 zoom lens 3 15 m 9 8 49 2 ft 1 39 1 87 1 zoom lens 1 5 2 02 1 zoom lens 4 24 m 13 1 78 7 ft 1 87 2 56 1 zoom lens 2 02 2 77 1 zoom lens 4 24 m 13 1 78 7 ft 2 56 4 17 1 zoom lens 2 77 4 51 1 zoom lens 9 1 45 m 29 9 147 6 ft 4 17 6 95 1 zoom lens 4 51 7 53 1 zoom lens 12 80 m 39 4 262 5 ft 6 93 10 34 1 zoom lens 7 5 11 2 1 zoom lens 12 80 m 39 4 262 5 ft 3 Ensure the required throw distance is within the range covered by the lens Rev D July 2014 Notes does not take into consideration DMD and image size which could affect the throw ratio For a more complex and realistic calculation see Full lens calculation in this section When calculating the throw ratio be sure to use identical measurement units for both the throw distance and the screen width For information about individual lens the end of this document
25. region is the same as the rest of the image Rev D July 2014 72 Digital Projection Lightning Series USING THE PROJECTOR Edge Blend procedure continued 9 Set up segmentation optional If you are feeding the same source into all the projectors and aim to have each projector reproduce a segment of the source you can use the Edge Blend gt Segmentation function or you can use an external processor to control the segments To use the Segmentation function 1 On each projector set Edge Blend gt Segmentation to On 2 Test with the source If necessary enter further corrections as described in steps 6 7 and 8 above Bear in mind that using the Segmentation function brings a loss of resolution as shown below Q Whole image This is a 1080p image and contains 2 073 600 pixels Top left segment in a 2x2 array This segment contains 518 400 pixels a quarter of the original image o The segment projected with a 1080p DMD The segment zoomed in to fill a 1080p DMD The pixels are larger but not greater in number Rev D July 2014 Operating Guide Notes We Digital Projection Lightning Series PIP menu Two images can be combined in three different ways using this feature The PIP menu is available USING THE PROJECTOR only when Setup gt System gt Configuration is set to PIP Option Select PIP PAP or POP mode from the drop down list Input Select an Input from the drop
26. screen overlap where it is adjoined by other projectors Overlaps should be the same in size across the array How to align the projectors ideally all alignment should be achieved by physically moving the projectors and by using the Lens Shift and Zoom functions f necessary use Image gt V Position and H Position Do not use geometry corrections Example 1080p projector overlapped on all sides P k 384 pixels 1920 pixels v Q Overlap to the left This overlap takes 20 of the image width or 384 pixels K 216 pixels 2 2 Overlap to the top This overlap takes 20 of the image height or 216 pixels 9 Area without overlaps This area is also called unblended region 1080 pixels A A 1080p projector with 20 overlaps on all sides Rev D July 2014 Operating Guide Notes 66 Digital Projection Lightning Series USING THE PROJECTOR Operating Guide Edge Blend procedure continued Notes 2 Ensure that all projectors are color matched If necessary use the White Field test pattern and test the light output of each projector Ensure the Color Gamut setting has the same value across the array Use Lamps gt Lamp Power to compensate for different lamps Even identical lamps change their light output with age and use M Before color match Q Projector 1 incorrect settings Before the color match this image has incorrect
27. 1 Overlapping edges without S Curve If two reciprocal S Curves are used to control the amount of light from each source in the overlapping region the total amount of light in the region would remain constant as shown in Fig 2 Fig 2 Applying S Curve to overlapping edges Rev D July 2014 Operating Guide Notes Main Menu Edge Blend X This menu is available only when Setup gt System gt Configuration is set to Edge Blend Ke None of the other items in this menu are available until either the Array Width or the Array Height setting is greater than 1 57 Digital Projection Lightning Series Blending This setting enables s curve blending or displays an align pattern to help define overlaps between segments Set Blending to O or Edge Blend is not used 6 On S curves are enabled in the overlapping regions o Align Pattern The align pattern makes the overlaps more visible and helps adjust the physical position of the projectors in the array The size of the align pattern is controlled by the Blend Width group of settings Rev D July 2014 USING THE PROJECTOR EDGE BLEND Array Width li i Array Height ka v Array H Position O Array V Position oF S Curve Value 18 Blending Off 7 Segmentation Off Blend Width Black Level Uplift Reduce Black Level Uplift Width Operating Guide Notes Main Menu Edge Blend
28. 1 or less disregard it and calculate the throw ratio using the basic formula 98 Digital Projection Lightning Series Calculating the throw ratio with TRC 1 For TRC gt 1 amend the basic throw ratio formula as follows Throw distance Throw ratio Screen width x TRC CHOOSING A LENS 2 Once a throw ratio is established identify the matching lens from the table Throw ratios for 1080p and WUXGA Throw ratios for SX Throw distance range 0 67 1 fixed lens 1 12 1 fixed lens 3 15 m 1 12 1 fixed lens 1 2 2 m 1 16 1 49 1 zoom lens 1 39 1 87 1 zoom lens 1 87 2 56 1 zoom lens 2 56 4 17 1 zoom lens 4 17 6 95 1 zoom lens 6 93 10 34 1 zoom lens 0 73 1 fixed lens 1 21 1 3 15 m fixed lens 1 21 1 1 2 2 0 m fixed lens 1 26 1 61 1 zoom lens 1 5 2 02 1 zoom lens 2 02 2 77 1 zoom lens 2 77 4 51 1 zoom lens 4 51 7 53 1 zoom lens 7 5 11 2 1 zoom lens 1 1 10 m 3 6 32 8 ft 3 15m 9 8 49 2 ft 1 2 2 m 3 9 6 6 ft 3 15 m 9 8 49 2 ft 4 24 m 13 1 78 7 ft 4 24 m 13 1 78 7 ft 9 1 45 m 29 9 147 6 ft 12 80 m 39 4 262 5 ft 12 80 m 39 4 262 5 ft 3 Ensure the required throw distance is within the range of the matching lens Rev D July 2014 Notes X TRC can only be applied if greater than 1 If TRC is 1 or less disregard it and calculate the throw ratio using the basic formu
29. 720 x 480 60 00 525 31 50 v v v 576p50 720 x 576 50 00 625 31 25 v v v HDTV 720p50 1280 x 720 50 00 750 37 50 v v v 720p59 1280 x 720 59 94 750 44 96 v v v 720p60 1280 x 720 60 00 750 45 00 v v v 1080s23 1920 x 1080 23 98 1125 26 97 v v v 1080p23 1920 x 1080 23 98 1125 26 97 v v v 1080s24 1920 x 1080 24 00 1125 27 00 v v v 1080p24 1920 x 1080 24 00 1125 27 00 v v v 1080p25 1920 x 1080 25 00 1125 28 13 v v v 1080p29 1920 x 1080 29 97 1125 33 72 v v v 1080p30 1920 x 1080 30 00 1125 33 75 v v v 1080i50 1920 x 1080 50 00 1125 28 13 v v v 1080p50 1920 x 1080 50 00 1125 56 25 v v v 1080i59 1920 x 1080 59 94 1125 33 72 v v v 1080p59 1920 x 1080 59 94 1125 67 43 v v v Rev D July 2014 Notes 148 Digital Projection Lightning Series APPENDIX C SUPPORTED SIGNAL INPUT MODES Rev D July 2014 Hd 2 o 3 CH s KS 5 eF S S 23 S Q S 9 lt E 9 2 8 9 9 o ZG 9 z Is go a 2 gt E T g o a E o a o HDTV continued 1080i60 1920 x 1080 60 00 1125 33 75 v v v 1080p60 1920 x 1080 60 00 1125 67 50 v v v COMPUTER VGA59 640 x 480 59 94 525 31 47 v v VGA60 640 x 480 60 00 525 31 50 v v MACI 640 x 480 66 67 525 35 00 v v VGA72 640 x 480 72 81 520 37 86 v v VGA75 640 x 480 75 00 500 37 50 v v DOS70 720 x 400 70 09 449 31 47 v v SVGA50 800 x 600 49 92 621 31 00 v v SVGA56 800 x 600 56 25 625 35 16 v v
30. Left Y Lower Right X Lower Right Y CORNERSTONE ooo o o O O Upper Right X and Upper Right Y correction Operating Guide Notes Main Menu Geometry Cornerstone 53 Digital Projection Lightning Series Edge Blend menu The Edge Blend menu is available only when Setup gt System gt Configuration is set to Edge Blend Overview When several projectors are used to create a large tiled image the edges need to be blended to avoid the overlaps appearing brighter than the rest of the image As it is not possible for any projector to produce an absolute black any black areas in the overlapped edges may appear slightly less dark than those in the rest of the image Black Level Uplift can be used to counteract this effect by raising the black level of the rest of the image The amount of uplift required will be either x2 or x4 depending on how many images are overlapped as shown in the examples on this page Image brightness changes from one point to another within the same blended region If the same level of black level uplift is applied throughout the blended region the overlapping edges may still be visible on the screen Therefore brightness in these areas is decreased gradually using an s curve factor S Curve Value is used to control the steepness of the decrease Rev D July 2014 USING THE PROJECTOR EDGE BLEND S Array Width Array Height
31. Off Cornerstone Brightness Contrast 0 S Gamma 1 0 Hue 0 Saturation LL Black Level Offset O IRE Video Filters x VGA Setup Installation and Quick Start Guide Notes Main Menu Setup X Lens shift works from the audience s perspective regarless of projector orientation For example SHIFT UP moves the image toward the ceiling in both Desktop and Ceiling mode Main Menu Geometry Main Menu Image L For full details of how to use the controls and the menu system see X For further information about the two remote control devices supported by earlier in this guide 21 Digital Projection Lightning Series This page is intentionally left blank Installation and Quick Start Guide 22 DIGITAL PROJECTION CONNECTION GUIDE Lightning_Series High Brightness Digital Video Projector Rev D July 2014 Digital Projection Lightning Series IN THIS GUIDE Connection Guide IN THIS GUIDE Signal Inputs And Outputs sese 25 RS ZA 0c E NP 32 Rear o Eege Se SE 32 el EE m Update DICERE 32 HDMI input 2 DVI input 3 ia d ed d ons 25 LAN connection examples ue NENNEN REENEN nennen nnn nnns 33 TR UE 25 RS232 connection example ae 34 3G SDI input EE 25 AA DUES em 25 S Video INPUT O wii tev chi n bn e Fa Ld aasan 25 Component IN put Y it
32. SX full width images continued V 10m 20 m 30 m 33 ft 66ft 98 ft Throw distance 15 0m 49 2 ft 125m 41 0 ft 10 0 m 32 8 ft dth WI 7 5 m 24 6 ft Screen 5 0 m 16 4 ft 2 5m 8 2 ft L For information about individual lens V 10m 20 m 30 m 33 ft een 98 ft Throw distance Notes X This chart has a TRC of 1 0 for use with the following images 145 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution SX 1 25 1 images Notes 1 21 1 fixed lens short o 0000 O O 0 CES This chart has a TRC of 1 07 for 20 0 m 65 6 ft use with the following images Q 0 73 1 fixed lens 1 21 1 fixed lens 17 5 m 57 4 Oo 1 26 1 61 1 zoom lens 1 25 1 5 4 15 0 m 49 2 ft 5 1 5 2 02 1 zoom lens Q 2 02 2 8 1 zoom lens 12 5 m 41 0 ft Q Other lenses next page 2 77 4 51 1 zoom lens 10 0 m 32 8 ft L For information about individual lens 4 51 7 53 1 zoom lens Screen width 7 5 m 24 6 ft 10 7 5 11 2 1 zoom lens p 10m 20 m 30 m 40m 50m 60m 70 m 80 m 90 m 33 ft 66 ft 98 ft 1 131ft 164ft 197ft 230ft 262ft 295 ft Throw distance R
33. Series USING THE PROJECTOR Operating Guide Edge Blend procedure continued Notes 7 Adjust uplift edges optional This step is necessary if you have uplifted the black levels in the previous step During the black level uplift process brighter lines appear on the edges of the uplifted regions This is due to the inactive area around the periphery of the DMD also known as pond of mirrors Q To remove these edges use the Edge Blend gt Reduce Black Level Uplift Width settings for each projector individually Enter X and Y corrections for each part of the image to achieve this The edges of the uplift area are brighter due to light from the pond of mirrors DMD Rev D July 2014 71 Digital Projection Lightning Series USING THE PROJECTOR Operating Guide Edge Blend procedure continued Notes 8 Blend the images Set Edge Blend gt Blending to On for each projector to activate s curves in the blend regions Once blending is activated use test patterns to detect irregularities within the blend and to correct them What test patterns to use Use White Field recommended and or Grey H Bars if you are blending horizontally aligned images and Grey V Bars if the images are vertically aligned What irregularities to look for Check if the blend region is darker than the rest of the image If this is the case adjust the Edge Blend S Curve Value setting until the blend
34. TMDS Clock CEC not connected SCL DDC Clock SCA DDC Data DDC CEC Ground 5 V Power Hot Plug Detect Output SPDIF RCA Phono Digital audio output from the HDMI input stream Rev D July 2014 APPENDIX E WIRING DETAILS 19 1 ES 18 2 HDMI pin view of panel connector SPDIF connector Notes L For full details of all input settings Operating Guide 161 Digital Projection Lightning Series APPENDIX E WIRING DETAILS Input 3 DVI 24 way D type connector Pin 1 Pin 2 Pin 3 Pin 4 Pin 5 Pin 6 Pin 7 Pin 8 Pin 9 Pin 10 Pin 11 Pin 12 Pin 13 Pin 14 Pin 15 Pin 16 Pin 17 Pin 18 Pin 19 Pin 20 Pin 21 Pin 22 Pin 23 Pin 24 C1 C2 C3 C4 C5 TMDS data 2 TMDS data 2 TMDS data 2 4 shield TMDS data 4 TMDS data 4 DDC clock DDC data Analog vertical sync TMDS data 1 TMDS data 1 TMDS data 1 3 shield TMDS data 3 TMDS data 3 5 V Ground Hot plug detect TMDS data 0 TMDS data 0 TMDS data 0 5 shield TMDS data 5 TMDS data 5 TMDS clock shield TMDS clock TMDS clock Analog red Analog green Analog blue Analog horizontal sync Analog ground Rev D July 2014 Digital red link 1 Digital red link 1 DVI pin view of female connector Digital green link 2 Digital green link 2 Digital green link 1 Digital green link 1 Digital blue link 2 Digital blue
35. To center the lens select Center Lens and press OK Press RPY followed by the RIGHT arrow button to calibrate the lens zoom mechanism Press RPY followed by the LEFT arrow button to calibrate Nudge the lens focus mechanism To position the image correctly on the screen use the Nudge controls Main Menu Lens Nudge Rev D July 2014 42 Lens Presets LENS PRESETS Notes This menu allows you to save up to five custom lens presets which you can recall later 2 Main Menu Lens Lens Presets Me 23 z z E gt gt oe s E z ne Digital Projection Lightning Series Image menu e Brightness Contrast Gamma Hue and Saturation Set the slider or select from the drop down list as required to improve the quality of the image Black Level Offset Set this to 0 IRE or 7 5 IRE as required Use V Position and H Position to adjust the position manually Video Filters Set the sliders or select from the drop down list as required to improve the quality of the image VGA Setup Use Auto Setup to allow the projector to detect the appropriate settings automatically If you require manual adjustment Setthe Phase slider to correct for shimmering or poor quality definition on for example fine text e Set the Total H Samples slider to match the resolution of the incoming video signal Rev D July 2014 USING THE PROJECTOR Brightness
36. Wired remote cOtitrOl MMPCTEE PEE PECPEEECEPEPCEELECET PCEPTTECEE ET ETT EEC CCETEP EEE ECCEETEETECTeee 166 RS232 NA A A A PE A ER RA 167 KAN connect on si sscakats pa ea ee NER eaa a aa AEE EAE EEEE E Ea VEEE Eann 167 APPENDIX F GLOSSARY OF TERMS NEE 168 Rev D July 2014 TECHNICAL SpECIEICATIONS E 178 lee EE 178 Inputs and outpufe een 179 Su le Mt un EE 179 Remote control and Keypad wi ccceeccccccesseccsccsesaeccessetaseceseccenecedscaaneereesie 179 Automation COMOL ET 179 Color temperature sacecscccsicccsccsvscccsastecsecs and zna rhetor tiran anu an rala e 179 Je a A a O EN inaid 180 B IIIns 181 B uauelte 181 Mechanical motltilig eoe sem cto erreur Ett Ett 181 OJ le EP O PET O PO AR NI 181 Electrical and physical specifications ene 182 Safety 8 EMC regulations coe ener eren rnnt 182 ACCOSSOLGS air cee ctv u s va EE 182 vil DIGITAL PROJECTION INSTALLATION AND QUICK START GUIDE Lightning_Series High Brightness Digital Video Projector Rev D July 2014 Digital Projection Lightning Series IN THIS GUIDE What s In The Box cee ENEE EEEEEE REENEN EEEEEE En 3 Projector Overview lika ase aken rn ees i eterna ka raki vno nika raka 4 Front and rear VIeWs 1 2 aono ete deni con vnde tme shaved snneceevedsendeeteencansets EE SE 4 Lamp compartmen
37. buttons is pressed the blue Transmit indicator on the remote control will light for 10 seconds After 10 seconds if no adjustment has been made the indicator will go out and the lens adjustment button must be pressed again to resume adjustment To end the adjustment before 10 seconds has elapsed press the EXIT button All other adjustments will be locked out until the lens adjustment is ended 20 Digital Projection Lightning Series Adjusting the image Orientation This can be set from the Setup menu Select the orientation which suits the positioning of the projector Keystone This can be set from the Geometry menu Picture Settings such as Brightness and Contrast can be set from the Image menu Settings can be accessed from the remote control as well Depending on the remote you are using e On 105 023 Rev B press BRI CON or GAMMA to set Brightness Contrast or Gamma respectively On 105 023 Rev A press BRI CON or SAT to set Brightness Contrast or Saturation respectively Rev D July 2014 OPERATING THE PROJECTOR S Orientation Desktop Front s Latency Lowest Input Configuration gt Network On Screen Display x System s Reset Default Settings GEOMETRY Aspect Ratio Overscan 0 Size amp Position Geometry Engine GH Keystone c Source vc Keystone o ie O F oc Pincushion Barrel O v Rotation Lo n Warp Map
38. color gamut and lamp power settings 9 Projector 2 correct settings After color match 3 Enter the correct gamma setting Adjust the gamma setting using the Image gt Gamma control For video sources such as Blu ray or DVD use a value of 2 2 for computer graphics use 2 4 The images may still look slightly different at this stage It is OK to continue Rev D July 2014 67 Digital Projection Lightning Series Edge Blend procedure continued 4 Set up the array USING THE PROJECTOR For each projector open the Edge Blend menu and enter Array Width Array Height Array H Position and Array V Position Array Width and Array Height should be identical for all projectors These settings define the size of the array For example a two by two array will have the following values Array Width 2 Array Height 2 The top left projector will have Array H Position 0 and Array V Position 0 o Top left Array H Position lt 0 Array V Position lt 0 6 Top right Array H Position 1 Array V Position 0 9 Bottom left Array H Position lt 0 Array V Position 1 0 Bottom right Array H Position 1 Array V Position 1 Rev D July 2014 El Keeser t z Operating Guide Notes 68 Digital Projection Lightning Series USING THE PROJECTOR Edge Blend procedure continued 5 Define blend regions From the Edge Blend menu on
