Yamaha MSP5 STUDIO
Contents
1. MSP7 STUDIO MSP5 STUDIO SW10 STUDIO 10 10 10 Cn 0 0 S e CLE go A e DS 10 Ap J E 2 E COON H E 20 DU NI 20 Wu li im Li a MI a FARNI II a Ll 9 30 0 30 E D 30 L CH c UI LIII l LU LTT n ll 40 CI 40 LI Li 40 OTT E 20 50 100 500 1k 5k 10k 20k 40k 20 50 100 500 1k 5k 10k 20k 40k 20 50 100 500 1k 5k 10k 20k 40k FREQUENCY Hz FREQUENCY Hz FREQUENCY Hz CUT OFF Freq 120Hz Block Diagram MSP7 STUDIO STEPFILTER LOWCUT Ayp A LOWCUT LOWCUT TRIM Wa HF INPUT C 427 77 p lt LEVEL FLAT a ris LF 80Hz o O o P AMP 100 HIGH CUT LOW HIGH MSP5 STUDIO LOWCUT PAMP gt LOW CUT TRIM MHE HF INPUT ta yt HES E LEVEL el Al AH Eu ee HIGHCUT PAMP SW10 STUDIO INPUT L OUTPUT PHASESW EQ HIGH CUT INPUT gt H UN SH R LEVEL INVERTER NVERTER P AMP SPEAKER OUTPUT INPUT2. Re ee You d think that the requirements for listening and monitoring would be the same but that is not always the case A great listening system can be a great monitoring system and vice versa but in most cases you ll miss details that are essential to producing the best possible mix on a system that s set up purely for musical enjoyment The dif ference is somewhat similar to the difference between a retouched glamour portrait and the original in which every blemish is clearly visible The model looks a lot better in the retouched photo but the reality is in the original un enhanced version As mixing engineer or producer or sonic artist you ll want to hear the details so that you can create a perfectly balanced mix that will sound good on the widest possible range of audio systems and that can mean anything from high ticket boutique audio compo If you re connecting your MSP speak ers directly to a mixer such as one of the Yamaha MG series mixers they should usually be connected to the mixer s outputs or MONITOR outputs so that you can control the monitor level with out affecting the level of the signal sent to the mixer s main bus which will usu ally be feeding your recorder or DAW Digital Audio Workstation in a produc tion type setup input nents in a properly designed listening r
3. surround mixing and bass management facilities HEITEN DOHIN SERGE Emma 9 9999 9999 ea 666 J o BE m m T Ja 85 eeee 000000 Bg Q A 8 sa DEI C ag GSGSSS00S000005888 MME Lo MSP7 STUDIO MSP5 STUDIO SW10 STUDIO Owner s Manual 9 A 10 Fine tuning for Surround 7 STUDIO or 5 5 STUDIO x 5 SW10 STUDIO x 1 Set the MSP7 STUDIO or MSP5 STUDIO LEVEL control to about 12 o clock for nominal input level If you re using the MSP7 STUDIO set the SW10 STUDIO LEVEL control to about 1 o clock and if you re using the MSP5 STUDIO set it to about 11 o clock You can then fine adjust the SW10 STUDIO LEVEL control as required Another approach would be to adjust the MSP7 STUDIO MSP5 STUDIO output level to achieve the desired relative balance with the subwoofer If you re using the MSP7 STUDIO with a digital mixer set the SW10 STUDIO LEVEL control to about 12 o clock If you re using the MSP5 STUDIO with a digital mixer set the SW10 STUDIO LEVEL control to about 10 o clock Start with the HIGH CUT control set at about 2 30 which corresponds to a HPF frequency of about 100 Hz The HIGH CUT frequency can be adjusted later to achieve the smoothest integration w
4. 40 120 Hz 80 Hz at Center Click Green Power On Green Power On Green Power On Indicators nnd Red Clipping Red Clipping Red Clipping Power Consumption 100W 60 W 160 W AC CORD Length 2 5m 2 5m 2 5m These specifications apply to rated power supplies of 100 120 230 and 240 V 65 HASS m x H Espa ol Francais Deutsch English H Bw X ch Joueds3 t sreduels eeneg B 5 d G Dimensions MSP7 STUDIO Spang 4 0 0 e e 0 Y 160 9 6 2 M8 I For mounting bracket x D ON __ e Non skid pad positions Div Unit mm inch MSP5 STUDIO 179 7 1 16 I 0 0 o 0 N al Y Ll 110 5 EN 9 zu 9 E For mounting bracket pod Lg e Non skid pad positions 20000000002 Unit mm inch SW10 STUDIO Unit mm inch ME ES N Y 328 12 15 16 A n Jig Y Performance graph
