Behringer UB1202/UB1002 User's Manual
Contents
1. ine se 0 EC z F ee Li jo tose TORO a ale User Manual EURORACK UB1202 UB1002 Ultra Low Noise Design 12 10 Input 2 Bus Mic Line Mixer UB802 UB502 Ultra Low Noise Design 8 5 Input 2 Bus Mixer behringer behringer com 2 EURORACK UB1202 UB1002 UB802 UB502 User Manual KD Table of Contents Important Safety Instructions cursonsonssorsonssnnsonsnnnnnne 3 Legal Disclaimer ossoussorsonssnssonsnnssonsnnssonsnnsonssonsnnnnnne 3 Limited Warranty ucsosesoossnosenonennnennonenunsnnnennensnnnennnennne 3 1 Introduction c essossoosssonssonennnnsnonennnennnssnnnennnennnnnnenen 5 1 1 General mixing console functions 5 1 2 The user s manual aeseesessenssenssenssennsssennsennnseennne 5 1 3 Before you get started usnesseseenneennseeneneennenne 5 2 Control Elements and Connectors esresonesoonenorenee 6 21 M no channel Sienassa nsanra 6 2 2 Stereo ChANNEIS ccssssccsssecsssccsseccsccessecsssecsseecsneeesneeesseeeses 7 2 3 Connector panel and main section 7 3 Installation csssosssonssonnsnnnesnsnnnnsnnnnsnnesunnnnnnsnnnnnne 9 3 1 Mains conn amp ction an aneenennneeen 9 3 2 Audio connections uussssesenssenssensssennssennssennssennseenn 9 4 Specifications csessonsesnsssnnssnsennnennnennorsnnnennnennne2. Subject only to the operation of mandatory applicable local laws MUSIC Group shall have no liability to the buyer under this warranty for any consequential or indirect loss or damage of any kind In no event shall the liability of MUSIC Group under this limited warranty exceed the invoiced value of the product 7 Limitation of liability This limited warranty is the complete and exclusive warranty between you and MUSIC Group It supersedes all other written or oral communications related to this product MUSIC Group provides no other warranties for this product 8 Other warranty rights and national law This limited warranty does not exclude or limit the buyer s statutory rights as a consumer in any way The limited warranty regulations mentioned herein are applicable unless they constitute an infringement of applicable mandatory local laws This warranty does not detract from the seller s obligations in regard to any lack of conformity of the product and any hidden defect 9 Amendment Warranty service conditions are subject to change without notice For the latest warranty terms and conditions and additional information regarding MUSIC Group s limited warranty please see complete details online at behringer com MUSIC Group Macao Commercial Offshore Limited of Rue de Pequim No 202 A Macau Finance Centre 9 J Macau including all MUSIC Group companies 5 EURORACK UB1202 UB1002 UB802 UB502 User Manual 1 Int
3. FX SEND control of the main section to adjust the overall send level UB1002 and UB1202 only 8 EURORACK UB1202 UB1002 UB802 UB502 User Manual PHONES behringer CTRL ROOM OUT L a PHONES CONTROL ROOM MAIN MIX 0o MAX MAIN SECTION Fig 2 10 Monitor control and main mix fader PHONES CONTROL ROOM The stereo PHONES jack atthetop ofthe connector panel is where you connect headphones The unbalanced CONTROL ROOM OUT jacks carry the summed effects and main mix signals as well as soloed channel signals The PHONES CONTROL ROOM control adjusts the level of both headphones and main monitor outputs The UB502 is not equipped with control room outputs MAIN MIX The MAIN OUT connectors are unbalanced mono jacks The main mix signal appears here at a level of 0 dBu The MAIN MIX fader adjusts the volume of these outputs The EURORACK UB802 and UB502 mixing consoles feature a rotary control for this purpose 2 3 3 Tape connectors TAPE INPUT The TAPE INPUTs are used to bring an external signal source e g CD player tape deck etc into the console They can also be used as a standard stereo line input so the output of a second EURORACK or BEHRINGER ULTRALINK PRO MX882 can be connected INPUT OUTPUT Fig 2 11 Tape input output behringer com Alternatively the line or tape output of a hi fi amplifier with source selection switch could also be hooked up here allowing you to easily lis
4. mono plugs or stereo plugs with the ring and sleeve bridged pins 1 and 3 in the case of XLR connectors Caution Never use unbalanced XLR connectors PIN 1 and 3 connected on the MIC input connectors when using the phantom power supply Balanced use with XLR connectors ei ce 1 ground shield 2 hot ve 3 cold ve output For unbalanced use pin 1 and pin 3 have to be bridged Fig 3 1 XLR connections Unbalanced 1 4 TS connector lt strain relief clamp sleeve 4 tip sleeve P ground shield Cr DW tip signal Fig 3 2 44 mono plug 10 EURORACK UB1202 UB1002 UB802 UB502 User Manual Balanced 1 4 TRS connector strain relief clamp DD lt lt sleeve sleeve ground shield ring cold ve tip hot ve A For connection of balanced and unbalanced plugs ring and sleeve have to be bridged at the stereo plug Fig 3 3 14 stereo plug Ya TRS headphones connector 4 strain relief clamp sleeve OE ground shield ring 4 right signal tip 4 left signal Fig 3 4 Stereo plug for headphones connection behringer com 4 Specifications Microphone Inputs IMP Invisible Mic Preamp Type XLR connector electronically balanced discrete input circuit Mic E 1 N 20 Hz 20 kHz 0 0
