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QL Ministry of Rock 2 Virtual Instrument Manual - Soundsonline

1. Angels and Demons Night at the Museum and Young Victoria are a few recent examples Nick is based at East West Studios in Hollywood and Remote Control in Santa Monica He founded Two Steps From Hell with Thomas Bergersen in 2006 www twostepsfromhell com The journey as a composer has inspired Nick to record and program his own sounds and samples Nick founded Quantum Leap Productions in 1997 and Quantum leap has since grown to be the world s top producer of high end virtual instruments A 13 year partnership with Doug Rogers and EastWest has yielded award winning software titles such as Stormdrum 1 and 2 Symphonic Orchestra Symphonic Choirs Silk RA Voices Of Passion Ministry Of Rock Gypsy Quantum Leap Pianos Goliath Hollywood Strings and many others Chapter 1 Welcome QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Credits Producer Nick Phoenix Executive Producer Doug Rogers Engineering Nick Phoenix Doug Rogers Rhys Moody Assistant Engineer Ken Sluiter Lead Programmer Justin Harris Programming Nick Phoenix Pierre Martin Ashif Hakik Editing Pierre Martin Justin Harris Art Direction Steven Gilmore Doug Rogers Nick Phoenix Software Klaus Voltmer Klaus Lebk cher Julian Ringel Patrick Stinson Adam Higerd Ezra Buchla Doug Rogers Nick Phoenix Rhys Moody David Kendall Nick Cardinal Jonathan Kranz Bartlomiej Bazior Manual John Philpit Special Th
2. Chapter 3 The Ministry of Rock 2 User Interface 13 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT The Frequency knob determines where the sound starts to be filtered out The Resonance knob specifies how much the filter rings at the dialed frequency The higher the reso nance knob is set the more focused this ringing becomes The graph gives you visual cues about the frequency distribution you are creating with the settings you select ADT Controls Artificial Double Tracking is a technique invented at Abbey Road when the Beatles were recording there that approximates the effect of double tracking re cording two nearly identical takes of a vocalist or in depth he strument on the same part and laying one on top of the other without M taking the time to record two takes And some would say ADT improves on actual double tracking even beyond the savings in time The original ADT process was based on magnetic tape in the PLAY Engine the effect is created digitally The software programmers however added a tape simulator to mimic the slight speed variations of the two analog tape ma chines that created the ADT effect The Delay knob specifies in milliseconds the delay between the original signal and the secondary signal A delay of around 40 ms is typical so is often a good starting point when crafting a specific effect The Depth knob specifies the amount by which that delay is modulated You don t want an exac
3. Non vib Sustain Vib Vib Accent Rhythm Pos 1 RR Rhythm Pos 2 RR Non vib Sustain Vib RR Lead Hammer On Pull Off Lead Slide Up Down Scream Bend Down Fast Fall Down Fall Up Harmonics 3 Positions Staccato RR Scrapes Rhythm Strum Noise 1 Rhythm Strum Noise 2 Sustain Non vib Sustain Vib Hammer On Pull Off Slide Up Down Lead Sustain Non vib Lead Sustain Vib Staccato RR Lead Sustain Non vib Lead Sustain Vib Non vib RR Sustain Vib RR Rhythm Pos 2 RR 44 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT FENDER TELECASTER THINLINE GUITAR Fender Telecaster Lead Elements Fender Telecaster Lead Elements Bend Down Fast Fall Down Fall Up Hammer On Harmonics 3 Positions Pull Off Scrapes Scream Slide Down Slide Up Staccato RR Sustain Non vib Down Sustain Non vib RR Sustain Non vib Up Sustain Vib Accent Sustain Vib Down Sustain Vib RR Sustain Vib Up Vib ff Telecaster Strummer KS and MOD Telecaster Rhythm KS C0 D 0 Telecaster Rhythm MOD 1 continued Chapter 4 Guitars and Basses C0 Rhythm Pos 1 RR C 0 Rhythm Pos 2 RR DO Rhythm Strum Noise 1 D 0 Rhythm Strum Noise 2 F5 C7 String Noise upper range not KS 0 64 Rhythm Pos 1 RR 65 127 Rhythm Pos 2 RR F5 C7 String Noise 45 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT FENDER TELECASTER THINLINE GUITAR Telecaster Rhythm Elements Telecaster Rhythm Elements Rhythm Pos I RR Rhythm Pos 2 RR Rhythm Strum N
4. FO Slide Up F 0 Scream GO Harmonics NV G 0 Pinch Harmonics A0 Scrape A 0 Scrape Fall continued Chapter 4 Guitars and Basses 38 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT CARVIN GUITAR NECK Carvin Neck Lead KS CO El continued from prior page Carvin Neck Lead Long MOD 1 Carvin Neck Lead Long MOD 2 see note before this table Carvin Neck Lead Long MOD Velocity Sensitive Vib see note before this table Carvin Neck Lead Elements Carvin Neck Lead Elements continued on next page continued Chapter 4 Guitars and Basses 0 20 21 70 71 127 0 20 21 70 71 127 Velocity lt 44 Velocity gt 115 0 20 21 70 71 127 Flutter Arpeggio Hammer On Flutter Arpeggio Staccato RR Staccato Palm RR Staccato x Perf Random Noise 1 Random Noise 2 Sustain Med Vib RR Hammer On Pull Off Slide Fast Up Down Sustain Med Vib RR Hammer On Pull Off Slide Fast Up Down Harmonics Non vib Scream Sus NV VB MV w Scream Vib Hammer On Pull Off Slide Fast Up Down Harmonics Non vib Pinch Harmonics FX Pull Off Random Noise 1 Random Noise 2 Random Noise 3 Scrape Fall Scrape Scream Slide Down Fast Slide Up Fast Slide Up 39 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT CARVIN GUITAR NECK Carvin Neck Lead Elements Staccato RR continued from prior page Staccato Palm RR Sustain Exp Vib RR Sustain Med Vib RR Sustain Non vib RR Carvin Neck Lead Tempo Sync Performanc
5. and your use of such material is governed by their respective terms License Agreement License 6
6. 100 Lead Sustain w Hammer On Pull Off D4 F5 String FX Carvin Bridge Rhythm Elements Carvin Bridge Rhythm Elements PC Double RR PC Down PC FX Rhythm PC Palm Med RR PC Palm Short RR PC Slide Down PC Slide Up PC Staccato8 PC Staccato8 Fast PC Up PC Slide Down PC Slide Up The Gibson Les Paul 7 String Guitar Two instruments in this folder needs more explanation than can be easily conveyed in the table below Chapter 4 Guitars and Basses 28 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT 1 Gibson Lead Long MOD Velocity Sensitive Vibrato When the Mod Wheel is in its lowest range O 20 you can control the amount of vibrato with each note s MIDI Velocity as follows e Velocity 0 55 No Vibrato e Velocity 56 94 Medium Vibrato e Velocity 95 127 Heavy Vibrato except see below e Velocity 126 127 Scream Vibrato only on notes B3 B5 2 Gibson Lead Long NV VB LEG MOD This instrument includes a script that creates a legato effect when notes are played with no gap between them GIBSON LES PAUL 7 STRING GUITAR Gibson Lead KS and MOD Gibson Lead KS A 1 E1 A 1 Non vib RR A 1 Med Vib RR B 1 Hard Vib RR C0 C 0 Sustain Med Vibrato script C0 Med Vib Hammer On Pull Off CHO Med Vib Slide Up Down D0 D40 Sus Hard Vib script DO Hard Vib Hammer On Pull Off D 0 Hard Vib Slide Slow Up Down E0 Bend Up FO Bend Down F 0 Scream Bend Up GO Scream Fast Bend Down G 0 Scream Fast Bend Up A0 Scream Vib Ben
7. 90 127 D4 A5 0 31 32 64 65 97 98 127 velocity gt 110 D4 A5 Chugs FX Chugs Short PC Death Long PC Death Slow PC Death PC Down Up PC Hammer On PC Palm RR PC Palm Fastest x RR PC Palm x Perf Chugs Short Chugs FX Random FX Scrapes and Noises Fret and String Noise range not KS PC Sustain 1 PC Hammer On Pull Off PC Slide Up Down Fret and String Noise range not KS PC Staccato Palm Fast RR PC Palm RR PC Palm Slow RR PC Sustain PC Hammer On Pull Off Fret and String Noise range not KS PC Palm Slow RR PC Palm x RR PC Pull Off PC Slide Down PC Slide Down Slow 24 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT BARITONE GUITAR Baritone Rhythm Elements PC Slide Up continued from prior page PC Slide Up Slow PC Slow RR PC Staccato Palm Fast RR PC Sustain 1 PC Sustain 2 Random FX Scrapes and Noises Baritone Rhythm Tempo Sync Performances Baritone Rhythm PC Palm x Perf 260 bpm Tempo Sync Performances Carvin Guitar Bridge Pickup Both of the Carvin instruments recorded here Neck Pickup and Bridge Pickup have been sampled twice and panned hard left and hard right When you load any of the patches for these guitars you are loading two separate ewi files and PLAY assigns them both the same MIDI channel number so that they play back together for a true double tracked stereo sound In the keyswitch and MOD files you will see S1 or S2 in the names these are
8. Kit Black Beauty Snare XXX GMS Snare XXX Ludwig Snare NC1 Snare Sonor Snare XXX Gretch Rock Kit Black Beauty Snare XXX Brady Snare XXX DW Snare GMS Snare NC1 Snare XXX NC2 Snare Sonor Snare Tempus Snare Chapter 5 Drums 63 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Ludwig Hip Hop Kit NC1 Snare Ludwig Metal Kit Black Beauty Snare XXX Brady Snare DW Snare NC1 Snare XXX NC2 Snare Sonor Snare XXX Tempus Snare XXX Ludwig Rock Kit Black Beauty Snare XXX Brady Snare XXX GMS Snare NC1 Snare Tempus Snare XXX Chapter 5 Drums 64 EASTWEST END USER LICENSE AGREEMENT EASTWEST SOUNDS INC END USER LICENSE AGREEMENT THE EASTWEST SOUNDS INC END USER LICENSE AGREEMENT GOVERNS THE USE OF EASTWEST EASTWEST QUANTUM LEAP AND QUANTUM LEAP SOFTWARE AUDIO CONTENT AND OTHER INTELLECTUAL PROPERTY PROVIDED BY EASTWEST TO THE END USER PLEASE READ THIS LICENSE AGREEMENT LICENSE CARE FULLY BEFORE USING THE EASTWEST SOFTWARE AUDIO CONTENT AND OTHER INTELLECTUAL PROPERTY AS IT GOVERNS THE TERMS AND CONDITIONS OF YOUR USE BY USING THE EASTWEST SOFTWARE AUDIO CONTENT OR OTHER INTELLECTUAL PROPERTY YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE IF YOU DO NOT AGREE TO THE TERMS OF THIS LICENSE DO NOT USE THE EASTWEST SOFTWARE AUDIO CONTENT OR OTHER INTELLECTUAL PROPERTY IF YOU DO NOT AGREE TO THE TERMS OF THE LICENSE YOU MAY RETURN THE EASTWEST SOFT WARE AUDIO CONTENT AND INT
9. MIDI GM layout of the drums on the keyboard This is followed by tables of the various drum setups You might want to print out some of the pages as a reference or load this PDF into a hand held reader for quick access when working Description of the Ministry of Rock 2 Drums The Ministry of Rock 2 drums are set up as drum kits that you can use as the produc ers arranged them or that you can customize by swapping out elements for example replacing the Sabian cymbals with Istanbul cymbals They all use the same mapping of MIDI notes to drum and articulation so it s easy to try out other drum kits combinations without having to change the notes you ve recorded in your sequencer All the drums were recorded with multiple microphones and you have control in the Player Ul over how much of each sampled audio to include in the mix and where to pan it in the soundscape One set of microphones sits close to the drum kit and overhead Another set of microphones is positioned further back to capture more of the sound of the room These room mics are available in 2 versions using the signal directly from the mics or after passing through a compressor to increase the overall volume without distortion of the loudest hits See the description of the Drum Mixer starting on page 15 for more details The Drums in Ministry Of Rock 2 feature positional sampling so you can access the sound of different parts of the drum It also features left and
