Avid Live Sound Systems
Contents
1. Avid Live Sound Systems A Revolution in Live Sounq SS A Revolution in Live Sounq The most requested consoles in concert touring Avid digital live sound systems deliver amazing sound quality reliability flexibility and ease of use Designed with direct input from leading mix engineers Avid live systems bring pure innovation to the modern live sound workflow removing complexity to empower greater efficiency and creativity From direct support of the same professional plug ins used in top recording studios to seamless Pro Tools integration and customizable I O options Avid is shaping the future of live sound That s why more live sound professionals trust Avid systems for festivals tours clubs houses of worship theaters and broadcast events The sonic qualities of Avid live systems are top notch and above any other desk out there it s what you need to make a show sound great There are a couple consoles that thought sounded great before this one came out VENUE has really changed my mind about how live consoles should work and sound Sean Sullivan Front of house engineer Beck Sheryl Crow Avid Profile is not only a live console but a recording console as well There s nothing comparable out there because of its ability to interface seamlessly with Pro Tools It has completely changed the way work Horace Ward Front of house engineer Mary J Blige Prince Bey2. SC48 16 input faders maximum 48 analog mic line inputs 16 analog outputs expandable to 32 maximum two DSP Mix Engine Cards for processing local I O and computer control ECx Ethernet Option Card for remote control via a wired or wireless Ethernet device FireWire interface and Pro Tools Software for Pro Tools recording and playback VENUE software VENUEPack plug in bundle Video monitor and trackball mounting brackets video monitor and trackball sold separately All necessary cables and accessories SC48 Remote System SC48 16 input faders 16 analog mic line inputs maximum two DSP Mix Engine Cards for processing local I O and computer control Stage 48 32 mic line inputs 16 analog outputs Ethernet AVB connectivity Ethernet Snake Card ECx Ethernet Option Card for remote control via a wired or wireless Ethernet device FireWire interface and Pro Tools Software for Pro Tools recording and playback VENUE software VENUEPack plug in bundle Video monitor and trackball mounting brackets video monitor and trackball sold separately All necessarv cables and accessories Options Expand either system with up to 32 analog digital and or A Net outputs Stage 48 remote box expand a standalone SC48 or add a second to an SC48 Remote System Ethernet Snake Card for standalone SC48 required for Stage 48 connectivity Stage 48 Stage 16 remote I O box includes 16 analog
3. VENUE software All necessary cables and accessories SSL System Get the performance sound quality and features that countless live sound professionals have come to rely on in a system that s built for the future The head turning ultra portable S3L System not only enables you to mix live show performances you can set up a mobile recording mixing studio anywhere you go using just the S3 control surface and your laptop Comprised of a high performance HDX powered processing engine running 64 bit AAX plug ins scalable remote I O and a slimline EUCON enabled control surface all networked together over Ethernet AVB S3L delivers unprecedented versatility with award winning VENUE and Pro Tools software at its heart Achieving exceptional sound everywhere has never been easier Core System Options S3 control surface 16 faders can also be used Expand the I O with up to four Stage 16 remote I O boxes as a standalone controller for Pro Tools and other Thanks to S3L can carry an extensive system on tour that fits into the trailer and only takes me ten minutes to set up and the sound quality is second to none Michael Brennan Front of house engineer Faith No More Primal Scream Mogwai EUCON enabled DAWs8 E3 engine includes HDX processing engine local I O Ethernet AVB for 64 track Pro Tools recording playback USB input for 2 track recording playback Ethernet port for remote control inputs 8
4. analog outputs 4 channels AES EBU output 1 if mn ran I nmt uu Ainii i WD Pro Tools recording mixing and playback for live Wiwik alt an and studio applications 64 bit AAX DSP plug in bundle x a ea G m TU 12 C 0 as m n an D g mem NK RRR R WOOD T O O RR e Dp Es Ee De ua Du L OG0OD S3L System Console Faders Maximum Recallable Mic Pres Maximum Input Channels to Mix Maximum Outputs Auxiliary Sends Maximum Graphic EQs Maximum DSP Mix Engine Cards Pro Tools Integration Console Max Dimensions WxDxH D Show System D Show Main unit and one D Show Sidecar 24 input expandable to 56 with three D Show Sidecars 8 output 1 Mains 1 ACS 96 with two Stage Racks 128 96 input channels plus 16 stereo effects returns 96 with two Stage Racks plus ancillary local I O 24 including Variable Groups 128 recording playback channels with Pro Tools HD or 32 channels with Pro Tools via option card Main unit 51 7 in 131 3 cm x 35 5 in 89 5 cm x 18 7 in 84 7 cm Main unit 2 Sidecars 104 8 in 266 2 cm x 35 5 in 89 5 cm x 13 7 in 84 7 cm Profile System Profile 24 input 8 output 1 Mains 96 with two Stage Racks 128 96 input channels plus 16 stereo effects returns 96 with two Stage Racks plus ancillary local I O 24 including Variable Groups 128 recording playback channels with Pro Tools HD or 32 channels w
