Panasonic DMW-LA2 camera lens adapter
Contents
1. pa Le ey eo ass Ed IL J HF S 4 45mm F2 8 4 0 i 0 5 Distance from image center mm For the lens distortion compensation available the horizontal axis of ASPH ED MTF is the distance from the center which is compensated accordingly eLEICA is a registered trademark of Leica Microsystems IR GmbH ELMARIT is a registered trademark of Leica Camera AC The LEICA DG lenses are manufactured using measurement instruments and quality assurance systems that have been certified by Leica Camera AG based on the company s quality standards 20 SINGLE FOCAL LENGTH 7 T Yi F2 1 5 35mm camera equivalent 28mm 1 13 sec F8 0 Today l m visiting an old time country stable Thankfully this small lens sees everything from the horse carriage in the corner to the thick wooden beams in the ceiling all in a single frame l m able to capture the nostalgic air of a place time forgot with this slim wide angle 14mm pancake lens 35mm camera equivalent 28mm TR 7 mL a P LT 1 8 sec F2 5 With its fully open brightness this lens is ideal for nightscapes It lets in a large amount of light so you can raise the shutter speed without increasing the ISO sensitivity This wide angle lens also suppresses hand shake and noise so all your shots are crisp clear and beautiful LUMIX G 14mm F2 5 ASPH Single Focal Length Lens for Wide Angle Shootin2. 0 20x 35mm equivalent 0 40x eFilter size Front Mounting not possible Rear Sheet filter holder 22 mm 0 86 in x 22 mm 0 86 in eDimensions 60 7 dia x 51 7 mm 2 39 dia x 2 04 in Weight 165 g 5 82 oz Accessories Case MTF Chart 20S 20M 40S 40M 100 a BE c cts esse MTF 96 At 1809 the angle of view is far beyond what can take in with normal eyesight 3 2 sec F10 That s the appeal of a fisheye lens This unique lens lets me capture surreal looking images o iu 10 with a powerful perspective and deformation effect Distance from image center mm For the lens distortion compensation available the horizontal axis of ED MTF is the distance from the center which is compensated accordingly yet portray even the lights of a building at night in clear detail 26 How to Choose Lenses Tips on selecting the most suitable lens for your subject and shooting situation andscapes Ea The 7 14mm or 14mm pancake lens lets you emphasize the perspective and express how vast a particular landscape is The 14 42mm or 14 45mm lens lets you capture medium telephoto shots that draw in distant landscapes The 45mm macro lens maintains image sharpness all the way to the edges even when shooting at infinity The 20mm pancake lens is always ready to grab photos on the fly The 14mm wide a
3. Finder or the LCD The compensation effect is also carefully matched to each lens MEGA O I S is especially effective for hand held shooting with a zoom lens Multicoating Process Utmost caution is exercised in coating the LUMIX G LEICA DG lenses to suppress ghosts and flaring while ensuring optimum color balance In addition to a standard broadband anti reflection coating LUMIX G LEICA DG lenses feature a coating that reduces the reflectance of light that enters at an angle This multicoating process is widely used on lenses with a small radius of curvature such as those in ultra wide angle lenses and fisheye lenses It greatly improves the image rendering performance when shooting against a light source Moreover the bonded surfaces of cemented ir lenses are also given an original multicoating process to further reduce reflection This results in high quality images with superb clarity Without multicoating With multicoating Aspherical Lenses To assure superior image quality while reducing size and weight each LUMIX G LEICA DG lens features a number of aspherical lenses that effectively prevent lens aberration such as spherical and distortion aberration Each aspherical lens has the effect of several spherical lenses so a higher magnification ratio can be achieved with fewer lenses The result is smaller overall size and weight Aspherical lenses are extremely difficult to produce however because they
4. Lens Technology Page 30 Specifications Page 32 LUMIX Four Thirds Lenses Optional Accessories Page 34 3D Lens Page 35 07 08 WIDE ZOOM E 7 Y Yi K 1 O 35mm camera equivalent 14 28mm As held the camera to my eye viewed a suspension bridge gleaming in the morning sun with the background stretching to the horizon Capturing stunning images like this with a dynamic perspective and fine details that can t even see with the naked eye is what makes photography such a captivating art 1 200 sec F8 0 Standard 35mm camera equivalent 40mm 14mm 35mm camera equivalent 28mm 7mm 35mm camera equivalent 14mm The 14mm setting 35mm camera equivalent 28mm makes it easy to fit the whole subject in the image even the parts a standard lens cuts off The 7mm setting 35mm camera equivalent 14mm goes even further providing a wide sweeping view that gathers in more than the human eye can see at once This is especially useful for shooting expansive landscapes on trips or for fitting more into an indoor shot LUMIX G VARIO 7 14mm F4 0 ASPH A Super Small Lightweight Ultra Wide Angle Zoom Lens This lens the world s smallest of its kind gives you an extraordinary perspective with its 114 diagonal angle of view Small and light enough to take anywhere you go this ultra wide angle lens lets you capture the vastness and majesty of sweeping landscapes with true to life ambience an
