Jammin Pro 5480002 DJ mixer
Contents
1. The StudioMix 10 StudioMix 12 features a built in digital stereo effects processor This effects processor offers a large number of standard effects such as Hall Chorus Flanger Delay and various combination effects Using the FX control you can feed signals into the effects processor The integrated effects module has the advantage of requiring no wiring This way the danger of creating ground loops or uneven signal levels is eliminated at the output completely simplifying the handing SIGNAL and CLIP LED The SIGNAL LED on the effects module shows the presence of a signal whose level is high enough This LED should always be on However make sure that the CLIP LED lights up only sporadically If it is constantly you are overdriving thr effects processor which leads to unpleasant distortion If this occurs turn the FX controls down somewhat PROGRAM The PROGRAM control has two functions by turning the PROGRAM control you dialed the number of an effect The number of the preset you just dialed up blinks in the display To confirm your selection press the PROGRAM control the blinking stops FX TO MAIN The FX TO MAIN control feeds the effects signal into the main mix If the control is turned all the way counterclockwise no effects signal is present in the signal of the mixing console The appendix contains an overview of all presets of the multi effects processor 11 gt gt Ifthe connected effects processor receives no2. consoles made in Britain which are renowned throughout the world for their incredibly warm and musical sound character Even with extreme gain settings these equalizers ensure outstanding audio quality Multi effects processor which give your 100 presets producing first class reverb delay and modulation effects plus numerous Additionally your StudioMix mixing console has an effects processor with 24 bit A D converters included multi effects in excellent audio quality CAUTION CF We should like to draw your attention to the fact that extreme volumes may damage your hearing and or your headphones or loudspeakers Turn the MAIN MIX control and phones control in the main section fully down before you switch on the unit Always be careful to set appropriate volume levels 1 1 general mixing console functions A mixing console fulfils three main functions A Signal processing Preamplification level adjustment mixing of effects Frequency equalization A Signal distribution Summing of signals to the aux sends for effects processing and monitor mix distribution to one or several recording tracks power amp s control room and 2 track outputs A Mix Setting the volume level frequency distribution and positioning of the individual signals in the stereo field level control of the total mix to match the recording devices crossover power amplifier s All other mixer functions can be included in this main function 1 2 The user
3. remove any ground connectors from electrical devices or power cables or render them inoperative gt Please sure that only qualified people install and operate the mixing console During installation and operation the user must have sufficient electrical contact to earth otherwise electrostatic discharges might affect the operation of the unit 2 CONTROL ELEMENTS AND CONNECTORS This chapter describes the various control elements of your mixing console All controls switches and connectors will be discussed in detail 2 1 Mono channels Fig 2 1 Connectors and controls on the mono channels MIC Each mono input channel offers a balanced microphone input via the XLR connector and also features switchable 48 V phantom power supply for condenser microphones The StudioMix preamps provide undistorted and noised free gain as is typically known only from costly outboard preamps gt Please mute your play back system before you active the phantom power supply to prevent switch on thumps being directed to your loudspeakers Please also note the instructions in chapter 2 4 Main section LINE IN Each mono input also features a balanced line inputona 1 4 connector Unbalanced devices mono jacks can also be connected to these inputs gt please remember that you can only use either the microphone or the line input of a channel at any one time You can never use both simultaneously TRIM Use the TRIM control to
