Behringer XL3200 User's Manual
Contents
1. User Manual XENYX XL1600 XL2400 XL3200 Premium 16 24 32 Input 4 Bus Live Mixer with XENYX Mic Preamps and British EOs behringer com behringer 2 XENYX XL1600 XL2400 XL3200 User Manual KD Table of Contents Thank you a 2 Important Safety Instructions eere 3 Legal Disclaimer eee eee eene ense eene nena snao 3 Limited Warranty 20s00ussossnssnssonsnnssonsnnssonsnnssnnsnnsnnnnnne 3 1 Before you get started esee 5 1 1 Shipmenti u nsssiieniiine rr SU es 5 1 2 Initial operation eese tenente ttnnntnnnis 1 3 Online registration 1 4 The user manual ssesssesssensssensssensssensssensssunssennsssunnssenne 5 2 Quick m 6 2 1 Hook up example inputs and inserts 6 2 2 Hook up example outputs sss 7 3 Installation eee eee eee ee cerne eene senes etas ena sen 8 3 1 Rack mounting XL1600 only 8 3 2 Audio Onnectots i e rto ite rte cire dtaces 8 4 Connectors ecce eese cerne eee esee ense ena seen ases as snuu 10 4 1 Power supply eese eennttennttnnnttnnntnnnttnnn 10 4 2 MONO i2. The monitor sends are hardwired pre fader This means the volume level of the monitor mix is not affected when using the channel fader The MON control adjusts the volume level of the channel signal in the monitor buses AUX The aux buses are used as additional flexible send paths for various applications The AUX control adjusts the volume level of the channel signal in the aux buses The sum of all aux signals is determined by the corresponding AUX SEND control found in the main section The signals can be routed from the corresponding AUX SEND outputs Both the aux send paths can be amplified up to 15 dB and are pre fader and post fader switchable in the main section Pre fader or post fader For most applications using external effects signals the aux send path should be Switched to post fader so that the effects volume level in a channel is affected by the position of the channel fader If not the effects signal would be audible even with a pulled down fader For monitoring applications the aux send paths are usually switched to pre fader and therefore are not affected by the channel fader To offer you the utmost flexibility the FX buses can be switched to pre fader in each channel What s more you may switch the AUX buses in the main section between pre fader and post fader This gives you a maximum of 6 pre fader buses or alternatively 4 post fader plus 2 pre fader buses 13 XENYX XL1600 XL2400 XL3200 User Manual 5 1 2 C
3. 3 4 MIX The routing switch routes the signal to the respective subgroup or the main mix or both The XENYX features 4 subgroups The PAN control determines the group to which the signal is routed fully left Sub 1 or 3 fully right Sub 2 or 4 5 2 Stereo channels 48 V This control LED lights up when the phantom power is activated v 15 16 The switch is located on the rear panel ofthe unit JEN OR MIC TRIM o 06 The MIC TRIM control adjusts amplification of the microphone Ass A input The amplification ranges between 0 and 60 dB Be sure to set this control fully counter clockwise Cy une before you connect or disconnect a signal sourcetoor N 20 20 from one ofthe inputs behringer com 80 Hz Press the 80 Hz switch to activate the high pass filter which blends out low frequency noise 3 dB at 80 Hz 18 dB octave LINE TRIM The LINE TRIM control adjusts the amplification ofthe LINE input ranging between 20 and 20 dB When centered at 12 o clock the line signal is neither boosted nor cut 5 2 1 Equalizer stereo channels The stereo channels provide 4 band equalization Each frequency band can be boosted and cut up to 15 dB and has a flat response when the controls are in center position HIGH EG The HIGH control of the EQ section adjusts the high frequency range of the respective channel This is a shelving filter which boosts and cuts the frequencies above 12 kHz HIGH MID
4. The HIGH MID control adjusts the mid frequency range This is a peak filter which boosts and cuts the frequencies centered at 3 kHz LOW MID The LOW MID control adjusts the mid frequency range This is a peak filter which boosts and cuts the frequencies centered at 300 Hz LOW The LOW control adjusts the low frequency range This is a shelving filter which boosts and cuts the frequencies below 80 Hz EQ The EQ push button switch activates the equalizer Toggle the EQ to give you a quick comparison between unprocessed and processed signal 5 2 2 Stereo channel FX MON AUX send paths The aux and FX paths ofthe stereo channels work in principle the same way as the mono channels Since the aux buses are mono the stereo signal needs to be converted to a mono signal before being routed to these buses 5 2 3 Channel fader pan control mute switch etc BAL ANCE The BAL ANCE control has the same function as the PAN control on the mono channels It determines the relative volume of the left and right input signals before they are routed to the stereo main mix bus or to two subgroups MUTE Use the MUTE switch to mute the channel signal The MUTE LED is illuminated when the channel is muted SOLO Press the SOLO switch to hear the signal on your headphones and simultaneously see it on the monitor display 1 2 The corresponding LED lights up when the solo function is activated 14 XENYX XL1600 XL2400 XL3200 User Man
5. control adjusts the input gain Be sure to set this control fully counter clockwise before you connect or disconnect a signal source to or from one of the inputs W HIGH 12 kHz The dial offers 2 different value ranges The first value range between 0 and 60 refers to the microphone input indicating the degree of amplification applied to the input s signal The second value range between 20 and 40 dB refers to the amplification of the line input When centered at 12 o clock the line signals are neither boosted nor cut HIGH MID X Frea Hz ON Low mio 80 Hz Press the 80 Hz switch to activate the high pass filter which blends out low frequency noise 3 dB at 80 Hz 18 dB octave FREG Hz Equalization The mono input channels provide 4 band equalization with 2 semi parametric mids You can boost or cut the bands up to 15 dB When in center position 0 dB the equalizer has a flat response HIGH The high frequency range is processed with a shelving filter above 12 kHz HIGH MID A semi parametric peak filter processes the upper mid range between 400 Hz and 8 kHz The FRE control selects the frequency which is boosted or cut by using the HIGH MID control LOW MID A second semi parametric peak filter processes the upper mid range The FREQ control selects the frequency which is boosted or cut by using the HIGH MID control LOW The low frequency range is processed wi
6. ef SUNSIS X3 po i Braune Paar T7248 e u ure prt v TUR qad ann N i inocanous is nn c V SNYNLIY X4 oos gt f 24 lI a RES TSJ KNU pups T ots 2 i Z E ig ns I L 1n0 dnows iab reus poe Su rn araia ar ous os 20 7 Be gt 00 e 4 Tu us i 4 3 EA i BEP S d z i Xd wx E Nolan B a Ei 8 a dod i TOULNOT e EEES Xd I La i li LU LI AWTS I Fang LM 1 Re B iuris LONDO TNT anas non ae