5. 20020 Lainate Milano Italy Tel 02 935 771 SPAIN PORTUGAL Yamaha Music Europe GmbH Ib rica Sucursal en Espa ia Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 34 902 39 8888 GREECE Philippos Nakas S A The Music House 147 Skiathou Street 112 55 Athens Greece Tel 01 228 2160 SWEDEN FINLAND ICELAND Yamaha Music Europe GmbH Germany filial Scandinavia J A Wettergrens Gata 1 Box 30053 S 400 43 G teborg Sweden Tel 031 89 34 00 DENMARK Yamaha Music Europe GmbH Tyskland filial Denmark Generatorvej 6A DK 2730 Herlev Denmark Tel 44 92 49 00 NORWAY Yamaha Music Europe GmbH Germany Norwegian Branch Grini N ringspark 1 N 1345 ster s Norway Tel 67 16 77 70 RUSSIA Yamaha Music Russia Room 37 bld 7 Kievskaya street Moscow 121059 Russia Tel 495 626 5005 OTHER EUROPEAN COUNTRIES Yamaha Music Europe GmbH SiemensstraBe 22 34 25462 Rellingen Germany Tel 49 4101 3030 AFRICA Yamaha Corporation Asia Pacific Sales amp Marketing Group Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 8 1 53 460 2303 MIDDLE EAST TURKEY CYPRUS Yamaha Music Europe GmbH SiemensstraBe 22 34 25462 Rellingen Germany Tel 04101 3030 OTHER COUNTRIES Yamaha Music Gulf FZE LOB 16 513 17328 Jubel Ali Dubai United Arab Emirates Tel 971 4 881 5868 HEAD OFFICE Yamaha Corporation Pro Audio Division Nakazawa cho 10 1 Naka ku Hamamat
6. 3 15 0 15 15 0 15 2 1 dB aB 20 10dBu _ 6 4dBu LOW TRIM HIGH TRIM POWER switch Turns power to the speaker on or off When the power is turned on the POWER indicator on the front panel will light green AC IN Connector Connect the supplied power cable here First connect the power cord to the speaker then insert the power cord plug into the AC outlet LOWTRIM switch Adjusts the level of low frequency range MSP7 STUDIO With the 1 5 setting low frequencies around 45 Hz are boosted by 1 5 dB With the 1 5 and 3 settings the same frequency range is cut by 1 5 dB or 3 dB respec tively MSP5 STUDIO With the 1 5 setting low frequencies around 60 Hz are boosted by 1 5 dB With the 1 5 and 3 settings the same frequency range is cut by 1 5 dB and 3 aB respec tively HIGHTRIM switch Adjusts the level of high frequency range With the 1 5 setting the range around 15 kHz is boosted by 1 5 dB With the 1 5 setting the range around 15 KHz is cut by 1 5 dB LOW CUT switch MSP7 STUDIO Cuts the low frequency range With the 80 Hz setting the range below 80 Hz is cut With the 100 Hz setting the range below 100 Hz is cut INPUT 1 2 connector These are balanced XLR type and unbalanced phone type input connectors The MSP7 STUDIO only has an XLR type input connector Do NOT use both the XLR and Phone type conn
7. IMPORTANT Please record the serial number of this unit in the space below Model Serial No The serial number is located on the bottom or rear of the unit Retain this Owner s Manual in a safe place for future reference IMPORTANT NOTICE FORTHE UNITED KINGDOM Connecting the Plug and Cord WARNING THIS APPARATUS MUST BE EARTHED IMPORTANT The wires in this mains lead are coloured in accordance with the following code GREEN AND YELLOW EARTH BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or colored GREEN or GREEN and YELLOW The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED 3 wires Thank you for choosing a YAMAHA powered monitor speaker or powered subwoofer In order to take maximum advantage of the speaker s features and ensure maximum performance and longevity please read this manual carefully before using powered monitor speaker or powered subwoofer Keep the manual in a safe place for future reference Vielen Dank das
8. C SUBWOOFER OUTPUT 67 HASS H x H Espa ol Francais Deutsch English For details of products please contact your nearest Yamaha represen tative or the authorized distributor listed below Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefiihrten Niederlassung und bei Yamaha Vertragshandlern in den jeweiligen Bestimmungslindern erh ltlich Pour plus de d tails sur les produits veuillez vous adresser 4 Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante NORTH AMERICA CANADA Yamaha Canada Music Ltd 135 Milner Avenue Scarborough Ontario MIS 3R1 Canada Tel 416 298 1311 U S A Yamaha Corporation of America 6600 Orangethorpe Ave Buena Park Calif 90620 U S A Tel 714 522 9011 CENTRAL amp SOUTH AMERICA MEXICO Yamaha de M xico S A de C V Calz Javier Rojo Gomez 1149 Col Guadalupe del Moral 09300 M xico D F M xico Tel 55 5804 0600 BRAZIL Yamaha Musical do Brasil Ltda Rua Joaquim Floriano 913 4 andar Itaim Bibi CEP 04534 013 Sao Paulo SP BRAZIL Tel 011 3704 1377 ARGENTINA Yamaha Music Latin America S A Sucursal de Argentina Olga Cossettini 1553 Piso 4 Norte Madero Este C1107CEK Buenos Aires Argentina Tel 011 4119 7000 PANAMA AND OTHER LATIN AMERICAN COUNTRIES CARIBBEAN COUNTRIES Yamaha Music Latin America S A Torre Banco General Piso 7 Urbanizaci n Marbella Ca