10. PC Slide Up Down Slow D4 E5 String FX 0 25 PC Palm Mute Short RR 26 52 PC Palm Mute Medium RR 53 78 PC Palm Mute Long RR 79 105 PC Staccato RR 106 127 PC Long Slower RR D4 E5 String FX 0 25 PC Palm Mute Short RR 26 52 PC Palm Mute Medium RR 53 78 PC Palm Mute Long RR 79 105 PC Staccato RR 106 127 PC Long Slower RR velocity gt 100 Sustain Hammer On Pull Off D4 E5 Chug FX PC Chug Double Mute PC Chug Harmonics PC Chug Long RR PC Chug X RR PC Hammer On 32 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT GIBSON LES PAUL 7 STRING GUITAR Gibson Rhythm Elements PC Long Death RR continued from prior page _PC Long Faster RR PC Long Slower RR PC Palm Mute Long RR PC Palm Mute Medium RR PC Palm Mute Short RR PC Pull Off PC Random Chug FX PC Slide Down Slow PC Slide Down PC Slide Up Slow PC Slide Up PC Staccato RR Gibson Rhythm Tempo Sync Performances Gibson Rhythm PC Chug Harmonics Fast Perf Tempo Sync Performances PC Fast Perf 260 bpm PC Gallup Perf PC Medium Perf 200 bpm PC Rhythm Perf 120 bpm PC Speed Perf 175 Schecter 7 String Guitar The Schecter Lead Keyswitch file includes an articulation that loads for both the D 0 and the EO keyswitch notes it s called Lead Sustain NV VB MV For this articulation the depth of the vibrato is controlled by the MIDI velocity of each note played e Velocity 0 54 Non vibrato NV e Velocity 55 104 Vibrato VB e Velocity 105 127 Molto Vibrato MV The exact same p
11. RR PM Mute Med RR PM Mute Short RR Reps Fast RR Reps Fast Perf PC Long RR script PM Hammer On Pull Off PM Slide Up Down Chug Rep Chug Vib Chugs top of range not a KS PC Long RR PC Legato Up Down Chugs Reps Fast PM Mute Short RR PM Mute Med RR PM Mute Long RR PC Long RR Chugs Reps Fast PM Mute Short RR PM Mute Med RR PM Mute Long RR PC Long RR Sustain w Hammer On Pull Off Chugs Legato Mute RR Slide Mute RR PC Long RR Chugs 36 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT SCHECTER 7 STRING GUITAR Schecter Rhythm Elements Schecter Rhythm Elements Chug Long Chug Mv Chug Short 1 Chug Short 2 PC Death Long Down PC Death Long RR PC Death Long Slow Down PC Death Long Up PC Legato Down PC Legato Up PC Long RR PC Long RR1 PC Long RR2 PC Long Slide Down PC Long Slide Up PC Long Up Perf RR PC Long Up Perf RR1 PC Long Up Perf RR2 PC Med Slide Down RR PC Med Slide Up RR PC Short RR PM Mute Hammer On PM Mute Long RR PM Mute Med RR PM Mute Pull Off PM Mute Short RR Reps Fast RR Schecter Rhythm Tempo Sync Performances Schecter Rhythm Tempo Sync Performances Chapter 4 Guitars and Basses Chug Perf PC Hyper Perf PC Reps Fast Perf 235 bpm 37 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Carvin Guitar Neck Pickup Both of the Carvin instruments recorded here Neck Pickup and Bridge Pickup have been sampled twice and panned hard left and hard rig
12. Reset e ADT e Stereo Double e Drum Mixer e Filter e Envelope s graphical Ul e Drum Mixer Chapter 3 The Ministry of Rock 2 User Interface 12 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Round Robin Reset Button A round robin articulation is one in which several different samples are recorded with all parameters such as volume speed of attack and so on being essentially constant The PLAY Engine then knows to alternate between the two or more samples during playback The goal is to avoid what s often called the machine gun effect in which playing the same sampled note repeatedly causes the unnatural sound of consecutive notes being mechanically identical There s one potential problem with round robin technology and one way to solve it is the Round Robin Reset button The PLAY Engine remembers which sample should be played the next time the note sounds If for example a round robin patch contains two samples A and B and a piece uses that note 7 times the PLAY Engine plays A B A B A B A If the piece is played again from the beginning the engine will play starting with B because that s next in order The second rendition will be subtly differ ent Being able to reset all round robin articulations to the beginning of the cycle allows for consistent playback You can use this button to reset all round robin articulations on demand Or use your choice of a MIDI note or MIDI control code to reset them one ins
13. Vib RR 3sec E0 Strum Long RR posl continued Chapter 4 Guitars and Basses 41 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT FENDER JAGUAR GUITAR Fender Jaguar Lead KS CO F 1 continued from prior page Fender Jaguar Lead Long MOD 1 Fender Jaguar Lead Long MOD 2 Fender Jaguar Strum Lead Fender Jaguar Lead Elements Fender Jaguar Lead Elements continued on next page continued Chapter 4 Guitars and Basses FO Strum Long RR pos2 F 0 G0 Lead Sustain Non vibrato F 0 Lead Hammer On Pull Off GO Lead Slide Up Down G 0 Slide Up Vib Half Tone A0 Slide Up Vibrato Whole Tone A 0 Scrape Long Vm BO Scrape Short Slide Down Vm Cl Tremolo CH Tremolo Mute D1 120 bpm Perf D 1 Strum Short RR El 1 4 Note RR Fl 8va Falls HH Noise 0 31 Sustain Non vib RR 32 64 Sustain Vib RR 65 97 Hammer On Pull Off 98 127 Slide Up Down 0 64 Sustain Non vib RR 65 127 Sustain Vib RR Velocity lt 100 Strum Long RR pos2 99 lt V lt 127 Sustain Non vib RR Velocity 127 Sustain Vib RR 1 4 Note RR 8va Falls Hammer On Mute Tremolo Noise Pull Off Scrape Long VM 42 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT FENDER JAGUAR GUITAR Fender Jaguar Lead Elements continued from prior page Scrape Short Slide Down VM Slide Down Slide Up Vib Half Tone Slide Up Vib Whole Tone Slide Up Sustain Non vib RR 3sec Sustain Non vib RR Sustain Vib RR 3sec Sustain Vib RR Fender Jaguar Lead Tempo
14. library and need to open the manual for the PLAY System as well go to any chapter title page and click on the link that says Click on this text to open the Master Navigation Document It will open in a new window on the screen In that document click on the icon for the PLAY System and its manual will open in the same window hiding the MND You now have both the Ministry of Rock 2 library manual and the PLAY System manual open in separate windows so you can refer to them both Chapter 1 Welcome 6 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Reading this Manual on a Hand held Device Because most eReaders and some other devices smaller than a laptop computer can display any PDF it is often possible to open this and other EastWest manuals on such a device In many cases the text and images will be smaller than on a computer screen but still legible It is usually recommended you load the document in the PDF format even when the option of conversion to the eReader s native format is possible because the layout is pre served If being able to change font size and other text formatting features are important and conversion is available then do use the conversation but be aware that a phrase such as the image at the left may no longer accurately name the location of the image Online Documentation and Other Resources For the most up to date information visit the support pages at EastWest s web site There you
15. puter systems with smaller resources that may run out of RAM or may exhibit playback problems when larger patches are loaded GENERAL MIDI FOR DRUMS Notes Drum and Articulation B2 beater on kick drum RRx4 with repetitions duplicate for 2 handed playing C3 beater off kick drum RRx4 with repetitions duplicate for 2 handed playing D3 snare bounce D 3 snare flam E3 snare roll continued Chapter 5 Drums 59 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT GENERAL MIDI FOR DRUMS Notes Drum and Articulation F3 G3 A3 toms flam RRx4 with repetitions B3 C4 D4 edge hat position F 3 hats closed G 3 slightly open A 3 more open C 4 open RRx4 with repetitions D 4 ride edge position RRx4 with repetitions E4 cymbal 1 middle position RRx2 with repetitions F4 cymbal 1 middle position stop RRx2 Ha cymbal 2 middle position RRx2 with repetitions G4 cymbal 2 middle position stop RRx2 G 4 cymbal 3 middle position RRx2 with repetitions C 5 rimshot RRx4 duplicate for 2 handed playing D5 snare middle head RRx4 with repetitions duplicate for 2 handed playing D 5 snare rim crack RRx4 with repetitions duplicate for 2 handed playing E5 snare outside head RRx4 with repetitions duplicate for 2 handed playing F5 G5 A5 toms bounce RRx2 B5 C6 D6 bell hat position F 5 hats closed G 5 slightly open A 5 more open C 6 open RRx4 with repetitions D 6 E6 ride bell RRx4 with repetitions Use of Multi instruments for the MO
16. the left and right signals Likewise in the Element files you will See X2 in the name These symbols are not included in the names in the tables in order to keep things simple CARVIN GUITAR BRIDGE Carvin Bridge Lead KS and MOD Carvin Bridge Lead KS CO F 1 C0 Sustain Non vib RR continued on next page C80 Sustain Med Vib RR DO Sustain Exp Vib RR D 0 E0 Sustain Med Vib script D 0 Hammer On Pull Off E0 Slide Up Down FO Scream F 0 Harmonics GO Pinch Harmonics G 0 Scrape continued Chapter 4 Guitars and Basses 25 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT CARVIN GUITAR BRIDGE Carvin Bridge Lead KS CO F 1 continued from prior page Carvin Bridge Lead Long MOD 1 Carvin Bridge Lead Long MOD 2 Carvin Bridge Lead Velocity Sensitive Vibrato MOD Carvin Bridge Lead Short MOD Carvin Bridge Lead Elements Carvin Bridge Lead Elements continued on next page continued Chapter 4 Guitars and Basses A0 A 0 BO Cl C 1 D1 D 1 El Fl HH 0 20 21 70 71 127 0 20 21 70 71 127 velocity lt 41 velocity gt 115 0 20 21 70 71 127 0 40 41 85 86 127 Clusters FX Scream FX Single 1 Hammer On Harmonics Lead Long vs Staccato8 RR Staccato Palm RR Staccato8 Mute RR Staccatol6 Perf Staccato16 Mute Perf Scrape FX 1 Scrape FX 2 FX Scream FX Single 1 Clusters Sustain Med Vib RR Hammer On Pull Off Slide Up Down Sustain Med Vib RR Hammer On Pull Off Slide
17. ARE may not be exported or reexported a into any U S embargoed countries or b to anyone on the U S Treasury Department s list of Specially Designated Nationals or the U S Department of Commerce Denied Person s List or Entity List By using the EASTWEST SOFTWARE you represent and warrant that you are not located in any such country or on any such list You also agree that you will not use the EASTWEST SOFTWARE or any purposes prohibited by United States law including without limita tion the development design manufacture or production of missiles nuclear chemical or biological weapons 10 Government End Users The EASTWEST SOFTWARE and related documentation are Commercial Items as that term is defined at 48 C F R 2 101 consisting of Com mercial Computer Software and Commercial Computer Software Documentation as such terms are used in 48 C F R 12 212 or 48 C F R 227 7202 as applicable Consistent with 48 C F R 12 212 or 48 C F R 227 7202 1 through 227 7202 4 as applicable the Commercial Computer Software and Commercial Computer Software Documentation are being licensed to U S Government end users a only as Commercial Items and b with only those rights as are granted to all other end users pursuant to the terms and conditions herein Unpublished rights reserved under the copyright laws of the United States 11 Controlling Law and Severability This License will be governed by and construed in
18. Ampeg rig with an RCA 44 ribbon mic and a Manley tube signal path e Left channel 80s large Ampeg rig with a Sennheiser 451 dynamic mic and a Neve solid state signal path 66 Silvertone Bass This is a 1966 Silvertone solid body single pickup electric bass guitar made by Danelec tro It s one of the last Danelectro made Silvertone basses offered before Danelectro went out of business It has one lipstick pickup and a brown burst finish e Right channel 50s Ampeg rig with an RCA 44 ribbon mic and a Manley tube signal path e Left channel 80s large Ampeg rig with a Sennheiser 451 dynamic mic and a Neve solid state signal path 72 Rickenbacker Bass The Rickenbacker 4003 Bass has a strong ringing sustain treble punch and solid un derlying bottom end It s also famous for its distinctive elegantly curved body shape deluxe triangular fretboard inlays stereo output neck thru body construction double truss rods and high output single coil pickups with wide response range and brilliant clarity The Vintage Tone Selector activates a capacitor in the treble pickup circuit to emphasize the high end e Right channel 50s Ampeg rig with an RCA 44 ribbon mic and a Manley tube signal path e Left channel 80s large Ampeg rig with a Sennheiser 451 dynamic mic and a Neve solid state signal path A Note from the Producer Voice Limiting some patches have their voice limit set to 1 such as some of the PC Long MOD patches This is s
