Klipsch P-39F
Contents
1. the loudspeakers must be operated away from walls and specifically corners The distances in the above diagram should be considered as minimum distances Placing them too close to the walls will cause the bass to become bloated muddy and indistinct The angle at which the loudspeakers are placed relative to the rear wall is called toe in Placing the loudspeakers with their backs parallel to the wall will result in a poor stereo image with the so called hole in the wall effect Angling the speakers inwardly too much will restrict the width of the listening seat and also tend to narrow the stereo image In smaller rooms it is better to place the loudspeakers more closely together and sit relatively further back This is preferable to placing the loudspeakers further apart and sitting too close the stereo effect will be significantly degraded if you do The height of the loudspeaker is important The midrange should appear to radiate from a point level with the ears of a seated listener As these loudspeakers are large they will sound their best in large rooms though there are some adjustments that can be made to redress the position in smaller rooms These will be discussed in the section on final positioning The above are our recommendations Be prepared to experiment until the sound is exactly as you want Positioning Loudspeakers Home 6 16 The same general positioning rules as for s2. advice Because of the location of the terminal panel you should connect the loudspeakers before you connect the amplifier If you are replacing a existing pair of loudspeakers we suggest you de wire the amplifier first There are two crossover networks in the P 39F One panel is a dedicated bass net work The second panel isa network for the midrange and treble units The net works terminate in a custom designed tri wire terminal panel located above the loudspeaker pedestal under the loudspeaker As the bass midrange and treble elements can be separately connected three types of wiring are possible standard wiring bi wiring and tri wiring The terminal panel accepts a wide variety of connectors including spade lugs pins or bare wire If you have no preference your dealer can advise you as to appropriate connectors The instructions in this user guide relate to bare wire If you use alternative connectors consult your dealer or the hardware supplier s literature Standard loudspeaker cable comprises two conductors with one core having a ridge or stripe Connect the striped conductor to the Positive RED terminal in all cases This will ensure that the loudspeakers are properly connected and in phase Split the cable to a depth of 1 Strip of insulation If the wire is stranded lightly twist the ends together to ensure no stray ends of cable can short adjacent terminals Connecting a Terminal Partially u
3. IPSCH warrants this product to be free from defects in materials or workmanship subject to the terms set forth below for a period of five 5 years from the date of purchase During the Warranty period Klipsch will repair or replace at KLIPSCH s option this product or any defective parts excluding electronics and amplifiers For products that have electronics or amplifiers the Warranty period on those parts is for a period of two 2 years from the date of purchase To obtain Warranty service please contact the KLIPSCH authorized dealer from which you purchased this product If your dealer is not equipped to perform the repair of your KLIPSCH product it can be returned freight paid to KLIPSCH for repair Please call KLIPSCH at 1 800 KLIPSCH for instruc tions You will need to ship this product in either its original packaging or packaging affording an equal degree of protection Proof of purchase in the form of a bill of sale or receipted invoice which is evidence that this product is within the Warranty period must be presented or indicated to obtain Warranty service This Warranty is invalid if a the factory applied serial num ber has been altered or removed from this product or b this product was not purchased from a KLIPSCH authorized dealer You may call 1 800 KLIPSCH to confirm that you have an unaltered serial number and or you purchased from a KLIPSCH authorized dealer This Warranty is valid only for the original purchaser and will a
4. Kip x 7 PALLADIUM P 39F OWNERS MANUAL chi om Page 2 Teoria Safety Instructions READ these instructions KEEP these instructions HEED all warnings FOLLOW all instructions DO NOT use this apparatus near water CLEAN ONLY with dry cloth DO NOT block any ventilation openings Install in accordance with the manufacturer s instructions DO NOT install near any heat sources such as ra diators heat registers stoves or other apparatus including amplifiers that produce heat ONLY USE attachments accessories specified by the manufacturer USE only with a cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over UNPLUG this apparatus during lightning storms or when unused for long periods of time REFER all servicing to qualified service person nel Servicing is required when the apparatus has been damaged in any way such as power Supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped When making or changing any connections to your system switch all the electronics OFF Do NOT listen to music for long periods at extreme volume settings Doing so can perma nently damage your hearing When runn
