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        Leica B523 User's Manual
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1.       Figure 20  Mcbserver1  Snap server  icon    Files can also be saved locally and transferred to a USB stick  There is a USB  extension cable next to the keyboard  Remember to delete locally stored images once  you have transferred them to your own computer     5 Finishing your imaging    When you have finished your imaging session you should   e Log off the computer  e Shut down the computer if you are the last user of the day    e Turn off the microscope  Figure 1 on page 1  and clean it if necessary    14    e Cover the microscope with the red hood    6 Troubleshooting    6 1 There is no light  e Microscope is not turned on  see Section 2 1   e Light intensity set too low  see 2 1 on page 1     e Do you see any light in the lamp chamber  If not  the halogen bulb may need  to be changed   contact MIU    6 2 Light is too dark  Check     e whether the polarizer or other filters are on the light path  Section 2 9 on page  8     e that aperture diaphragm is not too closed  Section 2 8 on page 6     6 3 Problems with focus or picture clarity  Check that   e no filters are on the light pathway  e Koehler illumination is correctly done  Section 2 8 on page 6   e objective is not dirty  e oculars are not dirty  e oculars are correctly adjusted  Section 2 6   If image quality does not satisfy you  you should take your images with AxioPlan  microscope  which has better optics and camera  6 4 View is partial  Check that   e none of the filters are partially on the light path  e th
2.     Figure 12  Filter controls marked with red arrows    2 11 Dark field microscopy    The microscope can be equipped with a dark field ring that can be used for low   quality dark field microscopy  The ring is on the shelf above the microscope  The  installation of the filter is shown in Figure 13  Note that the short label side is facing  up when inserting        Figure 13  Insertion of the dark field ring    2 12 Turning off the microscope   When you have finished using the microscope you should   e Turn off the microscope  Figure 1 on page 1   e Clean the microscope if needed    e Cover the microscope with the red dust cover    9    3 Image acquisition    3 1 Accessing the computer    If the computer is turned off  push the power button to turn it on  When the login  screen appears  log in using your hyad login account  Check that the domain is set to  LTDK     3 2 View Finder application    A 10 bit Olympus DP50 color CCD camera is attached on the top of the microscope   It is controlled by a computer and Studio Lite software     To capture an image  open the Pixera Corporation Studio Lite program by double   clicking 1ts icon on the desktop  Figure 14   Then  open up View Finder by clicking  the camera button in the menu at the top        Figure 15  Adjustments in View finder window    e Press    Live image    button  green triangle in Figure 15  in the View Finder  window  A live image of your sample will be shown on the screen  The speed  of the image refresh can be a
3.   the aperture diaphrgam and control the contrast by opening closing the field  diaphragm     2 9 Polarization contrast    y    f  aaaea PX ien    g          a             home       Figure 10  Analyzer for polarization contrast imaging       0 1 oF he  gt  di      Figure 11  Polarizer    For polarization contrast microscopy  an analyzer  a polarizing filter  is inserted in the  light path by pushing it all the way in  Figure 10   and another polarizing filter   polarizer  is placed labeled side upwards in a holder below the condenser  Figure  11   The round polarizer is on the shelf above the microscope     To cross the polarizing filters  remove your sample and turn the round polarizer until  the maximum extinction position is reached  1 e  the view in the oculars is as dark as  possible     2 10 Filters  On the right side of the microscope  there are controls for three filters  Figure 12      e DEF  a blue daylight filter which was mainly used for photography with  daylight film    e NI6  a grey  neutral density  filter that attenuates light to 6 25   transmission  without interfering color    e Grun  a green panchromatic filter that was used for contrast enchantment for  B W photography    These filters were used for film photography and are not useful for digital  photography  However  when using low intensity light  yellowish   DLF filter adjusts  the light back to the direction of blue  making the image more pleasant to view        0 9  P  Sil ee   gt  06 09 PH       h
