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Universal Control 1.6, StudioLive™ Remote 1.3, and

1. 27 Using the Smaart Spectrograph to Ring Out Monitors 28 Using the Smaart RTA While Mixing 29 2 5 5 2 5 6 2 5 7 2 5 8 2 5 9 StudioLive Remote for iPad 31 Networking your iPad and Computer 31 Connecting to Virtual StudioLive and StudioLive Mixers 34 3 3 Overview Page 35 3 4 Aux Mix Page 39 3 5 GEQ Page 42 3 6 Scenes Page 45 3 7 Settings Page 46 3 8 Channel Zoom Page 48 4 0 QMix for iPhone and iPod Touch 49 4 1 Networking your iPhone or iPod Touch and Computer 49 4 2 StartPage 51 4 3 Aux Mix Page 52 4 4 WheelofMe 54 4 5 Settings Page 55 5 0 Troubleshooting 56 5 1 Universal Control Driver and General Connectivity 56 5 2 Universal Control VSL 56 5 3 StudioLive Remote 57 5 4 QMix 57 Index 58 Overview 1 Introduction 1 1 1 1 Introduction STUDIOLIVE 24 4 2 jm vv le ele 9 9 e pe i KEE ge Wh PreSonus s TVET TTT TTT ES s e E LI sn in MEME T M E E LI DS ES z co ela ee ole ole e sa ec aa am aja eee RE oimn ER DP D JI P DE TIT ec E WE UL WE M M M MS JR 1H M dM JM I Sctteddeee mun r i il EXE NT NE ER Oe BTE LI Jo E TE TIE TE TE TE TET E 1 PreSonus is proud to introduce the Universal Control 1 6 update for all StudioLive series mixers 16 0 2 16 4 2 and 24 4
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3. Click Install GoBack Continue Install PreSonus Universal Control 3 When the installation is completed you will be HUESEN ER prompted to reboot your computer After it has Introduction restarted connect your StudioLive to your Mac with Dent mt e a FireWire cable and power it on You are now ready O Installation Type IRAN to use your StudioLive Summary The installation was successful The software was installed Click Restart to finish installing the software Go Back gt Restart fr c e E NO AE ev 2 JesJ MUN 2 Universal Control 1 6 with VSL 2 4 Universal Control Launch Window PreSonus Universal Control 1 6 StudioLive Remote 1 3 and QMix 1 1 2 4 Universal Control Launch Window Sample Rate Selector 44 1 KHz 48 KHz Sample Rate Clock Source Clock Source 5StudioLive Internal l StudioLive Internal Operation Mode Safe Mode 1 Normal wv Safe Mode 1 Safe Mode 2 Safe Mode 3 Buffer Size Selector PC only Buffer Size Changes StudioLive Sample Rate Set the sample rate to 44 1 or 48 kHz from the Launcher window when your StudioLive is connected to a computer A higher sample rate will increase the fidelity of the recording It will also increase the file size and the amount Of system resources necessary to process the audio To ensure the safety of the audio equipment co
4. In contrast there is no history information for the RTA Once an event happens it goes away Both views are useful in understanding what the spectral content of an instrument is when creating space for that instrument in a mix How you use these tools to achieve an objective is a matter of your subjective or creative goals Trust your ears and use the Spectra tools to verify what you are hearing am CH No GE Lef asi esJaAlUf Below is a mix of drums bass guitar and male vocal viewed by the RTA in VSL In the first image you will notice a spike at 500 Hz This correlated directly with an edgy sounding lead guitar that was competing with the male vocal After making some adjustments KR to the guitar to sit better in the mix that spike went away _ 8 Ui ITT Power User Tip It should be noted that neither a Spectrograph nor an RTA can be used as a substitute for careful listening While these tools provide a great visual analysis of your mix critical listening must always be your main guide 30 Addendum for StudioLive Remote 3 StudioLive Mixers Networking your iPad and Computer 3 1 3 0 StudioLive Remote for iPad StudioLive Remote SL Remote for iPad provides an unprecedented level of remote control over your StudioLive With SL Remote you can adjust level pan dynamics bus routing FX mixes aux mixes and GEQ settings from an Apple iPad via a wireless network All you nee
5. Windows Vista 1 Open Start gt Connect to 2 Click Set up a connection or network 3 Select Set up a wireless ad hoc network and click Next 4 Enter the new network name such as StudioLive 5 Enter a Security key or password For the best security include letters numbers and punctuation 6 Check Save this Network Windows 7 1 Open Start gt Control Panel 2 Click Network and Internet 3 Click Network and Sharing Center 49 A OMix PreSonus Universal Control 1 6 4 0 Netreotl nb Seatidthone or iPod Touch and Computer StudioLive Remote 1 3 and QMix 1 1 UN 4 Under Change your networking settings click Set up a new connection or network 4 5 Select Set up a wireless ad hoc computer to computer network UN 6 Click on Next twice 7 Enter a network name such as StudioLive UN 8 Select the Security WAP or WEP y 9 Enterthe Security key or password For the best security include letters numbers and punctuation Then click OK 10 Check Save this network 11 Click Turn on Internet connection sharing Mac OS X 10 6 10 7 1 Onthe Menu bar click on the Wireless Status Icon 2 From the pull down menu select Create Network 3 Give your Network a name such as StudioLive 4 Ifyou would like set up a password recommended check Require Password 5 Create your password within the guidelines an
6. BEI v a D 1 4 zl H ef Te ka n r L r a 1 KI RCM 28 At the top of the VSL window you will see four tabs Overview Fat Channel GEO and Setup The Overview tab provides you with a complete graphical representation of your StudioLive As you adjust parameters on the StudioLive you will notice that the VSL overview is also updated If you use your mouse to adjust a parameter in VSL the StudioLive will be updated remotely It is important to remember that every button knob slider and fader on the VSL corresponds directly to a button knob slider or fader on your StudioLive The graphic above identifies each controller labeled with its corresponding control on the StudioLive and can be used as a map to quickly learn how to navigate the Overview tab Aux Send View VSL provides two views for your StudioLive aux outputs and FX buses The Aux Send view gives you an overview of the send levels of every channel on your StudioLive to every aux output and FX bus Clicking on the arrow button will collapse the auxes allowing you to view channel faders and the microviews at the same time on lower resolution screens Power User Tip To quickly set up an aux mix use your mouse to set the send level for Channel 1 Right click on the Channel 1 send level and sweep your mouse across the other channel sends for that aux The send level will be copied to every other channel for that aux 15 CH o AE ES
7. Clicking this button will immediately create a new Scene or preset If you want this new preset to be temporarily stored in VSL and immediately sent to the StudioLive s internal memory add the new preset in the Device Memory section If you would prefer to have this new preset stored in permanent memory on your computer use the Add New button in the On the Disk section In either case the new preset can be sent to your StudioLive at any time Remove Button Deletes a Stored Scene or Preset In the On the Disk section of the Browser notice the Remove button Clicking this button will delete the currently selected stored Scenes or presets 13 CH ogc SE A o Lei e SE CG Si 2 2 Universal Control 1 6 with VSL 25 VSL Virtual StudioLive PreSonus Universal Control 1 6 StudioLive Remote 1 3 and QMix 1 1 Backup Tab Creates and Restores Backups of Your StudioLive BACKUP The Backup tab allows you to create complete time stamped snapshots of your StudioLive This can be especially useful when completing a project that may need to be revisited in the future To create a backup simply click on the Backup button To restore any backup file select it in the On the Disk portion of the Browser and click the Restore button You will be warned that any Scene or preset currently loaded in the Device Memory section of the Browser will be overwritten Once your ba
8. Default to Fader Locate preference enabled Fader Locate will automatically engage when a fader is moved remotely in VSL or StudioLive Remote This preference allows you to quickly sync your StudioLive when you return to the board Power User Tip If you are remotely controlling the faders on your StudioLive it is highly recommended that you enable this preference When Fader Locate Mode is activated the faders on your StudioLive will not be active By allowing this mode to engage automatically you can avoid accidental volume jumps should you forget that a fader was adjusted up or down in VSL or SL Remote when you go back to your StudioLive Channel Naming Creates Custom Names for Channels Auxes and Subgroups To create a custom name for any channel aux or subgroup in your mix simply tap on the text field next to it This will launch the iPad keyboard After you have entered the new name tap the Done button The Presonus SL Hemote 1 2 ca T channels default name will be replaced with its new IR i custom name in SL Remote VSL and QMix md Settings Page gio md Pebra Ban ete ri Note Channel Naming can be disabled in Universal Control If you are unable to change channel names from OMix verify your device s permissions in the Setup tab in Universal Control See Section 2 5 6 for details 47 3 StudioLive Remote PreSonus Universal Control 1 6 3 7 Settings Page StudioLive Remote 1 3 and OMix 1 1 3 8
9. Displays Channel Send Levels to Aux Bus To create an aux mix using StudioLive Remote tap anywhere in the Aux Mix Select tab for that aux The selected Aux Mix tab will be highlighted to alert you that its individual channel send levels will be displayed below Press the Post button to engage post fader sends The Gate Compressor and EQ Microviews function the same for auxes as they do for channels and mains To adjust the send levels for any channel tap anywhere in its send level and move your finger up or down while maintaining constant contact with the iPad screen These send level displays et zc e 35 rs Ze CD lt CD 5 have been designed to emulate the StudioLive Fat Channel meters while in Aux Mix mode so they should look very familiar POWER USER TIP The aux sends support off axis movement Once you have touched a send level control to select it you can slide your finger anywhere on the screen and make an up down movement to control the send level J C2 T C2 C C C3 Sr EN FX Mix Select and FX Bus Mixing Displays Channel Send Levels to FX Bus To create an FX mix using SL Remote tap anywhere in the FX Mix Select tab for that FX bus The selected FX Mix tab will be highlighted to alert you that its individual channel send levels will be displayed below Press the Post button to engage post fader sends Press the Mute button to mute the e
10. Mix page Aux Mix 3 will still be selected when you open the Wheel of Me To begin you must set up your monitor mix using the Aux Mix page in OMix VSL or your StudioLive Once you have your monitor mix dialed in to taste you simply need to identify which channels are yours After this the Wheel of Me will control the volume of all your channels as a group preserving the volume of each channel relative to the others Locks Device in the Portrait View Enabling the Lock Orientation button will lock your iPhone iPod touch in Portrait view While this button is enabled you cannot open the Aux Mix page Locking the view will also remove the Start Page button Until this option is disabled OMix will launch in this view connected to the current mixer Opens the Me Page From the Me page you can identify which channels are yours in any aux mix For example if you sing backup vocals and play bass you probably want to hear more of those channels As a bass player you might also want the kick drum level to increase in proportion to your bass Once you ve identified these channels as your Me channels the Wheel of Me will increase or decrease the level of these channels concurrently allowing you to create a subgroup of your most critical channels in your monitor mix To return to the Wheel of Me tap the Aux button in the upper left hand corner Addendum for StudioLive Mixers Wheel of Me 4 5 Settings Page Scroll by
11. Page Seroll by Page z Aux Mixer k Peak Hold Metering Mera Peak Hold m k Channel Naming ajwle n T vjiulilo P OMix 4 Settings Page 4 5 Controls the Level of the Me Channels The Wheel of Me increases or decreases the level of your Me Channels as a mix relative to the rest of the channels If you increase the level of your Me Channels beyond the top level the rest of the channels will decrease in volume On either side of the Wheel of Me you will find Me and Band Mix Indicators These level displays show the balance between the Me channels and the Band channels The Band channels consist of any channels not identified as Me channels These indicators will adjust automatically as you move the Wheel of Me up or down To open the Setting page tap on the Settings button on the Aux Mix page or Wheel of Me page From the Settings page you can customize your OMix scrolling and create custom names for each channel and aux mix Scrolls through Channels by Page When the Scroll by Page option is enabled the mixer will scroll through channels by entire pages rather than by individual channels Turning this option off will allow you to scroll one channel at a time offering more granular control Displays the Last Signal Peak When Peak Hold Metering is enabled each meter in OMix will continue to display the most recent signal peak This allows you to keep an eye on how loud each channel s signal is averagin