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8. situation For example a mono signal is usually used for a center cluster PRE POST The PRE POST switch is used to determine whether the signal is tapped in front or behind the MAIN A fader 16 XENYX XL1600 XL2400 XL3200 User Manual 5 7 FX master section FX 1 This section has additional inputs for signals which do da not require further signal processing Ideally use them for signals returning from external effects units This is why these inputs are referred to as FX returns It is possible to route the effect signals to the monitors and subgroups This way the stereo channels can be used for additional stereo signals such as keyboards etc and not for effects units signals which require functions like fader routing solo and mute FX SEND This is the master FX SEND control for adjusting the volume of all FX send signals at the corresponding FX send jacks and at the inputs of the built in Alaa A a a effects processor Use it to control the master signal of all FX 1 FX 2 signals from the input channels Ajman A Man When neither of the FX SEND controls is turned up the effects processor will not receive a signal A OW ZN 9 MON i EA C soLo FX 1 FX 2 Use the MON controls to add an effect signal to the monitor buses 1 and 2 For this application the effects unit needs a signal turn up the respective master FX SEND control and the FX send controls on the channel strips 34 and pu
9. the product by the user This also applies to defects caused by normal wear and tear in particular of faders crossfaders potentiometers keys buttons guitar strings illuminants and similar parts a Damage defects caused by the following conditions are not covered by this limited warranty e improper handling neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals e connection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the product is used e damage defects caused by acts of God Nature accident fire flood etc or any other condition that is beyond the control of MUSIC Group behringer com 7 Any repair or opening of the unit carried out by unauthorized personnel user included will void the limited warranty 8 Ifan inspection of the product by MUSIC Group shows that the defect in question is not covered by the limited warranty the inspection costs are payable by the customer o Products which do not meet the terms of this limited warranty will be repaired exclusively at the buyer s expense MUSIC Group or its authorized service center will inform the buyer of any such circumstance If the buyer fails to submit a written repair order within 6 weeks after notification MUSIC Group will return the unit C 0 D with a separate
10. 0 Hz 15 dB HIGH MID 100 Hz to 2 kHz 15 dB Type T ACK Rae LOW MID 400 Hz to 8kHz 15 dB Ope tane App HIGH 12 kHz 15 dB Max output level 22 dBu LOW CUT 80 Hz 12 dB oct EQ stereo channels Type 14 TRS jack unbalanced LOW 80 Hz 15 dB Max output level 22 dBu 6000 UND HIGH MID 3 kHz 15 dB Type BOR connector len Dun EN Impedance approx 1kQ Max output level 15 dBu Type 14 TRS jack unbalanced Max input level 22 dBu AUX MON send Type XLR connector electronically balanced Impedance approx 75 Q Max output level 22 dBu Main mix system data Noise Main mix oo channel fader co 110 dB 114 dB A weighted Main mix 0 dB channel fader co 95 dB 98 dB A weighted Main mix 0 dB channel fader 0 dB 92 dB 95 dB A weighted PEK send Power supply Type 14 TRS jack balanced Power consumption Impedance approx 75 Q XL1600 60 W Max output level 22 dBu XL2400 65W a Type Vs TRS jack unbalanced Fuse 100 240 V 50 60 Hz T 2 0 AH 250 V Impedance approx 20kQ Mains connector Standard IEC receptacle Max input level 422 dBu Subgroup outputs Type 14 TRS jack unbalanced Impedance approx 75 Q Max output level 22 dBu behringer com 3 20 Hz 20 kHz measured at main output Channels 1 4 unity gain EQ flat all channels on main mix channels 1 3 as far left as poss
11. AUX RETURNS MAIN OUTPUTS SERIAL NUMBER DATE CODE CAUTION REPLACE FUSE FUSE TYPE AND RATING ATTENTION MIC MIC MIC Umm ema wm 3157186 J 38744 Je Haze 4 1 Power supply IEC receptacle SERIAL NUMBER DATE CODE CAUTION REPLACE FUSE WITH SAME FUSE TYPE AND RATING ATTENTION UTILISER UN FUSIBLE DE RECHANGE DE MEME TYPE ET CALIBRE T POWERSOURCE T Lo FUSE VALUE J POWER The mains connection is a standard IEC receptacle An appropriate power cord is supplied with the unit FUSE HOLDER Before connecting the unit to the mains ensure that the voltage setting matches your local voltage Blown fuses should only be replaced by fuses of the same type and rating Please also read the information given in chapter Specifications POWER Use the POWER switch to turn on the mixing console The POWER switch should always be in the Off position when you are about to connect your unit to the mains To disconnect the unit from the mains pull out the main cord plug When installing the product ensure that the plug is easily accessible If mounting in a rack XL1600 only ensure that the mains can be easily disconnected by a plug pull or by an all pole disconnect switch on or near the rack Please note The POWER switch does not fully disconnect the unit from the mains To disconnect t
12. _EQ POST_EQ MON AUX 2 Solder a POST EQ link into place ee eo G gy Post eo MON AUX 3 Makethese modifications to as many channels as required does it have to be all of them 6 2 Direct Out pre fader If you prefer to use the Direct Out pre fader than post fader the signal needs to be tapped off before the fader and not after the fader To perform this modification find the label DIR OUT on the circuit board Make sure to turn off the mixer and disconnect it from the mains before removing the cover 1 Strip the POST FADER lead DIR OUT 2 Solder a PRE FADER link into place POST_FAD eel PRE FAD DIR OUT 3 Makethese modifications to as many channels as required behringer com 7 Specifications Monoinputs 7 Microphone inputs XENYX Mic preamp XLR connector electronically balanced discrete input circuit RF rejection filters Type Mic E I N 20 Hz 20 kHz 0 Q source resistance 127 dB 129 7 dB A weighted 126 dB 128 3 dB A weighted 125 dB 126 5 dB A weighted 50 N source resistance 150 Q source resistance Frequency response To Direct Out 10 Hz 50 kHz 1 dB 10 Hz 100 kHz 3 dB 10 Hz 90 kHz 1 dB 10 Hz 170 kHz 3 dB 0 dB to 60 dB 24 dBu 0 dB Gain approx 2 6 KQ balanced 120 dB 122 dB A weighted 0 dBu In 22 dB Gain To Insert Send Gain range Ma
13. a a B B M m xu g E g g 4 arm am x n 1 i M HOIH HOTH A01 AGT Br ol ere W NIBH T MIUM Z NOH G7MOM N i X mE 7 n TAA mm Ld gy i EE rm m 7 aro ers Re S EEE nd a unus c 4 ON ogos R P RN SR MUR nn SIINNYHITLMNANTTONON 5 DNE FAAS SS CC eo RRA a aaa 3 nut 8 H SaNoHd fe ioe et eas SR ee vm rc ee dide ete er PELLE LE SEGRE REE ee Ge S3NOHd ores HIE oF gaa fm I T Ed El D a e W T T T EI T T H 5 a T 3 a U behringer com 21 XENYX XL1600 XL2400 XL3200 User Manual FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION FC BEHRINGER XENYX XL1600 XL2400 XL3200 Responsible party name MUSIC Group Services USA Inc Address 18912 North Creek Parkway Suite 200 Bothell WA 98011 USA Phone Fax No Phone 1 425 672 0816 Fax 1 425 673 7647 XENYX XL1600 XL2400 XL3200 complies with the FCC rules as mentioned in the following paragraph This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installati