19. CK 2 VIRTUAL INSTRUMENT SCHECTER 7 STRING GUITAR Schecter Lead Long MOD Velocity Sensitive Vib see note before this table Schecter Lead Short MOD see note before this table Schecter Lead Elements Schecter Lead Elements 0 20 Lead NV VB MV w Scream Vib 21 70 Hammer On Pull Off 71 127 Slide Up Down 0 64 Staccato Mute RR 65 127 Lead Sus NV VB MV Hammer On Harmonics Molto Vib Noise Pinch Harmonics Pull Off Scrape Vib Scream Fall Vib Scream Fall Slide Down Slide Up Staccato Mute RR Sustain Non vib Sustain NV VB MV Sustain Vib RR Sustain Vib RR1 Sustain Vib RR2 Schecter Lead Tempo Sync Performances Schecter Lead Tempo Sync Performances Gallup 170 bpm Schecter Rhythm KS and MOD Schecter Rhythm PC KS C0 C 1 continued on next page continued Chapter 4 Guitars and Basses C0 PC Long RR C 0 PC Short RR DO PC Death Long RR D 0 PC Death Long Slow Down E0 PC Long Slow RR 35 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT SCHECTER 7 STRING GUITAR Schecter Rhythm PC KS C0 C 1 continued from prior page Schecter PC Long MOD 1 Schecter Short MOD 1 Schecter PC MOD vs LEAD Schecter Mute Legato MOD 1 continued Chapter 4 Guitars and Basses FO F 0 GO G 0 A0 A 0 B0 MEO BO Cl C 1 c5 07 0 20 21 127 D4 C7 0 26 27 53 54 80 81 107 108 127 D4 C7 0 26 27 53 54 80 81 107 108 127 Velocity gt 100 D4 C7 0 30 31 99 100 127 D4 C7 PM Mute Long
20. ELLECTUAL PROPERTY TO THE PLACE WHERE YOU OBTAINED IT FOR A REFUND YOU MUST RETURN THE ENTIRE PACKAGE IN ORDER TO OBTAIN A REFUND IF THE EASTWEST SOFTWARE AUDIO CONTENT OR INTELLECTUAL PROPERTY WERE ACCESSED ELECTRONICALLY AND YOU DO NOT AGREE TO THE LICENSE SIMPLY CLICK DECLINE IMPORTANT NOTE The software audio content and other intellectual property pro vided by EastWest to you may be used by you to create your own original works pursuant to the terms and conditions of this License You may not use distribute or broadcast any of the software audio content or other intellectual property in any manner not expressly permitted by this License If you are uncertain about your rights to use the software au dio content or other intellectual property you should contact your legal advisor before proceeding 1 General The EASTWEST SOFTWARE without limit the software scripts audio con tent audio loops sound files samples impulse responses audio processing tools im ages formulas designs inventions works documentation fonts and other intellectual property whether on disk in read only memory on any other media or in any other form provided to you is licensed not sold to you by EAST WEST SOUNDS Inc EAST WEST for use only under the terms of this License and EASTWEST reserves all rights not expressly granted to you You own the media on which EASTWEST SOFTWARE is recorded but EASTWEST and or EASTWEST s li
21. LICENSE AGREEMENT WARRANTIES OR LIMITATIONS ON APPLICABLE STATUTORY RIGHTS OF A CONSUM ER SO THE ABOVE EXCLUSION AND LIMITATIONS MAY NOT APPLY TO YOU 8 Limitation of Liability TO THE EXTENT NOT PROHIBITED BY LAW IN NO EVENT SHALL EASTWEST BE LIABLE FOR PERSONAL INJURY OR ANY INCIDENTAL SPE CIAL INDIRECT OR CONSEQUENTIAL DAMAGES WHATSOEVER INCLUDING WITH OUT LIMITATION DAMAGES FOR LOSS OF PROFITS LOSS OF DATA BUSINESS IN TERRUPTION OR ANY OTHER COMMERCIAL DAMAGES OR LOSSES ARISING OUT OF OR RELATED TO YOUR USE OR INABILITY TO USE THE EASTWEST SOFTWARE HOWEVER CAUSED REGARDLESS OF THE THEORY OF LIABILITY CONTRACT TORT OR OTHERWISE AND EVEN IF EASTWEST HAS BEEN ADVISED OF THE POSSIBIL ITY OF SUCH DAMAGES SOME JURISDICTIONS DO NOT ALLOW THE LIMITATION OF LIABILITY FOR PERSONAL INJURY OR OF INCIDENTAL OR CONSEQUENTIAL DAM AGES SO THIS LIMITATION MAY NOT APPLY TO YOU In no event shall EASTWEST s total liability to you for all damages other than as may be required by applicable law in cases involving personal injury exceed the amount of fifty dollars 50 00 The forego ing limitations will apply even if the above stated remedy fails of its essential purpose 9 Export Control You may not use or otherwise export or reexport the EASTWEST SOFT WARE except as authorized by United States law and the laws of the jurisdiction in which the EASTWEST SOFTWARE was obtained In particular but without limitation the EASTWEST SOFTW
22. Legato Mute Down Mute Slide Down Mute Slide Up Mute Up Down Octave Open Down continued Chapter 4 Guitars and Basses 49 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT LAKLAND BASS Lakland Pick Elements continued from prior page MUSIC MAN VINTAGE BASS Open Slide Down Fast Open Slide Down Open Slide Up Fast Open Slide Up Sustain Open Slide Up Open Up Down Release Layer release sounds at end of notes Staccato Down Staccato Up Staccato Up Down Music Man Vintage Pick KS and Playable Patches Music Man Vintage Pick KS A 1 A 0 Music Man Vintage Pick Playable Patches continued Chapter 4 Guitars and Basses A 1 Open Down A 1 Open Up Down B 1 Legato C0 Open Slide Down C 0 Open Slide Down Fast DO Open Slide Up D 0 Open Slide Up Fast E0 Open Slide Up Sustain FO Octave F 0 Brrr GO Mute Down G 0 Mute Up Down A0 Mute Slide Down A 0 Mute Slide Up Hardcore 1 Hardcore 2 Mute RR Open 5 Way Sustain RR 50 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT MUSIC MAN VINTAGE BASS Music Man Vintage Pick Elements Music Man Vintage Pick Brrr slide up and down fast Elements FX Legato Mute Legato Mute Down Mute Slide Down Mute Slide Up Mute Up Down Octave Open Down Open Slide Down Fast Open Slide Down Open Slide Up Fast Open Slide Up Sustain Open Slide Up Open Up Down Release Layer release sounds at end of notes Staccato Down Staccato
23. PLAY Quantum Leap Ministry of Rock 2 Virtual Instrument Users Manual QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT The information in this document is subject to change without notice and does not rep resent a commitment on the part of East West Sounds Inc The software and sounds described in this document are subject to License Agreements and may not be copied to other media No part of this publication may be copied reproduced or otherwise transmitted or recorded for any purpose without prior written permission by East West Sounds Inc All product and company names are or trademarks of their respective owners PLAYTM is a trademark of East West Sounds Inc East West Sounds Inc 2011 All rights reserved East West Sounds Inc 6000 Sunset Blvd Hollywood CA 90028 USA 1 323 957 6969 voice 1 323 957 6966 fax For questions about licensing of products licensing eastwestsounds com For more general information about products info eastwestsounds com http support soundsonline com QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT 0 4 0 N PLAY About EastWest Producer Nick Phoenix Credits How to Use This and the Other Manuals Online Documentation and Other Resources Click on this text to open the MasterNavigationDocument 1 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Welcome About EastWest EastWest www soundsonline com has been dedicated to perpetu
24. R 2 Drums A multi instrument opens more than one instrument at a time And in these automatic multis within the Ministry of Rock 2 library PLAY assigns all the instruments to the same MIDI channel LEN you can change any channel you like if you have a reason to do i SIE BA so For the drums this means that opening one of the kits opens a snare instrument and a toms instrument and a cymbals instrument at once For example let s say you open the Gretch Metal Kit Ludwig UBER Snare ewi instrument as it appears in the Browser in the image i above When you look at the list of open instruments at the left T MoR II Cymbals 1 Chapter 5 Drums 60 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT side of the Browser view you can see that 5 separate instruments have been opened and all assigned in this example to MIDI channel 1 The image at the right shows this list These multiple open instruments work together on the same channel because each re sponds to only limits notes as specified in the General MIDI mapping on page 58 If you look at the keyboards as shown together below and you remember that only white keys are playable you see that there s no overlap Each note plays only one instrument This image shows only 4 keyboards because the kit used in this example does not in clude HiHats From the top down the keyboards show kick drums snares toms and cymbals The last thing to notice is that the open instr
25. S WITH RESPECT TO THE EASTWEST SOFTWARE EITHER EXPRESS IM PLIED OR STATUTORY INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRAN TIES AND OR CONDITIONS OF MERCHANTABILITY OF SATISFACTORY QUALITY OF FITNESS FOR A PARTICULAR PURPOSE OF ACCURACY OF QUIET ENJOYMENT AND NON INFRINGEMENT OF THIRD PARTY RIGHTS EASTWEST DOES NOT WARRANT AGAINST INTERFERENCE WITH YOUR ENJOYMENT OF THE EASTWEST SOFTWARE THAT THE FUNCTIONS CONTAINED IN THE EASTWEST SOFTWARE WILL MEET YOUR REQUIREMENTS THAT THE OPERATION OF THE EASTWEST SOFTWARE WILL BE UNINTERRUPTED OR ERROR FREE OR THAT DEFECTS IN THE EASTWEST SOFT WARE WILL BE CORRECTED YOU FURTHER ACKNOWLEDGE THAT THE EASTWEST SOFTWARE IS NOT INTENDED OR SUITABLE FOR USE IN SITUATIONS OR ENVIRON MENTS WHERE THE FAILURE OF OR ERRORS OR INACCURACIES IN THE CONTENT DATA OR INFORMATION PROVIDED BY THE EASTWEST SOFTWARE COULD LEAD TO DEATH PERSONAL INJURY OR SEVERE PHYSICAL OR ENVIRONMENTAL DAM AGE INCLUDING WITHOUT LIMITATION THE OPERATION OF NUCLEAR FACILITIES AIRCRAFT NAVIGATION OR COMMUNICATION SYSTEMS AIR TRAFFIC CONTROL LIFE SUPPORT OR WEAPONS SYSTEMS NO ORAL OR WRITTEN INFORMATION OR ADVICE GIVEN BY EASTWEST OR AN EASTWEST AUTHORIZED REPRESENTATIVE SHALL CREATE A WARRANTY SHOULD THE EASTWEST SOFTWARE PROVE DEFEC TIVE YOU ASSUME THE ENTIRE COST OF ALL NECESSARY SERVICING REPAIR OR CORRECTION SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED License Agreement License 4 EASTWEST END USER
26. Sync Performances Fender Jaguar Lead Tempo Sync Performances Perf 120 bpm Tremolo Fender Jaguar Strummer KS and MOD Fender Jaguar Strum KS C0 C 1 Fender Jaguar Strum MOD 1 Fender Jaguar Strum Elements Fender Jaguar Strum Elements C0 Strum Long RR posl C 0 Strum Long RR pos2 DO Strum Short RR A5 C7 String Noise upper range not KS 0 64 65 127 A5 C7 Strum Long RR posl Strum Long RR pos2 String Noise Strum Long RR posl Strum Long RR pos2 Strum Short RR Fender Telecaster Thinline Guitar In the patch called Telecaster Strum Lead within the KS and MOD folder the 3 articula tions are selected based on MIDI velocity as specified in the table below But be aware that the Rhythm Pos 2 RR articulation applies only to notes up to D5 For D 5 and above the Non vib articulation plays at all velocities 113 and below Chapter 4 Guitars and Basses 43 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT FENDER TELECASTER THINLINE GUITAR Fender Telecaster Lead KS and MOD Fender Telecaster Lead KS C0 D l Fender Telecaster Lead Long MOD 1 Fender Telecaster Lead Long MOD 2 Fender Telecaster Lead Short MOD Fender Telecaster Strum Lead see note before this table continued Chapter 4 Guitars and Basses C0 C 0 DO D 0 E0 FO F 0 FO F 0 GO G 0 A0 A 0 BO Cl CH Di D 1 0 31 32 63 64 95 96 127 0 64 65 127 0 40 41 82 83 127 100 V 114 Velocity gt 113 Velocity 100
