Kodak Professional Elite Chrome 200
Contents
1. ELITE Chrome 200 Film are available from dealers who supply Kodak products You can use other materials but you may not obtain similar results KODAK PROFESSIONAL ELITE Chrome 200 Film e E 148E KODAK PROFESSIONAL ELITE Chrome 200 Film AT A GLANCE FILM SELECTOR KODA Film Speed Lighting iiae a Exposure Index Exposure Conditions Grain Process For Color Slides ELITE Chrome EI 100 7 Bright hazy sun 100 Medium Daylight Enlargements Extremely fine o ELITE Chrome Daylight or Outdoor or indoor Extra Color 100 E100 Electronic Flash with flaSh Extremely fine ee ELITE Chrome El 200 gt 200 Medium Daylight Multi purpose use Extremely fine E 6 ELITE Chrome EI 400 7 Low light 400 Medium Daylight Fast Action fine EG KODAK PROFESSIONAL ELITE Chrome 200 Film KODAK Publication No E 148E CAT 862 5253 Kodak Elite Ektachrome T Grain and Wratten are trademarks Digital and Film Imaging Systems EASTMAN KODAK COMPANY e ROCHESTER NY 14650 Minor Revision 4 05 Printed in U S A2. colors Beautiful skin tone reproduction Improved reproduction of highlight and shadow details More tone gradation for more natural appearing images Image Structure Technology KODAK T GRAIN Emulsions in all color records Finest grain structure of any daylight high speed color reversal film on the market gt 100 speed High sharpness Advanced Color Technology e Solid Particle Filter Dye for e wavelength selective blue and green light x protection e Patented Stable Super Active Scavengers SSAS e New spectral sensitizing dyes Produces purer colors and enhanced sharpness Provides broader range of blue light capture Exposure Reliability e Superb reciprocity Improved manufacturing process Consistent results in exposures from 10 seconds to 1 10 000 second with no exposure or filter corrections Excellent roll to roll consistency Process Reliability Designed for Process E 6 e chemicals Process with other films in Process E 6 without equipment or process modifications MANUFACTURING UNIFORMITY Similar to ELITE Chrome 100 and 400 Films the 200 film takes full advantage of Kodak s new state of the art manufacturing facility in Rochester New York The result is a film with excellent roll to roll consistency and accurate 200 speed STORAGE AND HANDLING Load and unload film in subdued light Store unexposed film in a refrigerator at 5
3. 5 F 13 C or lower in the original sealed package To avoid moisture condensation on film that has been refrigerated allow the film to warm up to room temperature before opening the package Process film as soon as possible after exposure Protect transparencies from strong light and store them in a cool dry place For more information see KODAK Publication No E 30 Storage and Care of KODAK Photographic Materials Before and After Processing SIZES AVAILABLE Sizes and catalog numbers may differ from country to country See your dealer who supplies Kodak products Rolls Code Base 135 24 135 24 carded ED 5 mil acetate 135 36 DARKROOM RECOMMENDATIONS Do not use a safelight Handle unprocessed film in total darkness EXPOSURE Exposure Index Numbers Use the exposure index numbers below with cameras or light meters marked for ISO or ASA speeds or exposure indexes Do not change the film speed setting when metering through a filter Metering through filters may affect meter accuracy see your meter or camera manual for specific information For critical work make a series of test exposures KODAK WRATTEN Exposure Light Source Gelatin Filter Index Daylight or Electronic Flash None 200 Tungsten 3200 K No 80A 50 Daylight Use the exposures in the table below for average frontlit subjects from 2 hours after sunrise to 2 hours before sunset Ligh
4. TECHNICAL DATA COLOR REVERSAL FILM KODAK PROFESSIONAL ELITE Chrome 200 Film This medium speed daylight balanced 200 speed color reversal film is designed for KODAK Chemicals Process E 6 The film offers moderate contrast along with excellent color and image structure similar to 100 speed daylight slide films It is ideal for general outdoor or daylight picture taking under moderate to low light conditions ELITE Chrome 200 Film also features KODAK T GRAIN Emulsion technology for extremely fine grain and very high sharpness plus improvements in reciprocity and manufacturing consistency The film is designed for exposure with daylight or electronic flash You can also expose it with tungsten illumination 