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        Genesis Advanced Technologies 500 User's Manual
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1.        A simple rule of thumb to follow is that focus will be achieved by placing the speakers  closer together or farther apart  and front to back depth can be adjusted by the distance  from the wall behind the loudspeaker     Further adjustments   If the voice sounds  thin  or does not have enough  chest  to its sound  turn the  woofers amplifiers volume  gain  up till it does  or at this point  you may want to  experiment with increasing or decreasing the low pass filter control  This control will  raise or lower the frequency cutoff point of the woofer  If you find that the sound is   thin  or lacking in mid bass and that turning the volume of the woofer amplifier up  to  thicken  the sound creates too much low bass  this is a good indication that you  may want to turn the low pass filter up instead  This will extend the upper bass regions  without affecting the low bass level     Next  set the woofers using more than just a voice  Select some music that you know  to have good deep bass  Using the gain control on the back of the GSAT amplifier  set  the woofers for a natural and powerful bass sound  Use a symphonic piece of music if  you can  or use a natural bass instrument for your guide  Try to make it sound real   You may have to return to the vocal to make sure you have not gone too far in one  direction     If  at this point  it does not have enough mid bass  turn the low pass control to a higher  position or  alternately  position the speakers slightly closer toget
2.    CONBSIS    Genesis 500 System  Owner s Manual    Description   Standing 44 inches tall and only 11 inches wide  the Genesis 500 is an all new  technology loudspeaker system capable of delivering live listening levels across the  entire frequency spectrum  By means of active servo bass  response down to 25 Hz is  achieved and the full range and impact of the symphony orchestra can be reproduced     The Genesis 500 has two planar ribbon tweeters  one in front and one in the rear  To  cover the midrange  the Genesis 500 utilizes our revolutionary new 5 5 inch titanium  coned driver and to cover the mid bass frequencies  there is a 6 5 inch metal cone mid  bass couplers     The bass frequencies are handled by three 8 inch metal cone woofers  that are  powered by a 500 watt GSAT power amplifier built in to the back of the unit     Like all Genesis loudspeakers  the Genesis 500 s are a dipole design producing sound  from both the front and the rear  one out of phase with the other  While the advantages  of a dipole design are many  the two main benefits are ease of placement in the room  and a greater degree of spacious natural sound reproduction     Dipoles achieve their superior performance because they create a radiation pattern  such that the energy radiating to the sides of the speakers plane is nearly zero  So   with very little acoustical energy reaching the side walls of your living room not only is  placement of the speakers easy but  remarkably  the listener is able to
3.  experience the  music unencumbered by the normal room aberrations which plague most other  speakers     The 500 s magic is in the drivers   The tweeter used in both the front and the back of the 500 series has been described  by many reviewers in both the American and foreign Audiophile press as possibly  the  world s best   It is a 1 inch planar ribbon design and is hand crafted from an extremely  thin laminated membrane of aluminum and Kapton and measures a mere 0 0005 inch  thick  The advantage of incorporating such an extremely thin membrane is that of low  mass  The result of this design is a driver that has a rapid and uniform response to    Page 1    high frequency transients and has the speed of the best ribbon electrostatic designs  without the high distortion and poor dispersion that is typically associated with them  The midrange driver is truly unique and revolutionary  Machined from pure titanium   one of the lightest and stiffest materials known to man  this new 5 5 inch low mass cone  driver is one of the best transducers ever made with transient response nearly  instantaneous enabling the APM to sound lifelike and effortless     To create a    sound bridge    between the midrange and the servo woofer system  the  500 series incorporates a 6 5 inch metal cone mid bass coupler  This metal cone is an  extremely light and stiff design capable of handling the huge dynamic range demands  of the system while maintaining extremely low coloration and excellent transie
4.  off  and you are unable to turn it back on  you have overheated  the amplifier or have played it too hard  It may take up to ten  minutes for the amplifier to turn back on  Be patient and  turn off the music  Let the amplifier rest and cool down  The  causes for this are typically too much volume  Refer to the  section on increasing the low frequency response of your  speakers without turning up the volume control  If the  amplifier does not automatically come back on  unplug the  unit from the power receptacle in the wall and wait for a few  minutes before plugging it in     Genesis Technologies Inc  of Vail Colorado 970 328 9515 voice 970 328 9522 fax    Page 9       
