Wiley Final Cut Pro 6 For Digital Video Editors Only
Contents
1. 62 Sharing Clips Between Sequences 2 2 nn m an m m nn nn 62 Nesting Sequences for Organization and Render Advantages 63 Creating a Static Region in the Timeline 64 Determining If You Have Already Used a Clip 64 Locating aRecentClip 2 02 u nn nn nn 65 Searching for Media in a Massive Timeline 66 Fixing Shaky Shots with SmoothCam 2 2 2 2 2 u ee nenn 68 OSA geen eee Vee ee Ewe ea E 71 s ua uo5 Ww s u U0 Part II Achieving Popular Industry Effects 73 chapter 4 Popular Dramatic Effects 75 AA a 7 a 4 gt Destinati n JAMAIGA ISLAND GETAWAYS Unlimited Real Time Settings m 76 Render status e e 76 Creating the Pleasantville effect 78 The Ken Burns effect a 81 Achieving the film look with video 88 The moving filmstrip effect 89 Shake Up Your Transitions 2 2 2 nn u mn m nn 96 Creating your own gradient wipes 2 Hmmm ee 0 97 Using filters as transitions o 0 98 White flash transitions for effect 2 KL m m nn 100 Luma Keying vasca AAA 102 Utilizing Alpha Mattes ee 104 Adjusting the title in Viewer2. 106 Accessing Apple Motion templates in Final Cut Pro 108 Creating marker durations to designate an area in a sequence 109 The Time Remap tool and the alternative to usingit 109 Playing a clip in reverse 113 Using specialized characters 200800 114 Dha DO TI GC c r s n gh sal c r dh Ree eee Reem eee eee ee 117 chapter 5 Creating Dynamic Text and Effects with Apple Motion 119 Integration with Final Cut Pro nn 0 u ee nn 121 Adding Some Flare to a Commercial 2 2 u 2 ee nn nn 121 Sending the project to Motion 2222 2 2 m nn nn 121 Creating and designing text objects 2 4 123 Applying and tweaking behaviors 08 130 Back to Final CutPro 64 24 2442444424449 oe 34242 E A 131 Project Presets cee ew ee AAA 132 Recording Animation m ra 133 Keyframe Editor 4 4 2 o 135 Creating Particles rada AAA 136 Smooth Slow Motion with Optical Flow 140 Importing Objects from the Desktop into Motion 141 Media Management 2 2 2 nn ee ee ee 4 4 2 143 EXPO DIESCIS ice aa a a ek a a ee 144 Setting up an external monitor 144 AUIOS VOS sarampo EE ERE EA 146 Using Document PresetS m nn nn 150 Accessing the Presets 2 2 2 u ee ee ee
3. ee ee 252 Encoding for the Web and Transcoding Video Formats 253 Encoding video for the Web 000052 eae 253 Transcoding NTSC to PAL 24444464448 a ann a Aa ee 254 Automating transcoding sessions with droplets 258 Upconverting SDtoHD 2 000 002 2 eee 259 Transcoding interlaced to progressive scan video 260 EXPOMING sac ad dech ig df ac AC ar he ee Se HERE Ree eee RARA ee 262 Exporting to the Web with Windows Media and Flash files 262 Exporting QuickTime movies 1 eee 0 262 Exporting batches 0 ed eke a u a ew a na ana 264 Exporting a still image 0 eee ee ee ee ee 266 Reasons to export with a burned in timecode 267 Print To Video od a aa a AA AAA 269 The Automatically Start Recording option 269 Issues with printing HDV to tape 4 270 appendix What s on the DVD 273 System Requirements m nn nn 274 Installing the Book Files 2 2 2 um 0 un m nn 274 What s on the DVD 2 2 u un no DR a Oe nn OS 274 Reconnecting Offline Media un nn nn 275 Customer Care a nu u a u un a nn an a nu nm 275 pro glossary 277 end user license agreement 287 index 291 s u U0