4. States sssr a E ARES 3 2 CONTROL ELEMENTS AND CONNECTORS 2 1 Mono channels 2 2 SIGFEO AAA e A 6 2 3 Connector carry of the main section wrrraenananannnnanae 7 2 4 Main section 2 5 Digital effects processor 2 6 Rear Panel Section APPLICATION cinto 13 3 1 Digital effects processor 3 2 Rear Panel Section 4 INSTALLTION mmmmeeeeneneeeenea 15 4 1 Mains connection 4 2 A dIS CONMECHONS 1141 1rsikvs t data 15 5 SPECIFICATIONS mmmmmmmmmmeeeemmenenna 17 EA mono channels Low Mid High EQ stereo channels Low Mid High Aux sends Type Impedance Max output level Stereo aux return Type Impedance Max input level Main outputs Type Impedance Max output level Control room outputs Type Impedance Max output level Headphones output Type Max output level Main mix system data Noise Main mix Channel fader co Main mix 0 dB Channel fader co Main mix 0 dB Channel fader 0 dB 80 Hz 15 dB 2 5 kHz 15 dB 12 kHz 15 dB 80 Hz 15 dB 2 5 kHz 15 dB 12 kHz 15 dB 1 4 B connector unbalanced approx 20 kQ 22 dBu 1 4 TRS connector electronically balanced approx 20 Rbal 10 K2unbal 22 dBu XLR electronically balanced approx 2400 bal 1202 unbal 28 dBu 1 4 TS connector unbal approx 120 Q 22 dBu 1 4 TRS connector unbalanced 1
5. input signal the FX SEND control is probably too low This also goes for the built in effects processor gt gt Adjust your external effects processor to 100 wet effects signal only before the effects signal is added to the main mix along with dry channel signals gt inthis instance the FX control of the channel being used as an effects return should be turned fully counterclockwise otherwise feedback problems can occur PHONES CONTROL ROOM OUT The stereo PHONES connector at the top of the connector panel is where you connect headphones The unbalanced CTRL ROOM OUT connector carry the summed effects and main mix signals as well as soloed channel signals The PHONE CONTROL ROOM control adjusts the level of both headphones and main monitor outputs MAIN OUT The MAIN OUT connectors are unbalanced mono connector The main mix signal appears here at a level of 0 dBu The MAIN MIX fader adjusts the volume of these outputs Depending on how you wish to use your mixer and which gear you own you can connect the following equipment LIVE PA SYSTEMS A stereo dynamics processor optional stereo equalizer optional and the stereo power amplifier for full range loudspeakers with passive crossovers If you wish to use multi way loudspeaker systems without an integrated crossovers Active crossovers are impiemented directly before the power amplifier and they divide the frequency range into several segments that are first amplif
6. s manual The user s manual is designed to give you both an overview of the controls as well as detailed information on how to use them CP the block diagram supplied with the mixing console gives you an overview of the connections between the inputs and outputs as well as the associated switches and controls For the moment just try and trace the signal path from the microphone input to the FX send connector Do not be put off by the huge range of possibilities it is easier than you thank if you look at quickly familiarize yourself with your mixing console and you will soon be making the most of all its many possibilities 1 3 Before you get started 1 3 1 Shipment Your mixing console was carefully packed in the factory to guarantee safe transport Nevertheless we recommend that you careful examine the packing and its contents for any signs of physical damage Which may have occurred during transit CP If the unit is damaged please do NOT return it to us but notify your dealer and the shipping company immediately otherwise claims for damage or replacement may not be granted gt to assure optimal protection of your ME during use or transports we recommend utilizing a carrying case gt Please always use the original packing to avoid damage due to storage or shipping gt Never let unsupervised children play with the ME or with its packaging gt Please dispose of all packaging materials in an environmentally fiendl
7. which could cause distortion If this happens use the TRIM control to reduce the preamp level until the LED does not light anymore 2 2 Stereo channels Fig 2 2 Connectors and controls on the stereo channels LINE IN Each stereo channel has two balanced line level input on 1 4 connectors for left and right channels If only the connector marked L left is used the channel operates in mono Stereo channels are designed to handle typical line level signals Both inputs will also accept unbalanced connectors A stereo EQ is highly preferable to two mono equalizers when working on a stereo signal as two separate Eq s will usually produce an unwanted discrepancy between the left and right channels FX The FX sends of the stereo channels function similar to those of the mono channels However since the FX send buses are both mono a mono sum is a first taken from the stereo input before it is sent to the FX bus BAL The BAL ANCE control determines the levels of left and right input signals relative to each other before both signal are then routed to the main stereo mix bus If a channel is operated in mono via the line input the control has the same function as the PAN control used in the mono channels LEVEL The LEVEL control determines the level of the channel signal in the main mix 4 10 The stereo inputs of the StudioMix 10 and StudioMix 12 have an input sensitivity switch which selects between 4 dBu and