39. designed to be suspended from a lighting truss by its rigging frame However the four adjustable feet under the chassis allow the projector to be lowered onto a flat surface without any danger of hands being trapped between the bottom frame and the surface Adjustment for table mounting If the projector is to be operated from a flat surface such as a projector table then adjustment of projector level should be made by turning the four feet under the chassis Adjusting the rigging frame Before suspending the projector make sure that the three frame adjusters and the yaw adjustment are set roughly midway Centering lines are scribed on the shafts to show the centres of adjustment Coarse frame adjustment Coarse adjustment of projector level should be made by adjusting the length of the supporting wires or chains or by adjusting the position of the truss Once the initial coarse frame adjustment has been made fine adjustment should be made using the three frame adjusters and the yaw handle if fittled on the rigging frame Rev D July 2014 POSITIONING THE SCREEN AND PROJECTOR Centering line 6 Frame adjuster Installation and Quick Start Guide Notes d Always allow the projector to cool for five minutes before disconnecting the power or moving the projector N Ensure that there is at least 30 cm 12 in of space between the ventilation outlets and any wall and 10 cm 4 in on all other sides A Do no
40. down list The inputs are divided into two groups the main image must be from one group and the sub image must be from the other group Group A COMPOSITE 1 COMPOSITE 2 S VIDEO and 3G SDI Group B COMPONENT VGA DVI HDMI and DVI A Size Selecta size for the sub image from the drop down list Position Select one of the preset positions for the sub image from the drop down list Custom Position Input Composite 1 Size Small s Position Top Left Custom H Position 5 m Custom V Position 5 f you have chosen Custom from the Position drop down list then you can use the sliders to position the image manually PIP Picture In Picture Rev D July 2014 PAP Picture And Picture POP Picture Opposite Picture Operating Guide Notes Main Menu PIP X This menu is available only when Setup gt System gt Configuration is set to PIP X PIP PAP and POP are NOT possible when Input is set to Test Pattern X In these examples the painting is the main image and the test pattern is the sub image shown at the Medium size setting Ke The Position settings apply ONLY to PIP mode PAP and POP are always as shown in these examples 74 Digital Projection Lightning Series USING THE PROJECTOR 3D menu Set 3D Enable to On or Off as required 3D Enable Frame Rate Multiplier x1 Use the Frame Rate Multi
41. from full width images where TRC 1 All full width images are grouped together 1080p and WUXGA are shown in the same chart 1080p 1920 x 1080 pixels Full width images the same chart Formats that fit the width of the DMD without applying a throw ratio correction TRC include e 2 35 1 Scope 1920 x 817 pixels TRC 1 e 1 85 1 Flat 1920 x 1037 pixels TRC 1 e 1 78 1 16 9 1920 x 1080 pixels native resolution TRC 7 1 Full height images different charts A throw ratio correction TRC has been applied to the following charts e 1 25 1 5 4 1350 x 1080 pixels TRC 1 42 e 1 33 1 4 3 1440 x 1080 pixels TRC 1 33 e 1 6 1 16 10 1728 x 1080 pixels TRC 1 11 e 1 66 1 Vista 1792 x 1080 pixels TRC 1 07 Rev D July 2014 Notes L For information about individual lens 127 Digital Projection Lightning Series APPENDIX B LENS CHARTS WUXGA 1920 x 1200 pixels Notes Full width images L For information about individual lens Formats that fit the width of the DMD without applying a throw ratio correction TRC include part numbers see Appendix A e 2 35 1 Scope 1920 x 817 pixels TRC 1 Lens Part Numbers e 1 85 1 Flat 1920 x 1037 pixels TRC z 1 e 1 78 1 16 9 1920 x 1080 pixels TRC 21 e 1 66 1 Vista 1920 x 1156 pixels TRC 1 1 6 1 16 10 1920 x 1200 pixels native resolution TRC 1 Full height images A throw ratio correction TRC has been applied to the follow
42. that images are projected onto a silver screen The ZScreen is placed between the projector lens and screen It changes the polarization of the projected light and switches between left and right handed circularly polarized light at the field rate Rev D July 2014 Notes 10 Digital Projection Lightning Series TECHNICAL SPECIFICATIONS Technical Specifications Digital Projection reserves the right to change product specifications without prior notice Models The specifications on these pages refer to the following projectors Lightning 38 Lightning 38 UC Lightning 45 Proprietary 3k W xenon WUXGA 112 919 113 302 20 000 2 000 1 arc bubble 1080p 112 910 113 293 20 000 2 000 1 Hypercooled lamp module with direcfiotialilew 112 901 113 284 20 000 1 800 1 reflector mask and radial Wuxga 112 922 113 305 10 000 4 000 1 heat exchanger biaital hodie meli 1080p 112 913 113 296 10 000 4 000 1 SX m 904 113 287 287 8000 40004 Proprietary 3 6 kW xenon LONNE a 916 KE 299 a 000 a 000 1 arc bubble Hypercooled lamp module 1080p 112 907 113 290 30 000 2 000 1 with directional flow reflector mask and radial heat exchanger 112 898 113 281 30 000 1 800 1 Digital hour meter Color system 3 chip DLP Display type 3 x 0 96 DarkChip DMD WUXGA 3 x 0 95 DarkChip DMD 1080p and SX DMD specification native WUXGA 1080p SX 1920 x 1200 pixels 1920 x 10
43. the Sub input Notes Ke For a complete listing of pin configurations for all signal and L For information about 3D video see the next page DVI HDMI input 10 Single HDMI 1 4 input or Single Link DVI D input or For Twin Link DVI Input 9 DVI is the Main input Input 10 DVI HDMI is the Sub input IS For information about the differences between the two together Twin LInk DVI DVI HDMI Input 10 Side Connection Panel Rev D July 2014 26 Digital Projection Lightning Series SIGNAL INPUTS AND OUTPUTS Special considerations when using Inputs 9 11 Differences between Inputs 9 11 and Inputs 1 8 Inputs 9 and 10 have been designed to offer access to a very high bandwidth digital video path free of the limitations inherent to standard image processing techniques As such the image is pixel mapped directly to each DMD so only a subset of the image settings applies to Inputs 9 11 Global settings such as input selection lens and lamp control are all applicable to Inputs 9 11 but modal settings are not Input and processing architecture DRUNK Front End Processor RENE oic ee nan Frame Doubling Memory vA TH 2 Video 5 Processing OSD b m amp Overlay l gt 3D MUX gt g Resizing gt amp a M Multi Standard Inputs High Band
44. the image will automatically be extracted to create a displayed rate of twice the input rate Dark Time and Sync Offset need to be set only once to optimize the image for the glasses in use Rev D July 2014 Operating Guide Ki gi d N Ne Ke Frame Packing Top and Bottom Exe N Side by Side Half Notes 7n Digital Projection Lightning Series Some 3D settings explained Dark Time Ghosting can be caused by the left and right images overlapping during the time that the ZScreen or 3D glasses are switching Dark Time allows you to minimize this effect Source Dominance The outgoing 3D frames are in pairs the dominant frame being presented first You can determine which frame should be the dominant one By convention the default setting is Left Sync Offset The sync signal from the 3D server will be in phase with the frames generated by its graphics card However to compensate for processing delays in the projector Sync Offset introduces a delay to the sync output signal sent to the ZScreen or 3D glasses Rev D July 2014 USING THE PROJECTOR Fully on ice eae vg Fully off EE ee time time time Dominance Left LEFT 1 RIGHT 1 LEFT 2 RIGHT 2 LEFT 3 RIGHT 3 Dominance Right RIGHT 1 LEFT 1 RIGHT 2 LEFT 2 RIGHT 3 LEFT 3 Incoming video Incoming sync signal I LIT Video sign
45. to confirm Press Exit to cancel Sub menu La Slider 1 0 Slider 2 Rev D July 2014 USING THE MENUS ve Drop down List 1 List Item 2 Drop down List 2 List Item Sub menu x S Slider 1 Slider 2 0 sz Command ve Drop down List 1 List Item 1 Drop down List 2 List Item Sub menu x sz Slider 1 H Slider 2 0 e S Command Operating Guide Notes Las Some menu items may not be available due to settings in other menus These will be grayed out on the actual menu When a globe icon appears next to a setting the setting affects all sources and all inputs otherwise only the current input source will be affected if you change the setting 39 Digital Projection Lightning Series USING THE MENUS Editing fields Some features require a text or numeric field to be edited 1 To edit a field first select it using the LEFT and RIGHT arrow buttons then press OK 2 Use the LEFT and RIGHT arrow buttons to move the green highlight to the digit or character which is to be changed then use UP and DOWN to adjust it Use the LEFT and RIGHT arrow buttons to select the next digit or character 4 Press OK to accept the new value or press EXIT to exit without changing Field 1 fe pete Field 2 192 e U The highlighted digit is being edited Rev D July 2014 Operating Guide Notes Las Some menu items may not be available due to settings in
46. to the drop down list in the menu and press OK 2 Highlight an item from the list using the UP and DOWN arrow buttons 3 Press OK again to select the highlighted item or press EXIT to exit without changing MENU Drop down List 1 MENU MENU S Drop down List 1 List Item 1 Drop down List 1 List Item 1 List Item 1 List Item 2 MENU MENU Drop down List 1 List Item 1 v Drop down List 1 List Item 2 List Item 2 Notes Some menu items may not be available due to settings in other menus These will be grayed out on the actual menu gt When a globe icon appears next to a setting the setting affects all sources and all inputs otherwise only the current input source will be affected if you change the setting Digital Projection Lightning Series Sliders To use a slider press the LEFT and RIGHT arrow buttons to adjust it s Drop down List 1 List Item 2 Drop down List 2 List Item ve Drop down List 1 List Item 2 Drop down List 2 List Item Sub menu La Sub menu S Slider 1 Slider 2 u Slider 2 sz Command sv Command Commands To use a command press OK In the example below press OK to confirm or press EXIT to cancel Drop down List 1 List Item 1 Drop down List 2 List Item Drop down List 1 List Item 1 Drop down List 2 List Item RESET DEFAULT SETTINGS WARNING All custom settings will be lost Press OK
47. 1 Digital Projection Lightning Series Control Connections Service port e The Service Port port is used to download via USB firmware updates issued from time to time by Digital Projection Wired remote control e If infrared signals from the remote control cannot reach the projector due to excessive distance or obstructions such as walls or cabinet doors you can connect an external IR repeater to the remote control input and position its IR sensor within range of the operator To synchronise the control of multiple projectors connect the wired remote output of one projector to the wired remote input of another RS232 All of the projector s features can be controlled via a serial connection using the text strings described in the Protocol Guide Use anull modem cable to connect directly to a computer or a straight cable to connect to a modem LAN All of the projector s features can be controlled via a LAN connection using the text strings described in the Protocol Guide Alternatively use the Virtual OSD to control the projector Use a crossed LAN cable to connect directly to a computer or an uncrossed cable to connect to a network hub Update port The Update Port is used to download via LAN firmware updates issued from time to time by Digital Projection Rev D July 2014 CONTROL CONNECTIONS Wired Remote Input Wired Remote Output RS232 LAN Rear Connection Panel
48. 1 Rev D July 2014 Digital Projection Lightning Series IN THIS GUIDE continued Appendix D Menu Map nana Ignellueqcmeee Test Pattern Appendix E Wiring Details EEN Signal inputs and outputs nana Input 1 Input 2 Output Input 3 Input 4 Input 5 Input 6 Input 7 Input 8 Input 9 CONT OSG E A eo luet LEE CVBS MM MAIN DY p Mputa SUB RTE Control COMMECTIONS ivisicvcsccnieliccstavedecccsnencelecuavancvaadeeveadeceaueddesahacescdeuuedeuaaseeavesteaueds Update POU eases a ak Wired remote control rcr cen erre ca cs rap xem ceca wa vega Rod Rev D July 2014 IN THIS GUIDE prr ERES 167 LAN CORnectoH ee nde t hr C ra Pee e ct E vani 167 Appendix F Glossary Of Terme 168 Technical Specifications nn 178 Miri m 178 Inputs NERT ntn i teen Enej ra EEA Speed aasa aS ausa ean aka aar uh 179 SEN VT LEE 179 Remote control and keypad nana 179 ENEE ge EE 179 Color temperature eg Nee 179 EDDIE 180 DII M EMI 181 Lenert enn O Er 181 Mechanical mounting i i cseeccccscctcccsscnccececdesnacenetseetecensddecdedeessd
49. 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft 66 ft 98 ft 1317ft 164ft 197ft 230ft 262ft 295 ft Throw distance Rev D July 2014 142 Digital Projection Lightning Series 15 0 m 49 2 ft 12 5m 41 0 ft 10 0 m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 2 5m amp 2f 10m 20m 30m 33 ft 66 ft 98 ft Throw distance 1 50 2 17 1 zoom lens 6 1 72 2 71 1 zoom lens 9 2 15 3 36 1 zoom lens Rev D July 2014 15 0 m APPENDIX B LENS CHARTS DMD resolution WUXGA 1 33 1 images continued 49 2 ft 12 5 m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 25m amp 2w 30m 10m 20m 33 ft 66 ft Throw distance 98 ft 150m 49 2 ft 125m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 2 5m 8 2 ft V 10 m 20 m 30 m 33 ft 66ft 98 ft Throw distance Notes L This chart has a TRC of 1 2 for use with the following images 1 33 1 4 3 L For information about individual lens 143 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution SXr full width images Notes For SX full width images are 2 35 1 Scope 1 85 1 Flat 1 78 1 16 9 1 66 1 Vista 1 6 1 16 10 an
50. 2 1 zoom lens 2 02 2 77 1 zoom lens 2 77 4 51 1 zoom lens 4 51 7 53 1 zoom lens 7 5 11 2 1 zoom lens 204 mm 8 0 in 268 mm 10 6 in 268 mm 10 6 in 226 mm 8 9 in 194 mm 7 6 in 159 mm 6 3 in 145 mm 5 7 in 129 mm 5 1 in 179 mm 7 0 in 1 1 10 m 3 6 32 8 ft 3 15 m 9 8 49 2 ft 1 2 2 m 8 9 6 6 ft 3 15 m 9 8 49 2 ft 4 24 m 13 1 78 7 ft 4 24 m 13 1 78 7 ft 9 1 45 m 29 9 147 6 ft 12 80 m 39 4 262 5 ft 12 80 m 39 4 262 5 ft To choose a lens either calculate the throw ratio required or use the lens charts provided et the end of this guide Rev D July 2014 Notes Ke The High Brightness lenses are recommended for the standard models for maximum light output The High Contrast lenses are recommended for the Ultra Contrast models for maximum contrast L The same lens has different effective throw ratios for WUXGA and 1080p and for SX due to the different width of the DMD A Each time a new lens is fitted to the projector the calibration procedure must be carried out See Lens menu in the Operating Guide L For information about individual lens the end of this document 94 Digital Projection Lightning Series CHOOSING A LENS Basic calculation Identify the required lens by calculating the throw ratio A throw ratio is the ratio of the throw distance to the screen width Throw distance Throw ratio
51. 2 4 2 6 2 8 Hue slider value range 50 50 0 Saturation slider value range 50 50 0 Black Level Offset 0 IRE 7 5 IRE V Position slider value range 0 200 100 H Position slider value range 0 200 100 Video Filters Sharpness slider value range 50 50 0 Detail slider value range 0 3 Luma Sharpness slider value range 0 2 Chroma Sharpness slider value range 0 2 Recursive NR slider value range 0 3 Mosquito NR slider value range 0 3 Cross Color Supression Off On VGA Setup Phase slider value range 50 50 0 Total H Samples slider value range 50 50 0 Auto Setup command Color Rev D July 2014 Gamut Peak HDTV SDTV 3200k 5400k 6500k 8000k 9000k User 1 User 2 Red Black Level slider value range 50 50 0 Green Black Level slider value range 50 50 0 Blue Black Level slider value range 50 50 0 Red Gain slider value range 50 50 0 Green Gain slider value range 50 50 0 Blue Gain slider value range 50 50 0 Notes Some of the information in this menu map is summarised See the actual menu on the projector for full detail The underlined text represents the factory default value for each setting 154 Digital Projection Lightning Series APPENDIX D MENU MAP Main Menu Sub Menus Geometry Rev D July 2014 Aspect Ratio Source Fill Display Fill amp Crop Anamorphic TheaterScop
52. 2014 Notes Digital Projection Lightning Series Introduction Congratulations on your purchase of this Digital Projection product Your projector has the following key features e Support for most 3D standards if your projector is a 3D model Full range of digital and legacy analog inputs Control of most aspects of the projector s operation via LAN and RS232 Support for a number of aspect ratios and screen sizes Non linear warp adjustment by moving points on an interpolated grid Ceiling mount and rear screen installation options e Simultaneous display of two sources via Picture In Picture Long lamp life Motorised lens mount A serial number is located on the back of the projector Please record it here pO Rev D July 2014 Notes li Digital Projection Lightning Series CONTENTS INSTALLATION AND QUICK START GUIDE 1 WHATS IN THE BOX iso na eve ni a 3 PROJECTOR OVERVIEW nean npn h unu ENNER NEEN EE ENER EE EEN 4 Front and rear vieWS se nana nanasa KREE znana ana ananasa nana ana ena 4 Lamp compartment with hours meter 5 ECD EE 5 Control Re Elle ere CN 6 Connection panel mdicators REENEN 7 REMOTE CONTROL fini asians sasincicuncawensinine NENNEN a ola jan ola KENE gaja minis 9 Infrared reception s sa nani 9 Remote control 105 023 Rev B etat nnn enne ana ierant 10
53. 3 1 78 7 ft 105 610 107 196 1 87 2 56 1 zoom lens 2 02 2 77 1 zoom lens 159 mm 6 3in 4 24 m 13 1 78 7 ft 105 611 107 197 2 56 4 17 1 zoom lens 2 77 4 51 1 zoom lens 145 mm 5 7 in 9 1 45 m 29 9 147 6 ft 105 612 107 198 4 17 6 95 1 zoom lens 4 51 7 53 1 zoom lens 129 mm 5 1 in 12 80 m 39 4 262 5 ft 105 613 107 199 6 93 10 34 1 zoom lens 7 5 11 2 1 zoom lens 179 mm 7 0 in 12 80 m 39 4 262 5 ft 109 235 109 358 Rev D July 2014 Notes is fixed but assumes that the image fills the width of the DMD For images that do not fill the width of the DMD the throw ratio is effectively increased To correct for this in these calculations a throw ratio correction TRC is used Throw distance calculations are based on the distance from the outer end of the lens which will vary from lens to lens The High Brightness lenses are recommended for the standard models for maximum light output The High Contrast lenses are recommended for the Ultra Contrast models for maximum contrast Lens extension is measured when the lens is focussed at infinity and fully extended At other focus settings the extension could be up to 10mm less 125 Digital Projection Lightning Series Appendix B Lens Charts How to use the lens charts The lens charts on the following pages provide a quick guide to the type of lens needed for a particular projector To use the lens charts you ne
54. 80 pixels 1400 x 1050 pixels 12 tilt angle Fast transit pixels for smooth greyscale and improved contrast Rev D July 2014 Notes IS HB High Brightness projectors are designed to produce maximum light output and should be used with HB lenses UC Ultra Contrast models produce maximum contrast and should be used with UC lenses 178 Digital Projection Lightning Series Inputs and outputs Video amp Computer all models DVI D DVI A 36 50 VGA Analog RGB Component Video Composite Video Composite Video Video amp Computer 3D models Main Dual Link DVI D 1 Sub HDMI 1 4 DVA sd Audio all models SPDIF Digital Output RCA et i Bandwidth e 170 MHz on analog RGB e 165 Megapixels per second on HDMI and DVI 297 Megapixels per second on Dual Link DVI Remote control and keypad TECHNICAL SPECIFICATIONS Type Communication amp Control LAN RJ45 Wired Remote In 3 5 mm Stereo Jack Wired Remote Out 3 5 mm Stereo Jack Update Port RJ45 Service Port USB Type B RS232 Addressable IR remote control wireless and wired with loop through On board invertable keypad Automation control e RS232 LAN Color temperature User selectable from 3200 to 9000 K Rev D July 2014 Notes 179 Digital Projection Lightning Series TECHNICAL SPECIFICATIONS Lamps A single proprietary 3 kW Sa xenon arc bubble 103 238 3 kW Lamp amp Hous