4. 2 22 v 2 2 nme 188 Grouping TACKS s o o 45 cos an nen Baier 189 Creating a curved path for text HE nn 190 Filling your text with video clips 0 00 2 eee 190 OGRA oe ee ew ee Cs eee oe an ee we ee EM a TR re 192 Part Ill Bringing It All Together 193 chapter 8 Getting the Audio Right 195 Audio Guidelines 00 8 ee a 196 SING ISSUES u sa 2 eredes a Ae E AA A A 196 Using iTunes to import 48 kHz audio 197 Methods for Adjusting Audio u 0 u m u m nn nn 199 Adjusting audio levels with overlays 199 Unlinking stereo clips 2 Com on 200 Adjusting audio levels in the viewer window 200 Creating an audio pan effect 201 Editing with linked audio ee ea 201 SINCE CS ai yd a a as wy a ee GH 203 Previewing selective audio tracks using the JKL keys 204 Using peak detection to target clipped audio 206 Adjusting audio filters in real time 206 Removing audio filters and keyframes 207 Enhance and Fine tune with SoundtrackPro02 207 Setting and applying ambient noise print 207 Set noise print voor a SoG POE SESE dD 208 Adding Sound Effects to Your Projects ee 209 Exporting the Master mix crase eee noeh 214 Using effects ee ee 216 Using ENVOIO
5. nn 38 Timeline editing symbols a ee 38 MOVIDO CIPS i sree meal c r di ir ah wapeni eee wee ee Eee ee 39 Moving clips using the numerical keyboard 40 Rearranging clips Swap edit a ee ee 40 Through edits with the Blade tool 41 Final Cut Pro Transitions m nn nn 2 41 Working with Text sce on a 0 nee case sarah 43 Keying text over background video 2 222 a En nn 43 Adjusting the Controls tab parameters 45 Interaction between the Controls tab and the Canvas window 45 Using Boris Tithe 3D 144 224 22448 244 da AR E SA 46 Adding Multiple Transitions Simultaneously 47 Customizing the Interface for Efficiency 806 48 Adding shortcut buttons to the interface 49 Customizing window layouts Emmen 50 OSA nee eee WERE KEE AAA 52 chapter 3 Accelerating the Editing Process 55 Methods of Deletion un u nn m nn nn 56 Performing a Lift Delete 2 0 004 56 Performing a Ripple Delete o 56 Closing a Gap with Three Point Editing 57 Performing a Fit to Fill Edit u nn nn nn 58 Backlimihg a Clip 00 na me mw ne wa ee nee 60 A Quick way to Solo a Sequence Clip 2 22 ee m nm nn nun 60 Disabling Single Clips 2 2 u mn 0 u m nn
6. DES xos ii ewe Sana or ew ee de I B a 217 Time Stretching Audio Files ee 218 Importing Media esc a Aa AAA 222 Capturing from a DVD crisis as di 223 24p capture setting a a 224 Making Subclips with DV Start Stop 2 u 2 un nn m nn en 225 Making subclips independent 08 226 Using DV Start Stop cu x a a 0 0 u a va 0 Bde ne an nn 227 Creating subclips with non DV footage 22 v 2 nn nennen 228 Log and Capture Window 2 2 2 2 nn nn nn nn nn 229 Capture settings 2 2 Ho mn 230 CIP Seting 20 5 3 en oe ee d Im Bh Bh oe TR 231 s ua uo5 s u U0 Ww LOGON eva ri ee aid oe ee Aa 232 Deck CONOIS 25 a wanna u an Sn DE E RD a 235 Clip Duration box 2 u Gawd ee ee ee ee ES Md 235 Log Clip button ee ow wo 0 u EE EE E oe 236 Capture buttons a4 a a oe bo Bahnen 237 Creating Bins and Organizing Clips in the Browser Window 237 Column headings 2 2m nn nn 238 Renaming clips o 240 m E e ALL as A SH he Er o ir x m id i A i rom put PATAS TCG 00 00 09 00 Outputting MPEG 2 for DVD Creation 246 Creating SD DVD files 246 Creating HD DVD files 0 0 0 0 0 00020 248 Creating your own custom presets 05 05804 251 The benefit of 240 DVDS