5. deemphasizing the distance between objects in the foreground and objects in the background 45mm 90mm 100mm 200mm Figures in parentheses are 35mm camera equivalent values What s the magnification ratio The magnification ratio Zas kd 24 39 ga d p is a numerical value that indicates the size difference between the actual size of an object and the size of that object captured on the image sensor For example if a 10 mm object is captured in a 5 mm size on the image sensor through a lens that lens has a magnification ratio of 0 5x If the object is captured in a 10 mm size the lens has a magnification ratio of 1 0x which is also referred toas 1 1 The maximum image magnification of a Micro Four Thirds System lens can be converted into the maximum image magnification of a 35mm camera lens by multiplying the indicated maximum image magnification x 2 What s MTF MTF stands for Modulation Transfer Function It s one of the indexes used to describe lens performance The MTF is a numerical value that indicates how accurately a lens can reproduce the contrast of an object The vertical axis of the graph shows contrast reproducibility 96 while the horizontal axis indicates the distance mm from the image center The image quality is evaluated in the sagittal direction S parallel to the radius of the image circle and in the meridional direction M radial direction using two frequencies
6. so no drive sounds from the auto focus system are recorded as you shoot With the LUMIX G Micro System Panasonic opens the door to new kinds of image expression Explore the art of photography and capture still shots of exquisite beauty Or enjoy the fun of shooting your own HD movies with a mobile easy to use digital SLR camera Four Thirds and Micro Four Thirds and the Four Thirds and Micro Four Thirds logo marks are trademarks or registered trademarks of Olympus Imaging Corporation in Japan the United States the European Union and other countries From VWide An LUMIX G Lens Capturing vacation shots composing a D KO ou Covered sie No matter where you are or what you e perfect shot ombining superb image rendering se lenses help you unleash the 06 INDEX WIDE ZOOM rage os LUMIX G VARIO 7 14mm F4 0 ASPH STANDARD ZOOM Pe LUMIX G VARIO 14 42mm F3 5 5 6 ASPH MEGA O I S LUMIX G VARIO 14 45mm F3 5 5 6 ASPH MEGA 0 I S LUMIX G VARIO HD 14 140mm F4 0 5 8 3 ASPH MEGAO LS TELEPHOTO ZOOM E LUMIX G VARIO 45 200mm F4 0 5 6 MEGA 0O 1 S amp LUMIXG VARIO gt 100 300mm F4 0 5 6 J MEGA O I S Page 18 LEICA DG MACRO ELMARIT 45mm F2 8 ASPH MEGA O I S SINGLE FOCAL LENGTH Paa LUMIX G LUMIX G LUMIX G FISHEYE 14mm F2 5 ASPH 20mm F1 7 ASPH 8mm F3 5 How to Choose Lenses Page 26 Lens Knowledge Page 28
7. demand high dimensional accuracy In the past this restricted the applicable lens shapes and materials but Panasonic has made great strides in this area Our Yamagata Plant began developing cutting edge production technologies for molded lenses early on and today the plant manufactures a wide variety of lenses including concave lenses that have a large thickness difference and measure a za mere 0 3 mm at the thinnest es Sc part The aspherical lenses C i with superb image rendering ae gt ability produced at this plant now see widespread use Aspherical lens Spherical lens Extra Low Dispersion Lenses In a conventional lens made only of optical glass it becomes difficult to correct chromatic aberration when the focal length is long or the angle of view is wide thus resulting in contrast degradation or color bleeding This problem has been solved by Panasonic s Extra Low Dispersion ED lens It suppresses the prism s color separation effect to correct longitudinal chromatic aberration at the telephoto zoom setting and chromatic difference of magnification Cleat aberration at the wide angle setting Normal lens The ED lens is used mainly in LUMIX G LEICA DG telephoto lenses and wide angle zoom lenses to render sharp high contrast images with clear Vital colors from corner to corner chromatic aberration ED lens 31 32 Specifications Micro Four Ihirds sys
8. high frequency 40 lines mm low frequency 20 lines mm The solid lines represent sagittal measurements and the dotted lines indicate meridional measurements The higher up 100 the graph the better the image rendering capability of the lens The higher the measurements with the low frequency the higher the contrast reproduction capability The higher the measurements with the high frequency the higher the resolving power Distance from image center mm S 20 lines mm M 20 lines mm S 40 lines mm M 40 lines mm Lens Designation LUMIX G VARIO 14 45mm F3 5 5 6 ASPH MEGA 0 1 S O 0 oe Focal length The smaller the focal length the wider the angle of view wide angle The larger the focal length the smaller the angle of view telephoto The number on the left is the focal length at the wide angle setting and the number on the right is the focal length at the telephoto setting O F number The smaller the F number the brighter the lens The number on the left is the F number for the fully opened aperture at the wide angle setting and the number on the right is the F number for the fully opened aperture at the telephoto setting The F number takes an intermediate value while zooming Aspherical lens ASPH means that the lens includes one or more aspherical lenses Hand shake compensation MEGA O I S indicates that the lens is equipped with an opt
9. small camera with small lenses that put infinite expressive power in your hands eMicro Four Thirds and the Micro Four Thirds logo mark are trademarks or registered trademarks of Olympus Imaging Corporation in Japan the United States the European Union and other countries 03 04 LUMIX G FISHEYE 1 3 5 8 A Breakthrough in Size and Weight LUT Mirrorless Configuration MICRO FOURTHIRDS In developing the LUMIX G Micro System Panasonic set out to create a digital Mirror Box 1 SLR camera system with truly superior mobility This meant that both the camera ss body and all lenses had to be extremely lange back compact and lightweight The LUMIX G Micro System s mirrorless configuration achieves exactly that cutting the flange pa focal distance almost in half and reducing Si the body mount radius by 6 mm With the LUMIX G Micro System you get a camera that is light in your hands easy to maneuver and a joy to use And you get breathtaking pictures thanks to an image sensor that s identical in size to larger Four Thirds System standard cameras 35mm format camera system A Digital Design that Delivers Beautiful Images from Corner to Corner When a 35mm camera lens is used on a digital SLR camera sharpness and light intensity can be lost and colors can bleed at the frame edges where light enters at an angle Wide angle lenses are especially problematic since oblique light inclined at a large a
