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Line 6 M13 Network Card User Manual

1. All product names used in this manual are trademarks of their respective owners which are in way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Mu Tron is a registered trademark of Mark Simonsen Filter Models 8 6 Throbber Inspired by the versatile Electrix Filter Factory Like the LFO section of the Filter Fac tory the Throbber alters the brightness of your tone with an emphasis on a specific fre quency that you can select Throbber is perfect for those Electronica sounds m 3 RAMP DW TRIANGLE SQUARE Knob 1 Frequency Selects a specific frequency range for the filter Knob 2 Q Controls the width of the filter Knob 3 Speed Sets the rate of the low frequency oscillator Knob 4 Mode Selects between four different wave shapes Knob 5 Mix Spin Cycle Inspired by Craig Anderton s Wah Anti Wah this effect takes full advantage of the M13 s stereo capabilities It s essentially two wah pedals panned L amp R that wah in the opposite direction from each other One goes up while the other goes down Additionally the wahs are sweeping from min to max automatically and they react to playing volume Knob 1 Frequency Controls the range of the filter emphasis in the wah tone Knob 2 Controls the width o
2. Press and hold the Tap switch and turn Knob 1 again to enter Fine tune mode You can now fine tune your delay time to the millisecond with Knob 1 Model Details 22 DryThru Models Another popular request from DL4 users was to provide a completely dry signal path when using specific Delay models with a dry Mix setting so that no tone coloration was added When we originally created our Tape Echo Tube Echo Sweep Echo and Echo Platter models for example we also modeled the dry path of the classic delays these models were based on We did this because the original effects added a certain tonal character to the sound when Mix was set to dry and many guitarists wanted that sound To make everybody happy we decided to add what we call DryThru models These four models are identical to the original models of the same name but when Mix is at 0 we removed the tonal coloration of the originals giving you a flat uncolored sound Model Defaults All FX in the M13 are programmed with Model Default settings These provide you with a good musical experience when you first load up each effect giving you great stock settings for that model Some are also pre configured for expression pedal control so if you have an expression pedal plugged in and assigned to an FX Unit and you select a new model we start you off with what we think is a good expression pedal setup for it See the next page for more info on setting heel and
3. All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 65 sound model development Maestro is a registered trademark of Gibson Guitar Corp Arbiter is a registered trademark of Arbiter Group PLC Vox is a registered trademark of Vox R D Limited Electro Harmonix and Big Muff are registered trademarks of New Sensor Corp Distortion Models Jet Fuzz Based on the Roland Jet Phaser AP 7 As Roland states in their catalog from the 70s the Jet Phaser is a phase shifter producing dynamic jet sounds for rock guitar Knob 2 controls the amount Feedback Knob 3 controls the Tone of the fuzz Knob 4 controls the Speed of the phasing Line 6 Drive A Line 6 original this model makes special use of Knob 3 labeled Mid At minimum you ll get the sound of a 70s style fuzz box clone As you adjust it towards 50 you ll get more modern high gain sound like the Rat or the Boss Super Distortion Turning 795 to maximum you ll get the gritty bite typical of a Sola Sound Tone Bender Line 6 Distortion Another Line 6 original this model is out of control Sure it s massive Yes it s over the top But it s a great distortion model All product names used
4. 1 77 E DOCU SOT e poem emi SRT U END U Knob 1 Sets the starting vowel sound A E I O or U Knob 2 Sets the ending vowel sound A E I O or U Knob 3 Speed Set how long it takes to speak from Start to End vowel Knob 4 Auto Select among 4 different start to stop vocal transition settings Knob 5 Mix All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Filter Models V Tron This model is based on the combination of a Mu Tron envelope filter and a Voice Box effect With the V Tron your guitar speaks with an almost human voice in response to your playing Each time you strike a new note or chord the vowel sequence will be spoken You can choose whether to go from Start vowel to End vowel only Up or have it turn around and come back again Up Down Zz SRT UP END A O SRT I END E Zz SRT 0 END I Knob 1 Sets the starting vowel sound A E I O or U Knob 2 Sets the ending vowel sound A E I O or U Knob 3 Speed Set how long it takes to speak from Start to End vowel Knob 4 Mode Selects either Up or Up Down Knob 5 Mix
5. Knob 4 Volume Sensitivity A louder input speeds up the vibrato and a lower input slows it down 6 7 Knob 5 Mix Panner The Panner model makes your sound constantly pan back and forth between the left and right stereo channels If you decide to run it in mono you ll basically hear tremolo SQUARE e Knob 1 Speed TRIANGLE Knob 2 Depth Knob 3 Wave Shape Minimum for Triangle 50 for Sine maximum for Square Knob 4 Volume Sensitivity Input level speeds up or slows down the panning rate Knob 5 Mix For wide stereo panning set Mix to 100 All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Boss is a registered trademark of Roland Corp Modulation Models Rotary Drum Based on a Fender Vibratone which features a rotating drum surrounding a 10 speaker The Styrofoam drum has two slots and the cabinet has three left right and top The drum rotates with a vertical motion sending sound spinning in all directions SLOW Knob 1 Speed Select between two speeds Fast or Slow Knob 2 Depth Knob 3 Overall Tone of the Rotary effect 6 8 Knob 4 Drive Higher levels add an overdriven effect Knob 5 Mix
6. This is another Line 6 high resolution digital delay with separate delay times available for L and R channels Some players set one side as a fast echo with many repeats and the other slow with just a few repeats Set it to taste for a rhythmic stereo delay effect Knob 1 Delay Time for the left channel only Knob 2 Feedback amount for the left channel Knob 3 Delay Time for the right channel only 597 Knob 4 Feedback amount for the right channel Knob 5 Mix Ping Pong The ever popular Ping Pong Delay has two separate channels of delay panned left and right with the output of each channel flowing into the other usually used with a moderate level of feedback Knob 1 Delay Time for the left channel displayed in milliseconds or note value Knob 2 Delay Feedback Higher levels result in more repeats Knob 3 Offset This sets the right channel delay time as a percentage of the left channel delay time Half of the value in the screenshot above would equal 235 ms Knob 4 Spread The minimum position is mono while max would be wide stereo Knob 5 Mix Delay Models Reverse As the name implies whatever you play on guitar is played back in reverse delayed by the time you set with Knob 1 Knob 1 Delay Time Displayed in milliseconds or note value Knob 2 Delay Feedback Knob 3 Modulation Speed Higher levels result in faster modulation Knob 4 Modulation Depth Knob
7. 5 Mix 10096 means you ll hear the reverse delay only 5 8 Dynamic Delay This effect was made popular by the TC Electronic 2290 Dynamic Digital Delay It fea tures a smart volume control for your delay effect s echoes which sets the loudness of the delays based on how hard you play When you stop playing in between phrases the delay level increases for a dynamic effect Knob 1 Delay Time Displayed in milliseconds or note value Knob 2 Delay Feedback Knob 3 Threshold The breakpoint where the automatic volume control stops working and lets the echoes through at full volume Knob 4 Ducking Adjusts the level of the ducked repeats higher settings will duck the delay level down more Knob 5 Mix All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development T C Electronic is a registered trademark of Electronic A S Corp Delay Models Auto Volume Echo This model gives you two effects in one The first is an auto volume fade in like the attack time on a synthesizer s envelope generator Higher Swell settings will give you a longer swell time so that the sound slowly fades in The second is an echo complete with tape style wow amp
8. Advanced Guide This guide contains in depth details of your M13 s features and functionality With over 80 Models and a Looper in one device there s a lot to work with Our goal with this guide is to provide you with the information you need to make it easy to find the sounds you re looking for In the chapters that follow we ll be referring to the six Knobs that adjust the various parameters of the M13 These are located below each of the four LCD displays On the top row left is the Model Select Knob To the right of that are Knobs 1 and 2 Knobs 3 4 and 5 are in the second row left to right Now to begin let s get in tune Tuner To enter Tuner mode press and hold the Tap switch for a few seconds LCD 3 will display the Tuner LCD 4 will display the note you re tuning If you d like to tune to a reference other than standard 440 turn Knob 3 to select from 425 to 455 To toggle between Mute Audio your guitar will be silent and Bypass Audio you ll hear your guitar dry with no FX turn Knob 5 BYPASS AUDIO Tuning is straightforward when the graphic diamond is to the left of center your note is flat when it s to the right you re sharp When the diamond is precisely in the center two triangles will appear above and below it indicating your string is in tune To exit Tuner mode press Tap again or any other foot switch Setup Mode To enter Setup mode press and hold the Looper Controls switch for a few seconds The