5. 5 adapter Europe 230 V 50 Hz MXEU5 adapter Japan 100 V 60 Hz MXJP5 adapter Aux Sends Type TS jack unbalanced Impedance approx 120 Q Ma output level em Dimensions H x W xD approx 1 x 834x91 Stereo Aux Returns approx 47 x 220 x 242 mm Type 14 TRS jack electronically balanced Weight net approx 4 73 Ibs 2 15 kg Impedance approx 20 kQ balanced approx 10 k0 unbalanced Dimensions H x W x D approx 1 x 7245x824 approx 47 x 189 x 220 mm CD ani 396 Re Tals Main Outputs Max input level 22 dBu Type 14 TRS jack unbalanced Dimensions H x W x D approx 1 x 774x874 Impedance approx 120 Q unbalanced approx 4x 183x 220mm Max output level 422 dBu Weight net approx 3 54 lbs 1 61 kg Control Room Outputs 7 Type 14 TS jack unbalanced Dimensions H x W x D approx 156x5 ax 7 Impedance approx 1200 approx 47 x 134 x 177 mm Max output level 22 dBu Weight net approx 2 53 Ibs 1 15 kg Headphones Output 1 Equivalent Input Noise Type Y4 TRS jack unbalanced Measuring conditions 1 kHz rel to 0 dBu 20 Hz 20 kHz line input main output unity gain 3 20 Hz 20 kHz measured at main output Channels 1 4 unity gain EQ flat all channels on main mix Max output level 19 dBu 150 0 25 dBm channels as far left as possible channels 4 as far right as possible reference 6 dBu Main Mix System Data Noise BEHRINGER is constant
6. AIN control to adjust the input gain This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs 2 1 2 Equalizer All mono input channels include a 3 band equalizer except for the UB502 which is equipped with a 2 band EQ All bands provide boost or cut of up to 15 dB In the central position the equalizer is inactive Fig 2 2 The equalizer of the mono input channels behringer com EQ The upper HI and the lower band LO are shelving filters that increase or decrease all frequencies above or below their cut off frequency The cut off frequencies of the upper and lower band are 12 kHz and 80 Hz respectively The mid band UB802 UB1002 UB1202 is configured as a peak filter with a center frequency of 2 5 kHz LOW CUT In addition the mono channels UB1002 and UB1202 are equipped with a steep LO CUT filter slope at 18 dB oct 3 dB at 75 Hz designed to eliminate unwanted low frequency signal components 2 1 3 FX sends panorama and level adjustment o LEVEL 15 Fig 2 3 The FX send panorama level controls FX UB802 UB1002 UB1202 only FX sends or AUX sends enable you to feed signals via a variable control from one or more channels and sum these signals to a bus The bus appears at the console s FX send output and can be fed from there to an external effects device The return from the effects unit is then brought back into the
7. Any repair or opening of the unit carried out by unauthorized personnel user included will void the limited warranty If an inspection of the product by MUSIC Group shows that the defect in question is not covered by the limited warranty the inspection costs are payable by the customer 2 Products which do not meet the terms of this limited warranty will be repaired exclusively at the buyer s expense MUSIC Group or its authorized service center will inform the buyer of any such circumstance If the buyer fails to submit a written repair order within 6 weeks after notification MUSIC Group will return the unit C 0 D with a separate invoice for freight and packing Such costs will also be invoiced separately when the buyer has sent in a written repair order MUSIC Group Authorized Resellers do not sell new products directly in online auctions Purchases made through an online auction are on a buyer beware basis Online auction confirmations or sales receipts are not accepted for warranty verification and MUSIC Group will not repair or replace any product purchased through an online auction 5 Warranty transferability This limited warranty is extended exclusively to the original buyer customer of authorized reseller and is not transferable to anyone who may subsequently purchase this product No other person reseller etc shall be entitled to give any warranty promise on behalf of MUSIC Group 6 Claim for damage
8. MUSIC Group shall not be held responsible for any cost resulting from such a modification adaptation This limited warranty covers only the product hardware It does not cover technical assistance for hardware or software usage and it does not cover any software products whether or not contained in the product Any such software is provided AS IS unless expressly provided for in any enclosed software limited warranty This limited warranty is invalid if the factory applied serial number has been altered or removed from the product Free inspections and maintenance repair work are expressly excluded from this limited warranty in particular if caused by improper handling of the product by the user This also applies to defects caused by normal wear and tear in particular of faders crossfaders potentiometers keys buttons guitar strings illuminants and similar parts 6 Damage defects caused by the following conditions are not covered by this limited warranty e improper handling neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals behringer com e connection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the product is used e damage defects caused by acts of God Nature accident fire flood etc or any other condition that is beyond the control of MUSIC Group