10. 5 0 09x 0 17x 62 Lens cap Lens hood Lens rear cap Lens storage bag 77 7 x 75 3 06 x 2 95 510 18 33 34 UNIX Four mirds Lenses l t The optional DMW MA1 Mount Adaptor also lets you use LEICA D lenses D which are renowned for their clarity and stunning image beauty LENS LEICA D VARIO ELMARIT 14 50mm F2 8 3 5 ASPH MEGA O 1 S LEICA D VARIO ELMAR 14 50mm F3 8 5 6 ASPH MEGA 0 1 S LEICA D VARIO ELMAR 14 150mm F3 5 5 6 ASPH MEGA O 1 S LEICA D SUMMILUX 25mm F1 4 ASPH Four Thirds and the Four Thirds logo mark are trademarks or registered trademarks of Olympus Imaging Corporation in Japan the United States the European Union and other countries Leica is a registered trademark of Leica Microsystems IR GmbH Leica D lenses are manufactured using measurement instruments and quality assurance systems certified by Leica Camera AG to meet the company s quality standards Optional Accessories Choose from a wide lineup of fun enhancing accessories PL Filter Circular Type Helps eliminate reflections while preserving the naturally vivid colors of the subject 67mm DMW LPL67 62mm DMW LPL62 52mm DMW LPL52 46mm DMW LPL46 Without PL filter With PL filter External TTL Flash Provides perfect lighting for shots of slightly distant subjects in the dark GN22 DMW FL220 GN50 DMW FL500 ND Neutral Density Filter ND8 Lets you use slower shutte
11. 52 mm Dimensions 60 6 dia x 63 6 mm 2 39 dia x 2 50 in Weight 165 g 5 82 oz Accessories Hood case LUMIX G VARIO 14 45mm F3 5 5 6 ASPH MEGA O I S eLens construction 12 elements in 9 groups eClosest focusing distance 0 3 m 1 ft Maximum image magnification 0 17x 35mm equivalent 0 34x Filter size 52 mm Dimensions 60 dia x 60 mm 2 36 dia x 2 36 in Weight 195 g 6 88 oz Accessories Hood case LUMIX G VARIO 14 42mm F3 5 5 6 ASPH MEGA O IS LUMIX G VARIO 14 45mm F3 5 5 6 ASPH MEGA O I S MTF Chart 20S 20M 40S 40M 100 MTF Chart 20S 20M 40S 40M 100 100 100 14mm F3 5 F 4 42mm F5 6 p 14mm F3 5 45mm F5 6 0 5 10 0 5 10 Pe 0 5 10 0 5 10 Distance from image center mm Distance from image center mm Distance from image center mm Distance from image center mm For the lens distortion compensation available the horizontal axis of For the lens distortion compensation available the horizontal axis of ASPH MTF is the distance from the center which is compensated accordingly ASPH MTF is the distance from the center which is compensated accordingly STANDARD ZOOM 1 4 B 1 Z C T Y m O j 3 1 e 35mm camera equivalent 28 280mm Movie Suppo
12. A DG lenses overcome this problem by incorporating a unique stepping motor in the drive system A screw unit integrated with the motor shaft moves the focus lens directly without relay gears or cams Auto focusing is swift and accurate Some lens models are equipped with a linear motor to further reduce drive noise ideal when recording movies with sound The number of mount signal contacts has been increased from the 9 used in conventional Four Thirds System cameras to 11 so information transfer between lens and camera is faster This has also helped achieve a contrast AF system that excels in both speed and accuracy Stepping motor in drive system Rack Guide pole Focus lens unit Guide pole Micro System MEGA O I S Optical Image Stabilizer The smaller and lighter the camera body the greater the hand shake effect during shooting LUMIX G LEICA DG lenses feature MEGA O 1 S an image stabilizing function that has been highly evaluated by compact camera users An internal LSI processes the output of the system s gyro sensors approximately 4 000 times a second to provide accurate compensation for even tiny amounts of hand shake Unlike image stabilizing functions that are built into the camera body this highly accurate function also lets you check the compensation effect directly through the Live View Finder or on the LCD The images that you capture have the same shake free beauty as what you see on the Live View
13. F Chart 20S 20M 40S 40M MTF 96 0 5 10 Distance from image center mm For the lens distortion compensation available the horizontal axis of MTF is the distance from the center which is compensated accordingly 23 SINGLE FOCAL LENGTH FISHEYE tmm Fe www yO With a fisheye lens familiar everyday scenes become Surreal imaginative images Even with the same subject changing the lens angle creates a curving effect that gives the scene an entirely different look Whether you re shooting photos or movies the fisheye lens lets you create truly distinctive eye catching images Depression angle Horizontal angle Elevation angle LUMIX G FISHEYE 8mm F3 5 Fisheye Lens for Unique Images with Intriguing Deformation Effects This fisheye lens with equisolid angle projection lets you create fascinating images with a 180 diagonal angle of view and intriguing deformation effects Featuring 10 elements in 9 groups including 1 ED lens this lens system corrects chromatic aberration from magnification and other sources to assure superb image rendering The fisheye lens also features the Inner Focus system as well as a virtually silent single lens drive system that won t interfere with the sound you re recording when using the LUMIX G Micro System to shoot HD movies eL ens construction 10 elements in 9 groups eClosest focusing distance 0 1 m 0 33 ft e Maximum image magnification