7. System Preferences 9 Adjusting dock settings 2 2 2 2 mn nn m nn 10 Final Cut Pro Hardware Settings 2 2 un nn mn m nn nn Final Cut Pro Audio Video Settings 2 2 2 u nn m nn nn nn Summary tab ey eee eee AA hee oe eB ee A 10 Sequence Presets and the Open Format Timeline feature 12 Capture Presets v v HC mn nn 12 Device Control Preset Editor 2 050250 12 A V Devices tab u v v v v eo Bw a a Du we ee md 14 3 s u U0 Creating an easy setup a 14 Audio Sample Rates nn ee 2 16 Previewing your video 2 2 20 nn ee 4 a 17 Fix Poor Quality QuickTime Movies nennen 17 OSA gae an Ar ur in raras AAA 19 Utilizing the Slug Generator and the Replace Edit Function 22 Trimming Tools cease 2 02 0 weer ere dw ee bo ew eee ee 27 Using the Slip tool in the Timeline 27 Understanding handles 29 Adjusting edit points 2444240 vs ee ee ee ee ann 29 Timeline Editing e o ee E A E 33 Navigating the Timeline 222 HC m m nn 34 Navigating with the arrow keys 34 Tack Lals x u an u 2 0 riera 34 Thumbnail displays in the Timeline 35 Storyboard editing 5 za 2444 ai su da 424 2 na we Go 36 Displaying audio waveforms 2 m m
8. contents at a glance about the author v foreword Ix preface xi acknowledgments xiii Part On the Job Editing Techniques 1 chapter 1 What Every Editor Should Know Before a Shoot 3 chapter 2 Editing to the Beat with Efficiency 21 chapter 3 Accelerating the Editing Process 55 Part Il Achieving Popular Industry Effects 73 chapter 4 Popular Dramatic Effects 75 chapter 5 Creating Dynamic Text and Effects with Apple Motion 119 chapter 6 Using Photoshop with Final Cut Pro 149 chapter 7 Flexibility with LiveType 169 Part Ill Bringing it All Together 193 chapter 8 Getting the Audio Right 195 chapter 9 Keeping Your Media Organized 221 chapter 10 Transcoding and Outputting 245 appendix What s onthe DVD 273 pro glossary 277 end user license agreement 287 index 291 contents about the author v foreword ix preface xi acknowledgments xiii Part On The Job Editing Techniques 1 chapter 1 What Every Editor Should Know Before a Shoot SAMPLE TEXT System Requirements 1 2 2 ee mn ca Configure the Mouse 0 nn e The Mac OS X Menu Bar The Mac OS X Toolbar lt lt Navigational Window Views in Finder 2 6 8 eee nn Deactivating the Mac OS X Expos 2 2 2 u nn nn m nn nn nn Multiple User Desktops in OS X 2 2 2 u nn nn mn nn nn Adjusting audio monitoring levels 2 2 2 LE m En nn 9 Changing the Mac OS X
9. ee ee es 150 Creating Graphics in Earlier Versions of Photoshop 151 Using Effect Layers ca 152 Preparing the Image nn 4 153 Minding your color space nn 153 Color correction masa ee ee ee ee a 155 Creating a Network ID Glass Bug 2 2 0 mn m nn ee ee ei ee 160 Cutting out a Photoshop graphic for use in video 160 Creating the bug u chee ee ka sa A EA E EA 160 Using your favorite Photoshop filters for video 2 162 Creating a droplet 163 s ua uo5 s u U0 Y chapter 7 Flexibility with LiveType 169 Curved Tet The LiveType Il Interface ca 171 The Canvas v v v ee eG ee Dake eee eee a ee 171 The Inspector 64 signs PS ee ee ee ee E os AA 172 Media Browser cons FE LAS CASAS E ea 173 Timeline ak oe nen en ee Oe Se 174 Your LiveType Project s Workflow 0 008 ee eee nae 174 Editing LiveType Movies While in Final Cut Pro 178 Customizing Effects and Templates 0 88820 os 178 Manipulating shadow color ve ee ee ee ee ea 182 Changing glow color 2 En nn 183 Warping shadow shape ee ee ee 184 Designating Backgrounds 2 2 2 un nn nn m ee nn 184 Dynamic Paths and Effects for Text 2 2 220 mn mn nn 187 Copying keyframes between projects
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