14. al product pages as well as in the glossary 6 XENYX XL1600 XL2400 XL3200 User Manual EN 2 Quick Start 2 1 Hook up example inputs and inserts 2 Ch Compressor f YLTRA D BOOP 5 en aes Went tee M NANT TTT AU g En 7 P d LO LE LE KE SOY 4 LP D Coo Fig 2 1 Input wiring behringer com 7 XENYX XL1600 XL2400 XL3200 User Manual 2 2 Hook up example outputs Graphic Equalizer Bus Compressors Effects Device 2 o PES FX Mon aux serips C foma C Playback Device Stereo Recording Device Stage Monitors fae Fig 2 2 Output wiring behringer com 8 XENYX XL1600 XL2400 XL3200 User Manual EN 3 Installation Balanced 1 4 TRS connector 3 1 Rack mounting XL1600 only The packaging of your XL1600 contains tw
15. anual Caution To reduce the risk of electric shock do not remove the top cover or the rear section No user serviceable parts inside Refer servicing to qualified personnel Caution To reduce the risk of fire or electric shock do not expose this appliance to rain and moisture The apparatus shall not be exposed to dripping or splashing liquids and no objects filled with liquids such as vases shall be placed on the apparatus Caution These service instructions are for use by qualified service personnel only To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions Repairs have to be performed by qualified service personnel EN CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION RISQUE DE CHOC ELECTRIGUE NE PAS OUVRIR Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with dry cloth NQU BPwn Do not block any ventilation openings Install in accordance with the manufacturer instructions 8 Donot install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat behringer com 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blade
16. d 2 adjust the signals volume level of the respective aux send connector This way you adjust the sum of the AUX 1 and AUX 2 signals on the input channels MUTE The MUTE switch mutes the aux outputs SOLO The aux send signals can individually be listened to using the SOLO function 17 XENYX XL1600 XL2400 XL3200 User Manual MON A signal sent from AUX RETURN can be added to the stage mix using the MON control AUX RETURN The AUX RETURN controls adjust the volume level of the aux return signals in the main mix 6 Modifications These modifications require soldering Attempt only if you are experienced in using an iron on PCBs Otherwise refer to qualified personnel After modification the warranty becomes void We wish to be absolutely clear that BEHRINGER cannot be held responsible after you start disassembling your XENYX If you make much of your warranty privileges think again Links should not be threaded into the holes on the PCB but are to be soldered to the tinned areas around the holes Bend the links a little upwards 6 1 Mon Aux sends gt post EQ Pre fader switched monitor sends and aux sends are tapped off before the equalizer Do you prefer post EQ What are you waiting for You don t have to look far the necessary information is found on the bottom side of the unit Make sure to turn off the mixer and disconnect it from the mains before removing the cover 1 Strip the PRE EQ lead PRE
17. d don t have to check the whole console to see that one SOLO switch is active Simultaneously this LED indicates that the monitor meters are in solo mode MAIN The high precision level meter accurately indicates the output signal level MAIN OUT A 5 5 Subgroups C The XENYX provides 4 E subgroups which allow you dii PAN WS N MAIN iis PAN ai PAN O46 N MAIN N MAIN to feed multiple channels to A GROUP 2 mono or stereo mixdowns Their volume level can be GROUP3 GROUPA adjusted using the subgroup o faders For example createa i subgroup with all vocal channels or drum signals and adjust the volume using the subgroup fader This way you can keep track and at the same time can process the signal with a compressor via the subgroup insert Additionally you can also use the subgroup outputs as sends for a multitrack recorder GROUP 1j GROUP 2 GROUP 3 GROUP 4 PAN The PAN control adjusts the position within the stereo image MAIN The MAIN switch routes the subgroup signal to the main mix With the PAN control you can adjust the signal to the left side of the stereo image PAN turned fully left to the right side of the stereo image PAN turned fully right or to both sides PAN in center position of the stereo main mix For example when creat
18. ects in material and workmanship for a period of ninety 90 days from date of purchase 2 This limited warranty does not cover the product if it has been electronically or mechanically modified in any way If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level in any country which is not the country for which the product was originally developed and manufactured this modification adaptation shall not be considered a defect in materials or workmanship This limited warranty does not cover any such modification adaptation regardless of whether it was carried out properly or not Under the terms of this limited warranty MUSIC Group shall not be held responsible for any cost resulting from sucha modification adaptation 3 This limited warranty covers only the product hardware It does not cover technical assistance for hardware or software usage and it does not cover any software products whether or not contained in the product Any such software is provided AS IS unless expressly provided for in any enclosed software limited warranty gt This limited warranty is invalid if the factory applied serial number has been altered or removed from the product 5 Freeinspections and maintenance repair work are expressly excluded from this limited warranty in particular if caused by improper handling of
19. er Please use an insert cable to connect to the insert point SPEAKERS The SPEAKERS outputs provide the same signal as the headphone outputs Use these outputs to hook up monitor speakers This is helpful when the mixing console is not located close the performance but in a separate room such as a TV control room It is also possible to hook up a stage monitor ideally one identical to the monitors being used on stage to listen in on the sound as perceived from the stage monitors behringer com 4 6 CD tape connectors IN The CD TAPE input connectors are used to hook up CD players tape decks or other line level sources OUT The CD TAPE output connectors provide the stereo main mix signal to a tape deck or DAT recorder to record your mix The signal is taken pre fader so that it will not be influenced by the fader positions 4 7 FX Mon Aux sends FX 1 and 2 The FX outputs 1 and 2 provide the signals of the effects buses 1 and 2 These signals may be sent to external effects uer FX MON AUX SENDS processors and are routed back over the AUX RETURN inputs or separate input channels for example e o MON 1 and 2 e e The monitor outputs 1 and 2 provide the signals of the wW WE monitor buses These signals may be be sent to stage FL Ya loudspeakers To prevent interference due to the long o cables being used between stage and mixing console WU CAP the outputs are balanced XLR connectors Wha