9. TED IN ANY FORM OR BY ANY MEANS ELECTRONIC OR MECHANICAL INCLUDING PHOTOCOPYING AND RECORDING OF ANY KIND FOR ANY PURPOSE WITHOUT THE EXPRESS WRITTEN PERMISSION OF MUSIC GROUP IP LTD ALL RIGHTS RESERVED 2011 MUSIC Group IP Ltd Trident Chambers Wickhams Cay P 0 Box 146 Road Town Tortola British Virgin Islands LIMITED WARRANTY 1 Warranty This limited warranty is valid only if you purchased the product from a MUSIC Group Authorized Reseller in the country of purchase A list of authorized resellers can be found on BEHRINGER website behringer com under Where to Buy or you can contact the MUSIC Group office closest to you MUSIC Group warrants the mechanical and electronic components of this product to be free of defects in material and workmanship if used under normal operating conditions for a period of one 1 year from the original date of purchase see the Limited Warranty terms in 4 below unless a longer minimum warranty period is mandated by applicable local laws If the product shows any defects within the specified warranty period and that defect is not excluded under 4 MUSIC Group shall at its discretion either replace or repair the product using suitable new or reconditioned product or parts In case MUSIC Group decides to replace the entire product this limited warranty shall apply to the replacement product for the remaining initial warranty period i e one 1 year or otherwi
10. ch This mutes the main mix signal while routing the FX SEND output to the monitor s The EURORACK UB802 and UB502 do not feature this switch 2 3 5 Phantom power and LED displays 1 1 PHANTOM 1 owen saav Oro Os 000 O 20 O Fig 2 13 Phantom power and control LEDs 9 EURORACK UB1202 UB1002 UB802 UB502 User Manual 48 V The red 48 V LED lights up when phantom power is on The PHANTOM switch activates the phantom power supply on the XLR connectors of all mono channels Please do not connect microphones to the mixer or the stagebox wallbox as long as the phantom power supply is switched on Connect the micro phones before you switch on the power supply In addition the monitor PA loudspeakers should be muted before you activate the phantom power supply After switching on wait approx one minute in order to allow system stabilization POWER The blue POWER LED indicates that the console is powered on Level indicator The high precision 4 segment display accurately displays the relevant signal level LEVEL SETTING To correctly set the gains of the channels first set the LEVEL controls of the input channels to their center positions 0 dB Then use the GAIN controls to increase the input amplification until signal peaks show 0 dB on the level meter When recording to digital recorders the recorder s peak meter should not go into overload While analog recorders can be overloaded to some e
11. console on the aux return connectors UB802 or normal channel inputs Each FX send is mono and features up to 15 dB gain As the name suggests the FX sends of the EURORACK mixing consoles are intended to drive effects devices reverb delay etc and are therefore configured post fader This means that the mix between dry signal and effect remains at the level determined by the channel s aux send irrespective of the channel fader setting If this were not the case the effects signal of the channel would remain audible even when the fader is lowered to zero PAN The PAN control determines the position of the channel signal within the stereo image This control features a constant power characteristic which means the signal is always maintained at a constant level irrespective of position in the stereo panorama LEVEL The LEVEL control determines the level of the channel signal in the main mix CLIP The CLIP LED s of the mono channels illuminate when the input signal is driven too high which could cause distortion If this happens use the GAIN control to reduce the preamp level until the LED does not light anymore 7 EURORACK UB1202 UB1002 UB802 UB502 User Manual 2 2 Stereo channels 2 2 1 Stereo line inputs INE IN 3 4 L Fig 2 4 Stereo line inputs LINE IN Each stereo channel has two balanced line level inputs on 14 jacks for left and right channels If only the jack marked L left is used the cha