4.  Light path in the microscope is divided into two  and a sample can be  viewed also in the eyepieces on the left side of the microscope  Distance of the  oculars can be adjusted and  as a whole  the eyepieces swivel to facilitate optimum  viewing angle        Figure 7  Dual viewing attachment    mW       Figure 8  Power source for the light pointer    There is a light pointer in the viewing attachment that uses an external power source   Thus  you need to connect the transformer into a power outlet before using the pointer   Figure 8   After use  disconnect the transformer  Notice that you can use the monitor  instead of the dual viewing attachment     On the back side of the viewing attachment  there are two control knobs for the light  pointer  Figure 9      e Control A   o Move up or down to control position horizontally  o Push or pull to control position vertically  o Rotate to change color from yellow or red   e Control B     o Rotate to change brightness of the pointer       Figure 9  Light pointer controls    2 8 Koehler illumination    Koehler illumination needs to be adjusted in the beginning of every imaging session  for optimal illumination  Proceed as follows     Instruction View in eyepiece    1  Use 10x objective and  front lens  Focus on the  sample     2  Close the luminous field  diaphragm by turning the  adjustment wheel clockwise     3  Move the condenser up or  down so that the diaphragm  edges are in focus  The  microscope is designed so  that in the ima
5.  Mie WANS AIA CES A o a a a saan nates teanraa Suara candtueal gles seaiaieunneclada  13  3 6 Postamasinas Id US TIMES tae ncoinves denen eeraclne Manne sie i uiv auc ueroasiees 13  SOL ASEOP PIO TMS IMA ci 13  IO Sele E Fr OE OEE EO EEN EEE 14   4 SAVING AND TRANSFERRING IMAGES  eeeeesccssseccccccccsscecccccccssecceccccocseecceccccssseceee 14    gt   FINISHING YOUR IMAGING evcecciscecevsseccsseseccdanscstvcsdsceseoseadessestsvevscavecstecadscnenadescessess 14   6  TROUBLESHOOTING cisien E a 15  6 1 ADN a a a 15  6 2 EEEE AA S E E A E E EE 15  6 3 Problems with focus or picture clarity oo   ccc cdsccassscseas dada 15  6 4 View Spia Eer ar a A aA E a AE A 15  6 5 Colors have ted yc OWN inani ci S 15  6 6 Ocular view is not at the same focus as the camera VIEW  oooocccnncncocoooooooonoooonononnnnnononnnnnnnnnnos 15    6 7 Computer LO iia o aa 16    1 General user information    Leica DM LB research microscope is only for the Molecular Cancer Biology  MCBP   and Genome scale Biology  GSB  research programs internal use  It is a transmitted  light microscope that cannot be used for fluorescence microscopy  Bright field   polarization contrast  and low quality dark field illumination are available  There are  no oil objectives available  thus the resolution of the objectives is lower than that of  the Axioplans  There is a Leica manual on a shelf near the microscope     Reservations for the microscope are made through the Scheduler  Access to the  reservation system and instructio
6. Leica DB LB Research microscope  and Studo Lite Imaging software    Room B523       User Guide    Molecular Imaging Unit O  University of Helsinki  www miu helsinki fi    miu support helsinki fi  u support helsinki 9 4 2008    1    GENERAL USER INFORMATION siscssssvciscssescsstcscceiecssessctedescoscadsncsstsbecsisesiessassasesedees 1    2 SETTINGS FOR TRANSMITTED LIGHT MICROSCOPY         ssssssssecccccccccecesssssssse 1  2 1 Tumime on Me  microscOpe ma  o era a T aaas l  22 AN O A haemametaen aah oth twasoauanneataconucnsas inte th ouasesanncobacunueians l  2 3 PIACINO ihe sample ne led 2  2 4 Ob CUE a A 2  29 FOCENO noo e ete Sterner eee ee 3  2 6 Eyepieces  OCU LARS  haina e uch oh ate lae 4  2 7 Ditalvie wane tac WImMem 64 tonsa taste eto wera o 4  2 8 K  cher Muminas aie i une coa 6  29 Polarization COMUASE asenin aoe a A ii 8  2 10 PUN CTS sto5s sess yates seve we il ia 8  2 11 Dark  field Microscopy cadveds osadeeveeis ados 9  212 Turnin of the microscope s A id 9   3  IMAGEACOUISITION icscscssccisvesccciecctcecssscseeesvacsancstecnaceneeatsncssssevesveesnncseececseuenetsacseedse 10  3 1 ACCESSIA tHe computer iia 10  32 VIEW Ender application id 10  3 3 Adjustments before image acquisition oi 10   SL   Caplire Tesoro N 10  A A O A A A csacaeees 10  Seo  Expose Mode EOS e a e enemies eens 11  Deo a 11  A O ETN 11  O TOO M5 is Boss En 12  Seow    Even nderexpOSUTE ars 12  A O CTA OLIN a  foci a E cowie a ala dae a a te Rte eli alnetinied eae 12  3 4 CAPTURA A SAA 13  3 5