20. g characteristics of your equipment Unbalanced 14 TS connector lt Strain relief clamp Balanced use with XLR connectors Sleeve input 1 ground shield 2 hot ve 3 cold ve output Fig 3 3 W TS connector For unbalanced use pin 1 and pin 3 have to be bridged Fig 3 1 XLR connector behringer com 9 XENYX XL1600 XL2400 XL3200 User Manual Insert send return 14 TRS connector strain relief clamp sleeve ground shield ring return in tip send out Connect the insert send with the input and the insert return with the output of the effects device EM Fig 3 4 Insert send return stereo plug Ya TRS headphones connector strain relief clamp oO sleeve ring A lt 4 tip sleeve ground shield ring right signal left signal Fig 3 5 4 headphones connector tip sleeve shield tip sleeve Fig 3 6 RCA cable behringer com 10 XENYX XL1600 XL2400 XL3200 User Manual 4 Connectors Let s begin with the rear panel where the majority of inputs and outputs are located BEHRINGER XENYX XL1600 CONCEIVED AND DESIGNED BY CE En BEHRINGER GERMANY MADE IN CHINA 1
21. gistration Please remember to register your new BEHRINGER equipment right after your purchase by visiting behringer com alternatively behringer de and read the terms and conditions of our warranty carefully Should your BEHRINGER product malfunction our goal is to have it repaired as quickly as possible To arrange for warranty service please contact the retailer from whom the equipment was purchased Should your BEHRINGER dealer not be located in your vicinity you may directly contact one of our subsidiaries Corresponding contact information is included in the original equipment packaging Global Contact Information European Contact Information Should your country not be listed please contact the distributor nearest you A list of distributors can be found in the support area of our website behringer com Registering your purchase and equipment with us helps us process your repair claims quicker and more efficiently Thank you for your cooperation 1 4 The user manual The user manual is designed to give you both an overview of the controls as well as detailed information on how to use them In order to help you understand the links between the controls we have arranged them in groups according to their function If you need to know more about specific issues please visit our website at http behringer com Additional information and explanations about various music industry audio technology terminology can be found on individu
22. gnal sources for example keyboards CD players and wireless microphone receivers The input is balanced TRS connector but can also be used with unbalanced connectors TS connector INSERT The INS ert connector 14 stereo jack connector is used to connect to external signal processors Here you can hook up a compressor noise gate or equalizer to process the signal of a single channel The insert jack is placed before the fader EQ and aux send Please use an insert cable to connect to the insert point DIRECT OUT This 14 mono jack connector is a direct output which taps the signal after the channel fader to route it to a multi track recorder for example By modifying the circuit board in the unit the signal can also be tapped pre fader see chapter 6 11 XENYX XL1600 XL2400 XL3200 User Manual 4 3 Stereo inputs LINE L MONO LINE R The stereo channels consist of two line inputs 4 jacks one for e the left and one for the right channel The inputs are balanced em TRS connectors but it is also possible to connect to unbalanced e plugs TS connectors These channels can also be used as mono NT mo channels by connecting to the jack labeled L left MIC The stereo channels also consist of XLR inputs for connecting to microphones DI boxes and multicores 48 V This is the phantom power for operating capacitor microphones along with the control LED located next to the switch and in the Trim section
23. hannel fader pan control mute control etc PAN bs The PAN control determines the position of the channel signal an in the stereo mix as well as the subgroup to which the channel gt signal is routed ZX 2 MUTE The MUTE switch mutes the channel This means that the channel signal has been removed from the main mix and subgroups At the same time the FX monitor and aux paths of the respective channel are muted as well The corresponding MUTE LED indicates that the channel has been muted SOLO Use the solo function to listen in on a channel Press the channel s SOLO switch to hear the signal on your headphones Simultaneously the monitor meter 1 2 switches to the solo signal allowing you to level the signal correctly see chapter X The signal to be listened in on is tapped either before PFL mono or behind AFL stereo the channel fader and the pan control depending on the state of the PFL AFL switch The corresponding LED lights up when the solo function is activated CLIP The CLIP LED lights up as soon as the channel s level is too high In this case reduce the channel s input amplification with the TRIM control SIG The SIG LED lights up when a channel s signal is higher than 20 dB The LED is not affected by the fader The signals are indicated even when the fader is pulled down and the channel is muted Fader The channel fader adjusts the level of the channel signal as part of the main mix or submix 1 2
24. he unit from the mains pull out the main cord plug or appliance coupler When installing the product ensure the plug or appliance coupler is readily operable Unplug the power cord when the unit is not used for prolonged periods of time SERIAL NUMBER This is the serial number of the mixing console behringer com 4 2 Mono inputs MIC The balanced XLR input connects to microphones DI boxes and DIR multicores Multicores are cables that have multiple cores and yet which run from the so called stagebox to the mixer e I INS Connect the microphone and mute all mixer outputs before turning on the phantom power to avoid noise when the microphone is turned on Please wait for about one Se minute when switching on the mic until the voltage is eis stable Only then turn on the input amplification Va Caution Never use unbalanced XLR connectors pins 1 and N 3 interconnected on the MIC input jacks if you want to use phantom power 48 V Phantom power is used for operating a capacitor microphone A control LED lights up next to the switch when the phantom power supply is active Additional control LEDs are located in each Trim section of the mixer s channels As a rule dynamic microphones can still be used with phantom power provided they are wired in a balanced configuration In case of doubt contact the microphone manufacturer LINE This is a 14 jack connector which connects to line level si
25. ible channels 2 4 as far right as possible reference 6 dBu 19 XENYX XL1600 XL2400 XL3200 User Manual Physical weight Dimensions H x W x D XL1600 71x21 x 19 5 180 x 495 x 540 mm XL2400 71x213 x 27 8 180 x 705 x 540 mm XL3200 71X 21 3 x 35 8 180 x 910x 540 mm Weight net XL1600 25 8 Ibs 11 7 kg XL2400 19 0 Ibs 8 6 kg XL3200 32 8 Ibs 14 9 kg BEHRINGER is constantly striving to maintain the highest professional standards As a result of these efforts modifications may be made from time to time to existing products without prior notice Specifications and appearance may differ from those listed or illustrated behringer com T T T E T T T a T a XENYX XL1600 XL2400 XL3200 User Manual BBIE IX OOrc IX OO9T IX WBOHOUIGO 32018 T n qe Tz non F ENON ECES Wide 1 0705 V7NDH NOW j h uu EN EN A M En i I TH bs d NihLSM P ET X ud conos m NOH 31 aan J081N03 RI ISdi xnH b AWAY ILAN N INOW F INON I d NSS Pee 1 i A 1 Ka vues d X 1 z cuasscsn TY i b TRN Vee c Li SNH L3H xn I T me c V SUN3S xfnu i oe u isu x4 d I CEEE v 1 5 anasxa a e a x T Carr E dUb 1 T 5 nt N i u x