5. ada shall comply with applicable law and shall be the sole responsibility of the distributor that supplied this product To obtain any applicable warranty service please contact the dealer from which you purchased this product or the distributor that supplied this product Page 19 Indiana 46268 USA re ea S SCH www klipsch com
6. consult your Klipsch specialist dealer before proceeding further Right Speaker Left Speaker MID TREBLE I Tri wiri AMP Bi amping ag The Mid Treble amplifier is bi wired The logical extension to bi wiring is tri wiring where all the elements of the loudspeaker are separately con BASS One channel shown I nected to the amplifier AMP To tri wire you need to remove all the straps connecting the terminal pairs and then connect three cables as shown in the diagram below After connection tighten all the terminals with the supplied wrench as shown previously TREBLE AMP MID Tri amping c lt AMP One channel shown sass AMP Right Speaker Left Speaker Important Note After connecting and placing the loudspeaker upright the connections will be hidden from Important Note After connecting and placing the loudspeaker upright the connections will be hidden from view We strongly recommend that you identify each cable to eliminate possible difficulties down the line view We strongly recommend that you identify each cable to eliminate possible difficulties down the line Page 10 Page 11 zing the Assembly Final Adjustments Fitting Spikes The loudspeakers are supplied with a set of long spikes and a set of short spikes All are adjustable and fit in the same way Spike seats with felt bas
7. eas where there may be hidden obstacles that could get damaged Some floor surfaces can be damaged by spikes If you are unsure consult your flooring contrac tor for advice before using spikes or use the spike seats Introduction For over 60 years our engineers have sought the ultimate a loudspeaker that could reproduce recorded music with all the passion of a live performance The Palladium Series approaches aural perfection while making a visual statement that is every bit as elegant and passionate as the sound The Palladium Series P 39F floorstander represents the epitome of loudspeaker technology with remarkable clarity throughout the dynamic range and bold styling Today Klipsch Group Inc is a global force and this flag ship loudspeaker reflects that leadership status design and engineering teams from the United States collabo rated with colleagues from Germany and China to plan and execute the Palladium project In designing the Palladium P 39F cabinet we first considered the Klipsch heritage and unique approach to acoustic design Trends in home interior and furniture were also factored in as was the current audio market landscape The result is a speaker that flawlessly melds classic Klipsch audio with the latest in home furniture trends The striking boat tail design hints at the power and performance in side while maintaining a high degree of sophisticat
8. ediately to your Klipsch dealer and the transport contractor for action Connection Procedure There is a specific procedure to be followed Switch off and unplug the amplifier s and all source electronics from the mains power Place both loudspeakers in the general area where you want them Place each loudspeaker on its side in its partial packing as described in the unpacking instructions Connect each loudspeaker e Attach the spikes following the instructions under the finalizing the assembly section of this manual Position the loudspeaker cable between the rear spikes Stand the loudspeaker upright using great care not to damage connecting cables furniture or the floor Lift off the top packing piece and the protective cloth bag Run both sets of loudspeaker cables to the amplifier Connect the amplifier Finalize the position of the loudspeakers Finally fit the grilles if desired TAKE CARE NOT TO TOUCH THE DRIVE UNITS WHEN YOU MOVE THE LOUDSPEAKERS AROUND TO PRESERVE THE FINISH USE THE PROVIDED GLOVES WHEN HANDLING YOUR LOUDSPEAKERS Fitting and Removing the Grilles The grilles are magnetically attached to the cabinet Specially designed magnets are housed inside the front wall of the loudspeaker so that if you wish to operate the loudspeaker with the grilles removed no grille mounting hardware is visible This preserves the smooth lines of the loudspeaker To fit the grilles Fit the top grille first and li