5.  on as soon as you  play music     Page 4    e    Roughing the system in   We suggest that you start with a single vocal with instrumental accompaniment  because the sound of the human voice is more easily recognizable than many  instruments and is the least complex sound to deal with  for most people      Begin with the bass level   Turn the volume control of the GSAT amplifier up or down until the voice sounds  correct  Concentrate on the mid bass regions  as opposed to the very low bass in your  recording  to achieve a natural blend  The voice and the music accompaniment should  sound as if it were cut from one cloth  not separate     Leave the low pass filter alone  for the moment  as it should remain set at  approximately 95 Hz  This control will be addressed later     If your vocal selection is a good recording  like a Chesky label or Reference Recording  or Sheffield  the performer should appear to come from behind the loudspeakers and  be at the appropriate height for a standing person  If it is not there are several  remedies which this paper will address     1  If the vocal appears to be larger than life  you should first check the system  volume  Is it a volume that would be appropriate for someone actually singing in your  room  If there is too much volume the artist will appear too big and the opposite is true  for too little volume  If the volume is set correctly and the image is still too big  toe the  speakers in a slight amount or place them closer together a
6.  provided with a long 10 foot power cord to connect power to your  Genesis 500 s GSAT amplifier  Use this provided power cord if at all possible  If the  power cord is not long enough and you must use an extension cord  make sure the  extension cord is as short as possible and at least 14 gauge or heavier  the lower the  number  the heavier the wire i e   12 gauge is heavier than 14 gauge      Page 3       Be careful not to connect the power cord to a switched outlet  one that can turn off with  a wall switch      Before plugging the power cord into a power receptacle  look at the switch on the back  of the GSAT marked  voltage select  and insure it is set to the proper voltage  Most  countries in North America  plus Taiwan and Japan will require the 115v setting  Most  European countries and other Asian countries will require 230v  Check with your local  power authorities for the correct voltage in your country     Initial settings  On the back of the Genesis 500 there are four control  They are labeled  tweeter     Midrange    Gain    Low pass      Tweeter controls the volume level of the front tweeter  There is about a one dB range   Initially set this control at the two o clock position     Midrange controls the volume of the midrange driver  There is about a dB and a half  range  Initially set this control at the one o clock position     Gain controls the volume of the woofer amplifier  Begin with this control at the one  o clock position     Low pass this controls how h
7.  such information     2  If you find that the sound is not spacious enough or you are not getting  enough front to back depth  pull the speaker away from the wall  towards the listening  position   This is typically preferable to separating the two speakers too far and will  almost always give you better depth and soundstage information  A word of caution   however  if you move the speakers too far from the wall behind the speakers you may  lose focus    3  If you find there isn t enough deep bass  your first remedy is the volume  control on the woofer amplifier  This has several limitations  First  turned up too high   you may get some distortion on very low frequencies  Secondly  you may make the  mid bass produced by the top of the woofer out of proportion with the mid bass  produced by the bottom of the midrange driver  This would tend to sound  boomy  in  the mid bass regions     A good tule of thumb is to first set the volume control of the subwoofer for proper  midbass rather than low bass  The theory is  if the midbass is correct  then the low  bass should be very close to correct  If the midbass is proper and the low bass is still  not right  here are some other suggestions     Page 7       Push the speakers back towards the rear wall  This will increase the coupling of the  woofers to the room  Do this procedure in small increments  approximately one inch at  a time  and return often to the recordings you have used to adjust the front to back  depth and soundstage p
8. e biggest  mistakes we find customers making is too many changes at once  Make one change   then listen     4  A common problem we find with many setups is a tendency to separate the  speakers too far from each other  This gives an unnaturally wide soundstage between  the two speakers  and creates problems beyond the unnatural width of the center  stage  The key problem is a lack of soundstage information beyond the left and right  sides of the speakers  Another is improper focus of instruments and voices which is  typically  corrected  by the user with too much toe in  Yet another problem is a lack of  mid bass energy  In order for the appropriate amount of mid bass energy to be  present  the speakers should be close enough together to achieve proper  coupling  of  the titanium midrange driver  Coupling is desirable in the lower frequencies and simply  means that the left and right drivers  work together    as opposed to working separately     In order to achieve what the speaker is capable of we suggest you focus your efforts on  a proper balance of soundstage elements that includes information beyond the left and  right sides of the speakers  front to back depth well behind the speaker  excellent focus  of instruments and voices with proper vertical information and mid bass fill     A Genesis loudspeaker system correctly set up  can and should provide a soundstage  that is wall to wall and with pinpoint focus  the speakers disappearing completely on a  recording containing