9. be set to 1 5 dB to attenuate the highs slightly if you find the sound too bright MSP7 STUDIO MSP5 STUDIO SW10 STUDIO Owner s Manual 7 8 Even if you don t plan to set up a surround system add ing a subwoofer can be a real advantage for stereo mixing If you can t hear the extreme low end there s not much you can do to make it sound great The extended bass response provided by a good subwoofer can indeed help you to improve the overall quality of your mixes The location of your subwoofer is not as critical as the main speakers because frequencies below around 200 Hz the region your subwoofer will be working in aren t direc tional To say it another way the ear can t locate the source of such low frequencies so in theory the subwoofer can be placed anywhere in the room In reality it s a good idea to place the subwoofer on the floor somewhere between the main front speakers at the same distance from the listening position as the main speakers but it doesn t have to be dead center Fine tuning for Stereo Subwoofer 7 STUDIO or 5 5 STUDIO x 2 SW10 STUDIO x 1 Set the MSP7 STUDIO or MSP5 STUDIO LEVEL control to about 12 o clock for nominal input level If you re using the MSP7 STUDIO set the SW10 STUDIO LEVEL control to about 12 o clock and if you re using the MSP5 STUDIO set it to about 10 o clock You can then fine adjust the SW10 STUDIO LEVEL control as required Another approach would be to adjust th
10. 7 9 kg 26 5 kg Magnetic Shielding Yes Yes Yes None covered type SPEAKER SECTION LF 6 5 cone 5 cone Components 10 cone HF 1 0 dome 1 0 dome Type Bass Reflex Bass Reflex Bass Reflex Enclosure MDF AMPLIFIER SECTION LF 80 W LF 40W THD 0 05 RL Z4 Q THD 0 02 RL 4 Q 180W Output Power HF HE 27 W f 100 Hz THD 1 RL 8Q S N IHF A filter 99 dB LEVEL Max 94 dB LEVEL Max gt 100 dB LEVEL Max XLR 3 31 4 dBu LEVEL Center 4 dBu LEVEL Center 4 dBu LEVEL Center 6dBu LEVEL Max 6 dBu LEVEL Max 6 dBu LEVEL Max Input Sensitivity PHONE 10 dBu LEVEL Center 20 dBu LEVEL Max Input Connectors Impedance XLR 3 31 balanced 10 kQ XLR 3 31 balanced 10 kQ PHONE unbalanced 10 kQ XLR 3 31 x 3 balanced 10 kQ Output Connectors XLR 3 32 x 3 balanced Parallel connection with Input 31 Positions Detent type VR 31 Positions Detent type VR LEVEL control Min co Attenuation Min co Attenuation Center Click VR FLAT Min Attenuation LOW CUT switch 80 Hz 12 dB oct 100 Hz 12 dB oct Controls HIGH TRIM 1 5 0 1 5 dB at 15 kHz 1 5 0 1 5 dB at 15 kHz LOW TRIM 1 5 0 1 5 3 dB at 45 Hz 1 5 0 1 5 3 dB at 60 Hz POWER switch on off on off on off PHASE switch Normal Reverse LPF control
11. O O O OOOO O O avoid speaker damage When turning the power off the device should be turned off FIRST e Before moving the device remove all connected cables for the same reason e When setting up the device make sure that the AC outlet you are using is easily accessible e Do not insert your fingers or hands in any gaps or openings on the device ports etc If some trouble or malfunction occurs immediately turn off the power switch and disconnect Avoid inserting or dropping foreign objects paper plastic metal etc into any gaps he plug from the outlet openings on the device ports etc If this happens turn off the power immediately and Do not use the device in a confined poorly ventilated location Make sure that there is unplug the power cord from the AC outlet Then have the device inspected by qualified adequate space between the device and surrounding walls or other devices for MSP7 Yamaha service personnel STUDIO and 5 STUDIO at least 15cm at the sides 15cm behind and 15cm above and Do not use the device for a long period of time at a high or uncomfortable volume level or SW10 STUDIO at least 50cm at the sides 50cm behind and 50 above Inadequate since this can cause permanent hearing loss If you experience any hearing loss or ringing ventilation can result in overheating possibly causing damage to the device s or even fire in the ears consult a physician Do not expose the device to excessive dust or vibrations
12. Powered Monitor Speaker Powered Subwoofer Powered Near field Reference Monitors amp Subwoofer OWNER S MANUAL BEDIENUNGSANLEITUNG MODE D EMPLOI MANUAL DE INSTRUCCIONES fie FA eA IRAs EH YAMAHA CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL The above warning is located on the rear of the unit Explanation of Graphical Symbols The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance servicing instructions in the literature accompanying the product IMPORTANT SAFETY INSTRUCTIONS Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with dry cloth Do not block any ventilation openings Install in accordance with the manufacturer s instructions 8 Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifie
13. a service personnel e If this device should be dropped or damaged immediately turn off the power switch Do not open the device or attempt to disassemble the internal parts or modify them in any disconnect the electric plug from the outlet and have the device inspected by qualified way The device contains no user serviceable parts If it should appear to be malfunctioning Yamaha service personnel discontinue use immediately and have it inspected by qualified Yamaha service personnel N CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the device or other property These precautions include but are not limited to the following Power supply Power cord Remove the electric plug from the outlet when the device is not to be used for extended Before connecting the device to other devices turn off the power for all devices Before periods of time or during electrical storms turning the power on or off for all devices set all volume levels to minimum When removing the electric plug from the device or an outlet always hold the plug itself and m m ot the cord Pulling by the cord can damage it Handling caution When turning on the AC power in your audio system always turn on the device LAST to Location O O
14. aker is handling program material with heavy bass content Yamaha cannot be held responsible for damage caused by improper use or modifications to the device Always turn the power off when the device is not in use The performance of components with moving contacts such as switches volume controls and connectors deteriorates over time Consult qualified Yamaha service personnel about replacing defective components e llustrations in this manual are for explanatory purposes only and may not match the actual appearance of the product during operation Company names and product names used in this Owner s Manual are trademarks or registered trademarks of their respective owners Specifications and descriptions in this owner s manual are for information purposes only Yamaha Corp reserves the right to change or modify products or specifications at any time without prior notice Since specifications equipment or options may not be the same in every locale please check with your Yamaha dealer 5 4 MSP7 STUDIO MSP5 STUDIO SW10 STUDIO Owner s Manual 6 Setting Up for Superior Monitor Sound Unlike most other audio and production gear the way speakers are set up in a room has a dra matic effect on the final sound This short tutorial provides a basic guide to help you maximize the performance of your Yamaha MSP series monitor speakers M ee ee
15. designed for surround production your L and SCH speakers can be connected to any convenient stereo output DVD Player SUBWOOFER pair via the SW10 STUDIO subwoofer while the center and rear speakers will be connected to individual output channels RE YAMAHA MGI6 6rx Example MG16 6FX 290000 o 9 e o e o SIE 111 DVD Output e eee o eo 9 Player Input Channel Connector Speaker 210101910 elo iu L gt Chi ST ON PAN gt L STOUT gt 1 cel lee Lal Ch2 ST ON PAN2R La ST OUT R gt R HHH 585 nu LS Ch3 GRP1 2 PAN gt L gt GROUP OUT 1 D gt 15 MM UU RS gt Ch4 GRP1 2 PAN gt gt GROUP OUT 2 R gt RS gt 5 GRP3 4 PAN gt L gt GROUPOUT3 C S ST ON PAN Center LE gt Fader gt 10 dB Boost gt ST OUT gt SUBWOOFER A Digital Mixer Setup If you re connecting your MSP series speakers to a mixing SE GEI SUBWD FER console that features built in surround handling capability such as the Yamaha DM2000 DM1000 or 02R96 each _ ___ speaker will be connected directly to the console output dedi r cated to handling that particular surround channel In this type of setup you can take full advantage of the console s advanced ixi iliti
16. e MSP7 STUDIO MSP5 STUDIO output level to achieve the desired relative balance with the subwoofer Start with the SW10 STUDIO HIGH CUT control set at its center click position which corresponds to a HPF frequency of about 80 Hz The HIGH CUT frequency can be adjusted later to achieve the smoothest integration with the MSP7 STU DIO or MSP5 STUDIO speakers If you are using the MSP7 STUDIO set the LOW CUT switch to 80 For accurate monitoring set the MSP7 STUDIO MSP5 STUDIO LOW TRIM switch to 0 If you want to reduce the level of the low frequency range set the switch to 1 5 For accurate monitoring set the MSP7 STUDIO MSP5 STUDIO HIGH TRIM switch to 0 This switch can be set to 1 5 dB to attenuate the highs slightly if you find the sound too bright _ Setting Up for Surround a m M M m m If you re going to be mixing for surround obviously you ll need a surround monitoring system For a 5 1 sur round system for example you only need to add a center speaker and two rear speakers to the stereo subwoofer system described in the previous section Let s see two main speakers plus one center speaker plus two rear speak ers is a total of five speakers and 1 refers to the sub woofer All present and accounted for According to the ITU International Telecommunicati