12. during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped 15 The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection 16 Where the MAINS plug or an appliance coupler is used as the disconnect device the disconnect device shall remain readily operable LEGAL DISCLAIMER TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE AND ACCURACY IS NOT GUARANTEED BEHRINGER IS PART OF THE MUSIC GROUP MUSIC GROUP COM ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS MUSIC GROUP ACCEPTS NO LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED BY ANY PERSON WHO RELIES EITHER WHOLLY OR IN PART UPON ANY DESCRIPTION PHOTOGRAPH OR STATEMENT CONTAINED HEREIN COLORS AND SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY FULLFILLERS AND RESELLERS ARE NOT AGENTS OF MUSIC GROUP AND HAVE ABSOLUTELY NO AUTHORITY TO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED UNDERTAKING OR REPRESENTATION THIS MANUAL IS COPYRIGHTED NO PART OF THIS MANUAL MAY BE REPRODUCED OR TRANSMIT
13. ent packaging Global Contact Information European Contact Information Should your country not be listed please contact the distributor nearest you A list of distributors can be found in the support area of our website http behringer com Registering your purchase and equipment with us helps us process your repair claims more quickly and efficiently Thank you for your cooperation 6 EURORACK UB1202 UB1002 UB802 UB502 User Manual 2 Control Elements and Connectors This chapter describes the various control elements of your mixing console All controls switches and connectors will be discussed in detail 2 1 Mono channels 2 1 1 Microphone and line inputs Fig 2 1 Connectors and controls of mic line inputs MIC Each mono input channel offers a balanced microphone input via the XLR connector and also features a switchable 48 V phantom power supply for condenser microphones Please mute your playback system before you activate the phantom power supply to prevent switch on thumps being directed to your loudspeakers Please also note the instructions in chapter 2 3 5 Phantom power and LED displays LINE IN Each mono input also features a balanced line input on a connector Unbalanced devices mono jacks can also be connected to these inputs Please remember that you can only use either the microphone or the line input of a channel at any one time You can never use both simultaneously GAIN Use the G
14. gh temperature devices such as radiators or power amps The console is connected to the mains via the supplied cable The console meets the required safety standards Blown fuses must only be replaced by fuses of the same type and rating Never connect the EURORACK to the power supply unit when the latter is connected to the mains First connect the power supply unit to the console then connect the power supply unit to the mains Please note that all units must be properly grounded For your own safety you should never remove any ground connectors from electrical devices or power cables or render them inoperative Please ensure that only qualified people install and operate the mixing console During installation and operation the user must have sufficient electrical contact to earth otherwise electrostatic discharges might affect the operation of the unit 1 3 3 Online registration Please register your new BEHRINGER equipment right after your purchase by visiting http behringer com and read the terms and conditions of our warranty carefully Should your BEHRINGER product malfunction it is our intention to have it repaired as quickly as possible To arrange for warranty service please contact the BEHRINGER retailer from whom the equipment was purchased Should your BEHRINGER dealer not be located in your vicinity you may directly contact one of our subsidiaries Corresponding contact information is included in the original equipm
15. ity switch which selects between 4 dBu and 10 dBV At 10 dBV home recording level the input is more sensitive requires less level to drive it than at 4 dBu studio level 2 3 Connector panel and main section 2 3 1 Send Return effects path Fig 2 7 FX send return connectors F f UB1002 Raga UB1202 20 15 AUX RETURN FX SEND Fig 2 8 FX send return controls STEREO AUX RETURN UB802 only the STEREO AUX RETURN connectors are used to bring the output of the external effects device whose input is derived from the aux sends back into the console You can instead use these connectors as additional inputs but any effects device will then have to be brought back into the console via a normal stereo channel This does however give you the ability to use the channel EQ on the effects return signal if you wish When using a stereo channel as effects return path the FX control of the relevant channel should generally be turned fully down to avoid undesirable feedback If only the left connector is used the AUX RETURN automatically operates in mono Use the AUX RET URN control to determine how much of the effects signal is sent to the main mix FX SEND The FX SEND output does not apply for UB502 should be connected to the input of an external effects unit The post fader FX signal you created using the input channel FX controls is sent to the effects unit via the FX SEND ouput Use the