7. d  circle in Figure 2   Re screw the  lock after use        Figure 2  Adjustment wheels for stage control  arrows  and rotation lock  circle     2 3 Placing the sample  Place your sample on the specimen stage by manually widening and releasing the  spring operated object holder  Figure 3      2 4 Objectives    Select an appropriate objective  Table 1  by manually turning the black rim of the  objective revolver  Figure 3         Figure 3  Objective revolver  red arrow  and sample holder    Objective Numerical   Color Coverglass  c g     Position for auxiliary  Aperture ring thickness condensor lens   NA     N Plan 2 5x Any without c g   N Plan 5x 012   Red Any without c g     N Plan 20   N Plan 40   C Plan 63x    Table 1  Objectives in Leica DM LB       N Plan stands for planachromat and C Plan for achromat objectives  The achromatic  objectives are corrected for axial chromatic aberration in two wavelengths  blue and  red  about 486 and 656 nanometers  respectively   Furthermore  achromatic objectives  are corrected for spherical aberration for the green color  546 nanometers   If focus is  chosen in the green region of the spectrum  images will have a reddish magenta halo   Achromatic objectives yield their best results with light passed through a green filter   Planachromat is a flat field corrected achromat objective  which corrects the field  curvature     NA indicates the numerical aperture of an objective  This determines the resolving  power of the objective  The high
8. djusted by selecting Fast  Zoom  or Full in the  main menu under View Finder Mode  It is easier to focus and move the  sample with the Fast setting  For fine adjustment of the focal plane  use  Zoom     3 3 Adjustments before image acquisition    3 3 1 Capture resolution    There are three resolutions  640x480  1392x1040  and 2776x2074  to choose from   Figure 15   Use higher resolution for more details  1f the bigger file size does not  matter  The highest resolution is slower to acquire than the other two  Resolution  selection does not affect the live view image     3 3 2 Sensitivity    In the Sensitivity box  select ISO values from 50 to 400  Higher value shortens the  exposure time but increases background noise and decreases image quality  In digital  imaging  ISO 100 is the level of intensity read from the sensor  Everything else is    10    simply multiplied values  thus the same effect can be added later on in image editing  software  Therefore  changing the value from 100 is not recommended     3 3 3 Exposure Mode  In the Exposure Mode box  select either Automatic or Manual     e Automatic  AE   The software measures the optimal exposure time  automatically  Change Spot and Exposure Adjust if needed  see below   To  lock the exposure time  click AE lock button  Figure 15  upper toolbar   rightmost button      o Spot defines the size of an area from which exposure time is measured   Choose 30    1   or 0 1   of picture area  To move the spot  there is  a button in th
9. e polarizer is not partially on the light path  e the objective is correctly in place    e the field diaphragm is not too closed    6 5 Colors have red yellow tint  e Check the white balance    e For other color errors  check the color filters  Section 2 10     6 6 Ocular view is not at the same focus as the camera view    e Check ocular adjustment  Section 2 6     15    6 7 Computer login fails  Check that   e domain is LTDK    e use are using your hyad account user ID and password   the same ones you are  using for accessing your university e mail account    16    
10. e upper toolbar  Figure 15  upper toolbar  third button  from right   Click the button and then click live view image in a place  where you want the exposure area to be  Re centering the area is done  with the button on the right hand side of the Spot button     o Exposure Adjust is used for adjusting the automatic exposure time   Use values from 0 to 2 to brighten  longer exposure  the image and  values from  2 to 0 to darken  shorter exposure  the image     e Manual  You can adjust the exposure time manually using the Exposure  Time slider     3 3 4 White balance    White balance is the adjustment of relative intensities in red  green  and blue channels   White balance adjustment is needed because the halogen lamp in the microscope  changes color with the change of intensity  The dimmer the light  the more red it  becomes     Pressing the button marked with OWB will automatically adjust the white point of the  image  If manual adjustment is needed  press the WB button and make a selection in  the image that represents white color  The image is adjusted accordingly  The best  white balance is achieved by pressing the OWB button while the sample is out of the  view  the whole camera view area is white  so it does not disturb the measurement of  the color of the light     3 3 5 Levels adjustment    You can adjust the brightness  contrast  and gamma correction of the image in the  levels adjustment dialog  Main Menu BF button Settings Level Adjustment tab    Start the adjustmen