17. ector at the same time Please connect to only one of these connectors 7 LEVEL control Adjusts the overall output level POWER indicator When the power is turned on the POWER indicator will light green The power indicator will flash red to indicate clipping MSP7 STUDIO MSP5 STUDIO SW10 STUDIO Owner s Manual 11 A 12 SW10 STUDIO SW10 STUDIO Rear Panel vite ate REV NORM 40 120 o4 0 HIGH CUT LEVEL Hz eer SUBWOOFER R L 6 4dBu O IE 000 Front Panel POWER switch Turns power to the speaker on or off When the power is turned on the POWER indicator on the front panel will light green 2 AC IN Connector Connect the supplied power cable here First connect the power cord to the subwoofer then insert the power cord plug into the AC outlet PHASE switch Selects a phase of output sound from the SW10 STUDIO You will usually set this switch to NORM However the REV setting may improve low range response depending on the type and location of the entire speaker system Try both set tings and select the one that produces the best low
18. end sound o HIGH CUT control Use the HIGH CUT control to set the cutoff frequency of the signal output from the SW10 STUDIO from 40 Hz to 120 Hz MSP7 STUDIO MSP5 STUDIO SW10 STUDIO Owner s Manual LEVEL control Adjusts the overall output level INPUT L R SUBWOOFER connector These are balanced XLR type input connectors Three differ ent signals can be simultaneously input via these connectors The input signals are mixed before being sent to the sub woofer OUTPUT L R SUBWOOFER connector These XLR type balanced output connectors output the sig nals received at the INPUT L R SUBWOOFER connectors respectively POWER indicator When the power is turned on the POWER indicator will light green The power indicator will flash red to indicate clipping Specifications MODEL MSP7 STUDIO MSP5 STUDIO SW10 STUDIO GENERAL Type Biamp 2 way Powered Speaker Biamp 2 way Powered speaker Powered subwoofer Crossover Frequency 2 5 kHz LF 30 dB oct HF 30 dB oct 2 5 kHz LF 24 dB oct HF 24 dB oct Overall Frequency Response 45 Hz 40 kHz 10 dB 50 Hz 40 kHz 10 dB 25 Hz 150 Hz 10 dB Maximum Output Level 106 dB 1 m on Axis 101 dB 1 m on Axis 111 dB 1 m on Axis THD 0 05 RL2 GO THD 0 02 RL 26 Q Demensions W x H x D 218 x 330 x 235 mm 179 x 279 x 208 mm 328 x 459 x 476 mm Weight 12 2 kg
19. ith the MSP7 STUDIO or MSP5 STUDIO speakers Set to 80 Hz if you re using a digital mixer If you are using the MSP7 STUDIO set the LOW CUT switch to 100 Hai Set to 80 Hz if you re using a digital mixer For accurate monitoring set the MSP7 STUDIO MSP5 STUDIO HIGH TRIM switch to 0 This switch can be set to 1 5 dB to attenuate the highs slightly if you find the sound too bright Maintain a Consistent Monitoring Level Another difference between listening and monitoring is that when you re listening for enjoyment you probably lis ten at significantly different levels at different times from soft and unobtrusive for background music right though room shaking for involved listening or dancing This is def initely not the case for serious monitoring The response of your ears changes so drastically according to level espe cially in the soft to medium loud region that is essential to maintain a consistent monitoring level otherwise you sim ply won t get consistent mixing results You ll undoubtedly need to turn up or down a bit at certain points during the production process when listening for specific problems or effects in fact it is important to listen to your mix at dif ferent levels as a final checking process bringing the levels down very low to check if any elements of the mix disap pear and make sure that the vocal continues to maintain its balance in the mix at very low levels but in general you shou