27. TWEST and its subsidiaries may collect and use technical and related information including but not limited to technical infor mation about your computer system and application software and peripherals that is gathered periodically to facilitate the provision of software updates security product support and other services to you if any related to the EASTWEST SOFTWARE and to verify compliance with the terms of this License EASTWEST may use this information as long as it is in a form that does not personally identify you to improve our products or to provide services or technologies to you 5 Termination This License is effective until terminated Your rights under this License will terminate automatically without notice from EASTWEST if you fail to comply with any term s of this License Upon the termination of this License you shall cease all use of the EASTWEST SOFTWARE and destroy all copies full or partial of the EASTWEST SOFTWARE 6 Limited Warranty on Media EASTWEST warrants the media on which the EASTWEST SOFTWARE is recorded and delivered by EASTWEST to be free from defects in materials License Agreement License 3 EASTWEST END USER LICENSE AGREEMENT and workmanship under normal use for a period of ninety 90 days from the date of the original purchase Your exclusive remedy under this Section shall be at EASTWEST s option a refund of the purchase price of the product containing the EASTWEST SOFT WARE or replacem
28. Up Staccato Up Down 61 FENDER JAZZ FRETLESS BASS Fender Jazz Fretless KS and Playable Patches Fender Jazz Fretless C0 Sustain KS A 1 A 0 CHO Sustain String Vib continued on next page DO Staccato D 0 Slide Up Sustain Slow E0 Slide Up Sustain Medium FO Slide Up Slow F 0 Slide Up Medium continued Chapter 4 Guitars and Basses 51 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT 61 FENDER JAZZ FRETLESS BASS Fender Jazz Fretless GO Slide Up Fast KS A 1 A 0 G 0 Slide Down continued from prior page AO Slide Up 8va A 0 Harmonics 1 BO Harmonics 2 Cl F Fender Jazz Fretless Hardcore 1 Playable Patches Hardcore 2 2 Hand Monster Paris Accent Paris Vib Fender Jazz Fretless Elements Fender Jazz Fretless F Elements Harmonics 1 Harmonics 2 Release Layer release sounds at end of notes Slide Down Slide Up Octave Staccato Sustain Strong Vib Sustain 63 HOEFNER BASS H fner Finger KS and Playable Patches H fner Finger KS CO D 0 C0 Sustain C 0 Slide Up DO Tremolo D 0 Noise H fner Finger Hardcore Playable Patches Sustain continued Chapter 4 Guitars and Basses 52 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT 63 HOEFNER BASS H fner Finger Elements H fner Finger Elements Noise Release Layer release sounds at end of notes Slide Up Sustain Tremolo H fner Pick KS and Playable Patches H fner Pick KS C0 Sustain RR C0 D0 CHO Slide Up Sustain DO Noise H fner Pick Hard
29. Up Down Harmonics Scream Sustain NV VB MV w Scream Vib Hammer On Pull Off Slide Up Down Staccato8 Mute RR Staccato Palm RR Staccato8 RR Lead Mte Staccatol6 Fast RR 26 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT CARVIN GUITAR BRIDGE Carvin Bridge Lead Elements continued from prior page Lead Mte Staccatol6 RR Lead Staccatol6 RR Lead Staccatol6 Fast RR Pinch Harmonics Pull Off Scrape FX 1 Scrape FX 2 Scrape Scream Slide Down Slide Up Staccato8 Mute RR Staccato8 Palm RR Staccato8 RR Sustain Non vib RR Sustain Med Vib RR Sustain Exp Vib RR Carvin Bridge Lead Tempo Sync Performances Carvin Bridge Lead Tempo Sync Performances Staccato16 Mte Perf Staccato16 Perf Carvin Bridge Rhythm KS and MOD Carvin Bridge Rhythm KS C0 GO CO continued Chapter 4 Guitars and Basses PC Down C40 PC Up DO PC Double RR D 0 E0 PC Down script D 0 PC1 Slide Up Down E0 PC2 Slide Up Down FO PC Palm Med RR F 0 PC Palm Short RR GO FX Rhythm D4 F5 String FX top of range not a KS 27 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT CARVIN GUITAR BRIDGE Carvin Bridge PC Long MOD 1 0 20 PC Sustain Down 21 70 PCL Slide Up Down 71 127 PC2 Slide Up Down D4 F5 String FX Carvin Bridge PC Short MOD 1 0 54 PC Palm Short RR 55 105 PC Palm Medium RR 106 127 PC Down D4 F5 String FX Carvin Bridge PC MOD vs LEAD 0 54 PC Palm Short RR 55 105 PC Palm Medium RR 106 127 PC Down velocity gt
30. accordance with the laws of the State of California as applied to agreements entered into and to be performed entirely within California between California residents This License shall not be governed by the United Nations Convention on Contracts for the International Sale of Goods the application of which is expressly excluded If for any License Agreement License 5 EASTWEST END USER LICENSE AGREEMENT reason a court of competent jurisdiction finds any provision or portion thereof to be unenforceable the remainder of this License shall continue in full force and effect 12 Complete Agreement Governing Language This License constitutes the entire agree ment between the parties with respect to the use of the EASTWEST SOFTWARE licensed hereunder and supersedes all prior or contemporaneous understandings regarding such subject matter No amendment to or modification of this License will be binding unless in writing and signed by EASTWEST Any translation of this License is done for local requirements and in the event of a dispute between the English and any non English versions the English version of this License shall govern 13 Third Party Software and Service Terms and Conditions Portions of the EASTWEST SOFTWARE utilize or include third party software and other copyrighted material Ac knowledgements licensing terms and disclaimers for such material are contained in the online electronic documentation for the EASTWEST SOFTWARE
31. al innovation and un compromising quality setting the industry standard as the most critically acclaimed producer of Sample CDs and Virtual software Instruments Founder and producer Doug Rogers has over 30 years experience in the audio industry and is the recipient of many recording industry awards including Recording Engineer of the Year In 2005 The Art of Digital Music named him one of 56 Visionary Artists amp Insiders in the book of the same name In 1988 he founded EastWest the most criti cally acclaimed sound developer in the world and recipient of over 60 industry awards more than any other sound developer His uncompromising approach to quality and innovative ideas have enabled EastWest to lead the sound ware business for 20 years In 1997 Rogers partnered with producer composer Nick Phoenix and set up Quantum Leap a wholly owned division of EastWest to produce high quality no compromise sample libraries and virtual instruments Quantum Leap virtual instruments are mostly produced by Nick Phoenix Some of the larger productions such as Hollywood Strings Symphonic Orchestra Symphonic Choirs and Quantum Leap Pianos are co produced by Doug Rogers and Nick Phoenix As a composer Phoenix began scoring film trailers and television commercials in 1994 To date he has either scored or licensed music for the ad campaigns of over 1000 major motion pictures including Tomb Raider 2 Terminator 3 Lord of the Rings Retu
32. anks Gary Myerberg and Candace Stewart Chapter 1 Welcome 4 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Featured Artists Shane Gibson guitarist with Stork Schwarzenator KoRn MoR 2 Guitar Gibson Les Paul Greg Suran guitarist with Goo Goo Dolls Avril Lavigne Glee MoR 2 Guitar Fender Telecaster Thinline Doug Rappaport guitartist with Edgar Winter Potent MoR 2 Guitars Schecter 7 String Fender Jaguar Ashif Hakik MoR 2 Guitars Baritone Carvin Tal Bergman drummer with Billy Idol LL Cool J Rod Stewart Terence Trent Darby Joe Zawinul All Drums Pierre Martin Los Angeles Bass Artist All Basses Chapter 1 Welcome 5 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT How to Use This and the Other Manuals All documentation for the EastWest PLAY Advanced Sample System and its libraries is provided as a collection of Adobe Acrobat files also called PDFs They can be viewed on the computer screen or printed to paper Each time you install one of the PLAY System libraries two manuals are copied to the file system on your computer e The manual that describes the whole PLAY System This the largest of the manuals addresses how to install and use all aspects of the software that are common to all libraries e The library specific manual such as the one you are currently reading This smaller document describes aspects that differ from one library to the next such as the list of included instruments and
33. articulations Using the Adobe Acrobat Features By opening the Bookmarks pane along the left edge of the Adobe Acrobat Reader the user can jump directly to a topic from the section names Note that some older versions of Acrobat Reader might not support all these features The latest Acrobat Reader can be downloaded and installed at no cost from the Adobe web site As an example of a hyperlink you can click on the last word of the previous sentence to be taken directly to the Adobe site When reading this and other manuals on the computer screen you can zoom in to see more detail in the images or zoom out to see more of the page at once If an included picture of the user interface or a diagram seems fuzzy or illegible then zoom in using one of several means provided in the Acrobat Reader software The Master Navigation Document Because the EastWest PLAY System is a collection of components each with its own User s Manual a Master Navigation Document MND is provided to allow users to jump quickly between these PDFs when being read on the computer screen This MND is a one page file with hyperlinks to the PLAY System documentation and to all the library manuals Hyperlinks to this Master Navigation Document are found on the title page of each chapter in each document From there you can open any other document in the collection For example if you re reading something in this documentation for the Quantum Leap Ministry of Rock 2
34. asses Instruments Articulations Keyswitches This chapter provides specific information about each of the Guitars and Basses in the Ministry of Rock 2 library First is a section that briefly describes them in case some are unfamiliar to you This is followed by a table that lists for each instrument the available articulations together with the keyswitch note that initiates each one You might want to print out the pages containing this table as a reference or load this PDF into a hand held reader for quick access when working The Drums are described in their own chapter beginning on page 58 Descriptions of the Ministry of Rock 2 Guitars and Basses This is a list of all the basses and guitars in the Ministry of Rock 2 library Each item includes a brief description of the physical instrument and some general information about the articulations See the tables later in this manual for specifics about what ar ticulations are available All the instruments below specify the amplifier being recorded for the right channel sometimes the left channel is routed through different equipment and sometimes it s a direct feed with no amplifier When the feed is direct you need to use your own amplifier plug in with the left channel to create the desired sound Note that using these direct outputs without inserting an amplifier plug in in the signal path will not sound good Use one of the other guitars with a pre recorded amplifier instea
