Kodak VISION2 500T User's Manual
Contents
1. These are approximate corrections only Make final corrections during printing tThese are starting point recommendations for trial exposures When you don t know the type of fluorescent lamp use a KODAK Color Compensating Filter CC40R with an exposure index El of 250 SENSITOMETRIC CURVES gt 0 on the x axis represents normal exposure of an 18 percent gray card in the red green and blue layers of this film A white card is 2 1 3 stops higher than normal exposure and there are at least 2 1 2 stops above that for capturing specular highlight detail A 3 percent black card is 2 2 3 stops below normal exposure There are at least 2 1 2 stops of latitude below that for capturing shadow detail MODULATION TRANSFER CURVES gt This graph shows a measure of the visual sharpness of this film The x axis Spatial Frequency refers to the number of sine waves per millimetre that can be resolved The y axis Response corresponds to film sharpness The longer and flatter the line the more sine waves per millimetre that can be resolved with a high degree of sharpness and the sharper the film DIFFUSE RMS GRANULARITY CURVES gt To find the rms granularity value for a given density find the density on the left vertical scale and follow horizontally to the sensitometric curve and then go vertically up or down to the granularity curve At that point follow horizontally to the Granularity Sigma D sca2. and processing conditions will affect results The company reserves the right to change and improve product characteristics at any time Revised 10 2005 Printed in U S A Kodak Eastman Vision Keykode Shootsaver and Wratten are trademarks Eastman Kodak Company 2002 KODAK VISION2 500T Color Negative Film KODAK Publication No H 1 5218 CAT 147 4188
3. 311 KODAK SHOOTSAVER Express Delivery Service U S only 1 800 404 2016 Visa or MasterCard only service fee applies Kodak Canada Inc 4185 Still Creek Drive Suite C150 Burnaby British Columbia Canada V5C 6G9 Orders 1 800 621 FILM Fax 1 866 211 6311 EUROPEAN AFRICAN AND MIDDLE EASTERN REGION Kodak Limited Hemel One Boundary Way Hemel Hempstead Herts HP2 7YU ENGLAND Phone 44 1442 846957 Fax 44 870 850 2418 Eastman Kodak SA 29 31 Route de L Aeroport Le Grand Saconnex Case Postale 271 1215 Geneva 15 Switzerland Information Phone 41 22 747 2000 Fax 41 22 747 2200 GREATER ASIA amp JAPAN REGION AUSTRALIA Kodak Australasia Pty Ltd 173 Elizabeth Street Coburg Victoria Australia 3058 Phone 61 3 8371 8520 Fax 61 3 9353 2962 CHINA Peoples Republic Beijing 8610 6561 6561 Shanghai 8621 6350 0888 Guangzhou 8620 8666 9888 HONG KONG Phone 852 2564 9351 INDIA Phone 91 5641 6770 INDONESIA Phone 62 21 570 5212 JAPAN Phone 813 5540 2280 KOREA Phone 822 708 5830 MALAYSIA Phone 603 7680 3338 NEW ZEALAND Phone 649 302 8665 PAKISTAN Phone 92 21 561 0150 PHILIPPINES Phone 632 813 7916 SINGAPORE Phone 65 6371 3388 TAIWAN Phone 8862 2316 8282 THAILAND Phone 662 271 3040 59 Ext 312 Notice While the data presented are typical of production coatings they do not represent standards that must be met by Kodak Varying storage exposure
4. NDARD PRODUCTS AVAILABLE Le FORMAT AND LENGTH IN CORE DESCRIPTION PERFORATION PITCH To order the publications below call SPECIFICATION NO METRES FEET METRIC IMPERIAL 35 mm SP718 122 400 u BH 4740 BH 1866 1 800 233 1650 between 8 a m and 7 p m 35 mm SP718 305 1000 U BH 4740 BH 1866 Eastern Time 16 mm SP449 30 100 R 90 100 ft spool 2R 7605 2R 2994 16 mm SP451 122 400 T 2R 7605 2R 2994 Outside the United States please contact 16 mm SP578 122 400 S 153 400 ft spool 2R 7605 2R 2994 your Kodak representative 16 mm SP426N 15 50 R 232 50 ft spool 2R 7620 2R 3000 16 