Rode Classic II
Contents
1. S ELECTROCUTION NUNCA MANIPULE LA TOMA DE TIERRA ESTA ACCION PUEDE TENER GRAVES CONSECUENCIAS Aa IMPORTANT NOTICE NOTE There are no user serviceable parts inside the Classic Il supply but there ARE potentially lethal voltages If the microphone supply does not work correctly you should consult either the dealer you purchased the microphone from or a qualified electronic technician DO NOT under any circumstance open the unit yourself ACHTUNG Das Classic II Netzteil enth lt keine Teile die vom Benutzer repariert werden k nnen Gefahr Das Ger t enth lt spannungf hrende Bauteile F r Reparaturen suchen Sie bitte Ihren H ndler oder einen qualifizierten Fachbetrieb auf Auf keinen Fall d rfen Sie selbst das Geh use offnen NOTA All interno dell alimentatore del Classic II non ci sono parti riparabili dall utente ma ci sono invece tensioni pericolose Se l alimentatore non funziona correttamente dovete consultare il rivenditore presso il quale avete acquistato il microfono oppure un tecnico elettronico qualificato NON APRITE in ogni caso l unit in quanto pericoloso AVERTISSEMENT N enlevez pas le capot de l alimentation sous risque d l ctrocution Si l alimentation ne fonctionne pas correctement consultez votre revendeur ou un technicien qualifi Vous ne devez sous aucun pr texte ouvrir l alimentation vous m me NOTA No manipule internamente la fuente de alimentacion del Classic Il2. puesto que el alto voltaje puede ser perjudicial en caso de sufrir una descarga Si se apreciara un functionamiento incorrecto de la fuente de alimentacion debera consultarlo en el establecimiento donde adquirio la unidad solo puede ser manipulado por un servicio tecnico cualificado Bajo ninguna circunstancia abra VD la unidad Warranty All RODE microphones are warranted for one year from date of purchase You can extend that to a full ten years if you register online at www rodemic com The warranty covers parts and labour that may be required to repair the microphone during the warranty period The warranty excludes defects caused by normal wear and tear modification shipping damage or failure to use the microphone as per the instruction guide If you experience any problem or have any questions regarding your RODE microphone first contact the dealer who sold it to you If the microphone requires a factory authorised service return will be organised by that dealer We have an extensive distributor dealer network but if you have difficulty getting the advice or assistance you require do not hesitate to contact us directly RODE Microphones For Technical Support For all technical support matters please see the R DE support Frequently Asked Questions at www rodemic com support If you are unable to resolve your issue please contact R DE at the email addresses below Australian customers ozs
3. steps see graph 20 Hz 20 kHz see graph 2000 3 dB re 1V Pa 14mV 94dB SPL 2dB lt 18 SPL A weighted per IEC651 2dBu 1kHz 1 THD into 1KQ gt 113 dB SPL A weighted per IEC651 131aB SPL 1kHz 1 THD into 1KQ gt 6dB SPL A weighted per IEC651 Dedicated Power Supply 110 120V 220 240V 50 60 Hz 1440gm 9kg Specifications Frequency Response dB re 1 V Pa 20Hz 100 1000 10000 20000 Cardioid 20 10 gt 0 2 10 e m TD 20 30 LLL 20Hz 100 1000 10000 20000 Omni Specifications m 250 Hz mum kHz mum 4 kHz 180 Figure 8 Features Custom spec 1 dual diaphragm capsule Vintage twin triode GE JAN 6072 valve Nine polar patterns Jensen output transformer Variable Pad amp Filter Machined from solid brass Hand polished body Double shielded oxygen free 9m 30 cable Heavy duty plugs and sockets Aluminum flight case Made in Australia 10 Year warranty Online product registration required e Accessories e RM2Stand Mount Transformer variable polar pad filter e RCCLII flight cas
4. RODE MICROPHONES Classic Il Instruction Manual www rodemic com C EMC vD Introduction We at RODE would like to thank you and congratulate you on investing in the RODE Classic II This valve microphone represents the finest studio microphone technology currently available We know that it will serve you well for many years and provide you with a performance you will be extremely proud of The Classic ll has been developed from the original Classic both of which are the preferred valve microphone of a huge number of professional engineers and musicians The character of the original Classic has been retained but by utilising a revised edge terminated diaphragm and further refining the electronic circuitry a new level of performance has been achieved Please take the time to visit www rodemic com and register your microphone for a full ten year warranty While there you can view studio tips and techniques as well as browse the comprehensive range of accessories for RODE microphones Cam Peter Freedman RODE Microphones Sydney Australia Acoustic Principle Directional Pattern Frequency Range Output Impedence Sensitivity Equivalent Noise Maximum Output Dynamic Range Maximum SPL Signal Noise Power Requirement Net Weight Packed Weight Specifications Pressure gradient Switchable Omnidirectional Cardioid Figure 8 in nine
5. ding is Cardioid at the 12 o clock position e VVhenthe cardioid position is selected the microphone picks up sound from in front of the microphone and rejects sound from the rear Front is picked up 250 Hz Rear is rejected e When in the omni position fully anti clockwise the microphone picks up sound from all around the microphone and there is no proximity effect as found in cardioid mode 0 Setting the Polar Pattern Proximity Effect is an increase in lower frequencies when the sound source is close to the microphone The omni pattern is commonly used for room ambient miking or to record a more natural sound when close miking instruments Front is picked up Rear and sides are picked up e When in the Figure 8 position fully clockwise the microphone picks up sound from in front and behind and rejects sound from the other two sides This pattern is commonly used for interviews Two people with the microphone between them or in conjunction with a cardioid microphone to use the MS mid side stereo recording technique Front is picked up maa 250 Hz kHz Rear is picked up Sides are rejected e Using the Classic Il e The gold dot on the face of the Classic II indicates the front ofthe microphone and the pick up area ofthe cardioid pattern Please be sure to have the side with the dot facing the sound source you wish t