14. New Generation System Cameras Panasonic LUMIX G MICRO SYSTEM Kai Lud a Lol a LOCAL DEALER Official Worldwide Olympic Partner Panasonic Panasonic QQQ 02 Infinite Expressive Power from a small Handy Lens Single lens reflex cameras are too big heavy and hard to use Not anymore Panasonic disproves this old notion with the new LUMIX G Micro System a superb new digital camera based on the Micro Four Thirds System standard The camera body and all interchangeable lenses have been downsized resulting in a camera that is revolutionary in size and weight Yet image quality is remarkably high thanks to a fusion of advanced optical technologies and industry leading digital technologies The LUMIX G Micro System renders superb images across a broad range of shooting situations from wide angle to telephoto The LUMIX G Micro System also lets you enjoy the exciting new world of HD movie recording Its high performance features let you shoot your own movies with levels of clarity and beauty simply unimaginable in digital SLR cameras even a few years ago Carry the small lightweight LUMIX G Micro System everywhere you go Change lenses as the inspiration moves you Capture the beauty of both special places and everyday moments in stunning images you ll enjoy forever With the LUMIX G Micro System Panasonic introduces the ideal tool for exploring today s new digital imaging culture It s a
15. SPH MEGA 0 1 S 28 100mm DC Motor 79 24 79 24 7 Iris diaphragm 7 Circular aperture diaphragm 0 6 1 97 0 02x 0 1x 2 0 16x 0 32x 657 0 x 20 5 2 24 x 0 81 45 1 59 Lens cap Lens rear cap Lens storage bag 0 29 0 95 0 21x 0 42x 72 p 67 78 1 x 97 4 3 07 x 3 83 490 17 3 Lens cap Lens hood Lens rear cap Lens storage bag Lens cap Lens hood Lens rear cap Lens storage bag 74x93 62 91 x 3 66 434 15 3 LEICA D VARIO ELMAR 14 150mm F3 5 5 6 ASPH MEGA 0 1 S 28 300mm Supersonic Wave Motor 75 8 2 7 Circular aperture diaphragm 0 5 1 64 0 18x 0 36x 72 Lens cap Lens hood 78 5 x 90 4 3 09 x 3 56 535 18 9 Lens rear cap Lens storage bag Single Focal Length LEICA D SUMMILUX 25mm F1 4 ASPH eThe compression level of product photographs shown in this catalog varies Check the above table for actual sizes 1 Front Mounting not possible Rear Sheet filter holder 22mm 0 86 inch x 22mm 0 86 inch 2 When setting the aspect ratio at 16 9 with the DMC GH2 eFour Thirds Micro Four Thirds and the Four Thirds and Micro Four Thirds logo marks are trademarks or registered trademarks of Olympus Imaging Corporation in Japan the United States the European Union and other countries DC Motor 15 11 19 11 10 9 47 7 Circular aperture diaphragm 0 38 1 2
16. UMIX G VARIO 100 300mm F4 0 5 6 MEGA O I S LUMIX G FISHEYE 8mm F3 5 LUMIX G VARIO 7 14mm F4 0 ASPH 27 28 ens Knowledge Things you should know about lenses to maximize your photographic enjoyment W340 35mm 70mm E LNA Ae P x M Y 29 42mm 84mm 3 Nag 25mm om Tg 10 300mm 600m Figures in parentheses are 35mm camera equivalent values What are angle of view and focal length The angle of view is the area of the image captured by the image sensor expressed as an angle The larger the angle of view the shorter the focal length The smaller the angle of view the longer the focal length A lens with a short focal length and a large angle of view is called a wide angle lens A lens with a long focal length and a small angle of view is called a telephoto lens In the LUMIX G Micro System the diagonal dimension of the image sensor has been downsized to half that of a 35mm film frame so the focal length is twice as long when converted to that of a 35mm camera For example the angle of view for a LUMIX G 25mm lens is 479 which is the same as the angle of view for a 50mm lens on a 3omm camera Micro Four Thirds and the Micro Four Thirds logo mark are trademarks or registered trademarks of Olympus Imaging Corporation in Japan the United States the European Union and other countries What s the F number Lens brightness is determined by the focal length and
17. ass lens 35mm camera equivalent 80mm can easily snap off a shot anytime and catch beautiful natural looking portraits without even pausing in my conversation With an angle of view and perspective close to those of the human eye this lens captures natural looking true to life images Use it for almost any kind of shot from landscapes to snapshots children pets still life objects and more and enjoy the kind of beautifully rendered breathtaking images you simply can t get with a compact camera Versatile High Quality Standard Zoom Lens From Wide Angle to Medium Telephoto The standard zoom lens covers a lot of ground extending from 28mm 35mm camera equivalent to a zoom ratio of around 3 2x With a total of 12 lens elements in 9 groups including aspherical lenses this high quality lens delivers an excellent optical performance correcting various aberrations and providing superb balance This lens has all the versatility you need for both everyday shooting and artistic photography As your shooting skills evolve you ll find it easy to create interesting expressive photos by varying the angle of view and focal distance choosing different perspectives and experimenting with varying degrees of soft focusing LUMIX G VARIO 14 42mm F3 5 5 6 ASPH MEGA O I S eLens construction 12 elements in 9 groups eClosest focusing distance 0 3 m 1 ft Maximum image magnification 0 16x 35mm equivalent 0 32x eFilter size
18. changeable lens as of September 21 2010 Available with some Panasonic cameras only Compatible Olympus cameras not yet determined as of September 2010 A 3D media player that supports the MP Multi Picture format is required to view 3D images When setting the aspect ratio at 16 9 with the DMC GH2 Micro Four Thirds and the Micro Four Thirds logo mark are trademarks or registered trademarks of Olympus Imaging Corporation in Japan the United States the European Union and other countries LUMIX G 12 5mm F12 35mm camera equivalent 65mm TS MICRO FourTHIRDS 35