11. er the NA  the better the resolution  None of the  objectives are to be used with immersion oil     For wider illumination when using 2 5x and 5x objectives  move the auxiliary  condensor lens out of the light path by swinging the rod connected to the lens  Figure  4         Figure 4  Auxiliary condenser lens switch    2 5 Focusing    Focus on the sample by turning either of the focusing wheels located identically on  both sides of the microscope  Figure 5   Focusing raises or lowers the specimen stage   the outer wheel is for coarse focusing  and the inner one for fine focus adjustment     The fine focus has two modes  when the left focus wheel is pulled out  each line on  the wheel equals 1 um of movement  When it is pushed in  each line equals 4 um of  movement        Figure 5  Focusing wheels    2 6 Eye pieces  oculars     Adjust the folding bridge of the oculars until you see  using both eyes  only one  circular field of view through the oculars  Use the diopter adjustment on the oculars to  match your vision  Figure 6  part B   Initial setting for the diopter is 0 for both eyes   which is set when the edge of the ocular is on the silver ring  Figure 6  part A   People  with strong astigmatism should wear their eyeglasses when looking through the eye  pieces              Figure 6  Diopter adjustment  A  setting for 0 diopter  B  diopter adjustment    2 7 Dual viewing attachment    Dual viewing attachment allows two people to observe a sample at the same time   Figure 7  
12. ftware such as Adobe Photoshop  Ready made  scale bars for the full resolution images are available at  http   www miu helsinki fi instruments LeicaDMLB scale_pictures htm  in Photoshop  format   The page also contains the scaling information  i e  how many micrometers  each pixel represents   so you can draw the scale bars yourself     4 Saving and transferring images    Save images using the TIFF format to prevent image data loss  The default save  format is JPEG  which discards color information invisible to human eye  thus  decreasing image quality and making quantitative analysis unreliable     None of the image formats save the metadata 1 e  objectives  exposure times   microscope model etc  You should always write down this information  as you will  need it when you want to publish your images     Images can be saved through network in a temporary disk space  Images    folder in  Snap Server  Mcbserverl   The network drive is mounted as drive I  Images on  Mcbserverl  Figure 20   Note that this disk space is occasionally emptied on  Mondays without announcement  so do not use it for long term storage     At your own computer  connect to Mcbserverl as follows   e Windows   by writing in the Explorer location bar    mcbserver1 images    e Mac   by connecting to the server in Finder using the address   smb   mcbserver1 images    The password needed in both cases 1s provided by the MIU staff   Network Drives    ua Images on    Snap Server   mcbrerver  hi helsinki  fil  i  
13. ging path  field  diaphragm should be in  conjugate plane with the  specimen plane  in focus at  the same time   You adjust  this by adjusting the height of  the condenser        Instruction View in eyepiece    4  Center the diaphragm in  the field of view by rotating  the condenser adjusting  screws  In other words  you  adjust the illuminating path  so that it is properly aligned  along the optical axis of the  microscope     5  Open the luminous field  diaphragm by turning the  adjustment wheel counter   clockwise until the edges just  disappear from the field of  view  This step ensures that  you only illuminate the field   of view     6  Pull out one ocular and 0 9  P  Sil   look through the eyepiece 3 COUROS       tube  Close the aperture E eE      diaphragm by turning the HB           wheel in the condenser until            the aperture is about 80  of a a  the diameter of the objective  pupil  Replace the eyepiece   Another way of adjusting the  aperture is by looking at your  specimen and closing the  diaphragm until resolution  and contrast are optimal   Diaphragm too open  poor  contrast  Diaphragm too  closed  poor resolution     BPE ok        When adjusting Koehler illumination for higher magnification objectives  repeat the  procedure  For lower magnifications  5x and 2 5x   the condenser performance is  changed by the removal of the swing out lens from the light pathway  and the  condenser aperture diaphragm no longer controls the numerical aperture  Fully open