55. 920 x 1080 50 00 1125 56 25 v v v v v 1080p59 Top and Bottom 1920 x 1080 59 94 1125 67 43 v v v v v 1080p60 Top and Bottom 1920 x 1080 60 00 1125 67 50 v v v v v 1080p50 Frame Sequential 1920 x 1080 50 00 1125 56 25 v v v v v 1080p59 Frame Sequential 1920 x 1080 59 94 1125 67 43 v v v v v 1080p60 Frame Sequential 1920 x 1080 60 00 1125 67 50 v v v v v 1080p23 Dual Pipe 1920 x 1080 23 98 1125 26 97 v 1080p24 Dual Pipe 1920 x 1080 24 00 1125 27 00 v Rev D July 2014 Notes models HDMI 1 4 3D formats available when using frame seguential formats on the DVI A VGA Component DVI D HDMI 3G SDI inputs 151 Digital Projection Lightning Series APPENDIX C SUPPORTED SIGNAL INPUT MODES Be c gt v gt t z T S 0 250 59 gt 2 oc a 5 E Sw 5e 557 2 a gt 5 r 8 E g Se za i JO S if z 2 c LL e Iu o a o a 1080p25 Dual Pipe 1920 x 1080 25 00 1125 28 13 4 1080p30 Dual Pipe 1920 x 1080 30 00 1125 33 75 Y 1080p50 Dual Pipe 1920 x 1080 50 00 1125 56 25 v 1080p59 Dual Pipe 1920 x 1080 59 94 1125 67 43 v 1080p60 Dual Pipe 1920 x 1080 60 00 1125 67 50 Y Rev D July 2014 Notes X SD may not be present on some models X Only the Sub HDMI input supports HDMI 1 4 3D formats Ke Geometric correction is only available when using frame sequential formats on the DVI A VGA Component DVI D HDMI 3G SDI inputs
56. D in the Protocol Guide TS The 3D menu is not available with 2D projectors 41 Digital Projection Lightning Series USING THE PROJECTOR Operating Guide Lens menu Notes Zoom s Zoom Stop To move the lens in or out s Zoom Out Main Menu Lens 1 Select Zoom In or Zoom Out then press OK s Focus Near sm Focus Stop 2 When the image is the desired size select Zoom Stop then press OK a Focus Far You can also move the lens focus p Calibrate Zoom and zoom using the keypad ee Calibrate Focus Press SHIFT followed by an To adjust the focus sa Center Lens s arrow button to shift the lens up 1 Select Focus Near or Focus Far then press OK enen E down left and right TEE di Press FOCUS followed by the 2 When the image is correctly focussed select Focus Stop then press OK UP and DOWN arow budtons to Calibrate Zoom and Calibrate Focus adjust the focus Each time a new lens is fitted into the projector a calibration procedure must be carried out using Press ZOOM followed by the these commands UP and DOWN arrow buttons to e zoom in and out Before you use a newly fitted lens select Calibrate Zoom and Calibrate Focus in turn and wait until the projector establishes minimum and maximum travel distances Select one command and allow at least 60 seconds for the calibration to take place then select the other command You can also calibrate zoom and Center Lens focus using the keypad
57. D50 1920 x 1080 49 92 1114 55 62 v v FHD60 1920 x 1080 59 93 1125 66 59 v v WUXGA50 1920 x 1200 49 93 1238 61 81 v v WUXGA60 1920 x 1200 59 95 1235 74 04 VA v Rev D July 2014 Notes 150 Digital Projection Lightning Series 3D input modes APPENDIX C SUPPORTED SIGNAL INPUT MODES X SD may not be present on some gt only the Sub HDMI input supports X Geometric correction is only v S D 3 o 5 s o lt Z S S 87 gs 5 7 8 8 B8 28 2 8 D L e rw o SO a 720p50 Frame Packing 1280 x 720 50 00 1470 37 50 v v 720p59 Frame Packing 1280 x 720 59 94 1470 44 96 v v 720p60 Frame Packing 1280 x 720 60 00 1470 45 00 v v 720p50 Top and Bottom 1280 x 720 50 00 750 37 50 v v v v v 720p59 Top and Bottom 1280 x 720 59 94 750 44 96 v v v v v 720p60 Top and Bottom 1280 x 720 60 00 750 45 00 v v v v v 1080p23 Frame Packing 1920 x 1080 23 98 2205 26 97 v v 1080p24 Frame Packing 1920 x 1080 24 00 2205 27 00 v v 1080150 Side by Side Half 1920 x 1080 50 00 1125 56 25 v v v v v 1080159 Side by Side Half 1920 x 1080 59 94 1125 67 43 v v v v v 1080i60 Side by Side Half 1920 x 1080 60 00 1125 67 50 v v v v v 1080p50 Side by Side Half 1920 x 1080 50 00 1125 56 25 v v v v v 1080p59 Side by Side Half 1920 x 1080 59 94 1125 67 43 v v v v v 1080p60 Side by Side Half 1920 x 1080 60 00 1125 67 50 v v v v v 1080p50 Top and Bottom 1
58. DIGITAL JA PROJECTION USER MANUAL INSTALLATION AND QUICK START GUIDE CONNECTION GUIDE OPERATING GUIDE Lightning Series REFERENCE GUIDE High Brightness Digital Video Projector Rev D July 2014 113 178D Digital Projection Lightning Series About This Document Please follow the instructions in this manual carefully to ensure safe and long lasting use of the projector Keep this manual handy for future reference Symbols used in this manual Many pages in this document have a dedicated area for notes The information in that area is accompanied by the following symbols A WARNING this symbol indicates that there is a danger of physical injury to yourself and or damage to the equipment unless the instructions are closely followed A ELECTRICAL WARNING this symbol indicates that there is a danger of electrical shock unless the instructions are closely followed X NOTE this symbol indicates that there is some important information that you should read Product revision Because we at Digital Projection continually strive to improve our products we may change specifications and designs and add new features without prior notice Legal notice Trademarks and trade names mentioned in this document remain the property of their respective owners Digital Projection disclaims any proprietary interest in trademarks and trade names other than its own Copyright 2014 Digital Projection Ltd All rights reserved Rev D July
59. G DETAILS Input 9 MAIN DVI 24 way D type connector Pin 1 Pin 2 Pin 3 Pin 4 Pin 5 Pin 6 Pin 7 Pin 8 Pin 9 Pin 10 Pin 11 Pin 12 Pin 13 Pin 14 Pin 15 Pin 16 Pin 17 Pin 18 Pin 19 Pin 20 Pin 21 Pin 22 Pin 23 Pin 24 C1 C2 C3 C4 C5 TMDS data 2 TMDS data 2 TMDS data 2 4 shield TMDS data 4 TMDS data 4 DDC clock DDC data Analog vertical sync TMDS data 1 TMDS data 1 TMDS data 1 3 shield TMDS data 3 TMDS data 3 5 V Ground Hot plug detect TMDS data 0 TMDS data 0 TMDS data 0 5 shield TMDS data 5 TMDS data 5 TMDS clock shield TMDS clock TMDS clock Analog red Analog green Analog blue Analog horizontal sync Analog ground Rev D July 2014 Digital red link 1 Digital red link 1 MAIN DVI pin view of female connector Digital green link 2 Digital green link 2 Digital green link 1 Digital green link 1 Digital blue link 2 Digital blue link 2 Power for monitor when in standby Return for pin 14 and analog sync Digital blue link 1 and digital sync Digital blue link 1 and digital sync Digital red link 2 Digital red link 2 Digital clock links 1 and 2 Digital clock links 1 and 2 Return for R G and B signals Notes X High bandwidth Digital Content Protection HDCP is supported on this input L For full details of all input settings Operatin
60. Ground 6 unused 7 unused 8 unused 9 unused LAN connection RJ45 socket Rev D July 2014 APPENDIX E WIRING DETAILS RS232 pin view of female connector LAN connection Notes X Only one remote connection RS232 or LAN should be used at any one time L For full details of all network Operating Guide 167 Digital Projection Lightning Series APPENDIX F GLOSSARY OF TERMS Appendix F Glossary Of Terms 1080p 3D active glasses Wireless battery powered glasses with LCD shutters Synchronization information is communicated to the glasses by means of an infrared IR or radio frequency RF emitter which is connected to the Sync Out terminal on the projector IR or RF pulses are transmitted by the emitter to signal when the left eye and right eye images are being displayed The glasses incorporate a sensor which detects the emitter s signal and synchronises the left and right eye shutters with the projected image 3D passive glasses Passive glasses do not require a power source to work Light with left hand polarisation can pass through the left lens and light with right hand polarisation can pass through the right hand lens These glasses are used in conjunction with another device which polarizes the image such as a ZScreen Aspect ratio The proportional relationship between the width and the height of the projected image It is represented by two
61. Guide Adjustirig the lens 1 rdi Eeer geckege ege 20 OON ILL MIU MM MIU 20 TE 20 Eid nae 20 Adj sting the Image ine dejan dead dd coat Cac vee In Haud dea Rua ae RA adn 21 PIG MEAN ON ertet etit am ale ie enu mee P e HEAD 21 Kevstone ene 21 PICture eege eege a Ee e ee EN Digital Projection Lightning Series What s In The Box Remote control 105 023 Rev A or B User Manual on disc 115 759 ip Power cable USA LA00098 Rev D July 2014 4x AAA batteries WHAT S IN THE BOX Important Information 113 182 Power cable Rest of World LA00097 Remote cable 102 162 Installation and Quick Start Guide Notes ka Make sure your box contains everything listed If any pieces are missing contact your dealer IS You should save the original box and packing materials in case you ever need to ship your projector IS The projector is shipped without a lens X Only one power cable dependent on the destination territory will be supplied with the projector Digital Projection Lightning Series Projector Overview Front and rear views eeeoeeoo00000090M 9 Frame adjuster Lens release lever Lens Rigging frame Air outlets Adjustable foot Front infrared window Air inlet Stacking adapter Power switch and power connection Control panel Rear infrared window Rear connection panel Lamp compartment
62. LNCE N NY Aspect Ratio Fill Display EE A LL Aspect Ratio Fill amp Crop Rev D July 2014 Notes 114 Digital Projection Lightning Series Aspect ratio examples for DMD resolution 1080p Source 4 3 Q Unused screen areas 6 Cropped parts of the image Rev D July 2014 ASPECT RATIOS EXPLAINED Aspect Ratio Source Cl mm Aspect Ratio Fill Display Anamorphic Aspect Ratio Fill amp Crop Notes 115 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution 1080p continued Source 16 9 native resolution Rev D July 2014 Aspect Ratio Source Fill Display Fill amp Crop Notes 116 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution 1080p continued Source 16 10 Q Unused screen areas 2 Cropped parts of the image Aspect Ratio Source Aspect Ratio Fill Display Aspect Ratio Fill amp Crop Rev D July 2014 Notes 117 Digital Projection Lightning Series Aspect ratio examples for DMD resolution WUXGA Source 4 3 Q Unused screen areas 2 Cropped parts of the image Rev D July 2014 a C Aspect Ratio Source SL
63. NS CHARTS DMD resolution WUXGA 1 25 1 images continued 49 2 ft 12 5m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 25m 8 2 ft 30 m 10m 20 m 33 ft 66 ft Throw distance 98 ft 15 0m 49 2 ft 12 5m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 2 5m 8 2 ft V 10 m 20 m 30 m 33 ft 66ft 98 ft Throw distance Notes L This chart has a TRC of 1 28 for use with the following images 1 25 1 5 4 L For information about individual lens 141 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution WUXGA 1 33 1 images Notes L This chart has a TRC of 1 2 for use with the following images 1 12 1 fixed tens short o 0000 9 o 20 0 m 65 6 ft 0 67 1 fixed lens 9 1 12 1 fixed lens 17 5 m 57 4 ft O 1 16 1 49 1 zoom iens 1 33 1 4 3 1 39 1 87 1 zoom rens a 12 5 m 41 0 ft Q Other lenses next page 2 56 4 17 1 zoom lens 10 0 m 32 8 ft 4 17 6 95 1 zoom lens Screen width 1 87 2 56 1 zoom lens 7 5 m 24 6 ft QD 6 93 10 34 1 zoom lens p p L For information about individual lens
64. R 3D types continued Frame Packing This format will be detected re synchronised frame multiplied and displayed at 144 Hz with the left eye right eye dominance automatically extracted from the video data You need to optimize Dark Time and Sync Offset manually to suit your chosen switching glasses You also need to set an appropriate frame rate multiplication for Frame Packing we recommend 3x Top and Bottom Sets the projector to reformat the video frames and map them to the display with the left eye right eye dominance automatically extracted from the video data You need to optimize Dark Time and Sync Offset manually to suit your chosen switching glasses You also need to set an appropriate frame multiplication for a 60Hz Top and Bottom source Frame Rate Multiplier should be set to 1x because the two halves of the image will automatically be extracted to create a displayed rate of twice the input rate Side by Side Half interlaced and progressive 50 and 60Hz The side by side image will be de interlaced if appropriate resized and then sequentially displayed at 100 or 120 Hz The left eye right eye dominance will be automatically extracted from the video data however you will need to optimize Dark Time and Sync Offset manually to suit your chosen switching glasses When 3D is disabled 1080i will be treated conventionally For a 60Hz Top and Bottom source Frame Rate Multiplier should be set to 1x because the two halves of
65. Remote control 105 023 Rev A cesses nanasa ennt 12 POSITIONING THE SCREEN AND PROJECTOR 13 Mounting the projector eeeeeeeeeenreeenen nnne nnnm nnne 13 Adjustment for table Mounting sass vsus ei nao aux n iam aa unus deia aaa ER na RR Rua EE 13 Adjusting the rigging frame essa caue nen aia tv ce rna pavi e ra onda naa Vy a zadeni 13 Coarse frame adjustments s saa aea v suia us amu asa ka aoa RE RARE a RR E ERR ERN RR RES S RRR ERR 13 Pitch and roll adjustment 2 11er annees 14 YAW adjustimerit 2 oreet erreur ena rideau aaa 14 Stacking Mee Ee 15 FITTING THE LENS sna ern oa obna aa dl klanje in EEN 16 OPERATING THE PROJECTOR Le nnas 17 Switching the projector On 1 22 eoe catenae tke inna un cenae 17 Switching the projector off 2 2c eoe rennes 18 Selecting an input signal or test pattern ene 19 EE 19 Eege E 19 Rev D July 2014 Adjusting the lens iita itn ttn 20 ZO GMs 20 hodie E 20 NOE ETR EU e EEA ELE EL IAE CL TULE KE 20 Adjustirig tie Image E 21 OPC o EE 21 Keystone seca dean PEN O PE AE RR E EAR ED O EDT LR E 21 p 21 CONNECTION GUIDE 23 SIGNAL INPUTS AND OUTPUTS Le ae 25 Rear Connection Panel 25 ey ele D EE 25 HDMI tee AR Oe 25 SPD EO EO E
66. USING THE PROJECTOR 3D types In most situations you can use the Auto setting to have the projector automatically detect the format Otherwise consider the notes below to help you set up the 3D input manually The following 3D formats are supported Sequential Main will accept frame rates up to 160 Hz Lower frame rates can be multiplied for display An example would be 60Hz 30 frames per eye in Left Right sequence L1 R1 L2 R2 with Frame Rate Multiplier set to 2x resulting in a displayed sequence at 120 Hz L1 R1 L1 R1 L2 R2 L2 R2 Sub can accept frame rates up to 60Hz and frame multiply in a similar manner Frame Rate Multiplier should never be set to result in a displayed frame rate above 160 Hz doing so will result in an image error For sequential 3D an external sync is required to identify left and right frames If no sync is available from the sequential source the projector will generate an output sync but it may then be necessary to manually reset the dominance each time the player is started Sequential Dual Pipe LEFT and RIGHT The left and right eye images are delivered on two separate DVI links which the projector will interleave for 3D display va HR N elle MAIN input Se PA Ki R po SUB input Be Dual Pipe B Rev D July 2014 Operating Guide Notes 76 Digital Projection Lightning Series USING THE PROJECTO
67. a o auk aan a a Eau p Rusa rn 55 Array H Position and V Position sese eee eee eene nennen nnn nnn nennen nn nnn 55 O CUI Ve Valie wvesvestesvee Eens 56 Blehdilnu EP AE eet EP EI AE EO ET TE A 58 Segmentation ernes eae ee Eed EEN Se 59 Blend Widths ean cececeeeeceeeceeeneeeeeeoeaecceeeauaauceeeeeaaeceeeaeueueeneasuaeaseeeeeaeeeeeeaeaes 61 Black Level Uplift 61 Reduce Black Level Uplift Widths ieu aieo dn ica na aaa vai nnn auk ra vnu oaa a a Ru won anus 62 Blending images from multiple projectors eere 65 B fore you Sie E 65 Edge Blend procedure vsisi 66 PIR un UE 74 elei EE 75 SIDE M EEA EEA TE 76 Some 3D settings explained nana naznani na 78 Dark Title eked conse EL ratte deen Fw co ooa LEVE PRA 78 Source DOMINENC e X 78 CIS 78 Frame Rate MUNIDNGH EM 79 Lamp Bu 80 Rev D July 2014 Setup MON 81 Reset Default Settings iacecvsisacaavedecdseatvenvetesdsveers tecetaaviedeceeueesserenseuteys 81 Input Configuratio TT 82 OH 83 On Screen DIS Day ee scien Ee HEURE RR 84 SY SIG EEA PERE POET TE ER RA OPE 85 Setting EE 86 Information Menu ananasa nana nana nnnnna nana nana annnna 87 60 TT 87 REFERENCE GUIDE wiiicicisissciiisioctsicisistssstnicisnoisacdbss
68. about individual lens 139 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution WUXGA 1 25 1 images Notes L This chart has a TRC of 1 28 for use with the following images O 1 12 1 fixed lens short o 0000 Q o 20 0 m 65 6 ft 0 67 1 fixed lens Q 1 12 1 fixed lens 17 5 m 57 4 ft O 1 16 1 49 1 zoom iens 1 25 1 5 4 15 0 m 49 2 ft 1 39 1 87 1 zoom lens 1 87 2 56 1 zoom lens 12 5 m 41 0 ft Q Other lenses next page S o H IS For information about individual lens 9 2 56 4 17 1 zoom lens 10 0 m 32 8 ft part numbers see Appendix A a Lens Part Numbers 4 17 6 95 1 zoom lens 5 7 Sege 24 6 ft QD 6 93 10 34 1 zoom lens 5 0 m 16 4 ft p 2 5 m 8 2 ft po 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft een 98ft 131ft 1647 197ft 230f 2625 295ft Throw distance Rev D July 2014 140 Digital Projection Lightning Series 15 0 m 49 2 ft 125m A 41 0 ft 10 0m v 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 2 5m amp 2f 10m 20m 30m 33 ft 66ft 98 ft Throw distance 1 50 2 17 1 zoom lens 2 1 72 2 71 1 zoom lens o 2 15 3 36 1 zoom lens Rev D July 2014 15 0m APPENDIX B LE
69. ack Level Uplift should be x4 En Mi NNNM RH Q Upper Middle This section of the image is overlapped by two projectors therefore the correct amount of Black Level Uplift should be x2 Q Upper Right This part of the image is overlapped by four projectors therefore Black Level Uplift should not be applied Rev D July 2014 61 Digital Projection Lightning Series Reduce Black Level Uplift Width Use this to correct for stray light from the pond of mirrors the DMD s inactive outermost mirrors In the example below the blended image comes from two projectors o and Both images have black level uplift applied in their unblended regions as a result artifacts and have emerged at the edges where the black level uplift region of one projector overlaps the pond of mirrors of the other To remove the artifcats you need to slightly reduce the size of the black level uplift region of each projector so it does not overlap the pond of mirrors of the other projector USING THE PROJECTOR REDUCE BLACK LEVEL UPLIFT WIDTH S Upper Left X ng S Upper Left Y s Upper Right X ss Upper Right Y m Lower Left X sm Lower Left Y Lower Right X sn Lower Right Y Apply Uplift oo o o o O O Rev D July 2014 Operating Guide Notes Main Menu Edge Blend Reduce Black Level Uplift Width X To apply the settings in this menu use the Apply Uplift command at the bottom of the page L For addit