mm SP445 61 200 A Winding A 1R 7620 1R 3000 16 mm SP455 30 100 R 90 100 ft spool Winding B 1R 7605 1R 2994 Visit us online at 16 mm SP457 122 400 T Winding B 1R 7605 1R 2994 65 mm SP332 305 1000 P Emulsion In KS 4740 KS 1866 www kodak com go motion S8 mm SP464 15 50 Super 8 Cartridge FILMS Cinematographer s Field Guide KODAK Publication No H 2 PROCESSING Manual for Processing KODAK Motion Picture Films Process ECN 2 Specifications Module 7 KODAK Publication No H 24 07 IMAGE STRUCTURE KODAK Motion Picture Film KODAK Publication No H 1 TRANSFER KODAK Telecine Analysis Film User s Guide KODAK Publication No H 822 KODAK Telecine Exposure Calibration Film User s Guide KODAK Publication No H 807 LAD LAD Laboratory Aim Density KODAK Publicat
5. The next generation of film is here After a century of R amp D we re still innovating KODAK VISION2 500T Color Negative Film 5218 7218 is the start of a new family of films for a new era of filmmaking An era that demands perfection but with more efficiency from capture to post With proprietary new technology for superior image structure more highlight and shadow detail improved color and skin tone reproduction clean telecine transfers and seam less special effects KODAK VISION2 Film products offer the lowest grain available for clean crisp images improved neutral tone scale and more flexibility in both film and digital postproduction Yes it takes film to a whole new level And after all these years this is just the beginning ON25 Color Negative 5218 7218 KODAK VISI www kodak com go motion Original Negative Exposure DATA Lens 32 mm ZEISS Ultra Prime Lens Filter None Aperture T 2 8 Incident Light Levels Tungsten 2950K Key T 2 8 20 fc Fill T 1 3 4 fc Backlight T 5 0 64 fc Stop notations listed on the photo are reflected light readings Note There is a small amount of A i tmospheri ke in th N m atmospheric smoke In e scene a 4 Stops 3 Stops 1 3 Stops O Normal O 1 4 Stops QO 3 5 Stops 4 2 Stops BASE CoLor BALANCE POST PRODUCTION INFORMATION Acetate safety base with rem jet backing DARKROOM RECOMMENDATIONS Do not use a safelight Handle unprocess
6. ed film in total darkness PROCESSING ECN 2 STORAGE Store unexposed film at 13 C 55 F or lower For storage of unexposed film longer than 6 months store at 18 C F Process film promptly EXPOSURE INDEX This film is balanced for exposure with tungsten illumination 3200 K You can When you transfer this film directly to video set up the telecine using negative also expose it with tungsten lamps that have slightly higher or lower color temperatures 150 K without correction filters since final color balancing can be done in printing For other light sources use the correction filters in the table below LIGHT SOURCE KODAK FILTERS ON CAMERA Telecine Analysis Film TAF EXPOSURE INDEX Tungsten 3200 K 500 Daylight 320 with KODAK WRATTEN Gelatin Filter No 85 LABORATORY AIM DENSITY Time negative originals relative to Laboratory Aim Density LAD Control Film supplied by Eastman Kodak Company Tungsten 3000 K WRATTEN Gelatin No 82B 320 Tungsten 3200 K None 500 Tungsten Photoflood 3400 K None 500 Daylight 5500 K WRATTEN Gelatin No 85 320 White Flame Arcs WRATTEN Gelatin No 85B 200 Yellow Flame Arcs Color Compensating 20Y 320 OPTIMA 32 None 500 VITALITE WRATTEN Gelatin No 85 320 Fluorescent Cool Whitet WRATTEN Gelatin No 85 10M 200 Fluorescent Deluxe Cool Whitet WRATTEN Gelatin No 85C 10R 320 Metal Halide H M I WRATTEN Gelatin No 85 320