19. cially for shooting HD movies works silently Maximum image magnification 0 2x 35mm equivalent 0 4x Filter size 62 mm Dimensions so it won t interfere with the audio 70 dia x 84 mm 2 76 dia x 3 31 in Weight 460 g 16 2 oz Accessories Hood case My movies sound as great as they look MTF Chart 20S 20M 40S 40M 0 5 10 0 5 10 Distance from image center mm Distance from image center mm For the lens distortion compensation available the horizontal axis of ASPH ED MTF is the distance from the center which is compensated accordingly 12 XE ol Oe ZOOM 4 O 7 2 Y Y zx O n 5 6 35mm camera equivalent 90 400mm 45m M 35mm camera equivalent 90mm 200 MM 35mm camera equivalent 400mm Use the 45mm setting 35mm camera equivalent 90mm to take impressive landscape shots With the 200mm setting 35mm camera equivalent 400mm the background appears as if it were right behind your subject The telephoto zoom lets you adjust the way you capture your images depending on the subject and your intent LUMIX G VARIO 45 200mm F4 0 5 6 MEGA O I 5 An Easy to Use Zoom that Goes All the Way to 400mm Capture natural looking portraits in the medium telephoto range or zoom all the way to 200mm 35mm camera equivalent 400mm to move in and grab dynamic action shots at sports events This zoom
20. d perspective while traveling In addition to two aspherical lenses for correcting a variety of aberrations the lens is generously equipped with four extra low dispersion ED lenses to eliminate chromatic aberration from magnification It renders sharp crisp image across the entire zoom range As of March 25 2009 for wide angle zoom lenses for digital SLR cameras eLens construction 16 elements in 12 groups eClosest focusing distance 0 25 m 0 8 ft Maximum image magnification 0 08x 35mm equivalent 0 15x Dimensions 70 dia x 83 1 mm 2 76 dia x 3 27 in Weight 300 g 10 58 oz Accessories Hood built in case MTF Chart 20S 20M 40S 40M 100 5 10 Distance from image center mm 50 H 0 Lu ss sg 0 5 10 Distance from image center mm For the lens distortion compensation available the horizontal axis of ASPH MTF is the distance from the center which is compensated accordingly 09 STANDARD ZOOM 4 42 mm I 3 0 5 0 1 Z4 ZO mm I 3 0 0 0 35mm camera equivalent 28 84mm 35mm camera equivalent 28 90mm INPS 1 320 sec F5 6 just click the shutter to catch the look of joy in my child s face as she plays in the back yard This lens captures super fine detail even individual eyelashes while giving the background a soft delicate focus With this 40mm cl
21. effective lens diameter If you divide the focal length by the effective lens diameter you get a value called the F number The smaller the F number the brighter the lens the larger the aperture A bright lens has several key advantages For example a brighter lens lets you use a faster shutter speed so you can get clear blur free shots even in dim lighting It also lets you give the background a soft focus What s depth of field Depth of field is the range of object distances in the depth direction within which objects have acceptable sharpness A long focal length telephoto lens or small F number bright lens makes the depth of field shallower A short focal length wide angle lens or large F number dark lens makes the depth of field greater With a shallow depth of field it s easier to take pictures in which the background is intentionally given a soft focus thus emphasizing the sharp subject focus With a large depth of field you can keep objects in the foreground and objects in the background all in focus for a pan focus effect What s perspective Perspective refers to the relationship between nearby and distant objects A wide angle lens makes objects close to the lens appear larger and faraway objects smaller This emphasizes the distance depth between nearby and distant objects making the background appear farther away and expansive A telephoto lens on the other hand compresses the perspective thus
22. free shots even at full zoom eL ens construction 17 elements in 12 groups Closest focusing distance 1 5 m 4 92 ft e Maximum image magnification 0 21x 35mm equivalent 0 42x Filter size 67 mm Dimensions 73 6 dia x 126 mm 2 90 dia x 4 96 in Weight 520 g 18 3 oz Accessories Hood case MTF Chart 20S 20M 40S 40M 100 100 Dx see e EUR SAR S oaks lesa oc ji Li DO ees LiB pom eme zo Aae a zc ye lt 100mm F4 0 300mm F5 6 0 5 10 0 5 10 Distance from image center mm Distance from image center mm For the lens distortion compensation available the horizontal axis of ED MTF is the distance from the center which is compensated accordingly MACRO O T T m 1 e 35mm camera equivalent 90mm As stand captivated by this single flower glistening with morning dew the macro lens turns it into a striking dramatic image Its superb rendering performance is seen here in the light transparency that has the look of a watercolor painting the soft delicate background focus and the true to life droplets Images like these reflect the breathtakingly beautiful imaging that distinguishes Leica 1 200 sec F2 8 This macro lens does much more than make small things bigger Not limited to beautiful soft focusing it lets you bring the entire frame from corner to corner into
23. g A wide angle of view and outstanding depth of field make this pancake type wide angle lens a good choice for both snapshots and landscapes Rendering high contrast images across the entire frame and correcting distortion this super thin lens is especially ideal for capturing subjects that are primarily linear such as buildings with a number of straight lines Its simple lens construction 6 elements in 5 groups including 3 glass aspherical lenses allows both high performance and an astonishingly compact size eL ens construction 6 elements in 5 groups Closest focusing distance 0 18 m 0 59 ft e Maximum image magnification 0 10x 35mm equivalent 0 20x Filter size 46 mm Dimensions 55 5 dia x 20 5 mm 2 19 dia x 0 81 in eWeight 55 g 1 9 oz Accessories Case MTF Chart 20S 20M 40S 40M iD Sq 0 5 10 Distance from image center mm For the lens distortion compensation available the horizontal axis of ASPH MTF is the distance from the center which is compensated accordingly 21 22 SINGLE FOCAL LENGTH 2 Y T F 1 V 35mm camera equivalent 40mm m As casually snap shots of an unusual gate at a street corner use the F1 7 s delicate soft focus to emphasize the texture of the rusty metal and transform an everyday scene into a work of art This lens has the power to give form to all of my artistic visi