70. al with Operating Guide processing delays and dark time adjustment Sync output signal after delay adjustment UU UI J LI X In order to achieve maximum light 2 Notes output and a smooth grayscale whilst eliminating ghosting the following procedure is recommended Set Dark Time fo a value appropriate to the glasses or ZScreen say 650 US or 1300 US Adjust Sync Offset time to eliminate ghosting and achieve a smooth grayscale Repeat steps 1 and 2 until the best result is obtained 78 Digital Projection Lightning Series Frame Rate Multiplier If the 3D video is available only at low frame rates it will be necessary to multiply the frame rate to obtain a flicker free image For example a 60Hz frame rate can be doubled to 120 Hz or a 48 Hz frame rate could be tripled to 144 Hz When displaying HDMI 3D video mode the frame rate multiplication should be set to x1 The projector will automatically perform the correct frame rate multiplication depending on the output frequency Rev D July 2014 USING THE PROJECTOR vil Ill e 9 OUT EN a a a eTero x2 example Operating Guide Notes 79 Lamp menu Set the slider to vary the Power between 60 and 100 Notes Main Menu Lamp X Running the lamp at a lower power will increase its expected lifetime Digital Projection Lightning Series USING THE PROJECTOR Operating Guide
71. all projectors set Blending to Align Pattern Set up Blend Width on each projector so that the align patterns overlap perfectly and completely cover the blend regions Fig 2 If necessary physically move the projectors and or use Lens Shift and Zoom again to align the array perfectly Fig 1 Align patterns make it easy to see where the overlap is not perfect Fig 2 o o Left projector 7 6 Align pattern of left projector The red arrow next to the align pattern shows what correction needs to be made for the align pattern to cover the whole blend region 9 Blend region The brighter ribbon in the middle is overlap area not covered by the align patterns Oo Align pattern of right projector The red arrow next to the align pattern shows what correction needs to be made for the align pattern to cover the whole wie ieee m blend region s Q Right projector o o MM Fig 2 Projectors with align patterns not covering the blend region Rev D July 2014 Notes Operating Guide 69 Digital Projection Lightning Series Edge Blend procedure continued Uplift black levels optional If you do not need to uplift the black levels skip to step 8 Blend the images Switch all projectors to the Black Field test pattern The level of black will differ across the image as shown in Fig 1 Uplift the black levels using Edge Blend gt Black Level Uplift How to uplift black levels Reg
72. anking Geometry ve Geometry Engine Rotation X Some items on this menu may be unavailable depending on the Geometry Engine Setting Pincushion Barrel is enabled if Geometry Engine is set to Keystone or Rotation Pincushion Barrel O Set the slider to correct for any distortion caused by the screen being concave or convex Rotation 0o X If possible position the projector facing the screen at a right angle to avoid geometry corrections Pincushion Barrel Rev D July 2014 50 Digital Projection Lightning Series Geometry Engine continued DMD position The DMD is not rotated Area outside DMD The corners of the rotated image leave the DMD and appear cropped Angle of rotation The angle equals the Rotation setting In this example the angle is 25 therefore Rotation 25 Rev D July 2014 USING THE PROJECTOR Aspect Ratio Overscan Size amp Position Blanking Geometry Engine ss Pincushion Barrel Rotation If Geometry Engine is set to Rotation set the Rotation slider to rotate the image on the screen Source 0 Rotation o 0 e s Operating Guide Notes Main Menu Geometry X Some items on this menu may be unavailable depending on the Geometry Engine setting X If possible position the projector facing the screen at a right angle to avoid geometry corrections
73. available lenses reference charts showing throw distances for commonly used aspect ratios See also the lens calculator on the Digital Projection website 181 Digital Projection Lightning Series TECHNICAL SPECIFICATIONS Electrical and physical specifications Power requirements 200 240 VAC 50 60 Hz single phase Power Consumption 38 Series 4 000 W 45 Series 4 600 W Thermal Dissipation 38 Series 13 649 BTU hr 45 Series 15 696 BTU hr Fan Noise Less than 59 dBA Operating Temperature 0 C to 35 C 32 to 95 F Storage Temperature 10 C to 50 C 14 to 122 F Operating Humidity 20 to 80 non condensing Weight approximately 113 kg 249 1 Ib without lens Dimensions L 111 6 cm W 73 6 cm H 54 5 cm L 43 9 in W 29 0 in H 21 5 in Safety amp EMC regulations e CE FCC Class A CCC Accessories Accessory Relevant model s Part number Infrared Remote Replacement All 105 023 Rev D July 2014 Notes 182
74. ct a pattern from the Test Pattern menu using the UP and DOWN arrow buttons then press OK Close the OSD by pressing MENU again Rev D July 2014 OPERATING THE PROJECTOR LIGHTNING Input Selection CVBS 1 Test Pattern S Video Lens Component Image VGA Color 3G SDI Geometry GENI Edge Blend SD Main DVI Lamp Sub HDMI Setup Dual Pipe Information LIGHTNING Input Selection Test Pattern Test Pattern Grey V Bars Lens Image Grey H Bars Color Aspect Test Geometry des ce arp Adjus SH Blend SMPTE Checkerboard Lamp White Field Saue Black Field Information Installation and Quick Start Guide Notes L For full details of how to use the controls and the menu system see 19 Digital Projection Lightning Series OPERATING THE PROJECTOR Adjusting the lens The lens can be adjusted using the Lens menu or Zoom Press ZOOM then use the UP and DOWN arrow buttons to adjust the size of the image on the screen When the adjustment is finished press EXIT Focus Press FOCUS then use the UP and DOWN arrow buttons to adjust the focus When the adjustment is finished press EXIT Shift Press SHIFT then use the UP DOWN LEFT and RIGHT arrow buttons to adjust the position of the image on the screen When the adjustment is finished press EXIT Rev D July 2014 Installation and Quick Start Guide Notes X When any of the three lens adjustment
75. d to coordinates within the unblended regions Only relevant coordinates are enabled To remove the artifact on the left REDUCE BLACK LEVEL UPLIFT WIDTH SUpper Right X 0 Lower Right X 0 1 Open the Reduce Black Level Uplift Width menu of the projector on the left 2 Adjust Upper Right X and Lower Right X 3 Select Apply Uplift The black level uplift region of this projector will withdraw from the pond of mirrors of the other projector and the artifact will disappear To remove the artifact on the right Open the Reduce Black Level Uplift Width menu of the projector on the right and adjust Upper Left X and Lower Left X then select Apply Uplift Rev D July 2014 Apply Uplift tU USING THE PROJECTOR REDUCE BLACK LEVEL UPLIFT WIDTH S Upper Left X ee im Lower Left X o J z Apply Uplift Operating Guide Notes Main Menu Edge Blend Reduce Black Level Uplift Width o apply the settings in this menu SS To apply the settings in thi use the Apply Uplift command at the bottom of the page L For additional information see The X For a detailed step by step description of the edge blend this section 64 Digital Projection Lightning Series USING THE PROJECTOR Blending images from multiple projectors The following procedure explains how to set up an array of projectors and how to blend the images together Before you start
76. d 1 33 1 4 3 native aspect ratio ES This chart has a TRC of 1 0 for use o Eet o 6 60 00 Q O O with the following images 20 0 m 65 6 ft 0 73 1 fixed lens 1 21 1 fixed lens 17 5 m 57 4 ft 1 26 1 61 1 zoom lens 15 0 m 49 2 ft 1 5 2 02 1 zoom lens 2 02 2 77 1 zoom tens 12 5 m 41 0 ft c Q Other lenses next page 5 L For information about individual lens 2 77 4 51 1zoomlens 10 0 m 32 8 fi part numbers see Appendix A kr Lens Part Numbers x 4 51 7 53 1 zoom lens S 7 5 m 24 6 ft Q 7 5 11 2 1 zoom lens 5 0 m 16 4 ft 2 5 m 8 2 ft 10m 20m 30m 40m 50m 60m 70m 80m 90m 33ft een 98ft 131f 164 ft 197ft 230ft 262ft 295 ft Throw distance Rev D July 2014 144 Digital Projection Lightning Series 15 0 m 49 2 ft 12 5m 41 0 ft 10 0m dth 32 8 ft WI 7 5m 24 6 ft Screen 5 0m 16 4 ft 25m 8 2 ft 10m 20m 30m 33f een 98 ft Throw distance 1 63 2 35 1 zoom lens 1 86 2 93 1 zoom lens o 2 33 3 64 1 zoom lens Rev D July 2014 150m 49 2 ft 125m 41 0 ft 10 0m 32 8 ft dth WI 7 5m 24 6 ft Screen 5 0m 16 4 ft 2 5m 8 2 ft APPENDIX B LENS CHARTS DMD resolution
77. e Overscan slider value range 0 3 Size amp Position Enable Off On Setting Global Per Mode H Position slider value range 100 100 0 V Position slider value range 100 100 0 H Size slider value range 25 400 100 Aspect Lock On Off V Size slider value range 25 400 100 Reset command Blanking Enable Off On Top slider value range 0 100 0 Bottom slider value range 0 100 0 Left slider value range 0 255 0 Right slider value range 0 255 0 Geometry Engine Off Keystone Cornerstone Rotation Warp H Keystone slider value range 50 50 0 V Keystone slider value range 50 50 0 Pincushion Barrel slider value range 30 30 0 Rotation slider value range 90 90 0 Warp Map Off 1 2 3 4 5 6 7 8 Cornerstone Upper Left X slider value range 500 500 0 Upper Left Y slider value range 500 500 0 Upper Right X slider value range 500 500 0 Upper Right Y slider value range 500 500 0 Lower Left X slider value range 500 500 0 Lower Left Y slider value range 500 500 0 Lower Right X slider value range 500 500 0 Lower Right Y slider value range 500 500 0 Notes Some of the information in this menu map is summarised See the actual menu on the projector for full detail The underlined text represents the factory default value for each setting 155 Digital Projection Lightning Se
78. e by allocating an IP address DMD Digital Micromirror Device The optical tool that transforms the electronic signal from the input source into an optical image projected on the screen The DMD of a A Digital Micromirror Device DMD consists of moving microscopic mirrors Each mirror which acts as a pixel is suspended between two posts by a thin torsion hinge It can be tilted to produce either a bright or dark pixel EDID Extended Display Identification Data Information stored in the projector that can be read by the source EDID is used on the HDMI DVI and VGA inputs allowing the source to automatically configure to the optimum display settings Rev D July 2014 Notes iri Digital Projection Lightning Series APPENDIX F GLOSSARY OF TERMS EDTV Enhanced Definition Television Frame rate multiplication To stop low frame rate 3D images from flickering frame rate multiplication can be used which increases the displayed frame rate by two or three times Gamma sets Ghosting An artifact in 3D image viewing Ghosting occurs when an image intended for one eye is partially seen by the other eye HDCP High bandwidth Digital Content Protection An encryption scheme used to protect video content HDTV High Definition Television Hertz Hz Cycles per second Rev D July 2014 Notes m2 Digital Projection Lightning Series APPENDIX F GLOSSARY OF TERMS Horizonta
79. e image projected on the same screen with a lens chosen using TRC The increased throw ratio has allowed the 4 3 image to fill the 4 3 screen seamlessly Rev D July 2014 Fig 1 Fig 2 Fig 3 Notes X TRC can only be applied if greater than 1 If TRC is 1 or less disregard it and calculate the throw ratio using the basic formula 97 Digital Projection Lightning Series Calculating TRC To calculate TRC use the following formula DMD aspect ratio TRC Source aspect ratio TRC table CHOOSING A LENS Alternatively you can save time by referencing the following table which shows the TRC value for some popular image formats Image format 2 35 1 Scope 1920 x 817 pixels 1 85 1 Flat 1920 x 1037 pixels 1 78 1 16 9 1920 x 1080 1 66 1 Vista 1792 x 1080 pixels 1 6 1 16 10 1728 x 1080 pixels 1 33 1 4 3 1440 x 1080 pixels 1 25 1 5 4 1350 x 1080 pixels Rev D July 2014 1080p projector TRC 1 not used TRC 1 not used TRC 1 not used TRC 1 07 TRC 1 11 TRC 1 33 TRC 1 42 WUXGA projector TRC lt 1 not used TRC lt 1 not used TRC lt 1 not used TRC lt 1 not used TRC 1 not used TRC 1 2 TRC 1 28 SX projector TRC lt 1 not used TRC lt 1 not used TRC lt 1 not used TRC lt 1 not used TRC lt 1 not used TRC 1 not used TRC 1 07 Notes X TRC can only be applied if greater than 1 If TRC is
80. e projector is in LENS ADJUSTMENT mode Power ON OFF MENU Access the projector OSD on screen display Navigation Navigate through the menus with the arrows confirm your choice with OK Input selection Select input source 9 10 and are not used on 2D projectors Image adjustment Adjust brightness contrast and saturation Remote control backlight ON OFF Make the remote control buttons glow in the dark or switch this feature off Shutter OPEN CLOSE Lens controls Adjust position Zoom and focus Perform RPY calibration when you change the lens IR address Set up an address to match the IR address of a projector Rev D July 2014 REMOTE CONTROL e DIGITAL PROJECTION A B D a Ei sse Ee Bm Ga J K L M CO ca N R O BRI CON SAT MAGNIFY PHASE OSD POS PAN ASPECT PRESET Remote control 105 023 Rev A Installation and Quick Start Guide Notes Ke Only the controls shown highlighted are used on this projector L For more information about LENS ADJUSTMENT mode see guide L For more information about IR 12 Digital Projection Lightning Series Positioning The Screen And Projector 1 Install the screen ensuring that it is in the best position for viewing by your audience 2 Position the projector ensuring that it is at a suitable distance from the screen for the image to fill the screen Mounting the projector The projector is
81. ed the following information e The DMD resolution of your projector The distance between the projector and the screen throw distance e The maximum width of your screen In the chart for the required DMD resolution find the point where the throw distance corresponds to the screen width as shown in the example below Example For a 1080p projector with throw distance 28 m and screen width 7 m the correct lens would be number 7 in the chart Rev D July 2014 Screen width APPENDIX B LENS CHARTS 20 0 m 65 6 ft o Throw distance 9 Screen width o 900 17 5 m 57 4 ft 15 0 m 49 2 ft 12 5 m 41 0 ft 10 0 m 32 8 ft 7 5 m 24 6 ft 5 0 m 16 4 ft 2 5 m 8 2 ft gt gt 10m 20m i30m 40m 50m 60m 70m 80m 90m 33 ft 66 ft 98 ft 131 ft 164 ft 197 ft 230 ft 262 ft 295 ft Throw distance Notes L For information about individual lens 126 Digital Projection Lightning Series APPENDIX B LENS CHARTS How to find the right lens chart Charts are shown in order of DMD resolution as follows e 1080p e WUXGA e SXt For each resolution the available lenses are shown in different charts depending on applicable throw ratio corrections TRC For each resolution lens charts are arranged in ascending TRC order starting
82. eentescdeinbsactanosaneinannas 89 TAHE DMDIM inva EE 92 CHOOSING A LENS retenta ap bene O nueces mun enu UN SEN 94 Basic CalCUlatlon x eec ununi ient ter nnn terni Elena nadela ika 95 Basic calculation example nana nana nana 96 Full lens calculatiOn cia nannte nuntur on annes 97 uenenpien 97 Calculating TRO I ina 98 TRO table UE 98 Calculating the throw ratio with TRC sannsennnannnsnnnnannnennnnannnennnnannnannnnnnnnnnnnnnn 99 Full lens calculation example ENEE 100 Digital Projection Lightning Series CONTENTS continued SCREEN REQUIREMENTS SE ENERERREER RES EEENER SERIES NES NEEN 101 Fitting the image to the DMD eccscsssseneeeeseeerseeeesnenseeeeeeeneeeeeeees 101 SX images displayed full width EEN nnnm nnn nnn 101 SX images displayed full height ee ee esee ee eene enne nennen nnn nn nnn 101 1080p images displayed full wichte EEN 102 1080p images displayed full height ENEE nn nnn nnn 102 WUXGA images displayed full width eee e esee eene nennen nn nnn nnn 103 WUXGA images displayed with a height of 1080 pixels eese eene 103 WUXGA images displayed full height esee eee enne enn nnn nnn nnn 104 Diagonal screen SIZES ccce coeno canet nadlaki nnne cuui Een 105 Fitting the image to the sCreen uui 106 Positioning
83. ege NEEN EI OT TE EI EES 25 sierp NMa e REPE 25 CVBS1 np 5 25 RS VEIT d E 25 ev nain ad P 25 CVBS2 Onprg El aka 25 Side Connection Panel on 3D projectors eene 26 DE uTE 26 DVI HDMI input 10 ee een e enne nnne nnnm nnn nnns nana nana anea 26 Special considerations when using Inputs 9 11 27 Differences between Inputs 9 11 and Inputs 1 8 eese eee eene nennen nnn 27 Input and processing architecture eese eese netanna ananiona Enade nnn nan 27 iii Digital Projection Lightning Series CONTENTS continued EDID on the DVI and VGA Input ee NENNEN 28 Using HDMI DVI switchers with the projector sesssccccsesenseeeeeeeeeeseeeeeeeeeeeeeneeenes 28 DVI Input connection example cccceceeeeeeeeeeeeeeeeeeeeeeneeneesesneeeeeseeeeeneens 29 ERR ei de EE 30 SD sources up to 60Hz requiring frame doubling and left right interleaving 30 3D sources above 60Hz not requiring frame doublng EEN 30 Dual PIPE EE 30 DES VAG Ii rit PE OE O EN PE ER PE OT EETEEA 30 SD SYNC OUE m M 30 8D connection examples iewissccccasssdeveccescasvsssecesestascesscducusssseiceseecexiasreseses 31 CONTROL CONNECTIONS eege arra osea erg ease ERR zena aaa 32 i em ER EN 32 Wired remote COnLFOl issi en
84. enadnsndeceviventsecnssiies 181 Sci me RT A 181 Electrical and physical specifications essen 182 Safety amp EMC regulations nana 182 EE OH deeler 182 Digital Projection Lightning Series THE DMD The DMD A DMD Digital Micromirror Device is a true digital light modulator which utilises an array of up to 2 3 million moving aluminium mirrors with each one representing a pixel in the final projected image The outermost micromirrors in the array remain inactive and are not used in constructing the image Q Casing 1 gt SI N Light shield 6 gt o Inactive mirrors n o Array Oo gt Z q DMD Each mirror element is suspended over address electrodes by a torsion hinge between two posts o Support posts 6 Mirror element 9 Torsion hinges A Oo Offset address electrode Mirror element with tilt mechanism Rev D July 2014 Notes 92 Digital Projection Lightning Series THE DMD Depending on the voltage polarity applied each mirror will either tilt to the left to produce a bright pixel or to the right for a dark pixel When light is applied to the complete DMD only the light redirected from a mirror tilting to the left is projected Q Projection lens 9 6 Incoming light from the lamp o Mirror element tilted to the right o Mirror element tilted
85. ens 3 15 m 9 8 49 2 ft 1 39 1 87 1 zoom lens 4 24 m 13 1 78 7 ft 1 87 2 56 1 zoom lens 4 24 m 13 1 78 7 ft 2 56 4 17 1 zoom lens 9 1 45 m 29 9 147 6 ft 4 17 6 95 1 zoom lens 12 80 m 39 4 262 5 ft 6 93 10 34 1 zoom lens 12 80 m 39 4 262 5 ft Notes 100 Digital Projection Lightning Series SCREEN REQUIREMENTS Screen Requirements Fitting the image to the DMD If the source image supplied to the projector is smaller than the DMD resolution the image will not fill the DMD The following examples show how a number of common formats may be displayed depending on your DMD resolution SX images displayed full width 596 pixels 1 85 1 757 pixels 1 78 1 787 pixels 843 pixels 1 6 1 875 pixels 2 35 1 Scope 1 66 1 Vista 16 9 full width 1400 pixels SX images displayed full height full height 1050 pixels 4 3 1 33 1 native 1400 pixels Rev D July 2014 Notes 101 Digital Projection Lightning Series SCREEN REQUIREMENTS 1080p images displayed full width Notes 1 78 1 1080 pixels native resolution 817 pixels 1 85 1 1037 pixels 16 9 full width 1920 pixels 1080p images displayed full height full height 1080 pixels 4 3 1 33 1 1440 16 10 1 6 1 1728 pixels 1 66 1 Vista 1792 pixels