35. attern of velocity sensitive vibrato holds in the file Schecter 7str Lead Long MOD 2 when the Mod Wheel is set to 20 or below The exact same pattern of velocity sensitive vibrato holds in the file Schecter 7str Lead Short MOD when the Mod Wheel is set to 66 or above Chapter 4 Guitars and Basses 33 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT For the file Schecter 7str Lead Long MOD Velocity Sensitive Vibrato when the Mod Wheel is in its lowest range 0 20 you can control the amount of vibrato with each note s MIDI Velocity as follows e Velocity 0 54 Non vibrato e Velocity 55 104 Medium Vibrato e Velocity 105 125 Heavy Vibrato e Velocity 126 127 Scream Vibrato SCHECTER 7 STRING GUITAR Schecter Lead KS and MOD Schecter Lead KS CO A 0 C0 Non vib see note before this table C40 Sustain Vib RR DO Molto Vib D40 E0 Lead Sustain NV VB MV D40 Lead Hammer On Pull Off E0 Lead Slide Up Down FO Scrape Vib F 0 Scream Fall Vib GO Pinch Harmonics G 0 Harmonics A0 Scream Fall A 0 Staccato Mute RR Schecter Lead Long MOD 1 0 20 Sustain Vib RR 21 70 Hammer On Pull Off 71 127 Slide Up Down Schecter Lead Long MOD 2 0 20 Sustain NV VB MV 21 70 Hammer On Pull Off 71 127 Slide Up Down Schecter Lead Long MOD 3 0 20 Sustain Vib RR 21 70 Hammer On Pull Off 71 127 Slide Up Down Velocity lt 40 Pinch Harmonics Velocity 115 Scrape Vib continued Chapter 4 Guitars and Basses 34 QUANTUM LEAP MINISTRY OF RO
36. b Up Non vib Down Non vib RR Non vib Up Pinch Harmonics FX Pinch Harmonics FX 2 Random FX Scream Bend Up Scream Fast Bend Down Scream Fast Bend Up Scream Vib Bend Up Scream Mute RR Staccato RR String Slides FX Gibson Lead Tempo Sync Performances Gibson Lead Tempo Sync Performances Fast 16th Mute Perf 260 bpm Fast 16th Perf 205 bpm Gibson Rhythm KS and MOD Gibson Rhythm PC KS A 1 El continued on next page continued Chapter 4 Guitars and Basses A 1 PC Long Faster RR A 1 PC Long Slower RR B 1 PC Long Death RR C0 D0 PC Sustain Long Slower script C0 PC Hammer On Pull Off C 0 PC Slide Up Down DO PC Slide Up Down Slow D 0 PC Staccato RR E0 PC Palm Mute Long RR FO PC Palm Mute Med RR F 0 PC Palm Mute Short RR GO PC Chug Long RR G 0 PC Chug Harmonics Fast Perf 31 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT GIBSON LES PAUL 7 STRING GUITAR Gibson Rhythm PC KS A 1 El continued from prior page Gibson PC Long MOD 1 Gibson Short MOD 1 Gibson PC MOD vs LEAD Gibson Rhythm Elements Gibson Rhythm Elements continued on next page continued Chapter 4 Guitars and Basses A0 Rhythm Perf A 0 Medium Perf BO PC Gallup Perf Cl PC Chug x RR CH PC Chug Double Mute D1 PC Random Chug FX El PC Chug Death Squall D4 E5 String FX top of range not a KS and not with all KS articulations 0 31 PC Long Slower RR 32 64 PC Hammer On Pull Off 65 96 PC Slide Up Down 97 127
37. can find e information made available after these manuals were written e FAQ pages that may already list answers to questions you have e suggestions from EastWest and other users of the EastWest PLAY System e news about upcoming releases The address is http support soundsonline com You can also visit the EastWest online forums There you can read comments and ques tions from others who use EastWest products and post your own The many forum par ticipants are a good source of helpful information about both the technical and musical aspects of this software The address of the forums is http www soundsonline forums com Chapter 1 Welcome 7 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT PLAY 2 Quantum Leap Ministry of Rock 2 An Overview The Design Point For the Ministry of Rock 2 Library What s Included Notes from the Producer Hardware Requirements Click on this text to open the Master Navigation Document 8 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Ministry of Rock 2 An Overview The Design Point For the Ministry of Rock 2 Library The Quantum Leap Ministry of Rock 2 Virtual Instrument pulls together guitars and drums newly recorded in the famous EastWest Studios 1 2 and 3 with remastered versions of the basses from both the legendary Hardcore Bass from 2003 and its XP expansion library from 2004 This collection is now the ultimate toolbox for rock producers If you loved t
38. censor s retain ownership of the EAST WEST SOFTWARE itself The terms of this License will govern any EASTWEST SOFT WARE upgrades provided by EASTWEST that replace and or supplement the original EASTWEST SOFTWARE unless such upgrade is accompanied by a separate license in which case the terms of that license will govern Title and intellectual property rights in and to any content displayed by or accessed through the EASTWEST SOFTWARE be longs to the respective content owner Such content may be protected by copyright or other intellectual property laws and treaties and may be subject to terms of use of the third party providing such content License Agreement License 1 EASTWEST END USER LICENSE AGREEMENT 2 Permitted License Uses and Restrictions You are granted a limited non exclusive license to use the EASTWEST SOFTARE as follows subject to all other terms and condi tions of this License A You may install and use one copy of the EASTWEST SOFTWARE on one computer You will be required to purchase authorize and use a Pace iLok security key not included or other security protection EASTWEST includes to access the EASTWEST SOFTWARE You may not make the EASTWEST SOFTWARE available over a network where it could be used by multiple computers or users at the same time You may make one copy of the EASTWEST SOFTWARE in machine readable form for backup purposes only provided that the backup copy must include all copyright or other propri
39. core Playable Patches Sustain RR H fner Pick Elements H fner Pick Elements Noise Release Layer release sounds at end of notes Slide Up Sustain Down Sustain Up Sustain Up Down 65 GIBSON EB2 BASS Gibson EB2 KS and Playable Patches Gibson EB2 C0 Sustain Open RR KS C0 G0 CHO Mute RR DO Slide Up Sustain D 0 Bend Up Sustain E0 Slide Up FO Tremolo F 0 Noise 1 GO Noise 2 continued Chapter 4 Guitars and Basses 53 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT 65 GIBSON EB2 BASS Gibson EB2 Playable Patches Gibson EB2 Elements Gibson EB2 Elements Hardcore Mute RR Open RR Bend Up Mute Down Velocity Mute Up and Down Mute Up Noise 1 Noise 2 Open Down Open Up Down Open Up Release Layer release sounds at end of notes Slide Down Velocity Slide Up Sustain Tremolo 66 SILVERTONE BASS Silvertone Finger KS and Playable Patches Silvertone Finger KS CO EO Silvertone Finger Playable Patches Silvertone Finger Elements Silvertone Finger Elements continued Chapter 4 Guitars and Basses C0 Sustain C 0 Slide Up DO Bend Up D 0 Slide Down E0 Noise Hardcore Sustain Bend Up Noise Release Layer release sounds at end of notes Slide Down Slide Up 54 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT 66 SILVERTONE BASS Silvertone Pick KS and Playable Patches Silvertone Pick KS C0 DO Silvertone Pick Playable Patches Silvertone Pick Elements Silvertone Pick Elem
40. d Use the Channel Source controls to select which Channel to use left or right The Stereo Doubling controls can widen the mono signal as much or as little as your choose Newly Sampled Instruments Here are brief descriptions of the guitars and the one bass sampled specifically for this library Fender Jaguar A legendary Strat like guitar used by artists such as Kurt Cobain Smashmouth Red Hot Chili Peppers and Johnny Marr e Right channel Fender Amp e Left channel direct Chapter 4 Guitars and Basses 17 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Fender Telecaster Thinline The 1972 Telecaster Thinline guitar features a warmer sound and a rounder semi hollow ash body a C shaped maple neck bullet style truss rod 7Os vintage hardtail strings through body Strat bridge three bolt neckplate and two wide range humbucking pick ups e Right channel Divided By Thirteen Amp e Left channel Vox Amp Carvin Rock metal guitar with a full tone It has 11 gauge strings and is tuned to Drop C Each note for both the neck and bridge pickups was sampled twice during playback both samples are automatically played together though one panned hard right and the other hard left for a genuine double tracked sound In the instrument names these two samples are referred to as S1 and S2 Both the S1 and S2 articulations panned hard left and hard right paa are loaded als on the same MIDI channel The image at the righ
41. d Up A 0 Pinch Harmonics BO Staccato RR Cl Staccato Mute RR CH Fast 16th Mute Perf D1 Fast 16th Perf D 1 String Slides El Random FX continued Chapter 4 Guitars and Basses 29 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT GIBSON LES PAUL 7 STRING GUITAR Gibson Lead Long Hard Vib 0 20 MOD 21 70 71 127 Gibson Lead Long Medium Vib 0 20 MOD 21 70 71 127 Gibson Lead Long MOD 0 20 Velocity Sensitive Vib 21 70 see note before this table 71 127 Gibson Lead Long NV VB LEG 0 20 MOD 21 70 see note before this table 71 127 Velocity gt 109 Gibson Lead Short MOD 1 0 64 65 105 106 127 Gibson Lead Elements Gibson Lead Elements Bend Down HS Bend Up HS Hard Vib Down continued on next page Sustain Hard Vib Hammer On Pull Off Slide Up Down Sustain Medium Vib Hammer On Pull Off Slide Up Down Sustain NV VB MV w Scream Vib Hammer On Pull Off Slide Up Down Sustain Medium Vib Hammer On Pull Off Slide Up Down Heavy Vib Staccato Mute RR Staccato RR Sustain Non vib Hard Vib Hammer On Hard Vib Pull Off Hard Vib RR Hard Vib Slide Down Hard Vib Slide Up Hard Vib Up Medium Vib Down Medium Vib Hammer On Medium Vib Pull Off Medium Vib RR Medium Vib Slide Down Medium Vib Slide Up continued Chapter 4 Guitars and Basses 30 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT GIBSON LES PAUL 7 STRING GUITAR Gibson Lead Elements continued from prior page Medium Vi
42. ell In some cases these instruments also contain articulations that are played with notes above the range of the instrument And it s some times possible to find another articulation that sounds at only the highest MIDI velocities Check out these special cases in the Articu lations window and for a little more detail in the tables that follow The Long MOD Instruments are for held notes and Power Chords PC The Mod Wheel in troduces legato and sliding legato at the top of the range When the Mod Wheel is trig gering legato it is also triggering repetition legato for repeated notes and Power Chords The Long MOD2 and MOD3 Instruments are similar to the Long MOD instruments but they also introduce screams for the highest velocities and pinched harmonics for the lowest velocities The Short MOD Instruments provide short notes and power chugs that switch to longer notes as the Mod Wheel is pushed up The PC MOD vs LEAD Instruments are important patches that use short Power Chord chugs that switch to longer Power Chords as the Mod Wheel is pushed up High velocities trig ger a single note lead sound Use these files as inspiration for playing Power Chords and a lead in the same patch The Strum MOD instruments When the Mod Wheel is pushed down you re playing near the bridge with open strings and an airy tone With the Mod Wheel up you re playing further up the neck with a fuller less sustained tone The Strum Lead Instru