24. ical image stabilizer for hand shake compensation 29 30 ens iecnnology These cutting edge technologies support the compact size light weight and high quality images of the LUMIX G Lenses Manufactured with Uncompromising Devotion to High Image Quality The LUMIX G LEICA DG lenses are manufactured by an integrated production system in the Panasonic Yamagata Plant in Japan From lens processing to assembly inspection and individual packaging all processes are conducted in Clean Rooms according to rigorous environmental standards For example to inspect aspherical lenses we use an instrument called the UA3P Ultra Accurate 3D Profilometer which was originally developed by Panasonic and now plays an essential role in the development and manufacturing activities of many optical device manufacturers Using this instrument with its measurement accuracy of 1 10 000 mm we conduct objective numerical evaluations These criteria are then used to determine the presence of flaring the color of coatings the operating feel of the focus ring etc in order to ensure high quality production control As a result the quality of Panasonic lenses has gained high worldwide acclaim for accuracy and image quality An Original Lens Drive Motor for High Precision High Speed Contrast AF In conventional digital SLR cameras contrast AF is more accurate than phase difference AF but it has a slower focus speed LUMIX G LEIC
25. lens covers a huge amount of ground And with 16 elements in 13 groups including 3 ED lenses it corrects various aberrations with excellent balance to deliver images of stunning power and beauty The unique Inner Focusing system allows high speed contrast AF and the 7 blade circular aperture renders images with a beautiful soft focus eLens construction 16 elements in 13 groups eClosest focusing distance 1 0 m 3 3 ft e Maximum image magnification 0 19x 35mm equivalent 0 38x Filter size 52 mm Dimensions 70 dia x 100 mm 2 76 dia x 3 94 in Weight 380 g 13 4 oz Accessories Hood case MTF Chart 20S 20M 40S 40M 100 100 vai L E 1 E Ca e d ae Only 100mm long this compact lens fits right in the palm of my hand yet packs the power of a 400mm lens 35mm camera equivalent to let me capture dynamic professional looking telephoto shots get the mobility need to follow my child as he kicks a ball around a soccer field gt i U 7 and the power to zoom in for dramatic close ups of his expressions 1 320 sec F5 6 ED Distance from image center mm Distance from image center mm For the lens distortion compensation available the horizontal axis of MTF is the distance from the center which is compensated accordingly TES PPP lO Zool OO 7 d sem di aa si As zoom into a shadow
26. m cameras come with a function to check whether the battery and unit can be safely used together eBatteries made by other companies which have been certified by Panasonic may be used with these units but we offer no guarantee as to the quality performance or safety of such batteries eExercise care when purchasing batteries Many fake or imitation batteries have been found among those sold at unusually low prices and those which customers cannot check for themselves before purchasing ePlease confirm the latest information about batteries on the following website http panasonic jp support global cs info battery html This website is in English only e NY The World s First Interchangeable 3D Lens Once Again the LUMIX G Micro System Dramatically Changes Digital SLR Shooting Styles Colorful flowers stunning portraits and striking landscapes captured by the camera seem to be standing right in front of your eyes They form an entirely new world of images with their highly dimensional effects and sense of depth By changing lenses to match your intent and the shooting situation you can add a new form of 3D expression to the joy of creating superb images e ens construction 4 elements in 3 groups x2 eClosest focusing distance 0 6 m 1 97 ft eMaximum image magnification 0 02x 35mm equivalent 0 1x eDimensions 57 0 dia x 20 5 mm 2 24 dia x 0 81 in Weight 45 g 1 59 oz Accessories Case For a digital inter
27. moving up a tree suddenly a squirrel comes into view get incredibly clear sharp zoom shots even with handheld shooting can see everything whiskers fur the gleam in its eyes with a level of detail and clarity that far exceed what can see with the naked eye 1 80 sec F5 6 _ s M o ld G 1 2000 sec F5 6 Conventional 600mm class 35mm camera equivalent lenses are big heavy and tiresome to haul around LUMIX G lenses are small lightweight and fit perfectly in the palm of the hand Now holding the camera in the hand you can take dynamic professional looking ultra telephoto shots of a swimmer and capture even individual drops of water flying through the air LUMIX G VARIO 100 300mm F4 0 5 6 MEGA O I S An Ultra Zoom Lens that Fights Hand Shake Drawing subjects in from a distance this ultra telephoto zoom lens is ideal for capturing intense action sports or animals you can t normally approach An ED lens in the first lens group corrects the color bleeding that can occur when zooming helping achieve consistently superb performance over the entire zoom range The Inner Focus system teams up with a system that shifts a pair of lenses to enhance focusing making possible high speed contrast AF and excellent rendering at all zoom levels This is in addition to MEGA O 1 S an optical image stabilizing system that corrects for even slight hand shake making it easy to get clear blur