5. compact Profile console Mix Rack provides all lO DSP processing and computer control into a single 11U rack providing almost the same functionality as FOH Rack and Stage Rack Mix Rack offers fewer outputs and less DSP but in half the space You can choose to integrate Pro Tools HD or Pro Tools recording and playback by installing an HDx or FWx Option Card requires a separate computer for Pro Tools And expand the outputs with your choice of analog and or digital output option cards or an A Net output card for integrating Aviom Pro16 Series personal mixers Core System Profile console 24 input faders Mix Rack includes maximum 48 analog mic line inputs 16 analog outputs expandable to 32 two DSP Mix Engine Cards for processing local I O and computer control ECx Ethernet Option Card for remote control via a wired or wireless Ethernet device VENUE software VENUEPack sound processing plug in bundle Video monitor and trackball mounting brackets video monitor and trackball sold separately All necessary cables and accessories Options Expand Mix Rack with up to 32 analog digital and or A Net outputs Install up to three DSP Mix Engine Cards in Mix Rack for maximum processing Add Pro Tools HD or Pro Tools recording with an HDx or FWx Option Card respectively Integrate MADI devices with the MADI Option Card SC48 5C48 Remote System The fully integ
6. al engineer operation Or maybe you re looking to scale down a Profile System to do a club tour switch out the FOH Rack and Stage Rack for a Mix Rack Not only is it easy to change hardware configurations you won t need to rebuild any show files when you move from system to system as VENUE software ensures show file compatibility across the product line no matter the hardware configuration The biggest advantage of Avid live systems is the sheer range of plug ins available No other system even comes close And the system runs them all natively We had racks of great analog gear in here but really there would be no way to achieve the same results with conventional gear Steve Bauer System integrator Fox Theatre Redwood City CA U h y 6 K Corporate headquarters Asian headquarters European headquarters Avid resellers 1800 949 AVID 2843 65 6476 7666 44 1753 655999 www avid com reseller To learn more visit www avid com livesystems
7. asy as you only need to learn the software once to mix on any system Plus any show file you create on any Avid live system can be saved to a USB key transported and loaded onto any other Avid system for use no matter the system s size or configuration L P FHH rrr sn F fel dl w Intuitive Interface VENUE software serves as mission control of the system giving you quick access to features and controls both on the screen using a trackball or mouse and directly from the console The software features a tabbed non multi layered interface and streamlined screen pages that make it easy to access and gain control of the system s inputs outputs files snapshots digital patchbay plug ins and user options Command Over I O and Routing Managing and routing all inputs outputs sends and returns is easy using the dedicated Inputs Outputs and digital Patchbay pages The Inputs page is split into two sections the upper channel view lets you quickly scan the state of all parameters for the selected channel while the lower faders view lets you reposition faders route plug ins and more The Outputs page displays similar views with the upper channel view showing the output bus parameters including Graphic EOS and the lower faders offering controls for making output assignments And the Patchbay page provides access to all inputs outputs and external gear including Pro Tools recording systems
8. each Avid live systems become part of a complete multimedia solution opportunities by way of seamless Pro Tools integration enabling you for capturing live performances With scalable systems that can be to record services and make the audio available to the congregation customized to handle everything from mixing the most elaborate stage through downloads from the church website And because all Avid acts with up to 96 fully recallable mic line inputs to enabling artists to live systems run on easy to use software staff and volunteers only shape their own personal monitor mixes Avid live systems are raising the need to learn the system once and then leverage that knowledge bar in concert sound to operate any size system helping keep things simple in large multi room facilities Any given week can include sermons services concerts conferences you name it Avid s snapshot automation enables us to save and recall settings for individual songs and speakers We have s a number of engineers using the system and the ability for them to store their shows on their own flash drive is very helpful started out the Nine Inch Nails tour with my usual complement of outboard gear have none left now All the compressors all effects all gating everything is done within the system using either the onboard stuff or the plug ins Jim Warren Front of house engineer and two time TEC Award winner John Wi