9. Music Exchange in 1965 With a high demand for Tone Benders at that time brothers Larry and Joe Macari started building their own unique pedals under the name Sola Colorsound e Knob 3 at 50 has no effect on the Mids below 50 is a cut above 50 a boost All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Boss is a registered trademark of Roland Corp Colorsound is a registered trademark of Sola Sound Limited Corp Distortion Models 7 4 Buzz Saw Based on the Maestro Fuzz Tone Legend has it that the sound of this pedal was inspired by a broken and buzzing mixer channel heard in Nashville in 1961 Facial Fuzz Based on the Arbiter Fuzz Face the infamous circular stompbox that hit the London music scene in 1966 It s best known for its association with guitar legend Jimi Hendrix Jumbo Fuzz Based on the Vox Tone Bender The classic Tone Bender sound can be heard all over the early Led Zeppelin albums and is especially apparent on Communication Breakdown Fuzz Pi Based on the Electro Harmonix Big Muff America s answer to the British fuzz pedals the Big Muff T was known more for its sweet sustain than for its buzz
10. Once function 0 to 63 Pre 64 to 127 Post Looper Levels Controlled via EXP pedal only not MIDI CC Ael Expression Pedal 0 to 127 Expression Pedal 2 0 to 127 Tap Tempo 64 2 taps determine tempo Undo 2 Activates Undo Appendix A Reference FX On Off Toggle Memory Location MIDICCH 0 to 63 Bypass 64 to 127 On 0 to 63 Bypass 64 to 127 On 0 to 63 Bypass 64 to 127 On 0 to 63 Bypass 64 to 127 On 0 to 63 Bypass 64 to 127 On FXUnit2C 16 0 to 63 Bypass 64 to 127 On 0 to 63 Bypass 64 to 127 On FX Unit3B 0 to 63 Bypass 64 to 127 On FXUnit3C 9 0 to 63 Bypass 64 to 127 On 0 to 63 Bypass 64 to 127 On 0 to 63 Bypass 64 to 127 On 0 to 63 Bypass 64 to 127 On Scene Select Wg Jo Scene fi scene IB Selected U U UUO Je Scene 3A je Sene3ASdexed Scene ac Scene 48 fio Appendix A Reference BPM Milliseconds BPM UA Note 18 Note 1718 Note V Triplet 1 8 Triplet 132 Note mo 9 urs fso mo ja m he fies e fna us 9 la ha 90 ey e m nm e 19 e faa se fen xe fiss m 1 eo fiso 5 se e m ee 4 Hos se e s
11. controls the Threshold and Knob 2 controls Decay product names used in this manual are trademarks of their respective owners which are in way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Teletronix LA 2A is a registered trademark of Universal Audio Inc Filter Models FILTER MopreLs These pages provide details on the 16 Filter Models in the M13 16 are from the Line 6 FM4 Filter Modeler Stompbox A few Line 6 originals are also included Parameter Details In this chapter we ll describe the various parameters of all the Filter Models in detail to make it easier for you to tweak your sounds Below is a chart of all the Controls and Parameters you can adjust using Knobs 1 thru 5 located just below the LCD display Filter Models Reference Table Controls amp Parameters Model Knob 1 Knob Knobs Q Wit 841 Filter Models Tron Down Inspired by the Mu Tron III envelope follower part auto wah part triggered filter The original Mu Tron had an up down switch This model is the Tron Down version mmm HIGH BP HP Knob 1 Frequency Determines the high and low settings of the filter sweep Knob 2 Sets the width of the filter Knob3 Range Selects High or Low frequency focus of
12. fie n hos sss gt gt m 99 mo se e e Du se pe ha s us Du s pe n me se ur x hn e pe m je e m e pe ha e ms se me n s e 3 Appendix B Tips APPENDIX B 2 Tips We ve had several questions from M13 users regarding saving Scenes either within the M13 itself or when performing MIDI Dumps to computer This chapter includes some helpful tips on how to best save and recall your custom Scenes as well as step by step instructions on how to update your firmware It s important to be aware that the M13 will function differently depending on whether you have it set to Auto Save or Manual Save mode as described on Page 392 of the Scenes Details chapter In the following examples we ll outline those differences and hopefully answer any questions you may have regarding saving and recalling Scenes MIDI Dumps When saving Scenes via MIDI Dumps and loading them back into your M13 as described on Page 1 5 you should be aware of the fact that Auto Save and Manual Save will have an effect on whether your Scenes are automatically saved in your M13 or not For example if you back up a single custom Scene to your computer via MIDI using the DUMP EDIT command then later you want to load that Scene back into your M13 here are your two options for saving your Scene 1 With your M13 set to Auto Save Select the destination Sc
13. flutter modulation Knob 1 Delay Time Displayed in milliseconds or note value Knob 2 Delay Feedback Knob 3 Modulation Depth Knob 4 Swell Sets the ramp time for the auto volume swell Knob 5 Mix 5 9 Echo Platter amp Echo Platter DryThru The Echo Platter model was orginally inspired by the Binson Echorec The dry signal path had such a cool tone that we decided to include it in our original model Echo Platter DryThru is the same model but it gives you the option of a flat signal path when the Mix is set to 096 All product names Knob 1 Delay Time Displayed in milliseconds or note value Knob 2 Delay Feedback Knob 3 Wow Flutter Adjusts the emulated tape s wow and flutter amount Knob 4 Drive Adjusts the amount of distortion created by the tube electronics and tape saturation Knob 5 Mix is manual are trademarks of their respective owners which are way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were sed in thi studied during Line 6 s sound model development Modulation Models MODULATION MoprLs The following pages provide information on the 16 Modulation Models in the M13 16 are from the Line 6 MM4 Modulation Modeler Stompbox These models were originally based on a dream collection of classic effects stomp boxes and rack units Parameter Detail
14. in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Roland and Boss are registered trademarks of Roland Corp Distortion Models Sub Octave Fuzz Inspired by the PAiA Roctave Divider which combined a double octave shift with a fuzz effect resulting in deep fat square wave distortion e Knob 3 controls the amount of Sub octave content Octave Fuzz Based on the Tycobrahe Octavia another example of a fuzz plus octave effect The Octavia used an audio output transformer and two germanium diodes to rectify the guitar signal creating the high octave type sound Jimi Hendrix used one on Purple Haze 7 6 Boost Comp Based on the MXR Micro Amp This effect was used to push the front end of non master volume tube amps in order to achieve a cranked sound at less than stadium levels Knob 3 adds Compression similar to that of an MXR Dyna Comp product names used in this manual are trademarks of their respective owners which are in way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 65 sound model development MXR is a reg
15. then step on the Scenes switch and select 2A again Play your guitar Notice all the A switches are lit this time Scene 2A did not retain the changes you made This can be a good thing especially if you want to return to the exact same sound you originally programmed In Manual Save mode every time you select a Scene it will be recalled exactly the same way even if you make temporary changes to it Scenes Details Scene Setup With the M13 you can create your own custom Scenes and save them in all 12 Scene locations Combine this with the fact that you can back up all your Scenes to computer and you have an unlimited ability to customize and store your own library of sounds When you begin tweaking the FX models and creating combinations you like you ll want to familiarize yourself with Scene Setup mode This is where you store and name your custom Scenes Let s take it step by step and you ll see how easy it is Once you have a combination of FX you d like to store do the following e With your custom Scene ready to be stored press and hold the Scenes switch 393 The switch light will flash and you ll see Select a Scene for Setup displayed Select the switch for your current Scene the one you want to save Its name will appear in the center of the LCD Name it by turning the Model Select Knob for character and Knob 2 far right to move to the next character Here s a tip press down on the Model Select knob to quickly jum
16. using a USB hub please try it without the hub Be3 Appendix B Tips B 4 Procedure 1 Connect your MIDI interface to your computer via USB cable 2 Connect the M13 MIDI Out to your MIDI interface In and connect the M13 MIDI In to your MIDI interface Out 3 Make sure your computer is set up to see the MIDI interface on Mac you must configure Audio MIDI Setup on Win see Additional Instructions For Windows Users on the previous page 4 Download the latest M13 Firmware from the Line 6 website log in with your Line 6 User Name 5 Launch your sysex app and select your MIDI interface Out port for Sysex Librarian use the top dropdown menu for MIDI Ox select Options MIDI Devices 6 Load the M13 sysex file in Sysex Librarian select Add to Library from the File menu In MIDI Ox select Actions Send SysEx File from the File Menu then navigate to the M13 sysex file you downloaded from the Line 6 website 7 Press Play Sysex Librarian or if using MIDI Ox the file will be automatically transmitted once it is selected in the previous step 8 The M13 will receive the sysex data and the unit will be updated to the latest Firmware It will reboot automatically Backup Tip For Mac Users If you re using Sysex Librarian to back up your Scenes be sure to click on RECORD MANY in Sysex Librarian when you perform a DUMP ALL or DUMP EDIT command in your M13 as opposed to clicking on RECORD ONE A DUMP ALL w