12. Router will be displayed in your recording TalkBack L R application with the name of their routing For instance the routed pairs in the picture would translate as the following chart in your host recording application 1 PHYSICAL SOFTWARE The Auxiliary Inputs Router also allows you to designate a specific bus to the S PDIF output as well as enabling you to select which stereo pair will be recorded on the Auxiliary Stereo Track in Capture When the StudioLive is not connected to a computer the S PDIF output can be routed using the System menu However when your StudioLive is synced to your computer you can route any of the 19 or 23 depending on your mixer available buses to the S PDIF output by routing them to FireWire sends 31 and 32 In addition to being available for recording via Aux In 31 and Aux In 32 these sends are normalled to the S PDIF output As previously mentioned if Smaart Spectra tools are engaged VSL will take control of Auxiliary Inputs 29 and 30 When VSL has control these inputs will be grayed out 23 2 Universal Control 1 6 with VSL PreSonus Universal Control 1 6 2 5 VSL Virtual StudioLive StudioLive Remote 1 3 and QMix 1 1 ON Flexible Inputs Router Patches Inputs 15 16 or Main L R Mix to FireWire Inputs 15 16 StudioLive 16 0 2 only The StudioLive 16 0 2 allows you to choose between recording analog Flexible Inputs Router J inputs 15 and 16 or the main bus This is done via th
13. StudioLive too soon We made the Universal Control installer as simple and easy to follow as possible Please read each message carefully to ensure the StudioLive driver and Universal Control with VSL is properly installed CH ogc A o Lei e EE CG Si 2 E Before beginning the Universal Control installation setup please close all applications including antivirus software and disconnect the StudioLive from your computer After the installation is successfully completed don t forget to re enable your antivirus protection s E Windows Vista Users If you see any Windows Security iw E D m alerts click Install this driver software anyway VY Windows can t verify the publisher of this driver software Follow the onscreen instructions to complete N You should check your manufacturer s website for updated driver software it will prompt you to reboot your compute r for your device gt Install this driver software anyway Click Finish to automatically restart your PC Once Only install driver software obtained from your manufacturer s website or disc Unsigned software from other sources may harm your computer or steal your computer has rebooted connect the StudioLive De When the Found New Hardware wizard launches J T v See details follow the recommended steps Your StudioLive is now synced to your computer and ready to use Addendum for Universal Control 1 6 with VSL 2 StudioLiv
14. close the Effects Editor tap the x in the upper right corner SL Remote allows you to remotely control the Tap Tempo function for a delay loaded on either FX bus Once a Delay FX type Mono Filter Stereo or Pingpong has been loaded onto FXA or FXB the Tap Tempo button will be visible on that bus Tapping on it repeatedly will change the Time parameter to match the tempo entered 41 3 StudioLive Remote PreSonus Universal Control 1 6 3 5 GEO Page StudioLive Remote 1 3 and OMix 1 1 25 GEQ Page As with StudioLive and VSL StudioLive Remote includes a ss Graphic EQ page so that you can tune the room from any listening position or can dial in a monitor on stage while you are actually standing in front of it The GEQ page in StudioLive Remote corresponds directly to the GEQ tab in VSL From the GEQ page you can control and view the following parameters Start Page Graphic EQ GEQ 1 amp 2 GEQ 3 amp 4 GEQ 5 amp 6 GEQ 7 amp 8 am Deo oo 3 5 rs Les EK AE CD lt CD ASSIGN Main Mix e All 31 bands of each graphic EQ 1 main stereo GEQ for StudioLive 16 0 2 4 dual mono GEOs for StudioLive 16 4 2 and 24 4 2 e GEQ insert assignments StudioLive 24 4 2 only e Zoom in for fine adjustments e Draw the EQ curve you want rather than adjust each slider manually GEQ Select Tab Brings a Pair of Graphic EQs into View StudioLive 16 4 2 and 24 4 2 Only To begin making changes to a particula
15. connected FireStudio family interfaces Quit Quits the Universal Control application Settings Check Firmware Scans Your StudioLive and Updates the Firmware A firmware updater is built into the Universal Control application Periodically a driver update will require that the firmware on your StudioLive be updated Whenever you install an update for the Universal Control or add a new FireStudio family product to your system you should use this feature to ensure that the firmware is up to date If the firmware needs to be updated the update application will launch automatically If you have presets and scenes saved in your StudioLive updating the firmware will not overwrite them Settings Factory Reset Resets Your StudioLive to its Factory Default Settings The Factory Reset option will reset your StudioLive to factory default All user presets and scenes will be deleted All FX and Channel Strip presets will be reset to their factory settings Lem CH Uno A2 Lef asi esJaAlUf PreSonus Universal Control 1 6 StudioLive Remote 1 3 and OMix 1 1 2 Universal Control 1 6 with VSL 2 4 Universal Control Launch Window Settings Run at Startup Launches the Universal Control Application Automatically on Startup Windows Only When this is enabled the Universal Control application will automatically launch each time you boot your Windows PC On the Mac you can set this up first by
16. hold your iPhone iPod touch in Portrait view the Wheel of Me window will open 51 A OMix PreSonus Universal Control 1 6 43 Aux Mix Page StudioLive Remote 1 3 and OMix 1 1 To launch OMix tap on the OMix icon on your iPhone When you launch OMix you will be taken to the Start page On the Start page you will see a list of every StudioLive mixer on the network You can also view OMix using three different Demo Mixer simulations StudioLive 16 0 2 16 4 2 and 24 4 2 These offline simulations enable you to practice your finger control away from your StudioLive Start Page Reconnect To connect to your mixer tap on the StudioLive device icon The My text will change color to alert you that it has been selected Tap the Connect button to open QMix and control your mixer from your iPhone The Reconnect button at the top of the page allows you to quickly Reconnect reestablish communication with your mixer when you launch QMix provided your mixer is still available on the network 4 3 Aux Mix Page The Aux Mix page shows the send level for each channel on each aux to which your iOS device has access It corresponds directly to the aux mixes in VSL and has been streamlined to show only the send levels To open the Aux Mix page simply hold your iPhone iPod touch in Landscape view aA AT amp T 9 15 AM Start Page Auxes mn iM DI DT MI MI MIN MI C z
17. scroll to through channels by entire pages rather than by individual channels Turning this option off Aux Mixer SN will allow you to scroll over by a single channel and offer more granular control Scroll by Page Overview Mixer Scroll by Page can be enabled disabled for both the Mixer and Aux pages Peak Hold Metering Displays the Most Recent Signal Peak Metering When Peak Hold Metering is enabled each meter in SL Remote will continue to display the most recent signal peak This allows you to keep an eye on the average loudness of each channel s signal Peak Hold 46 Addendum for StudioLive Remote 3 StudioLive Mixers Settings Page 3 7 l Talkback Bus Assignments Engages Disengages Talkback Assignments Talkback Use these switches to remotely engage disengage the Talkback bus assignments on your StudioLive mixer Talkback to Aux 1 2 2 d __ Talkback to Aux 3 4 Talkback to Aux 5 6 Talkback to Main w Z9 ee E w S OE v Link Channel Faders Links Channel Faders when Channels are Stereo Linked Other When Link Channel Faders is enabled stereo linked C channels will no longer have individual control over Link Channel Faders each fader in SL Remote or VSL This allows you to control the volume of a stereo channel pair by moving s either channel s fader Default to Fader Locate Activates Fader Locate on StudioLive when Fader is Moved Remotely With the
18. 1 Tap on the Settings icon in your iPad 2 Tapon Network 3 Tap on Wi Fi Wi Fi Networks 4 Under Choose a Network you should now see your ad hoc network in the list Choose a Network 5 Tap on your newly created network to select it Area 51 Engineering paeguest3 e 6 If you secured your network with a password StudioLive you will prompted to enter it Other 7 Tap on the menu arrow to the right of the desired network s name to open its network settings 8 Turn Auto Join to On You are now ready to launch Auto Join WIR StudioLive Remote and mix on the go 32 Addendum for StudioLive Remote 3 StudioLive Mixers Networking your iPad and Computer 3 1 Troubleshooting your Ad Hoc Network Every once in a while your iPad will accept an ad hoc network even though that network is not usable When this happens you will see the Wi Fi icon in the top status bar on your iPad but you will not see your StudioLive in the Devices list in SL Remote Here s what to do if this happens 1 Tap on the Settings icon in your iPad main menu 2 Click on Wi Fi 3 Make sure a check mark is visible before your ad hoc network name 4 Click on the arrow next to your ad hoc network name 5 The IP address should begin with 169 254 xxx xxx 6 If there is no IP the field is blank that s why StudioLive Remote can t connect 7 Wait about 60 seconds on that screen and a new IP like 169
19. 2 This addendum provides complete information for Universal Control 1 6 including Virtual StudioLive StudioLive Remote 1 3 and QMix 1 1 We encourage you to contact us with questions or comments regarding this update You can reach us by email at techsupport presonus com or call us at 1 225 216 7887 between 9 a m and 5 p m Central Time GMT 06 00 PreSonus Audio Electronics is committed to constant product improvement and we value your suggestions highly We believe the best way to achieve our goal of constant product improvement is by listening to the real experts our valued customers We appreciate the support you have shown us through the purchase of this product ABOUT THIS MANUAL We suggest that you use this addendum to familiarize yourself with the features applications and correct connection procedures for your StudioLive before trying to connect it to your computer or using an iPad iPhone or iPod Touch to control your mixer This will help you avoid problems during installation and setup ita 1 Overview PreSonus Universal Control 1 6 1 2 Summary of Virtual StudioLive Software Features StudioLive Remote 1 3 and OMix 1 1 1 2 Summary of Virtual StudioLive Features CH lt CD f CD z The Virtual StudioLive application is completely integrated with your StudioLive mixer VSL is a highly advanced editor librarian and control panel Because of the continuous bidirectional communication between you
20. 254 xxx xxx will be assigned automatically 8 Ifno IP appears click choose Static then enter IP Address 169 254 1 2 Subnet Mask 255 255 255 255 If address 169 254 1 2 is already in use by another device replace 1 and 2 with numbers of your choice between 0 and 255 If you are using StudioLive Remote in a venue with many wireless networks you can create a network on a different channel Channel 11 is the default but it s okay to use an alternative in order to ensure that your iPad s connection to your computer isn t interrupted POWER USER TIP Network connections can occasionally require troubleshooting especially when a lot of wireless networks are in use Because of this it is always a good idea to get your iPad and computer happily communicating before the pressure is on and you have a singer trying to dial in a monitor mix while you re trying to mic the drum kit So while the guitarist is flirting with the bartender take a quick moment to get your iPad computer and StudioLive talking 33 P gt w un se E w o NY 3 StudioLive Remote PreSonus Universal Control 1 6 3 2 Connecting to Virtual StudioLive and StudioLive Mixers StudioLive Remote 1 3 and OMix 1 1 3 2 Connecting to Virtual StudioLive and StudioLive Mixers Once you have created your ad hoc network and joined it from your iPad you are ready to launch StudioLive Remote Important You must connect to your comp
21. Channel Zoom Page The Channel Zoom page opens automatically when you turn your iPad to the Portrait view This page provides you with a look at every controllable parameter for a channel or bus It also allows you to quickly scroll through every channel and bus on your mixer by sliding your finger down the right side of your screen FW In Sub Main Bus Assigns Next Engages Assigns Channel Bus Advances View to FireWire Return to Subs or Mains Next Channel iPad N et j JE lt CD Start Page COMPRESSOR Gate Compressor Controls Controls Gate Compressor Functions Functions d Channel HS i rl yo GAIN Scroll Bar 4 OAR olio Le FREQ EQ Controls EQ Functions Pan Controls Displays HPF Panning Control High Pass Filter Fader Frequency Controls ep I L E Output EE d E E Limiter Level Sj E IER E Controls E E dESIESME Limiter Metering BE ES SE Functions Displays BE Sj SE Metering SS dESIESE Phase Meter Mode d Inverts Set in VSL em Channel or on Mixer Phase Mute Post Aux FX Send Controls Mutes Engages sets Channel Send Levels to Each Channel Dig Out Aux and FX Bus Channel Post Fader Aux FX 48 Addendum for OMix 4 StudioLive Mixers Charem lSid 85etcdge 8 8 4 0 QOMixfor iPhone and iPod Touch OMix for iPhone and iPod touch puts each musician s monitor mix in their own hands W