8. 10 dBv At 10 dBV home recording level the input is more sensitive requires less level to drive it than at 4 dBu studio level 2 3 Connector carry of the main section MAIN OUT CTRL ROOM OUT L R L R O 0 0 O CD TAPE SEND FX DU e a E OUT Fig 2 3 Connectors of the main section FX SEND The FX SEND connector outputs the signal you picked up from the individual using the FX controls You can connect this to the input of an external effects device order to process the FX bus master signal Once an effects mix is created the processed signal can then be routed from the effects devices outputs back into a stereo input 2 6 Rear Panel Section COAXIAL COAXIAL OPTIC 09 DIGITAL DIGITAL OUTPUT INPUT AC POWER IN Fig 2 6 Rear Panel Section with UD AC POWER IN Connect to the assembled power adaptor USB SOCKET USB record and playback will work if it is connected with computer COAXIAL DIGITAL OUTPUT To output digital signal when it is recorded and for digital decode equipment s use COAXIAL DIGITAL INPUT Connect with DVD or other digital coaxial signal output equipment for digital signal s coaxial record PUT SWITCH Optical and coaxial signal record switch over on off OPTICAL INTERFACE Connect with DVD or other optical signal output equipment for digital signal s optical record 12 2 5 Digital effects processor 7 0 Fig 2 5 Effects section 100 FIRST CLASS EFFECTS
9. 9 dBu 1500 25 dBu 106 dB 109 dB A weighted 95 dB 98 dB A weighted 84 dB 87 dB A weighted 18 5 SPECIFICATIONS Mono inputs Microphone inputs Type Mic E I N 20 Hz 20 kHz 0 Q source resistance 50 source resistance 150 source resistance Frequency response Gain range Max Input level Impedance Signal to noise ratio Distortion THD N Line input Type Impedance Gain range Max Input level Fade out attenuation Crosstalk attenuation Main fader closed Channel muted Channel fader closed Frequency response Microphone input to main out lt 10 Hz 90 kHz lt 10 Hz 160 kHz Stereo inputs Type Impedance Max Input level XLR electronically balanced discrete input circuit 134 dB 135 7 dB A weighted 131 dB 133 3 dB A weighted 129 dB 130 5 dB A weighted lt 10 Hz 150 kHz 1 dB lt 10 Hz 200 kHz 3 dB 10 to 60 dB 12 dBu 10 dB gain approx 2 6 kQ balanced 110 dB 112 dB A weighted 0 dBu In 22 dB gain 0 005 0 004 A weighted 1 4 TRS connector electronically balanced approx 200 banlanced 10 kQunbanlanced 10 to 40 dB 22 dBu 0 dB Gain 90 dB 89 5 dB 89 dB 0 dB 1 dB 0 dB 3 dB 1 4 TRS connector electronically balanced approx 20 kQ 22 dBu 17 1 INTRODUCTION Congratulations In purchasing the StudioMix 10 StudioMix 12 series micing concole you have acquired a mixing consol
10. Hz MXUL5 adapter ea 240 V 50 Hz MXUKS adapter Europe 230 V 50 Hz MXEUS adapter J p 240 V 60 Hz MXJP5 adapter apan Dimenstions STUDIOMIX 10 Dimensions H x W x D 47mm 37 5mm x 240mm x 208mm weight net approx 1 3 kg STUDIOMIX 12 Dimensions H x W x D 47mm 37 5mm x 240mm x260mm weight net approx 1 7 kg Measuring conditions 1 1kHz rel to O dBu 20 Hz 20 kHz line input main output unity gain 2 20Hz 20kHz measured at main output Channels1 4 unity gain EQ flat al channels on main mix channels 1 3 as far left as possible channels 2 4 as far right as possible Reference 6 dBu As a result of these efforts modifications may be made from time to existing products without prior notice Specifications and appearance may differ from those listed or illustrated 19 e Ventilation Do not block areas of ventilation opening Failure to do could result in fire Always install accordance with the manufacturer s instructions e Object and Liquid Entry Objects do not fall into and liquids are not spilled into the inside of the apparatus for safety Power Cord and Plug Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a t
11. KOMM Oli 10101015 USERS MANUAL IMPORTANT SAFETY SYMBOLS CAUTION NOTE RISK OF ELECTRIC SHOCK DO NOT OPEN The symbol is used to indicate that some hazardous live terminals are involved within this apparatus even under the normal operating conditions which may be sufficient to constitute the risk of electric shock odeath The symbol is used in the service documentation to indicate that specific component shall be replaced only by the component specified in that documentation for safety reasons Pu Protective grounding terminal Alternating current voltage h Hazardous live terminal ON Denotes the apparatus is turned on OFF Denotes the apparatus is turned off WARNING Describes precautions that should be observed to prevent the danger of injury or death to the operator CAUTION Describes precautions that should be observed to prevent danger of the apparatus IMPORTANT SAFETY INSTRUCTIONS e Read these instructions Keep these instructions Heed all warning Follow all instructions Water 8 Moisture The apparatus should be protected from moisture and rain can not used near water for example near bath tub kitchen sink or a swimming pool etc e Heat The apparatus should be located away from the heat source such as radiators stoves or other appliances that produce heat 20 Power supply Power consumption StudioMix 10 18 W StudioMix 12 23 W Mai It ains voltage 120 V 60