26. ing a stereo submix with the subgroups 1 and 2 group 1 should be adjusted to the left and group 2 to the right side of the main mix in 15 XENYX XL1600 XL2400 XL3200 User Manual order to maintain a balanced stereo image In case you have created a mono submix with only one subgroup be sure to center the PAN control so that the signal is not only heard on one side SOLO The SOLO switch routes the subgroup signal to the AFL bus Solo In Place or PFL bus Pre Fader Listen so that you can monitor the subgroup signal without affecting the main or sub output signals The signal to be monitored is taken either pre PFL mono or post subgroup fader Solo stereo depending on the position of the SOLO PFL switch The SOLO LED illuminates when the SOLO switch is pressed CLIP The CLIP LED lights up as soon as the subgroup signal s level is too high In this case pull down the channels faders routed to this group SIG The SIG LED lights up when a signal is routed to the subgroup whose level is higher than 20 dB The signal and clip LEDs are not affected by the fader The signals are indicated even when the subgroup fader is pulled down Fader The subgroup faders adjust the volume level of the subgroup signal at the subgroup output If the MAIN switch is pressed you can also adjust the subgroup s volume level in the main mix 5 6 Further functions of the master section se 6 5 6 1 Talkback DAE The talkback function
27. invoice for freight and packing Such costs will also be invoiced separately when the buyer has sent in a written repair order 0 Authorized BEHRINGER dealers do not sell new products directly in online auctions Purchases made through an online auction are on a buyer beware basis Online auction confirmations or sales receipts are not accepted for warranty verification and MUSIC Group will not repair or replace any product purchased through an online auction 8 5 Warranty transferability This limited warranty is extended exclusively to the original buyer customer of authorized retail dealer and is not transferable to anyone who may subsequently purchase this product No other person retail dealer etc shall be entitled to give any warranty promise on behalf of MUSIC Group 6 Claim for damage Subject only to the operation of mandatory applicable local laws MUSIC Group shall have no liability to the buyer under this warranty for any consequential or indirect loss or damage of any kind In no event shall the liability of MUSIC Group under this limited warranty exceed the invoiced value of the product 7 Limitation of liability This limited warranty is the complete and exclusive warranty between you and MUSIC Group It supersedes all other written or oral communications related to this product MUSIC Group provides no other warranties for this product 8 Other warranty rights and national law Thi
28. ll up the channel faders 5 8 Monitor send section MON 1 MON 2 The monitor send section merges the monitor signals of all channels Then the mix is sent to the monitor outputs The monitor fader provides precise SM M adjustment and optical control of the monitor EN al um output signals SEND The SEND faders control the output level ofthe monitor buses Each fader is 60 mm long and features 10 dB headroom MUTE Each monitor send has a MUTE switch and MUTE LED SOLO For acoustic control ofthe stage sound use the SOLO switch to feed the monitor signal to the headphone and speaker output If you connect the speaker output to a monitor that is identical with the monitor Speakers on stage you can tell how the stage sound is perceived SEND SEND 5 9 AUX master section 1 2 3 4 These selector switches route the effect signal to the main mix or to the subgroups 1 2 or 3 4 For example if you create a subgroup for a choir you need to feed the effect which processes the vocal signal to the same subgroup so that all signals can be adjusted equally In this case it doesn t matterthat the FX sends are routed post fader as long as the choir s volume level is adjusted with the subgroup fader Otherwise the effect signal is perceived as unaffected in the main mix RETURN RETURN MUTE The MUTE switch mutes the effect return path Use this function t
29. mal positions while playing back music from CD using the CD TAPE inputs so you don t lose your mix MAINA Use this high precision MAIN fader to control the output level of the main mix MAIN B Depending on the settings of the MAIN B section the level of the Main B output is affected by the MAIN A fader behringer com 5 4 Level meters Four high resolution LED meters indicate the levels ofthe monitor buses and mixer sum s output signals As soon as you have pressed the solo switch on the mixing console the monitor LED meter automatically shows the solo signal The master signal is always indicated 1MON2 The monitor meters indicate the levels ofthe monitor buses 1 and 2 In solo mode SOLO LED lights up the PFL signal mono only left meter or the AFL signal Stereo left and right meter are shown This depends on the state of the PFL and AFL switch in the solo section SOLO 1 MON2 MAIN BFL AFL L AFL R L R SOLO cup O cup O cup O O 12 O 12 CO 2 O O 8 O 3 O O O 6 0 6 O 8 O Q s O 8 0 9 0 QO o 0 0 0 0 0 O 3 O 3 O 3 O Q s O s gt s O O 9 0 3 0 3 0 Qo 12 O 12 O 12 O O 15 0 15 0 15 0 O v N O 18 0 18 0 18 O 2 C 2 O 2 0 Oc sa 724 24 O O dB O dBu When a SOLO switch is pressed on the mixing console not only the corresponding LED lights up but also the global SOLO LED This way you can keep a cool head when mixing live an
30. nputs estet aiaa 10 4 3 Stereo InpUts a niece b tette coorta eekees vtero ree 4 4 Main mix outputs 4 5 Subgroup connectors eene 11 4 6 CD tape connectors sssssssssssssssssssssssssssssssssssssssssssssssssssss 11 4 7 FX Mon Aux SONS eecssesscsesccsteccssecessccessecesecessecesteessseess 11 4 8 AUX refus cecinere rite perite aessa Pe reves ERnE 11 4 9 Light and headphone connectors 11 5 Control elements eere eese eene ee ene e enun 12 5 1 Mono channels csssssscsssecsssecsssccsssccssccessscessceessccesscerseeees 12 5 2 Stereo ChANNels csssccssecsssecsssecsseecsseeessseesseeessecesseeeseeees 13 5 3 M in Sectores recie isi eee eo ee iens 14 5 4 Level meters retentis ieesistestecte netten 14 9 9 SUDBITOUPS pe 5 6 Further functions of the master section 5 7 FX master SOCUION sssini 16 5 8 Monitor send section seen 16 5 9 AUX master SECTION ccsessossscsessssessensssssensensssecenserssrsees 16 6 MOdifications ccccscccscsssccsccccescssscccsccrcsccesceeces 17 6 1 Mon Aux sends gt post EQ see 17 6 2 Direct Out gt pre fader eee 17 7 Specifications ccccccccccsccsscscscscccsccsescscsccesccesecees 17 behringer com Thank you Congratulations By purchasing one of the XENYX mixing consoles you have acquired a state of the art audio mixer that sets new standards Righ