28. ngle tends to enter the peripheral areas Not with LUMIX G lenses Created exclusively for digital use LUMIX G lenses are designed so that light can enter only from straight ahead You get superb rendering with images that are bright sharp and vivid all the way to the corners Light rays Light rays I Simulated image Simulated image LUMIX G LEICA DG lens design 35mm camera lens design Huge Performance from Ultra Compact Lenses High Precision High Speed Contrast Auto Focus The LUMIX G Micro System uses a contrast auto focus AF system which maximizes the use of Full time Live View Panasonic expanded the number of mount signal contacts from 9 the number used in the Four Thirds System standard to 11 to improve data transmission efficiency between lens and body This helps achieve a contrast AF with levels of precision and speed never before seen in a digital SLR camera Stepping motor in drive system Rack Guide pole Focus lens unit Guide pole X G VARIO 1 4 7 14 A LECA DG MACRO ELMARIT 1 2 8 8 ASPH 9x FULL 05 0 5f mir 05a lari a ae HD Movie Shooting A New Way to Get Creative The LUMIX G Micro System not only shoots stunning HD movies it also features the industry s first auto focus lens that works when shooting movies And to help you make even better movies Panasonic has kri introduced silent design lenses These lenses use a linear motor
29. ngle pancake lens or 7 14mm ultra wide angle lens lets you fit more into the photo when shooting in tight spaces such as at an indoor party or inside a car The 14 42mm or 14 45mm standard zoom lens covers a wide range of uses such as photographing landscapes and people during your travels The 14 42mm 14 45mm and 14 140mm lenses let you capture natural looking portraits from a medium distance while talking to your subject The large aperture 45mm or 20mm pancake lens lets you capture the subject in clear focus while softly blurring the background raveling and Casual Snaps E lt LUMIX G VARIO 7 14mm F4 0 ASPH LUMIX G 14mm F2 5 ASPH LUMIX G VARIO 14 42mm F3 5 5 6 ASPH MEGA O I S LUMIX G VARIO 14 45mm F3 5 5 6 ASPH MEGA O I S LEICA DG MACRO ELMARIT 45mm F2 8 ASPH MEGA O I S nots LUMIX G 20mm F1 7 ASPH LUMIX G 14mm F25 ASPH LUMIX G VARIO 7 14mm F4 0 ASPH LUMIX G VARIO 14 42mm F3 5 5 6 ASPH MEGA O I S LUMIX G VARIO 14 45mm F3 5 5 6 ASPH MEGA O I S LUMIX G VARIO 14 42mm F3 5 5 6 ASPH MEGA O I S LUMIX G VARIO 14 45mm F3 5 5 6 ASPH MEGA OIS LUMIX 6 VARIO HD 14 140mm F4 0 5 8 ASPH MEGA ONS LEICA DG MACRO ELMARIT 45mm F2 8 ASPH MEGA O I S LUMIX G 20mm F1 7 ASPH e Animals When photographing indoor pets that won t sit still the 20mm lens lets you shoot at faster shutter s
30. ons 1 250 sec F1 7 FI a NN Mii ar Dr i EE m a 4 The smaller the F number the shallower the depth of field the range in which things are in focus the larger the F number the greater the depth of field This lens with its bright fully open F1 7 aperture lets you capture the desired parts of an image in sharp focus while giving other parts a soft focus This makes the subject really stand out adding a rich expressiveness to the photo F16 LUMIX G 20mm F1 7 ASPH Compact Lens with Large F1 7 Aperture Perfect for Everyday Shooting Featuring the brightness of an F1 7 aperture this single focal length lens lets you capture beautiful expressive images with a delicate soft focus and high contrast Two aspherical lenses are perfectly configured to deliver enhanced performance in a compact system With this thin pancake lens mounted the LUMIX G Micro System is easy to carry anywhere You re always ready for whatever inspires the photographer inside you everyday scenes passing landscapes indoor shots in dim lighting casual snapshots or artistic shots with soft focusing e ens construction 7 elements in 5 groups Closest focusing distance 0 2 m 0 66 ft Maximum image magnification 0 13x 35mm equivalent 0 25x Filter size 46 mm Dimensions 63 dia x 25 5 mm 2 48 dia x 1 00 in Weight 100 g 3 53 oz Accessories Case ASPH MT
31. peeds making it possible to capture sharp bright shots To photograph birds or other animals in the wild when it would be dangerous or impossible to approach use the 45 200mm or 100 300mm telephoto zoom lens eoports and Vehicles or nique Sho F Use the 45 200mm or 100 300mm telephoto zoom lens to capture dynamic action shots from the stands ata sports event or racetrack The 14 140mm 10x optical zoom lens has the versatility to handle a wide range of shots And you can use it not only to capture stunning photos but when shooting HD movies too The 45mm macro can render superb close ups of small detailed objects such as flowers insects or jewelry To capture detailed views of faraway objects for example the engravings on a distant building use the 45 200mm or 100 300mm lens tS The 8mm fisheye and 7 14mm ultra wide angle lens let you capture distinctive intriguing shots with unusual deformation effects You can use them for both photos and movies LUMIX G 20mm F1 7 ASPH LUMIX G VARIO 45 200mm F4 0 5 6 MEGA O I S LUMIX G VARIO 100 300mm F4 0 5 6 MEGA O 1 S LUMIX G VARIO 45 200mm F4 0 5 6 MEGA 0O 1 S LUMIX G VARIO 100 300mm F4 0 5 6 MEGA O 1 S LUMIX G VARIO HD 14 140mm F4 0 5 8 ASPH MEGA O I S LEICA DG MACRO ELMARIT 45mm F2 8 ASPH MEGA O I S LUMIX G VARIO 45 200mm F4 0 5 6 MEGA 0 1 5 L
32. r cap Lens storage bag 22 1 0 3 3 0 19x 0 38x 70x 100 62 76x3 94 380 134 Ru U Lens rear cap Lens storage bag 0 15 aCe ULL 0 5 1 64 LIMIT 1 0x 2 0x 6 4 Lens cap Lens hood Lens rear cap Lens storage bag 2 2 t Lens cap Lens hood 22 1 5 4 92 0 21x 0 42x i 73 6 x 126 2 90 x 4 96 520 18 3 Lens rear cap Lens storage bag 6 63 x 62 5 2 48 x 2 46 225 794 Single Focal Length Adaptor LUMIX G 14mm F2 5 ASPH Stepping Motor 7 Circular aperture diaphragm 0 18 0 59 0 10x 0 20x 46 Lens cap Lens rear cap 55 5 x 20 5 6 2 19 x 0 81 554 12 Lens storage bag LUMIX G 20mm F1 7 ASPH LUMIX G FISHEYE 8mm F3 5 16mm Mount Adaptor DMW MA1 Stepping Stepping Motor 2 tr S 7 Circular aperture diaphragm 7 Circular aperture diaphragm 0 2 0 66 0 13x 0 25x 46 1 63 x 25 5 2 48 x 1 00 100 3 53 Lens cap Lens rear cap Lens storage bag 22 0 1 0 33 0 20x 0 40x 60 7x51 7 62 39x2 04 165 5 82 kl aus Lens storage bag M Mount Adaptor DMW MA2M 71x24 42 80 x 0 94 87 3 07 61 x 13 2 40 x 0 51 J 60 2 12 67x33 92 64 x 1 30 90 3 17 3D R Mount Adaptor DMW MA3R our hirds system standaro T FOURTHIRDS LEICA D VARIO ELMARIT 14 50mm F2 8 3 5 ASPH MEGA 0 1 S 28 100mm 16212 Standard Zoom LEICA D VARIO ELMAR 14 50mm F3 8 5 6 A