12. adjust the input gain This control should always be turned fully counterclock wise whenever you connect or disconnect a signal source to one of the inputs The scale has 2 different value range the first value range 10 to 60 dB refers to the MIC input and shows the amplification for the signals fed in there The second value range 10 to 60 dB refers to the line input and shows its sensitivity The settings for equipment with standard line level signals 10dB or 4dBu look like this While the TRIM control is turned all the way down connect your equipment Set the TRIM control is turned to the external devices standard output level If that unit that an output signal level display it should show 0 dB during signal peaks For 4 dBu turn up TRIM sightly for 10 dBV a bit more Tweaking is done using the CLIP LED EQ All mono input channels include a 3 band equalizer All bands provide boost or cut of up to 15 dB In the central position the equalizer is inactive The circuitry of the British EQs is based on the technology used in the bast known top of the line consoles and providing a warm sound without any unwanted side effects The result are extremely musical equalizes which unlike simple equalizers cause no side effects such as phase shifting or bandwidth limitation even with extreme gain settings of 15 dB The upper HI and the lower band LO are shelving filters that increase or decrease all frequencies above or below the
13. e whose small size belies its versatility and audio performance The StudioMix Series represents a milestone in the development of mixing console technology With the ME microphone preamps including phantom power as an option Balanced line input and a powerful effects section The mixing consoles in the ME Series are optimally equipped for live and studio applications Owing to state of the art circuitry your ME console produces a warm analog sound that is unrivalled With the addition of the latest digital technology these base in class consoles combine the advantages of both analog and digital technology The microphone channels feature high end ME Mic Preampsthat compare well with costly outboard preamps in terms of sound quality and dynamics and boast the following features A 130dB dynamic range for an incredible amount of headroom A A bandwidth ranging from below 10 Hz to over 200 KHz for crystal clear reproduction of over the finest nuances A The extremely low niose and distortion free circuitry guarantees absolution natural and transparent signal reproduction A They are perfectly matched to every conceivable microphone with up to 60 dB gain and 48 volt phantom power supply A They enable you to use the greatly extended dynamic range of your 24 bit 192 kHz HD recorder to the full Thereby maintaining optimal audio quality British EQ The equalizers used for the StudioMix Series are based on the legendary circuitry of top notch
14. hird grounding prong The wide blade or the third prong is provided for your safety If the provided plug does not fit into your outlet refer to electrician for replacement e Power Supply The apparatus should be connected to the power supply only of the type as marked on the apparatus or described in the manual Failure to do could result in damage to the product and possibly the user Unplug this apparatus during lightning storms or when unused for long periods of time e Fuse To prevent the risk of fire and damaging the unit please use only of the recommended fuse type as described in the manual Before replacing the fuse make sure the unit turned off and disconnected from the AC outlet e Electrical Connection Improper electrical wiring may invalidate the product warranty e Cleaning Clean only with a dry cloth Do not use any solvents such as benzol or alcohol e Servicing Do not implement any servicing other than those means described in the manual Refer all servicing to qualified service personnel only e Only use accessories attachments or parts recommended by the manufacturer Warning Please remember the high sound pressure do not only temporarily damage your sense of hearing but can also cause permanent damage Be careful to select a suitable volume TABLE OF CONTENTS T INTRODUCTION 00000 00 eeeeeeeeeeees 2 1 1 General mixing console functions 1 2 TNE USE SS MANGA sn kaema Sat 3 1 3 Before youl Get