3200 K or photolamps 3400 K using filters Use ELITE Chrome 200 Film to produce color transparencies slides for projection You can make duplicate transparencies by direct printing To make color prints you can print transparencies onto color reversal paper Or make internegatives for printing onto color negative paper You can also scan transparencies for digital printing and for Photo CD applications Eastman Kodak Company 2005 FEATURES April 2005 e E 148E BENEFITS Color Saturation e Enhanced colors while maintaining natural looking skin tones Contrast of an El 100 speed color reversal film lower contrast than other high speed color reversal films Pleasing
5. oid the brightness and color variations that occur during a single alternating current cycle use exposure times of 1 60 second or longer with fluorescent lamps with high intensity discharge lamps use 1 125 second or longer Type of Fluorescent KODAK Color Exposure Lamp Compensating Filters Adjustment Daylight 50R 1 stop White 40M stop Warm White 20C 40M 1 stop Warm White Deluxe 30B 30C 1 stops Cool White 40M 10Y 1 stop Cool White Deluxe 20C 10M stop Note When you do not know the type of fluorescent lamps try a 30M filter and increase exposure by 2 3 stop color rendition will probably be less than optimum High Intensity KODAK Color Exposure Discharge Lamp Compensating Filters Adjustment General Electric Lucalox 80B 20C 2 1 4 stops General Electric Multi Vapor 20R 20M stop Deluxe White Mercury 30R 30M 1 stops Clear Mercury 70R 1 stops This is a high pressure sodium vapor lamp The information in the table may not apply to other manufacturers sodium vapor lamps because of differences in spectral characteristics Note Consult the manufacturer of high intensity lamps for ozone ventilation requirements and safety information on ultraviolet radiation Some primary color filters were used in the previous tables to reduce the number of filters and keep the exposure adjustment to a minimum Red filters were substit
6. ompany reserves the right to change and improve product characteristics at any time KODAK PROFESSIONAL ELITE Chrome 200 Film e E 148E Spectral Dye Density Curves Normalized dyes to form a visual neutral density of 1 0 for a viewing illuminant of 5000 K Process E 6 Visual Neutral Yellow Magenta DIFFUSE SPECTRAL DENSITY 400 500 600 WAVELENGTH nm 700 FO09_0062AC MORE INFORMATION Kodak has many publications to assist you with information on Kodak products equipment and materials The following publication are available from dealers who sell Kodak products or you can contact Kodak in your country for more information E 30 Storage and Care of KODAK Photographic Materials Before and After Processing E 68 Retouching Transparencies on KODAK EKTACHROME Film E 126E KODAK PROFESSIONAL ELITE Chrome Extra Color 100 Film E 149E KODAK PROFESSIONAL ELITE Chrome 400 Film E 7014E KODAK PROFESSIONAL ELITE Chrome 100 Film 2 119 Using KODAK Chemicals Process E 6 For the latest version of technical support publications for KODAK Products visit Kodak on line at http www kodak com If you have questions about KODAK Products call Kodak In the U S A 1 800 242 2424 Monday Friday 9 a m 7 p m Eastern time In Canada 1 800 465 6325 Monday Friday 8 a m 5 p m Eastern time Note The Kodak materials described in this publication for use with KODAK PROFESSIONAL
7. th a variety of linear array CCD area array CCD and PMT film scanners You can scan slides on desk top scanners as well as high end drum scanners Because no standards exist to define the colored filter sets that film scanners use to capture the red green and blue information of the film image each manufacturer s scanner has its own characteristic output The output depends on the scanner s sensitivity to the dyes in the film This sensitivity is determined by the spectral distribution of the colored filter sets and or the spectral sensitivity of the charge coupled device CCD In addition to these spectral specifications scanner output depends on the look up tables or matrices that the scanner uses to output information for CRT monitors transmission etc These tables or matrices are part of either plug in programs used with specific software packages designed for image manipulation updateable ROMs included with the equipment or fixed algorithms for calibrating and balancing The generic color slide film setting available with scanner software is only a starting point You can adjust the final color balance and the scene dependent contrast and brightness of an image by using the scanner s controls during pre scan or by using an image manipulation software program or workstation after acquisition Some scanners allow you to use plug in programs to customize scanner setups IMAGE STRUCTURE Diffuse rms Granulari