17. value Knob 2 Delay Feedback Knob 3 Bass Knob 4 Treble EQ Knob 5 Mi All prod manual are trademarks of th associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were ers which are in way studied duri ring Lin e 6 s rund moda de velopment Maestro irk of Gibson Guitar Corp Delay Models Multi Head Based on the Roland RE 101 Space Echo which had multiple stationary heads You change delay times by switching amongst these heads and you can play back on multiple heads at the same time to get multi tap delay effects LILI 1 2 OFF 3 4 OFF HD1 ON HD3 ON 1 2 ON 3 4 ON 593 je HD2 ON HD4 ON Knob 1 Delay Time Displayed in milliseconds or note value Knob 2 Delay Feedback Knob 3 Turns heads 1 amp 2 on and off Knob 4 Turns heads 3 amp 4 on and off Knob 5 Mix When using the Multi Head Delay model you ll find there are many possible combinations of delay effects depending on your selection of Head On Off parameters It s best to set a Delay Time first by adjusting Knob 1 To set a Delay Time to a precise millisecond value dial in a delay time that s close to what you want then fine tune it by pressing and holding Tap while continuing to turn Knob 1 As an option you can set Delay Time to a note value by turnin
18. 00 but be aware that hot levels may build up and distort EQ your recorded loop will also be affected by the EQ settings you made in Chapter 1 Page 1 If Hi Cut is set to On your loop will play back with the high end slightly attenuated Conversely if Low Cut is set to On your loop will play back with the low end slightly cut Both Hi Cut and Low Cut can be active or off at the same time Play Stop this switch simply plays or stops your loop When in Play mode you can step on Record Overdub at any time to overdub live guitar with your recorded loop Half Speed step on this switch while in Play mode and your loop will play back at half speed If you switch it again it will toggle back to normal speed If you want to record an overdub while your loop is playing back at half speed simply step on the Record switch and play If you then switch back to normal speed your new track will play at double speed while your original track will play at normal speed as it was originally recorded Reverse this switch puts your loop into reverse so it will play backwards You can activate Reverse at normal speed or half speed and you can also record an overdub while Reverse is activated If you do so when you exit Reverse your newly recorded track will play backwards and the original track will play back normally as it was recorded 8 Undo to undo your most recent take while in Overdub mode step on the Undo switch Your earlier r
19. 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Fender and Deluxe Reverb are registered trademarks of Fender Musical Instruments Corp Vox is a registered trademark of Vox R amp D Limited Modulation Models Phaser Based on the MXR Phase 90 a four stage phaser that has a relatively subtle sound compared to other phasers but it has a lush organic quality to it mm a ee STG 8 STG 12 STG 16 Knob 1 Phaser Speed Knob 2 Phaser Depth Keep at maximum for classic phase sounds Knob 3 Feedback Keep at minimum for classic subtle phasing Knob 4 Selects phase Stage which determines the degree of out of phase ness Knob 5 Mix from 0 dry to 100 wet 6 3 Dual Phaser Based on the Mu Tron Bi Phase a multi stage phaser known for its big jet sound Our Dual Phaser gives you the lush offset phasing that made the Bi Phase a classic SQUARE Knob 1 Phaser Speed Knob 2 Phaser Depth Sounds best at maximum Knob 3 Variable feedback control Knob 4 LFO Shape Minimum is a Sine wave and maximum is a Square wave Knob 5 Mix From 0 to 100 All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solel
20. Controls switch Now check the third LCD and make sure MOMEN SCENE is displayed in the lower center If it s set to LATCH SCENE turn Knob 4 bottom row center to toggle it to MOMEN SCENE Now step on the Scenes switch and you ll see the names of all 12 Scenes in the LCDs Select one by stepping on the appropriate switch and you ll see the loaded FX models for that Scene displayed in the 4 LCDs Play your guitar to make sure you re happy with the sound When you re ready step on the Looper Controls switch then follow these steps Stepon the Record switch and play Make sure you hit the downbeat accurately so that when you play back the loop it will start exactly on the beat This is especially important if you want the loop to be rhythmically correct when it cycles around When you reach a good out point step on the Play switch This will take your new loop out of record and immediately play it back Let it loop around a few times and see if sounds good If it doesn t sync quite right press Stop then record a new take f you re happy with your loop decide what you d like to play as an overdub Jam along with your loop a few times in Play mode then when you re ready to layer an overdub step on the Overdub switch and play your part Finish it up before the loop cycles around again then press Stop to exit Overdub mode Press Play and listen to your loop You should hear your original guitar part plus your overdub As it plays p
21. For best results set Mix at or near maximum Rotary Drum Horn Based on a Leslie 145 originally designed for the Hammond B3 The 145 features two sound sources the lower part of the cabinet which has a 12 speaker surrounded by a mo torized rotary drum and the upper enclosure which houses a spinning horn SLOW Knob 1 Speed Select between two speeds Fast or Slow Knob 2 Depth of the lower part of the cabinet e Knob 3 Horn Depth This adjusts the depth of the horn sound Knob 4 Drive Higher levels add an overdriven effect Knob 5 Mix For best results set Mix at or near maximum All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Leslie is a registered trademark of Suzuki Musical Instrument Manufacturing Co Lid Fender is a registered trademark of Fender Musical Instruments Corp Hammond is a registered trademark of Hammond Suzuki Modulation Models Dimension Based on the Roland Dimension D one of the first true stereo chorus units that featured two separate delay lines working off the same oscillator These independent chorus effects were then panned between the stereo outputs resulting in a wide stereo image Various combinat
22. M13 s four LCDs will display your settings including Expression Pedals in LCD 1 Looper Levels amp EQ in LCD 2 Preferences Scenes amp FX Loop in LCD 3 and MIDI Gate amp Displays in LCD 4 Depending on the way you like to work most of your Global settings can be left as is after you ve set them initially They ll be recalled each time you power up In the following pages we ll describe them all in detail Setup Details Expression Pedals In LCD 1 you set up your expression pedal assignments Any or all 4 FX Units in the M13 can be controlled by an expression pedal You can use up to 2 pedals at once Each can be assigned to an FX Unit or the Looper You have 3 selection choices here Pedal 1 Pedal 2 or Off Knobs 1 amp 2 set the assignments for FX 1 amp FX 2 Knob 3 sets the assignment for the Looper and Knobs 4 amp 5 set the assignments for FX 3 amp FX 4 LL LPR PDLl FX1 0FF FX2 0FF LPR OFF FX1 PDL2 FX2 PDL2 LII 95 FX3 0FF FX4 0FF FX3 PDL2 FX4 PDL2 Looper pedal control is a global setting FX pedal control settings are saved per Scene See Chapter 2 for more details on how to set up heel and toe expression pedal settings Looper Levels amp EQ There are two Looper Levels to set up in LCD 2 The first is Play which determines the volume of your Looper s playback as balanced with your live guitar The second is Overdub which determines the volume of your lo
23. M13 Stompbox Modeler DELAY MOD DISTORTION FILTER VERB Advanced Guide An in depth exploration of the digital technologies and musical machinations of the M13 Stompbox Modeler Electrophonic Limited Edition Please Note Line 6 DL4 MM4 FM4 DM4 Verbzilla POD X3 POD X3 Live POD Pro PODxt andVetta are trademarks of Line 6 Inc All other product names trademarks and artists names are the property of their respective owners which are in no way associated or affiliated with Line 6 Product names images and artists names are used solely to identify the products whose tones and sounds were studied during Line 6 s sound model development for this product The use of these products trademarks images and artists names does not imply any cooperation or endorsement ADVANCED GUIDE M13 idis M13 Advanced Guide O 2008 Line 6 Inc Table of Contents Setup Tuner Setup MOUSE cept stellen peciam eee lel Expression Fist ere ee 1 2 Eat Levels amp EQ RIT c 192 Preferences True Bypass Scenes ne a 1 3 FX Loop Factory Be audits hu DR HI ute Mn qM ELA 194 MIDI Backup Global Noise Gate Depp 1e5 Model Details unse Tapebased FX Fine Tune Mole ee 2e DryThru Models Model Defaults Mix sse 292 Expression Pedal Detail a 293 Tube Compressor Moll isn en 293 Scenes Det
24. ails susanne Momentary Scene Mode Latch Scene Mode ess 3e Autosave Manual Save 302 Scene Setup EISE C 3e3 Looper Details een Looper amp Live Guitar 4 1 Expression Pedal an 4 1 M 4 2 Looper Tutoria o nba E 4 4 Delay Models ces nee Parameter Delle uses ee 5el Modulation Models GP Parameter Dill 6 1 Distortion Models us 7O Parameter Detalle acetum iniii deiner er RC RM EGO M DUM 7 1 8el Reverb Mode Cr Parameter Detalles isses tta PUR MEN UNE iras 9e Appendix Reference 1 4 MIDI Comi EO Ael Looper S Expression trei E Dec Ot ed Ael Ae2 Scene eve en ne NR Ae2 BPM Milliseconds seen nnne 3 Appendix n dias REO eh HV eco rp lu BO Bel Saving Scenes Internally Recalling The Current Scene Be2 Firmware Update ueri eet a Be3 Backup Tip bor Mac ann Be4 Setup Details SETUP DETAILS Welcome to the M13 Stompbox Modeler
25. all in the following pages Delay Models Reference Table Controls amp Parameters ET ERI Tape Echo amp Dryhru Time Bass Trese Analog Echo Time me mele Digital Delay Time Bas mele 5 Delay Models 5 2 Tube Echo amp Tube Echo DryThru Based on the classic 63 Maestro EP 1 the first of a series of Echoplex designs featuring a cartridge of looped 1 4 tape that passed over separate record and playback heads In the M13 we ve also included a new DryThru model with a flat dry signal path when Mix is set to 0 For more info on DryThru models see Chapter 2 Model Details Knob 1 Delay Time Displayed in milliseconds or note value Knob 2 Delay Feedback Knob 3 Wow Flutter Controls the tape emulation wow and flutter effect e Knob 4 Drive Adjusts the emulated tube distortion and tape saturation Knob 5 Mix Tape Echo amp Tape Echo DryThru Based on the solid state EP 3 with transistors instead of tubes for the sound electronics The EP 3 used the same basic mechanical design as the original Echoplex including the looped 1 4 tape Unlike the Tube Echo Model which gives you control of wow flutter and distortion our EP 3 emulation is designed to give you a less distorted tape emulation with adjustable tone controls We ve also included a Tape Echo DryThru model Knob 1 Delay Time Displayed in milliseconds or note