15. ied in the amplifiers and then passed on to the corresponding RECORDING For mastering using a stereo compressor can be recommended Use it to custom tailor the dynamic characteristics of you signal to the dynamic range of the recording equipment you are using The signal is in the case passed on from the compressor into the recorder CD TAPE INPUT The CD TAPE INPUTS are used to bring an external signal source e g CD player tape deck etc into the console They can also be used as a standard stereo line input so the output of a second ME Alternatively the line or tape output of a hi fi amplifier with source selection switch could also be hooked up here allowing you to easily listen to additional sources TAPE OUTPUT These connectors are laid out RCA connectors and are wired parallel with the MAIN OUT Connect the inputs of a computer sound card or a recorder here The output signal level is setup using the highly accurate MAIN MIX fader 2 4 Main section POWER 48 V curo oe 0 0 229 Ll OR Fig 2 4 Control elements ofthe main section 48 V The red 48 V LED lights up when phantom power is turned on Phantom power is reguired to operate condenser microphones and is activates using the 48 V switch located above the 48 V LED gt Caution You must never use unbalanced XLR connectors PIN 1 to 3 connected on the MIC input connectors if you want to use the phantom power supply KCF Please do not c
16. ir cut off frequency The cut off frequencies of the upper and lower band are 12 kHz and 80 Hz respectively The mid band 602 802 1002 1202 is configured as a peak filter with a center frequency of 2 5kHz LOW CUT In addition the mono channels are equipped with a steep LOW CUT filter slope at 18 dB oct 3 dB at 75 Hz designed to eliminate unwanted low frequenty signal components These can be noise created by band held microphones subsonic noise or plosive sounds created by highly sensitive microphones FX FX sends enable you to feed signals via a variable control from one or more channels and sum these signals to bus The bus appears at the console s FX send output and can be fed from there to an external effects device The return from the effects unit is then brought back into the console on the aux return connectors or normal channel inputs Each FX send is mono and features up to 15 dB gain 5 keyboard 00000000 00000000 ML JUULIL y AS GE e Guitar microphone 3 2 Live sound CD player TAPE MU 000 _ Active Speaker Headphone MIDI sound module Fig 3 2 Live application of the StudioMix console 14 keyboard 3 APPLICATION 3 1 Recording studio CD player TAPE 00000000 00000000 Guitar Active monitor MD recorder MIDI sound
17. itor speaker s press the FX TO CTRL switch Now the signal of the effects processor can be monitored alone and the main mix and or CD tape signal is no longer present on the phone and control room outputs 10
18. module Headphone Digital Audio workstation Fig 3 1 the StudioMix in a recording studio 13 As the name suggests the FX sends of the ME mixing consoles are intended to drive effects devices reverb delay etc and are therefore configured post fader This means that the mix between dry signal and effect remains at the level determined by the channel s aux send irrespective of the level fader setting If this were not the case the effects signal of the channel would remain audible even when the fader is lowered to zero With ME mixing consoles the channel fader is called LEVEL control In the StudioMIX 10 StudioMix 12 the FX send is routed directly to the built in effects processor To make sure that the effects processor receives an input signal you should not turn this control all the way to the left oo PAN The PAN control determines the position of channel signal within the stereo image This control features a constant power characteristic which means the signal is always maintained at a constant level irrespective of position in the stereo panorama LEVEL The LEVEL control determines the level of the channel signal in the main mix gt Attention Since the FX path for the effect processor is connected post fader the LEVEL control has to be turned up in order to get this channels signal to the effects processor CLIP The CLIP LED s of the mono channels illuminate when the input signal is driven too high
19. nly be driven as far as 10 dB Since drums should be driven to approx 0 dB gt The peak meters of your ME display the level virtually independent of frequency A recording level of 0 dB is recommended for all signal types MAIN MIX Use the MAIN MIX fader to adjust the volume of the main out PHONE CONTROL ROOM Use the PHONE CONTROL ROOM control to adjust the signal level of the CONTROL ROOM and PHONES outputs CD TAPE TO MIX When the TAPE TO MIX switch is depressed the 2 track input is assigned to the main mix providing an additional input for tape machines MIDI instruments or other signal sources that do not require any processing CD TAPE TO CTRL Press the CD TAPE TO CTRL ROOM PHONES switch if you want to monitor the 2 track input via the CTRL ROOM OUT This provides an easy way to monitor signals coming back from tape to ensure that they are recording correctly gt If you are recording a signal via the CD TAPE OUTPUT and wish to listen to this simultaneously via the CD TAPE INPUT do not use the CD TAPE TO MIX switch Doing this would create a feedback loop since the signal would be routed via the main mix back to tape via the CD TAPE OUTPUT To monitor the CD TAPE INPUT use the CD TAPE TO CTRL ROOM switch to assign the tape signal to the monitor s or headphones This will avoid the tape signal being routed to the CD TAPE OUTPUT FX TO CTRL If you want to monitor only the FX send signal in your headphones or mon