20. ld stay within a fairly small range Just what is the best level to monitor at Although there is a standard monitoring level specification the answer for most small studios is whatever is most comfortable for you You need to monitor at a level that s loud enough so that you don t miss any soft details but not so loud that your ears become fatigued or your neighbors complain If MSP7 STUDIO MSP5 STUDIO SW10 STUDIO Owner s Manual you find yourself turning up the volume after monitoring for a short while your ears are probably starting to get tired and losing sensitivity This is obviously bad for your music as well as your ears So find that comfort zone and prepare to make some great music For you techies the SMPTE RP 200 standard monitoring level is 83 dB SPL RMS average at the listening position or if you re mixing for film you ll need to know that the standard Dolby monitoring level for surround is 85 dB SPL Controls and Functions MSP7 STUDIO MSP5 STUDIO MSP7 STUDIO Rear Panel Front Panel o AC IN POWER LOW TRIM HIGH TRIM LOW CUT o e 1c o 15 FLAT 80 100 Hz an e TRIM MSP5 STUDIO Rear Panel Front Panel POWER 1 OFF ACORN i 1 LOW TRIM TRIM ore Jee d
21. lle 47 y Aquilino de la Guardia Ciudad de Panam Panam Tel 4 507 269 5311 EUROPE THE UNITED KINGDAM IRELAND Yamaha Music Europe GmbH UK Sherbourne Drive Tilbrook Milton Keynes MK7 8BL England Tel 01908 366700 GERMANY Yamaha Music Europe GmbH SiemensstraBe 22 34 25462 Rellingen Germany Tel 04101 3030 SWITZERLAND LIECHTENSTEIN Yamaha Music Europe GmbH Branch Switzerland in Z rich Seefeldstrasse 94 8008 Z rich Switzerland Tel 044 387 8080 AUSTRIA BULGARIA Yamaha Music Europe GmbH Branch Austria Schleiergasse 20 A 1100 Wien Austria Tel 01 60203900 CZECH REPUBLIC HUNGARY ROMANIA SLOVAKIA SLOVENIA Yamaha Music Europe GmbH Branch Austria Central Eastern Europe Office Schleiergasse 20 A 1100 Wien Austria Tel 01 602039025 POLAND LITHUANIA LATVIA ESTONIA Yamaha Music Europe GmbH Branch Sp z o o Oddzial w Polsce ul 17 Stycznia 56 PL 02 146 Warszawa Poland Tel 022 500 2925 Para detalles sobre productos contacte su tienda Yamaha m s cercana el distribuidor autorizado que se lista debajo MARTA Olimpus Music Ltd The Emporium Level 3 St Louis Street Msida MSD06 Tel 02133 2144 THE NETHERLANDS BELGIUM LUXEMBOURG Yamaha Music Europe Branch Benelux Clarissenhof 5 b 4133 AB Vianen The Netherlands Tel 0347 358 040 FRANCE Yamaha Music Europe BP 70 77312 Marne la Vall e Cedex 2 France Tel 01 64 61 4000 ITALY Yamaha Music Europe GmbH Branch Italy Viale Italia 88
22. ons Union specifications for 5 1 surround setup the main front speakers are positioned in the 60 equilateral triangle relationship to the listening position described earlier and the rear speakers should be located at the same distance from the listening position but at an angle of between 100 and 120 as shown in the diagram above The center speaker should be placed precisely midway between the main front speakers at the same distance from the listen MSP7 STUDIO MSP5 STUDIO SW10 STUDIO Owner s Manual ing position as the other speakers which means that ide ally it will be a bit behind the main left and right speakers SUBWOOFER TI As you may have deduced by now the main left and right stand or other convenient object at the listening position center and rear speakers are all located on the circumfer and use it to measure the distance from the listening posi ence of a circle with its center at the listening position An tion to each of the speakers Stretched from the listening easy way to get all the distances right is to use a piece of position to the speaker position the string will also provide string cut or marked to the exact distance between the a convenient guide for aligning the speakers so that they main left and right speakers Attach the string to a mic point directly at the listening position MG series Mixer Setup If you re connecting to a standard mixer that is not specifi gt lt cally
23. oom right down to the boom box on top of the fridge in the kitchen You don t want problems hidden by poor monitor perfor mance to sabotage your sound on other systems The legendary Yamaha NS10M became a standard monitor in the music and sound industry and is still in use in many studios throughout the world for precisely that reason it offered flat response and excellent resolution that allowed engineers and producers to hear subtle details that make the difference between good and great sound The MSP series monitors carry on the tradition with accuracy and detail that can help you make great mixes while let ting you monitor for long stretches with minimum fatigue input MG Series MSP7 STUDIO MSP5 STUDIO SW10 STUDIO Owner s Manual 5 6 Speaker placement is one of the most important consid erations when setting up a monitor system but it is all too often overlooked with the result that performance is seri ously compromised Admittedly the obstacles to perfect speaker positioning in the small studio are formidable Having the space available to place your speaker system so that it can provide optimum performance is a luxury but it For the most accurate response your speakers should be positioned away from walls and especially corners which can play havoc with a speaker s frequency characteristics A minimum of about 1 5 meter