7. imes from 1 1000 of a second to 1 10 second In the 1 second range increase exposure 2 3 stop and use a KODAK Color Compensating Filter CC 10R In the 10 second range increase exposure 1 stop and use a KODAK Color Compensating Filter CC 10R After processing the Kodak internal product code symbol EH product code numbers 5218 35 mm or 7218 16 mm emulsion and roll number identification and EASTMAN KEYKODE Numbers are visible along the length of the film The perception of graininess of any film depends on scene content complexity color and density In KODAK VISION2 500T Color Negative Film 5218 7218 the measured granularity is exceptionally low The perceived sharpness of any film depends on various components of the motion picture production system Camera and projector lenses film print ers and other factors play a role but the specific sharpness of a film can be measured and charted in the Modulation Transfer Curve Spectral Sensitivity Curve Key Sensitivity of the yellow dye forming layer Sensitivity of the magenta dye forming layer Sensitivity of the cyan dye forming layer Spectral Dye Density Curve Key Midscale Neutral Cyan Dye Magenta Dye Yellow Dye Minimum Density Note Sensitometric and Diffuse RMS Granularity curves are produced on different equipment A slight variation in curve shape may be noticed KODAK VISION2 500T Color Negative Film 5218 7218 ADDITIONAL INFORMATION STA
8. ion No H 61 STORAGE KODAK Motion Picture Film KODAK Publication No H 1 All of the above are also available at http www kodak com go motion The Book of Film Care KODAK Publication No H 23 Availability may vary by location This product is also available as Finish to Order FTO in various other standard roll lengths and formats Sold only in specific minimum order quantities or multiples of the minimum order quantities non returnable US and Canada delivery time of 3 weeks from receipt of purchase order Other restrictions may apply Contact your local Kodak representative for additional information Spec 445 can be used only in the AATON A MINIMA Camera For direct ordering in the U S and Canada 1 800 621 FILM 3456 Hollywood California 6700 Santa Monica Boulevard Los Angeles California 90038 1203 Phone 323 464 6131 Orders 1 800 621 FILM New York New York 360 West 31st Street New York New York 10001 2727 Phone 212 631 3400 Orders 1 800 621 FILM LATIN AMERICA REGION Entertainment Imaging 1900 NW 97th Avenue Miami Florida 33172 Phone 305 378 0566 305 229 0422 CANADA Kodak Canada Inc 3500 Eglinton Avenue West Toronto Ontario Canada M6M 1V3 Phone 416 761 4922 Orders 1 800 621 FILM Fax 416 761 4948 Toll Free Fax 1 866 211 6311 Kodak Canada Inc 4 Place du Commerce Suite 100 Ile des Soeurs Verdun Quebec Canada H3E 1J4 Orders 1 800 621 FILM Fax 1 866 211 6
9. le on the right Read the number and multiply by 1000 for the rms value SPECTRAL SENSITIVITY CURVES gt These curves depict the sensitivity of this film to the spectrum of light They are useful for determining modifying and optimizing exposure for blue and green screen special effects work SPECTRAL DYE DENSITY CURVES gt These curves depict the spectral absorptions of the dyes formed when the film is processed They are useful for adjusting or optimizing any device that scans or prints the film NOTE Cyan Magenta and Yellow Dye Curves are peak normalized DENSITY RESPONSE LOG SENSITIVITY DIFFUSE SPECTRAL DENSITY 3 S f LOG EXPOSURE lux seconds 3 2 2 A T 0 2 CAMERA STOPS DENSITY ma 10 100 SPATIAL FREQUENCY c mm 1 0 2 0 3 0 4 0 RELATIVE LOG H lux seconds 100 030 010 004 002 001 Fl WAVELENGTH nm Sensitivity reciprocal of exposure erg cm required to produce specified density GRANULARITY SIGMA D 250 300 350 400 450 500 550 600 650 700 750 300 350 400 450 500 550 600 650 WAVELENGTH nm 700 750 800 1000 No filter corrections or exposure adjustments for exposure t
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