31. o 19 rack mounts that can be fastened to the side panels of the console lt strain relief clamp sleeve Before you can attach the rack mounts to the mixing console you need to remove the screws holding the left and right side panels Then use these screws to fasten the two rack mounts each specifically to one side After attaching the rack mounts you can mount the mixing console in a standard 19 rack Be sure toallow for proper air flow around the unit and do not place the mixing console close to radiators or power amps so as to avoid overheating sleeve ground shield Only use the screws holding the mixing console side panels to fasten the 19 rack mounts P t ring 3 2 Audio connectors dig The inputs and outputs of the BEHRINGER XENYX mixer are unbalanced g M ie ve mono TS connectors except for the balanced Line inputs on the mono and stereo channels as well as the Main Out connectors Of course you can use the mixer For connection of balanced and unbalanced plugs ring and sleeve have to be bridged at the stereo plug with balanced as well as unbalanced 14 connectors The CD TAPE inputs and outputs are stereo RCA connectors Make sure that only competent people install your mixer They must be Fig 3 2 4 TRS connector sufficiently grounded during and after the installation process Otherwise electrostatic discharges may negatively affect the operatin
32. o deactivate the reverb effect of a vocalist who makes announcements between songs The corresponding MUTE LED indicates that the channel is muted SOLO Press the SOLO switch to listen in on the effect signal on the headphones speakers as well as see it on the monitor meter 1 2 The corresponding LED lights up when the solo function is activated FX RETURN The FX return fader adjusts the volume level of the returned effect signal in the main mix and subgroups this depends on the routing switch you have pressed behringer com o_ AUX 1 E o_ MON 1 o AUX 1 K O 7 LN 7 7 eum PRE posT z 0 10 o AUX 2 LA FIN A CO RETURN PRE PosT S 0 10 This section is split up in an aux send section left side and an aux return section right side The aux send paths 1 and 2 can individually be switched from pre fader to post fader depending on whether you want to use them as monitor or effect signal paths As with all outputs both aux master outputs feature 10 dB headroom as well as a MUTE and SOLO switch In the aux return section you can adjust the signals of the devices CD player effects unit submixer etc connected to the aux inputs which are then routed to the monitor buses and the main mix PRE POST This is the global PRE POST switch for the aux buses For utmost flexibility each AUX bus can individually be switched from pre fader to post fader AUX SEND The Master AUX SEND controls 1 an
33. of the XENYX allows you to communicate with people on stage The talkback signal can be routed to the different bus outputs MIC Here you can plug in the microphone for talkback use croup A LEVEL The LEVEL control adjusts the volume level of the talkback signal MON AUX GROUP MAIN These push button switches MON AUX GROUP and MAIN determine to which outputs and buses the talkback signal is to be routed Then turn on the talkbalk microphone Press and hold down the push button switch while speaking into the microphone 5 6 2 SOLO SOLO LEVEL The SOLO LEVEL control adjusts the volume level of all solo signals routed to the headphone and loudspeaker outputs ASTEREO A APRE A vPOST ZN behringer com PFL AFL Press the PFL AFL switch to change the solo functionality from PFL mono pre fader listen to AFL stereo The LED next to the switch indicates the selected state In PFL mode the signal is tapped before the fader when pressing the solo switch In AFL mode the signal is tapped behind the fader and in stereo for a correct positioning within the stereo image If you adjust the signal s level with the TRIM control select the PFL mode so that the displayed level is not affected by the channel fader 5 6 3 CD TAPE LEVEL The LEVEL control adjusts the signal in the main mix for example when connecting the CD tape inputs to a CD player MAIN Press the MAIN switch to route the CD signal
34. of the stereo channels 4 4 Main mix outputs OUTA XENYX XL1600 CONCEIVED AND DESIGNED BY The OUT A outputs are balanced XLR connectors with a u nominal operating level of 4 dBu and provide the main gi le s mix signal E oura TA OUTB e e m END PR oure The OUT B outputs provide the MAIN B signal the volume level of which can be controlled INSERT Muse Sr Like the channel inserts the INS ert connectors can be used to hook up a dynamics processor or equalizer for further processing of the mix signal on OUT A 4 5 en connectors SPEAKERS DI GROUP OUT 1 4 These four GROUP OUTS 1 4 carry the signals ofthe individual subgroups For multi tracking connect the outputs to the inputs of a multi track recorder GROUP 4 oe GROUP 3 GROUP 2 GROUP 1 our oe our oe our oo INSERT Each subgroup has an insert jack which is labeled INS Here you can connect to a noise gate compressor or equalizer to process the subgroup signal as a whole For example route your background vocalists to one subgroup bus and then use a compressor to bring the vocals closer together This makes it sound more like a choir rather than a group of individual soloists The insert point is placed before the group fader allowing the dynamics processors noise gate compressor etc to be optimally used and not affected by changes in volume level of the group fad
35. on If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures e Reorient or relocate the receiving antenna e Increase the separation between the equipment and receiver e Connect the equipment into an outlet on a circuit different from that to which the receiver is connected e Consult the dealer or an experienced radio TV technician for help This device complies with Part 15 of the FCC rules Operation is subject to the following two conditions 1 this device may not cause harmful interference and 2 this device must accept any interference received including interference that may cause undesired operation Important information Changes or modifications to the equipment not expressly approved by MUSIC Group can void the user s authority to use the equipment behringer com imagine music EX behringer com behringer
36. r repair claims quicker and more efficiently Thank you for your cooperation 83 Return materials authorization To obtain warranty service please contact the retailer from whom the equipment was purchased Should your BEHRINGER dealer not be located in your vicinity you may contact the BEHRINGER distributor for your country listed under Support at behringer com If your country is not listed please check if your problem can be dealt with by our Online Support which may also be found under Support at behringer com Alternatively please submit an online warranty claim at behringer com BEFORE returning the product All inquiries must be accompanied by a description ofthe problem and the serial number of the product After verifying the product s warranty eligibility with the original sales receipt MUSIC Group will then issue a Return Materials Authorization RMA number 4 XENYX XL1600 XL2400 XL3200 User Manual Subsequently the product must be returned in its original shipping carton together with the return authorization number to the address indicated by MUSIC Group 3 Shipments without freight prepaid will not be accepted 4 Warranty Exclusions This limited warranty does not cover consumable parts including but not limited to fuses and batteries Where applicable MUSIC Group warrants the valves or meters contained in the product to be free from def