9. e listener and the loudspeaker  Itis where the sound from the loudspeaker  first hits the side wall  then bounces to the listener  This reflection is undesirable    because it is slightly delayed from the original sound  This point on the side wall can be  easily determined with the help of a second person and a mirror     Sitting in your listening position have an assistant hold a mirror up on the side wall     Move the mirror along the wall until you can see the tweeter  This is the point of first   reflection  A diffuser  see your dealer   an absorptive material or even a piece of    furniture can help break up this point of first reflection     Mastering the refinements of the system    Fine tuning an audio system is an art that will take time and patience  It can be one of   the more rewarding learning experiences you will have in the pursuit of music and its  enjoyment       One of the best pieces of advice we can offer is that you take advantage of the ears  ability to identify similarities in sound  This ability is useful in fine tuning your system    because if every recording you listen to has a similarity of sound  too much or too little  of a certain frequency for instance  then you can be fairly certain that you have yet to    Page 8    EE    perfect your setup  Keep at it and remember to enjoy your music as you work on  perfecting your setup     If you have any questions  feel free to contact us at Genesis     Note  Should your woofer amplifier unexpectedly turn
10. ed for cable lengths longer than 10  feet  We recommend in most instances that you rely on the existing internal connection  provided by connecting the power amplifier to the 500 as described above     If you choose to connect your 500 in this fashion  use a good quality interconnect cable  to connect your preamplifier s output to the low level input on the back of the 500  marked  input   We strongly recommend that you do not use interconnects longer  than 10 feet  3 2 meters  to connect the preamplifier outputs to your Genesis 500  On  many preamplifiers  use of an interconnect that is too long will negatively affect the  performance of your preamplifier because of the high capacitance of the cable across  the output of your preamplifier     Connect the input of the GSAT woofer amplifier to the output of your preamplifier  If  your preamplifier has only one set of balanced outputs and one set of unbalanced   RCA  type outputs  choose balanced for the connection of the amplifier that is driving  your main speaker  Use the remaining set of RCA outputs to feed the GSAT amplifier     If your preamplifier does not have two outputs  use a  Y  connector to split the signal   The GSAT amplifier presents a high impedance  very easy  load to your preamplifier  and can easily be used with the  Y  connector with no degradation to your main signal     Once connected  you must place the switch marked  input  in the  on  position     Connect the power to the GSAT amplifier   You have been
11. her in order to achieve  better mid bass coupling between the speakers  If it sounds too  fat  turn the low pass  control down or adjust the volume  This can also be accomplished with the midrange  control on the rear of the speakers  At this point it is suggested to use the low pass  filter control until you get to the refinement stage     Low bass  With the speakers positioned in the recommended placement low bass in the room  should not be a problem     Should you have too much bass  simply turn the volume down on the GSAT amplifier   Too little  and the opposite will apply     In some problematic rooms a resonance may develop at one or two frequencies that is  unnatural to the music  By moving the speakers closer to the rear wall or farther from  the rear wall  the resonance may be reduced at the listeners position  There are no  absolute rules concerning problematic rooms  so do not be afraid to experiment with  best woofer placement     The Refinement stage  After following the rough setup guide above your speakers should sound great     However  it is always a good idea to put the finishing touch on your system  To that  end we offer some of our experiences     Page 6    Note  One rule of thumb you should always keep in mind  Make one change at a  time  Do not  for instance  change position of the speakers and make an  adjustment to the amplifier all at once  Make each of these changes separately  and note the difference   by listening   with each adjustment  One of th
12. igh the woofer goes in frequency  At the low extreme of  71  Hz  the woofer will go as high as 71 Hz and then begin rolling off or reducing its  volume  Recommended beginning position for this control is 95 Hz  This is the 12  o clock position and you will feel a small stop at the center position     Input is a switch marked  on   off   This switch selects where the woofer amplifier  receives its input  In the  off  position  the woofer receives its signal from your power  amplifier and is the recommended setting  When the switch is in the  on  position   the woofer receives its signal from the RCA input to the left of the switch marked   input      Power is the on off switch for the power amplifier  We recommend that you leave the  switch in the on position always  The GSAT power amplifier has an auto off circuit that  will shut the amplifier off when there is no music being played for approximately 10  minutes  The amplifier will immediately come back on when there is music     Red light next to input  You may notice that there is a red light next to the input   When you first turn the GSAT power amplifier on  this red light will not come on  Only  when you play music will the light come on  The light is the auto off indicator  It  indicates when the amplifier is on and ready to play music  The light will automatically  turn off  as will the amplifier  after a period of approximately 10 minutes of no music  being played  The light  and the amplifier  will automatically turn