43. ent of the EASTWEST SOFTWARE that is returned to EASTWEST or an EASTWEST authorized representative with a copy of the original receipt THIS LIMITED WARRANTY AND ANY IMPLIED WARRANTIES ON THE MEDIA INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY OF SATISFACTORY QUALITY AND OF FITNESS FOR A PARTICULAR PURPOSE ARE LIMITED IN DURA TION TO NINETY 90 DAYS FROM THE DATE OF ORIGINAL PURCHASE SOME JU RISDICTIONS DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS SO THE ABOVE LIMITATION MAY NOT APPLY TO YOU THE LIMITED WARRAN TY SET FORTH HEREIN IS THE ONLY WARRANTY MADE TO YOU AND IS PROVIDED IN LIEU OF ANY OTHER WARRANTIES IF ANY CREATED BY ANY DOCUMENTATION OR PACKAGING THIS LIMITED WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS AND YOU MAY ALSO HAVE OTHER RIGHTS THAT VARY BY JURISDICTION 7 Disclaimer of Warranties YOU EXPRESSLY ACKNOWLEDGE AND AGREE THAT TO THE EXTENT PERMITTED BY APPLICABLE LAW USE OF THE EASTWEST SOFTWARE IS AT YOUR SOLE RISK AND THAT THE ENTIRE RISK AS TO SATISFACTORY QUAL ITY PERFORMANCE ACCURACY AND EFFORT IS WITH YOU EXCEPT FOR THE LIM ITED WARRANTY ON MEDIA SET FORTH ABOVE AND TO THE MAXIMUM EXTENT PERMITTED BY APPLICABLE LAW THE EASTWEST SOFTWARE IS PROVIDED AS IS WITH ALL FAULTS AND WITHOUT WARRANTY OF ANY KIND AND EASTWEST AND EASTWEST S LICENSORS COLLECTIVELY REFERRED TO AS EASTWEST FOR THE PURPOSES OF SECTIONS 7 AND 8 HEREBY DISCLAIM ALL WARRANTIES AND CONDITION
44. ents C0 Sustain RR C 0 Legato DO Slide Up Sustain D 0 Slide Down E0 Noise Hardcore 1 Hardcore 2 Sustain RR Legato Noise Release Layer release sounds at end of notes Slide Down Slide Up Sustain Sustain Down Sustain Up Sustain Up Down 72 RICKENBACKER BASS Rickenbacker KS and Playable Patches Rickenbacker KS C0 G0 Rickenbacker Playable Patches continued Chapter 4 Guitars and Basses C0 Sustain RR C 0 Slide Up Sustain DO Noise 1 D 0 Noise 2 Hardcore Sustain RR 55 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT 72 RICKENBACKER BASS Rickenbacker Elements Rickenbacker Elements Noise 1 Noise 2 Release Layer Slide Up Sustain Down Sustain Up Sustain Up Down One of the EastWest studios where the newly sampled instruments were recorded Chapter 4 Guitars and Basses 56 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT 58 58 60 61 PLAY Description of the Ministry of Rock 2 Drums General MIDI Mapping Use of Multi instruments for the MOR 2 Drums The Ministry of Rock 2 Drum Kits Click on this text to open the Master Navigation Document 57 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Drums Instruments and Articulations This chapter provides specific information about each of the Drums in the Ministry of Rock 2 library First is a section that provides a brief overview about the specific instru ments The next section describes the General
45. es Carvin Neck Lead Staccato8 Perf Tempo Sync Performances Carvin Neck Rhythm KS and MOD Carvin Neck Rhythm PC KS C0 PC1 Down C0 CiH CHO PC2 Down DO PC2 Double RR D 0 F0 PC1 Down script D 0 PC Hammer On Pull Off E0 PC Slide Fast Up Down FO PC Slide Slow Up Down F 0 PC Palm Med RR GO Palm Long 8Perf G 0 Palm Med 8Perf A0 Palm Short 8Perf A 0 Chugs 1 B0 Chugs 2 C1 Chugs 3 CH Chugs 4 D1 Chugs 5 Carvin Neck PC Long MOD 1 0 20 PC1 Down 21 55 PC Hammer On Pull Off 56 90 PC Slide Fast Up Down 91 127 PC Slide Slow Up Down Carvin Neck PC Short MOD 1 0 64 PC Palm Mute RR 65 127 PC Down 1 continued Chapter 4 Guitars and Basses 40 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT CARVIN GUITAR NECK Carvin Neck PC MOD vs LEAD 0 64 PC Palm Mute RR 65 127 PC Down 1 Velocity gt 100 Sustain w Hammer On Pull Off Carvin Neck Rhythm Elements Carvin Rhythm Elements Chugs 1 Chugs 2 Chugs 3 Chugs 4 Chugs 5 PC Hammer On RR PC Palm Mute RR PC Pull Off RR PC Slide Down Fast RR PC Slide Down Slow RR PC Slide Up Fast RR PC Slide Up Slow RR PC1 Down PC2 Double RR PC2 Down Carvin Rhythm Tempo Sync Performances Carvin Rhythm PC Palm Long Perf 76 bpm Tempo Sync Performances PC Palm Med Perf 112 bpm PC Palm Short Perf 112 bpm FENDER JAGUAR GUITAR Fender Jaguar Lead KS and MOD Fender Jaguar Lead C0 Sustain Non vib RR KS CO F 1 CHO Sustain Vib RR continued on next page DO Sustain Non vib RR 3sec D 0 Sustain
46. etary notices contained on the original B You may use the EASTWEST SOFTWARE to create your own original music composi tions or soundtracks for your film video music and audio projects and you may broad cast and or distribute your own original music compositions or soundtracks that were created using EASTWEST SOFTWARE C You may not use the EASTWEST SOFTWARE to create sounds or other content for any kind of synthesizer virtual instrument sample library sample based product musical instrument or competitive product You may not license sell or distribute commer cially or otherwise either the EASTWEST SOFTWARE or any portion or component parts of the EASTWEST SOFTWARE on a standalone basis or repackage and sell license or distribute either the EASTWEST SOFTWARE or any portion or component parts of the EASTWEST SOFTWARE on a standalone basis D You may use the EASTWEST SOFTWARE to compose original music compositions or soundtracks or for a Production Music Library also known as stock music or library mu sic original compositions or soundtracks created entirely by you using the EASTWEST SOFTWARE that you in turn license as an original composition or soundtrack to third parties for use in film television radio or other media provided the completed compo sition or soundtrack is created solely by you E You may use any included EASTWEST SOFTWARE Audio Loops compositions that contain a combination of sound samples that ca
47. he Hardcore Bass instruments these remastered sounds take the same recorded performances to a new level with the modern programming that s possible with the PLAY 2 Advanced Sample Engine Load your favorite bass guitar from the old library and test out how all the new controls let you shape the sound as never before possible The library covers a myriad of styles Songwriters film TV and game composers and drummers and guitarists will all love this library The sound quality and playability are superior to anything else available Ministry of Rock 2 features sounds used in today s music The entire library was put to gether with one goal in mind to create a virtual instrument capable of producing sounds that could actually produce a hit record or film score without any live drum bass or guitar overdubs The articulations and programming were all reverse engineered from actual performances What s Included This Quantum Leap Ministry of Rock 2 library you purchased includes all the following a complete set of sample based instruments enumerated later in this manual e approximately 57 Gigabytes of 24 bit 44 1 kHz samples e the EastWest PLAY Advanced Sample Engine e the unique authorization code that identifies the license you bought e manuals in Adobe Acrobat format for both the EastWest PLAY System and the Quan tum Leap Ministry of Rock 2 Virtual Instrument e an installation program to set up the library software and docu
48. ht When you load any of the patches for these guitars you are loading two separate ewi files and PLAY assigns them both the same MIDI channel number so that they play back together for a true double tracked stereo sound In the keyswitch and MOD files you will see S1 or S2 in the names these are the left and right signals Likewise in the Element files you will See X2 in the name These symbols are not included in the names in the tables in order to keep things simple In the Mod Wheel file Carvin Neck Lead Long MOD 2 the articulations listed for low and high MIDI velocity do not apply for all notes in the range of the instrument The articulation Scream for high velocity only sounds for the note C4 and above And the articulation Harmonics Non vib for low velocity only sounds for the note C3 and above Carvin Neck Lead Long MOD Velocity Sensitive Vibrato When the Mod Wheel is in its lowest range O 20 you can control the amount of vibrato with each note s MIDI Velocity as follows e Velocity 0 55 No Vibrato e Velocity 56 90 Medium Vibrato e Velocity 91 127 Heavy Vibrato except see below e Velocity 126 127 Scream Vibrato only on notes C4 A5 CARVIN GUITAR NECK Carvin Neck Lead KS and MOD Carvin Neck Lead KS CO E1 CO continued on next page C 0 Sustain Non vib RR Sustain Med Vib RR DO Sustain Exp Vib RR D 0 E0 Sustain Med Vib script D 0 Hammer On Pull Off E0 Slide Fast Up Down
49. ise 47 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT STINGRAY 5 BASS Stingray 5 Pick Elements continued from prior page Sustain Long Down Sustain Long RR Sustain Long Up Sustain Short Down Sustain Short RR Sustain Short Up LAKLAND BASS Lakland Finger KS and Playable Patches Lakland Finger KS CO F 0 Lakland Finger Playable Patches Lakland Finger Elements Lakland Finger Elements continued Chapter 4 Guitars and Basses C0 Open Sustain C 0 Legato DO Slide Down D 0 Slide Up E0 Slide Up Sustain FO Octave F 0 Brrr slide up and down fast Hardcore 1 Hardcore 2 Super Fatty Super Octave Sustain RR Sweetsus Exp Brrr slide up and down fast FX Legato Octave Open Slide Down Open Slide Up Sustain Open Slide Up Open Release Layer release sounds at end of notes Staccato 48 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT LAKLAND BASS Lakland Pick KS and Playable Patches Lakland Pick KS A 1 Open Down A 1 A 0 A 1 Open Up Down B 1 Legato C0 Open Slide Down C 0 Open Slide Down Fast DO Open Slide Up D 0 Open Slide Up Fast E0 Open Slide Up Sustain FO Octave F 0 Brrr slide up and down fast GO Mute Down G 0 Mute Up Down A0 Mute Slide Down A 0 Mute Slide Up Lakland Pick Hardcore 1 Playable Patches Hardcore 2 Mute RR Open 5 Way Sustain RR Lakland Pick Elements Lakland Pick Elements Brrr slide up and down fast continued on next page FX Legato Mute
50. k 2 sound These include e auto legato detection e legato scripts e round robin articulations and two means for resetting the cycles e repetition detection Hardware Requirements See the Play System manual for a complete list of the Hardware and Software Require ments for installing and running any PLAY System library In addition the available space on the hard drive required for a full installation of Ministry of Rock 2 is approxi mately 57 GB Gigabytes Chapter 2 Ministry of Rock 2 An Overview 10 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT PLAY 3 The Ministry of Rock 2 User Interface Round Robin Reset Button Stereo Double Controls Filter Controls ADT Controls The Graphical Representation of the Envelope Drum Mixer The Browser View Click on this textto open the MasterNavigationDocument 11 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT The Ministry of Rock 2 User Interface Each library presents its own interface when one of its instruments is the current one as specified in the Instruments drop down in the upper right corner The image below provides an overview of the entire window when in Player View INSTRUMENT DRUM MIXER pan pan ALI e channel transpose sensitivity vel min vel max Much of this interface is shared by all PLAY System libraries and the common features are described in the PLAY System manual The controls described here are e Round Robin
51. mentation on your computer e an Authorization Wizard for registering your license in an online database One required item not usually included is an iLok security key If you already have one from an earlier purchase of software you can use it Otherwise you need to acquire one They are available from many retailers that sell EastWest and Quantum Leap products or you can buy one online from www soundsonline com Chapter 2 Ministry of Rock 2 An Overview 9 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Notes from the Producer Some Ministry of Rock 2 patches load up with the Convolution Reverb Delay and Filter enabled This was done because these are typical setting for such instruments You are encouraged to experiment with the fantastic Reverb and Delay in the PLAY Engine to create your own effects Note The high quality Convolution Reverb in the EastWest PLAY Engine mentioned above uses CPU power If your computer has the minimum system specs turning off the reverb after loading a patch may improve performance Some Ministry of Rock 2 instruments take advantage of the PLAY Engine s feature called Channel Sourcing It lets you access the two sides of the stereo file independently Use this control along with the Stereo Double knob to affect how wide a sound to generate See page 13 for more details about this feature Some of the other PLAY System features working under the hood are used to achieve the Ministry of Roc