26. alue Knob 2 Delay Feedback Knob 3 Modulation Speed Higher levels result in faster modulation Knob 4 Modulation Depth Knob 5 Mix product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development is a registered trademark of Roland Corp Electro Harmonix is a registered trademark of New Sensor Corp Delay Models Sweep Echo amp Sweep Echo DryThru For this model we started with the tone of our EP 1 delay emulation then added a sweep ing filter effect to the delay repeats By design our original Sweep Echo model did not have a flat EQ response in the dry signal path so the character of the original was retained In the M13 we ve added a DryThru version with flat EQ when Mix is at 0 Knob 1 Delay Time Displayed in milliseconds or note value Knob 2 Delay Feedback Knob 3 Speed of the sweep effect 55 Knob 4 Depth of the sweep effect Knob 5 Mix between dry guitar and wet At 10096 you will hear the delay only Lo Res Delay Low bit resolution can create a unique sort of grunge and noise that is sometimes just the sound you re looking for and that s what the Lo Res Delay model provides Knob 1 Delay Time Displayed in mill
27. cenes to computer It makes it easy to build a custom Scenes library or exchange Scenes with others To backup your Scenes or to dump the current edit buffer follow these steps Turn Knob 3 to set your MIDI Channel from Ch 1 16 or Omni default is Ch 1 Turn the Model Select Knob to select Dump All to back up all 12 Scenes or 15 Dump Edit to back up the current Scene in its current state e With your computer set up to record sysex press down the Model Select knob The M13 will transmit the sysex file to your computer creating a backup of your Scenes that you can store and recall at any time To load a Scene into your M13 simply transmit the sysex file from your computer into the M13 via MIDI This will immediately load the Scene into the M13 s memory Global Noise Gate Knobs 1 and 4 in the center of LCD 4 control the Global Noise Gate When activated the Gate is in effect full time for all your FX Knob 1 turns on the Gate and sets the Gate Threshold Lower values make the Gate kick in at quieter levels higher values make it kick in at louder levels Knob 4 sets the Gate Decay Higher levels result in a longer transition from non gated to gated audio Displays To adjust the contrast of the LCD displays use Knob 5 Set it to a value that looks good to you Settings from 30 5096 usually work well When you ve set all the M13 s Global parameters to your liking press any switch to exit Setup mode A
28. clearer brighter discreet early reflections Echo Another Line 6 original This is a lush echo with reverb and distinct repeats as it decays 9 4 Appendix A Reference APPENDIX A REFERENCE MIDI Control The M13 will send and receive MIDI CC and Program Change messages on any MIDI Channel from 1 thru 16 or Omni selectable from the M13 Setup mode LCD 4 MIDI implementation includes MIDI CCs for Looper Control FX Unit On and Bypass messages Tap Tempo Expression Pedal CCs and Program Change messages for Scene select It is therefor possible to control the M13 from a MIDI controller or a computer sequencer The most common application would probably be to use a separate MIDI controller to control the M13 Looper so that all 12 Scene select switches on the M13 would be available for individual FX control Individual Model selection and assignment for each FX Unit from the 5 different FX groups is not implemented but individual FX loaded into the A B and C memory locations of all 4 FX Units can be engaged or bypassed via MIDI CCs The MIDI Reference Tables in this chapter represent the currenly implemented MIDI spec A more expanded MIDI implementation may be forthcoming in future M13 firmware updates Looper amp Expression Pedals 50 0 to 63 Overdub 64 to 127 Record 28 0 to 63 Stop 64 to 127 Play 36 Toggles between Half Speed amp Normal Speed 85 Toggles Reverse On or Off 82 84 64 Play Once Activates Play
29. contained spring reverb head unit Best known for great surf guitar tone Spring Based on a studio spring reverb The spring reverb s characteristic resonant sound was created by springs suspended inside a metal box Plate Plate reverbs consisted of a thin metal sheet suspended inside a box Dampening the metal plate was a method for adjusting the reverberant effect Room Simulates the acoustic properties of a classic echo chamber which was a room used in early recording studios for reverb effects Room reverbs consist mainly of early reflections Reverb Models Chamber An elongated ambient space such as a hallway stairwell or elevator shaft creates this reverb type Lots of decay on tap here Hall This model simulates the sound of a concert hall or large open space with a strong reverb tail Imagine a gymnasium performance hall or cathedral Ducking Built using a Hall model but with a ducking effect The volume of your reverb is ducked reduced while you re playing and increases when you pause between phrases 9 3 Octo Creates a lush ambient space Its dense harmonic decay is controlled by Knob 1 Decay Time Octo is very effective when using volume swells Reverb Models Cave A Line 6 original Cave is a surreal cavernous echo chamber Definitely deep Tile This model Emulates the acoustic reflections of a tiled room such as a bathroom or shower with
30. cturers are used solely to identify the products of those manufacturers whose tones and sounds were rademark of Gibson Guitar Corp Moog is a registered trademark of Moog Music Filter Models Attack Synth Inspired by a Korg X911 Guitar Synth The Attack Synth model features one of the waveforms used in the original X911 along with a few of the unique wave shaping functions we found on the unit we modeled SQUARE PWM Knob 1 Frequency Controls the stop frequency of the filter VCF on the X911 Knob 2 Selects Square Pulse Width Modulation or Ramp for the waveform Knob 3 Speed Controls Attack the time it takes to get to the stop frequency Knob 4 Pitch Controls Pitch over a two octave range Knob 5 Mix Synth String 8 9 Based on the Roland GR 700 Guitar Synth which has some of the coolest analog synth sounds designed for guitar The Synth String model is based on one of the signature sounds of the GR700 Knob 1 Frequency Controls a low pass filter tone control Knob 2 Q Controls the attack time Knob 3 Speed Sets the speed of the vibrato y pulse width modulation Knob 4 Pitch Controls the Pitch of the effect over a two octave range Knob 5 Mix All produc in this manual are trademarks of their v no way associa or affiliated with Line 6 me dena of ter mancare used solely to identify the products of those manufacturers whose tones and sounds were studied du
31. d 4 to add M13 Delay and Reverb Double routing set the Loop to Post FX 1 and send an Octave Fuzz from FX1 out to the front of a tube amp Route the amp s FX Send back into the M13 mono FX Return Now add M13 Filter Flange and Delay FX and send the M13 mono Out to your amp s FX return All the time based FX will be post your tube amp s preamp Wet dry stereo send a Comp or Dist model via FX Loop Send Post FX 1 to a tube amp for your dry sound Add Panned Phaser Ping Pong and Reverb in the M13 and set all Mix controls to 100 wet Now connect the M13 stereo outputs to 2 other guitar amps You ll get wide stereo FX left and right with dry guitar in the middle Factory Reset There may be times when you d like to reset your M13 to its Factory settings You may want to recall a particular Factory Scene for example To do a Factory Reset first back up any Scenes you d like to keep see MIDI Backup on page 15 then follow these steps Turn the Model Select Knob under LCD 4 until Rst Fact is displayed Press down on the Model Select Knob Reset To Factory will be displayed To initiate the Factory Reset press down on the Model Select Knob again e All Factory defaults will be reset including Scene Presets and Global settings 1 DUMP EDIT THRESH Zz RST FACT DECAY C 1 n a OMNI Setup Details MIDI Backup With a MIDI interface and a sysex application you can back up your M13 S
32. e the four A switches are lit That s because the loaded FX which are displayed in the LCDs are loaded in the A locations of all 4 FX Units You should see U Vibe Tube Drive Plate and Ping Pong displayed Play your guitar for a minute on the neck pickup You ll hear a Robin Trower Hendrix type of sound Step on all 4 C switches now You ll see Facial Fuzz Analog Flange Rotary Drum and Tape Echo It s a very different sound Now step on the Scenes switch and select Swamp Thing You ll see 3 LCDs lit because FX 2 is bypassed Step on the Scenes switch again and go back to 2A Bridge Of Vibes It s lost its Irower U Vibe sound That s because Autosave has saved your changes Notice all the C switches are lit Manual Save To see how Manual Save differs from Autosave let s do a Factory Reset and start over If you have any special Scenes saved you can defer this exercise until you back up your Scenes to computer Read all about it in Chapter 1 Page 5 Assuming you re okay to do a reset press and hold the Looper Controls switch to enter Setup mode again This time turn the Model Select Knob under LCD 4 to select RST FACT and press down on the knob Press again to initiate the reset After it resets select MNL SAVE under LCD 3 Now repeat the same steps you did before Press the Scene switch select Scene 2A then switch on all the C switches to change the sound of Bridge Of Vibes Step on the Scenes switch again select Scene 1C