86. entation is on Each projector displays a segment Rev D July 2014 Operating Guide Notes Main Menu Edge Blend 60 Digital Projection Lightning Series USING THE PROJECTOR Operating Guide Blend Width Use this to set the width of the blended regions BLEND WIDTH Top Blend Region 100 Bottom Blend Region 100 sz Left Blend Region 100 sz Right Blend Region 100 sz Apply Blend Regions Notes Top Blend Region A To apply the settings in these menus use the Apply command at Bottom Blend Region the bottom of each page Left Blend Region Right Blend Region Main Menu Edge Blend Blend Width Black Level Uplift Overlapping edges may appear lighter than the rest of the image Counteract this effect by raising black levels in the rest of the image The amount of uplift BLACK LEVEL UPLIFT Unblended Region 0 9 required will be either x2 or x4 depending on how v Upper Left O m many images are overlapped Upper Middle 0 2 Edge Blend Upper Right f si The following example shows a segment with S n Black Level Uplift overlapping edges on all sides pierre Ss BEE SE sz Middle Right D 5 Unblended Region vere We This region is not overlapped Black level fee elas DE should be raised by the maximum overlap Lower Right Dro occurring within the segment therefore s Apply Uplift Bl
87. ente tentiae 64 PI MENU ie 72 IN uL DP ee 73 SD CYC T 74 Some 3D settings explained e nena nana RENE 76 Dark Time 76 Source Domina eese aiias a Ne ate ees ees 76 S eno ei a aa eege 76 Frame Rate Multiple ransana aeaa EAA E ANENE 77 Laimp mefiu eese cook eame ncc deed 78 ITem ee 79 Reset Default Settings soiuri inicr mcr rers tee deua e o ER guae 79 Input Configuration necne ndr acte e E Po neni pt nn Event 80 VE Tolg HE ch NE ai iN Nai Information menu Configuration Using The Menus Use the buttons on the projector control panel or on the remote control to access the menu system 9 QD To open or close the on screen display OSD press MENU Menus and sub menus e To open a sub menu select it using the UP and DOWN arrow buttons then press OK Drop down List 1 List Item EN Sub menu To return to the previous menu press EXIT SUB MENU Sub menu 1 Sub menu k SUB MENU Sub menu 1 Notes Las Some menu items may not be available due to settings in other menus These will be grayed out on the actual menu Lass When a globe icon appears next to a setting the setting affects all sources and all inputs otherwise only the current input source will be affected if you change the setting Drop down lists To use a drop down list 1 Navigate
88. ented by the number of pixels per line and the number of lines for example 1920 x 1200 RGB Red Green and Blue S Video A video signal which has separate Y and C signals Saturation The amount of color in an image Scope SPDIF Sony Philips Digital Interface A digital audio interface standard Rev D July 2014 Notes 175 Digital Projection Lightning Series APPENDIX F GLOSSARY OF TERMS SX Array Plus Synchronization A timing signal used to coordinate an action TheaterScope Throw distance The distance between the screen and the projector Throw ratio The ratio of the throw distance to the screen width TRC is the ratio of the DMD aspect ratio to the image source aspect ratio DMD aspect ratio TRC Source aspect ratio TRC is only used in calculations if it is greater than 1 UXGA Rev D July 2014 Notes 176 Digital Projection Lightning Series APPENDIX F GLOSSARY OF TERMS Vertical Scan Rate Vignetting Optical cropping of the image caused by the components in the projection lens This can happen if too much offset is applied when positioning the image using the lens mount Vista Warp A set of projector functions that allow you to intentionally distort the image for example to fit an arbitrarily shaped screen WUXGA ZScreen A special kind of light modulator which polarizes the projected image for 3D viewing It normally requires
89. er cable X The self test is running when all the LEDs on the control panel are lit Notes 17 Digital Projection Lightning Series Switching the projector off 1 Press OFF on the remote control or the control panel and hold for three seconds The power indicator on the control panel will show amber the lamp will switch off and the projector will go into STANDBY mode 2 If you need to switch the projector off completely switch off at the mains power switch and then disconnect the power cable from the projector Rev D July 2014 OPERATING THE PROJECTOR Mains power switch Power connection Installation and Ouick Start Guide Notes N Always allow the lamp to cool for five minutes before disconnecting the power moving the projector 18 Digital Projection Lightning Series Selecting an input signal or test pattern Input signal 1 2 Connect an image source to the projector Switch to the input you want to display Press one of the input buttons on the remote control or Open the On screen display OSD by pressing MENU Select an input signal from the Input Selection menu using the UP and DOWN arrow buttons then press OK Test pattern If no image source is connected to the projector you can display a test pattern 1 2 Open the OSD by pressing MENU Select Test Pattern from the Input Selection menu using the UP and DOWN arrow buttons then press OK Sele
90. esolution 1080p 1 33 1 images ssssssssssssscsssessessseesssseessesseerssssessssneeeees 134 WUXGA images displayed full wielt 103 DMD resolution 1080p 1 6 1 Images ssssssrrrssesrsrsssstnirrsresrrrrrsserirrnrstnrnrsenrrrns 136 WUXGA images displayed with a height of 1080 pixels 103 DMD resolution 1080p 1 66 1 images 138 WUXGA images displayed full belih ax tanen tiet vibe 104 DMD resolution WUXGA 1 25 1 Images 140 Diagonal screen SiZ S ccccccscsessssssesesesescscsessesesescesssesveseessevecscssesuseeceseseeseseseneaees 105 DMD resolution WUXGA 1 33 1 images essere 142 Fitting the image to the screen 106 DMD resolution SX full width images esee 144 Positioning the screen and pDrolector EEN 107 DMD resolution SX 1 25 1 images 146 Positioning The Image nana 108 Appendix C Supported Signal Input Modes 148 Maximum offset range EEN EEN 110 2D input E 148 Aspect Ratios Explained ect te eut otio ades 111 KJoNLINUuDljm 151 Aspect ratio examples for DMD resolution SX SXGA 112 Aspect ratio examples for DMD resolution 1080p 115 Aspect ratio examples for DMD resolution WUXGA sess 118 Aspect ratio example TheaterScope nana 12
91. ev D July 2014 146 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution SXr 1 25 1 images continued 15 0 m 49 2 ft 12 5m 41 0 ft 10 0 m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 2 5m 8 2 ft 10m 33 ft Throw distance Rev D July 2014 66 ft 20m 30m 98 ft 15 0m 49 2 ft 12 5m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 25m 8 2 ft 10m 20m 33 ft egen Throw distance 30m 98 ft 15 0m 49 2 ft 12 5m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 2 5m 8 2 ft V 10 m 20 m 30 m 33 ft 66ft 98 ft Throw distance Notes L This chart has a TRC of 1 07 for use with the following images 1 25 1 5 4 L For information about individual lens 147 Digital Projection Lightning Series 2D input modes APPENDIX C SUPPORTED SIGNAL INPUT MODES Appendix C Supported Signal Input Modes Hd S S Io g S 3 g z o 5 S a E E g S 88 22 8 Z Z 27 t 3 i8 B gt K SDTV 480i 720 x 480 59 94 525 15 73 v v v 576i 720 x 576 50 00 625 15 63 v v v EDTV 480p59 720 x 480 59 94 525 31 47 v v v 480p60
92. from side to side when in use as this may cause serious lamp failure damage the lamp module and cause extra cost on replacement The projector my be tilted forwards and backwards as necessary 14 Digital Projection Lightning Series Stacking projectors The rigging frame is capable of supporting the weight of up to three other projectors using the built in stacking adapters The projectors can be stacked on top of each other or suspended below each other 1 Carefully lower each projector down onto the top of the others making sure that all four stacking adapters engage fully 2 Fit a locking pin into each adapter A ball in the end of the pin prevents the pin from falling out to insert or remove a locking pin press the button on the t bar to release the ball 1 Stacking adapter with hole for locking pin Rev D July 2014 POSITIONING THE SCREEN AND PROJECTOR Installation and Quick Start Guide Notes N Do not try to stack more than four projectors A When stacking projectors the stack MUST be vertical to ensure that the stresses are distributed to all four stacking adapters N Make sure that the surface ceiling or rigging that is to support the projector is capable of supporting the combined weight of all the projectors and lenses see specification for weights N Do not place heavy objects on top of the projector chassis Only the rigging frame is capab
93. g Guide 164 Digital Projection Lightning Series Input 10 SUB HDMI 19 way type A connector 1 TMDS Data 2 2 TMDS Data 2 Shield 3 TMDS Data 2 4 TMDS Data 1 5 TMDS Data 1 Shield 6 TMDS Data 1 7 TMDS Data 0 8 TMDS Data 0 Shield 9 TMDS Data 0 10 TMDS Clock 11 TMDS Clock Shield 12 TMDS Clock 13 CEC 14 not connected 15 SCL DDC Clock 16 SCA DDC Data 17 DDC CEC Ground 18 5 V Power 19 Hot Plug Detect Rev D July 2014 APPENDIX E WIRING DETAILS 19 1 ee 18 2 HDMI pin view of panel connector Notes ka For full details of all input settings Operating Guide 165 Digital Projection Lightning Series Control connections Update port RJ45 socket Service port USB type B socket Pin 1 VCC 5 V Pin 2 Data Pin 3 Datat Pin 4 Ground Wired remote control 3 5mm mini jack Tip Power Ring Signal Sleeve Ground Rev D July 2014 APPENDIX E WIRING DETAILS Update port 4 3 Service port pin view of female connector Ring pin view of female connector Notes L For full details of all network Operating Guide X Note that plugging in the remote control cable will disable the infra red 166 Digital Projection Lightning Series RS232 9 way D type connector 1 unused 2 Received Data RX 3 Transmitted Data TX 4 unused 5 Signal
94. ge the lens or the lens release lever A Avoid touching the surface of the lens as this may result in image impairment X Take care to preserve the original lens packaging and protective caps for future use 16 Digital Projection Lightning Series Operating The Projector Switching the projector on 1 Make sure the mains power switch is off then connect the power cable between the mains supply and the projector depending on your location USA power input Rest of the world power input Firmly push in the Hubbell connector Lift the lid of the C form connector then turn clockwise to lock then firmly push in the connector 2 Push the mains power switch upwards to switch the power ON 3 Wait until the self test has completed and the standby indicator on the projector control panel shows amber The lamp will be off and the projector will be in STANDBY mode 4 Press ON on the remote control or the control panel and hold for 3 seconds to switch the projector ON The power indicator on the control panel will show green the lamp will light and the shutter will open Rev D July 2014 OPERATING THE PROJECTOR Mains power switch Power connection Installation and Quick Start Guide A Use only the power cable provided N Ensure that the power outlet includes a ground connection as this eguipment MUST be earthed JN Handle the power cable carefully and avoid sharp bends Do not use a damaged pow
95. gital Video Projector Rev D July 2014 Digital Projection Lightning Series IN THIS GUIDE IN THIS GUIDE Using ROT UTC 37 Menus and sub menus 2 2 s s0scisccesccedsscesnees cocsssccsnseesuscssceensecusucestessutesdcentecusieeeaceses 37 Drop down liSts EES 38 Slidi Ssnan anita ee 39 CORMAN p ER 39 Editing fields 52 1i diat cotta dva vadi kadeh vabi 40 Using The Projector eune nennen rennen 41 EE MON e EEC 42 KREE 42 FOCUS NERONE ege 42 Calibrate Zoom and Calibrate FOCUS ss ssisssseieenieniesirsierieenierenrinienrenrinrenrenrrenrennren 42 Center Ome O O O OE O LED MI MP IU 42 M Te fo ERE EEA ee ES 42 E EST AC Ninino aa celeste ea naa 43 limage Depu isc siesta Rem 44 Video Eeer Eeer 44 VOA EE 44 ET Ed E E TEE Ee Ee GE Overscan SIZES Ee IEN E Lt e DEE Geometry Ee UN Edge Blend men 2 sa steiere deg deeg dee 54 e BA Array Width a d Height 22100 55 Rev D July 2014 Operating Guide Array H Position and V Position 55 S Curve Value a Hernja eti Fer en dni ce genet e tg tb nebat 56 ASI REPERIO ERA 58 Segmentation cicer enger ett tte gt EE a e etu netten 59 suh e 61 Black Level Up 61 Reduce Black Level Uplift Widtli 3 etri Font RE REOR RT E ERG 62 Blending images from multiple projectors eese 63 Ereegnes 63 Edge Blend procedure sse treten ten
96. he black lines will disappear but the image will stretch vertically to reach the top and bottom of the DMD An anamorphic lens will stretch the image horizontally restoring the original 2 35 ratio an AL Rev D July 2014 Notes 121 Digital Projection Lightning Series FRAME RATES AND PULLDOWNS EXPLAINED Frame Rates And Pulldowns Explained Interlaced and progressive scan A progressive scan is a method of updating the image by drawing all the lines of each frame in a sequence In contrast interlaced video alternately scans odd and even lines In old analog TV interlacing was commonly used as a way of doubling the refresh rate without consuming extra bandwidth The following artifacts are common with interlaced video edge tear combing The image lands between two fields and blurs This is commonly observed when viewing rapid lateral movement aliasing stair stepping The texture of the image becomes populated with unrealistic patterns Aliasing occurs because of differences between the original frame rate and the destination format twitter The image shimmers for example when showing rolling credits This happens when the image contains thin horizontal lines that only appear in one field Frame rates of image sources Original analog films are made at 24 fps and the whole frame is projected at once To eliminate flicker and create an impression of conti
97. he front and back V TS Infrared reception is confirmed by The angle of acceptance is 40 Make sure that the remote control is within the angle of the blue IR LED flashing on the acceptance when trying to control the projector control panel X The infrared receivers are disabled when a remote control is connected I age via a cable For more information see Wired remote control in the Infrared reception Connection Guide Rev D July 2014 Digital Projection Lightning Series Remote control 105 023 Rev B o Transmit indicator Flashes when the remote control sends a signal to the projector Lights solidly when the projector is in LENS ADJUSTMENT mode Power ON OFF ALT Press and hold this button then press a green labeled button Shutter OPEN CLOSE MENU Access the projector OSD on screen display Navigation Navigate through the menus with the arrows confirm your choice with OK Input selection Select input source 9 0 10 and are not used on 2D projectors Image adjustment Adjust brightness contrast and gamma Press this button while holding the ALT button down to switch red green and blue channels on and off Presets Save and recall lens presets Remote control backlight ON OFF Make the remote control buttons glow in the dark or switch this feature off continues on next page Rev D July 2014 REMOTE CONTROL OO a o Q DIGITAL e PROJECTION c GO FOCUS
98. he normal pulldown Unlike the normal pulldown method the resulting 30 fps video sequence contains only one frame containing fields from two different source frames E f Ke The projector will use advanced The advantage of this method is that it is easier to reverse if necessary i pulldown on suitable video material wherever possible Original film Field 1 odd Field 2 even Resulting video 24 fps 30 fps Dom P i d cC amv a aD oa cC ERES ALL V v m nm m m um m smu mm d aod Ooouu Rev D July 2014 124 Digital Projection Lightning Series Appendix A Lens Part Numbers Throw ratios Throw ratios APPENDIX A LENS PART NUMBERS Lens extension Throw distance range Part number for Part number for Ke The Throw ratio for a particular lens for 1080p and WUXGA for SX projectors 42 High Brightness High Contrast projectors lens lens 0 67 1 fixed lens 0 73 1 fixed lens 204 mm 8 0 in 1 1 10m 3 6 32 8 ft 105 607 107 195 1 12 1 fixed lens 3 15 m 1 21 1 3 15 m fixedlens 268 mm 10 6 in 3 15 m 9 8 49 2 ft 105 608 105 608 1 12 1 fixed lens 1 2 2 m 1 21 1 1 2 2 0 m fixed lens 268 mm 10 6 in 1 2 2 m 3 9 6 6 ft 105 609 105 609 1 16 1 49 1 zoom lens 1 26 1 61 1 zoom lens 226 mm 8 9in 3 15m 9 8 49 2 ft 109 236 109 359 1 39 1 87 1 zoom lens 1 5 2 02 1 zoom lens 194 mm 7 6 in 4 24 m 1
99. he projector Open the OSD access Setup gt System and select IR Address To assign IR address for the remote 1 Press and hold the ADDR button on the remote 2 Press two number buttons sequentially to enter the address For numbers less than 10 use a leading zero 3 Release the ADDR button The transmit indicator on the remote will flash twice to confirm the setting Rev D July 2014 SYSTEM sv Configuration SIR Address s Shutter Open s Shutter Close Power On sm Power Off Color Enable Operating Guide Notes Main Menu Setup System X Change the IR address of the projector before changing the address of the remote You can check the value assigned to the projector by using the control panel to access Setup gt System However you cannot check the value assigned to the remote IS In the event of a mismatch between the projector and the remote change the remote IR address to the master address or to the projector address To check the projector address access Setup gt System using the control panel X When fresh batteries are inserted in the remote control it will revert to the default address 00 If you have previously assigned a different address you need to change it manually IS If two or more projectors are assigned the same address they can be controlled from one remote control provided they are connected by cable or in range of the infrared 86
100. his chart has a TRC of 1 33 for use with the following images Notes 1 33 1 4 3 L For information about individual lens V 10 m 20 m 30 m 33 ft 66ft 98 ft Throw distance 135 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution 1080p 1 6 1 images Notes L This chart has a TRC of 1 11 for use with the following images 1 12 1 fixed lens short 0 0000 Q o 20 0 m 65 6 ft J ye fo 0 67 1 fixed lens Q 1 12 1 fixed lens 17 5 m 57 4 ft Oo 1 16 1 49 1 zoom lens 1 6 1 16 10 1 39 1 87 1 zoom lens RE 7 O 1 87 2 56 1 zoom lens 7 12 5 m 41 0 ft V Q Other lenses next page ES por information about individual lens S z i V part numbers see Appendix A 2 56 4 17 1 zoom iens 10 0 m 32 8 ft WA AL Lens Part Numbers o 4 17 6 95 1z00miens S o 7 5 m 24 6 ft QD 6 93 10 34 1 zoom rens p p Wi a 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft 66 ft 98 ft 137 ft 164ft 197ft 230ft 262ft 295 ft Throw distance Rev D July 2014 136 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution 1080p 1 6 1 images continued 15 0 m 49 2 ft 12 5m 41 0 ft 10 0 m 32 8 ft 7 5m