52. ments provide a strumming patch with lead samples at high veloci ties Chapter 4 Guitars and Basses 21 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT The Elements Folder contains the individual instrument files that appear in the keyswitch and MOD files Although there may be special circumstances in which you ll want to use these individual files most of the time in performance the keyswitch and MOD files give you more control The Tempo Sync Performances are files that allow you to synch the rhythm within the samples to the tempo set up in a sequencer or in the Advanced Properties page for the Current Instrument Open the Main Menu in PLAY s standalone mode and select Current Instrument to see where this is set up The Playable Patches provide a sustain or similar articulation for all but the highest MIDI velocities and then change to a bend or fall at the upper end of the velocity range Use these instruments to add interest to a sustained line in the basses Tables of the Instruments The Ministry of Rock 2 basses and guitars are each in separate tables on the following pages Use the Acrobat bookmarks in the list at the left if you want to jump to a specific instrument Baritone Lead KS and MOD Baritone Lead KS CO F 0 C0 Sustain Down Up RR C 0 DO Lead Sustain C 0 Lead Hammer On Pull Off DO Lead Slide Up Down D 0 Harmonics E0 Short Staccato RR FO Staccato Palm SLow RR F 0 Tremolo Baritone Lead MOD 1 0 20 Lead Su
53. n be repeated to form a continuous piece of music for a Production Music Library also known as stock music or library mu sic original compositions or soundtracks created entirely by you using the EASTWEST SOFTWARE that you in turn license as an original composition or soundtrack to third parties for use in film television radio or other media subject to the following terms and conditions 1 the Audio Loops must be used in a musical context with at least two other instruments that contribute significantly to the composition and 2 The entire Audio Loop cannot be left exposed at any time in the composition If you have any doubt a composition or soundtrack by you meets the foregoing criteria you may submit the composition to licensing eastwestsounds com for written approval Please do not send audio or MP3 files send us a link to your composition on your web server License Agreement License 2 EASTWEST END USER LICENSE AGREEMENT F You may not and you agree not to or to enable others to copy except as and only to the extent permitted in this License decompile reverse engineer disassemble attempt to derive the source code of decrypt modify or create derivative works of the EAST WEST SOFTWARE or any part thereof except as and only to the extent any foregoing restriction is prohibited by applicable law 3 Transfer Restriction A right to use the EASTWEST SOFTWARE is granted to the origi nal end user of the product Lice
54. nsee and is NOT transferable You may not rent lease lend sell redistribute or sublicense the EASTWEST SOFTWARE Updates and Upgrades If an EASTWEST SOFTWARE update completely replaces full install a previously licensed version of the EASTWEST SOFTWARE you may not use both versions of the EASTWEST SOFTWARE at the same time nor may you transfer them separately Not for Resale NFR Copies Notwithstanding other sections of this License EASTWEST SOFTWARE labeled or otherwise provided to you for development or on a promotional basis may only be used for development demonstration testing and evaluation purposes and may NOT be used for any revenue generating activity that includes the use of the EASTWEST SOFTWARE without the written consent of EASTWEST If you are not sure which license type you own LICENSE NFR please check your iLok or other identified security account or contact licensing eastwestsounds com Educational Copies You must be an Eligible Educational End User to use the EAST WEST SOFTWARE Eligible Educational End Users means students faculty staff and administration attending and or working at an educational institutional facility i e col lege campus public or private K 12 schools EASTWEST SOFTWARE provided for this purpose may NOT be used for any revenue generating activity that includes the use of the EASTWEST SOFTWARE without the written consent of EASTWEST 4 Consent to Use of Data You agree that EAS
55. o that you can use your sustain pedal and get a smooth con nected performance This is most common for the basses and power chord PC guitars The voice limiting can always be changed for any given instrument in the Main Menu gt Current Instrument gt Advanced Properties page Chapter 4 Guitars and Basses 20 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Explaining the Instrument Sub types Keyswitch abbreviated KS is an instrument file that contains all or at least most articu lations of the instrument By playing a keyswitch note shown on the onscreen keyboard in blue you are directing PLAY to use the associated articula tion for all notes until another keyswitch note is played In this way you can quickly and efficiently jump around among the var ious articulations in real time Note that the currently selected keyswitch note appears as a different shade of blue in the image it s CO The names of the articulations associated with each keyswitch note are listed in the Articulations window and also in the tables that appear later in this chapter And if you know that you will not need some articulations you can unload those samples using the same Articulations window Any MOD Instrument allows you to use the Mod Wheel instead of keyswitch notes to switch between articulations There are usually only 3 to 5 articulations in one MOD instrument but the producers have selected articulations they think work together w
56. oise 1 Rhythm Strum Noise 2 STINGRAY 5 BASS Stingray 5 Finger KS and MOD Stingray 5 Finger KS A 1 FO Stingray 5 Finger MOD 1 Stingray 5 Finger Elements Stingray 5 Finger Elements continued Chapter 4 Guitars and Basses A 1 Sustain Long RR A 1 Sustain Short RR B 1 Sustain Mute RR C0 C 0 Sustain script C0 Hammer On Pull Off CHO Slide Up Down DO Fall D 0 Doit E0 Bend Up Down FO Noise 0 20 Sustain Long RR 21 70 Hammer On Pull Off 71 127 Slide Up Down Bend Up Down Half Tone Doit Fall Hammer On Pull Off Slide Down Slide Up String Noise Sustain Long RR Sustain Mute RR Sustain Short RR 46 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT STINGRAY 5 BASS Stingray 5 Pick KS and MOD Stingray 5 Pick PC KS A 1 G 0 Stingray 5 Pick MOD 1 Stingray 5 Pick Elements Stingray 5 Pick Elements continued on next page continued Chapter 4 Guitars and Basses A 1 Sustain Long RR A 1 Sustain Short RR B 1 Sustain Mute RR C0 C 0 G0 Sustain script C0 Hammer On Pull Off CHO Slide Up Down DO Fall D 0 Doit E0 Bend Up Down FO Fast Rep RR F 0 Fast Rep Perf GO Hammer On Off Short G 0 Noise 0 20 Sustain Long RR 21 64 Short Hammer On Pull Off 65 97 Hammer On Pull Off 98 127 Slide Up Down Bend Up Down Half Tone Doit Fall Fast Perf Reps Fast Reps RR Hammer On Long Hammer On Short Pull Off Long Pull Off Short Slide Down Slide Up String No
57. right hand sampling round robin repeated notes and repetitions sampling Repetitions sampling makes the drums play like a live performance These samples were extracted from a live performance and they play back when you play fast repeated notes We call this Live Technology General MIDI Mapping Allthe drums in Ministry of Rock 2 follow the same pattern when assigning drum sounds to the MIDI keyboard What follows is a table for that mapping Chapter 5 Drums 58 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT GENERAL MIDI FOR DRUMS Notes Drum and Articulation G0 A0 cowbell A 0 pedal hat B0 beater on kick drum RRx4 with repetitions C1 beater off kick drum RRx4 with repetitions CH rimshot RRx4 D1 snare middle head RRx4 with repetitions D 1 snare rim crack RRx4 with repetitions El snare outside head RRx4 with repetitions F1 G1 Al toms RRx4 with repetitions B1 C2 D2 middle hat positions HH hats closed G l slightly open A 1 more open C 2 open RRx4 with repetitions D 2 ride middle ride position RRx4 with repetitions E2 cymbal 1 edge RRx2 with repetitions F2 cymbal 1 edge stop RRx2 F 2 cymbal 2 edge RRx2 with repetitions G2 cymbal 2 edge stop RRx2 G 2 cymbal 3 edge RRx2 with repetitions A2 cymbal 3 edge stop RRx2 Lite kits do not include the following mappings but the regular kits do The lite kits are available in the folders that include Less Load in the name and are designed for com
58. rn of the King Harry Potter 2 Star Wars Episode 2 Spiderman 3 Pirates of the Caribbean 3 Blood Diamond Night at the Museum and The Da Vinci Code Quantum Leap has now firmly established itself as one of the world s top produc ers of high end sample libraries and virtual instruments Some of Doug Rogers other EastWest productions have included Fab Four inspired by the sounds of the Beatles an M I P A Winner judged most innovative virtual instru ment by 100 international music magazines and The Dark Side an alternative virtual instrument collection that was released in late 2010 In 2006 EastWest purchased the legendary Cello Studios formerly United Western Re corders on Sunset Boulevard in Hollywood re naming it EastWest Studios The 21 000 sq ft facility since remodelled by master designer Philippe Starck houses five record ing studios and is the world headquarters for EastWest Chapter 1 Welcome 2 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Producer Nick Phoenix Nick began scoring film trailers in 1994 To date he has scored or licensed music for the ad campaigns of over 1100 major motion pictures Star Trek Chronicles Of Narnia 2 3 Secretariat Wall Street 2 Avatar Percy Jackson Twilight 2012 WALL E Indiana Jones 4 Harry Potter 6 Inkheart Tales Of Des pereaux 300 A Christmas Carol Watchmen
59. s Each column is one of these outputs left to right e Mics close to the drums and overhead e Mics further away to capture the ambience of the room e The same as the room mics but run through a compres sor for a punchier sound The 3 buttons in each column give users the ability to Mute Solo and Activate Deactivate the signals separately There s a pan control at the top and a volume slider below that Important Note The room and compressed room mic positions are not intended to be used together Pick one and mix it with the close Room will give you a nice natural room sound Compressed room will give you a bigger larger than life polished record sound Only the drums in Ministry of Rock 2 can use these controls not any of the guitars or basses The Browser View The Browser behaves identically among all PLAY System libraries Read the main PLAY System manual for information about how to use that view Chapter 3 The Ministry of Rock 2 User Interface I5 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT 17 17 19 20 21 22 PLAY 4 Guitars and Basses Descriptions of the Ministry of Rock 2 Guitars and Basses Newly Sampled Instruments Remastered Basses from Hardcore Bass and XP A Note from the Producer Explaining the Instrument Sub types Tables of the Instruments Click on this text to open the Master Navigation Document 16 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Guitars and B