33. r speeds even in the bright outdoors and reduces light intensity by three aperture stops 62mm DMW LND62 52mm DMW LND52 46mm DMW LND46 With ND filter Mount Adaptor Enables the use of lenses other than those of the Micro Four Thirds System standard DMW MA1 for the Four Thirds System standard DMW MA2M for M mount lens of Leica Camera AG DMW M23R for R mount lens of Leica Camera AG FLI FID zi LUMIX n y n 4i fava mr 15 a E GN36 DMW FL360 Live View Finder The 202 000 dot equivalent Live View Finder attaches to the hot shoe It is also handy for MC Protector Protects the camera lens from scratches and other damage Stereo Microphone Ambient sounds can be clearly recorded in higher quality and from greater distances low angle shots because it 67mm DMW LMCH67 can be tilted vertically from 0 62mm DMW LMCH62 DMW MS1 to 90 degrees 52mm DMW LMC52 46mm DMW LMC46 C DMW LVF 1 HDMI Mini Cable Remote Shutter Battery Zoom Lever Spare batteries for more shooting Lets you zoom in Lets you send your photos and movies and out at a steady from the camera directly to an HDTV Allows remote operation of the shutter button when for with virtually no degradation example you are using a enjoyment speed for movie tripod With shutter lock DMW BLB13 recording 1 5m RP CDHMIS for bulb exposures DMW BLC12 DMW ZL1 3 0m RP CDHM30 DMW RSL1 eLUMIX G Micro Syste
34. rt 14mm 35mm camera equivalent 28mm 140mm 35mm camera equivalent 280mm K i ub A pasture behind a barn lit up by the late afternoon sun Use the optical 10x zoom to move in for a close up of a chestnut mare nibbling clover With this lens you can zoom in and out while shooting either a photo or a movie so you can capture high resolution shots of all kinds of scenes LUMIX G VARIO HD 14 140mm F4 0 5 8 ASPH MEGA O I S Perfect for HD Movies A 10x Optical Zoom that Takes You from Wide Angle to Telephoto This high powered zoom lens extends from 28mm to 280mm 35mm camera equivalent Two ED lenses and 4 aspherical lenses correct a variety of aberrations helping render high contrast high resolution images without false colors or distortion from corner to corner across the entire zoom range Featuring a linear motor and Inner Focus system the auto focus system is extremely fast accurate 1 40 sec F5 8 and nearly silent ideal for shooting HD movies Using a microstep system for the With this system camera in HD movie recording mode l m the director aperture drive further suppresses noise and makes HD movies easier and more can shoot softly focused silhouette shots of a man in a back alley playing a sax comfortable to shoot and record every note in clear high quality sound eL ens construction 17 elements in 13 groups Closest focusing distance 0 5 m 1 64 ft e This lens designed espe
35. sharp focus That gives you the freedom to create a wide variety of compositions from portraits to telephoto shots to landscapes making this lens a true all round performer LEICA DG MACRO ELMARIT 45mm F2 8 ASPH MEGA O I S A Superior Macro Lens Brings Tiny Worlds into View Designed and manufactured to meet Leica s stringent performance standards this high quality macro lens minimizes distortion ghosts flaring and decreased peripheral resolution With 14 elements in 10 groups including one aspherical lens and one ED lens it provides stable contrast and high resolution all the way from 1 1 macro 35mm camera equivalent 2x to infinity By using a floating Inner Focus system that shifts three groups of lenses the elaborate focusing that s so essential to a macro lens has become both faster and quieter Also featured is MEGA O I S which fights blurring from hand shake to help you capture clear sharp images with everything from macro and medium telephoto portraits to wide landscapes and long telephoto shots eLens construction 14 elements in 10 groups Closest focusing distance FULL 0 15 m 0 50 ft LIMIT 0 5 m 1 64 ft Maximum image magnification 1 0x 35mm equivalent 2 0x Filter size 46 mm Dimensions 63 dia x 62 5 mm 2 48 dia x 2 46 in Weight 225 g 7 94 oz Accessories Hood case MTF Chart 20S 20M 40S 40M f M 100
36. tem standard s Wide Zoom LUMIX G VARIO 7 14mm F4 0 ASPH 14 28mm Standard Zoom Telephoto Zoom LUMIX G VARIO 14 42mm F3 5 5 6 ASPH MEGA O I S 28 84mm Stepping Motor Stepping M i Motor lute e 12 9 114 75 79 29 Ur 7 Circular aperture diaphragm 7 Circular aperture diaphragm 22 0 25 0 8 0 08x 0 15x 70 x 83 1 2 76 x 3 27 300 10 58 Lens cap Lens rear cap Lens storage bag 0 3 1 0 16x 0 32x 92 Lens cap Lens hood 60 6 x 63 6 2 39 x 2 50 165 5 82 Lens rear cap Lens storage bag LUMIX G VARIO 14 45mm F3 5 5 6 ASPH MEGA O I S 28 90mm Stepping Motor 799 27 7 Circular aperture diaphragm 0 3 1 0 17x 0 34x 52 Lens cap Lens hood 60 x 60 6 2 36 x 2 36 195 6 88 Lens rear cap Lens storage bag LUMIX G VARIO HD 14 140mm F4 0 5 8 ASPH MEGA O I S 28 280mm LUMIX G VARIO 45 200mm F4 0 5 6 MEGA O I S 90 400mm LUMIX G VARIO 100 300mm F4 0 5 6 MEGA O I S 200 600mm LEICA DG MACRO ELMARIT 45mm F2 8 ASPH MEGA O I S Linear Motor Stepping Motor Stepping Motor 16 13 75 8 8 27 6 29 stepping g 17 12 129 4 19 Motor e JS 7 Circular aperture diaphragm 7 Circular aperture diaphragm 7 Circular aperture diaphragm 7 Circular aperture diaphragm 0 5 1 64 0 2x 0 4x 6 5 Lens cap Lens hood 70 x 84 2 76 x 3 31 460 16 2 Lens rea
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