20. onnect microphones to the mixer or the stagebox wallbox as long as the phantom power supply in switched on Connect the micro Phones before you switch on the power supply IN addition the monitor PA loudspeakers should be muted before you activate the phantom power supply After switching on wait approx one minute in order to allow system stabilization POWER The blue POWER LED indicates that the console in powered on LEVEL INDICATOR The high precision 4 segment display accurately displays the relevant signal level LEVEL SETTING To correctly set the gains of the channels first set the LEVEL controls of the input channels to their center positions 0 dB Then use the TRIM controls to increase the input amplification until signal peaks show 0 dB on the level meter When recording to digital recorders the recorder s peak meter should not go into overload While analog recorders can be overloaded to some extent creating only a certain amount of distortion which is common and often desirable digital recorders distort guickly when overloaded In addition digital distortion is not only undesirable but also renders your recording completely useless When recording to an analog device the VU meters of the recording machine should reach approx 3 dB with low freguency signals e g kick drum Due to their inertia VU meters tend to display too low a signal level at freguencies above 1 kHz This is why for example a Hi Hat should o
21. supply to the 3 pin mains connector on the rear of the console Use the AC adapter supplied to connect the console to the mains The adapter complies with all applicable safety standards CF Please use only the power supply unit provided with the console CF Never connect the ME to the power supply unit while the latter is connected to the mains First connect the console to the power supply unit then connect the power supply unit to the mains gt Please use only the power supply unit provided with the console 4 2 Audio connections You will need a larger number of cable for the various connections to and from the console The illustrations below show The wing of these cables Be sure to use only high grade cable Please use commercial RCA cables to wire the 2 track inputs and outputs You can of course also connect unbalanced devices to the balanced input outputs Use either mono plugs or ensure that ring and sleeve are bridged inside the stereo plug or pins 1 amp 3 in the case of XLR connectors gt Caution Never use unbalanced XLR connectors PIN 1 and 3 connected on the MIC input connectors when using the phantom power supply Balanced use with XLR connectors 1 groud shield 2 hot ve 3 cold ve Input Output For unbalanced use pin 1 and pin 3 have to be bridged Fig 4 1 XLR connections 15 gt Please note that all unit must be properly grounded For your own safety you should never
22. y fashion 1 3 2 Initial operation Be sure that there is enough space around the unit for cooling purposes and to avoid over heating please do not place your mixing console on high temperature devices such as radiators or power amps The console is connected to the mains via the supplied cable The console meets the required safety standards Blown fuses must only be replaced by fuses of the same type and rating gt never connect the ME to the power supply unit when the latter is connected to the mains First connect the power supply unit to the console then connect the power supply unit to the mains Unbalanced use of 1 4 RS connector strain relief clamp sleeve tip ground shield signal sleeve tip e The foot switch connects the two poles momentarily Fig 4 2 1 4 mono plug Balanced use of 1 4 RS connector strain relief clamp sleeve tip ground shield hot ve sleeve ring tip ring cold ve For connection of balanced and unbalanced plus rig and sleeve have to be bridged at the stereo plug Fig 4 3 114 stereo plug Headphones connection with 1 4 TRS connector strain relief clamp sleeve tip ground shield left signal sleeve ring tip ring right signal Fig 4 4 Stereo plug for headphones connection 16 4 INSTALLATION 4 1 Mains connection AC POWER IN Connect the power
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