101. i ou Array H Position 0 Array V Position O S Curve Value i ss Blending Off Segmentation Off Blend Width Black Level Uplift x Reduce Black Level Uplift Width x Q x2 uplift area 2 no uplift Two projectors sharing one overlapping edge Q x4 uplift area 2 x2 uplift area 9 no uplift Four projectors with overlapping edges Operating Guide Notes Main Menu Edge Blend Ke This menu is available only when Setup gt System gt Configuration jS set to Edge Blend X None of the other items in this menu are available until either the Array Width or the Array Height setting is greater than 1 X The position numbering starts from zero so the top left projector is at position H 0 V 0 X Which settings are available in these menus depends on e the number of projectors in the array e the position of the projector in the array Ke An image like the one shown here can be produced by an array of 16 projectors only if Segmentation is set to ON or if an external tool is used to split the image into further in this section 54 Digital Projection Lightning Series Array Width and Height e Get this to the total number of projectors in the array None of options are available until one of these two settings is greater The maximum number of projectors is 4 x 4 Array H Position and V Position These two parameters need to be set correctly for each in the ar
102. information in this menu map is summarised See the actual menu on the projector for full detail The underlined text represents the factory default value for each setting gt PIP and Edge Blend are mutually exclusive modes of operation When in PIP mode Edge Blend is not available and vice versa 156 Digital Projection Lightning Series APPENDIX D MENU MAP Main Menu Sub Menus PIP Option Off PIP PAP POP Input Composite 1 Composite 2 S Video Component VGA 3G SDI DVI HDMI Size Small Medium Large Position Top Left Top Right Bottom Left Bottom Right Custom Custom H Position slider value range 0 100 50 Custom V Position slider value range 0 100 50 3D 3D Enable Off On Frame Rate Multiplier x1 x2 x3 3D Type Auto Sequential Frame Packing Top and Bottom Side by Side Half Dark Time Minimum 650 uS 1300 uS 7500 uS Sync Offset slider value range 15 15 0 Output Sync Polarity Positive Negative Source Dominance Left Right Lamp Rev D July 2014 Power slider value range 60 100 Notes Some of the information in this menu map is summarised See the actual menu on the projector for full detail The underlined text represents the factory default value for each setting gt PIP and Edge Blend are mutually exclusive modes of operation When in PIP mode Edge Blend is not available and vice versa JA The 3D menu is not available with 2D project
103. ing Hypercooled Hypercooled lamp module with directional flow 103 238R 3 kW Refurb Lamp amp Housing Hypercooled reflector mask and radial 500 hours Lightning 38 Lightning 45 Rev D July 2014 heat exchanger Digital hour meter 103 238E 3 kW Lamp Exchange A single proprietary NM 3 8 kW xenon arc bubble 104 578 3 6 kW Lamp amp Housing Hypercooled Hypercooled lamp module with directional flow 104 578R 3 6 kW Refurb Lamp amp Housing Hypercooled reflector mask and radial heat exchanger Digital hour meter 104 578E 3 6 kW Lamp Exchange Notes 180 Digital Projection Lightning Series TECHNICAL SPECIFICATIONS Lenses Detailed information about available lenses can be found in Appendix A Lens Part Numbers Further information about lens offsets can be found in Positioning The Image gt Maximum offset range Lens mount Motorised and programmable shift zoom and focus Intelligent lens memory with 5 user definable preset positions Mechanical mounting Front Rear Table Front Rear Ceiling Adjustable Front Rear Feet Rugged staging tolerant chassis with integrated handles e Optional RapidRig frame with integrated pitch roll and yaw adjustments Orientation e Table Top or Inverted Yes e Pointing Up Yes Pointing Down Yes Roll Portrait 10 from horizontal Rev D July 2014 Notes X Information on lenses in this guide detailed descriptions of
104. ing charts e 1 25 1 5 4 1500 x 1200 pixels TRC 1 28 1 33 1 4 3 1600 x 1200 pixels TRC 1 2 Rev D July 2014 128 Digital Projection Lightning Series SX 1400 x 1050 pixels Full width images APPENDIX B LENS CHARTS Formats that fit the width of the DMD without applying a throw ratio correction TRC include e 2 35 1 Scope 1400 x 596 pixels TRC 1 e 1 85 1 Flat 1400 x 757 pixels TRC 1 1 78 1 16 9 1400 x 786 pixels TRC 1 e 1 66 1 Vista 1400 x 843 pixels TRC 1 e 1 6 1 16 10 1400 x 875 pixels TRC 1 e 1 33 1 4 3 1400 x 1050 pixels native resolution TRC 7 1 Full height images A throw ratio correction TRC has been applied to the following chart 1 25 1 5 4 1312 x 1050 pixels TRC 1 07 Rev D July 2014 Notes L For information about individual lens 129 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution 1080p WUXGA full width images For 1080p full width images are 2 35 1 Scope 1 85 1 Flat 1 78 1 native For WUXGA full width images are all of the above plus 1 66 1 Vista and 1 6 1 native 1 12 1 fixed lens short 0 0000 0 9 Oo 0 20 0 m 65 6 ft 0 67 1 fixed lens 1 12 1 fixed lens 17 5 m 57 4 ft O 1 16 1 49 1 zoom lens 15 0 m 49 2 ft Q 1 39 1 87 1 zoom lens Q 1 87 2 56 1 zoom lens lt di V Q Other lenses next page
105. ion the projector facing the screen at a right angle to avoid geometry corrections 48 Digital Projection Lightning Series Geometry Engine continued Keystone settings Q Projector to the left The projector is positioned to the left of the screen To correct apply a positive H Keystone value using the RIGHT arrow button 2 Projector to the right The projector is positioned to the right of the screen To correct apply a negative H Keystone value using the LEFT arrow button 9 Projector high The projector is positioned above the screen ata downward angle To correct apply a negative V Keystone value using the LEFT arrow button Oo Projector low The projector is positioned below the screen at an upward angle To correct apply a positive V Keystone value using the RIGHT arrow button Q Projector straight The projector is directly opposite the screen at a right angle both horizontally and vertically No correction is needed Rev D July 2014 USING THE PROJECTOR o o o Horizontal and vertical keystone corrections Operating Guide Notes Main Menu Geometry X If possible position the projector facing the screen at a right angle to avoid geometry corrections 49 Digital Projection Lightning Series USING THE PROJECTOR Operating Guide Geometry Engine continued Notes Aspect Ratio Source Overscan i Ate Size amp Position D Main Menu Bl
106. ional information see The IS For a detailed step by step description of the edge blend this section 62 Digital Projection Lightning Series Reduce Black Level Uplift Width continued A detailed view of one of the projectors in a two projector array o Black level uplift region This image occupies the left half of a two projector array Black level uplift has created artifacts on the edges of the blend region 6 Artifact left This artifact is caused by the other projector s pond of mirrors overlapping the black level uplift region of this projector It can be eliminated if the black level uplift width of this projector is reduced 9 Blend region The area in the middle of the array where the two images overlap Black level uplift has not been applied here Oo Artifact right This artifact is caused by this projector s pond of mirrors overlapping the black level uplift region of the other projector It can be eliminated if the black level uplift width of the other projector is reduced Rev D July 2014 USING THE PROJECTOR Operating Guide Notes Main Menu Edge Blend Reduce Black Level Uplift Width L For additional information see The X For a detailed step by step description of the edge blend this section 63 Digital Projection Lightning Series Reduce Black Level Uplift Width continued In the Reduce Black Level Uplift Width menu settings correspon
107. ions may be overlapped by two or four projectors An array will always contain regions overlapped by at least two projectors x2 overlaps If your array only contains two projector overlaps you need to uplift the black levels in the unblended regions the exact value will depend on the projector environment etc Do not uplift black levels in the overlapping region s e x2 and x4 overlaps Sometimes a region is overlapped by four projectors For example in a two by two segment setup Array Width 2 and Array Height 2 the region in the middle is overlapped by all four projectors as shown in Fig 1 If your array contains such regions you need to uplift black levels roughly four times in the unblended regions and roughly double in the regions overlapped by two projectors Rev D July 2014 USING THE PROJECTOR Fig 1 Different black levels Unblended region This region is not overlapped Black level should be raised by the maximum overlap occurring within the image therefore the value of Black Level Uplift should be the highest here x2 overlap This section of the image is overlapped by two projectors therefore the correct amount of Black Level Uplift should be roughly half the value of uplift within the unblended region x4 overlap This part of the image is overlapped by four projectors therefore Black Level Uplift should not be applied Notes Operating Guide 70 Digital Projection Lightning
108. ither of the Inputs on the Side Connection Panel 2 2 Set 3D Type in the 3D menu to Auto except when the projector has problems selecting between Sequential Frame Packing Top and Bottom and Side by Side Half 3 Dual Pipe 3D o Connect to both of the Inputs on the Side Connection Panel e Input 9 DVI is the left image and Input 10 DVI HDMI is the right image Side Connection Panel 3D Sync in Sync input signal 3D Sync out Sync output signal This may be affected by the Sync Offset and Output Sync Polarity settings in the 3D menu SIDE CONNECTION PANEL DVI Input 9 DVI HDMI input 10 3D Sync In 3D Sync Out Dual Pipe 3D Input 9 and 10 together 3D SYNC O ipu Q sen 9 3D glasses or ZScreen 3D Sync Out Rev D July 2014 Connection Guide Notes IS For a complete listing of pin configurations for all signal and 30 Digital Projection Lightning Series SIGNAL INPUTS AND OUTPUTS Connection Guide 3D connection examples Notes 3D sources up to 60Hz requiring frame doubling and left right interleaving Ke Use inputs 1 8 if the geometry of the image needs to be adjusted KIS For more information on 3D settings this guide Video Sync Sync out MgO gt 3D server ZScreen or IR emitter 3D sources above 60Hz Video Input 9 S Am z ki E Sync T 8 PI MgO 3D server ZScreen or IR emitter Rev D July 2014 3
109. its operational heat for instance polystyrene ceiling tiles curtains etc IS The image can be flipped for rear Operating Guide and displa yed without the need for extra mirrors or equipment However you must ensure that there is sufficient distance behind the screen for the projector to be correctly located Rear installation is generally more complicated and advice should be sought from your local dealer before attempting it 107 Digital Projection Lightning Series Positioning The Image The normal position for the projector is at the centre of the screen However you can set the projector above or below the centre or to one side and adjust the image using the Lens shift feature known as rising and falling front to maintain a geometrically correct image POSITIONING THE IMAGE Shifting the lens up rising front C A E y 23 3 Ke aH IE 3 C i 2 Wa SE zm v Centered lens B A C E C bi Y GE HS S Rev D July 2014 Shifting the lens down falling front Notes IS For more information on shifting the lens see Lens menu in the Operating Guide IS Whenever possible position the for the highest quality image projector so
110. l Scan Rate Interlacing A method of updating the image The screen is divided in two fields one containing every odd horizontal line the other one containing the even lines The fields are then alternately updated In analog TV interlacing was commonly used as a way of doubling the refresh rate without consuming extra bandwidth Interleaving The alternation between left and right eye images when displaying 3D IRE LED Light Emitting Diode An electronic component that emits light Letterboxing Black margins at the top and bottom of the image Letterboxing appears when a wider image is packed into a narrower frame without Rev D July 2014 Notes 1 3 Digital Projection Lightning Series APPENDIX F GLOSSARY OF TERMS Lumen A photometric unit of radiant power For projectors it is normally used to specify the total amount of emitted visible light Luminance Modal setting A projector setting that only affects the currently displayed input Noise Electrical interference displayed on the screen NTSC National Television Standards Committee Pillarboxing Black margins at the left and right of the image Pillarboxing appears when a narrower image is packed into a wider frame without changing Pr Pb Rev D July 2014 Notes 174 Digital Projection Lightning Series APPENDIX F GLOSSARY OF TERMS Progressive scanning Resolution The number of pixels in an image usually repres
111. la 99 Digital Projection Lightning Series Full lens calculation example Your screen is 4 5 m wide you wish to place the projector approximately 11 m from the screen You use a WUXGA projector the source is 4 3 1 Calculate TRC as follows 1 6 TRC 17 2 1 33 2 Calculate the throw ratio 11 Throw ratio 2 04 4 5x 1 2 3 Find a match in the lens table The table shows that the matching lens is the 1 87 2 56 1 zoom lens 4 Check whether the lens covers the required throw distance The range quoted for the 1 87 2 56 1 zoom lens is 4 24 m The required distance of 11 m is within the range Rev D July 2014 CHOOSING A LENS INFORMATION YOU NEED FOR THESE CALCULATIONS DMD aspect ratio e The TRC formula TRC Source aspect ratio e The TRC table to use instead of the formula Image format WUXGA projector 2 35 1 Scope TRC not used 1 85 1 Flat TRC not used 1 78 1 16 9 TRC not used 1 66 1 Vista TRC not used 1 6 1 16 10 TRC not used native resolution 1 33 1 4 3 TRC 1 2 1 25 1 5 4 TRC 1 28 Throw distance Screen width x TRC The throw ratio formula Throw ratio e The lens table Throw ratios for 1080p and WUXGA Throw distance range 0 67 1 fixed lens 1 1 10 m 3 6 32 8 ft 112 1 fixed lens 3 15 m 3 15 m 9 8 49 2 ft 1 12 1 fixed lens 1 2 2 m 1 2 2 m 3 9 6 6 ft 1 16 1 49 1 zoom l
112. lculation see Full lens calculation in this section For information about individual lens the end of this document 96 Digital Projection Lightning Series CHOOSING A LENS Full lens calculation Introducing TRC The choice of lens will affect the image size and will address discrepancies between the DMD resolution and the source When an image fills the height of the DMD but not the width it uses less than 100 of the DMD surface A lens chosen using the basic formula may produce an image that is considerably smaller than the actual screen To compensate for loss of screen space in such situations you need to increase the throw ratio using a Throw Ratio Correction TRC Example Fig 1 illustrates a 4 3 image within a 1080p DMD When a 1080p projector is used for a 4 3 image the image does not fill the width of the DMD creating a pillarboxing effect blank spaces to the left and right Fig 2 shows the same image projected on a 4 3 screen using a standard lens chosen with the basic calculation The DMD accurately fills the width of the screen however the pillarboxing is now part of the projected image and is transferred to the screen The DMD does not fill the height of the screen which has caused letterboxing further blank spaces at the top and bottom of the screen The image is now surrounded by blank space which can be removed if the throw ratio is increased Fig 3 shows th
113. le of withstanding the weight of another projector A Separate backup safety chains or wires should always be used for each projector IS For information about aligning the images from the projectors see 15 Digital Projection Lightning Series FITTING THE LENS Fitting The Lens 1 Turn the lens release lever clockwise so that it is pointing upwards to open the lock fully 2 Remove the rear lens cap from the lens Insert the lens into the lens aperture making sure that the plug on the zoom drive mechanism lines up with the socket on the front of the projector then push the lens in firmly as far as it will go 4 Turn the lens release lever anti clockwise to the mid position The lens can now be pushed in further Push the lens in firmly as far as it will go 6 Turn the lens release lever fully anti clockwise so that it is pointing downwards to close the lock fully Rev D July 2014 Lens release lever pointing downwards Installation and Quick Start Guide Notes A Before changing the lens always make sure the projector is switched off and fully disconnected from its power supply A Always allow the projector to cool for five minutes before disconnecting the power or moving the projector A The lens release lever should always be set to the locked position to prevent the lens from falling out A Do not place the projector with its front panel down on a surface as this may dama
114. link 2 Power for monitor when in standby Return for pin 14 and analog sync Digital blue link 1 and digital sync Digital blue link 1 and digital sync Digital red link 2 Digital red link 2 Digital clock links 1 and 2 Digital clock links 1 and 2 Return for R G and B signals Notes X High bandwidth Digital Content Protection HDCP is supported on this input L For full details of all input settings Operating Guide 162 Digital Projection Lightning Series Input 4 3G SDI 75 ohm BNC Input 5 Composite 1 75 ohm BNC Input 6 S Video 4 pin mini DIN 1 Y Ground 2 C Ground 3 Luminance Y 4 Chrominance C Input 7 Component 4 x 75 ohm BNC RGsB RGBS YPrPb Pk B B B Pb Cb YIG G t Sync G Y Pr R R R Pr Cr SYNC Sync Input 8 CVBS RCA Phono Rev D July 2014 APPENDIX E WIRING DETAILS 3G SDI connector Composite 1 connector S Video pin view of female connector Component CVBS connector Notes X 3G SDI signals are very high speed digital signals which require better quality coaxial cable than conventional analogue video The data rate is 3 Gigabits per second In choosing cable length and connectors for any installation the frequency response loss in decibels should be proportional to Nf from 1MHz to 3GHz X For full details of all input settings Operating Guide 163 Digital Projection Lightning Series APPENDIX E WIRIN
115. n about individual lens S part numbers see Appendix A 2 56 4 17 1 zoom iens som em Lens Part Numbers 4 17 6 95 1zoomlens S Vi ege 24 6 ft QD 6 93 10 34 1 zoom lens 5 0 m 16 4 ft p p 2 5 m 8 2 ft 10m 20m 30m 40m 50m 60m 70m 80m 90m 33ft een 98ft 131ft 1647 197ft 230f 2625 295ft Throw distance Rev D July 2014 138 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution 1080p 1 66 1 images continued 15 0 m 49 2 ft 12 5m 41 0 ft 10 0 m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 2 5m 8 2 ft 1 50 2 17 O 1 72 2 71 2 15 3 36 10m 20m 30m 33 ft 66 ft 98 ft Throw distance 1 zoom lens 1 zoom lens 1 zoom lens Rev D July 2014 15 0m 49 2 ft 12 5m 41 0 ft 10 0m 7 5m 24 6 ft Screen width 5 0m 16 4 ft X 32 81 2 5m 8 2 ft 10m 20m 33 ft 66 ft Throw distance 30m 98 ft 15 0m 49 2 ft 125m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft Screen width 5 0m 16 4 ft 2 5m 8 2 ft V 10 m 20 m 30 m 33 ft 66ft 98ft Throw distance Notes L This chart has a TRC of 1 07 for use with the following images 1 66 1 Vista L For information