9. er Partially unscrew one Positive and one Negative terminal Connect the Positive RED terminal of the loud speaker to the striped conductor or if you are using custom cable to the conductor designated by the cable manufacturer Connect the Negative BLACK terminal to the plain conductor Do not connect the amplifier at this time N A E A i Tag f N Right Speaker Left Speaker Important Note After connecting and placing the loudspeaker upright the connections will be hidden from view We strongly recommend that you identify each cable to eliminate possible difficulties down the line Page 9 ting the Loudspeakers 3 Connecting the Loudspeakers 4 Bi wiring Bi amping and Tri amping Bi wiring reduces unwanted interactions between the bass drivers and the midrange and treble units Connecting each loudspeaker drive element to separate amplification offers the highest possible performance True bi wiring is connecting separate cables from the bass terminals and the midrange treble terminals to a level Itis not necessary for the amplifiers in the treble and bass sections to be identical In fact for tube ampli common connection at the amplifier Several cable manufacturers produce specialized cables where one cable fier enthusiasts there are advantages to using smaller amplifiers in the treble and midrange sections as the jack
10. er woofers cover only the low and mid bass This tapered array design delivers full bass impact plus a graceful transition between driver groups in both tonal accuracy and dispersion Midrange The midrange is where we live Paul W Klipsch The inverted dome midrange driver operates from 500 Hz to 3 5 kHz and is a unique design not found on any previous Klipsch product The driver sensitivity of 106 dB allows minimal excursion at normal playback volume As cone excursion reduces so does distortion The 4 5 inch aluminum dome is driven by 3 high temperature N35H neodymium magnets ensuring linearity under a range of listening volumes The pole piece is topped by a copper cap to minimize unwanted inductive components The surround has half the density of the material typically used and thus offers reduced mass Unlike most designs this midrange driver delivers much more out put from the dome and less from the surround As a surround is always in motion and always changing shape output from its surface is high in distortion minimizing surround surface area is another means to reducing overall distortion The midrange unit is housed in its own magnetically shielded sealed enclosure which isolates the driver from acoustic energy generated by the woofers Every effort has been made to ensure great accuracy as well as long term durability from this unique driver Page 15 Loudspeaker Components Treble Compr
11. es are supplied for use where spikes are inappropriate e g on stone hardwood or marble floors Collar W IL The spikes may be fitted with sets of short spikes sets of long spikes or as a combination of two short spikes at the Spike Mi TI I front and two spikes at the rear to assist with imaging Refer to the next page Method Run the textured collar halfway down the threaded shaft away from the spike point Insert the shaft into the plinth and screw in tight Now run the collar up to the plinth and lock it finger tight Repeat for all four spikes Spike Seat Hint fyou feel that you may have to move the speakers around a lot before you get them exactly right it is advisable to start out with the spikes resting in their spike seats This will allow you to easily slide the speakers on a hard floor surface After finalizing the speaker position you can then mark the position of the feet and remove the spike seats Caution Regardless which size spike is used make sure the textured collar is threaded on the spike Failure to do so could result in damage to the plinth Dressing the Cables If there are more than one cable to each loudspeaker gather them and lay them side by side Make sure you have identification on all the cables Ensure the cables are connected the same way round with no loose or faulty con nections Leave a small amount of slack and then bring the cables out between the spikes It may be helpful to tape bi
12. ession Driver Low distortion high sensitivity wide bandwidth and neutral tonality have been in this ground breaking design pushed beyond the standards for any previous Klipsch driver Built around a 75 inch titanium dome the tweeter makes use of two very large high temperature N35H neodymium magnets in an unconventional configura tion The titanium dome and surround are formed as one common unit The chamber behind the tweeter dome is resistively damped via a filled tube to reduce reflection of the back wave and thereby the distortion that would otherwise be produced The phase plug that puts the dome into a compression mode also has a unique chamber within it that extends the upper frequency limit of the driver This proprietary technique offers numerous benefits including the elimination of undesirable standing waves in the high pressure layer between the phase plug and horn The result is a smooth impedance transfer function and a benign load on the partnering amplifier Additionally this technique produces smoother amplitude response through the high frequency range With its unique horn and phase plug the P 39F tweeter demands far less drive current from the amplifier so the driver e coe can maintain full dynamic capability at any volume level This driver is inherently flat from 3 KHz to 30 KHz and has an inherent sensitivity some 10 dB greater than direct radiating designs Distortion is also reduced by a factor of 10 dB aga