9. ed to circumvent potential hazards that can occur at any given show All Avid live systems offer redundant power supply units except S3L and robust fully tested software to provide peace of mind You ll also find redundant snakes with FOH Rack Stage Rack and Stage 48 And with the industry s first backup mode feature these systems enable you to continue mixing the show without any audio loss should you ever need to reset the host computer Direct Connection to Industry Standard Pro Tools Avid live systems offer the most streamlined reliable and economical approach to integrating Pro Tools multitrack recording and playback into a live production environment S3L and SC48 feature a built in Pro Tools interface all you need is a laptop For other systems install When you marry Avid live systems with Pro Tools you are a recording studio If you re using the system without Pro Tools you re only using half of the horsepower of the console Greg Price Chief sound engineer front of house engineer Ozzfest Ozzy Osbourne an Avid HDx or FWx Option Card connect a computer running Pro Tools or Pro Tools HD Software and you re ready to go Record up to 128 tracks with Pro Tools HD or up to 32 tracks 64 with S3L with Pro Tools without the need for additional interfaces or splits Virtual Soundcheck With Pro Tools integration Avid live systems offer an innovative workflow for sound checki
10. for easy routing Complete Plug in Control The Plug ins page gives you fast access to the system s installed audio plug ins displaying rows of available slots which are distributed evenly across four virtual racks You can assign plug ins for a given show route them dictate the patch order and make changes to plug in parameters directly from the console or on the screen VENUE software also keeps track of the latest plug in versions making it easy to see whats currently installed and what needs to be updated Powerful Snapshot Automation Snapshot automation greatly increases mixing efficiency by enabling you to store settings or scenes and recall them at will VENUE software provides storage and recall access to up to 999 snapshots from the Snapshots page or directly from the console as well as the ability to drag and drop snapshots to match the set list order and build and save recall safe grids Streamlined File System The Filing page gives you access to VENUE software s comprehensive file management system making It easy to access and manage show files console settings and factory and user preset libraries for channel processing and plug ins Easily synchronize all show files and settings with or move files and settings over to a USB storage key for backup or transfer to another Avid live system And use the History tab feature to quickly recall a previous console state to undo a change Custom Control The Optio
11. ile console plus the same FOH Rack and Stage Rack configurations as the larger D Show System and the same I O expansion and customizability options making it ideal for small to mid sized spaces including monitor mix positions clubs houses of worship theaters and remote broadcast facilities Though the 24 fader Profile console can t be physically expanded you can quickly access and mix up to 48 inputs or up to 96 inputs with a second Stage Rack through flexible fader allocation and channel banking Each channel also offers high quality If you have any knowledge of working with analog consoles then learning this Profile console is a breeze it s 10 minutes It s the easiest of all the digital consoles I ve used processing including a 4 band parametric EQ with separate HPF compressor limiter expander gate and four plug in inserts The console also features eight output faders eight fully assignable function buttons and eight GPI general purpose interface inputs and outputs which enable external equipment to be used in conjunction with the VENUE software Event List to trigger macros for example setting a plug in delay time by tapping on a footswitch or function button Core System Profile console 24 input faders FOH Rack includes three DSP Mix Engine Cards for processing local I O and computer control Stage Rack includes maximum 48 analog mic line inputs 8 analog outputs ex