116. nal aspect ratio but cropping the image to fit the DMD aspect ratio Anamorphic force a 16 9 ratio on the source You need this setting to resolve 16 9 images packed into a 4 3 frame otherwise it distorts the image TheaterScope is a special setting used in combination with an anamorphic lens an optional accessory It removes letterboxing from a 2 35 1 source packed into a 16 9 frame Rev D July 2014 Notes 111 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution SX SXGA Source 4 3 native resolution an LL Aspect Ratio Source Fill Display Fill amp Crop Q Unused screen areas an Aspect Ratio Anamorphic Rev D July 2014 Notes 112 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution SX SXGA continued Source 16 9 an LL Q Unused screen areas A t Ratio 2 Cropped parts of the image Speci Rato Source CIN NY Aspect Ratio Fill Display an LY Aspect Ratio Fill amp Crop Rev D July 2014 Notes iis Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution SX SXGA continued Source 16 10 an qj Q Unused screen areas A t Ratio 2 Cropped parts of the image AROSE RANO SO
117. numbers separated by a colon indicating the ratio of image width and height respectively for example 16 9 or 2 35 1 Not to be confused with resolution Blanking projection The ability to intentionally turn off that is set to black areas around the edges of the projected image It is sometimes referred to as curtains since it can be used to blank an area of image that literally falls on the curtains at the side of the screen in a movie theater Usually no image resizing or geometric correction takes place and the blanked part of the image is lost Rev D July 2014 Notes 168 Digital Projection Lightning Series APPENDIX F GLOSSARY OF TERMS Blanking video signal The section of the video signal where there is no active video data Brightness electronic control A control which adds a fixed intensity value to every pixel in the display moving the entire range of displayed intensities up or down and is Brightness optical Describes how bright an image that is projected onto a screen appears to an observer C See Chrominance Cold mirror A mirror that preferentially reflects or transmits infra red light In a projector a cold mirror is used to reflect the visible component of the lamp beam into the illumination optics and transmit the unwanted infrared radiation into an absorber Color difference monochrome images Color gamut The spectrum of color available to be displayed
118. nuous movement the projector blades divide the images so that the viewer sees 48 frames per second Interlaced video scans odd lines then even Two fields are blended into one image NTSC video 60i is 29 97 fps or 59 94 fields per second 24p video is progressive but without the benefit of projector blades dividing the images so it looks jumpier on playback than film 24p is the optimal format for projects that are finished on film 30p is optimal for projects finished on video It has fewer strobing issues than 24p in video playback Rev D July 2014 Notes 122 Digital Projection Lightning Series FRAME RATES AND PULLDOWNS EXPLAINED Pulldowns conversion into destination formats Pulldowns are a method of converting a 24p source into a different destination format by adding extra frames to the source Notes 2 3 normal pulldown This method is used to convert a 24p source film into a 60i destination NTSC video by adding two extra fields for every four frames effectively increasing the frame rate to 30 fps The frame is split into fields and then two fields are repeated for every four original frames as shown in the illustration below Original film Field 1 odd Field 2 even Resulting video 24 fps 30 fps Dom P if d Milt A J OD OD P Rev D July 2014 123 Digital Projection Lightning Series FRAME RATES AND PULLDOWNS EXPLAINED 2 3 3 2 advanced pulldown Notes This method is very similar to t
119. or Enable sub menu to switch individual colors on and off Rev D July 2014 USING THE PROJECTOR SYSTEM Configuration Edge Blend R Address M aeee sz Shutter Open sv Shutter Close sm Power On Power Off Color Enable Operating Guide COLOR ENABLE Red On Green Off Green On sm Blue Off sz Blue On Notes Main Menu Setup System IS When you switch between PIP and Edge Blend the projector will reboot instantly to enable the new setting IS The Power On command has no function when seen on the projector OSD However it can be used from the Virtual OSD described in the Protocol Guide IS Both the keypad and remote control have dedicated buttons allowing access to the Shutter Open Shutter Close Power On and Power Off commands Main Menu Setup System Color Enable X Do not switch off all colors at the same time In the event of this happening power cycle the projector to restore the default settings A At power on all colors are enabled regardless of the previous setting 85 Digital Projection Lightning Series USING THE PROJECTOR Setting up an IR address The projector and the remote control need a matching IR address a two digit number between 00 and 99 The default IR address is 00 This is also a master address which if assigned to a remote will work regardless of the value assigned to the projector To assign an IR address for t
120. ors 157 Digital Projection Lightning Series APPENDIX D MENU MAP Notes Main Menu Sub Menus Some of the information in this menu E map is summarised See the actual Orientation Desktop Front Desktop Rear Ceiling Front Ceiling Rear menu on the projector for full detail Latency Lowest Best Video Input Configuration gt The underlined text represents DVI Boost EQ Off On DVI HDMI Color Space RGB YPbPr Auto ne UNO mr DVI HDMI Range Full Limited Auto DVI I Port Digital Analog Main DVI Operation Single Link A Single Link B Auto Main DVI Range Full Limited Component Color Space RGB YPbPr Component Sync Type 3 Wire 4 Wire Auto 3G SDI Level B Stream Stream 1 Stream 2 Network Control DHCP Off On IP Address numeric input Subnet numeric input Information MAC Address LAN DHCP Off On IP Address numeric input Subnet numeric input Apply Settings command Information DHCP Status IP Address Subnet MAC Address On Screen Display Language US English UK English Timeout 5 sec 10 Sec 15 sec 20 sec 25 sec 30 sec infinite Position Center Top Left Top Right Bottom Left Bottom Right Messaging Off On System Configuration P P Edge Blend Shutter Open command Shutter Close command Power On command Power Off command Reset Default Settings command Setup XS Do NOT reset the settings unless you are sure that you want to restore ALL the c
121. otes Main Menu Color 45 Digital Projection Lightning Series USING THE PROJECTOR Geometry menu Aspect Ratio Choose between Source Fill Display Fill amp Crop Anamorphic and TheaterScope Some devices eg certain DVD players pack a 16 9 image into a 4 3 aspect ratio In such cases to display the image correctly choose the Anamorphic aspect ratio Overscan Set this slider to compensate for noisy or badly defined image edges E Image with noisy edges Overscanned image Rev D July 2014 Aspect Ratio Source Overscan M Size amp Position Blanking s Geometry Engine NARE Operating Guide Notes Main Menu Geometry X An anamorphic lens optional accessory is used with the TheaterScope setting to ensure that for a 2 35 1 image the maximum area of the DMD is used giving maximum image brightness X For examples of how the different aspect ratios affect screen Ke Items on this page may be unavailable depending on the Geometry Engine Setting 46 Digital Projection Lightning Series Size amp Position Set Enable to On or Off Use Setting to choose Global in which case these settings will be applied to all signals on all inputs or Per Mode in which case these settings will be applied only to the current input signal Set the H Position and V Position sliders as required Set H Size and V Size When Aspect Lock is set to On the V Size slide
122. other menus These will be grayed out on the actual menu 40 Digital Projection Lightning Series Using The Projector Main menu USING THE PROJECTOR LIGHTNING Input Selection Test Pattern Lens Input Selection Image Select an input source from the drop down list Color Test Pattern Geometry Set Input Selection to Test Pattern and then select a test pattern from the drop down list Edge Blend 3D Lens Image Color and Geometry Lamp Open these sub menus to access various picture and screen settings Setup Edge Blend PIP Information SMPTE ZO Wi f PR od I EMA Operating Guide Notes Main Menu PIP and Edge Blend are mutually exclusive modes of operation When the projector is in Edge Blend mode as shown in the picture PIP is not available and vice versa e 3D Access 3D settings Lamp Adjust lamp power Setup Adjust Input Configuration Network On Screen Display and System settings Information View your current configuration Rev D July 2014 Nec You can also select an input source by pressing the following buttons on the remote control 4 to 9 for inputs 1 to 9 10 for input 10 and for input 11 JE Test patterns are subject to image controls so brightness contrast etc will affect their appearance on screen Las Do not use the provided test patterns for P7 Las You can upload custom test patterns using a network connection see Virtual OS
123. ow to convert diagonal sizes into width and height at various aspect ratios 2 35 1 Scope W Dx0 92 H Dx0 39 1 85 1 W Dx0 88 H D x 0 47 16 9 1 78 1 native aspect ratio for 1080p projectors W D x 0 87 H D x 0 49 1 66 1 Vista W Dx0 86 H Dx0 52 16 10 1 6 1 native aspect ratio for WUXGA projectors W D x 0 85 H D x 0 53 4 3 1 33 1 native aspect ratio for SX projectors W Dx0 8 H Dx0 6 Rev D July 2014 SCREEN REQUIREMENTS W width height H Notes 105 Digital Projection Lightning Series Fitting the image to the screen It is important that your screen is of sufficient height and width to display images at all the aspect ratios you are planning to use Use the conversion chart or the sample calculations below to check that you are able to display the full image on your screen If you have insufficient height or width you will have to reduce the overall image size in order to display the full image on your screen Q 4 3 1 33 1 native aspect ratio for SX projectors W H x 1 33 H W x 0 75 16 10 1 6 1 native aspect ratio for WUXGA projectors W H x 1 6 H W x 0 625 1 66 1 Vista W Hx 1 66 H Wx0 6 O 16 9 1 78 1 native aspect ratio for 1080p projectors W H x 1 78 H W x 0 56 Q 1 85 1 Flat W Hx 1 85 H W x 0 54 2 35 1 Scope W Hx 2 35 H W x 0 426 Rev D July 2014 Screen height SCREEN REQUIREMENTS 10
124. plier to reduce flicker when the incoming 3D video signal has a low 3D Type Auto frame rate x Dark Time Minimum For example a 48Hz frame rate could be tripled to 144Hz sy Sync Offset 000 u Output Syne Polarity Positive 3D Type should be set to Auto except when the projector has problems selecting between Grava Dominance Left Seguential Frame Packing Top and Bottom and Side by Side Half Setthe Dark Time to reduce the ghosting that can be caused by the images overlapping whilst the glasses are switching Setthe Sync Offset to compensate for signal processing delays in the projector Set the Output Sync Polarity to suit the glasses or if the left and right images appear to be swapped Set Source Dominance to Left or Right to suit the incoming 3D video signal ET ES 3 Pi E L R __ L m R ZS N i ie Seguential L L fe M rR Li R Ch Frame Packing Top and Bottom Side by Side Half Rev D July 2014 Operating Guide Notes Main Menu 3D X Set the Dark Time fo the value appropriate to the glasses or ZScreen Adjust the Sync Offset to eliminate ghosting and achieve a smooth grayscale L For additional information on 3D ss The information on this page does not apply to 2D projectors 75 Digital Projection Lightning Series
125. projector Sometimes this is called transparent pass through or clone mode See your switcher s manual for information on how to set this mode Additionally sources which use HDCP encryption may not display properly when connected to the projector via a switcher Refer to the switcher s manual for more information o Sources 6 Switcher o Projector The EDIDs in the switcher should be the same as the one in the projector Rev D July 2014 Connection Guide Notes 28 Digital Projection Lightning Series SIGNAL INPUTS AND OUTPUTS DVI Input connection example Single link DVI video source Single or Dual link DVI video source Single link DVI or HDMI video source Dual Pipe 3D video source Rev D July 2014 Input 3 Input 9 Connection Guide Input 10 Input 11 Input 9 MAIN and Input 10 SUB Notes ES Dual link DVI high bandwidth frame rate 29 Digital Projection Lightning Series SIGNAL INPUTS AND OUTPUTS 3D connections 3D sources up to 60Hz requiring frame doubling and left right interleaving 1 Connect to any of the Inputs on the Rear Connection Panel 2 Set 3D Type in the 3D menu to match the format of the incoming signal Choose from Sequential Top and Bottom and Side by Side Half 1 3D sources above 60Hz not requiring frame doubling 5 1 Connect to e
126. r is disabled Select Reset and press OK to reset all the sliders Blanking Blanking curtains can be applied to each edge of the projected image Set Enable to On or Off Set the sliders as required Rev D July 2014 USING THE PROJECTOR SIZE amp POSITION Enable Setting Global H Position e V Position IW be H Size ul Aspect Lock On V Size oe B Reset BLANKING Top sm Bottom Left s Right oo oo Operating Guide Notes Main Menu Geometry Size amp Position Main Menu Geometry Blanking 47 Digital Projection Lightning Series USING THE PROJECTOR Geometry Engine Choose from Keystone Cornerstone Rotation Warp or Off f Geometry Engine is set to Keystone set the H Keystone and V Keystone sliders to correct for any distortion caused by the projector being in a different horizontal or vertical plane to the screen o The projector is positioned at an angle 6 The resulting image is distorted 9 The image is corrected when Keystone is applied Rev D July 2014 Aspect Ratio Overscan Size 8 Position Blanking Geometry Engine H Keystone V Keystone v Pincushion Barrel 0 Source Keystone Operating Guide Notes Main Menu Geometry X Some items on this menu may be unavailable depending on the Geometry Engine Setting A If possible posit
127. ration 2D Operating Guide Notes Main Menu Setup Input Configuration 82 Digital Projection Lightning Series USING THE PROJECTOR Network This menu allows setup of two networks Control via the RS232 port and LAN via the LAN port Control Set DHCP to On if the IP Address is to be assigned by a DHCP server or Off if it is to be set here f DHCP is set to On it will not be possible to edit either IP Address or Subnet f DHCP is set to Off 1 Edit IP Address and Subnet as required 2 Power cycle the projector in order for the new settings to take effect The MAC Address of the projector is shown at the bottom of the screen LAN Set DHCP to On if the IP Address is to be assigned by a DHCP server or Off if it is to be set here f DHCP is set to On it will not be possible to edit either IP Address or Subnet f DHCP is set to Off 1 Edit IP Address and Subnet as required 2 Select Apply Settings and press OK The fields at the bottom of the menu show the current settings Rev D July 2014 NETWORK Control CONTROL P Address 192 168 000 000 ss Subnet 255 255 255 000 New settings effective after power cycle Operating Guide MAC Address 9C 5E 73 00 26 87 Notes Main Menu Setup Network Ke If the first digit of an address octet is set to 2 then it will not be possible to enter values above 5 for the second or third digits To overcome thi
128. ray so that it can determine which edges are to be Sometimes only one edge overlaps sometimes two three or Example The illustration shows an array of sixteen projectors Array Width Array Height of all projectors have been set up as follows Array Width 4 Array Height 4 Array H Position and Array V Position of each projector have up to reflect its vertical and horizontal position in the array The settings for the third projector in the second row Q are Array H Position 2 Array V Position 1 Rev D July 2014 Array V Position 0 to 3 USING THE PROJECTOR EDGE BLEND S Array Width Array Height io Array H Position DEC Array V Position 0 S Curve Value 16 Blending Off ve Segmentation Off Blend Width Black Level Uplift Reduce Black Level Uplift Width Array H Position 0 to 3 Example array of sixteen projectors the other than 1 projector blended four and been set Operating Guide Notes Main Menu Edge Blend X This menu is available only when Setup gt System gt Configuration is set to Edge Blend None of the other items in this menu are available until either the Array Width or the Array Height setting is greater than 1 The position numbering starts from zero so the top left projector is at position H 0 V 0 Which settings are available in these menus depends on e the number of projectors in
129. ries Main Menu Sub Menus APPENDIX D MENU MAP Edge Blend Array Width slider value range 1 4 Array Height slider value range 1 4 Array H Position slider value range 0 3 Array V Position slider value range 0 3 S Curve Value slider value range 10 25 Blending Off On Align Pattern Segmentation Off On Blend Width Top Blend Region slider value range 0 999 Bottom Blend Region slider value range 0 999 Left Blend Region slider value range 0 999 Right Blend Region slider value range 0 999 Apply Blend Regions command Black Level Uplift Unblended Region slider value range 0 63 Upper Left slider value range 0 63 Upper Middle slider value range 0 63 Upper Right slider value range 0 63 Middle Left slider value range 0 63 Middle Right slider value range 0 63 Lower Left slider value range 0 63 Lower Middle slider value range 0 63 Lower Right slider value range 0 63 Apply Uplift command Reduce Black Level Uplift Width Upper Left X slider value range 0 200 Upper Left Y slider value range 0 200 Upper Right X slider value range 200 0 Upper Right Y slider value range 0 200 Lower Left X slider value range 200 0 Lower Left Y slider value range 200 0 Lower Right X slider value range 0 200 Lower Right Y slider value range 200 0 Apply Uplift command Rev D July 2014 Notes Some of the
130. rtup all LEDs light up at the same time to indicate the projector is carrying out a self test Digital Projection Lightning Series Connection panel indicators Lamp 1 indicator Behavior On green e On amber Flashing green E Flashing amber E On red O Flashing red Error indicator Behavior On red e Flashing red 8 Infrared indicator Behavior Flashing blue SW Input indicators Behavior On green e Flashing green KE Rev D July 2014 Meaning The lamp is switched on 100 The lamp is switched on 80 99 The lamp is warming up The lamp is cooling down Projector in standby Lamp Comms Error call service Projector on Ballast Comms Error call service Projector in standby Lamp Error on previous operation Projector on Lamp Interlock Error Meaning Voltage Error Fan System Error Meaning The projector is receiving input from the remote control Meaning Input selected Signal detected and in range Input selected but signal is not detected or out of range PROJECTOR OVERVIEW Rear connection panel Side connection panel Installation and Quick Start Guide Notes L For more information about the connection panels see the Connection Guide X Only the Lamp 1 indicator is active on this projector Ke A red LED always indicates an error If you receive an error indication restart the projec