13. et contains four cables thus enabling bi wiring within one cable cluster This eliminates the need to run smaller transformers offer the significant possibility of extended sweeter treble response separate cables and simplifies connection In any case the method of connection is the same To multi amp the following criteria are essential Prepare the crossover panel as shown on the previous page Proceed as for standard wiring but connect one The amplifiers should be phase coherent In other words all amplifiers should be by design phase non invert cable to the bass terminals of the speaker Connect a second cable to the midrange and treble terminals Refer ing or phase inverting or if not should be connected so as to be all phase non inverting or phase inverting to the diagram After connection tighten all the terminals with the supplied wrench as shown previously The amplifiers must have identical voltage gains or should be set up to have identical voltage gains The amplifiers must have low residual noise characteristics especially in the midrange and treble sections e Amplifiers in corresponding channels must be identical i e both bass amplifiers must be the same and so on If any of the above conditions are not met separate amplification will be significantly worse than ordinary bi or tri wiring If you are unsure about these concepts or unsure if your amplifiers meet these criteria it is es sential that you
14. ing loudspeaker cables do not trail them over open floor spaces where they could cause an accident Cover them or route them around potential troublespots Before switching on your sound system turn the volume level down After switching the system on turn the level up gradually Do not use extreme settings of Treble Bass or EQ Ideally set the tone controls flat and turn any EQ off This symbol indicates that there are important operating and maintenance instructions in the literature accompany ing this unit This symbol indicates that dangerous voltage constituting a risk of electric shock is present within this unit WARNING To reduce the risk of fire or electrical shock do not expose this ap paratus to rain or moisture WARNING Voltages in this equipment are hazard ous to life No user serviceable parts inside Refer all servicing to qualified service personnel CAUTION Changes or modifications not expressly approved by the manufacturer could void the user s authority to operate CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN These loudspeakers are extremely heavy Do not move them by yourself Always get help If you are using the floor spikes Spikes are sharp Exercise extreme caution when using spikes Do not drag the loudspeaker Lift the speakers off the floor and set them down carefully when changing their location Be especially careful not to place a spiked loudspeaker in ar
15. inst conventional tweeters Crossover Network The network is a two board construction located adjacent to the speaker s base Bass Network plate which conveniently positions the tri wire input connectors at floor level This minimizes the length of speaker wire and produces a clean finished look F Ste BE m Through very accurate driver engineering the system offers excellent perfor mance without the need for corrections in the crossover network A crossover should provide a smooth transition from driver to driver allowing each element to operate at its optimum performance within its designed frequency range This accomplished the network can be a straightforward design and use extremely high quality parts without imposing unnecessary budget constraints A simple elegant crossover also means the speak Mid and Treble Network er will have a more direct and coherent character as compared with products that must employ complex networks to iron out their shortcomings Polyester capacitors along with all air core inductors ensure best performance and longevity The network produces a fourth order electro acoustic filter when combined with the smooth natural roll off of the drivers Cabinet Functionally any loudspeaker enclosure provides a mechanical placement of each transducer a method for suppressing acoustical radiations and a reso nant chamber to extend low frequency performance The P 39F is an artistic blend of beaut