22. General gt About settings on the iOS device Once you have connected and configured an iOS device the same permissions will be set for that device every time you connect it 25 z2 A S von jhe e E E C I 2 Universal Control 1 6 with VSL PreSonus Universal Control 1 6 25 VSL Virtual StudioLive StudioLive Remote 1 3 and QMix 1 1 StudioLive Remote for iPad Permissions When setting permissions for SL Remote users you will choose between E giving full access to all SL Remote functions or providing limited access to just a few aux mix functions In most cases one iPad will be configured as front of house FOH and the others will be configured as aux mixes C o e EZ No pom M ev 2 I elaun e Front of House Enables all SL Remote functions When this option is disabled SL Remote will Ji only control a specified aux mix or all aux E IGNORE OW E mixes To select an individual aux mix or all aux mixes click on the pull down menu Scotts s iPad P e Aux Fat Aux Mixes Only When enabled the SL Remote user will be able to control the Fat Channel for the auxes that device has permission to control This option is not available when Front of House is enabled A e GEQ Aux Miis 16 4 2 24 4 2 Only When PER the a Remote user will be able to control the GEQ assigned to their aux This option is not available whe
23. Iris Lef 2 esJaAlUf 2 Universal Control 1 6 with VSL 25 VSL Virtual StudioLive Masters View ai FIREUIRE AUX 10 BS huno 2 TAPE IH AIH IH A AHNE i soLa MUTE POST Past TRIMBRCR SELECT SELECT Tap Tempo FIREWIRE hun TAFE IH UE HUN IH A HUN IH B FH A FH B 8 TALKBACE SELECT Copy Channel Drag and Drop FAT CHANNEL 12 DRUMS L PreSonus Universal Control 1 6 StudioLive Remote 1 3 and OMix 1 1 The Masters view displays the controls for each aux output and FX bus as they appear on the StudioLive and displays a scribble strip to give each aux a custom MUTE name moer SE For 16 4 2 and 24 4 2 users the Masters view also displays the send levels for the Aux Flip Mode Channels Main FireWire Return Tape Input Aux In A and B FXA FXB and Talkback 24 4 2 only From within the Masters view you can also select each aux and FX bus to edit its Fat Channel insert VSL allows you to remotely control the Tap Tempo function for a delay loaded on either FX bus Once a Delay FX Type Mono Filter Stereo or Pingpong has been loaded onto FXA or FXB the Tap Tempo button will be visible on that bus Clicking on it repeatedly will change the Time parameter to match the tempo entered Next to the main fader and in each of the aux masters you will see the Copy Mix handle When clicked o
24. L 18 Lock Orientation 53 54 Lockout Mode 27 M Masters 38 Me Channels See Assigning Me Channels Me Mix Levels 55 Metering Peak Hold 46 55 MIDI Control Mode 24 Muting 37 FX in Mains 38 N Noise Gate Mode 24 Q QMix Landscape 52 Portrait 54 R Reconnect 34 52 Remote Devices Permissions 25 Restoring StudioLive To Factory Default 9 Using VSL 14 RTA 22 Run at Startup 10 S Safe Modes 8 Sample Rate 8 Scenes Creating in VSL 13 Recalling Groups 24 Recalling In VSL 18 Scribble Strip Labels QMix 55 SL Remote 37 47 VSL 18 Scroll by Page 46 55 SL Remote Connecting to StudioLive 34 Landscape 34 Portrait 34 48 Smaart Analysis 21 S PDIF 23 Spectrograph 21 T Talkback Assignments 25 47 Tap Tempo in SL Remote 41 in VSL 16 Transferring Scenes and Presets from VSL 13 U Updating Firmware 9 V VSL Aux Masters 16 Aux Mixes 15 W Wireless Network See Ad Hoc Network Added bonus PreSonus previously Top Secret recipe for Redfish Couvillion Ingredients 4 C Vegetable oil v4 C flour 1 onion diced 1 clove garlic minced 1 green pepper diced 3 celery stalks diced 1 140z can diced tomatoes 1 bottle light beer 2 bay leaves 1 tsp thyme 2 Ibs Redfish fillets Cooking Instructions 1 Ina heavy saucepan or large skillet heat oil on medium high and slowly add flour a tablespoon at a time to create a roux Continue cooking the roux until it begins to brown creating a d
25. Universal Control 1 6 StudioLive Remote 1 3 and QMi x 1 1 Addendum for StudioLive Mixers Lag Performance smj Hecordn W M dell ae M PreSonus fs DEEM i EET i BEDE a STU a B Res ra e Fa Dike Mai s s e i gt CH De Is om T o B IL re Ch Eu 6 HO Ges E UI zi H kl ixi IT De d ike E Lech Le r GE mu wl wl aS Ele a E a pu HOE a of UI HOE E M iH He Jis i eck 916 SIO og 6 ers ea m e me pmiemepeps d STUDIOLIVE 6C a Oo E D E e Le L HE 16 3 1 1 E TE JI Daag E Henr mm ise eh eee e ete 10 num 135 A PreSonus www presonus com lr 0 1 0 Overview 7 1 1 1 2 1 3 1 4 2 0 2 1 2 2 2 3 2 4 2 5 3 0 3 1 3 2 Introduction 7 Summary of Virtual StudioLive Features 2 Summary of StudioLive Remote for Apple iPad Features 3 Summary of OMix for iPhone and iPod touch Features 3 Universal Control 1 6 with VSL 4 System Requirements 5 Installation for Windows 6 Installation for Mac OS X 7 Universal Control Launch Window 8 VSL Virtual StudioLive 17 2 5 1 VSL Browser 11 2 5 2 VSL Overview Tab 15 2 5 3 VSL Fat Channel Tab 17 2 5 4 Loading Scenes and Presets from VSL 18 VSL GEQ Tab 20 VSL SetupTab 23 Enabling Lockout Mode
26. an Controls the Panning for Each Channel To pan a channel tap and hold anywhere on the Pan control a and then slide your finger right or left while maintaining e constant contact with the iPad screen These controls correspond directly to those in VSL and on the StudioLive P gt w un 2 E w c ce 92 POWER USER TIP The Pan control supports off axis movement Once you V have pressed a Pan field to select it you can slide your finger anywhere in the LL screen and make a side to side movement to control the pan position The pan position is displayed numerically in the Channel Select field while the Pan control is being adjusted in SL Remote Channel Controls Mute Controls the Mute for Each Channel M To mute a channel tap its Mute button The Mute button will turn red indicating that the channel has been muted Channel Controls Controls the Level for Each Channel and Displays Each Channel s Metering Fader and Metering To control the volume of a channel tap the fader and move your finger up or down while maintaining constant contact with the iPad screen POWER USER TIP The fader supports off axis movement Once you have touched a fader to select it you can slide your finger anywhere in the screen and make an up down movement to control the fader The fader position is displayed numerically in the Channel Select field POWER USER TIP As with VSL the fader positio
27. annel Microviews and Fat Channel Zooms GATE s COMP iPad Start Page o comPrRESSOR EE THRESH AL 31 1 dB GAIN 11 7 dB ATTACK 20 0 ms 36 PreSonus Universal Control 1 6 StudioLive Remote 1 3 and OMix 1 1 Displays the Bus Assignments for a Channel or Bus Tap to open Bus Assignments Query page and make changes Above each channel you will find the Bus Assignments view This displays the current bus assignments StudioLive 16 4 2 and 24 4 2 only and FireWire Return status for each channel To engage a particular channel s FireWire Return or to assign it to a bus StudioLive 16 4 2 or 24 4 2 only tap on the display This will open the Bus Assignments Query page for that channel Pressing on the FireWire icon to activate the FireWire Return Pressing on a Sub or Main Assign button will assign unassign the channel to that bus StudioLive 16 4 2 and 24 4 2 only Any selection made on this page is immediately displayed in its Bus Assignment Query To close the page press anywhere on the screen Displays a Microview of the Gate Compressor and EQ Tap to open the zoomed view and make changes Each channel and bus features a Microview of the Fat Channel components These Microviews allow you to see whether a particular channel or bus has dynamics processing enabled If any of the dynamics processors in the Fat Channel are turned off its Microview will be grayed out To make changes to th
28. ark blond roux 2 Add garlic onions green pepper and celery to roux 3 Saut vegetables for 3 5 minutes until they start to soften 4 Add tomatoes bay leaves thyme and redfish Cook for several minutes 5 Slowly add beer and bring to a low boil 6 Reduce heat and simmer uncovered for 30 45 minutes until redfish and vegetables are completely cooked stirring occasionally Break up redfish into bite size chunks and stir in Add pepper or hot sauce to taste Do not cover 7 Serveoverrice Serves 6 8 While not one of Southeast Louisiana s more famous dishes Redfish Couvillion is a favorite way to serve our favorite Gulf fish Also known as Reds or Red Drum Redfish is not only fun to catch it s also delicious 2012 PreSonus Audio Electronics Inc All Rights Reserved The following are trademarks or registered trademarks of PreSonus Audio Electronics Inc all rights reserved AudioBox Capture FireStudio PreSonus QMix StudioLive Studio One and XMAX Mac Mac 0S and Macintosh are registered trademarks of Apple Inc in the U S and other countries Windows is a registered trademark of Microsoft Inc in the U S and other countries Other product names mentioned herein may be trademarks of their respective companies All specifications subject to change without notice except the recipe which is a classic 59 Universal Control 1 6 StudioLive Remote 1 3 and QMi x 1 1 Addendum for StudioLive Mixers F
29. ck d geq naming test test Zero Qut Board Reset Ji Loading Scribble Strip Labels Scribble Strip labels are stored with your Scenes You can load just the Pap labels by selecting the Scene from the Browser window and dragging it soro H over the row of Scribble Strips above the Channel Faders The Scribble Strips will gray out indicating that the Scribble Strip labels from the Scene are about to be loaded Loading an Entire Fat Channel Preset Hide Browser gt To load every component in a Fat EIERE ER gate comprese EQ etc select the preset from the Browser window and drag it over any part SCENE FATEH FX GEG BACKUP of the desired channel If you drag it over any of the component Quick Views it will load only that component e g if you drag a preset over the The Disk gate Quick View only the gate will be loaded BAS Electric 1 BAS Electric 2 y BAS Slap BAS Upright DRM Fat Snare DRM High Hat DRM Kick 1 DRM Kick 2 18 Addendum for StudioLive Mixers Universal Control 1 6 with VSL 2 VSL Virtual StudioLive 2 5 Loading an FX Preset SCENE FAT CH Analog 8th Analog Slap Analog Trip Arena Bedroom Big Club Brick Club Brick House To load an FX preset select it from the Browser window and drag it over any part of the desired FX bus in the Master section of the Overview tab Once it is loaded you can use the FX Type menu to change the effe
30. ckup is restored you can click the Send button to transfer your Scenes and presets back to the StudioLive Show Hide Browser Displays Hides the Browser Window 4m Show Browser Hide Browser l 14 The Browser can be hidden from view to provide more real estate for your mix Simply click on the Hide Browser button to close the Browser To reopen the Browser click on the Show Browser button in the upper right corner of your VSL window Addendum for Universal Control 1 6 with VSL 2 StudioLive Mixers VSL Virtual StudioLive 2 5 25 2 VSL Overview Tab Enable GEG Tr e Focus GEC3 SRS SEE i i GEQ Assign Universal Control and VSL TEZEI CE pressor IViicroview d P D E L P D A a ee 7 ee Aux Send Levels Ny DU 4 U i k b 1 D a a 8 E E i z VW wiem E E r S es CX Type Menu Type Menu i i i i LIE Send Levels i i Focus Focus GEQ TnT a ee ee ee gem ea LEES t r t Wip BRILIGI Em UEL TT ELE VELECT ftu J un See J RALITER Scribble cem L s Ve iili ear mires i I bk d IN Bd l i 1 Kess ziz zk P zj iE iz z a 1 ES HE u Channel gt SESE e 4 A 5 ESSE See EEEE EEEIEE qe a FA ga DE GG DEEN E k R EI E we E d z E Ri T E 8 1 E I zjm EA ES le p i AE a d 15 EA Ei pS Gel La
31. ct and create new presets Note At this time VSL does not transfer the name of the preset to the StudioLive All FX presets loaded from within VSL will be labeled Natural in the FX menu on your StudioLive SCENE FAT CH FX GEG BACKUP On The Disk To load a graphic EQ preset select it from the Browser window and drag it over any part of the focused graphic EQ Graphic EQ presets can be loaded on the Overview tab or the GEQ tab Once a preset is loaded you can use the sliders in VSL or the encoders on the StudioLive to make adjustments Note that you must be in the GEQ menu page for the graphic EQ you wish to control in order to use the encoders on your StudioLive to control each graphic EQ in VSL See the next section for details 19 NL G nm ss se Zs fe Sc J EE v M 2 Universal Control 1 6 with VSL PreSonus Universal Control 1 6 2 5 VSL Virtual StudioLive StudioLive Remote 1 3 and OMix 1 1 2 5 5 VSL GEQ Tab The StudioLive 24 4 2 and 16 4 2 feature 4 dual mono graphic EOs Assignable in stereo pairs these graphic EQs can be inserted on any of the 10 6 aux buses the 4 subgroups or the main bus The StudioLive 16 0 2 features one stereo 31 band graphic EQ on the main bus In addition to allowing you to control each graphic EQ individually VSL automatically links each dual mono graphic EO to create a true stereo graphic EQ if the pair is inserted onto a ste
32. d click OK 6 Once your network has been successfully created you will see it in your list of available networks STEP 2 Connect your iPhone iPod Touch to your Ad Hoc Network 1 Tap on the Settings icon in your iPhone iPod touch 2 Tap on General Settings 3 Tap on Network 4 Tap on Wi Fi making sure it is set to On 5 Under Choose a Network you should now see your ad Choose a Network hoc network in the list V JeffnEllie 6 Tapon your newly created network to select it Other 7 If you secured your network with a password you will be prompted to enter it 50 Addendum for StudioLive Mixers OMix 4 Current Suitchefgonp 49 2 Troubleshooting your Ad Hoc Network 4 2 Once in a while your iPhone might not be able to establish an ad hoc Wi Fi connection with your computer or it might have intermittent problems This can be due to a compatibility problem with the Wi Fi module on your computer The problem may be resolved by simply rebooting your computer or trying a different Wi Fi channel Once your iPhone and your computer have established a proper Wi Fi connection the DNS IP on your computer should start with 68 28 If this field is empty or has a different range you will need to reconnect to your network The best way to reconnect to your network is to select it on your iPhone and tap Forget this network Wait several seconds a