6. e e SM2 Shock Mount e Double shielded oxygen free premium cable Before Using the Classic II e Ensure that your Classic II has been set to the correct voltage as used in your country The Classic Il can be used with mains supply voltages of between either 100 120V 50 60Hz or 220 240V 50 60Hz e To select for 100 120V use set the voltage selector to 120V and use a 250mA clow blow fuse e To select for 220 240V use set the voltage selector to 240V and use a 160mA slow blow fuse e The back panel of the Classic Il power supply has a microphone output socket a ground earth lift a microphone input socket a voltage selector and a mains power socket which also incorporates a fuse MICROPHONE EARTH LIFT OUTPUT A D kii dE AA By fa E di i nima mm radia en Lie Aru d 5 Mains Switch Fuse Voltage Selector Mains Input Socket Connecting the Classic II e Having ensured that the power supply is set to the correct voltage you can begin to connect the Classic Il to the power supply Do not connect the power to the mains or switch on the microphone before connecting it to the power supply e Connect the male multicore plug of the Classic Il cable to the input socket on the rear of the power supply The white dot on the cable indicates the top side to be facing upwards e Place the Classic Il into the SM2 shock mount ensuring it is firmly connected to a microphone sta
7. ion should be made with the angle from which the microphone is addressed as different results can be achieved when the vocalist is off axis to the microphone and the gold dot If an earth loop is present a mains frequency hum there is a ground lift switch on the rear panel of the power supply which should be raised to the lift position This earth loop can appear when two devices which are both earthed are connected together Storage After use the Classic II should be removed from its mount wiped with a dry soft cloth and placed in its protective case Be sure to place the moisture absorbent crystals supplied at the head of the microphone so as to absorb any moisture present Eventually this pack of crystals will need to be dried This is indicated by the crystals turning pink in colour They can easily be re used by placing them in an oven at 100 150 degrees celsius for approximately ten minutes The crystals will operate effectively again once they have turned blue a IMPORTANT NOTICE DO NOT DISCONNECT THE MICROPHONE CABEENVEIICE MHES mein O ERE AS THIS MAY RESULT IN DAMAGE TO THE MICROPHONE NEVER REMOVE THE MAINS EARTH DOING SO CAN HAVE LETHAL CONSEQUENCES ACHTUNG LEBENSGEFAHR ENTFERNE NIEMALS DEN SCHUTZLEITER NON SCOLLEATE IL FILO DI TERRA POTREBBE ESSERE MOLTO PERICOLOSO PER IL RISCHIO DI SCOSSHELEMIRICHE RELIEZ IMPERATIVEMENT L ALIMENTATION A LA PRICE TERRE SOUS RRISQUE MORTEL
8. nd capable of supporting the microphone s weight e Connect the female multicore plug of the Classic II cable to the microphone The white dot on the cable should align with the front of the microphone indicated by its gold dot Ensure that both plugs are correctly aligned and pushed firmly into their respective sockets By screwing the threaded locking nut of the cable to the base of the microphone the Classic II should now be seated firmly in the mount Connecting the Classic II e Now connect an XLR microphone cable to the output socket on the rear ofthe power supply taking that output to your mixer pre amplifier e We suggest the use of a high quality cable preferably with gold plated contacts Use as short a cable as possible as long cables can adversely affect sound quality e Now you can connect the power supply to the mains supply and begin using the Classic microphone e tis recommended to allow several minutes to allow the microphone to stabilise This will also extend the life of the microphone valve Setting the Polar Pattern Your Classic ll can be adjusted to any of nine polar patterns from omni through cardioid to figure of eight This flexibility allows recording of most instruments and or voices with absolute control e Select the preferred polar pattern This is done with the middle dial on the front of the Classic Il Power Supply The most commonly used pattern for vocal recor
9. o record Setting the PAD The PAD setting can be used to attenuate the output level ofthe microphone so that it does not exceed the maximum input level of your recording device This is useful when recording high SPL sources such as guitar amplifiers or percussion The right hand dial on the front of the Classic ll power supply can be used to setthe PAD at 0 Off 10dB or 20dB Setting the High Pass Filter The High Pass Filter setting can be used to reduce the microphone s sensitivity to low frequency sounds and is useful when you wish to avoid additional noise and vibration from outside traffic air conditioning and machinery foot tapping etc The left hand dial on the front of the Classic ll power supply can be used to set the High Pass Filter e Westrongly recommend the use of a pop shield or filter for all vocal recording These aid in minimising plosive sounds hard P B T and K sounds that produce a sudden jet of air which can cause the capsule to overload and produce a popping sound e Any moisture on the microphone capsule can cause problems for condenser microphones however the use of a pop shield will reduce the risk of this occurring 12 Using the Classic II Placement of the microphone and pop shield relative to the vocalist may be varied on several factors including room acoustics the vocal performance and whether the vocalist has a high or deep voice Experimentat
10. upport rodemic com US customers support rodemic com English speaking customers from other regions worldsupport rodemic com For support in languages other than English please contact your local RODE representative listed at www rodemic com distributors TA
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