33. e the same parameters and are controlled by Knobs 1 thru 5 as follows Knob 1 Drive control Knob 2 Bass Knob 3 Mid Knob 4 Treble EQ Knob 5 Output level Distortion Models Reference Table Controls amp Parameters Knob3 Knob4 Knobs Mid Treble Output Mid Mid Screamer Drive Overdrive Drive Classic Dist Drive Bass Heavy Dist Drve Bass Mid Mid Mid Line 6 Drive Drive Bass Ove Lie 6 Distortion Drive Bass Mid Output Sub Octave Fuzz Drive Bass sub Treble Outpu Octave Fuzz Drive Bass Mi Treble Output Boost Comp Drive Bass Tel Distortion Models Tube Drive Based on the Chandler Tube Driver The original was designed by keyboardist Brent Butler to add grind and girth to his Farfisa Utilizing a single 12 7 preamp tube the Tube Driver delivers the sweet singing sustain craved by guitarists worldwide Screamer Based on the Ibanez TS 808 Tube Screamer This medium gain pedal was introduced in the early 80s From Stevie Ray Vaughan to Michael Landau the simple Tube Screamer is the overdrive heard round the world 7 2 Knob 3 controls Tone true to the original Tube Screamer s Tone knob Overdrive Based on the DOD Overdrive Preamp 250 which was designed to slam the input of a tube guitar amp as well as add distortion The original had only gain and lev
34. ecording will remain intact Only the last take will be undone Note there s no way to archive loops in memory Only the current loop is preserved Play Once when you step on this switch your loop will play once then stop Pre Post this switch controls whether your loop will play back pre or post the FX in your current Scene If toggled Pre blue this means your loop will not pass thru the current FX If toggled Post green your loop will play back with your Scene FX applied E FX Switches when the Looper Controls are active the top row of C switches will control the on off state of the four loaded FX in your Scene Stepping on one of these switches will engage or bypass the Effect in that FX Unit be it loaded in A B or C For example if your current Scene includes a Tube Drive in FX1 A stepping on the C switch for FX1 will toggle your Tube Drive on or off This setup enables you to control all four of your FX while their locations may be hidden under the Looper switches 403 Looper Details 4 4 Looper Tutorial If you re new to loopers here s a basic example of how you might use the M13 Looper along with your live guitar We ll step thru the recording of a loop add an overdub or two use Half Speed and Reverse and demonstrate how Pre Post has an effect on the mix Start by selecting one of your favorite Scenes For this example make sure you re in Momentary Scene mode by first pressing and holding the Looper
35. ed with Repeat the steps above for new selections Latch Scene Mode In Latch Scene mode the only difference is when you step on the Scenes switch the 12 Scene names remain in the LCDs Any Scene you select will be loaded the same way but you won t see it s FX displayed in the LCDs The advantage to Latch Scene mode is you re always only 1 switch away from selecting a new Scene So you can have 12 completely different setups ready to go each only 1 switch away The disadvantage is you can t tweak or bypass any of the individual FX You can only bypass the entire Scene Scenes Details 3 2 Autosave Whether you re in Momentary Scene mode or Latch Scene mode your choice of Autosave or Manual Save is an important one In Autosave any change you make to your Scene is saved automatically This includes not only the on or off state of the individual FX while your scene is loaded but also the configuration of the Scene itself Let s load a Factory Scene and see what happens in Autosave mode Make sure you re in Autosave and Momentary mode first so you can access the individual FX To double check press and hold the Looper Controls switch for a few seconds to enter Setup mode Look at LCD 3 under Scenes and see if AUTOSAVE and MOMEN SCENE are assigned If you see MNL SAVE and LATCH SCENE change them with Knob 2 and Knob 4 Now press the Scenes switch and you ll see all 12 Scene names displayed Choose Scene 2A Bridge Of Vibes Notic
36. el controls but the M13 adds Bass Mid and Treble EQ You set Knob 1 at a minimum level on this and other Distortion models to get a boost in level without distorting your tone too much product names used in this manual are trademarks of their respective owners which are in way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 65 sound model development Tube Driver is a registered trademark of Butler Audio Inc Ibanex is a registered trademark of Hoshino Inc Tube Screamer is a registered trademark of Hoshino Gakki Co Ltd DOD is a registered trademark of DOD Electronics Corp Distortion Models Classic Distortion Based on the ProCo Rat from the late 70s The Rat was the beginning of a new generation of distortion boxes with a sound that was angrier and more aggressive than a conventional fuzz tone Knob 3 functions like the original Rat s Filter control which gives you a brighter tone at lower settings and a darker tone at higher settings Heavy Distortion Based on the Boss MT 2 Metal Zone which was introduced at the height of the big hair metal craze of the late 80s early 90s Heavy and scooped the tones of this model beg to be chunked upon 793 Colordrive Based on the Colorsound Overdriver which originated from London s Macari s
37. ene location you want to use in your M13 such as Scene 1A then send the sysex from your computer via MIDI Your custom Scene will load into Scene 1A and automatically save to that location 2 With your M13 set to Manual Save Select the destination Scene location you want to use in your M13 such as Scene 1A then send the sysex from your computer via MIDI Your custom Scene will load into Scene 1A but it will NOT automatically save to that location To save it you must immediately enter Scene Setup Mode after you load the Scene into location then manually save that Scene as described on Page 393 Bel The exception to this rule is when you use the DUMP ALL command to back up all your Scenes to computer then you want to load all those Scenes into your M13 again In this case when you send the sysex via MIDI from your computer into your M13 all your Scenes including any custom Scenes will load and be saved in your M13 regardless of whether it s set to Auto Save or Manual Save Users see Page B 4 Appendix B Tips Be2 Saving Scenes Internally With your M13 set to Auto Save if you make changes to a Scene and you want to give it a new name here s how to do it Enter Scene Setup mode by pressing and holding the Scenes switch Select the Scene you re already on by stepping on its switch 2B for example Rename it as described on Page 393 Once you have the name you like you can simply exit Scene Set
38. f the filter Knob 3 Speed Sets the speed at which the wah effects sweep Knob 4 Volume Sensitivity Sets the way volume will affect the speed of the effect Knob 5 Mix All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Electrix is a registered trademark of Electrix Pro Inc Filter Models Comet Trails After several days spent crafting the code that makes up our digital secret sauce one of our DSP developers came up with an inspired model that features 7 filters all chasing each other around and looping back and forth across sonic space We call it Comet Trails Knob 1 Frequency Controls the range of the filters Knob 2 Q Controls the width of the filters Knob 3 Speed Sets the rate of the filter movement Knob 4 Gain Controls the overall Gain Knob 5 Mix Slow Filter This triggered filter rolls off the high end of your tone with adjustable speed You get a choice of having your tone sweep from dark to bright Up mode or bright to dark Down mode The Q lets you further shape your tone by creating a sharp boost at the point of 8 7 the high end roll off as DOWN Knob 1 Frequency Sets where the filter begins its tone sha
39. g Knob 1 clockwise until the 1 4 note symbol is displayed then Tap in the tempo of your song Once your main tempo is set experiment with different delay repeats by selecting different combinations of the Head On Off settings using Knobs 3 and 4 When you have the effect you want adjust the Delay Feedback amount using Knob 2 All product na studied during Lim owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were ve owners sgistered trademark of Roland Corp in this manual are trademarks of thei ind model development Roland Delay Models Analog Echo Based on the Boss DM 2 an analog echo unit treasured for the warm distorted tones it produced This model is great for creating more experimental delay sounds Knob 1 Delay Time Displayed in milliseconds or note value Knob 2 Delay Feedback Higher levels result in more repeats Knob 3 Bass EQ Knob 4 Treble EQ Knob 5 Mix At 100 you will hear the delay only 54 Analog With Modulation This model is based on the Electro Harmonix Deluxe Memory Man This pedal uses the bucket brigade electronics of other analog echoes and adds an adjustable chorus circuit which is applied to the echoes only leaving the direct sound unaffected Knob 1 Delay Time Displayed in milliseconds or note v
40. ill transmit 196 messages and a DUMP EDIT will transmit 16 So if you were to click on RECORD ONE you would be recording only the first message from the M13 instead of 196 or 16 messages resulting in an incomplete and unusable backup file M13 idis
41. ing you to record and play back a loop while your current Scene is still active Here are the details 42 L Looper Controls Switch when you step on this switch it will light up red indicating the two bottom rows of footswitches will now control various functions of the Looper Your current Scene will still be active and each of the loaded FX in your Scene will be displayed in the four FX Unit LCDs EJ Record Overdub to record a guitar loop step on this switch and the M13 will record up to 30 seconds of whatever you play Step on it a second time and your recorded loop will begin to play back immediately with Overdub mode activated LED will flash Overdubbing once you have a loop recorded you can layer an overdub on your current loop at any time Simply play back the loop and step on the Record Overdub switch Your new live guitar will be recorded along with your previous guitar track Looper Levels the Playback and Overdub Level of your loop will be determined by the Looper Levels you set in Chapter 1 Page 2 Play Level is the volume of your recorded loop in relation to your live guitar volume Overdub Level is the level of your Looper Details loop that will be recorded each time the loop cycles in Overdub mode In other words if Overdub Level is set at 80 every time your loop cycles in Overdub mode it will decrease in volume by 20 in relation to your live guitar For no reduction in volume set Overdub Level to 1
