Sennheiser E 965
Contents
1. 70 80 50 100 200 500 1k 2k 5k 10k 20k 17 Manufacturer Declarations Warranty 2 years sn CE Declaration of Conformity Sennheiser electronic GmbH amp Co KG declare that this C device is in compliance with the applicable CE standards and regulations Before putting the device into operation please observe the respective countryspecific regulations WEEE Declaration Please dispose of this product at the end of its IS operational lifetime by taking it to your local collection Ea point or recycling centre for such equipment 18 Sennheiser electronic GmbH amp Co KG Am Labor 1 30900 Wedemark Germany Phone 49 5130 6000 Printed in Germany Fax 49 5130 600 300 Publ 04 08 www sennheiser com 524141 A012. e908T ew e912 Application e912 S e914 Vocals x e935 e945 x e965 Choirs x x Studio acoustic x instruments Orchestra Trumpet x x x trombone Saxophone x x x Acoustic guitar Acoustic bass Guitar amplifiers x x Bass amplifiers Leslie x Bax E Piano grand piano Kick drums X X Snare drums Rack toms Floor toms x Sl xj x x x x x x X X R x Congas 12 Variant e901 e902 e904 e905 e906 Application e908B e908B ew e908D e908T ew e912 e912S e935 e945 e965 Cymbals Percussion x x x x x e914 Overheads Conference table altar Lectern Theater stage 13 Care and maintenance CAUTION Liquids can damage the electronics of the microphone A Liquids entering the housing of the microphone can cause a short circuit and damage the electronics gt Use a soft slightly damp cloth to clean the microphone Do not use any solvents or cleansing agents To clean the microphone s sound inlet basket from time to time proceed as follows gt Unscrew the sound inlet basket from the microphone see Unscrewing the sound inlet basket on page 7 y Remove the foam insert from the sound inlet basket gt Usea slightly damp cloth to clean the sound inlet basket from the inside and ouside Y Reinsert the foam insert into the
3. 7 SENNHEISER edienungsanleitung Instruction Manual Notice d emploi Istruzioni per l uso Instrucciones de uso Gebruiksaanwijzing Contents Safetyv informationi iaia iii 2 Delivery includes 3 The 965 Microphone racco 4 Connecting the microphone esse eeee eree eers eenn 6 Using the microphone sss esse essen 7 Unscrewing the sound inlet basket sssri 7 Adjusting the pick up pattern cardioid super cardioid 8 Adjusting the Sensitivity ii 9 Switching the low cut filter on off 10 Positioning the microphone 11 Overview of microphone applications sees 12 Care and maintenance on eee ie 14 Specificato NS snan aeeie raitaa 15 Polar diagrams and frequency response curves 16 Manufacturer Declarations Thank you for choosing Sennheiser We have designed this product to give you reliable operation over many years Over 60 years of accumuleted expertise in the design and manufacture of high quality electro acoustic equipment have made Sennheiser a world leading company in this field Please take a few moments to read these instructions carefully as we want you to enjoy your new Sennheiser products quickly and to the fullest Safety information gt gt gt Please read this instruction manual carefully and completely before using the microphone Make this instruction manual easily accessible to all users at all times Always inclu
4. de this instruction manual when passing the microphone on to third parties Intended use of the microphone Intended use includes having read and understood this instruction manual especially the chapter Safety information using the microphone within the operating conditions and limitations described in this instruction manual using the microphone with care and storing it in a clean dust free environment not exposing the microphone to extreme temperatures protecting the microphone from humidity Water entering the housing of the microphone can cause a short circuit and damage the electronics Use only a slightly damp cloth to clean the microphone Never opening the microphone If devices are opened by customers in breach of this instruction the warranty becomes null and void Improper use means using the microphone other than as described in these instructions or under operating conditions which differ from those described herein Delivery includes 965 microphone MZQ 800 microphone clamp Pouch Instruction manual PPP RPP Warranty certificate The G 965 microphone The 965 is a fully professional true condenser vocal microphone utilising the very best in condenser microphone technology to achieve new standards of quality and sound An extended dynamic range and a super smooth frequency response deliver an outstanding signal quality with excellent vocal projection and the lowest possible distort