13. nd re listen  Repeat this  process till you have it right     2  If you are not getting enough front to back depth  not appearing behind the  speaker sufficiently  pull the speaker away from the wall a little bit at a time  If you do  not have them pulled far enough away  you may not have enough front to back depth   Find the best compromise for your room  your tastes and your space requirements     3  If you are not getting proper focus on the voice  you may place the left and  right speakers closer together until you have a properly defined center image or toe  them in a bit more  angled toward the listener   If the speakers are too far apart you will  lose the side image and if they are too close together you will have too small a center  stage  We recommend you begin with six to seven feet apart  two and three quarter  meters  as measured from tweeter to tweeter  If you still do not get enough  turn the  midrange control counter clockwise ever so slightly     When properly set up very little sound should appear to come directly from the speaker   instead  the sound stage should extend far beyond the left and right edge of the  loudspeakers and they should have tremendous front to back depth  When the  recording is close miked  when the instrument or performer is very close to the  recording microphone  the music may appear to come directly from the loudspeaker   This is normal  Typically  however  the sound should appear to be detached from the  loudspeakers     Page 5   
14. nt  response     Servo control of the woofers and metal cone technology is key to the phenomenal bass  performance of the Genesis 500  In a traditional woofer system  heavy    soggy  or   boomy  bass is present to some degree because the woofer has high mass and  therefore high inertia causing poor control and high distortion  In a servo bass system   complete control of the woofer is made possible by the addition of a motion sensor   accelerometer  mounted directly on the woofer itself  Lower distortion  greater  frequency extension and tight control yield musically accurate yet  floor shaking  bass     The metal cone servo controlled woofer system of the Genesis 500 is driven with a built  in amplifier of unique design  Known as GSAT  the 500 utilizes a technology of  amplification first introduced to the audio world by Genesis co founder Arnie Nudell and  is known as a switching amplifier  Acclaimed for their performance by virtue of their  perfect linear response  near perfect efficiency and  slam factor   switching amplifier  technology is clearly superior to almost any other form of amplification     Set up the speakers    A good starting position for the Genesis 500 s placement is about 20  the way into the  room as measured from the wall behind the loudspeakers  you can place them much  closer to the rear wall if you wish   If you have placed the speakers closer to the rear  wall  a good rule of thumb is to try and sit approximately ten to twelve feet from the  speake
15. r  Generally speaking  the speakers should fire into the long dimension of the  room     Measure the distance between the left and right tweeters  Start with approximately six  to eight feet apart  two and three quarter meters  if your room dimensions will allow     Begin by pointing the speakers towards the listener 5 to 10 degrees  toe in      When positioning your speakers  make sure each speaker is within 10 feet of a power  receptacle so you will be able to plug the GSAT built in power amplifier in        Connecting the 500 s   There are two connections that need to be made to each channel of the 500  One is  the output of your power amplifier and the other is the power cord for the GSAT  amplifier     Using a high quality loudspeaker cable  connect the left and right channel outputs of  your power amplifier to the 500 s speaker input binding posts  Make sure that the plus  or positive  red  terminal of your power amplifier is connected to the plus or positive   red  terminal of the 500 and repeat the procedure for the minus or negative  black   terminal     Connecting your power amplifier up to the 500 will also automatically provide a signal to  feed the built in GSAT woofer amplifier of the 500  This is the recommended hook up  both sonically and for convenience    Make sure the switch labeled  input  is in the  off  position  down      If you wish  you may use a long interconnect to connect your preamplifier to the 500  directly  although this method is not recommend
16. roperties of your system  It is easy  yet unproductive  to go  too far in one direction  and if you move the speakers too far from the rear wall you may  lose low bass extension      A good balance between proper low bass extension and a deep and spacious  soundstage needs to be established to optimize your new speaker s performance     Room Treatment  No room is perfect  To optimize your sonic presentation it may be helpful to treat your  room  Here are some guidelines        1  This loudspeaker is a dipole and therefore there is sound coming from both    the front and the back of the speaker  How the wall behind the loudspeaker is treated  or not treated is important  Generally speaking  the Genesis loudspeakers prefer a live  wall behind the speaker and a dead wall behind the listener  By these terms we mean    the amount of reflection of sound  A typical wall of glass or  brick  cement or drywall  material is a reflective surface  A heavily curtained or sound proofed wall would be    considered a  dead wall  or a non reflective wall  A normal thin curtain across a  window causes only a small amount of absorption     2  Because the speaker is a dipole it is less sensitive to the side walls     However  as a tule of thumb  it is a good idea to keep the speaker as far away from the  side walls as is practical  With this in mind  it may be helpful to add some damping    material or diffuser panels to the point of first reflection  This is a point on the side walls  between th
    
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