16. ly striving to maintain the highest professional standards As a result of these efforts modifications may be made from time to time to existing products without prior notice Specifications and Main mix oo 106 dB 109 dB A weighted appearance may differ from those listed or illustrated channel fader co Main mix 0 dB 95 dB 98 dB A weighted channel fader co Main mix 0 dB 84 dB 87 dB A weighted channel fader 0 dB behringer com behringer com We Hear You EN behringer
17. nnel operates in mono The stereo channels are designed to handle typical line level signals Both inputs will also accept unbalanced jacks 2 2 2 Equalizer stereo channels UB802 The EURORACK UB802 features a stereo 3 band EQ in each stereo channel The filter characteristics and cut off frequencies are the same as those in the mono channels Fig 2 5 The equalizer of the stereo input channels A stereo EQ is highly preferable to two mono equalizers when working ona stereo signal as two separate EQ s will usually produce an unwanted discrepancy between the left and right channels 2 2 3 FX sends balance and level adjustment LEVEL Fig 2 6 The FX send balance level controls FX The FX sends of the stereo channels function similar to those of the mono channels However since the FX send buses are both mono a mono sum is first taken from the stereo input before it is sent to the FX bus The UB502 is not equipped with FX sends behringer com BAL The BAL ANCE control determines the levels of left and right input signals relative to each other before both signals are then routed to the main stereo mix bus Ifa channel is operated in mono via the left line input this control has the same function as the PAN control used in the mono channels LEVEL The LEVEL control determines the volume of the channel being sent to the main mix 4 10 The stereo inputs of the EURORACK UB1002 and UB1202 have an input sensitiv
18. nner 10 behringer com 3 EURORACK UB1202 UB1002 UB802 UB502 User Manual Important Safety Instructions EN CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION RISQUE D ELECTROCUTION A NE PAS OUVRIR Terminals marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock Use only high quality professional speaker cables with Ya TS or twist locking plugs pre installed All other installation or modification should be performed only by qualified personnel This symbol wherever it appears alerts you to the presence of uninsulated dangerous voltage inside the enclosure voltage that may be sufficient to constitute a risk of shock This symbol wherever it appears alerts you to important operating and maintenance instructions in the accompanying literature Please read the manual Caution To reduce the risk of electric shock do not remove the top cover or the rear section No user serviceable parts inside Refer servicing to qualified personnel Caution To reduce the risk of fire or electric shock do not expose this appliance to rain and moisture The apparatus shall not be exposed to dripping or splashing liquids and no objects filled with liquids such as vases shall be placed on the apparatus Caution These service instructions are for use by qualified service personnel only To reduce the risk of electric shock do not perform any ser
19. pter show the controls described in each respective chapter behringer com The block diagram supplied with the mixing console gives you an overview of the connections between the inputs and outputs as well as the associated switches and controls For the moment just try and trace the signal path from the microphone input to the FX send connector Don t be put off by the huge range of possibilities it s easier than you think If you look at the overview of the controls at the same time you ll be able to quickly familiarize yourself with your mixing console and you ll soon be making the most of all its many possibilities If you need to know more about specific issues please visit our website at http behringer com where you ll find explanations of for example effects and dynamics applications 1 3 Before you get started 1 3 1 Shipment Your mixing console was carefully packed in the factory to guarantee safe transport Nevertheless we recommend that you carefully examine the packaging and its contents for any signs of physical damage which may have occurred during transit Ifthe unit is damaged please do NOT return it to us but notify your dealer and the shipping company immediately otherwise claims for damage or replacement may not be granted 1 3 2 Initial operation Be sure that there is enough space around the unit for cooling purposes and to avoid over heating please do not place your mixing console on hi