33. d is a computer with Wi Fi capabilities and an Apple iPad and you re ready to get started Note This section describes SL Remote s operation with all three StudioLive series mixers All images presented here are from the StudioLive 24 4 2 3 1 Networking your iPad and Computer To use StudioLive Remote you must first install Universal Control on and sync your StudioLive to a Windows or Mac computer that has a FireWire connection and a wireless card Once you have connected and synced your StudioLive to VSL on your computer the next step is to create an ad hoc wireless network between your iPad and your computer An ad hoc or peer to peer network is a very simple network involving at least two systems in this case the computer to which your StudioLive is connected and an Apple iPad Unlike the usual local area network LAN that you use to connect multiple computers to the Internet or to a shared file server no server or router is needed Creating an ad hoc wireless network between your computer and your iPad is quick and easy The network will allow you to remote control VSL and hence your StudioLive from an iPad using StudioLive Remote STEP 1 Creating an Ad Hoc Network on your Computer Windows Vista 1 OpenStart Connect to 2 Click Set up a connection or network 3 Select Set up a wireless ad hoc network and click Next 4 Enter the new network name such as StudioLive 5 Enter a Security key or password For th
34. dioLive features a Lockout mode that allows you to temporarily disable nearly every feature on the StudioLive although analog features e g input trim knobs faders and cue tape input and monitor levels can still be adjusted Because of this after unlocking your StudioLive and before resuming mixing you should take a quick glance at your input trims and output levels If you have locked your fader position you will be able to recall your pre lockout fader positions using the Locate button in the meter section Until you connect your StudioLive to a computer the mixer cannot be locked so don t worry about accidentally locking yourself out 1 With your StudioLive connected and synced to your computer launch VSL and click on the Setup tab 2 Clickon the Lock Out button 3 Toset your custom password click on the box next to Device is Lockable At this point a cursor will appear in the password box Enter a 5 digit code using any number between 1 and 9 and click the Set button Your password will no longer be displayed Should you need to change your password simply click on the box next to Device is Lockable Your old password will be deleted and you will be able to enter a new password Once you have set your password the StudioLive can be locked whether it s synced to a computer or not 4 Tolock your StudioLive press the System button in the Digital Effects Master Control section and navigate to Page 5 Locko
35. dragging Universal Control to your dock then by right clicking it and selecting Options Open at Login Settings Always on Top Allows the Launch Window to Stay in View When Other Applications Are in Use When this is enabled the Launch window will remain in the foreground when other applications are active rather than being in the background behind the current application s window Settings WDM Setup Opens the WDM Channel Mapper Windows Only The StudioLive features advanced WDM features Please consult your StudioLive Owner s Manual for further details 10 Addendum for Universal Control 1 6 with VSL 2 StudioLive Mixers VSL Virtual StudioLive 2 5 2 5 VSL Virtual StudioLive VSL is a highly advanced editor librarian and control application that is completely integrated with the StudioLive series digital mixers Because of the continuous bidirectional communication between your StudioLive and VSL whatever you do on the StudioLive s control surface will be reflected in VSL and vice versa VSL NS A oe as L12 25 E E 56 J StudioLive f l ak R LBE mr M a ie a LE E ma das E mm et B E me SERES E REE i i i E E lius ze CAC A NN NTC NE T UR 2 5 1 VSL Browser When you first launch VSL notice the Browser window along the right side of the screen The Browser in VSL functions similarly to the Browser in Studio One F
36. e y Lo y I St am Si aga St j y em 52 Addendum for QMix 4 StudioLive Mixers Aux Mix Page 4 3 l Aux Mix Select Displays Channel Send levels to Aux Bus wil AT amp T 9 15 AM To create an Aux Mix using StudioLive Remote tap on Start Page mites the Aux Mix Select tab for that Aux The selected Aux Mix tab will be highlighted to alert you that its S individual channel send levels will be displayed below To navigate right or left touch anywhere in the Aux tabs and swipe your finger to the left or right Swiping left scrolls the screen to the left 7 Swiping right scrolls the screen to the right Please Note Your device s access to the aux mixes is determined from within VSL If you only have access to one aux mix verify your device s a permissions on the Setup tab in VSL See Section 3 6 for details Channel Send Levels Sets the Channel Send Levels to the Selected Aux Bus To adjust the send levels for any channel tap anywhere in the channel s level control and move your finger up or down while maintaining constant contact with the iPad screen These send level displays have been designed to emulate the StudioLive Fat Channel meters while in Aux Mix mode so they should look very familiar To navigate right or left touch anywhere in the channel sends 1 and swipe your finger to the left or right Swiping left scrolls the screen to the left Swiping right scrolls the screen
37. e Drag Handle that is available at the top of the VSL window when an aux is selected copies the Fat Channel settings only The Drag Handle that is available from the Aux Masters copies only the aux mix Remote Devices Are No Longer Available When a remote device goes to sleep or the iOS application SL Remote or OMix is closed the device will no longer be available in the VSL Setup tab Once the application is active again the remote device will become available Addendum for StudioLive Mixers 5 3 5 4 Troubleshooting StudioLive Remote OMix Cannot Edit Channel Labels Verify in the VSL Setup Tab that the device has permission to edit channel labels Tap Tempo Is Not Available Make sure that a delay has been loaded on that effects bus The Tap Tempo button will not appear if a reverb is loaded Cannot Connect to VSL Verify that the computer running VSL is not connected to a wireless router or to another network with an Ethernet cable VSL does not support connections to two networks at the same time Cannot Edit Channel Labels Verify in the VSL Setup Tab that the device has permission to edit channel labels Cannot Open the Wheel of Me or Aux Mix Page Verify that the Orientation Lock button is not enabled on the current page Wheel of Me Indicators Do Not Show Level for Me or Band The BAND indicator will not show any level until you create an aux mix on the Auxes page The ME indicato
38. e Fat Channel dynamics processing tap on any of the Microviews This will launch the Fat Channel zoomed view with that component in focus for example if you tap on the EQ Microview the Fat Channel zoom will open with the EQ in focus The zoomed Fat Channel view corresponds directly to the Channel tab in VSL You can switch between the dynamics components in the zoomed Fat Channel view by swiping your finger to the left or right For example if you launch the Gate Zoom and swipe your finger to the left the Fat Channel Zoom will focus on the compressor swiping to the left again focuses the EQ 9 29 AM Overview MASTERS LIMITER THRESH 14 3 dB RELEASE 200 0 ms Uall a To close the Fat Channel Zoom tap on the x in the upper right hand corner This will display the normal Overview page Addendum for StudioLive Remote 3 StudioLive Mixers Overview Page 3 3 Channel Controls Select Selects Channel for Fat Channel Zoom and Portrait View When no Microview has been selected for Fat Channel Zoom the channel Select buttons merely display the channel number or name if one has been entered into the Scribble Strip in VSL or in the Channel Name setup e in SL Remote or OMix See Sections 2 5 2 3 6 and 4 5 Once Fat Channel Zoom is launched the channel Select buttons become active and you can use them to select another channel N so that you can view its zoomed Fat Channel settings Channel Controls P
39. e Flexible Inputs HASTER Router on the Setup tab By default your StudioLive is configured to Analog Inputs 15 16 record inputs 15 and 16 on FireWire sends 15 and 16 To record the Main Mix UR main bus mix instead simply repatch the main bus to FireWire sends 15 and 16 using the Flexible Inputs Router m o I No Pamaen Lef e JesJ AU f N The main bus is automatically set to send its signal post Fat Channel dynamics processing and post EQ where applicable No matter which source is selected in the Flexible Inputs Router you will see inputs 15 and 16 in your recording application P E Note In order to use the Smaart Spectra tools you must patch the Main Mix to the Flexible Inputs When analog inputs 15 16 are patched the Smaart controls will not function A MIDI Control Mode Menu Configures MIDI Control Mode Functions StudioLive 16 0 2 only MIDI Control mode is a powerful feature that allows you to control key StudioLive 16 0 2 parameters remotely using a MIDI controller or DAW 7 This menu corresponds directly to the MIDI Control mode pages in the System menu on your StudioLive See Section 5 5 in the StudioLive 16 0 2 Owner s Manual for complete details Noise Gate Mode Sets Function of Fat Channel Noise Gate StudioLive 16 4 2 only Noise Gate Mode The StudioLive 16 4 2 lets you choose between an expander and a noise gate for each pair of channels Th
40. e Mixers Installation for MacOSX 2 3 2 3 Installation for Mac OS X The Universal Control Installer will take you through each step of the installation process Please read each message carefully and be especially careful that you do not connect your StudioLive too soon e Install PreSonus Universal Control 1 After launching the installer you will be directed to EN Welcome to the PreSonus Universal Control Installer the Welcome screen 52 SE SSD 25 gt E E gt c iu Introduction Destination Select You will be guided through the steps necessary to Click Continue and follow the onscreen Installation Type Ceuta instructions Installation Summary s FC ENT REA Ye GoBack Continug 5 e Install PreSonus Universal Control 2 You will be directed to choose the hard drive onto VUE Select a Destination which you want to install the StudioLive driver and Sel he disk wh i Il the PreS S EE Pi eee a a Pe Universal Control with VSL You must choose your Destination Select system drive Storage drives and partitions cannot S Installation Type n installation 8 Cuf be used as hosts for the driver Summary Macintosh HD Eli s Storage i i hami MEME ST Once the installation is completed you will Installing this software requires 37 1 MB of space find the Universal Control program In your Applications folder It is recommended that you place this in your Dock
41. e Noise Gate Mode menu on the Setup tab corresponds directly with the Gate Type page in the System menu on your StudioLive Ch 1 2 Ch 3 4 Ch 5 6 Ch 7 8 Ch 9 10 Ch 11 12 Ch 13 14 Ch 15 16 KN dde Scene Recall Filters Sets Which Parameters are Recalled with a Scene Your StudioLive allows you to decide which group of parameters you TENE RM would like to recall with a Scene The Scene Recall menu on the Setup tab EQ amp Dyn ves corresponds directly with the Scene Recall menu on your StudioLive Aux Nix Wes Scene Recall Faders 24 Addendum for StudioLive Mixers Link Channel Faders Preference Link channel faders Default to Fader Locate Preference Default to fader locate Universal Control 1 6 with VSL 2 VSL Virtual StudioLive 2 5 Links Channel Faders when Channels are Stereo Linked When the Link Channel Faders preference is enabled stereo linked channels will no longer have individual control over each fader in VSL or StudioLive Remote This allows you to control the volume of a stereo channel pair by moving either channel s fader Activates Fader Locate on StudioLive when Fader is Moved Remotely With the Default to Fader Locate preference enabled Fader Locate will automatically engage when a fader is moved remotely in VSL or StudioLive Remote This preference allows you to quickly sync your StudioLive when you return to the board Power User Tip If you are remotely control
42. e best security include letters numbers and punctuation 6 Check Save this Network Windows 7 1 Open Start gt Control Panel 2 Click Network and Internet 3 Click Network and Sharing Center 31 SP GE a ENS CH ER eZ L Lem ZE e Dex i i el e E CD lt CD 3 StudioLive Remote PreSonus Universal Control 1 6 3 1 Networking your iPad and Computer StudioLive Remote 1 3 and QMix 1 1 4 Under Change your networking settings click Set up a new connection or network 5 Select Set up a wireless ad hoc computer to computer network 6 Click on Next twice 7 Enter the network name such as StudioLive 8 Select the Security WAP or WEP 9 Enter the Security key or password For the best security include letters numbers and punctuation Then click OK 10 Check Save this network 11 Click Turn on Internet connection sharing Mac OS X 10 6 1 Onthe Menu bar click on the Wireless Status icon 2 From the pull down menu select Create Network 3 Give your Network a name such as StudioLive 4 Ifyou would like set up a password recommended check Require Password 5 Create your password within the guidelines and click OK 6 Once your network has been successfully created you will see it in your list of available networks Connect your iPad to your Ad Hoc Network