42. ions of the on off switches provide a rich smooth chorus Knob 1 Selects Switch 1 On or Off Knob 2 Selects Switch 2 On or Off Knob 3 Selects Switch 3 On or Off Knob 4 Selects Switch 4 On or Off Knob 5 Mix Keep it set near max for the best chorus sound 6 9 Ring Modulator Ring modulators are for those special times when you want different distinctive weird strange and otherwise non traditional guitar sounds With Mix set under 100 some of your dry guitar sound will be heard At 100 there are no rules Knob 1 Speed Knob 2 Depth e Knob 3 Adjusts your Wave Shape from Sine to Square Knob 4 Select AM amplitude modulation or FM frequency modulation Set to minimum for AM maximum for FM or anywhere in between to blend the two Knob5 Mix Experiment with different Mix levels for different effects All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Roland is a registered trademark of Roland Corp Distortion Models DISTORTION MOoDELS This chapter provides parameter details on the 16 Distortion models from the Line 6 DM4 Also included are a Volume model 6 Compressors and a Noise Gate Most of the Distortions hav
43. iseconds or note value Knob 2 Delay Feedback Knob 3 Tone of the delays only Knob 4 Resolution adjustable from 6 to 24 bits Knob 5 Mix All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Delay Models Digital Delay This model is a Line 6 original With 32 bit floating point processing and a true stereo audio path it s one of the best digital delays you ll find in a pedal unit Use it when you want a clean delay effect Knob 1 Delay Time Displayed in milliseconds or note value e Knob 2 Delay Feedback Higher levels result in more repeats 5 6 Knob 3 Bass EQ Knob 4 Treble EQ Knob 5 Mix At 096 you will hear dry guitar at 10096 you will hear the delay only Digital Delay With Modulation Use this model to add a chorus effect to your digital delays Like the chorus in the Analog Delay w Mod model the modulation is applied to the delay repeats only leaving your direct sound unaffected Knob 1 Delay Time Displayed in milliseconds or note value Knob 2 Delay Feedback Knob 3 Modulation Speed Higher levels result in faster modulation Knob 4 Modulation Depth Knob 5 Mix Delay Models Stereo Delay
44. istered trademark of Dunlop Manufacturing Inc Distortion Models Volume Pedal Use the Volume Pedal model in any of the 4 FX Units to control Volume using an expression pedal Set your minimum Volume by adjusting Knob 1 Red Comp Based on the MXR Dyna Comp Blue Comp 7 7 Based on the Boss CS1 Compression Sustainer with the Treble switch off Blue Comp Treb Based on the Boss CS1 Compression Sustainer with the Treble switch on All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development MXR is a registered trademark of Dunlop Manufacturing Inc Boss is a registered trademark of Roland Corp Distortion Models Vetta Comp From the Line 6 Vetta Adjust the threshold with Knob 1 the Sensitivity control Vetta Juice Another Vetta original Knob 1 adjusts Amount a variable Compression ratio control Knob 2 adjusts Level with 30dB of available gain 78 Tube Comp This is a Compressor model from the POD X3 family based on a vintage Teletronix LA 2A optical compressor Adjust Threshold with Knob 1 and Level with Knob 2 Noise Gate If you re not using the M13 s Global Noise Gate you can use this model in any or the 4 FX Units Knob 1
45. l speed or 60 seconds at half speed Keep in mind your loop will play back in mono even if you re running stereo FX Looper amp Live Guitar When you record and play back a loop your current Scene will still be active In fact while your loop is playing you can select a new Scene at any time by stepping on the Scenes switch then selecting a Scene as usual Since the M13 responds to MIDI messages you can optionally set up a MIDI control 4 device to control the looper leaving all 12 of your FX Unit switches dedicated to your M13 effects This way you could switch your M13 s four sets of A B and C effects on or off at any time and still control Play Record Overdub Half Speed and Reverse functions Below is a Reference Table of MIDI CC values for controlling M13 Looper functions via MIDI For a more comprehensive list of M13 MIDI messages see Appendix A MIDI CC Reference Table Looper Control Play Once 6 7 Activates Play Once function Looper Levels Controlled via EXP pedal only not MIDI CC Expression Pedal Control You can optionally control Looper EQ Playback and Overdub Levels with an expression pedal by setting up your heel and toe values and assignments in Setup Mode as described in Chapter 1 Page 2 Also see Chapter 2 for more expression pedal info Looper Details Looper Controls When you engage the Looper Controls switch the 7 switches in the two bottom rows will control the Looper enabl
46. me onto the music scene in 1977 and made waves with its big warm chorus tones ae VIBRATO Knob 1 Chorus Speed Knob 2 Choru Depth Knob 3 Selects Chorus or Vibrato 6 6 Knob 4 Adjusts overall Tone of the Chorus effect Knob 5 Mix Usually sounds best with higher Mix levels Tri Chorus This model is based on the Songbird DyTronics Tri Stereo Chorus This analog chorus featured 3 chorus circuits working off of 12 low frequency oscillators and 3 delay lines Knob 1 Chorus Speed Knob 2 Depth of Circuit 1 Knob 3 Depth of Circuit 2 Knob 4 Depth of Circuit 3 Knob 5 Mix from 096 dry to 100 wet product names used in this manual are trademarks of their respective owners which are in associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Boss is a registered trademark of Roland Corp Modulation Models Pitch Vibrato Based on the Boss VB 2 vibrato which featured a bucket brigade analog circuit that produced a lively vibrato Its big claim to fame was the Rise Time control Thanks to this clever circuit each time you kicked it on it sped up to where you last had it set Knob 1 Vibrato Speed Knob 2 Vibrato Depth Knob 3 Rise Time control Lower levels mean a longer Rise Time
47. odel Select Knob e All 4 FX Units are in a bypass state The Looper is stopped Looper Controls mode is inactive Looper Controls footswitch light is off SSS ZI TRUEBYP MNL SAVE POSTFX1 esl LATCH 4 gt 3 gt 2 gt 1 SCENE POSTFX2 mmm POSTFX3 POST ALL Scenes Knob 1 toggles between Autosave or Manual Save With Autosave every change you make to your Scene is saved like a real pedal board With Manual Save changes made to your individual FX will be saved only if you don t change Scenes if you do recall a Scene all your changes will be lost Manual Save is a good choice however when you want to be sure your Scenes will always be recalled exactly as programmed Knob 4 selects Momentary Scene or Latch Scene mode Please see Chapter 3 Scenes Details for more in depth information on Momentary Scene and Latch Scene modes Setup Details FX Loop You can insert the FX Loop anywhere in the signal path Use Knob 5 LCD 3 to select your insert point Your choices are Pre All Post FX 1 Post FX 2 Post FX 3 and Post All The following a few routing examples to demonstrate the M13 s flexibility Be aware that multiple amps may cause ground hum the common cure for this is a ground lift box e Add an external FX unit to the M13 for example run Vetta Comp in FX 1 U Vibe in FX2 then assign the FX Loop to Post FX 2 and feed an external distortion pedal That pedal s output would return to feed FX 3 an
48. op in Overdub mode To clarify if your Overdub Level is set to 90 each time your loop begins a new overdub its volume will be reduced by 10 sounding quieter and quieter with each overdub pass The default level for both Play and Overdub is 100 Use Knobs 1 and 4 to adjust these levels if desired aa n PLAY HI CUT EZ OVERDUB LO CUT With Knobs 2 and 5 you can adjust Looper Hi Cut and Lo Cut EQ levels Hi Cut rolls off the high end for loop playback 2kHz and Lo Cut rolls off the low end 500Hz If applied this EQ affects the sound of loop playback only having no effect on live guitar Setup Details Preferences In LCD 3 you set up FX Preferences beginning with FX order The default is 1 gt 2 gt 3 gt 4 left to right If you prefer you can set it to 4 gt 3 gt 2 gt 1 using Knob 3 With this setting your signal flow begins with FX Unit 4 and flows right to left Set the FX order you prefer The Model Select Knob toggles between True Bypass and DSP Bypass In True Bypass mechanically switching relays route your signal directly from input jack to output jack 13 bypassing all circuitry for absolutely processing or conversion when bypassing all FX If you re playing back a loop however or you want your Delay and Reverb trails to be heard when bypassing all FX you must use DSP Bypass True Bypass can only be activated when all of the following conditions are met True Bypass is enabled in Setup mode via the M