8. ting Conditions See scan Bright Hazy Sun on Sand or Snow 1 250 f 22 Bright Hazy Sun Distinct Shadows 1 250 FNC Weak Hazy Sun Soft Shadows 1 250 fii Cloudy Bright No Shadows 1 250 f 8 Heavy Overcast or Open Shadet 1 250 f 5 6 Use f 8 for backlit close up subjects t Subjects shaded from sun but lit by large area of clear sky Electronic Flash Use the appropriate guide number in the following table as a starting point for your equipment First select the unit output closest to the number given by your flash manufacturer Then find the guide number for feet or metres To determine the lens opening divide the guide number by the flash to subject distance If transparencies are consistently too thin overexposed use a higher guide number if they are too dense underexposed use a lower number Unit Output Guide Number BCPS Distance in Feet Distance in Metres 350 60 18 500 70 21 700 85 26 1000 100 30 1400 120 36 2000 140 42 2800 170 50 4000 200 60 5600 240 70 8000 280 85 BCPS beam candlepower seconds KODAK PROFESSIONAL ELITE Chrome 200 Film e E 148E Fluorescent and High Intensity Discharge Lamps Use the color compensating filters and exposure adjustments below as starting points to expose this film under fluorescent or high intensity discharge lamps For critical applications make a series of test exposures under your actual conditions To av
9. ty 12 Read at a gross diffuse visual density of 1 0 using a 48 micrometre aperture 12X magnification Characteristic Curves 4 0 B Exposure Daylight 1 100 second Process E 6 Densitometry Status A 3 0 2 0 DENSITY 0 0 i i i 3 0 2 0 1 0 0 0 1 0 LOG EXPOSURE lux seconds F009_0059AC Modulation Transfer Curves 200 100 H 70 F 50 B 30 X 20 wu G 2 5 10 A A 7 a 5 3 Exposure Daylight 2 Process E 6 1 Litt po iii L 1 1 2 345 10 20 50 100 200 600 SPATIAL FREQUENCY cycles mm FO009_0061AC Spectral Sensitivity Curves 2 0 1 0 Cian gt Magenta Y Forming Forming Layer Layer Hm 0 0 Z im no 0 fe I 1 0 Effective Exposure 0 1 second Process E 6 Densitometry 1 0 Density E N D 2 0 l l 250 300 350 400 450 500 550 600 650 700 750 WAVELENGTH nm Sensitivity reciprocal of exposure erg cm required to produce specified density F009_0060AC NOTICE The sensitometric curves and data in this publication represent product tested under the conditions of exposure and processing specified They are representative of production coatings and therefore do not apply directly to a particular box or roll of photographic material They do not represent standards or specifications that must be met by Eastman Kodak Company The c
10. uted for equivalent filtration in magenta and yellow Blue filters were substituted for equivalent filtration in cyan and magenta Adjustments for Long and Short Exposures No filter correction or exposure compensation is required for exposures from 1 10 000 to 10 seconds Note This information applies only when exposing the film to daylight The data are based on average emulsions rounded to the nearest 1 2 stop and assume normal recommended processing Use the data only as a guide For critical applications make tests under your conditions PROCESSING Process ELITE Chrome 200 Film in KODAK Chemicals Process E 6 RETOUCHING TRANSPARENCIES Use KODAK E 6 Transparency Retouching Dyes You can retouch only the emulsion side of this film For information on retouching equipment supplies and techniques see KODAK Publication No E 68 Retouching Transparencies on KODAK EKTACHROME Film PRINTING TRANSPARENCIES You can make color prints or enlargements photographically by making an internegative and printing on Kodak color negative paper You can also make prints and enlargements with a KODAK Picture Maker This self serve picture kiosk makes prints from wallet to 8 x 10 inches and allows you to remove red eye add text and borders and make calendars See your photo dealer for availability in your area KODAK PROFESSIONAL ELITE Chrome 200 Film e E 148E SCANNING TRANSPARENCIES You can easily scan ELITE Chrome 200 Film wi
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