43. e most used parameters on the mixer at once e See the state of all Fat Channel settings at once e Seeall aux mixes at once e See the current effects and parameter settings e See graphic equalizer settings Addendum for StudioLive Mixers Overview Summary of SL Remote Features 1 3 Summary of StudioLive Remote for Apple iPad Features StudioLive Remote SL Remote for iPad available free from the Apple App Store provides direct wireless control over PreSonus Virtual StudioLive software for Mac and Windows which in turn controls any StudioLive series digital mixer As long as you have a wireless connection between your iPad and a computer running VSL SL Remote can control the console NEW FEATURES e Talkback On Off e Talkback Assignments e Recall Scenes from the On the Disk section in the VSL Browser Provides wireless control over Virtual StudioLive and hence over any StudioLive series digital mixer Overview displays levels mutes panning EQ curves and Fat Channel processing for multiple channels at once Aux view shows the levels panning and Fat Channel processing for the Aux sends and internal FX buses GEQ view lets you adjust the graphic EQs Portrait view shows every parameter for a single channel Control any StudioLive mixer on the wireless network from one iPad Multiple iPads can control the same StudioLive Set Permissions in VSL so that StudioLive Remote on any iPad on the network controls only sp
44. ecified functions Free from the Apple App Store Requires iOS 4 or higher Note StudioLive Remote 1 3 or later is required for iPad control with Universal Control 1 6 Earlier versions of StudioLive Remote are not compatible with the Universal Control 1 6 update 1 4 Summary of QMix for iPhone and iPod touch Features OMix for iPhone and iPod touch available free from the Apple App Store provides musicians with wireless control over their monitor mixes from stage or recording booth Provides wireless control over Virtual StudioLive aux mix functions and hence over the aux mixes on any StudioLive series digital mixer Remote control aux mixes on any StudioLive on the same network Using the Wheel of Me control the levels of all of the user s channels simultaneously with one simple control Set permissions in VSL so that QMix on any iPhone on the network only controls a specified aux mix Requires iOS 4 or higher Note QMix 1 1 is required for Universal Control 1 6 QMix 1 0 is not compatible with the Universal Control 1 6 update HU ES E D 2 Universal Control 1 6 with VSL PreSonus Universal Control 1 6 StudioLive Remote 1 3 and OMix 1 1 2 0 Universal Control 1 6 with VSL i i age w 40v ay v I evi wp en ov d en Wl age WU age WU ov XH 49v WU avl WD WU gx WI g WI ey age H i I TSA pue 041U0 esJ9AIUf i P Sie Sie Si
45. edback loops are happening simultaneously you have reached the level where stability can no longer be achieved Try bringing down the overall output level or find a physical solution such as moving the speaker or microphone 25 9 Using the Smaart RTA While Mixing The RTA and Spectrograph have useful applications beyond recognizing feedback spikes The ability to analyze frequency content specifically being able to visualize the exact frequencies you are hearing in order to home in on problem areas makes the RTA a secret weapon for many a mix engineer The Spectra tools also lend themselves very well to ear training and give you confidence that you are choosing the right frequencies when making adjustments Because the RTA Spectrograph is analyzing the bus signal digitally room and speaker anomalies are taken out of the equation This provides a pure measurement of your mix because you are measuring what is happening inside the console A Spectrograph shows the broadband information of a signal making it easy to view the fundamental frequency of a source as well as its harmonic structure The RTA is a view of amplitude and frequency content over a specified plane With the Spectrograph you can view 29 2 Universal Control 1 6 with VSL PreSonus Universal Control 1 6 25 VSL Virtual StudioLive StudioLive Remote 1 3 and OMix 1 1 what is happening in your signal now at the same time you are viewing what happened moments before
46. ffect to its assigned buses The Gate Compressor and EQ Microviews function the same for auxes as they do for channels and mains To adjust the send levels for any channel tap anywhere in its send level and move your finger up or down while maintaining constant contact with the iPad screen These send level displays have been designed to emulate the StudioLive Fat Channel meters while in Aux Mix mode so they should look very familiar 40 Addendum for StudioLive Remote 3 StudioLive Mixers Aux Mix Page 3 4 POWER USER TIP The FX sends support off axis movement Once you have touched a send level control to select it you can slide your finger anywhere in the screen and make an up down movement to control the send level g UX UX Ux ZS GE L L WW L C L mm WW EE L a L WW EE V L ENS L EE L WC L L NL Ch 5 Ch 7 Ch 8 FX Edit Button Opens FX Editor V From SL Remote you can load new FX types and adjust their parameters To edit an effect tap on the Edit button in the FX Select tab for FXA or FXB This will launch the FX Editor Time ms Feedback L R Spread O Oa Pingpong Delay To load a new effect type tap on the Effects Type window and then tap on the new effect type to load it To adjust a parameter simply tap on it and move your finger up or down while maintaining constant contact with your iPad To
47. formation on the Auxiliary Inputs or Flexible Inputs Router please see Section 2 5 6 Time Frequency Spectrograph GEQ 4 GEQ 6 nh RR WI 1 i i h dl i sl in A D CR Clicking on the Spectrograph button will launch the Time Frequency Spectrograph This Spectrograph provides a three dimensional view of your audio in which x frequency y time and color decibel level Any signal below the lower dynamic range threshold is black Any signal above the top dynamic range threshold is white Within the dynamic range colors go from blue to green to red with blue indicating the quietest and red the loudest Many audio signals that are encountered in the field are highly dynamic Musical signals speech and even environmental noise contain significant changes in spectral content as a function of time The Spectrograph can be thought of as a record of multiple RTA spectra taken over time with color representing amplitude 21 fem Sco ais ES Jad fe 2o J zl vn 2 Universal Control 1 6 with VSL 25 VSL Virtual StudioLive a o Lei e GE Lef e esJaAlUf PreSonus Universal Control 1 6 StudioLive Remote 1 3 and OMix 1 1 Using this function the spectral content of the input signal is recorded as it changes in time This allows you to view and analyze time varying trends in the input signal As a troubleshooting tool the Spectrograph i
48. g Creates Custom Names for Channels Auxes and Subgroups To create a custom name for any channel aux or subgroup 16 4 2 and 24 4 2 only in your mix simply Vocals tap on the text field next to it This will launch the iPhone iPod touch keyboard After you have entered Ch 2 the new name tap the Done button The default name will be replaced with the new custom name in SL Remote VSL and OMix lA sipiriao H s k t zixici visinio Bee A channel names from OMix verify your device s Note Channel Naming can be disabled in Universal Control If you are unable to change permissions in the Setup tab in Universal Control 55 o SF CD Val 5 o 5 e 5 Troubleshooting PreSonus Universal Control 1 6 StudioLive Remote 1 3 and OMix 1 1 5 0 Troubleshooting 56 Many technical issues can arise when using a standard computer as a digital audio workstation DAW and when networking wireless devices PreSonus can only provide support for issues that directly relate to the StudioLive mixer and interface Universal Control control panel software Virtual StudioLive mixer control software StudioLive Remote and OMix PreSonus does not provide support for computer hardware iOS hardware wireless networks operating systems and non PreSonus hardware and software and it may be necessary to contact the manufacturer of these products for technical s
49. g provided that mixer is still available 34 Addendum for StudioLive Remote 3 StudioLive Mixers Overview Page 3 3 3 3 Overview Page The Overview page in StudioLive Remote corresponds directly with most of the controls on the Overview page in VSL The following parameters can be controlled and or viewed from this page e Channel and Main Volume e Channel and Main Select e Channel Mute e Channel and Master Metering e Channel Panning e Channel FireWire Return e Channel and Main Gate Compressor and EQ overview e Channel and Main Gate Compression and EQ zoom If you have labeled your channels using the Scribble Strip on the Overview tab in VSL you will also be able to see your channel names POWER USER TIP Because StudioLive Remote is a wireless controller for Virtual StudioLive the fastest way to get comfortable with StudioLive Remote is to get well acquainted with VSL iPad gt 9 51 AM START PAGE ONC Talkback On Off TALK MASTERS BUS ES P BUS Or nT GATE GATE GATE GRTE GATE Gate Microview COMP Ba Compressor Microview E su su EQ EQ v L 1i High h een Channel Select WU mmu m Pan Control t Channel Meter Fader Level Overview 35 SP GE a ENS CH ER wiles L FTO awr oipnis 3 StudioLive Remote 3 3 Overview Page Bus Assignments Query Bus Assign Ch5 Fat Ch
50. he RTA Use the dynamic threshold to adjust how bright and at what input level the frequency information plots wN Feedback GES 6 Lower the GEO fader in 3 dB increments over the offending frequency to attenuate ring it out of your stage monitor 28 Addendum for Universal Control 1 6 with VSL 2 StudioLive Mixers VSL Virtual StudioLive 2 5 Power User Tip Bring back the level on the GEQ slider to the point just before feedback so you don t take out too much of that frequency content and sacrifice overall timbre Because the speaker is pointed at the mic stage monitor feedback typically occurs in the higher frequencies which also is where intelligibility comes from Maximizing your intelligibility and gain structure results in clearer sounding monitors O Be a 25 yon rar E E 1S V2 S No Feedback C PI aU TN You can apply this process to the Main system as well This is especially useful with applications requiring lavalier or podium mics These types of microphones are typically omnidirectional condensers and are very prone to feedback S In a main system feedback is typically in the mid to low range The frequencies that are regenerating and creating a feedback loop are those frequencies that are wrapping around the main system due to the loss of directional control of lower frequencies When you are ringing out a system and more than two or three fe
51. he graphic EQ s number and select the pair of buses onto which you d v Sub 1 2 EE H y like to insert it Sub 3 4 Aux Send 1 2 Because the graphic EQs are dual mono they must be assigned in stereo pairs However unless the bus is stereo linked you will have control over each GEQ individually Aux Send 3 4 Aux Send 5 6 Aux Send 7 8 Aux Send 9 10 20 Addendum for StudioLive Mixers Enabling a GEQ Flattening a GEQ Curve Enabling Smaart Analysis Universal Control 1 6 with VSL 2 VSL Virtual StudioLive 2 5 By default all graphic EQs are disabled To enable them remotely via VSL simply click on the Enable button to the left of the sliders To zero out all curve settings on any GEQ click on the Flatten GEO button which is directly below the Enable button This will flatten all band gains to 0 dB so that they neither boost nor attenuate any of the 31 bands By default Smaart analysis is disabled While Smaart is disabled you have control over which bus is routed to Auxiliary Inputs 29 and 30 StudioLive 16 4 2 and 24 4 2 Clicking on the Spectrograph or RTA buttons will start Smaart and VSL will take control over Auxiliary Inputs 29 and 30 StudioLive 16 4 2 and 24 4 2 16 0 2 Users You must route your Main Mix to Flexible Inputs 15 and 16 in order to use Smaart analysis If analog inputs 15 and 16 are patched to the Flexible Inputs the Spectrograph and RTA buttons will not function For more in
52. he round trip time it takes audio data to be converted from analog to digital and back to analog As a general rule the higher the buffer size the better the system performance but the less playable virtual instruments and the like become In general 512 samples 11 to 12 milliseconds will provide you with a large enough buffer for optimum system performance but low enough to be unobtrusive You should set your buffer size and sample rate prior to launching your host application On the Mac the buffer size is set from inside your host application Addendum for Universal Control 1 6 with VSL 2 StudioLive Mixers Universal Control Launch Window 2 4 Device Window Button Opens the Device Window Click on this button to open Virtual StudioLive VSL To give your StudioLive a custom name double click on the default label StudioLive to open a text field When you have finished entering your custom name hit the Enter key c LS oe J yon rar coc WO File Menu Opens and Closes Launch and Device Windows From the File menu of the Launch Window you can open and close both windows as well as quit the Universal Control application Close Window M Close Window Closes just the Launch window Show All Devices Close All Devices Show All Devices Opens the Device window for all of the connected FireStudio family interfaces it S QU Close All Devices Closes the Device window for all of the