24. or extreme cold or heat such as in Do not operate the device if the sound is distorting Prolonged use in this condition could direct sunlight near a heater or in a car during the day to prevent the possibility of panel cause overheating and result in fire disfiguration or damage to the internal components Do not rest your weight on the device or place heavy objects on it and avoid use excessive Do not place the device in an unstable position where it might accidentally fall over force on the buttons switches or connectors When removing the speaker from the box or handling it at any time be careful not to touch the tweeter dome with your fingers Otherwise the speaker can be damaged XLR type connectors are wired as follows IEC60268 standard pin 1 ground pin 2 hot and pin 3 cold Even though this speaker system is magnetically shielded you may need to move the speaker further away from the video monitor if a nearby video monitor exhibits any distortion or unnatural color shift Interference From Cell Phones Using a cell phone near the speaker system can induce noise If this occurs move the cell phone further away from the speaker system The rubber feet included in this package can be attached to the 5 STUDIO MSP7 STUDIO to prevent slippage when it is to be used on a slippery surface Air blowing out of the bass reflex ports is normal and often occurs when the spe
25. re the same distance from the side and rear walls Large objects can throw the acoustic symmetry of a room off bal ance too It s also important to be aware of the location of doors and windows It is not always possible to achieve ideal symmetry but it s worth getting as close as possible For both stereo and surround mixing your position in relation to the main front speakers the sweet spot as it s often called should be one apex of an equilateral tri angle In other words your distance from either speaker should be the same as the distance between the two speakers The speakers should also be toed in to the cor responding 60 angle so that the drivers are aimed directly at the listening position The height of the speakers should be such that the tweeters are roughly aligned with your ears this is because high frequencies are the most direc tional Fine tuning for Stereo stupio or 5 5 STUDIO 2 The speaker LEVEL controls should be set to the same level setting of about 12 o clock corresponds to a nominal input level Since no subwoofer is being used in this setup if your speakers have a LOW CUT switch set it to FLAT the MSP7 STUDIO has a LOW CUT switch For accurate monitoring set the LOW TRIM switch to 0 If you want to reduce the low frequency level a bit set the switch to 1 5 For accurate monitoring set the HIGH TRIM switch to 0 This switch can
26. rs that produce heat 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus zl OO OO P OM 11 Only use attachments accessories specified by the manufacturer 12 Use only with the cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped wash WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE 98 6500
27. s 4 Precautions 5 Setting Up for Superior Monitor Sound Control and Functions 11 MSP7 STUDIO MSP5 STUDIO 12 SW10 STUDIO 65 Specifications 66 Dimensions 67 Performance graph 67 Block Diagram Inhalt 14 VorsichtsmaBnahmen 15 Aufstellung f r den besten Klang Bedienelemente und Funktionen 21 MSP7 STUDIO MSP5 STUDIO 22 SW10 STUDIO 65 Technische Daten 66 Abmessungen 67 Leistungs diagramm 67 Blockschaltbild Table des mati res 24 Pr cautions 25 Configuration du son de contr le sup rieur Commandes et fonctions 31 MSP7 STUDIO MSP5 STUDIO 32 SW10 STUDIO 65 Sp cifications 66 Dimensions 67 Graphique des performances 67 Sch ma d ensemble Contenido 34 Precauciones 35 Configuraci n para obtener una monitorizaci n de sonido excelente Mandos y funciones 41 MSP7 STUDIO MSP5 STUDIO 42 SW10 STUDIO 65 Especificaciones 66 Dimensiones 67 Gr fico de rendimiento 67 Diagrama de bloques SACD ICD CSREES CBICRBLT lt EL SE 44 45 DESS AE EA AOD 51 MSP7 STUDIO MSP5 STUDIO 52 SW10 STUDIO 65 AA 66 RY 67 Veto 67 IER Ki 54 RELOTER 56 amp nict 5 ONSE f CC 62 MSP7 STUDIO MSP5 STUDIO 63 SW10 STUDIO 64 amp Hc775 9 CA 65 Om 66 B 67 St 67 2072917954 Aas H x H Espa ol Francais Deutsch English H usijpu3 4 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a