14. ns for its use are at MIU web page   http   www miu helsinki fi reservations htm  MIU website has information about the  instruments available  sample preparation  imaging techniques etc  Every user of  instruments maintained by MIU is expected to be familiar with the information on the  MIU user info web page  http   www miu helsinki fi userinfo htm  In particular  if you  use any MIU instruments or services for your publication  you are expected to  acknowledge MIU     2 Settings for transmitted light microscopy    2 1 Turning on the microscope    Turn on the microscope by using a switch located on the left hand side of the  microscope  Figure 1   This turns on the transmitted light source  halogen lamp   If  the light is too dim or bright this can be corrected by adjusting the brightness control   Figure 1   For other light intensity problems  see the troubleshooting section on page  15        Figure 1  Power switch  red circle  and brightness control for halogen lamp  red arrow     2 2 XY stage    Move the specimen stage in the X Y  direction to center the sample or wanted detail in  the field of view  This is achieved by turning the two adjustment wheels connected to  the stage on the right hand side  arrows in Figure 2   Upper wheel controls the    movement in y direction  back and forth   lower in x direction  side to side   If you  need to rotate the stage to get the image in any wanted angle  open the rotation lock  by unscrewing it and then rotating the stage by han
15. t by clicking the levels button  marked with red square in Figure  16   The window contains an image histogram  which shows the intensity distribution  of the image  Wide histogram indicates that good dynamic range of the camera was  used  A peak at the right end means that there are oversaturated pixels in the image   You should avoid over saturation by shortening the exposure time     The Channel selection lets you adjust one color at a time  In the RGB setting  your  adjustments will affect all colors  Adjust Shadow and Highlight for brightness and  contrast  and Gamma for gamma correction  Note that Gamma is a non linear  change and has to be mentioned in the legend when the image 1s published     11       Figure 16  Histogram level adjustment  Red square  levels button    3 3 6 Focus tool    Focusing tool assists you in focusing  If the focusing toolbar 1s not visible  enable it in  the Options menu  Once activated  two bars appear  Figure 17   The blue one shows  the current focus value  and the red one a history of the best level reached since last  reset  When you focus up and down  you should try to hit the highest level  match the  blue and red bars   Click the green rectangle icon when you want to mark in the image  the area the focus value is calculated from  The button with the red arrow lets you  move the area        Figure 17  Focusing toolbar    3 3 7 Over Underexposure    The over underexposure indicator only works under automatic exposure mode  Figure  15 lo
16. wer right corner   If the overexposure is checked  exposure time is too long   Decrease the automatic exposure by selecting a negative number in the selection box  left from the indicator  In the case of underexposure  choose a positive number     3 3 8 Averaging    The averaging operation calculates the mean of the given number of images reducing  random noise generated by long exposure times  The number    1    at the top of Figure    12    15   Make sure the stage does not move at all between the images or image quality  decreases     3 4 Capturing the image   Press the Camera button next to the Live button to take an image  After acquisition   the image will appear in Studio Lite    3 5 Viewing images    To zoom in or out  select the zoom tool in the toolbar at the right edge of the screen   Figure 18  middle button   When zoomed in  you can pan around the view with the  panning tool  Figure 18  bottom button         Figure 18  Selection  Zoom and Panning tools  3 6 Post imaging adjustments    3 6 1 Cropping the image    To crop the image  mark the area with the selection tool  Figure 18  top button   Then  go to Edit     Crop menu  Figure 18   You can use Copy and Paste as New Image  commands in the Edit menu for creating a new image from the cropped area     Studio Lite   Capture   100         Figure 19  Cropping an image    13    3 6 2 Scale bars    The Studio Lite software does not provide means to insert scale bars  They can be  added later on in any image editing so
    
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