16. ion and beauty More importantly the arched shape of the P 39F flagship loudspeaker actually contributes to its remarkable sound by breaking up standing waves at higher frequencies Power Detail Emotion Combined these qualities are the embodiment of our core philosophy And all are expressed beautifully in the brilliant Palladium P 39F loudspeaker We invite you our customer to share with us the pride of ownership in this extraordinary product for many gratifying years Page 3 Page 4 Preparing the Loudspeaker Unpacking Please follow the unpacking instructions fully and in the order shown below These loudspeakers are heavy Do not lift or move these speakers by yourself Always have someone help you Open the carton flaps Lightly tape each flap to the box with short pieces of tape Remove the top packing piece Carefully invert the carton s M The loudspeaker is ready for connection What s in the box Remove the Grille box Remove the Accessories box Remove the Owner s manual and gloves Lift off the carton e The grille box contains one upper grille one lower grille e The Accessories box contains four long spikes four short spikes four spike seats two bi wiring straps one Allen wrench e There is a pair of gloves located in a pocket in the side of the packing carton beside the Owner s manual Identify all the components If any item is missing or damaged report this imm
17. ly defined bass poor stereo with very vague localization of instruments and voice and generally fuzzy ill defined sound A single wired out of phase system is easy to detect a tri amped system with one element connected out of phase can be nearly impossible to track down If you find that there are problems with the system that no amount of experimentation can cure check all the loudspeaker and amplifier wiring carefully If you have connected your speakers strictly in accordance with this manual no phase problems will arise Conclusion All the advice above will help you get the most out of these superb loudspeakers but in the final analysis you should do what your ears tell you is right you are after all the final arbiter of your system Happy listening Page 13 Page 14 oUr Loudspeaker An International Project The Klipsch P 39F has drawn on engineering design and manufacturing resources from all aver the world In addi tion to our formidable team in the USA we have used European industrial designers British theoretical physicists and manufacturing and production specialists from China The focal point of these resources is our birthplace Hope Arkansas where under the vigilant eyes of the most skilled manufacturers of horn loudspeakers anywhere in the world your P 39F was built tested measured evaluated in rigorous listening tests and finally shipped The P 39F is the culmination of over 60 years
18. ne it up with the top and sides of the cabinet There is a small lip on the top of the grille that should rest on the top of the cabinet Now fit the lower grille lining up the top of the lower grille with the bottom of the upper grille You may now remove the top grille if you wish Although operating the P 39F loudspeakers with the grilles on or off is a matter of personal taste moving or connecting the loudspeakers should always be done with the grilles removed Be especially careful not to touch the drive units Page 5 Page 6 dr oning Loudspeakers Stereo 5 Never allow objects of furniture to impede the loudspeaker or place objects between the loudspeakers and the listening position Stereo Positioning The generally accepted norm is that the loudspeakers should be as far away from each other as they are from the listener This places the listener and the loudspeakers at the points of an equilateral triangle Well designed horn loudspeakers have controlled directivity the dis persion pattern is tailored to provid ing the ideal image at the listener s ear This is in contrast to conventional speakers where the sound tends to fire off in all directions It follows that when correctly sited the performance of a well designed horn loudspeaker significantly exceeds that of conventional direct radia tor loudspeakers Because the bass drivers are in a tuned port enclosure
19. nscrew the terminal 1 In the base of the terminal there is a hole Insert the bare end of the wire into the hole 2 Tighten each connector hand tight After connecting all the terminals check that there are no stray strands of bare wire that can reach across and short out adjacent terminals 3 When you are sure that all the connections are correct insert the Allen key into the socket in each terminal head and tighten fully to secure them DO NOT over tighten the terminals or you may damage them An Allen key hex wrench is provided in the accessories carton Connecting the Loudspeakers 2 The P 39 F Terminal Panel As supplied positive and negative terminals of the Treble Midrange and Bass Terminal pairs are strapped to gether with a three way strap A pair of two way straps is provided in the accessories carton for bi wiring This is how you should prepare the terminal panel for each wiring option Standard Connection D oy NIC da No preparation needed Bi wiring Connection Tri wiring Connection Loosen the terminals Loosen the terminals Remove the triple straps and insert Remove the triple straps the twin straps as shown Re tighten all Re tighten all terminals hand tight terminals hand tight Standard Single Wiring The straps are left in place as supplied Connection may be made to any pair of terminals You will need two loudspeaker cables of equal lengths one for each loudspeak