49. p to a space 0 or A It makes it a lot faster to name your Scene e With your scene named press its switch again It will stop flashing Press the Scenes switch then select your custom Scene You ve just saved it Effect Copy The main purpose of Effect Copy is to enable you to move your current effect with all its settings intact to another location and to save it there with all your edits intact This can very useful when you ve been tweaking an effect and you get it sounding exactly right but you d rather have it routed either before or after another effect in your Scene Effect Copy makes this extremely easy to do Here s how Set up the Effect you want to copy with all parameters adjusted to your liking Press down on the Select knob of the source FX Unit its LCD will begin flashing Press the foot switch of the destination location you d like to use The LCD will stop flashing indicating the Effect Copy was successful Your source effect will now be stored in the destination location with all your settings intact You can also use Effect Copy to simply re arrange your existing FX in a Scene Or experiment with duplicates of a particular sound you ve created in the same Scene for an extreme or unique musical effect Looper Details Looper DETAILS The Looper in the M13 is similar to the looper in the DL4 Stompbox Modeler It gives you up to 30 seconds of mono recording time at norma
50. ping roll off Knob 2 Q Controls the width of the filter Knob 3 Speed Sets the speed of the filter sweep Knob 4 Mode Selects between two modes Up or Down Knob 5 Mix Filter Models Octisynth This model is a velocity sensitive combination of Ring Modulator Synthesizer VCO and Vibrato pedal As an added bonus your guitar s volume knob can control the frequency of the oscillator Set it low for a mellow muted response or turn it up all the way for a radical ageressive sound Knob 1 Frequency Controls filter content adding second order harmonics Knob 2 Q Controls the width of the filters Knob 3 Speed Sets the rate of the Vibrato Knob 4 Depth Controls the Depth of the Vibrato Knob 5 Mix Synth O Matic This model features waveforms captured from a collection of vintage analog synths 8 8 including a Moog Modular and an Oberhiem Synthesizer Expander Module aH WAVE 1 WAVE 2 WAVE 3 WAVE 4 O a WAVE 5 WAVE 6 WAVE 8 Knob 1 Frequency Determines how bright your sound will be Knob 2 Q Sets filter width to add more or less emphasis on the selected frequency Knob 3 Speed Selects one of the eight synth waveforms Knob 4 Pitch Controls the Pitch of the synth sound Knob 5 Mix used in this manual are trademarks of the s sound model development Oberheim mers which are in no way associated or affiliated with Line 6 These trademarks of other manufa
51. ress the Half Speed switch You ll hear your loop an octave lower at half its normal speed Press Half Speed again to return to normal speed As your loop continues to play press the Reverse switch You ll hear your loop play backwards As an experiment let it roll and hit the Overdub switch Play for the duration of your loop then hit Stop You might also try this with Half Speed Hit the Reverse switch to exit then press Play You ll hear your initial loop and your first overdub as originally recorded while your second overdub will play in reverse Toggle the Pre Post switch and you ll hear your loop play back with and without your current Scene s FX applied to the loop Jam along with live guitar This should demonstrate a few of the possibilities Feel free to experiment on your own Delay Models DeLay Moers This chapter contains details on the M13 Delay models which include all the Delay models from the Line 6 DL4 We ve also added Echo Platter from Echo Pro and 4 new DryThru models for Tube Echo Tape Echo Sweep Echo and Echo Platter See Chapter 2 Model Details for a description of the DryThru Delay models Parameter Details Below is a Reference Table listing all the Controls and Parameters for the Delay models Knobs 1 2 and 5 are basically the same for all models adjusting Delay Time Feedback and Mix respectively Knobs 3 and 4 control various parameters depending on the Delay model loaded We ll detail them
52. ring Line tdem Inc Roland a registered trademark of Roland C Filter Models Growler For the Growler we modeled yet another great sounding GR700 tone and fused it with the characteristics of the Mu tron resulting in a model that gives you user controllable pitch and pulse width modulation and a unique sound Knob 1 Frequency Controls the frequency of the filter Knob 2 Q Sets the width of the filter Knob 3 Speed Dials in the speed of the vibrato y pulse width modulation Knob 4 Pitch Controls the Pitch of the synth over a two octave range Knob 5 Mix Q Filter This is essentially a parked wah model a wah parked in one position that creates a unique notched kind of sound With the Q Filter this effect is programmable and 8 10 repeatable You can even use it as a wah pedal if you connect an expression pedal to the M13 and set it to sweep Frequency from low to high BP HP Knob 1 Frequency Controls filter frequency like the position of a wah pedal Knob 2 Controls the width of the filter Knob 3 Speed Sets the gain the amount of boost the effect gives to your guitar Knob 4 Filter selects the type of filter effect Low Pass Band Pass or High Pass e Knob 5 Mix All product names used in this manual are trademarks of their respective owners which are in no way associated or of iated with Line 6 These trademarks of other manufact
53. s In this chapter we ll describe the various parameters of the Modulation Models in detail to make it easier for you to tweak your sounds Below is a chart of all the Controls and Parameters you can adjust using Knobs 1 thru 5 located just below the LCD display Modulation Models Reference Table Controls amp Parameters Opto Tremolo 6 1 Modulation Models Opto Tremolo Based on the tremolo circuitry of the 1965 Fender Deluxe Reverb amplifier which features a pulsing light source directed at a photo resistor Knob 1 Tremolo Speed e Knob 2 Tremolo Depth e Knob 3 Shape from classic smooth tremolo to dramatic sci fi throb Knob 4 Volume Sensitivity Louder input signals speed up the tremolo and lower input slows it down 6 2 Knob 5 Mix Tremolo usually sounds best from 90 100 wet Bias Tremolo This Model emulates a classic Vox tremolo circuit design Bias tremolo produces a deep 3 dimensional tremolo with a wide stereo spread Knob 1 Tremolo Speed e Knob 2 Tremolo Depth Knob 3 Shape The minimuim setting is a sign wave and max is a square wave Knob 4 Volme Sensitivity Louder input signals speed up the tremolo and lower volume inputs slow it down Knob 5 Mix As with Opto BiasTremolo usually sounds best from 90 100 wet All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line
54. s mentioned previously the next time you power up your M13 all your Global settings will be recalled Model Details DETAILS The following are details on a few late breaking models and features that were implemented in the latest M13 firmware These were the result of customer requests as well as features 2 1 the development team wanted to add the final months of development Tap based FX Many guitarists who use time based effects like to set their delay times to a note value relative to the song tempo as opposed to setting delay times in milliseconds This has been included in the M13 as Tap based FX To set your delay time to tap tempo turn Knob 1 to the far right and you ll see a quarter note symbol in the LCD Change it to any note you like Now tap the desired tempo and your time based effect will sync to it Your note value is persistent so when you scroll through other effects it will be retained To set your delay time to ms turn Knob 2 to the right again and you ll return to Time based mode Fine Tune Mode When you re in Time based mode you may want to fine tune your delay time to an exact number This may be necessary to match a song s tempo or to set up precise stereo delays to 240 ms and 480 ms for example To make this easy to do we ve implemented Fine Tune mode When you want to dial in a precise delay time simply do the following Adjust Knob 1 to set the delay time close to the desired value
55. tered trademark of Dunlop Manufacturing Inc Ibanez is a registered trademark of Hoshino Inc Modulation Models Analog Flange This is our model of the classic MXR Flanger It s known for a very warm sounding flange featuring a bucket brigade analog circuit design and a uniquely shaped waveform Knob 1 Speed Knob 2 Depth Knob 3 Flanger Feedback Knob 4 Manual control to adjust the delay time for the flanging effect Knob 5 Mix From 0 to 100 6 5 Jet Flanger This is our model of the A DA studio quiet Flanger Introduced in 1977 this stomp box has a sweep range of 35 to 1 and a built in compressor that work together with the tone circuitry to give the A DA its signature jet like sweep It s a bit more dramatic than the MXR and has a different wave shape Knob 1 Speed Knob 2 Depth Knob 3 Feedback amount Knob 4 Manual This controls the delay time for the flanging effect Knob 5 Mix All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development MXRG is a registered trademark of Dunlop Manufacturing Inc Modulation Models Analog Chorus Based on the classic stomp box chorus the Boss CE 1 The CE 1 ca
56. the filter effect Knob 4 Filter Selects Low Pass Band Pass or High Pass filter Knob 5 Mix Tron Up 82 This model emulates the Mutron III with its switch in the up position HIGH BP HP Knob 1 Frequency Determines the high and low settings of the filter sweep Knob2 This sets the width of the filter Knob3 Range Selects High or Low frequency focus of the filter effect Knob 4 Filter Selects Low Pass Band Pass or High Pass filter Knob 5 Mix All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Mu Tron is a registered trademark of Mark Simonsen Filter Models Seeker Inspired by the Z Vex Seek Wah a box that contains 8 parked wah filters that can be set at varying positions and then sequenced through creating a pulsating hypnotic effect 2 STEPS 4 STEPS 6 STEPS ZI mm 3 1 3 STEPS 5 STEPS 7 STEPS 9 5 5 Knob 1 Frequency Select from a range of sequenced patterns of wah filter settings Knob 2 Sets the width of the filters Knob 3 Speed Controls the time it takes to cycle through the filters Knob 4 Steps Sets the number of filter steps in the seq