28. s about 5 feet away from walls would be ideal but in reality they ll probably end up being placed on a desktop and pushed up against a wall Just keep in mind that fact that the closer you get to walls and corners the more exaggerated the speaker s bass response is likely to become and some compensation whether you compensate mentally or use some equaliza tion will probably be required RRE As we ve just learned the response of a speaker can change drastically according to where it is placed in rela tion to surfaces So what happens if one of your speakers is up against a wall and the other is out in the open Rest assured that the results will not be good and will definitely not be conducive to producing good mixes You ll have totally different response from your left and right speakers making it next to impossible to create a well balanced mix or even position tracks accurately in the stereo sound field So whatever you do if you re serious about your sound make sure that your speakers are located MSP7 STUDIO MSP5 STUDIO SW10 STUDIO Owner s Manual is definitely worth the time spent doing a little experimen tation and measuring to make the most of limited resources The difference can be astounding The basics are the same whether you re setting up a stereo or 5 1 sur round system as symmetrically within your listening environment as pos sible Use a tape measure to ensure that your speakers a
29. s Sie sich f r einen aktiven Monitorlautsprecher oder Subwoofer von YAMAHA entschieden haben Um die Eigenschaften des Lautsprechers optimal zu nutzen und f r h chste Leistung und Lebensdauer lesen Sie diese Anleitung bitte genau durch bevor Sie den aktiven Monitorlautsprecher oder Subwoofer verwenden Bitte bewahren Sie diese Bedienungsanleitung zum sp teren Nachschlagen an einem sicheren Ort auf Nous vous remercions d avoir choisi un haut parleur de contr le ou un caisson de basses amplifi YAMAHA Pour obtenir les performances optimales de vos haut parleurs et garantir une long vit maximale lisez attentivement ce mode d emploi avant d utiliser le haut parleur de contr le ou le caisson de basses amplifi Conservez le en lieu s r pour pouvoir vous y r f rer ult rieurement Gracias por elegir los monitores el subwoofer autoamplificados de Yamaha A fin de aprovechar al m ximo las caracter sticas de los altavoces y obtener un rendimiento y durabilidad ptimos lea atentamente este manual antes de utilizar el sistema Guarde este manual en un lugar seguro para futuras consultas FEE Y AMAHA S JR SIT EET SUR IE ICE EAR ATRARHWAUAB BERAAR AMA AAS TJVSEDBBIUSKRSUVCIC EE UC ETEICBOMESTRUET RmOBNICMRETAICED LC Ek CBAC COMME CAO el Content
30. safe place for future reference N WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock short circuiting damages fire or other hazards These precautions include but are not limited to the following Power supply Power cord Only use the voltage specified as correct for the device The required voltage is printed on Do not expose the device to rain use it near water or in damp or wet conditions or place he name plate of the device containers on it containing liquids which might spill into any openings Use only the included power cord ever insert or remove an electric plug with wet hands Do not place the power cord near heat sources such as heaters or radiators and do not excessively bend or otherwise damage the cord place heavy objects on it or place it in a If you notice any abnormality position where anyone could walk on trip over or roll anything over it Be sure to connect to an appropriate outlet with a protective grounding connection f the power cord or plug becomes frayed or damaged or if there is a sudden loss of sound Improper grounding can result in electrical shock during use of the device or if any unusual smells or smoke should appear to be caused by Se S t immediately turn off the power switch disconnect the electric plug from the outlet and Do not open ave the device inspected by qualified Yamah
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32. t Southbank Victoria 3006 Australia Tel 3 9693 5111 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation Asia Pacific Sales amp Marketing Group Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 8 1 53 460 2303 C S G Pro Audio Division 2006 2011 Yamaha Corporation 109 MW 02B0 Printed in China Yamaha Pro Audio global web site http www yamahaproaudio com Yamaha Manual Library http www yamaha co jp manual
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