20. r clockwise before you switch on the unit Always be careful to set appropriate volume levels Important notes concerning installation The sound quality may diminish within the range of powerful broadcasting stations and high frequency sources Increase the distance between the transmitter and the device and use shielded cables for all connections 1 1 General mixing console functions A mixing console fulfils three main functions e Signal processing Preamplification level adjustment mixing of effects frequency equalization e Signal distribution Summing of signals to the aux sends for effects processing and monitor mix distribution to one or several recording tracks power amp s control room and 2 track outputs e Mix Setting the volume level frequency distribution and positioning of the individual signals in the stereo field level control of the total mix to match the recording devices crossover power amplifier s All other mixer functions can be included in this main function The interface of BEHRINGER mixing consoles is optimized for these tasks enabling you to easily keep track of the signal path 1 2 The user s manual The user s manual is designed to give you both an overview of the controls as well as detailed information on how to use them In order to help you understand the links between the controls we have arranged them in groups according to their function The illustrations at the beginning of each cha
21. rning the product All inquiries must be accompanied by a description of the problem and the serial number of the product After verifying the product s warranty eligibility with the original sales receipt MUSIC Group will then issue a Return Materials Authorization RMA number Subsequently the product must be returned in its original shipping carton together with the return authorization number to the address indicated by MUSIC Group Shipments without freight prepaid will not be accepted 4 Warranty Exclusions This limited warranty does not cover consumable parts including but not limited to fuses and batteries Where applicable MUSIC Group warrants the valves or meters contained in the product to be free from defects in material and workmanship for a period of ninety 90 days from date of purchase This limited warranty does not cover the product if it has been electronically or mechanically modified in any way If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level in any country which is not the country for which the product was originally developed and manufactured this modification adaptation shall not be considered a defect in materials or workmanship This limited warranty does not cover any such modification adaptation regardless of whether it was carried out properly or not Under the terms of this limited warranty
22. roduction Congratulations In purchasing our EURORACK UB502 UB802 UB1002 UB1202 you have acquired a mixing console whose small size belies its incredible versatility and audio performance The range of inputs and outputs comprises microphone inputs with 48 V phantom power supply line inputs possibilities for connecting effects devices connectors for a 2 track master machine e g DAT recorder and a monitor system consisting of monitor loudspeaker s and power amplifier except for UB502 IMP Invisible mic preamp The microphone channels are fitted with BEHRINGER s brand new premium quality IMP invisible mic preamps that boast the following features e 130 dB dynamic range for an incredible amount of headroom e A bandwidth ranging from below 10 Hz to over 200 kHz for crystal clear reproduction of even the finest nuances e The extremely low noise and distortionfree circuitry guarantees absolutely natural and transparent signal reproduction e hey are perfectly matched to every conceivable microphone with up to 60 dB gain and 48 volt phantom power supply e They enable full utilisation of the greatly extended dynamic range of your 24 bit 192 kHz HD recorder thereby maintaining optimal audio quality CAUTION We should like to draw your attention to the fact that extreme volumes may damage your hearing and or your headphones or loudspeakers Turn the MAIN MIX control and PHONES control in the main section fully counte
23. se applicable minimum warranty period from the date of purchase of the original product Upon validation of the warranty claim the repaired or replacement product will be returned to the user freight prepaid by MUSIC Group Warranty claims other than those indicated above are expressly excluded PLEASE RETAIN YOUR SALES RECEIPT IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF OF PURCHASE 2 Online registration Please do remember to register your new BEHRINGER equipment right after your purchase at behringer com under Support and kindly read the terms and conditions of our limited warranty carefully Registering your purchase and equipment with us helps us process your repair claims quicker and more efficiently Thank you for your cooperation 3 Return materials authorization To obtain warranty service please contact the retailer from whom the equipment was purchased Should your MUSIC Group Authorized Reseller not be located in your vicinity you may contact the MUSIC Group Authorized Fulfiller for your country listed under 4 EURORACK UB1202 UB1002 UB802 UB502 User Manual Support at behringer com If your country is not listed please check if your problem can be dealt with by our Online Support which may also be found under Support at behringer com Alternatively please submit an online warranty claim at behringer com BEFORE retu