37. rmation contained herein is correct at the time of printing All trademarks are the property of their respective owners MUSIC Group accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description photograph or statement contained herein Colors and specifications may vary slightly from product BEHRINGER products are sold through authorized dealers only Distributors and dealers are not agents of MUSIC Group and have absolutely no authority to bind MUSIC Group by any express or implied undertaking or representation This manual is copyrighted No part of this manual may be reproduced or transmitted in any form or by any means electronic or mechanical including photocopying and recording of any kind for any purpose without the express written permission of Red Chip Company Ltd ALL RIGHTS RESERVED 2010 Red Chip Company Ltd Trident Chambers Wickhams Cay P 0 Box 146 Road Town Tortola British Virgin Islands Limited Warranty 1 Warranty This limited warranty is valid only if you purchased the product from a BEHRINGER authorized dealer in the country of purchase A list of authorized dealers can be found on BEHRINGER website behringer com under Where to Buy or you can contact the BEHRINGER office closest to you 2 MUSIC Group warrants the mechanical and electronic components of this product to be free of defects in material and
38. s and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus 11 Use only attachments accessories specified by the manufacturer 12 Use only with the cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid LA aaa injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped 15 The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection 16 Where the MAINS plug or an appliance coupler is used as the disconnect device the disconnect device shall remain readily operable Legal Disclaimer Technical specifications and appearance are subject to change without notice The info
39. s limited warranty does not exclude or limit the buyer s statutory rights as a consumer in any way M The limited warranty regulations mentioned herein are applicable unless they constitute an infringement of applicable mandatory local laws w This warranty does not detract from the seller s obligations in regard to any lack of conformity ofthe product and any hidden defect 9 Amendment Warranty service conditions are subject to change without notice For the latest warranty terms and conditions and additional information regarding MUSIC Group s limited warranty please see complete details online at behringer com MUSIC Group Macao Commercial Offshore Limited of Rue de Pequim No 202 A Macau Finance Centre 9 J Macau including all MUSIC Group companies 5 XENYX XL1600 XL2400 XL3200 User Manual 1 Before You Get Started 1 1 Shipment Your XENYX was carefully packed at the factory and the packaging was designed to protect the unit from damage caused by rough handling Nevertheless we recommend that you carefully examine the packaging and its contents for any signs of physical damage that may have occurred during transit Ifthe unit is damaged please do NOT return it to us instead notify your dealer and the shipping company immediately otherwise claims for damage or replacement may not be granted We recommend using a case to ensure optimal protection of the device Please always u
40. se the original packaging to avoid damage due to storage or shipping Never let unsupervised children play with the XENYX or with its packaging Recycle whenever possible 1 2 Initial operation Ensure adequate air supply and to avoid overheating do not place the unit near radiators etc Blown fuses must be replaced by fuses of the same type and rating Please refer to the Specifications for details Caution Before changing the fuse switch off the device and pull the plug to avoid electric shock or damage to the device The power connection is made by using the enclosed cable and the amplifier s standard IEC receptacle It meets all ofthe international safety certification requirements Please make sure that all units have a proper earth connection For your own safety never remove or disable the earth conductor from the unit or of the AC power cord The unit must always be connected to the mains outlet with a protective grounding connection Extreme output volumes may damage your hearing and or your loudspeakers Turn down all volume and level controls before you Switch on the unit Always set the volume to an appropriate level Important notes concerning installation The sound quality may diminish within the range of powerful broadcasting stations and high frequency sources Increase the distance between the transmitter and the device and use shielded cables for all connections behringer com 1 3 Online re
41. t from the very start it has been our goal to design a revolutionary unit that can be used for a great variety of applications And indeed this overwhelming mixing console gives you plenty of funtionality and a broad range of connection and expansion options BEHRINGER is a company with its roots in professional recording studio technology For many years now we have been successful in developing products for studio and live use These include microphones and studio gear of all kinds compressors enhancers noise gates tube processors headphone amplifiers digital effects DI boxes etc monitor and PA speakers as well as professional live and recording mixers Our entire technical know how has gone into your XENYX mixing console 3 XENYX XL1600 XL2400 XL3200 User Manual Important Safety Instructions A A Terminals marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock Use only high quality commercially available speaker cables with Ya TS plugs pre installed All other installation or modification should be performed only by qualified personnel This symbol wherever it appears alerts you to the presence of uninsulated dangerous voltage inside the enclosure voltage that may be sufficient to constitute a risk of shock This symbol wherever it appears alerts you to important operating and maintenance instructions in the accompanying literature Please read the m
42. t s more you have the right connectors when working with multicores AUX 1 and 2 The AUX outputs 1 and 2 provide the signals of the AUX buses 1 and 2 You can switch these buses pre fader and post fader so that they may be used for effects as well as for monitor applications 4 8 Aux returns AUX RETURN AUX RETURNS J The stereo AUX inputs 1 und 2 let you Ax aa Tg md connect the mixer to additional equipment e e e players effects processors submixers etc The signal is sent to the signal sum FX RETURN The stereo FX RETURN connectors 1 and 2 are linked to the outputs of external effects processors Depending on the routing the signals are sent to the subgroup or the main mix bus 4 9 Light and headphone connectors LAMPS O O o 12 V 5W 12 V 5W LAMPS PHONES The LAMPS plugs are for connecting gooseneck lamps with BNC connectors The power supply is 12 V and the total connection load is 5 Watts a lamp PHONES The PHONES outputs 14 stereo jacks let you plug in your headphones 12 XENYX XL1600 XL2400 XL3200 User Manual 5 Control Elements This chapter describes the various control elements of your mixing console Each control and switch is explained in full detail 5 1 Mono channels 48 V This control LED lights up as long as the phantom power is switched on The switch is found on the rear panel of the unit X J TRIM 0 MIC 60 C20 LINE 40 LES EG Trim The TRIM