5. ion The switchable pick up pattern pro vides excellent flexibility and enables the 965 to handle the highest vocal levels without feedback The rugged metal construction protects the microphone in the most rigorous conditions while the shock mounted microphone capsule provides optimum suppression of handling noise Features e True condenser vocal microphone e Large diaphragm capsule in true condenser design e Very detailed yet warm and full sound e Excellent feedback rejection e Switchable pick up pattern cardioid super cardioid due to dual diaphragm transducer e Low cut filter switch e Switchable preattenuation 10 dB e Shock mounted capsule provides optimum suppression of handling noise e Highly effective integral pop and windshield e Extremely rugged design for rough stage use Product overview i Sound inlet basket Directivity switch XLR 3M connector Sensitivity switch Bass roll off switch Connecting the microphone gt Use a microphone cable with XLR 3 female connector to connect the microphone s XLR 3 male connector to the microphone preamplifier The microphone preamplifier must provide 48 V phantom powering Pin assignment of the XLR 3 connector Using the microphone CAUTION Danger of damage to the microphone The switches on the microphone can be damaged if A you try to operate them using tools gt O
6. nly operate the switches on the microphone f using your fingers Unscrewing the sound inlet basket Unscrew the sound inlet basket in order to have access to the following moisture protected switches e Directivity switch Q Q e Sensitivity switch o 10dB s Bass roll off switch LET Adjusting the pick up pattern cardioid super cardioid The 965 offers the possibility to adjust the pick up pattern to fit the application Cardioid is the most commonly used pick up pattern for live PA applications It provides good on stage freedom and also picks up sound from the sides The dead side is at the rear This pattern is good for picking up several vocalists at once e g a choir or ensemble Super cardioid is particularly sensitive to sound coming from the front and reduces pickup from the sides This pattern is therefore best for picking up an individual sound source in a noisy environment Crosstalk from other instruments on stage is drastically reduced Select the super cardioid pick up pattern to ensure maximum vocal projection even with very loud on stage levels gt Use the directivity switch to select the desired setting Q cardioid Q super cardioid Notes In order to prevent feedback and crosstalk postion your monitor loudspeakers in the angle area of the highest cancellation of the microphone cardioid 180 super cardioid 135 Select the pick up pattern according to the numbe
7. r and position of your monitor loudspeakers Cardioid Super cardioid Adjusting the sensitivity When very high signal levels cause distortion in the microphone or in the subsequent microphone preamplifier you can reduce the microphone sensitivity The sensitivity can be reduced by 10 dB gt Use the sensitivity switch Fe to select the desired setting 10d8 a O normal sensitivity 10dB sensitivity reduced by 10 dB Switching the low cut filter on off In order to effectively reduce low frequency pop or wind noise you can switch in the low cut filter bass roll off gt Use the low cut filter switch to select the desired setting low cut filter off 7 low cut filter on 10 Positioning the microphone Position Resulting sound Comment e High proximity effect Very little large bass boost crosstalk from g e Powerful direct sound Other sound A sources W e Less proximity effect More crosstalk W less bass boost from other 2 e Someroomambience SOUnd sources natural balanced sound e Very little proximity Higher crosstalk effect minimal bass from other Qs boost sound sources e More room ambience indirect sound If sibilance or popping occurs position the microphone slightly to the side and not directly in front of the mouth 11 Overview of microphone applications Variant e901 e902 e904 e905 e906 e908B e908B ew e908D
8. sound inlet basket S Replace the sound inlet basket on the microphone and screw it tight 14 Specifications Transducer principle externally polarized dual diaphragm AF condenser microphone Diameter of diaphragm 25 4 mm 1 Frequency response 40 to 20 000 Hz Pick up pattern cardioid super cardioid switchable Sensitivity free field 7 mV Pa no load 1 kHz with preattenuation 2 3 mV Pa Nominal impedance approx 50 Q Min terminating impedance 1 kQ Max SPL at 1 kHz 142 dB with preattenuation 152 dB Equivalent noise level A weighted DIN IEC 651 21 dB Phantom powering 48 V 3 5 mA Connector XLR 3M Temperature range 0 C to 40 C Weight 396 g Dimensions DZ 48x199 mm 15 Polar diagrams and frequency response curves Cardioid polar diagram 250 Hz 180 4000 Hz 500 Hz 8000 Hz 1000 Hz 16000 Hz Cardioid frequency response curve dBV 30 40 50 ae 60 70 80 50 100 200 50 1k 2k 5k 10k 20k 0 Hz Low Cut PAD 16 Super cardioid polar diagram 250 Hz 180 4000 Hz 500 Hz 8000 Hz 1000 Hz 16000 Hz Super cardioid frequency response curve dBV 30 40 50 t 60
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