60. s Load for example contains the same files as the folder of standard versions but the suffix LT on the instrument name remind you this is a lite version See the tables of General MIDI mappings starting on page 58 for the differences between standard kits ans their lite versions Those drum kits whose names end in XXX are special versions with a tighter sound and with tuned kicks and snares Use these versions for a more polished sound The seventh folder called Grouped Elements contains one instrument for each type of kit component cymbals HiHats Kick Drums and so on If you re looking to use a specific drum outside of a kit open one of these files Turn on the Loaded and Active buttons for the drum you want while turning off those same buttons for the drums you do not want to hear The following tables list the drum kits available in each of the folders Note that the fold ers of lite instruments are not listed separately because the list is the same as for the standard kits And those with an XXX option include an indication in the listing but not a separate line item Chapter 5 Drums 62 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT DW DRUM KITS DW Metal Kit Black Beauty Snare XXX DW Snare GMS Snare XXX Ludwig Snare NC1 Snare Sonor Snare XXX DW Rock Kit Black Beauty Snare XXX Brady Snare DW Snare GMS Snare XXX NC2 Snare XXX Tempus Snare GRETCH DRUM KITS Gretch Metal
61. s rod system and rock solid bridge The instrument is constructed with a select hardwood body maple neck Schaller BM tuners 3 band active EQ and a Music Man humbucker piezo bridge e Right channel Ampeg Amp e Left channel SWR Amp Remastered Basses from Hardcore Bass and XP The rest of the basses in Ministry of Rock 2 are remasterings of the classic basses in EastWest s popular Hardcore Bass library 2003 and Hardcore Bass Expansion 2004 The original sounds including the separate amplifiers on the left and right tracks where that technique was used in the XP basses have been retained Lakland Bass The Lakland 55 94 Skyline Standard bass is equipped with their familiar MM J pickup configuration and a custom 3 band preamp The master volume pot can be pulled to bypass the active preamp The 55 94 has a 3 way toggle for coil splitting Features in clude an ash body maple neck with a 35 scale and 22 frets Hipshot licensed Ultralight tuners and a Lakland Dual Design bridge e Same left and right channels Ampeg SVT rig with a Sennheiser 451 dynamic mic The Lakland Bass is available both fingered and picked Music Man Vintage Picked This is also a Stingray 5 but only available as a picked instrument It uses alternate pickup settings e Same left and right channels Ampeg SVT rig with an RCA 44 ribbon mic 61 Fender Jazz Fretless This 1961 Fender Jazz bass was converted to fretless and has an amazing warm tone e Righ
62. stain RR 21 70 Lead Hammer On Pull Off 71 127 Lead Slide Up Down Baritone Lead MOD 2 0 20 Lead Sustain RR 21 70 Lead Hammer On Pull Off 71 127 Lead Slide Up Down velocity lt 46 Harmonics continued Chapter 4 Guitars and Basses 22 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT BARITONE GUITAR Baritone Lead Short MOD 0 40 Lead Staccato Palm Slow RR 41 85 Lead Staccato Short RR 86 127 Lead Sustain RR Baritone Lead Elements Baritone Lead Elements Hammer On Pull Off Harmonics Slide Down Slide Up Staccato Palm Slow RR Staccato Short RR Sustain Down Sustain Up Sustain RR Baritone Lead Tempo Sync Performances Baritone Lead Baritone Lead Tremolo Tempo Sync Performances Baritone Rhythm KS and MOD Baritone Rhythm KS CO F 1 CO PC Sustain 1 continued on next page CHO PC Sustain 2 DO PC Down Up D 0 F0 PC Sustain D 0 PC Hammer On Pull Off E0 PC Slide Up Down FO PC Slide Up Down Slow Lo F 0 PC Short RR GO PC Death G 0 PC Death Long A0 PC Death Slow A 0 PC Palm Slow RR BO PC Palm Medium RR Cl PC Staccato Palm Fast RR continued Chapter 4 Guitars and Basses 23 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT BARITONE GUITAR Baritone Rhythm KS CO F 1 continued from prior page Baritone Rhythm MOD 1 Baritone PC Short MOD 1 Baritone Rhythm Elements Baritone Rhythm Elements continued on next page continued Chapter 4 Guitars and Basses CH Dl D 1 El Fl HH D4 A5 0 20 21 89
63. t channel 50s Ampeg rig with an RCA 44 ribbon mic and a Manley tube signal path e Left channel 80s large Ampeg rig with a Sennheiser 451 dynamic mic and a Neve solid state signal path 63 H fner Violin Bass This vintage 63 H fner is the Beatles Bass It has a two piece neck exotic bird s eye maple finish and gold plated hardware Many players revere H fner s Violin Bass as a legend because of its historical significance and its warm woody doublebass like ampli fied tone The H fner Violin Bass is a unique instrument with a smooth sweet sound e Right channel 50s Ampeg rig with an RCA 44 ribbon mic and a Manley tube signal path e Left channel 80s large Ampeg rig with a Sennheiser 451 dynamic mic and a Neve solid state signal path Chapter 4 Guitars and Basses 19 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT 65 Gibson EB2 Bass The EB2 bass guitar was launched in early 1958 It is a hollow body electric bass that features a Bass Baritone pushbutton for two different tonal characteristics It features a curly maple arched top back and rims with ivoroid binding A slim fast low action neck joins the body at the 18th fret Three piece laminated mahogany neck is equipped with adjustable truss rod The combination bridge and tailpiece are adjustable horizontally and vertically There are humbucking pickups with separate tone and volume controls It has a 30 scale with 20 frets e Right channel 50s
64. t shows both E TUR the S1 and S2 instruments appearing together in PLAY s Instrument drop down and both on channel 1 e Both channels Carvin Amp Baritone The Baritone guitar is a variation on the standard guitar with a longer scale length The baritone played here is made by Danelectro and uses custom modified lipstick pickups The greater length of the strings allows it to be tuned to a lower range and together with thicker 14 gauge strings gives it a wicked full tone e Right channel Carvin Amp e Left channel direct The Baritone is available for both lead and rhythm styles Gibson Les Paul The Gibson Les Paul guitar is a solid body electric guitar originally developed in the early 1950s It is a favorite amongst metal guitarists e Right channel Mesa Boogie Amp e Left channel direct Schecter 7 String The C7 FR Hellraiser from Schecter is a guitar that metal players love with its deep and crunchy 7 string tones and a Floyd Rose tremolo for breaking out tremolo tricks It has a mahogany body and 3 piece mahogany neck Its Active EMG 707 TW humbuckers push the limits of high output guitar mayhem e Right channel Marshall Amp e Left channel Bogner Amp Chapter 4 Guitars and Basses 18 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT Music Man Stringray 5 String Bass The Stingray 5 was the first bass to feature active electronics and advancements such as a 6 bolt neck joint contoured body superior neck trus
65. tly consistent delay the delay of the secondary signal will vary forward and back ward in time by this much The Speed knob varies the speed at which that delay is modulated The Level knob specifies the relative loudness of the secondary signal Set it to 0 0 dB to hear the effect at its strongest with the same level on both signals higher or lower gives preference to one of the signals The overall effect depends on their combination The On Off button allows you to kill the ADT effect instantly and then reinstate it with the same settings as needed The null Representation of the Envelope The Envelope Controls are described in the main PLAY Sys tem manual because they are common to all PLAY System li braries Only some libraries include the graph as shown here so it is included in the manuals for those libraries only Note that the total width of the graph represents the total length of all phases of the envelope Therefore when you change something in one part of the graph for example the decay you may see the slopes of other components the at Chapter 3 The Ministry of Rock 2 User Interface 14 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT tack and the release change as well because those phases become a larger or smaller percent of the whole this is as expected Drum Mixer The Drum Mixer gives the user control over the 3 audio out puts that were captured simultaneously at the recording ses sion
66. trument at a time from a MIDI keyboard or the data stored in a sequencer project See the description of the Settings dialog for more information about this articulation specific approach Stereo Double Controls This knob with its three buttons gives the user the option of using ex clusively the left stereo signal or right when Stereo is selected from the Channel Source drop down For any other setting this control has no effect The reason for having the choice is that in some instruments the left and right signals are separately recorded samples For example the Gibson Les Paul guitar was recorded through a Mesa Boogie amp on the left and the signal was captured direct with no amplifier on the right You have the choice of using either sound alone or a mix of the two sounds The knob lets the user determine the spread of the signals how far apart the ear per ceives the stereo channels to be A value of 0 brings the two channels together at the center unless the Pan knob positions the output differently and is the equivalent of turning off the controls with the button below the knob A value of 100 call for the maximum spread available Select between the left and right signal with the buttons on either side of the knob Filter Controls The Filter controls take the sound of the instrument and modify it by filtering out some of the sound above a certain frequency This type of effect is commonly called a Low Pass Filter
67. uments that appear in the list in the Browser do not seem to be specific to the Gretch Metal kit of the Ludwig snare These instru ments in fact include all makes of instruments But only the requested drums have their samples loaded and are activated when a specific kit is opened Using the same example select the Snares instru ment and look at the Articulations control in the Player view Scroll down until you find the one ar ticulation where the Loaded and Active buttons are turned on You will see that it s the Ludwig Snare as requested in the original selection in the Browser And every MOR 2 drum kit you request is set up in this way ARTICULATIONS If you decide to change out one element of a standard drum kit this architecture does allow you to select a different manufacturer and create a custom drum kit For example you could deactivate the Ludwig Snare and load the samples for the Sonor Bergman Snare instead The Ministry of Rock 2 Drum Kits The Drums are grouped into 7 folders that represent 3 types of drum kits plus a folder of instrument files with grouped elements Each of the 3 types of kits is available in a standard version and another version designed to put a smaller load on the computer e DW Kits e DW Kits Less Load e Gretch Kits e Gretch Kits Less Load e Ludwig Kits e Ludwig Kits Less Load Chapter 5 Drums 61 QUANTUM LEAP MINISTRY OF ROCK 2 VIRTUAL INSTRUMENT The folder called DW Kits Les

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