53. ith OMix you can adjust each channel s send level to taste and can create a group of channels that you simultaneously control with the amazing Wheel of Me All you need is a computer with Wi Fi capabilities and an iPhone or iPod touch and you re ready to take control of your own destiny Note This section describes OMix s operation with all three StudioLive series mixers All images presented here are from the StudioLive 24 4 2 4 1 Networking your iPhone or iPod Touch and Computer To use OMix you must first install Universal Control on and sync your StudioLive to a Windows or Mac computer that has a FireWire connection and a wireless card Once you have connected and synced your StudioLive to VSL on your computer the next step is to create an ad hoc wireless network between your iPhone or iPod touch and your computer An ad hoc or peer to peer network is a very simple network involving at least two systems in this case the computer to which your StudioLive is connected and an Apple iPhone or iPod touch Unlike the usual local area network LAN that you use to connect multiple computers to the Internet or to a shared file server no server or router is needed Creating an ad hoc wireless network between your computer and your iPhone iPod Touch is quick and easy The network will allow you to remote control VSL and hence your StudioLive from an iPhone iPod touch using OMix STEP 1 Creating an Ad Hoc Network on your Computer
54. ling the faders on your StudioLive it is highly recommended that you enable this preference When Fader Locate Mode is activated the faders on your StudioLive will not be active By allowing this mode to engage automatically you can avoid accidental volume jumps should you forget that a fader was adjusted up or down in VSL or SL Remote when you go back to your StudioLive Talkback Assignments Talkback _ TB to Aux 1 2 _ TB to Aux 3 4 TB to Aux 5 6 TB to Main Remote Devices Permissions Enables Disables Talkback Routing to Selected Buses Your StudioLive s Talkback Assignments can be remotely controlled from VSL The Talkback on off is controlled from the Talk button on the Overview tab see graphic in Section 2 5 2 Enables Disables Functions on Remote Devices Controlling VSL remotely with StudioLive Remote for iPad or OMix for iPhone iPod touch allows you to move about the venue freely However it can also put the full power of the StudioLive in multiple hands some more adept than others Therefore VSL enables you to limit each iOS device s access to the mixer features by setting permissions Once an iOS device is connected to your wireless network and has launched SL Remote or OMix the device will be displayed in the Remote Devices list on the Setup tab in VSL Each device will be listed using its device name so you can easily identify which device is which This name can be changed in iTunes or in the
55. mes minor adjustments must be Main Mix made later VSL makes this quick and easy You will have noticed that there is a GEO above the Master section on the Overview tab Here you can focus any GEO in one of three ways T c LS oe J yon rar coc kal Main Mix e Select a GEQ on the GEQ Tab For example if you leave GEQ 5 6 in focus on the GEQ tab and switch back over to the Overview tab you will still be able to adjust GEQ 5 6 using the Focus GEQ above the Master section e Select the GEQ from the GEQ Focus Menu In the upper left corner of the GEQ in Focus you will find a pull down menu From this menu you can select any of the eight GEQs to put into focus on the Overview tab e Click on a Focus GEQ button Once a graphic EQ has been inserted on an aux subgroup or main bus a Focus GEQ button will be displayed above that bus Note For auxes Focus GEQ buttons are displayed in the Masters view only Clicking on this button will pull that bus s inserted graphic EQ into focus on the Overview tab 25 3 VSL Fat Channel Tab The Fat Channel tab provides a detailed overview of the Fat Channel parameters for the selected channel The selected channel will always be shown above the Gate section It is important to remember that you have continuous bidirectional control If you grab a point in the EQ with your mouse for example you will change the parameters both in VSL and on your StudioLive To acce
56. n this handle lets you drag and drop the mix for that bus to another bus In this way you can drag the main fader mix to Aux 1 to set a starting point and can quickly give the singer the same mix on two different floor wedges Note While the main mix can be copied to any aux aux mixes can only be copied to other aux mixes and not to the main mix At the top of the VSL window you will see the Copy Channel handle This handle follows the selected channel and lets you drag and drop all the Fat Channel and bus assignments for that channel onto another channel or bus Note Channel bus assignments are only copied from channel to channel Copy Channel Copy Paste The StudioLive mixers give you the ability to quickly copy and paste a single channel or bus s Fat Channel settings onto multiple channels and buses VSL provides the same functionality in exactly the same way To copy a channel or bus simply select it and click the Copy button All the Select buttons will flash Click the Select buttons for the channels and buses to which you want to copy the Fat Channel settings When you are done click Paste Note Channel bus assignments are only copied from channel to channel 16 Addendum for Universal Control 1 6 with VSL 2 StudioLive Mixers VSL Virtual StudioLive 2 5 GEQ in Focus 16 4 2 and 24 4 2 only In general graphic EQ settings are created prior to a live show and are not GEQ 1 2 adjusted after that However someti
57. n Front of House is enabled e Channel Rename Allows channels auxes and subgroups 16 4 2 E and 24 4 2 only to be renamed remotely using SL Remote e Ignore When Ignore is enabled the devices installation of SL Remote will have no control over VSL OMix for iPhone iPod Touch Permissions When setting permissions for OMix users you will choose between giving full access to all aux mixes a single aux mix and limiting the user to just the Wheel of Me functions Dave s iPhone IGNORE WHEEL ONLY e Aux Mix Selection Gives access to a single aux mix or all auxes e Wheel Only Disables the Aux Mix page in QMix When this is enabled the user will only be able to use the Wheel of Me on a single aux to which you ve given access When Wheel Only is enabled you cannot give access to all auxes e Channel Rename Allows channels auxes and subgroups 16 4 2 and 24 4 2 only to be renamed remotely using SL Remote e Ignore When Ignore is enabled the device s installation of OMix will have no control over VSL 26 Addendum for StudioLive Mixers 2 5 7 Universal Control 1 6 with VSL 2 VSL Virtual StudioLive 2 5 Enabling Lockout Mode Lock Out An vi Device is Lockable Using Password Device Password Device passwords must be 5 digits 1 9 no characters System Cancel Apply Page 4 Lockout Panel Status Unlocked Lockable Faders Master Aux Mines Scene Recall No Your Stu
58. n set in StudioLive Remote is the level that you will hear To sync the physical faders on your StudioLive with StudioLive Remote press the Locate button on your mixer While in Locate mode the physical faders on your StudioLive will not be active so you can adjust them without any changes in level VSL gives you the option to have Fader Locate mode engage automatically when a fader is adjusted remotely For more information please see Section 2 5 6 To the left of the fader you will see the meter for the channel The meter will follow the meter mode selected on the StudioLive or from VSL The meter mode cannot be changed from SL Remote 37 JJ CD 3 ech ke CD 3A1701PN S 3 StudioLive Remote 3 3 Overview Page Masters Overview Masters Section Page MASTERS In Master Section GATE P Lu NETT PITT 38 PreSonus Universal Control 1 6 StudioLive Remote 1 3 and OMix 1 1 Displays the Metering for the Main Bus Auxes 16 0 2 and Subgroups 16 4 2 and 24 4 2 Tap to open the Masters Section page In the upper right corner of every page in StudioLive Remote Overview Aux Mixer and Graphic EQ you will ind the Masters Overview This displays the metering for the main bus Tapping on the Masters Overview will open the Masters Section page The Masters Section page displays the fader meter and Fat Channel Microviews for the mains subgroups 16 4 2 and 24 4 2 and auxes 16 0 2 as well as
59. nce via the _ _ sliders or you can simply draw in an EQ curve and fine tune from there To enable EQ curve drawing tap the Draw button and slide your finger over the graphic EQ bands Each band s slider will snap to your finger as you pass over it GEQ Assignment Inserts Each GEQ on an Aux Subgroup or Main Bus Output Pair StudioLive 24 4 2 Only E Like VSL and the StudioLive 24 4 2 SL Remote allows you to choose onto Main Mix Ji which output pair you d like to insert each graphic EQ To change an am bs a Dex i i el e E CD lt CD S assignment simply tap on the Assign menu then choose the output pair oub 1 2 M by tapping it Sub 3 4 StudioLive 16 4 2 users Each of your graphic EOs is J Aux Send 1 2 already assigned to either your main output or one of gees Aux Send 3 4 your auxes These assignments cannot be changed Aux Send 5 6 StudioLive 16 0 2 users have a graphic EQ available for the Main bus only Aux Send 7 8 J Aux Send 9 10 44 Addendum for StudioLive Remote 3 StudioLive Mixers Scenes Page 3 6 3 6 Scenes Page The Scenes page allows you to remotely recall Scenes that nave been stored on the computer to WOMEN you are networking SL Remote These Scenes are displayed in the On Disk section of the Scenes tab in the VSL Browser P gt w un 2 E w c ce 92 E vu Ns LOAD Me H Scene List Displays St
60. nd then reconnect to the network from your iPhone Windows users only If your iPhone doesn t see the ad hoc network you created on your computer verify that the Wi Fi adapter is not in power saving mode If you use multiple iOS devices and have difficulty keeping them connected to your computer s ad hoc network consider purchasing a wireless router A wireless router will provide you with a more stable network generator and a wider connection range POWER USER TIP POWER USER TIP Network connections can occasionally require troubleshooting especially when a lot of wireless networks are in use Because of this itis always a good idea to get your iPad and computer happily communicating before the pressure is on and you have a singer trying to dial in a monitor mix while you re trying to mic the drum kit So while the guitarist is flirting with the bartender take a quick moment to get your iPhone iPod touch computer and StudioLive talking Start Page Once you have created your ad hoc network and joined it from your iPhone iPod touch you are ready to launch OMix Important You must connect to your computer s ad hoc network each time you plan on remote controlling your StudioLive with OMix The iPhone and iPod touch offer two viewing options Landscape and Portrait LANDSCAPE PORTRAIT These two orientations open two different windows When you hold your iPhone iPod touch in Landscape view the Aux Mix window will open When you
61. nnected to it the StudioLive will mute all post converter outputs for two seconds when the sample rate is changed or when the mixer is connecting to a computer This includes the main and the control room outputs as well as the aux and subgroup outputs While this offers a good measure of protection to your sound system it could put the brakes on a live show Because of this it is very important that the sample rate be selected and locked in prior to beginning any recording or performance Changes the Clock Source for Chained FireStudio family Devices The StudioLive cannot slave to an external clock However if you are cascading it with FireStudio family products that do feature digital inputs the clock source becomes selectable The clock source setting will determine where the device chain is receiving word clock information This keeps the chained devices in sync with other digital devices and with each other The menu options are determined by the available digital inputs in the chain In general you will want the StudioLive to be your master clock in which case set the clock to StudioLive Internal Changes How the StudioLive Driver s Buffer Size is Set Normal Mode Input and Output buffers are both identical to the Buffer Size setting Safe Mode 1 3 Increases the output buffer size for added stability Changes the StudioLive Buffer Size You can set the buffer size from 64 to 4 096 samples The buffer size determines t
62. nnel presets e FX Displays stored effects presets e GEQ Displays graphic EQ presets e BACKUP Displays any backup logs that have been created in VSL 12 Addendum for Universal Control 1 6 with VSL 2 StudioLive Mixers VSL Virtual StudioLive 2 5 Send Button Transfers Designated Scenes Fat Channel FX and Graphic EQ Presets from VSL to StudioLive Memory VSL makes reorganizing all the Scenes and presets stored on your StudioLive as easy as dragging and dropping a file To load your StudioLive with new Scenes and presets simply drag any Scene or preset from the On the Disk section of the Browser to any position in the Device Memory section of the Browser 52 SE GSD EL E E iu A dialog will open asking you to verify that you would c like to overwrite the Scene or preset at the new i ue Overwrite selected preset position This will not immediately overwrite what is stored internally on your StudioLive it will merely L overwrite what is stored in the VSL cache memory Once you have organized the files you wish to transfer to your StudioLive press the Send button When the transfer is complete you can disconnect C our StudioLive from your computer and take y y p SE your chosen Scenes and presets with you Writing Presets S Add New Button Creates a New Scene or Preset In the On the Disk and Device Memory sections of the Browser you will see the Add New button