20. of research and engineering advancements having been designed with the most advanced computer aided design CAD tools available rigorously evaluated using our own in house proprietary software built to the most stringent quality standards and voiced by a panel of our most experienced listeners No Klipsch loudspeaker has ever had more care and attention to every detail lavished on it than your P 39F Although building one pair of matched loudspeakers is relatively straightforward building hundreds of matched loudspeakers is challenging Measurements play an important role in analyzing loudspeaker characteristics but the human ear is the ultimate test gear for evaluating its reproduction quality At Klipsch every loudspeaker de sign is strictly evaluated using listening tests designed to expose even the very smallest weakness All final voic ing is performed under blind conditions using trained listeners and standard audio sound tracks selected based on their particular area of auditory excellence All information is tabulated and reported back to the designer for analysis In almost all cases Klipsch products are evaluated against similarly priced competitive models It is only in this manner that Klipsch can truly rely on the quality of feedback received eliminating skewed data that may result due to influences caused by price brand recognition or visual appeal Design The P 39F is a 3 5 way bass reflex full range loudspeaker with high sen
21. oom and positioning The best position will yield smooth extended bass without boom or smear The loudspeakers are handed the recommended position is with the bass ports facing outward The ports distribute a lot of air at high bass volumes so if the speakers appear to boom even slightly re positioning them with the ports facing inward may help significantly Stridency in the upper section caused by underdamped rooms can be compensated for by hanging drapes or pictures on the walls to dampen reverberant walls increasing the amount of soft furnishings will also help to eliminate high frequency ringing Room resonances are often structural In such circumstances good placement will minimize but not eliminate these resonances Apparent height is critical The speakers have controlled directivity In the P 39F phase response anomalies are kept to vanishingly low levels by reducing the distance between the midrange and tweeter horns to the abso lute minimum nevertheless if you are in the wrong seat it may happen that the sound stage is not perfectly integrated One remedy is to tilt the speaker slightly if necessary by using a combination of long and short spikes to aim the midrange driver at the listener s ear to yield best driver integration Take your time with this the effects on some music may be small and quite startling on others Phase Phase is not a matter of preference Out of phase effects manifest themselves as poor
22. or tri wired sets side by side to the underside of the plinth to stop them from interfering with the spikes Standing the Loudspeakers Upright With the help of an assistant lift the speakers into the vertical position The feet must be secure as there will be a large amount of pressure on the two spikes that come into first contact with the floor Remove the top packing piece and the protective bag from the loudspeaker Be careful to avoid touching any of the drivers You should now level the loudspeaker If the floor is not perfectly level you will find that one spike is off the ground Starting with this spike and with the help of a spirit level you should now adjust the spikes so the speak ers do not wobble and are not at an angle Try to get the speakers to the same height if at all possible Final Connections Now connect the loudspeakers to the amplifier s using the diagrams on pages 8 11 to help you You are now ready to enjoy your music Page 12 The P 39F has a phenomenal frequency response and superb dynamics so playing large orchestral or rock music will be an awesome experience but may not necessarily be the best guide in setting up the speakers Your listening tests should be performed with a wide range of music including unaccompanied vocal and solo instrumental recordings with as little processing on the source as possible A natural solo cello recording will reveal much about the bass characteristics of your r