24. source resistance 134 dB 135 7 dB A weighted 50 source resistance 131 dB 133 3 dB A weighted 150 N source resistance 129 dB 130 5 dB A weighted Frequency Response lt 10 Hz 150 kHz 1 dB lt 10 Hz 200 kHz 3 dB Gain range 10 dB to 60 dB Max input level 12 dBu 10 dB GAIN Impedance approx 2 6 kQ balanced Signal to noise ratio 110 dB 112 dB A weighted 0 dBu In 22 dB GAIN Distortion THD N 0 005 0 004 A weighted Line Input Type 14 TRS jack electronically balanced Impedance approx 20 kQ balanced approx 10 KQ unbalanced Gain range 10 dB to 40 dB Max input level 22 dBu 0 dB GAIN Fade Out Attenuation Crosstalk Attenuation Main fader closed 90 dB Channel muted 89 5 dB Channel fader muted 89 dB Frequency Response Mic In gt Main Out lt 10 Hz 90 kHz 0dB 1dB lt 10 Hz 160 kHz 0 dB 3 dB Type 14 TRS jack electronically balanced Impedance approx 20 kQ Max input level 22 dBu 11 EURORACK UB1202 UB1002 UB802 UB502 User Manual EQ Mono Channels Power Consumption LOW 80 Hz 15 dB UB1202 23W MID 2 5 kHz 15 dB UB1002 18W HIGH 12 kHz 15 dB UB802 17W EQ Stereo Channels UB502 13W LOW 80 Hz 15 dB Mains Voltage MID 2 5 kHz 15 dB USA Canada 120 V 60 Hz MXUL5 adapter HIGH 12 kHz 15 dB U K Australia 240 V 50 Hz MXUK
25. ten to additional sources TAPE OUTPUT These connectors are wired in parallel with the MAIN OUT and carry the main mix signal unbalanced Connect the TAPE OUTPUT to the inputs of your recording device The output level is adjusted via the high precision MAIN MIX fader or rotary control UB802 2 3 4 Signal assignment Fig 2 12 Assignment switches of the main section TAPE TO MIX When the TAPE TO MIX switch is depressed the 2 track input is assigned to the main mix providing an additional input for tape machines MIDI instruments or other signal sources that do not require any processing TAPE TO CTRL ROOM 502 TAPE TO PHONES Press the TAPE TO CTRL ROOM PHONES switch if you want to monitor the 2 track input via the CTRL ROOM OUT This provides an easy way to monitor signals coming back from tape to ensure that they are recording correctly Ifyou are recording a signal via the TAPE OUTPUT and wish to listen to this simultaneously via the TAPE INPUT do not use the TAPE TO MIX switch Doing this would create a feedback loop since the signal would be routed via the main mix back to tape via the TAPE OUTPUT To monitor the TAPE INPUT use the TAPE TO CTRL ROOM switch to assign the tape signal to the monitor s or headphones This will avoid the tape signal being routed to the TAPE OUTPUT FX TO CTRL ROOM If you want to monitor only the FX send signal in your headphones or monitor speaker s press the FX TO CTRL R swit
26. vicing other than that contained in the operation instructions Repairs have to be performed by qualified service personnel Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with dry cloth MSS W N oS Do not block any ventilation openings Install in accordance with the manufacturer instructions 8 Donotinstall near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat behringer com 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus 11 Use only attachments accessories specified by the manufacturer 12 Use only with the cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid LA A injury from tip over 13 Unplug this apparatus
27. xtent creating only a certain amount of distortion which is common and often desirable digital recorders distort quickly when overloaded In addition digital distortion is not only undesirable but also renders your recording completely useless The peak meters of your EURORACK display the level virtually independent of frequency A recording level of 0 dB is recommended for all signal types 3 Installation 3 1 Mains connection AC POWER IN Connect the power supply to the 3 pin mains connector on the rear of the console Use the AC adapter supplied to connect the console to the mains The adapter complies with all applicable safety standards Please use only the power supply unit provided with the console Never connect the EURORACK to the power supply unit while the latter is connected to the mains First connect the console to the power supply unit then connect the power supply unit to the mains Please note that both the power supply unit and the mixing console heat up considerably during operation This is completely normal behringer com 3 2 Audio connections You will need a large number of cables for different applications The illustrations below show how the connectors should be wired Be sure to use only high grade cables Please use commercial RCA cables to connect the 2 track inputs and outputs You can of course also connect unbalanced devices to the balanced inputs outputs To do this use either
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