43. th a shelving filter below 80 Hz EQ The EQ push button switch activates the equalizer Toggle the EQ to give you a quick comparison between unprocessed and processed signal behringer com 5 1 1 FX MON AUX send paths The send paths FX MON and AUX allow you to tap the signals of one or more channels and route them to other outputs This way you can create individual mixes for effects FX and musicians performing on stage MON Using the FX MON AUX send outputs the mix is fed to the stage loudspeakers and effects units e 8 Ts Z 8 Y FX1andFX2 rs 10 The FX buses are used as send paths to external effects units The signal is usually tapped after the channel fader and therefore is affected by the position ofthe channel fader 8 3 a am The FX control adjusts the volume level ofthe channel signal to the effects unit 8 PRE Press the PRE switch to change the routing of both effects paths from post fader to pre fader This way the volume level of the effects signal is not affected by the channel fader 8 Y Both the FX control on the channel and the corresponding Master FX SEND control need to be fully turned up as well Connect the FX Send output to the input of the effects unit The effects signal is routed back through the FX Returns found in the master section L R Monitor 1 and 2 The monitor buses are used as send paths to stage monitors
44. to the main output The CD signal remains audible even when the MAIN MUTE switch is pressed This allows you to play music during performance breaks 5 6 4 PHONES SPEAKER section The PHONES A B control adjusts the volume level of the headphone output IMPORTANT High volume levels may damage your hearing and or your headphones loudspeakers To avoid switch on off thumps from the console and any downstream devices always make sure that the power amp s or active speaker s are the last components that are switched on and the first to be switched off Always make sure that the appropriate volume is set SPKR The Speaker control adjusts the volume level of the SPEAKERS outputs SOURCE The SOURCE push button switch selects the signal source for the headphone and loudspeaker outputs main or CD TAPE signal Pressing a solo switch routes the solo signal to these outputs and is not affected by the SOURCE push button switch MAIN B section The mixer sum can also be routed to the MAIN B output which may be connected to a separate power amplifier This way the sum can be sent to multiple zones and various loudspeaker groups for example center clusters and front fills One may also want to connect a stereo recording system for live recording LEVEL The LEVEL control adjusts the volume level of the signal routed to the MAIN B output STEREO MONO The STEREO MONO switch changes the Main B signal from mono to stereo depending on the
45. ual CLIP The CLIP LED lights up as soon as the channel s level is too high In this case turn the TRIM control to reduce the channel s input amplification until the LED goes out SIG The SIG LED lights up when a channel s signal is higher than 20 dB The LED is not affected by the fader The signals are indicated even when the fader is pulled down and the channel is muted Fader The channel fader governs the level of the channel signal as part ofthe main mix or submix 1 2 3 4 MAIN The routing switch feeds the signal to the respective subgroup or the main mix or both Please note that when using the routing switch to route a stereo signal to the subgroups the balance control needs to be centered so that the signal is routed to two groups and remains in stereo 5 3 Main section 5 3 1 MAIN A section BAL ANCE The BAL ANCE control adjusts the mix of the left and right output signal before both signals are routed to the MAIN A output This way the left and right volume level of the mixer sum can individually be adjusted if necessary MAIN MUTE When the MAIN MUTE switch is pressed all input channels are muted The MUTE LED lights up when the MUTE switch is pressed Only the CD TAPE signal will be routed to the main mix In this way you can prevent the microphones from picking up unwanted sounds or noise that would interfere with CD playback during a break The main mix and channel faders can remain in their nor
46. workmanship if used under normal operating conditions for a period of one 1 year from the original date of purchase see the Limited Warranty terms in 4 below unless a longer minimum warranty period is mandated by applicable local laws If the product shows any defects within the specified warranty period and that defect is not excluded under 4 MUSIC Group shall at its discretion either replace or repair the product using suitable new or reconditioned product or parts In case MUSIC Group decides to replace the entire product this limited warranty shall apply to the replacement product for the remaining initial warranty period i e one 1 year or otherwise applicable minimum warranty period from the date of purchase of the original product w Upon validation of the warranty claim the repaired r replacement product will be returned to the user freight prepaid by MUSIC Group e 4 Warranty claims other than those indicated above are expressly excluded PLEASE RETAIN YOUR SALES RECEIPT IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF OF PURCHASE 2 Online registration Please do remember to register your new BEHRINGER equipment right after your purchase at behringer com under Support and kindly read the terms and conditions of our limited warranty carefully Registering your purchase and equipment with us helps us process you
47. x input level Impedance Signal to noise ratio Distortion THD N typ 0 0008 Line input Type 14 TRS jack electronically balanced Impedance approx 20 k0 balanced approx 10 kQ unbalanced Gain range 10 dB to 40 dB Max input level 22 dBu 0 dB Gain Channel inserts Type 14 TRS jack unbalanced Max input level 22 dBu Channel direct outs Type 14 TRS jack balanced Impedance approx 75 Q balanced Max input level 22 dBu Crosstalk Main fader closed 100 dB Channel muted 90 dB Channel fader muted 85 dB Frequency response Mic In gt Main Out 20 Hz 20 kHz 0 dB 1 dB 10 Hz 160 kHz 0 dB 3 dB 1 Equivalent Input Noise 2 Measuring conditions 1 kHz rel to 0 dBu 20 Hz 20 kHz line input main output unity gain 18 XENYX XL1600 XL2400 XL3200 User Manual n Type 2x14 TRS jack balanced Type 14 TRS jack unbalanced Impedance approx 20 KO balanced 10 kQ unbalanced Max output level 22 dBu san tense 2008104200 Max inputlevel BL ALL Type XLR connector electronically balanced SUrTapein Impedance approx 240 0 balanced 120 Q unbalanced Type NC COMING Max output level 425 dBu Impedance approx 10 kQ Max input level 422 dBu EQ mono channels Type 14 TRS jack unbalanced Max input level 22 dBu LOW 8
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