12. ility the D Show System features the flagship D Show console and offers the greatest amount of I O processing power and console expandability in the Avid live sound line It also offers plenty of options to accommodate large ensembles making it ideal for concert tours festivals mega churches and other mid to large size venues The D Show System comes with a D Show Main console and one D Show Sidecar together providing a total of 24 input faders eight output faders and eight rotary output encoders to control Group masters and or plug ins dual rows of multifunction rotary encoders onboard EQ and dynamics multi segment LED meters per channel and an integrated trackball You can access and mix up to 48 inputs or up to 96 inputs with a second Stage Rack through flexible fader allocation and channel banking or expand the console with up to three D Show Sidecars to gain control across 56 physical faders The FOH Rack and Stage Rack serve as the system s DSP processing and remote I O components respectively and can be customized for specific interface needs You can integrate Pro Tools HD or Pro Tools recording and playback by installing an HDx or FWx Option Card in FOH Rack requires a separate computer for Pro Tools And customize the Stage Rack inputs and expand the outputs with your choice of analog and digital input or output option cards or an A Net output card for integrating Aviom Pro16 Series pers
13. ith Pro Tools via option card 45 2 in 115 cm x 31 1 in 79 cm x 6 8 in 16 9 cm Mix Rack System Profile 24 input 8 output 1 Mains 112 80 input channels plus 16 stereo effects returns 32 plus ancillary local I O 24 including Variable Groups 64 recording playback channels with Pro Tools HD or 32 channels with Pro Tools via option card 45 2 in 115 cm x 31 1 in 79 em x 6 8 in 16 9 cm SC48 SC48 Remote 16 input 8 output 1 Mains 1 Flex 48 as any combination of local and or remote 80 64 input channels plus 8 stereo effects returns 32 as any combination of local and or remote plus ancillary local I O 24 including Variable Groups 32 recording playback channels with Pro Tools via built in FireWire interface 39 in 98 9 cm x 28 2 in 71 5 cm x 7 3 in 18 6 cm S3L System 16 input output user defined 64 with up to four Stage 16 I O boxes 8 on the E3 engine 4 on the S3 surface including 2 TRS 64 including 8 stereo effects returns 48 with up to four Stage 16 I O boxes 8 on the E3 engine 4 on the S3 surface including 2 TRS 24 including Variable Groups 64 recording playback channels with Pro Tools via built in Ethernet AVB interface 98 in 71 cm x 14 3 in 86 3 cm x 2 8 inches 7 2 cm Comprehensive yet easy to use VENUE software is the common software platform across all Avid live systems This makes moving from system to system e
14. lson FOH engineer Nine Inch Nails Radiohead Peter Gabriel Saddleback Church California Theater Performances From community theaters to Broadway and London s West End Avid live systems offer great flexibility and innovative workflows to handle practically any size show production Using the systems comprehensive automation capabilities you can quickly and easily change mix settings by recalling snapshots on a per song or per scene basis and then fine tune the mix from there VENUE software can store up to 999 snapshots to handle even the most complex stage productions You can recall snapshots that alter anything from a single parameter up to every console control and employ Recall Safe which protects real time changes from override by subsequent snapshots And with the VCA and Group Spill feature you can quickly access and control any particular channel within a VCA or Group without having to bank through multiple channel layers to reach it My experience with Profile is that it sounds great It s a very warm friendly board It s completely reliable and the audio has never dropped once on me Eric Von Ronson Veteran mixer Broadway Corporate Events Tradeshows conferences product rollouts and other types of corporate events are often unpredictable but Avid live systems come through with great sound clarity to get your message heard and are flexible enough t
15. ng called Virtual Soundcheck enabling you to use prerecorded tracks from a previous show or rehearsal in place of live inputs This allows you to fine tune the mix to the current venue without requiring the presence of the performers You can EQ the system to the room set up snapshots and effects settings in preparation for the show and dial up all in ear mixes before the performers get there And artists in attendance have the opportunity to hear what the mix sounds like in the room instead of on stage and can work with the engineer to achieve an optimal mix Channel Spill Get quick and easy access to a particular channel within a VCA or Group without having to bank through multiple channel layers to reach it The new VCA and Group Spill feature temporarily brings channels assigned to a VCA or Group immediately to the top of the console Simply double press the Select button on the desired VCA or Group to spill the contents across the console s input faders for fast convenient access regardless of what fader bank these channels normally appear on Complete Compatibility Because all Avid live systems operate on the same VENUE software platform you can easily swap out individual components with certain systems to re scale a system for a specific need Got a Profile System but need more input faders to handle large scale productions Switch out the Profile for a D Show console and attach up to three D Show Sidecars for du