63. ored Scenes You can use the Scene list to scroll through the Scenes you have stored on the computer to which you are Full Gogpes networked Tap on a Scene to select it A box will be drawn around it indicating that it is selected to load The Scene that is currently loaded will be highlighted Load Button Loads Currently Selecte Scene Once you have selected the Scene you would like to load tap the Load LOAD button The Scene will be highlighted in the Scene list indicating that it is active Scroll Up Down Navigates Up or Down through the Scene List Use the Up and Down arrows to navigate through your Scene list one scene at a time 13 45 3 StudioLive Remote PreSonus Universal Control 1 6 3 7 Settings Page StudioLive Remote 1 3 and QMix 1 1 3 7 Settings Page The Settings page allows you to set scrolling and metering functions as well as create custom names for each channel A aux and subgroup 16 4 2 and 24 4 2 only in your mix UN 2 05 PM Settings m U D setup StudioLive S l j inputs PreSonus SL Remote 1 3 Capp E 1 Pe See eles Ebe ke rau 5217 J Scroll by Page Overview Mixer Aux Mixer Metering Bi Peak Hold Talkback Talkback to Aux 1 2 Talkback to Aux 3 6 Talkback to Aux 7 10 Hiiliiiiiii Scroll by Page Scrolls Through Channels by Page When the Scroll by Page option is enabled the mixer will
64. r GEQ you must first select it To GEQ 3 amp 4 do this simply tap on the GEQ pair you d like to edit 42 Addendum for StudioLive Remote 3 StudioLive Mixers GEQ Page 3 5 GEQ On Off Button Turns a Graphic EQ On or Off By default each graphic EQ is turned off To enable a graphic EQ tap the GEQ On button in StudioLive Remote and VSL or use the GEQ menu on your StudioLive POWER USER TIP Ifyou are making adjustments to a graphic EQ and you can t hear your changes make sure it is on GEQ Flatten Button Sets All Graphic EQ Band Levels to 0 dB To reset a GEQ to 0 dB simply tap its Flatten button This will return each slider to 0 dB so that no frequency band is boosted or attenuated GEQ Link Button Links the Graphic EQ Pair When a GEQ is inserted on a stereo linked bus the GEQ Link button will automatically enable and the two mono GEQs will function as a stereo graphic EQ for instance if you adjust Band 15 on GEQ2 Band 15 on GEQ1 will be adjusted accordingly and vice versa To disable this simply tap the GEQ Link button and each GEQ will function independently once more Zooming In Zooms View In to Make Fine Adjustments Press the button to zoom in on the GEQ view Slide your finger to the left or right to access additional bands Use the Overview Map in the bottom right corner of the GEQ page to reference your current position within the 31 bands Zooming Out Zooms View Out Press
65. r StudioLive and VSL whatever you do on the StudioLive s control surface will be reflected in VSL and vice versa e NEW FEATURES s e Smaart Spectra Time Frequency Spectrograph e Smaart Spectra Real Time Analyzer e Talkback On Off J e Talkback Assign e Easy drag and drop workflow e Drag presets directly to channels e Drag parts of presets directly to components in the Fat Channel A Y e Adjust the Fat Channel gate compressor and EQ plus the graphic EQ and effects e Quickly drop entire Scenes to the mixer for instant recall of all channel effects and graphic EQ settings J e Load effects quickly by simply dragging presets into the GUI e Makes StudioLive as easy to use as Studio One e Remote controllable with an Apple iPad running PreSonus StudioLive Remote e Use the mouse to quickly mute solo assign channels to multiple buses etc e Timestamped backups of the entire board e Preset Management e Store and organize presets on your computer then transfer them to your mixer for that night s gig e Create presets on the road store them to the mixer then drag them to your preset pool the next time you re connected to the computer e Reorder presets in mixer memory easily order presets to best fit your workflow for the gig e Share presets with friends drag presets out of the browser and email IM or disk swap presets with other StudioLive owners e Mixer Overview e See all of th
66. r won t show any level until at least one channel is selected on the Me Channels page If all channels in the aux mix are selected on the Me Channels page level will only be shown in the ME indicator and no level will be shown in the BAND indicator 5 57 CC Le 4 i Val w dem gt j UN _ A Ad Hoc Network Connecting iPad 32 Connecting iPhone iPod Touch 50 Mac OS X 32 50 Setup Mac OS X 32 Windows 7 31 Windows Vista 31 Troubleshooting iPad 33 iPhone 51 Vista 31 49 Windows 7 31 49 Assigning Buses 36 Assigning Me Channels 54 Aux Inputs Routing 23 Aux Mixing Select 53 Averaging 22 B Backing Up StudioLive Library 12 Band Channels See Me Mix Levels Buffer Size see also Latency 8 C Channel Naming See Scribble Strip Labels Clock Source 8 Connecting to StudioLive QMix 52 SL Remote 34 Copy Channel 16 Copy Mix 16 Copying Fat Channel Settings 16 Creating a Back up in VSL 14 Creating a Monitor Mix 40 Creating an FX Mix 40 D Deleting Scenes amp Presets 13 Dynamic Range 22 E Editing FX 41 58 F Factory Reset 9 Fader Locate 37 Default Preference 25 47 Flexible Input 24 G GEQ Bus Assignments 20 44 Draw 44 Enable 43 Flattening 21 43 Link 43 Select 42 VSL 17 20 Zoom 43 Get 12 I Installation OSX 7 Windows 6 L Linking Channels Linking Faders 25 47 Loading Presets FX 19 Graphic EQ 19 in VS
67. reo bus allowing B you to control both sides at once For example if you insert GEO 1 2 onto Subgroups 3 and 4 and stereo link the subgroups GEO 1 2 will function as a stereo graphic EQ rather than a dual mono graphic EQ m o no GE Lef 2 esJaAlUf d From the GEO tab you also have access to Smaart Spectra analysis tools These tools can be used to ring monitors view the frequency spectrum of your mix or check the overall output level of a bus Note The GEQ menu on your StudioLive does not have to be active to make changes to a graphic EQ D from VSL If you wish to use the Fat Channel encoders to control the graphic EOs in VSL then you must EE open the GEQ menu on your StudioLive Selecting a GEQ to Edit 16 4 2 and 24 4 2 only Along the top of the GEO tab you will see another set of tabs one for each dual mono GEQ To bring a GEQ in focus so that you can edit it simply click on its tab Power User Tip Unlike controlling the graphic EOs from the StudioLive mixer each pair of graphic EOs in VSL follows the linked state of the bus to which it is assigned If you link Aux 1 and 2 for example and make a change to the GEQ assigned to Aux 1 the GEQ assigned to Aux 2 will change simultaneously GEOs assigned to the Main bus are always stereo linked GEQ Bus Assignment 24 4 2 only Main Mix To Insert a graphic EQ on a bus click on the pull down menu below t
68. ri sir sir i oir i ory oie oie orl oe i E i T P TE 2b ENES ENES cial RECE els RES RE zi aja 4 4 BEN EUZ 914 3 4 4 3 4 4 OR l MAN MAN Mam Mam i MAIN MAIN Main Main mam Mam MC MAH MAIN m em xz SonJ razun a LI n Universal Control ee SZSum n nm rut hue Settings EC Ei i eg Ben gpergeg KEE eg Be sparus rTTCIM LI LI WR UNVERSAL ez CONTROL 5s A 1581 indi eg o nn rmrsut H i DRC Zem emn wg enm yum re ECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT amp FLECT SELECT SELECT SELECT SELECT SELECT geg GO Sao 010 010 soto 1010 19 0 0 0 0 0 tato saro 010 010 soto 910 1910 SOL sl on fee ureeue RR i IT 5 Sas ee Sees neus Ty vv E I gg Hum n0 Eu i HVIE ME mre VIE Mur Muf i MUT MUE MUTE MI MIE wv MVT mute MUTE c7 fj cs oa Ch 10 chit Rou ff chis ff chis ff chis ff chie ff chir ff chis chio f chazo hzi i r lr i Fae Fs Ei ils H Hip IR f IB CS F I J gt zis zi Universal Control includes two windows the Launcher window and the Device window For the StudioLive the Device window is the Virtual StudioLive VSL application VSL provides bidirectional control of channel
69. rom the Browser you can see all of the Scenes Fat Channel presets FX presets and graphic EQ settings that are saved on your StudioLive and on your computer You can also create new settings and can back up your entire library from this window Simply drag and drop a Scene or preset to load it on your StudioLive Please Note Your StudioLive s firmware version must match VSL s version VSL will scan your StudioLive to verify that its firmware is compatible If an update needs to be run VSL will prompt you to update the firmware VSL will not open until the update has been run successfully Power User Tip As with any firmware update there is a risk that all your custom settings will not be saved Because of this it is highly recommended that you create a backup file for your StudioLive using VSL prior to installing any Universal Control update 11 2 Universal Control 1 6 with VSL PreSonus Universal Control 1 6 2 5 VSL Virtual StudioLive StudioLive Remote 1 3 and QMix 1 1 ON Get Button Transfers All Scenes Fat Channel FX and Graphic EQ Presets Stored on the StudioLive to VSL E d a When you first launch VSL you will need to create a m Transter irom StucioLive mixer link between your StudioLive s internal memory and E SS your computer To do this click on the Get button A S 5 A P i 1 i H e F zg dE A dialog will open prompting you to click the transfer undoable but
70. s useful for finding spectral defects in a system or acoustical environment Certain audio signals or acoustical events contain specific traits that can be easily detected due to their distinct time frequency signature specifically highly tonal sounds such as AC line noise in an electrical signal chain or the presence of electro acoustical feedback Dynamic Range In the lower left hand corner you will see the dynamic range sliders for the Spectrograph These sliders set the maximum and minimum volume thresholds for the Spectrograph Clicking on the RTA button will launch the Real Time Analyzer where x frequency and y amplitude An RTA provides a close visual representation of what you are hearing It provides a view of the long term spectrum of the signal for example the one third octave spectrum long term average of a musical performance 22 While the RTA is engaged you can adjust its averaging speed When using music in test measurements it is often necessary to average the data over a brief amount of time This is because most musical signals do not have energy at all frequencies all of the time Averaging is a mathematical process that takes multiple data samples and performs division to acquire a statistically more accurate calculation of the response That s a technical way of saying that it slows down the real time of a Real Time Analyzer Addend
71. ss the Fat Channel for Aux Inputs A or B press the aux input s Select button on the StudioLive You can then load presets and make adjustments using VSL from within the Channel tab All aux buses FXA and FXB can be selected using the Masters view Power User Tip The Fat Channel tab can also be opened by double clicking on any of the microviews on the Overview tab 17 2 Universal Control 1 6 with VSL PreSonus Universal Control 1 6 25 VSL Virtual StudioLive StudioLive Remote 1 3 and QMix 1 1 25 4 Loading Scenes and Presets from VSL As stated in the previous section the Browser window in VSL functions in much the same way as the browser in Studio One To load a Scene or preset from the Browser window simply select it and drag it over the mixer or channel on which you wish to load it Scenes and presets can be dragged from either the On the Disk or the Device Memory section of the browser and dropped onto the Overview or the Channel tab lam CH t No pom M ev os esJaAlUf Loading a Scene To load a new Scene on your StudioLive select it from the Browser J window and drag it over the mixer in either the Overview or the Channel S FAT CH FX GEQ BACKUP tab The window will gray out indicating that a new Scene is about to be loaded Note that only the parameters that have been enabled for recall The Disk m F onthe StudioLive will be recalled on the mixer Basic Playba
72. ssor 2 GB RAM e Recommended Intel Core 2 Duo or Core i3 or better 4 GB or more RAM e 1280x800 Screen Resolution Windows k Operating Systems e Windows XP SP2 or greater 32 bit and 64 bit e Windows Vista 32 bit and 64 bit e Windows 7 32 bit and 64 bit S Hardware e Minimum Intel Core Duo or AMD Athlon X2 processor 2 GB RAM e Recommended Intel Core 2 Duo or AMD Athlon X4 or better 4 GB or more RAM e 1280x800 Screen Resolution NOTE The speed of your processor amount of RAM and capacity size and speed of your hard drives will greatly affect the overall performance of your recording system A faster processor and more RAM can reduce signal latency delay and improve overall performance Please check your software for additional system requirements Subject to change check www presonus com for updates Power User Tip As part of our commitment to the quality of our products PreSonus continually updates our product drivers and software Because of this it is always a great idea to visit www PreSonus com and check for the latest driver build before installing your product 2 Universal Control 1 6 with VSL PreSonus Universal Control 1 6 2 Installation for Windows StudioLive Remote 1 3 and OMix 1 1 2 2 Installation for Windows The Universal Control installer will take you through each step of the installation process Please read each message carefully ensuring especially that you do not connect your