131. s set the first digit to either 0 or 1 You can Set the first digit back to 2 later if necessary Main Menu Setup Network Control LAN sm P Address 192 168 000 100 sz Subnet 255 255 255 000 Apply Settings DHCP Status Off IP Address 192 168 000 100 Subnet 255 255 255 000 MAC Address 9C 5E 73 00 26 87 Main Menu Setup Network 83 Digital Projection Lightning Series USING THE PROJECTOR On Screen Display Select a display Language from the drop down list The menus will disappear if no buttons are pressed within the Timeout selected from the drop down list If you want the menus to stay on screen permanently then select Infinite Select a Position from the drop down list f you do not want projector status messages to be displayed for instance Se then set Messaging to Off Rev D July 2014 ON SCREEN DISPLAY Language US English s Timeout 5 sec v Position Center z Messaging Off Operating Guide Notes Main Menu Setup On Screen Display 84 Digital Projection Lightning Series System The other settings in this menu are provided mainly to allow control from the Virtual OSD Configuration switch between PIP and Edge Blend Use the Shutter Open and Shutter Close commands as required Use IR Address to set an address for the remote control Use the Power Off command to set the projector into Standby mode Use the Col
132. sample packets on the HDMI input stream are decoded by the projector and output on the SPDIF connector This is a digital output 3G SDI input 4 e If two video streams are being transmitted set 3G Level B Stream in the Setup Input Configuration menu to choose between the two streams CVBS1 input 5 Connect a Composite Video input signal to the BNC connector S Video input 6 Connect to the 4 pin mini DIN connector Component input 7 RGsB or RGBS Set Component Colour Space in the Setup Input Configuration menu to RGB Set Component Sync Type to Auto except when the projector has problems selecting between 3 Wire RGsB and 4 Wire RGBS YPbPr Set Component Colour Space in the Setup Input Configuration menu to YPbPr CVBS2 input 8 Connect a Composite Video input signal to the RCA phono connector Rev D July 2014 SIGNAL INPUTS AND OUTPUTS Rear Connection Panel Component DVI VGA HDMI SPDIF CVBS1 CVBS2 S Video 3G SDI Connection Guide Notes Guide Ke For a complete listing of pin configurations for all signal and about the differences between the two connection panels 25 Digital Projection Lightning Series SIGNAL INPUTS AND OUTPUTS Connection Guide Side Connection Panel on 3D projectors DVI input 9 Single or Dual Link DVI D input or For Twin Link DVI Input 9 DVI is the Main input Input 10 DVI HDMI is
133. slt ie HE etie E EUR cadens Hd 25 CVBS2 Input Eed NEHMEN 25 Side Connection Panel on 3D projectors e ene 26 DVIWInpUt O s eret nede nn ip ee et send 26 EXIM DE TDI ceo OO ON A a ipti eds 26 Special considerations when using Inputs 9 11 ssesesssse 27 Differences between Inputs 9 11 and Inputs 1 8 27 Input and processing architecture soimista oce d repeto ode 27 EDID on the DVI and VGA inputs nana 28 Using HDMI DVI switchers with the projector ee 28 DVI Input connection example 29 3D connections EE 30 3D sources up to 60Hz requiring frame doubling and left right interleaving 30 3D sources above 60Hz not requiring frame doubllng ee 30 Brice 30 BID SY E 30 SD E e 30 3D connection examples 4 ete c dnce P mina a ie ii 31 Control Connection iii ici cesicsciesscccsciicteces casnasncessecttececeveessosnactcanseensetsceecessenn 32 Service E 32 Wired remote coritrol 2 euren SEENEN ER svteessceussedseseusadeucsectade 32 Rev D July 2014 Digital Projection Lightning Series Signal Inputs And Outputs Rear Connection Panel VGA input 1 Use Auto Setup in the Image VGA Setup menu HDMI input 2 DVI input 3 Analog or Digital DVI I Set DVI I Port in the Setup Input Configuration menu to choose between Analog and Digital SPDIF Compatible audio
134. stance 15 0m 49 2 ft 12 5m 41 0 ft 10 0m 32 8 ft 7 5m 24 6 ft 5 0m 16 4 ft 2 5m 8 2 ft V 10 m 20 m 30 m 33 ft 66ft 98 ft Throw distance Notes L This chart has a TRC of 1 0 for use with the following images For WUXGA 2 35 1 Scope 1 85 1 Flat 1 78 1 16 9 1 66 1 Vista and 1 6 1 native For 1080p 2 35 1 Scope 1 85 1 Flat and 1 78 1 native L For information about individual lens 131 Digital Projection Lightning Series APPENDIX B LENS CHARTS DMD resolution 1080p 1 25 1 images Notes 1 12 1 fixed lens short 0 0000 0 o Q SS This chart has a TRC of 1 42 for 20 0 m 65 6 ft use with the following images 0 67 1 fixed lens Q 1 12 1 fixed lens 17 5 m 57 4 Oo 1 16 1 49 1 zoom lens 1 25 1 5 4 15 0 m 49 2 ft 1 39 1 87 1 zoom lens 12 5 m 41 0 ft Q Other lenses next page KIS For information about individual lens 2 56 4 17 1 zoom lens 10 0 m 32 8 ft 4 17 6 95 1 zoom lens Screen width 1 87 2 56 1 zoom lens 7 5 m 24 6 ft QD 6 93 10 34 1 zoom lens Te kb 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft 66 ft 98 ft 137 ft 164ft 197ft 230ft 262ft 295 ft Throw distance
135. sure ca e cocoa oo ern ento eun purae yw RARER 32 RS282 32 P m 32 Update doro que E 32 LAN connection examples ienuei ennt nnne nnne uan nnns 33 RS232 connection example nanasa nana ena 34 OPERATING GUIDE io ct cca c c cii ein 35 USING THE MENUS iiie taroen opta nux oi Da eaa SES exce para tih 37 Menus and sub menus ener erae p annona ka gk ama eure pU nna kan 37 Drop dowf TTT 38 le 39 COMMANAS E 39 eligen c 40 Rev D July 2014 USING THE PROJECTOR nee eot ee neu su neu mu mean auae ENEE 41 Lens MENU uiii ieu tono pet in re cuyo aaaeaii sarra eki vod reaR AdE ranan 42 Lum vaki 42 FOCUS EE 42 Calibrate Zoom and Calibrate FOCUS EE enne nn nnns 42 o UU a 42 E EE 42 Lens Presets cen GENEE eegene 43 uEEnMZIMI 44 Video Fillers Nene 44 e EE 44 Colf MENU EA 45 cu E 45 Black Level and Gait SICGrS E 45 Geomety MENU sara caeco Ee a are eine 46 PASDOCK Ee Dee ees 46 e 46 Size amp Position EE 47 TE AA EO A EP AE EN EEA TITA 47 reir 48 iv Digital Projection Lightning Series CONTENTS continued Edge Blend menu niente nein snai iine nnns 54 e DU Ere 54 Array Width and Height s ssa aano eas ou on aai oi uua uu oa ad
136. t stack more than three projectors A Do not place heawy objects on top of the projector chassis Only the chassis corners and the rigging frame are capable of withstanding the weight of another projector A Do not place the projector with its front panel down on a surface as this may damage the lens or the lens release lever A Backup safety chains or wires should always be used with ceiling mount installations 13 Digital Projection Lightning Series Pitch and roll adjustment The frame adjusters can provide approximately 10 mm of vertical movement relative to the rear right corner giving approximately 0 65 pitch and 0 85 roll It is not possible to achieve maximum adjustment in pitch roll and yaw simultaneously Yaw adjustment The yaw handle uses a ratchet to move the front of the projector from left to right To change the direction of movement push the direction lever on the handle up or down The yaw handle can provide approximately 11 mm of left right movement relative to the rear right corner giving approximately 0 75 yaw It is not possible to achieve maximum adjustment in tilt roll and yaw simultaneously Q Yaw handle 2 Direction lever 2 Ratchet Rev D July 2014 Pitch POSITIONING THE SCREEN AND PROJECTOR KO Se LI C I Roll Km Yaw Installation and Quick Start Guide Notes A Do not tilt the projector more than 412
137. t with hours meter ek 5 LCD lamp fiours meter neto t tere eric ie preti e b n p eed 5 Control panel indicators cessere ener nnne nnne nnne nnns 6 Connection panel indicators 7 Remote Control eiie reeneirn crea tinet ren NE RADO up RERAXR USER PRAG vna danje dka nana 9 Infrared recepti OM esses ccc cseceeccctdcccese csdeasedchesscuscevstastecesstaedits cacsacecttsonesaesatduateetnesuiaazesne 9 Remote control 105 023 Rev B nana 10 Remote control 105 023 Rev A 12 Positioning The Screen And Projector 13 Mounting the projector Adjustment for table mounting Adjustirig therigging Be Goarse frame adjustl LE Pitch and roll adjustment iei inia icta d se acd on docu cu Qna E vn d dna kg 14 Yaw IO ain n alacer t ences eaa aa ulcus ct eC rbd faa Aa ae osa seva ara Alalia RE RAN Rue 14 Stacking projectors enint vik opne cea oaa di Deka o Crean ke ecu paa Rad n DR ERR ua e uos 15 Fitting The L ns ne a nA A oka nn Ee 16 Operating The Projector eeeeeseeseeeeeneeeeennennnn nnne nennen 17 Switching the projector on eese ana eesee enean ana tna ana ananasa nau 17 Switching the projector off nana 18 Selecting an input signal or test pattermn EEN 19 put EE 19 Test pattern D 19 Rev D July 2014 IN THIS GUIDE Installation and Quick Start
138. that the lens is centered 108 Digital Projection Lightning Series POSITIONING THE IMAGE Any single adjustment outside the ranges specified on the following page may result in an unacceptable level of distortion particularly at the corners of the image due to the image passing through the periphery of the lens optics If the lens is to be shifted in two directions combined the maximum range without distortion will be somewhat less as can be seen in the illustrations below Full horizontal or vertical shift Combined shift is reduced Rev D July 2014 Notes ka For more information on shifting the lens see Lens menu in the Operating Guide 109 Digital Projection Lightning Series Maximum offset range POSITIONING THE IMAGE The maximum offset range available with no distortion or vignetting is dependent on which lens is used Shifting the lens beyond its undistorted limits may be physically possible however you may experience some vignetting or distortion for WUXGA projectors 0 67 1 fixed lens 1 16 1 49 1 zoom lens 1 12 1 fixed lenses and all other zoom lenses for 1080p projectors 0 67 1 fixed lens 1 16 1 49 1 zoom lens 1 12 1 fixed lenses and all other zoom lenses for SX projectors 0 73 1 fixed lens 1 26 1 61 1 zoom lens 1 21 1 fixed lenses and all other zoom lenses Rev D July 2014 vertical pixels 130 490 390 570 390 vertical pixels 190
139. the array e the position of the projector in the array An image like the one shown here can be produced by an array of 16 projectors only if Segmentation is set to ON or if an external tool is used to split the image into further in this section 55 Digital Projection Lightning Series S Curve Value e Rev D July 2014 In the regions where two or more projectors overlap the brightness of the signal is decreased to blend the images S Curve Value controls the steepness of this decrease USING THE PROJECTOR EDGE BLEND S Array Width Array Height Ja Array H Position HR Array V Position O S Curve Value ili ss Blending Off Segmentation Off Blend Width gt Black Level Uplift Reduce Black Level Uplift Width amount of light Y X distance from the edge X 0 is the edge Operating Guide Notes Main Menu Edge Blend X This menu is available only when Setup gt System gt Configuration is set to Edge Blend X None of the other items in this menu are available until either the Array Width or the Array Height setting is greater than 1 56 Digital Projection Lightning Series USING THE PROJECTOR S Curve Value continued When images overlap the area of overlap receives light from all overlapping sources Without S Curve the overlapping edges would be brighter than the rest of the image as shown in Fig 1 Fig
140. the screen and projector eene 107 POSITIONING THE IMAGE EE 108 Maximum offset range ssoemec open See dee no e eerie nates 110 ASPECT RATIOS EXPLAINED esee 111 Aspect ratio examples for DMD resolution SX SXGA 112 Aspect ratio examples for DMD resolution 1080p 115 Aspect ratio examples for DMD resolution WUXQGA 118 Aspect ratio example TheaterScope esee 121 FRAME RATES AND PULLDOWNS EXPLAINED 122 Interlaced and progressive scan eseccccceeeeeeceeeseneeeeeeeeeeeeeeeeeeteneeeeeseeeees 122 Frame rates of image SOUICES nce eene cinereae 122 Pulldowns conversion into destination formats 123 2 3 normal DUlldOWfi s xs s axi a aoo vive au aat hau y Ras n oeaoRRRR ana 123 2 3 3 2 advanced pulldoWIs viventi asus dnevi apa renar aaa Ces NER AVR EN E EAS ENR ARR ER 124 APPENDIX A LENS PART NUMBERS eee 125 Rev D July 2014 APPENDIX B LENS CHARTS eeeeeen enne nene nenne ne nenne 126 How to use the lens charts rien opaa eege eege exa 126 How to find the right lens chart eese 127 1080p 1920 x 1080 pixels eessen eR Fun esee EM ek 127 WUXGA 1920 x 1200 pixels E enne enun nnn n i E ASA nnn nn nn nn nnn 128 SX 1400 X 1050pixels E 129 DMD
141. to the left lt 0 Reflected light left tilt Q Light dump Reflected light right tilt 9 The projector optically filters white light from the lamp into its constituent red green and blue Each color illuminates a separate DMD whose modulated output is then recombined with the other two to form the projected full color image Q Lamp 2 Optical filtering of light into red green and blue white light white light EN Light flow 9 Projection lens Q ow devices Q Full color image displayed on screen Filtering process Rev D July 2014 Notes 93 Digital Projection Lightning Series Choosing A Lens CHOOSING A LENS A number of lenses are available Which lens you choose depends on the screen size image aspect ratio throw distance and light output In addition each lens has a High Brightness and a High Contrast version The following table shows all available lenses in order of their throw ratios Throw ratios for 1080p and WUXGA Throw ratios for SX Lens extension 2 Throw distance range 0 67 1 fixed lens 1 12 1 fixed lens 3 15 m 1 12 1 fixed lens 1 2 2 m 1 16 1 49 1 zoom lens 1 39 1 87 1 zoom lens 1 87 2 56 1 zoom lens 2 56 4 17 1 zoom lens 4 17 6 95 1 zoom lens 6 93 10 34 1 zoom lens 0 73 1 fixed lens 1 21 1 3 15 m fixed lens 1 21 1 1 2 2 0 m fixed lens 1 26 1 61 1 zoom lens 1 5 2 0
142. tor If the problem persists contact your dealer X The side connection panel is available on 3D models only Digital Projection Lightning Series Connection panel indicators continued from previous page Q Sync in indicator Behavior On green O Q Sync out indicator Behavior On green Rev D July 2014 Meaning Valid sync in Meaning Valid sync out PROJECTOR OVERVIEW Side connection panel Installation and Quick Start Guide Notes L For more information about the connection panels see the Connection Guide X The side connection panel is available on 3D models only Digital Projection Lightning Series REMOTE CONTROL Installation and Quick Start Guide Remote Control Notes The projector is equipped with one of the remote control devices shown here The device on o LIGA mna o DIGITAL ym the left 105 023 Rev B was introduced in June 2013 a projector purchased before that date is equipped with the device on the right 105 023 Rev A Both devices and their functions are described in the following pages mna m CJ C23 G3 C2 Me REN p ee E NN cd Remote 105 023 Remote 105 023 Rev B Rev A a x 409 Infrared reception The projector has infrared sensors at t
143. urrent settings to their factory defaults Rev D July 2014 158 Digital Projection Lightning Series APPENDIX D MENU MAP Main Menu Sub Menus Information Rev D July 2014 Configuration Serial Number Scaler Interface Hardware Firmware Factory ROM OSD Lens 3D Hardware 3D Firm ware Sequences Input Standard Control IP Some of the information in this menu map is summarised See the actual menu on the projector for full detail Ts Some items in the Configuration menu are not available with 2D projectors Notes 159 Digital Projection Lightning Series Appendix E Wiring Details Signal inputs and outputs Input 1 VGA 15 way D type connector R G B unused Digital Ground H Sync R Ground B Ground G Ground 5V Digital Ground V Sync DDC O DAN DOF 0 MN o 1 unused 12 SDA 13 H Sync 14 V Sync 15 SCL Rev D July 2014 APPENDIX E WIRING DETAILS e0 e ee e o o 0e 68 o WW VGA pin view of female connector Notes L For full details of all input settings Operating Guide 160 Digital Projection Lightning Series Input 2 HDMI 19 way type A connector ON OAR 0 N SO et X 3X ei A Jet ch 2X es D OO co JO Om BR 0 N o TMDS Data 2 TMDS Data 2 Shield TMDS Data 2 TMDS Data 1 TMDS Data 1 Shield TMDS Data 1 TMDS Data 0 TMDS Data 0 Shield TMDS Data 0 TMDS Clock TMDS Clock Shield
144. width Analog amp Digital Digital Path 24 60 Hz i H Pixel Mapped Inputs 1 8 Inputs 9 10 and 11 Rev D July 2014 3D sync Connection Guide IS There is no scaler on Inputs 9 11 Notes Images up to and including the native resolution of the display will be displayed pixel for pixel and centred This enables the projector to maximise the image bandwidth and grayscale resolution Global settings are indicated by a globe icon in the OSD and affect all inputs Modal settings only affect the currently displayed input 27 Digital Projection Lightning Series SIGNAL INPUTS AND OUTPUTS EDID on the DVI and VGA inputs If you are using a computer DVI card or another source that obeys the EDID protocol the source will automatically configure itself to suit the projector Otherwise please refer to the documentation supplied with the source to manually set the resolution to the DMD resolution of the projector or the nearest suitable setting Switch off the source connect to the projector then switch the source back on again Using HDMI DVI switchers with the projector When using an HDMI DVI source switcher with the projector it is important to set the switcher so that it passes the projector EDID through to the source devices If this is not done the projector may not be able to lock to the source or display the source correctly as its video output timings may not be compatible with those of the
145. with air outlet Side connection panel Rev D July 2014 PROJECTOR OVERVIEW Rear view Installation and Quick Start Guide Notes X The side connection panel is available on 3D models only Digital Projection Lightning Series PROJECTOR OVERVIEW Installation and Quick Start Guide Lamp compartment with hours meter Notes o Compartment door Open to access the lamp compartment 2 Lamp hours meter with LCD display Shows how long the lamp has been in operation 9 Air outlet Blows hot air out to prevent lamp overheating LCD lamp hours meter The LCD lamp hours meter has two modes of operation When the lamp is switched on the LCD will show lamp run hours When the lamp is switched off the LCD will be blank Press the button and hold for 5 seconds to display lamp run hours n pe pe ge pe ge pe pe LU 2 Rev D July 2014 5 Digital Projection Lightning Series Control panel indicators Q Power indicator Behavior Off e On amber Q On green e 2 Shutter indicator Behavior On amber On green Rev D July 2014 Meaning The projector is switched off The projector is in Standby mode The projector is switched on Normal mode Meaning The shutter is closed The shutter is open PROJECTOR OVERVIEW s e POWER OSD SHUTTER ezo ps es Installation and Quick Start Guide Notes X During sta

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