57. toe values for expression pedals Mix As with all other model details the Mix control is set up to work like it did on the DL4 MM4 or other Line 6 product that first introduced a particular model In keeping with this setting Mix to 100 sometimes engages a special setting found on the original effect such as vibrato in the U Vibe or a richer Leslie sound in the Rotary Drm Hrn All product names used in this manual are trademarks of thei studied during Line 65 sound model development Leslie is a associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were Instrument Manufacturing Co Ltd Model Details Expression Pedal Details Almost any parameter in the M13 can be controlled by an expression pedal as long as you ve set up your FX Units and Looper assignments accordingly in Setup Mode To set up expression pedal heel and toe values for the parameter you d like to control here s an 23 example of how to do it Let s say you d like to control the Mix level of a Reverse Delay Select Reverse Delay in one of the FX Units and adjust the sound to your liking Plug in your expression pedal and set it to the heel down position Adjust the Mix level of the Reverse Delay with Knob 5 Set it to 0 Put your expression pedal in the toe down position and set the Mix level to 10096 Play your g
58. uence from 2 to 9 Knob 5 Mix Obi Wah Based on the Oberheim Voltage Controlled Filter a classic Sample and Hold filter which creates changes in tone by randomly emphasizing certain frequencies 893 LP il Knob 1 Frequency Sets the frequency where the filter will change your tone Knob 2 Controls the width of the filter Knob 3 Speed Sets the rate of the random filter changes Knob 4 Filter Selects the type of filter used Low Pass Band Pass or High Pass Knob 5 Mix All product names used in this manual are trademarks of their respective owners which are way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Oberheim is a registered trademark of Gibson Guitar Corp Filter Models 8 4 Voice Box Inspired by Vocoders this model gives your guitar a sound that s typical of a classic talk box It shifts between a starting and ending vowel sound as you play automatically Knob 1 selects a Start vowel and Knob 2 selects an End vowel Auto lets you choose one of four settings for shifting back and forth between the Start vowel and End vowel automatically shifting at the Speed you set with Knob 2 You can also use an expression pedal to control the shift E 3 SRT E AUTO 2 END A
59. uitar and work your pedal the reverse guitar will fade in and out You can repeat this with any effect parameters you like Your expression pedal will control them simultaneously If you get to a point where you want to start over simply unplug your pedal from the rear panel and all unsaved pedal assignments will be cleared Tube Compressor Model In addition to the 5 compressors described in the manual which are all typical stomp box type compressors we also snuck in a Tube Comp model based on the studio classic Teletronix LA 2A Optical Compressor known for its smooth easy to adjust tube sound You ll find it at the end of the Distortion FX group Here s how it works e Adjust Knob 1 to set the Threshold lower values result in more compression along with an automatic makeup gain stage dependent upon the Threshold setting Set the output Level with Knob 2 To use the Tube Comp model for boost only use a high Threshold value and adjust your Level as desired All product names used in this manual trademarks of their respective ted or affliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Teletronix LA 2A is a Scenes Details Scenes DETAILS The M13 offers you two different ways to select your Scenes depending on the way you like to work Your choices are Momentar
60. up mode by pressing any switch and your new name for Scene 2B will be automatically saved With your M13 set to Manual Save if you make changes to a Scene and you want to give it a new name you start out the same way but you add an extra step as follows Enter Scene Setup mode by pressing and holding the Scenes switch Select the Scene you re already on by stepping on its switch 2B for example Rename it as described on Page 393 But this time once you have the name you like you must add the following step Press and hold the switch for Scene 2B again until its LED stops flashing The LCD will then display Copy Completed and your new name will be saved along with all the Scene s current settings Recalling The Current Scene If you change a Scene s configuration then you step on the Scenes switch and recall the same Scene you re already on the Scene will not change from its current settings If you select a different Scene however then go back to your previous scene you will get different results depending on whether you re in Manual Save or Auto Save mode as follows When in Auto Save mode the M13 will retain all the changes you just made All the previously saved settings will be overwritten with your most recent settings When In Manual Save mode the M13 will NOT retain all the changes you just made Instead it will recall the Scene s previously saved settings Appendix B Tips Flash Memor
61. urers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line sound model development Mu Tren is red adem of Mark Simonsen Roland a registered trademark of Roland Corp Reverb Models REVERB MODELS This chapter describes the 11 Reverb models we ported from the Line 6 Verbzilla pedal one of our most popular stomps in the ToneCore family All Reverbs are stereo and they sound best routed towards the end of your FX chain Parameter Details As indicated in the Reference Table below all M13 Reverb models are set up the same way Mix is persistent for all Reverbs your Mix level will stay the same when you load a different Reverb model Knobs 1 thru 5 control the following for all Reverb models Knob 1 Decay time Knob 2 Pre delay time adjustable from 20 to 200 milliseconds Knob 3 No assignment for the Reverb models Knob 4 Overall Tone of the wet reverb signal Knob 5 Mix from 0 dry to 100 at 100 you ll hear wet reverb signal only Reverb Models Reference Table Controls amp Parameters Model Knobz Knob nbs Hall Decay Pre Dely Tone Ducking Decay Mix Octo Decay Tone Cave Decay Tie Decay Echo Pre Delay Tone 9 1 Reverb Models 92 63 Spring Based a 1963 brown self
62. y Scene mode or Latch Scene mode To clarify what we mean by a Scene it s basically the equivalent of a unique pedal board setup which you can program yourself It includes up to 4 active FX and another 8 FX set up but bypassed When you select a particular Scene a combination of 4 active FX is immediately loaded into your M13 The other 8 FX will also be loaded but bypassed You can switch any of the 8 FX on at any time replacing any of the 4 you started with 341 If you use an expression pedal in your rig you should know that all of your heel amp toe pedal assignments can be stored in a Scene so many unique combinations are possible Here are some details explaining Momentary Scene mode and Latch Scene mode Momentary Scene Mode In Momentary Scene mode here s what happens e When you step on the Scenes switch the 4 LCDs will display the 12 Scene names in your M13 Youselect a Scene by stepping on any of the 12 A B C switches that correspond with the Scene names in the LCD The Scene you choose will be loaded immediately You will now see the 4 active FX displayed in the 4 FX Unit LCDs You can tweak the parameters of each if you like or you can activate any of the bypassed FX Any changes you make to the Scene will be saved like a real pedal board see page 32 for details on Autosave vs Manual Save To select a new Scene you must step on the Scenes switch again and you ll see the 12 Scene names you start
63. y Update Instructions Here are some instructions on how to update your M13 s Flash Memory Please note that Line 6 does not endorse Cubase MIDI Ox or Sysex Librarian We refer to these apps as examples only since users report that they often use them to perform firmware updates Needed A MIDI interface that connects to your computer via USB download the current Driver for it if you don t have it installed 2 MIDI cables or a MIDI interface that comes with MIDI cables attached A MIDI sequencer app such as Cubase or a sysex app such as MIDI Ox Windows or Sysex Librarian Mac Mac users go to Page B4 and follow the steps under Procedure Additional Info For Windows MIDI Ox Users Make sure your MIDI interface Driver is installed and working Run the MIDI Ox application Go to Option then MIDI Devices select USB Audio Device for both MIDI Inputs and MIDI Outputs uncheck Automatically Attach Inputs To Outputs During Selection click OK to accept it Go to View then Port Routing delete the connection between Input Ports and Output ports if they are connected make sure only MIDI Ox Event Port connects to Output Ports Goto View then Sysex In Sysex View and Scratchpad go to Sysex then Configure make sure you check Delay after F7 and set the Delay Milliseconds Between Buffers to 101 click OK to accept Now go to Page 4 and follow the steps under Procedure NOTE if the update fails and you re
64. y to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development MXRG is a registered trademark of Dunlop Manufacturing Inc Mu Tron is a registered trademark of Mark Simonsen Modulation Models Panned Phaser Modeled from the Ibanez Flying Pan a 4 stage phase shifter with panner built in The original featured a 3 position switch to assign phasing to the left right or center LL LEFT RIGHT Knob 1 Phaser Speed e Knob 2 Phaser Depth Knob 3 Assigns the Phaser output to the Left Center or Right channels 6 4 Knob 4 Pan Speed Higher values result in faster panning e Knob 5 Mix U Vibe Essentially a four stage phase shifter the legendary Uni Vibe is best known for its watery texture and sultry tones Made famous by the late great Jimi Hendrix Knob 1 Speed e Knob 2 Depth Knob 3 Feedback amount Knob 4 Volume Sensitivity Play harder and the U Vibe effect speeds up play softer and it slows down Knob 5 Mix Setting Mix at 10096 switches on a vibrato effect like the original All product names used in this manual are trademarks of their respective owners which are in no way associated or affiliated with Line 6 These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6 s sound model development Uni Vibe is a regis

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