23. response down to a 3 dB point of 39 Hz The woofer utilizes a low mass hybrid Aluminum Rohacell Kevlar cone with an over hung voice coil Even under massive dynamic demand the driver retains linearity and low distortion A three part high intensity neodymium magnet is used with a main magnet plus rear and forward magnets to ensure linearity reduce stray magnetic energy and provide intense field strength in the voice coil gap Dual Faraday rings on the pole piece minimize unwanted inductance enhance heat dissipation and minimize dynamic compression The metal cone of the woofer is damped with a composite Rohacel and Kevlar layers which minimizes ringing and maintains low mass eliminating breakup and other distortion products As is the case with the midrange driver the surround uses a flat sided shape that keeps surround produced output to a minimum and preserves phase response The cast aluminum frame assures maximum heat transfer without any reflection of the back wave of the driver that would otherwise alter the sound An inverted half roll low density foam rubber surround com pletes the clean appearance The woofers see differing pass bands This preserves consistent dispersion through the critical woofer to midrange transition region and has a positive impact on off axis performance and stereo imaging This upper woofer covers the entire range from 30 Hz to 500 Hz where it crosses over to the midrange driver while the two low
24. se contains four adjustable floor anchors which decouple the cabinet from the floor by supporting the cabinet at just four points Tractrix Horn Design Horn loaded technology is the driving force behind the remark ably accurate Klipsch sound Horns offer high efficiency low dis tortion controlled directivity and flat frequency response allowing them to more closely reproduce the quality and tonal charac teristics of live sound In the P 39F the high and mid frequency drivers both use the latest evolution of our Tractrix Horn design featuring a 90 x 60 coverage pattern and a lofted throat design for exemplary on axis response These horns have been molded as a single unit using a proprietary acoustically inert carbon infused thermoset composite material The high and mid frequency drivers are connected to the horns via chamber dampened phase plugs that result in a 4 1 compression ratio delivering remarkable efficiency with astonishingly low distortion This arrangement allows the P 39F to provide a unique combination of precision clarity and effortless power Page 17 Page 18 Raw veneers Ready for final assembly A raw cabinet pair Assembled and anechoically tested Work in progress Work in progress Ready to pack and ship Conclusion Total Quality Management To meet the rigid quality standards set at Klipsch an extensive manufacturing audit is in place All transducers are wi
25. sitivity and extremely low distortion The five drivers of the P 39F comprise three 9 woofers an advanced 4 5 inch horn loaded compression midrange driver and a 75 inch titanium horn loaded compression dome tweeter Each driver was designed by the Klipsch Engineering team and optimized for superior performance within each transducers bandwidth Accurate driver design minimizes the need for driver corrections in the crossover network Thus the crossover is a straightfor ward design with extremely high quality components ensuring minimal insertion loss By presenting a simple load to the amplifier overall system performance is enhanced a phenomenon rarely found with conventional designs Each com ponent used in the crossover from the air core inductors to the polypropylene capacitors has been selected to provide an undistorted transition between transducers The superior components used in the P 39F are complemented by the unique horn and enclosure design and highlighted by the elemental perfor mance of the industrial design The massive laminated MDF enclosure is based on a curved non parallel wall structure for minimal resonance Both the tweeter and midrange compression drivers are integrated into a common molded two element horn optimized for bandwidth clarity and efficiency Loudspeaker Components Bass Drivers With 18 mm peak to peak linear excursion and three 9 inch cones the P 39F is capable of remarkably clean dynamic
26. tereo apply but these are some variations The loudspeakers can be placed closer together Remember that the closer the speakers are to one another the less spacious the sound will be in stereo The toe in can be lessened This will broaden the sound image for more than one listener but the pinpoint localization of the speakers will be lessened The fronts of the speakers should be in line with the screen and with the front of the center loudspeaker as far as possible Placing the TV screen on the wall and center channel directly above or below with the main loudspeakers protruding significantly is not ideal The TV should be placed centrally between the loudspeakers The above are our recommendations Be prepared to experiment until the sound is exactly as you want General Observations Setthe size of the speakers on your AV processor to large For stereo listening if your processor offers the option set the subwoofers to oft Alternatively set the sub woofer lowpass crossover point such that it covers only the lowest octave 50 Hz Page 7 Page 8 For best results connect your loudspeakers with purpose designed loudspeaker cable The cables to both loudspeakers should be of equal lengths and be of a gauge sufficient to drive the speakers comfortably without any loss of power in the bass at high volumes We recommend a minimum wire diameter of 14 AWG If you are in doubt ask your Klipsch dealer for