16. ns page is the nerve center of the system letting you customize the system configuration and user preferences for your needs Choose input counts and bus configurations enable Pro Tools MADI or a Stage Rack as the input source and even export detailed system info including all patches hardware details and installed plug in versions into a document that can be easily emailed to a systems integrator You also gain access to the powerful Events list which frees you from time consuming tasks or repetitive functions by enabling you to build custom macros to perform functions with a simple button press footswitch stomp or fader movement VENUE Standalone Software While VENUE software requires an Avid live system to operate you can use VENUE Standalone software on a Windows based computer including Macs running Boot Camp or emulation software to program shows or edit existing show files while offline You can then simply transfer your work to any Avid live system using a simple USB key or even send files over email if delivering detailed system specifications to a client This special version of VENUE software is a free download and provides an excellent way for anyone to get familiar with VENUE operation before laying a finger on the console Fully Integrated Plug ins Audio plug ins have shaped the way the world hears sound whether they re used to mix a top selling album or sweeten a film soundtrack With Avid live systems s
17. o keep up with the pace With a variety of input and output options available it s easy to add channels and swap between analog and digital inputs and or outputs for specific needs The digital patchbay in VENUE software provides great flexibility in routing offering quick access to all inputs outputs and external gear and making it easy to connect a mobile device for playing background or walk on music And with its flexible Matrix system VENUE can satisfy even the most extensive signal distribution needs For corporate events Profile is flexible enough to do everything I neea including enough output bussing for live surround sound and recording The plug in architecture sets it apart and it has a really analog feel to it when mixing Harold Blumberg Principal Blumberg Sound Design It s easy to bring the power and sound quality of Avid live sound systems to your event tour house of worship club theater or client Avid offers six versatile systems that can be expanded and customized for specific applications and a variety of interface needs And should your needs change you can re scale most systems by simply adding or switching out components which can also be purchased individually 9 For detailed information about each Avid live sound system individual components and options available visit www avid com livesystems D Show System DESIRON EAA For the ultimate in versatility and scalab
18. onal mixers Or for the ultimate in personal monitoring add the Avid Personal Q PQ monitoring system which enables engineers and artists to work in tandem to achieve optimal monitor mixes Core System D Show Main unit 8 input faders assignable channel section 8 output faders D Show Sidecar adds 16 input faders FOH Rack includes three DSP Mix Engine Cards for processing local I O and computer control Stage Rack includes maximum 48 analog mic line inputs 8 analog outputs expandable to 48 ECx Ethernet Control for remote control via a wired or wireless Ethernet device VENUE software VENUEPack plug in bundle Video monitor mounting bracket video monitor sold separately All necessary cables and accessories Options Expand the console with up to three D Show Sidecars for a maximum 56 input faders Expand and customize Stage Rack with up to 48 analog digital and or Aviom A Net outputs Add a PQ system for optimal personal monitoring Double the system capacity to 96 inputs and 96 outputs by adding a second Stage Rack Install up to five DSP Mix Engine Cards in FOH Rack for maximum processing Add Pro Tools HD or Pro Tools recording with an HDx or FWx Option Card respectively Integrate MADI devices with the MADI Option Card Profile System p The Profile System is designed to deliver maximum power in minimal space The system features the compact Prof