73. subgroup 16 4 2 and 24 4 2 aux and main bus levels Fat Channel parameters aux mixes effects and the graphic EOs It also provides a visual overview of your StudioLive settings so that you can see adjust and organize them VSL includes a librarian allowing you to easily manage your presets and Scenes Controlling your StudioLive with VSL is as easy as drag and drop Load Fat Channel presets and Scenes by simply dragging them onto the channel or mixer overview You can load Fat Channel presets as a complete channel strip or as individual gate compressor or EQ presets Through VSL you can back up all of the Scenes and presets stored on your StudioLive These stored settings can be loaded from disk or sent to and stored internally on the StudioLive You can even drag presets out of the browser and email IM or disk swap them with other StudioLive owners Since the control is bidirectional fader moves and parameter changes made on the StudioLive are reflected in VSL as well So for example you can set up the StudioLive the way you want it and then save your Scene or other presets in VSL Addendum for Universal Control 1 6 with VSL 2 StudioLive Mixers System Requirements 2 1 2 1 System Requirements Below are the minimum computer system requirements for Universal Control 1 6 Mac NL Operating Systems E z D e MacOS X 10 6 5 S e MacOSX 107 Hardware e Minimum Intel Core Duo 1 5 GHz proce
74. t term for a feedback loop where a portion of the signal from the speaker returns to the microphone resulting in a constant tone at the offending frequency Ringing out is a process of attenuating the frequencies that are feeding back to maximize gain before feedback in your floor monitors CH ogc SE A o Lei e SS CG Si 2 S 1 With the mic input gain at an appropriate level bring the Mix level up on the mic channel you wish to ring If you are using one console for stage monitors and another N console for front of house set the mic input gain on the front of house console Do not gain up the mic signal on the monitor mixer for the sake of getting more volume out of a stage monitor as you can do that in another place Mix level for individual channels Aux Out level for global control etc Gain staging is very important in order to have a feedback free show 2 Click on the GEQ tab in VSL and select the GEQ assigned to the Aux Output of the stage monitor you are ringing out e 3 Enable the Spectrograph 4 Slowly bring the Aux Output level up until you hear and see feedback Note Ringing out stage monitors produces feedback If you are not careful you can produce a lot of feedback Do not make sudden gain boosts go slowly and carefully to avoid causing any damage to speakers and ears 5 Feedback will show up as a solid line on the Spectrograph and as a line peak on t
75. the button to zoom out the GEO view If you have not zoomed all the way out so that you don t have all 31 bands on your screen you can slide your finger to the left or right to access additional bands Use the Overview Map in the bottom right corner of the GEQ page to reference your current position within the 31 bands Overview Map Provides a Reference Point for the Current Bands in View All this Zooming in and out provides the ultimate control when making GEO adjustments but it s easy to get lost and forget which bands in the GEQ you re adjusting This is where the Overview Map comes in The Overview Map is located in the bottom right corner of the GEQ page Whether you ve zoomed in on a few bands or zoomed all the way out so that you can see all 31 bands on your iPad the Overview Map will highlight which bands are currently in view and where they are in reference to the rest of the GEQ POWER USER TIP The Overview Map always follows your current position So if you scroll left or right while you are zoomed in the Overview Map will scroll with you 43 w EET e E ct 5 vV oc L 3 StudioLive Remote PreSonus Universal Control 1 6 3 5 GEQ Page StudioLive Remote 1 3 and OMix 1 1 EE Draw Tool Allows You to Draw an EQ Curve with Your Finger SL Remote provides flexible control over your graphic EQ settings You DRAW can control each band individually or several bands at o
76. the FXA and FXB Mute buttons 16 4 2 and 24 4 2 only These parameters are controlled in the same way they are controlled for channels in the Overview page Tapping on any of the Fat Channel Microviews will close the Masters Section page The Fat Channel Zoom will open with the selected parameter in focus for the selected bus To close the Masters Section page simply tap anywhere outside it Addendum for StudioLive Remote 3 StudioLive Mixers Aux Mix Page 3 4 3 4 Aux Mix Page The Aux Mix page shows the send level for each channel on each Aux and FX bus It corresponds directly to the Aux Mix tab in VSL but has been streamlined to show only the parameters you need to control when away from the StudioLive To navigate right or left touch anywhere on the screen and swipe your finger to the left or right Swiping left scrolls the screen to the left Swiping right scrolls the screen to the right Start Page Aux Mix MASTERS Lef gt w _ 2 ct 49 a Sec NY Ch 9 Ch 10 Ch 11 Ch 12 O F O U O r e Channel Send e Pre Post Position e Aux and FX Bus Gate Compressor and EQ Overview e Aux and FX Bus Gate Compression and EQ Zoom e Edit Effects e Recall Effects e Assign Unassign Effects 39 3 StudioLive Remote PreSonus Universal Control 1 6 3 4 Aux Mix Page StudioLive Remote 1 3 and OMix 1 1 EE Aux Mix Select and Aux Mixing
77. to right B a To the left of each channel send is a meter that displays the channel current signal level Use this meter to determine if a particular channel has signal and to see how hot a signal is before you set the send level OOO rn ee zs Ch 1 Ch 2 T POWER USER TIP The aux sends support off axis movement Once you have touched a send level control to select it you can slide your finger anywhere in the screen and make an up down movement to control the send level Lock Orientation Locks Device in the Landscape View Enabling the Lock Orientation button will lock your iPhone iPod touch in Landscape view While this button is enabled you cannot open the Wheel of Me Locking the view will also remove the Start Page button Until this option is disabled OMix will launch in this view when connected to the current mixer 53 A OMix 44 Wheel of Me 4 4 Wheel of Me ad AT amp T 9 15 AM Start Page Aux 1 Lock Orientation Me Button ent ATAT 7 12 26 PM Assign Aux 1 54 PreSonus Universal Control 1 6 StudioLive Remote 1 3 and OMix 1 1 OMix s Wheel of Me provides you with an easy and powerful way to control all of the channels that contain your voice and instruments To open the Wheel of Me turn your iPhone iPod touch to the Portrait view The Wheel of Me will open for the currently selected aux mix so if you have Aux Mix 3 selected on the Aux
78. ton Any settings that are temporarily stored in the E local cache i e settings that are currently visible in the Device Memory section of the Browser window Transfer Cancel will be overwritten P N Add to Disk Button Transfers all Scenes Fat Channel FX and Graphic EQ Presets i from Temporary Memory to the Permanent Cache Y VSL allows you to back up your Scenes Fat Channel FX and graphic EQ presets and permanently store them on your computer Each type of preset can be added separately In this way you can back up only what you want when you want d s 504 Wednesday at Chat Noi To move a Scene or preset from temporary memory into wa S05 Thursday at Chelsea s permanent memory simply select one preset or Scene and ua S06 Friday night at Le Bon Temps click the Add to Disk button To select multiple presets idi 607 Saturday night at North Gate hold the Shift key while making your selections Note If you want to be able to remotely recall scenes using SL Remote you must first transfer your Scenes to the permanent cache Only scenes displayed in the On Disk section of the Browser will be available to recall in SL Remote Browser Tab Buttons Displays the Different Preset Categories on Your StudioLive and on Your Computer All of your Scenes and presets are contained in dedicated folders in VSL To view a specific set of presets simply click on its tab e SCENE Displays stored Scenes e FAT CH Displays stored Fat Cha
79. um for Universal Control 1 6 with VSL 2 StudioLive Mixers VSL Virtual StudioLive 2 5 2 5 6 VSL Setup Tab The Setup tab allows you to customize VSL and your StudioLive route your Auxiliary FireWire inputs StudioLive 16 4 2 and 24 4 2 only route your Flexible inputs StudioLive 16 0 2 only set up MIDI Control mode StudioLive 16 0 2 only and ECK enable or disable functions on connected iOS devices Sez 55 Auxiliary Inputs Router Patches Available Inputs and Buses to Auxiliary FireWire Inputs 16 4 2 and 24 4 2 only KSE The StudioLive 16 4 2 and 24 4 2 mixers allow you to route to a computer d MainMixL R E the input channels and any 16 of 19 16 4 2 or 8 of 23 24 4 2 buses and n other inputs This is done via the Auxiliary Inputs Router on the Setup tab ncc To route FireWire Sends 17 32 16 4 2 or 25 32 24 4 2 first decide which M e Se Ss buses and inputs you would like to record in addition to your input And channels Once you ve determined your input pairs simply patch them to Aux Send A B a stereo pair of auxiliary inputs of your choice Remember all of these RER buses and inputs are automatically set to send their signals post Fat C FX Return A Channel dynamics and post EQ where applicable The inputs and buses m ee selected in the Auxiliary Input
80. upport Please check our Web site www presonus com regularly for software information and updates firmware updates and support documentation for frequently asked questions You can get individual technical assistance by calling PreSonus at 1 225 216 7887 Monday through Friday between the hours of 9 a m and 5 p m Central Time PreSonus technical support is available via email during the same hours at techsupport presonus com Universal Control Driver and General Connectivity StudioLive Will Not Connect to Computer Verify that the FireWire cable is properly connected to the StudioLive and to your computer Disconnect unnecessary peripheral FireWire devices StudioLive 24 4 2 users Navigate to Page 3 of the System menu on your StudioLive and verify that the Link ID is set to 0 StudioLive Control Panel Will Not Launch The StudioLive Control Panel will not launch if the StudioLive is not connected and synced to your computer Verify that your FireWire cable is connected both to your computer and to your StudioLive Navigate to Page 3 Digital in the StudioLive System menu and verify that the FireWire status is locked Universal Control VSL Tap Tempo is Not Available on an FX Bus Make sure that a delay has been loaded on that effects bus The Tap Tempo button will not appear if a reverb is loaded Aux Mix Copies Fat Channel Settings Only and Not Mix or Vice Versa Verify that you are using the correct Drag Handle Th
81. ut Your StudioLive cannot be locked unless this page is active If you have two StudioLive mixers linked you only need to lock the Master unit to lock both mixers in the chain At its lowest level of security Lockout mode allows you to freeze the current Fat Channel and effects settings Faders aux mixing master section functions like Talkback and Monitoring and Scene recall are still functional Each of these mix functions can be added to Lockout mode To lock your StudioLive press the Select buttons that correspond to the 5 digit password you have set In this example the password is 12345 so you would press the Select buttons for Channels 1 2 3 4 and 5 in that order The Panel Status will switch to Locked indicating that Lockout mode is now active To unlock your StudioLive navigate back to the Lockout page in the System menu on your mixer if this page is not currently active Press the same sequence of Select buttons The Panel Status will change to Unlocked and you will be able to resume your mix 27 a As von E E pee M en kl 2 Universal Control 1 6 with VSL PreSonus Universal Control 1 6 2 5 VSL Virtual StudioLive StudioLive Remote 1 3 and OMix 1 1 25 8 Using the Smaart Spectrograph to Ring Out Monitors The Spectrograph shows frequency data over time so a constant frequency such as feedback results in a straight line in the spectrograph Feedback is shor
82. uter s ad hoc network each time you plan on remote controlling your StudioLive with StudioLive Remote Apple s iPad offer two viewing options Landscape and Portrait PORTRAIT LANDSCAPE am Deo Dex i i el e E CD lt CD S A AN For the most part you will hold your iPad in Landscape view This will allow you to use the Start Overview Aux Mix and GEQ pages Portrait view provides E you with a zoomed in look at the currently selected channel and allows you to scroll quickly through every channel and bus on your StudioLive To launch StudioLive Remote tap on the SL Remote icon on your iPad When you launch StudioLive Remote you will taken to the Start page SL Remote Se On the Start page you will see a list of every StudioLive mixer on the network The Start Page also f r includes simulations for each of the three StudioLive d a mixers so you can practice your finger control away from your StudioLive Tap on the Demo Mixers tab to StudioLive Mixers Online view this list StudioLive 192 168 1 104 To connect to your mixer tap on the StudioLive device icon The text will change color to alert you that it has been selected Tap the Connect button to open SL Remote and control your mixer from your iPad At the top of the Start page you will see the Reconnect button This lets you quickly Reconnect reestablish communication with the last mixer you were controllin

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Universal Control 1.6, StudioLive&trade; Remote 1.3, and

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