27. thin 0 5dB of the reference standard Once all transducers are measured they are grouped into matched sets All matched transducers are then installed into the enclosure and measured again as a completed loudspeaker Again the speakers are sorted as matched pairs The speakers are paired to ensure the most accurate imaging and stereo performance At the end of the manufacturing process the speaker is shipped with a hand signed docu ment depicting each loudspeaker s performance When a P 39F is shipped it has completed the most rigorous testing of any speaker on the market Care and Maintenance Very little maintenance is required To maintain the finish of the loudspeakers wipe them carefully with a soft lint free polishing cloth Occasionally and to remove fingermarks etc wipe the cabinets with a barely damp clean soft cloth and finish with a lint free polishing cloth NEVER use any form of spray furniture polish saturated polishing cloth or the like Doing so will dull and streak the fine finish of the cabinets Do NOT use a vacuum cleaner to clean the grilles while they are installed on the cabinet To clean the grilles remove them brush them out by hand with a soft brush and replace them Never touch the drive units either with your hands or with any tool or other object This may damage the drive units irreparably Warranty The Warranty below is valid only for sales to consumers in the United States and Canada KLIPSCH L L C KL
28. utomatically terminate prior to expiration if this product is sold or otherwise transferred to another party This Warranty does not cover cosmetic damage or damage due to misuse abuse negligence acts of God accident commercial use or modification of or to any part of the product This Warranty does not cover damage due to improper operation maintenance or installation or attempted repair by anyone other than KLIPSCH or a KLIPSCH dealer which is authorized to do KLIPSCH warranty work Any unauthorized repair will void this Warranty This Warranty does not cover product sold AS IS or WITH ALL FAULTS REPAIRS OR REPLACEMENTS AS PROVIDED UNDER THIS WARRANTY ARE THE EXCLUSIVE REMEDY OF THE CONSUMER KLIPSCH SHALL NOT BE LIABLE FOR ANY INCIDEN TAL OR CONSEQUENTIAL DAMAGES FOR BREACH OF ANY EXPRESS OR IMPLIED WARRANTY ON THIS PRODUCT EXCEPT TO THE EXTENT PROHIBITED BY LAW THIS WARRANTY IS EXCLUSIVE AND IN LIEU OF ALL OTHER EXPRESS AND IMPLIED WARRAN TIES WHATSOEVER INCLUDING BUT NOT LIMITED TO THE WARRANTY OF MERCHANTABILITY AND FITNESS FOR A PRACTICAL PURPOSE Some states do not allow the exclusion of incidental or consequential damages or implied warranties so the above exclusions may not apply to you This Warranty gives you specific legal rights and you may have other rights which vary from state to state Warranty Outside The United States and Canada The warranty on this product if it is sold to a consumer outside of the United States or Can
29. y and functional performance Its industrial design was guided by the global consultancy of BMW Group DesignworksUSA Enclosure resonances can be suppressed through the geometry of the en closure and mass of the panels The P 39F enclosure contains nonparallel wall structures and thick high mass walls Nonparallel wall structures significantly decrease standing waves Cabinet wall thick nesses are a minimum of 1 inch thick with an even thicker front baffle Custom inner and outer laminated panels sandwich a middle layer of dissimilar material designed with a different mechanical impedance to ensure the cabinet does not color the sound To further increase enclosure stiffness four H braces are strategically positioned in the enclosure to reinforce the structure control resonance and minimize modal standing waves The massive front baffle design allows all woofers and the mid high horn structure to mount flush to the exterior edge The width of the front baffle has also been minimized to decrease the total area A smaller front baffle directly correlates to improved off axis performance The overall enclosure was de signed to extend the low frequency response of the three woofers to 39Hz 3dB This fourth order vented enclosure contains three custom flared tuned ports cleverly blended into the rear of the curved enclosure Just below the ports a high mass aluminum and steel base is integrated into the bottom of the enclosure The ba
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