19. once The learning curve for me was zero it s easy to use but its depth is absolutely staggering Greg Price Chief sound engineer front of house engineer Ozzfest Ozzy Osbourne Concert and Broadcast Performances d L From small club tours and regional shows to large concert arenas and For houses of worship large and small Avid live systems bring sonic broadcast events more FOH and monitor engineers are choosing clarity to services to ensure that every word is heard The systems Avid live systems for their unsurpassed sound quality versatility and make A Net integration easy enabling the worship leader and rugged reliability With Avid live systems artists can experience the same performers to use Aviom Pro16 Series devices to control their own signature sound they create in the studio live thanks to the professional personal monitor mixes on stage inspiring better performances Avid sound processing plug in support The systems also seamlessly live systems offer intuitive workflows and fully recallable settings to integrate with industry standard Pro Tools recording systems making take the complexity out of mixing multifaceted services enabling Virtual Soundcheck and live multitrack recording an easy addition you to switch between sermons choir performances and drama to any setup And by bridging Pro Tools with Avid video systems presentations with ease The systems also open up new outr
20. pandable to 48 ECx Ethernet Control for remote control via a wired or wireless Ethernet device VENUE software VENUEPack plug in bundle Video monitor and trackball mounting brackets video monitor and trackball sold separately All necessary cables and accessories Options Expand and customize Stage Rack with up to 48 analog digital and or A Net outputs Add a PQ system for optimal personal monitoring Double the system capacity to 96 inputs and 96 outputs by adding a second Stage Rack Install up to five DSP Mix Engine Cards in FOH Rack for maximum processing Add Pro Tools HD or Pro Tools recording with an HDx or FWx Option Card respectively Integrate MADI devices with the MADI Option Card John Kerns Live sound engineer No Doubt Profile System as The evolution of this technology has forever changed what we do For future engineers essential Greg Price Chief sound engineer front of house engineer Ozzfest Ozzy Osbourne i L i 0 AET G totes tote Cee a Mix Rack System ZA lt VIN SaCK SVStornm The Mix Rack System takes up even less space than the Profile System as it features the all in one Mix Rack to handle lO and processing instead of the tandem FOH Rack and Stage Rack making the system ideal for smaller live sound applications that don t require a lot of expansion The system is further enhanced with the
21. rated SC48 combines all I O DSP processing and tactile control into a single compact console making it one of the most affordable and portable Avid live systems While its small size is ideal for smaller productions and installations where space is at a premium such as clubs houses of worship regional sound reinforcement and corporate A V events SC48 doesn t compromise the amazing sound quality power and performance that are the hallmarks of all Avid live systems SC48 is available standalone with all I O housed in the console or as part of the SC48 Remote System which pairs the console with the AVB enabled Stage 48 remote box allowing the I O to be located up to 328 feet 100 meters from the console Both systems provide 48 inputs maximum and 16 outputs expandable to 32 feature a built in FireWire Pro Tools interface and come with Pro Tools Software all you need is a laptop to record and play back tracks Both systems also offer unique workflow innovations With Channel Control a single button press gives you immediate access and control over any channel strip function including input parameters EQ and dynamics and Aux sends using the console s eight color coded rotary encoders And the Flex Channel gives you access to what s important for example you can use it in latch mode to gain perpetual access to a key channel and never lose sight of the star of the show SC48 Core System
22. tudio sound moves to the stage as these are the only systems to directly support the same high resolution audio plug in format used in countless Pro Tools equipped recording studios no separate computer or external connections required Recording artists can experience the same sound that inspired them in the studio on stage and engineers can easily achieve the same mixes by transferring the plug in settings used in the recording studio to the VENUE software via a USB key All Avid live systems come with a collection of professional plug ins to get you started including various compressors reverbs delays and EQs and many more plug ins are available from Avid and some of the most respected names in pro audio including McDSP Eventide Drawmer Antares Sonnox Crane Song URS Waves TC Electronic and Serato Integrated Mixing and Recording With VENUE Link you can control your live sound and Pro Tools workflows as one through a standard Ethernet connection Set up recording sessions in seconds right from a VENUE show file And mark song beginnings endings and other cues by simply recalling a snapshot Rock Solid Reliability The live environment is tough unpredictable and unforgiving and there s nothing more important than having some assurance that your mixing system will function optimally day after day week to week That s why all Avid live systems are built to withstand the rigors of the road and design
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